Canadian Art DECE M BER 4 — 9, 2 021
Canadian Art DECE M BE R 4 — 9, 2 021
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Lot 304 RAYNALD LECLERC VUE SUR LA HAUTE VILLE [DETAIL]
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consignment specialist Kendra Popelas kp@waddingtons.ca 416-967-6027
front inside cover
Lot 325 HAROLD KLUNDER IMAGE FORMATION IN THE EYE (EVENING LIGHT), 2005
back inside cover Lot 333 WILLIAM GOODRIDGE ROBERTS STILL LIFE [DETAIL]
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back cover Lot 316 RONALD YORK WILSON HOLLY’S PATIO
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This auction is subject to the Conditions of Sale printed in the back of this catalogue.
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301 MARCEL FECTEAU LES PATINEURS DE PLESSISVILLE, 2002
oil on canvas signed; signed, titled and dated on the reverse 19.5 ins x 23.5 ins; 49.5 cms x 59.7 cms PROVENANCE:
Private Collection, Ontario $800 — 1,200
302 FREDERICK SIMPSON COBURN, R.C.A. CROSS COUNTRY SKIING IN THE LAURENTIENS, 1932
oil on canvas signed and dated ‘32 20 ins x 25.7 ins; 50.8 cms x 65.3 cms PROVENANCE:
Private Collection, Toronto $8,000 — 12,000
303 HENRI LEOPOLD MASSON, R.C.A. EASTERN TOWNSHIPS, 1971
oil on canvas signed and dated ‘71 24 ins x 30 ins; 61 cms x 76.2 cms PROVENANCE:
Private Collection, Toronto $3,000 — 5,000
304 RAYNALD LECLERC VUE SUR LA HAUTE VILLE
oil on board signed; signed, titled and inscribed on the reverse 24 ins x 36 ins; 61 cms x 91.4 cms PROVENANCE:
Acquired from the artist; Private Collection, Ontario $1,000 — 2,000
305 HENRI LEOPOLD MASSON, R.C.A. JANUARY THAW, 1973
oil on canvas signed; titled and dated to gallery label on the reverse 16 ins x 20 ins; 40.6 cms x 50.8 cms PROVENANCE:
Gilhooly Gallery Ltd, Ottawa Private Collection, Toronto $2,000 — 3,000
306 ALEXANDER YOUNG JACKSON, O.S.A., R.C.A. BIC
graphite on paper titled lower right, inscribed variously sight 5.5 ins x 8.75 ins; 14 cms x 22.2 cms PROVENANCE:
Private Collection, Ontario $4,000 — 6,000
307 BARKER FAIRLEY, R.C.A. THE HAUNTED ROAD: WINTER NIGHT, 1971
oil on Masonite signed; signed, titled and dated on the reverse 20 ins x 24 ins; 50.8 cms x 61 cms PROVENANCE:
Private Collection, Prince Edward County, ON $3,000 — 4,000
308 ALBERT JACQUES FRANCK, R.C.A. BACK OF YORKVILLE AVE., 1972
watercolour signed, dated ‘72; titled to artist’s label on the reverse sight 7.5 ins x 6.9 ins; 19.1 cms x 17.5 cms PROVENANCE:
Private Collection, Toronto $700 — 900
309 THOMAS KEITH ROBERTS, O.S.A., R.C.A UNTITLED
oil on board signed sight 20 ins x 26 ins; 50.8 cms x 66 cms PROVENANCE:
Private Collection, Toronto $1,500 — 2,500
310 MANLY EDWARD MACDONALD, R.C.A. STREAM IN WINTER
oil on canvas signed 17.25 ins x 21.25 ins; 43.8 cms x 54 cms PROVENANCE:
Private Collection, Toronto $3,000 — 5,000
311 HERALD NIX SNOWY LANDSCAPE, 1999
oil on panel signed and dated “March ‘99” on the reverse 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms PROVENANCE:
