Bibliography:
museums
Texts are listed in chronological order
Alexander Liberman, The Artist in his Studio (London: Thames & Hudson, 1969)
Michael Peppiatt and Alice Bellony-Rewald, Imagination’s Chamber: Artists and their Studios (Boston: New York Graphic Society, 1982)
Peter Avondoglio and Erika Fremerey, Kunstens huse: fra Thorvaldsens til Trapholt (Dansk Arkitektur & Byggeeksport Centre, 1989)
J Milner, The Studios of Paris: Capital of Art in the Late Nineteenth Century (New Haven; London: Yale University Press, 1990)
Postle and M Bignamini, The Artist’s Model: Its Role in British Art from Lely to Etty (Nottingham: University of Nottingham; English Heritage, 1991)
Giles Walkley, Artists’ Houses in London 1764-1914 (Scolar Press, 1994)
Martin Postle and William Vaughan, The Artist’s Model: From Etty to Spencer (Merrell Publishers, 1999)
J. Wood, Close Encounters: the Sculptor’s Studio in the Age of the Camera (Leeds: Henry Moore Institute, 2001)
Michael Cole and Mary Pardo, Inventions of the Studio: Renaissance to Romanticism (Chapel Hill; London, 2005)
Alexander Sturgis, Rebels and Martyrs: The Image of the Artist in the Nineteenth Century (London: National Gallery Publishing, 2006)
Brian O’Doherty, Studio and Cube: On the Relationship Between Where Art is Made and Where Art is Displayed (New York: Columbia University, 2007)
Bernhard Maaz, Im Tempel der Kunst: Die Künstlermythen der Deutschen (Deutscher Kunstverlag, 2008)
Gianna A. Mina and Sylvie Wuhrmann (eds.),Casa d’artisti, Tra Universo privato e spazio public case di artisti adibite a museo, (Ligornetto: Museo Vincenzo Vela, exh. cat. 9 – 11 October, 2009)
M J Long, Artists’ Studios (Black Dog Publishing, 2009)
Giles Waterfield (ed.), The Artist’s Studio (London; Hogarth Arts, exh. cat., 26 September – 13 December 2009, Compton Verney; 9 February – 16 May 2010, Sainsbury Centre for the Visual Arts)
Mayken Jonkman and Rachel Esner, Mythen van het Atelier (Uitgeverij WBooks, 2010)
Bodo von Dewitz, La Bohème : The Staging of Artists as Bohemians in 19th and 20th Century Photography (Steidl, 2010)
Mary Jane Jacob and Michelle Grabner (eds.),The Studio Reader: On the Space of Artists (Chicago: The University of Chicago Press, 2010)
Charlotte Gere, Artistic Circles: Design and Decoration in the Aesthetic Movement (London: V&A Publishing, 2010)
Ina Conzen et al., Mythos Atelier. Von Spitzweg bis Picasso, von Giacometti bis Nauman (Stuttgart: Staatsgalerie Stuttgart, 2012)
Jens Hoffmann (ed.), The Studio (Whitechapel Gallery; MIT Press, Documents in Contemporary Art, 2012)
Alex Coles, The Transdisciplinary Studio (Sternberg Press, 2012)
Anne Cartier Bresson, Dans l’atelier du photographe (Paris : Paris musées, 2012)
Hélène Rochette, Maison d’écrivains et d’artistes : Paris et ses alentours (Parigramme, 2012)
Margot Th Brandlhuber and Michael Buhrs (eds.), In the Temple of the Self: the Artist’s Residence as a Total Work of Art: Europe and America, 1800-1948 (Hatje Cantz, 2013)
Ann-Sophie Lehmann, Rachel Esner and Sandra Kisters (eds.), Hiding, Making, Showing, Creation: The Studio from Turner to Tacita Dean (Amsterdam: Amsterdam University Press, 2013)
Hossein Amirsadeghi, Art Studio America (London: Thames & Hudson, 2013)
France Nerlich and Alain Bonnet, Apprendre à peindre : Les ateliers privés à Paris 1780-1863 (Les presses universitaires François Rabelais, 2013)
Bodo Plachta, Künstlerhaüser: Ateliers und Lebenräume berühmter Maler und Bildhauer (Gebundene Ausgabe, 2014)
Anne Lafont (ed.), ‘L’atelier’, Perspective : actualité en histoire de l’art, 1 (2014) https://perspective.revues.org/4295
John Elderfield and Peter Galassi, In the Studio (New York: Gagosian Gallery, 2015)
John Edwards and Perry Ogden, 7 Reece Mews: Francis Bacon’s Studio (London, 2001)
Kristin Lohse Belkin and Fiona Healy, A House of Art: Rubens as Collector (Antwerp: exh. cat., Rubenshuis and Rubenianum, 2003)
Margarita Cappock, Francis Bacon’s Studio (London, 2005)
Michael Phillips, ‘No. 36 Castle Street East: A Reconstruction of James Barry’s House, Printmaking Studio, and the Making of The Birth of Pandora’, The British Art Journal, 9:1 (Spring, 2008), 15-27
Stéphanie Cantarutti, Bourdelle (Paris: Alternatives, 2013)
Michael Peppiatt, In Giacometti’s Studio (New Haven; London: Yale University Press, 2010) David Mitchinson, Hoglands :The Home of Henry and Irina Moore (London: Lund Humphries, 2007)
Lena Rydin, Carl Larsson-Gården: A Home / Ein Heim / Ett Hem (Carl Larsson-gården, 1994)
Pierre-Louis Mathieu, Geneviève Lacambre and Marie-Cécile Forest, Le musée Gustave Moreau (Paris : Réunion des musées nationaux, 2005)
Jonathan Black and Brenda Martin, Dora Gordine : Sculptor, Artist, Designer (Philip Wilson, 2008)
Annie Leibovitz, Pilgrimage (London; Jonathan Cape, 2011)
Anne Purkiss, Artists: At Home and At Work (Sudbury: Gainsborough’s House Trust, 2014)
Joe Fig, Inside the Artist’s Studio (Princeton: Princeton Architectural Press, 2015)
Daniel Buren, trans. by Thomas Repensek, ‘The Function of the Studio’, October, 10 (Autumn, 1979), 51-58
Lizzie Darbishire, ‘The studios of celebrated Painters’: a series of portraits by John Ballentyne RSA’, Apollo, May 1998, pp.21-27
FG Stephens, Artists At Home (London, 1884) – photographs by J. P. Mayall, with notes by Stephens
Maurice Adams, Artists’ Homes, a Portfolio of Drawings Including the Houses and Studios of Several Eminent Painters, Sculptors and Architects (London, 1883)
Prepared by The Artist’s Studio Museum Network Watts Gallery – Artists’ Village www.artiststudiomuseum.org research@wattsgallery.org.uk
August 2016