Prominent Canadian Corporate Collection $200 — 300
312 MICHAEL FORSTER UNTITLED, 1949
charcoal on paper intitaled “F” and dated 20 ins x 25.75 ins; 50.8 cms x 65.4 cms PROVENANCE:
Dominion Corinth Gallery, Edmonton, purchased 1977 Private Collection, Edmonton $800 — 1,200
313 ROBERT BATEMAN, R.C.A. NOVEMBER ROADSIDE
oil on board signed; titled to Art Gallery of Hamilton label on the reverse sight 11.25 ins x 29.5 ins; 28.6 cms x 74.9 cms PROVENANCE:
Art Gallery of Hamilton; Private Collection, Ontario $5,000 — 7,000
314 ROBERT BATEMAN, R.C.A. RUFFED GROUSE, 1978
acrylic on board signed and dated 20 ins x 30 ins; 50.8 cms x 76.2 cms PROVENANCE:
Private Collection, Ajax, ON $25,000 — 35,000
315 ALAN CASWELL COLLIER, O.S.A., R.C.A. BERG IN JONES SOUND
watercolour signed and titled 6.75 ins x 10.25 ins; 17.1 cms x 26 cms PROVENANCE:
Roberts Gallery Limited, Toronto Private Collection, Toronto $600 — 800
316 RONALD YORK WILSON, O.S.A., R.C.A. HOLLY’S PATIO
acrylic on canvas signed; titled to gallery label on the reverse 28 ins x 20 ins; 71.1 cms x 50.8 cms PROVENANCE:
Roberts Gallery, Toronto; Private Collection, Toronto $1,800 — 2,400
317 NORVAL H. MORRISSEAU, R.C.A. ANISHINAABE (OJIBWE) MEETING OF YOUNG SPIRITS, C.1991
acrylic on canvas signed in syllabics; titled on the reverse 52.75 ins x 33.75 ins; 134 cms x 85.7 cms PROVENANCE:
Acquired directly from the artist Collection of Ilona Nagy, Toronto/ Cobourg, ON Private Collection, Milton, ON $8,000 — 10,000
318 HAROLD BARLING TOWN, R.C.A. STRETCH #29, 1971
oil and Lucite 44 on canvas signed and dated ‘71; also signed and dated ‘71 on the reverse; together with an additional canvas remnant also signed and dated 44 ins x 55.5 ins; 111.8 cms x 141 cms; 44 insx 37.5 ins; 111.8 cms x 95.3 cms $5,000 — 10,000
319 NORVAL H. MORRISSEAU, R.C.A. FISH STORYTELLER, 1980
acrylic on canvas signed in syllabics; titled and dated to gallery label on the reverse 40 ins x 30 ins; 101.6 cms x 76.2 cms PROVENANCE:
Kinsman Robinson Galleries, Toronto Private Collection, Prince Edward Island $8,000 — 12,000
320 NORVAL H. MORRISSEAU, R.C.A. ANISHINAABE (OJIBWE) YOUNG SPIRITS SWIMMING TOGETHER, C.1991
acrylic on canvas signed in syllabics; titled on the reverse 33.75 ins x 52 ins; 85.7 cms x 132.1 cms PROVENANCE:
Acquired directly from the artist Collection of Ilona Nagy, Toronto/ Cobourg, ON Private Collection, Milton, ON $8,000 — 10,000
321 RONALD YORK WILSON, O.S.A., R.C.A. SCENARIO, 1969-1971
oil and collage on card signed and dated ‘69; titled and dated “1969-1971” to label on the reverse sight 14 ins x 10 ins; 35.6 cms x 25.4 cms PROVENANCE:
Beaverbrook Art Gallery, Fredericton, NB $800 — 1,200
322 RITA LETENDRE, R.C.A. TEMPÊTE, 2004
mixed media on paper signed and dated twice 10 ins x 14 ins; 25.4 cms x 35.6 cms PROVENANCE:
Winchester Galleries, Victoria, BC Private Collection, Quebec $1,500 — 2,500
323 GERSHON ISKOWITZ, R.C.A. UNTITLED, 1977
watercolour on paper signed and dated ‘77 17.25 ins x 22 ins; 43.8 cms x 55.9 cms PROVENANCE:
Private Collection, Oakville, ON $1,500 — 2,500
324 HAROLD KLUNDER, R.C.A. DEER LAKE I, 2007
watercolour on paper signed and dated ‘07; titled to gallery label on the reverse overall 10 ins x 28 ins; 25.4 cms x 71.1 cms PROVENANCE:
Transit Gallery, Hamilton, ON $500 — 700
325 HAROLD KLUNDER, R.C.A. IMAGE FORMATION IN THE EYE (EVENING LIGHT), 2005
oil on canvas signed, titled and dated to the reverse 32 ins x 27.75 ins; 81.3 cms x 70.5 cms PROVENANCE:
Private Collection, Oakville, ON $6,000 — 8,000
326 KENNETH CAMPBELL LOCHHEAD, R.C.A. BROWN BELOW, 1964
oil on canvas signed, titled, and dated on the reverse 35 ins x 33 ins; 88.9 cms x 83.8 cms PROVENANCE:
Mira Godard Gallery, Toronto Joyner Fine Art, Toronto, 7 December 1999, lot 161 Private Collection, Toronto $12,000 — 16,000
327 DAVID BOLDUC STANDARD TIME, 1977
mixed media on canvas, double sided signed, titled and dated to the overflap, which has been folded under 42.75 ins x 76.25 ins; 108.6 cms x 193.7 cms PROVENANCE:
Heffel, 29 Sep 2016, lot 224; Private Collection, Oakville, ON $2,500 — 3,500
328 JOHN RICHARD FOX CANAL II, 1990
oil on linen signed and dated ‘90 on the reverse 49 ins x 34 ins; 124.5 cms x 86.4 cms PROVENANCE:
Estate of the Artist Big Brothers Big Sisters of Cornwall, ON $1,500 — 2,500
329 WILLIAM PATERSON EWEN, R.C.A. STILL LIFE
oil on canvas 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Estate of Dr. Barbara Wand, Ontario $4,000 — 6,000
330 WILLIAM GOODRIDGE ROBERTS, R.C.A STILL LIFE - FLOWERS IN VASE
oil on Masonite signed; titled to gallery label on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Manuge Galleries Limited, Halifax, NS; Private Collection, Ontario $2,000 — 3,000
331 BARBARA MILNE REVEAL #10, 2001
oil on panel signed, titled, and dated on the reverse 30 ins x 24 ins; 76.2 cms x 61 cms PROVENANCE:
Paul Kuhn Gallery, Calgary, AB Prominent Canadian Corporate Collection $500 — 700
332 BERNICE FENWICK MARTIN IRISES
oil on canvas board signed; with estate stamp and titled to artist label on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:
Private Collection, Ontario $1,500 — 2,500
333 WILLIAM GOODRIDGE ROBERTS, R.C.A STILL LIFE
oil on Masonite signed 15 ins x 18 ins; 38.1 cms x 45.7 cms PROVENANCE:
Private Collection, Ontario $3,000 — 4,000
334 LESLIE POOLE DAHLIA/GLADIOLA
acrylic and graphite on canvas signed; also signed and titled on the reverse 60 ins x 40 ins; 152.4 cms x 101.6 cms PROVENANCE:
Virginia Christopher Fine Art, Calgary, AB Prominent Canadian Corporate Collection $400 — 600
335 JIM TANNER SWEATSHIRT
watercolour sight 38.5 ins x 28 ins; 97.8 cms x 71.1 cms PROVENANCE:
Prominent Canadian Corporate Collection $300 — 500
336 DAVID LLOYD BLACKWOOD, O.S.A., R.C.A. GRAM GLOVER’S TREE ON BRAGG’S ISLAND, 1999
etching signed, titled, dated and numbered 39/75 sight 15 ins x 17.75 ins; 38.1 cms x 45.1 cms PROVENANCE:
Private Collection, Toronto $1,500 — 2,000
337 NATHAN BIRCH (B. 1978) SCHOONER COVE SUNRISE, 2015
acrylic on canvas diptych, each canvas signed, titled and dated on the overflap; titled to gallery label on the reverse overall 37 ins x 65 ins; 94 cms x 165.1 cms PROVENANCE:
Mira Godard Gallery, Toronto; Private Collection, Toronto $3,000 — 5,000
338 CHRISTOPHER PRATT, R.C.A. NIGHT ON THE RIVER, DEC. 1987
colour serigraph signed, titled, dated “Dec 87” and numbered 53/55 in pencil to the margin; titled, dated and numbered to gallery label on the reverse sight 14 ins x 22.5 ins; 35.6 cms x 57.2 cms PROVENANCE:
Mira Godard Gallery, Toronto; Private Collection, Toronto LITERATURE:
Tom Smart, “Christopher Pratt: Six Decades”, Richmond Hill, 2013, illustrated page 89 $3,000 — 5,000
339 CHRISTOPHER PRATT, R.C.A. OCEAN RACER, 1975
serigraph, printed in colours signed, titled, dated “Jan ‘75” and numbered artist’s proof image 15 ins x 24 ins; 38.1 cms x 61 cms PROVENANCE:
Private Collection, Toronto, ON $2,500 — 3,500
340 TAKAO TANABE LOW TIDE / RATHTREVOR, 1990
colour woodblock signed, titled and numbered 18/50; titled, dated and numbered to gallery label on the reverse sight 17 ins x 26 ins; 43.2 cms x 66 cms PROVENANCE:
Mira Godard Gallery, Toronto; Private Collection, Toronto $1,500 — 2,000
341 ANNE MEREDITH BARRY, O.S.A., R.C.A. UNTITLED (ROCKY NEWFOUNDLAND SHORE), 1986
mixed media on paper signed and dated ‘86 sight 21.75 ins x 29 ins; 55.2 cms x 73.7 cms PROVENANCE:
Private Collection, Toronto $3,000 — 5,000
342 JEAN PAUL RIOPELLE, R.C.A. PAILLETTES, 1987 [YSEULT RIOPELLE, 1987.03AEST.LI]
lithograph in colours signed and numbered 89/125 sight 22.5 ins x 31 ins; 57.2 cms x 78.7 cms PROVENANCE:
Private Collection, Toronto LITERATURE:
Yseult Riopelle, “Jean Paul Riopelle: Catalogue raisonné des estampes,” 2005, reproduced p. 344 $1,500 — 2,500
343 BETTY ROODISH GOODWIN UNTITLED, FROM THE MÉMOIRE DU CORPS SERIES, 1993
laser print in black, oil stick, pastel and gold paint on two sheets of geo-film signed, dated ‘93 and numbered 9/25 overall 17 ins x 11 ins; 43.2 cms x 27.9 cms PROVENANCE:
Private Collection, Alberta $4,000 — 6,000
344 DIANA DEAN THE SEEKERS, 1994
oil on canvas diptych; signed and dated; titled to gallery label on the reverse each 53.75 ins x 53.75 ins; 136.5 cms x 136.5 cms PROVENANCE:
Nancy Poole’s Studio, Toronto; Private Collection, North Bay, ON $6,000 — 8,000
345 CHRIS CRAN (B.1949), R.C.A. YELLOW MEN, 1989
oil and acrylic on board signed and dated ‘89 on the reverse 24 ins x 96 ins; 61 cms x 243.8 cms PROVENANCE:
Paul Kuhn Fine Arts, Calgary Private Collection, Calgary $12,000 — 16,000
346 RENÉ MARCIL UNTITLED, 1988
gouache on paper signed, initialed and dated 48 ins x 31.5 ins; 121.9 cms x 80 cms PROVENANCE:
Private Collection, Michigan $1,000 — 2,000
347 MARJORIE (JORI) ELIZABETH THURSTON SMITH UNTITLED (RECLINING NUDE), 1948
oil on canvas signed and dated ‘48 16 ins x 20 ins; 40.6 cms x 50.8 cms PROVENANCE:
Private Collection, Ontario $3,000 — 5,000
348 BARKER FAIRLEY, R.C.A. PORTRAIT OF BERVA HOWES, 1969
oil on Masonite signed; signed, titled and dated on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms PROVENANCE:
Private Collection, Prince Edward County, ON $2,000 — 3,000
349 WILLIAM GOODRIDGE ROBERTS, R.C.A PORTRAIT OF MARIAN, C.1940
oil on board signed; titled to gallery label on the reverse 34.5 ins x 25 ins; 87.6 cms x 63.5 cms PROVENANCE:
Dominion Gallery, Montreal Estate of Dr. Max Stern, Montreal Sotheby’s, Important Canadian Art, 16 May 2001, lot 52 Private Collection, Toronto $7,000 — 9,000
350 DANIEL SOLOMON COLOUR POTPOURRI, 1977
acrylic on canvas signed, titled and dated to the reverse 47.5 ins x 35 ins; 120.7 cms x 88.9 cms PROVENANCE:
David Mirvish Gallery, Toronto, ON; Private Collection, Toronto, ON $1,000 — 2,000
351 GERSHON ISKOWITZ, R.C.A. UNTITLED, 1960
watercolour on paper signed and dated ‘60 unframed 11 ins x 22 ins; 27.9 cms x 55.9 cms PROVENANCE:
Artist’s Studio, Gershon Iskowitz Foundation $700 — 1,000
352 DAVID BIERK UNTITLED
oil on panel 13.75 ins x 13.75 ins; 34.9 cms x 34.9 cms PROVENANCE:
Private Collection, Ontario $1,500 — 2,000
353 FRANK LEONARD BROOKS, O.S.A., R.C.A. GOLDEN FANTASY, 1967
collage and acrylic on canvas signed and dated ‘67; also signed, titled, inscribed “Mexico” and dated on the reverse 47.5 ins x 39.25 ins; 127 cms x 101.6 cms PROVENANCE:
Studio of the Artist Private Collection, Ontario $3,000 — 5,000
354 DONALD JARVIS RAIN FOREST #26, 1975
oil on canvas signed, titled and dated to the reverse 59.25 ins x 47.5 ins; 150.5 cms x 120.7 cms PROVENANCE:
Bau-Xi Gallery, Vancouver, BC; Private Collection, Toronto, ON $2,000 — 3,000
355 MICHAEL FORSTER RED SPOT, 1965
oil on Masonite signed, titled and dated on the reverse 24 ins x 30 ins; 61 cms x 76.2 cms PROVENANCE:
Purchased in Montreal, 1978 Private Collection, Edmonton $1,500 — 2,500
356 JACK REPPEN, O.S.A. UNTITLED, 1963
mixed media on paper signed and dated ‘63 sight 19.25 ins x 25 ins; 48.9 cms x 63.5 cms PROVENANCE:
Private Collection, Toronto $800 — 1,200
357 HAROLD BARLING TOWN, R.C.A. FOUR CORNERS, 1956
single autographic print signed, numbered 1/1 and dated; titled and dated on the reverse sight 21.25 ins x 16.75 ins; 54 cms x 42.5 cms PROVENANCE:
Mazelow Gallery, Toronto; Private Collection, Toronto $1,500 — 2,000
359 MARYON KANTAROFF SONG OF DEBORAH, 1975
bronze signed and numbered 1/6 height 17.75 ins; 45.1 cms PROVENANCE:
Purchased directly from the artist, 1978; Private Collection, Ontario $2,000 — 3,000
360 DAVID ROBINSON, CANADIAN SOLITUDE STANDING, 1993
Forton and steel, signed with initials, dated and numbered 1/3 Including base 72.8 ins x 14 ins x 14 ins; 185 cms x 35.5 cms x 35.5 cms PROVENANCE:
Private Collection, Vancouver $8,000 — 12,000
361 DAVID GERRY PARTRIDGE, R.C.A. AMORPHOUS FIGURE, 1963
nails, wood signed, titled and dated on the reverse 80 ins x 26 ins; 203.2 cms x 66 cms PROVENANCE:
Private Collection, Ontario $1,500 — 2,500
362 JACK BEDER PATTERNED IMAGE (SCULPTURE #52), 1966
marble excluding base 22 ins x 7.5 ins x 5 ins; 55.9 cms x 20.3 cms x 12.7 cms PROVENANCE:
Private Collection, Ontario $2,000 — 3,000
363 JACK BEDER STRIATED FORM (SCULPTURE #125), 1976
marble excluding base 16 ins x 4 ins x 3.5 ins; 40.6 cms x 10.2 cms x 8.9 cms PROVENANCE:
Private Collection, Ontario $900 — 1,200
364 GERALD GLADSTONE, R.C.A. UNTITLED
steel and Lucite sculpture composed of eight parts overall 15 ins x 10 ins x 10 ins; 38.1 cms x 25.4 cms x 25.4 cms PROVENANCE:
Private Collection, Toronto $1,200 — 1,600
365 SOREL ETROG, R.C.A. UNTITLED TAPESTRY, 1976
acrylic fibre tapestry signed, dated ‘76 and numbered 6/25 97.5 ins x 49.5 ins; 247.7 cms x 125.7 cms PROVENANCE:
Private Collection, Toronto $2,500 — 3,500
366 SOREL ETROG, R.C.A. STUDY FOR RUSHMAN II, CIRCA 1974
bronze signed and numbered 2/7 on base 11.3 ins x 2.75 ins x 6.125 ins; 28.7 cms x 7 cms x 15.6 cms PROVENANCE:
Private Collection, Toronto $8,000 — 10,000
367 LIONEL LEMOINE FITZGERALD UNTITLED, 1953
coloured pencil on paper dated 3.1.53 9 ins x 14 ins; 21.6 cms x 33.7 cms PROVENANCE:
Private Collection, British Columbia $1,000 — 2,000
368 EDWARD JOHN BARTRAM, O.S.A., R.C.A. ROLLING ROCKS #2, 2011
mixed media on canvas signed and dated; also signed, dated and titled on the reverse 48 ins x 60 ins; 121.9 cms x 152.4 cms PROVENANCE:
Mira Godard Gallery, Toronto Private Collection, Toronto $5,000 — 7,000
369 RONALD YORK WILSON, O.S.A., R.C.A. TSING SLAN-CASTLE PEAK (HONG KONG)
oil on Masonite signed; titled to label on the reverse 12 ins x 15.8 ins; 30.5 cms x 40.1 cms PROVENANCE:
Roberts Gallery, Toronto Private Collection, Toronto $1,000 — 1,500
370 DAVID LLOYD BLACKWOOD, O.S.A., R.C.A. LOST PARTY AT SEA, THE SIGN, 1965
colour etching and aquatint signed, titled, editioned Artist’s Proof and dated in pencil to margin sight 21 ins x 22.5 ins; 53.3 cms x 57.2 cms PROVENANCE:
Private Collection, Ontario $1,500 — 2,500
371 MALCOLM RAINS WINDY WEATHER ON LAKE ONTARIO, 1988
watercolour signed and dated ‘88 sight 10 ins x 22 ins; 25.4 cms x 55.9 cms PROVENANCE:
Private Collection, Toronto $400 — 600
372 MALCOLM RAINS THUNDERSTORM MOVING ACROSS LAKE ONTARIO, 1988
watercolour signed and dated ‘88 sight 10 ins x 22 ins; 25.4 cms x 55.9 cms PROVENANCE:
Private Collection, Toronto $400 — 600
373 DAVID BROWN MILNE PAINTING PLACE, 1931
drypoint etching printed in colours etching signed by David B. Milne in pencil in the lower margin drypoint etching sheet size 10.5 ins x 8.5 ins; 26.7 cms x 21.6 cms PROVENANCE:
Private Collection, Brookline, MA $1,000 — 1,500
374 ROBERT WAKEHAM PILOT, P.R.C.A. VIEW OF RMC KINGSTON
oil on board signed sight 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Private Collection, Toronto $6,000 — 8,000
375 WILLIAM GOODRIDGE ROBERTS, R.C.A AUTUMN LANDSCAPE, LAKE ORFORD, CIRCA 1944
signed sight 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE:
Private Collection, Toronto $4,000 — 6,000
376 ROBERT BATEMAN, R.C.A. CANADA GEESE AT THE NEST
mixed media on paper board signed 22.2 ins x 17 ins; 56.4 cms x 43.2 cms PROVENANCE:
Beckette Gallery, Hamilton, ON Private Collection, Toronto $3,000 — 5,000
377 CARL FELLMAN SCHAEFER, R.C.A. FIELD GRASS, WATERLOO COUNTY, JULY 17, 1967-69
watercolour and ink on paper signed, titled, and dated “17.VII.67.69” 21.25 ins x 29.25 ins; 54 cms x 74.3 cms PROVENANCE:
Roberts Gallery Limited, Toronto Private Collection, Toronto $800 — 1,200
378 RITA MOUNT, R.C.A. ANSE-À-BEAUFILS
oil on canvas, laid down on board signed; titled on the reverse 9 ins x 10.75 ins; 22.9 cms x 27.3 cms PROVENANCE:
Private Collection, Montreal Private Collection, Toronto $1,500 — 2,000
379 RITA MOUNT, R.C.A. ANSE AU CHAPADEAU, GASPÉ
oil on canvas signed; titled to gallery label on the reverse 20 ins x 30 ins; 50.8 cms x 76.2 cms PROVENANCE:
Galerie Walter Klinkhoff, Montreal, QC; Private Collection, Toronto, ON $4,000 — 6,000
380 LAWRENCE ARTHUR COLLEY PANTON, O.S.A., R.C.A. THE RED BARN, 1927
oil on linen adhered to tempered hardboard signed; also signed on the reverse and titled and dated to gallery label 20 ins x 24 ins; 50.7 cms x 61 cms PROVENANCE:
Estate of W.A. Ross MacFadden, Toronto EXHIBITED:
“Towards a Lyrical Abstraction: The Art of L.A.C. Panton,” Art Gallery of Ontario, Toronto, 1990, cat. no. 2 $2,000 — 3,000
381 MANLY EDWARD MACDONALD, R.C.A. AUTUMN, BAY OF QUINTE
oil on canvas signed; titled on the reverse; also titled to gallery label on the reverse 20.25 ins x 26.5 ins; 51.4 cms x 67.3 cms PROVENANCE:
Laing Galleries, Toronto, ON; Private Collection, Ontario $4,000 — 6,000
382 PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. HUMBER RIVER
oil on board, double-sided signed; with a still life and estate stamp on the reverse 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms PROVENANCE:
Private Collection, Ontario $2,500 — 3,000
383 PETER CLAPHAM SHEPPARD, O.S.A., R.C.A. FORKS OF THE CREDIT RIVER
oil on board signed; with estate stamp on the reverse 8.5 ins x 10.5 ins; 21.6 cms x 26.7 cms PROVENANCE:
Private Collection, Ontario $2,000 — 3,000
384 FREDERICK STANLEY HAINES, O.S.A., P.R.C.A. AUTUMN TINTS, GRAVENHURST
oil on board signed; titled on the reverse; also titled to gallery label on the reverse 12 ins x 14.5 ins; 30.5 cms x 36.8 cms PROVENANCE:
John A. Libby Fine Art, Toronto, ON; Private Collection, Ontario $1,200 — 1,600
385 ARTO YUZBASIYAN STREETCAR, KING STREET WEST
oil on Masonite signed; titled on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Private Collection, Ontario $1,200 — 1,600
386 JOHN WILLIAM BEATTY, O.S.A., R.C.A. WOOD INTERIOR, PORT-HOPE ONT, C. 1939
oil on panel signed; titled to artist label on the reverse and inscribed “To my very dear friends. Mr + Mrs B. Goldman Feb 19th 1939.” 10.5 ins x 13.5 ins; 26.7 cms x 34.3 cms PROVENANCE:
Private Collection, Toronto $6,000 — 8,000
387 FRANK SHIRLEY PANABAKER, A.R.C.A. FROM BONE ISLAND, GEORGIAN BAY
oil on Masonite signed; titled to frame 16 ins x 20 ins; 40.6 cms x 50.8 cms PROVENANCE:
Private Collection, Toronto $1,500 — 2,000
388 HENRI LEOPOLD MASSON, R.C.A. ST. JOHN’S HARBOUR, NEWFOUNDLAND
oil on canvas signed; titled on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Galerie Walter Klinkhoff Inc., Montreal Private Collection, Toronto $1,500 — 2,500
389 GORDON RAYNER SR. FORKS OF THE CREDIT
oil on board signed 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE:
Gift of the artist Joyner, Toronto, 29 May 2009, lot 197 Private Collection, Mississauga $2,000 — 3,000
390 MANLY EDWARD MACDONALD, R.C.A. IN THE HARBOUR
oil on board signed; titled to gallery label 16 ins x 24 ins; 43.8 cms x 54 cms PROVENANCE:
Laing Art Galleries Private Collection, Toronto $2,000 — 3,000
391 RITA MOUNT, R.C.A. COASTAL SCENE, GASPÉ
oil on canvas signed 13 ins x 17 ins; 33 cms x 43.2 cms PROVENANCE:
Private Collection, Québec $2,000 — 3,000
392 ALAN CASWELL COLLIER, O.S.A., R.C.A. ABOVE GOLD RIVER, VANCOUVER, BC
oil on board signed; signed and titled to the reverse; also titled to gallery labels on the reverse 12 ins x 16 ins; 30.5 cms x 40.6 cms PROVENANCE:
Kenneth G. Heffel Fine Art, Vancouver, BC; Kastel Gallery, Westmount, QC; Private Collection, Toronto $2,500 — 3,500
393 CHARLES FRASER COMFORT, O.S.A., P.R.C.A. THE BASSWOOD TREE, PAINTED NEAR CROW’S LANDING, STONEY LAKE, ON, JULY 1925
watercolour signed; signed, titled and dated to the reverse; also titled and dated to gallery label on the reverse 9.5 ins x 10.25 ins; 24.1 cms x 26 cms PROVENANCE:
McDowell Gallery, Toronto, ON; Private Collection, Toronto, ON $1,500 — 2,500
394 ROBERT GENN DARK INLET CANOE LAKE, ALGONQUIN PARK
oil on canvas signed; signed and titled to the reverse 10.5 ins x 12.5 ins; 26.7 cms x 31.8 cms PROVENANCE:
Private Collection, Toronto, ON $2,000 — 3,000
395 ROBERT E. LOUGHEED QUEEN’S PLATE DAY IN WOODBINE PADDOCK (6TH RACE, ALL VIEW)
oil on board signed; titled to labels on the reverse 20 ins x 26 ins; 50.8 cms x 66 cms PROVENANCE:
Jean-Louis Lévesque Collection; Private Collection, Quebec $1,500 — 2,500
396 SERGE BRUNONI TORONTO, JARVIS STREET
oil on canvas signed; signed and titled to the reverse 30 ins x 40.5 ins; 76.2 cms x 102.9 cms PROVENANCE:
Balzac Fine Arts, Toronto; Private Collection, Quebec $2,000 — 3,000
397 NORVAL H. MORRISSEAU, R.C.A. SON, THIS IS WHERE IT’S ALL AT
acrylic on paper signed in syllabics; titled to gallery label on the reverse 30 ins x 22 ins; 76.2 cms x 55.9 cms PROVENANCE:
The Shayne Gallery, Montreal Private Collection, Montreal $6,000 — 8,000
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Inuit Art DECEMBER 4 - 9, 2021
JESSIE OONARK DREAMS AND MEMORIES
inuitart@waddingtons.ca
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca