Decorative Arts and Design | November 23 - 28, 2019 by waddingtons

Decorative Arts and Design NOVE M BE R 23 â&#x20AC;&#x201D; 28, 2 01 9

Decorative Arts and Design NOVEMBER 23 â&#x20AC;&#x201D; 28, 2019

bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca on view Friday, November 22 from 12:00 pm to 4:00 pm Saturday, November 23 from 1:00 pm to 7:00 pm Sunday, November 24 from 1:00 pm to 7:00 pm Monday, November 25 from 10 am to 12 pm

specialists ceramics, glass and silver Bill Kime bk@waddingtons.ca

front cover Lot 165 Cesare Lapini Cupid and Psyche

416-847-6189

front inside cover

sculpture, decorations, clocks & lighting Sean Quinn sq@waddingtons.ca

back inside cover

416-847-6187

consignment coordinator Hayley Dawson hd@waddingtons.ca 416-504-6167

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2

Lot 46 Large German Silver Figural Centrepiece, Lazarus Posen Witwe, Frankfurt, c.1900

Lot 88 ‘Camaret’, Lalique Moulded, Frosted and Enameled Glass Vase, c.1930

back cover Lot 168 François Linke Gilt Bronze, Kingwood and Mahogany Table á Thé, c.1900

tel: 416-504-9100 toll free: 1-877-504-5700

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

EASTERN GEM-SET AND ENAMELED YELLOW AND WHITE GOLD FIGURE OF A GEISHA, 20TH CENTURY

ITALIAN SILVER, YELLOW GOLD AND SMOKEY QUARTZ MOUNTED OCTAGONAL BOX, MARIO BUCCELLATI, MILAN, 20TH CENTURY

GERMAN ENAMELED TWO-COLOUR GOLD OVAL SNUFF BOX, LES FRÈRES TOUSSAINT, HANAU, LATE 18TH CENTURY

with rigato engraved, moulded and stepped sides and hinged cover, centred with a large emerald-cut smokey quartz set in an elaborate gold mount chased with scrolling acanthus leaves, 4.9 x 11.8 x 9.4 in — 12.5 x 30 x 24 cm, 68.5 oz. — 2130 grams (gross), engraved marks M.BVCCELLATI - ITALY - 925

the hinged cover and underside engraved with concentric herringbone panels within narrow opaque white and translucent green floral and foliate borders, the straight sides with rectangular engine-turned panels interspersed with oval medallions and scrolling leaves, length 3.1 in — 8 cm, 4.6 oz. — 142 grams

$6,000 — 8,000

$3,500 — 5,000

GERMAN SILVER BARREL SHAPED VINAIGRETTE, MID-18TH CENTURY

GERMAN SILVER VASE-SHAPED VINAIGRETTE, MID-18TH CENTURY

GEORGE IV SILVER VINAIGRETTE, TAYLOR & PERRY, BIRMINGHAM, 1829

with reeded and engraved borders, screw opening and with screw-on covers top and bottom, contained in a tortoiseshell case, case height 2 in — 5 cm, 0.5 oz. — 15 grams

engraved with various borders, screw opening and with screw-on covers top and bottom, height 2.2 in — 5.5 cm, 0.8 oz. — 26 grams

of rectangular shape with engraved floral borders, gilt interior and suspension ring

the kneeling figure performing a tea ceremony, her kimono decorated in colourful translucent enamels, the collar (tomoeri) set with sixteen small brilliant cut diamonds and sash (obi) with forty small full cut rubies, her hair pin (kogai) with a single pearl, height 3.7 in — 9.5 cm, 12 oz. — 372 grams $8,000 — 12,000

NOTE:

Contains material which may be subject to import/export regulation $150 — 250

$150 — 250

length 1.6 in — 4 cm, 0.6 oz. — 20 grams $150 — 250

VICTORIAN SCOTTISH SILVER MOUNTED HORN VINAIGRETTE, 19TH CENTURY

GEORGE III SILVER OCTAGONAL SNUFF BOX, ABSTINANDO KING, LONDON, 1804

LATE VICTORIAN SILVER MOUNTED ROSEWOOD TANTALUS, WILLIAM RICHARD CORKE, LONDON, 1895

the sides and cover engraved with geometric borders, length 1.7 in — 4.4 cm, 1.1 oz. — 33 grams

fitted three cut glass decanters with stoppers and four glasses in enclosed compartments, all above a games drawer, 12.8 x 14.2 x 10.6 in — 32.5 x 36 x 27 cm

the hinged cover chased with thistles and set with a cairngorm, length 1.6 in — 4 cm $200 — 300

$150 — 250

$350 — 500

EDWARDIAN SILVER BOWL AND SPOON, WILLIAM COMYNS, LONDON, 1904

VICTORIAN SILVER ‘DUTCH’ BRANDY BOWL, DANIEL & CHARLES HOULE, LONDON, 1883

VICTORIAN SILVER TEA AND COFFEE SERVICE, JOHN SAMUEL HUNT FOR HUNT & ROSKELL, LONDON, 1863

the steep-sided bowl hammered and chased with panels, contained with slip-topped spoon in a fitted case, height 2.5 in — 6.3 cm, diameter 5 in — 12.8 cm, 9.2 oz. — 286 grams

of oval shape with moulded and pierced mask handles at the ends, chased with a band of fruit and leaves between punched bead borders, length 8.9 in — 22.5 cm, 5.9 oz. — 185 grams

$250 — 350

$150 — 250

pear shaped with scroll handles and spouts on circular bases, chased with stylized floral and foliate panels and medallions between applied bead borders, comprising four pieces, coffee pot height 9.5 in — 24.2 cm, 81.7 oz. — 2540 grams PROVENANCE:

Van Hall Collection, Victoria, B.C. $2,000 — 3,000

VICTORIAN SILVER TEA AND COFFEE SERVICE, EDWARD, JOHN & WILLIAM BARNARD, LONDON, 1852

LATE VICTORIAN IRISH SILVER TWO-HANDLED CUP, JAMES WAKELY & FRANK WHEELER, DUBLIN, 1899

SET OF FOUR VICTORIAN SILVER SALT CELLARS, SAMUEL ROBERTS & CHARLES BELK, SHEFFIELD, 1868

comprising four pieces, engraved with panels of flowering foliage and scrollwork, the domed covers with seated oriental figural finials, coffee pot height 11 in — 28 cm, 74.6 oz. — 2320 grams

of inverted bell shape and plain, with moulded rim and girdle on a stepped foot, height 7.6 in — 19.2 cm, 24 oz. — 747 grams

of shell form with figural surmounts and swan feet, the spoons with dolphin terminals, all in a fitted case, length 3.7” — 9.5 cm., 10.8 oz. — 336 grams

$350 — 500

$300 — 400

NOTE:

Contains material which may be subject to import/export regulation $1,500 — 2,000

EARLY VICTORIAN SILVER THREE-BOTTLE TANTALUS, JOSEPH & ALBERT SAVORY, LONDON, 1837

VICTORIAN SILVER-GILT PIERCED ‘STAG HUNT’ PATTERN DESSERT FLATWARE SERVICE, FRANCIS HIGGINS II, LONDON, 1854

GEORGE III SILVER INKSTAND, ROBERT, DAVID & SAMUEL HENNELL, LONDON, 1802

of trefoil shape with moulded foliate scroll rim and handle, on three panel feet, fitted three cut glass decanters with stoppers, height 12.5 in — 32 cm, 34.2 oz. — 1063 grams $800 — 1,200

the handles each cast with a hunting horn, hound and stag amongst leaves and thorns, comprising sixty pieces: 18 dessert spoons, 18 dessert forks, 24 ice cream spoons, length 7.2 in — 18.2 cm; 6.7 in — 16.9 cm; 5.7 in — 14.6 cm, 112.4 oz. — 3495 grams, Britannia standard $2,500 — 3,500

of chamfered rectangular shape with moulded gadroon borders on four panel feet, fitted three cut glass bottles with silver covers, length 10 in — 25.3 cm, 19.9 oz. — 620 grams $500 — 700

GEORGE III SILVER TEAPOT, JOHN LANGLANDS I & JOHN ROBERTSON I, NEWCASTLE, 1778

GEORGE III SILVER EIGHT-BOTTLE CRUET, ROBERT & DAVID HENNELL, LONDON, 1799

SCOTTISH PROVINCIAL SILVER SAUCE BOAT, POSSIBLY PERTH, C.1780

of straight-sided oval form with engraved foliate borders and moulded bead rims, length 9.8 in — 25 cm, 16.6 oz. — 515 grams

of plain oval form with reeded frame and loop handle, on four panel feet, fitted with eight cut glass condiment bottles with silver mounts, height 9.3 in — 23.5 cm

$500 — 700

of plain oval bellied form with shaped rim and leaf-capped flying scroll handle, on three shell-mounted hoof feet, length 5.4 in — 13.7 cm, 3.6 oz. — 112 grams, maker’s marks AG $300 — 400

$500 — 700

PAIR OF GEORGE III SCOTTISH SILVER SAUCE BOATS, FRANCIS HOWDEN, EDINBURGH, 1798

PAIR OF GEORGE III SILVER CHAMBER CANDLESTICKS, AUGUSTIN LE SAGE, LONDON, 1768

GEORGE II SILVER FRUIT STRAINER, SAMUEL HERBERT & CO., LONDON, 1757

of plain oval bellied form with reeded scroll handles and rims, on three hoof feet, length 8.9 in — 22.5 cm, 19.7 oz. — 613 grams

of plain circular form with moulded cotton-reel sockets and flat handles, length 6.3 in — 16 cm, 17.9 oz. — 556 grams

of plain circular form with moulded rim and scroll handles, width 7.5 in — 19 cm, 3.1 oz. — 97 grams

$800 — 1,200

$1,200 — 1,800

$200 — 300

GEORGE II SILVER CREAM JUG, RICHARD BAYLEY (PROBABLY), LONDON, 1735

PAIR OF GEORGE IV IRISH SILVER SALT CELLARS, EDWARD POWER FOR EDWARD TWYCROSS, DUBLIN, 1822

GEORGE III IRISH SILVER WARWICK CRUET FRAME, DUBLIN, C.1770

of plain baluster shape with short spout and scroll handle on a circular foot, height 3.9 in — 10 cm, 4.2 oz. — 132 grams $250 — 350

chased with flowering foliage and scroll cartouches engraved with a crest below shaped gadroon rims, each raised on three hoof feet, height 2 in — 5.1 cm, diameter 3.1 in — 8 cm, 8.4 oz. — 261 grams

the cinquefoil gadroon frame with central handle, raised on four shell feet, fitted with five cut glass bottles with silver tops, chip, height 9.3” — 23.7 cm., 18.3 oz. — 569 grams $700 — 1,000

$200 — 300

ASSEMBLED PAIR OF GEORGE II SILVER SAUCE BOATS, FRANCIS NELME AND GABRIEL SLEATH, LONDON, 1735 AND 1743

PAIR OF GEORGE III SILVER COVERED SAUCE TUREENS, WILLIAM BURWASH & RICHARD SIBLEY, LONDON, 1807

GEORGE III SILVER SMALL MUG, JOHN PAYNE, LONDON, 1761

of ogee-sided oval bellied form and plain with shaped rims and leaf-capped scroll handles, each on three hoof feet, length 8.5 in — 21.5 cm, 31.2 oz. — 969 grams PROVENANCE:

Ann and R. Murray Bell Collection, Toronto $1,200 — 1,800

of oblong shape, partly fluted and engraved with armorials above conforming bases, length 8.5” — 21.7 cm., 53.6 oz. — 1668 grams $1,500 — 2,000

of plain baluster form with scroll-capped double scroll handle on a stepped foot, height 3.6” — 9.2 cm., 6.5 oz. — 202 grams PROVENANCE:

Van Hall Collection, Victoria, B.C. $300 — 500

GEORGE II SILVER BALUSTER TANKARD, THOMAS WHIPHAM, LONDON, 1751

GEORGE III SILVER WINE COASTER, JOHN ROBERTS & CO., SHEFFIELD, 1810

GEORGE III SILVER SMALL COFFEE POT, PROBABLY WILLIAM TURTON, LONDON, 1782

with domed cover hinged to the double scroll handle, chased with matted ground flowering foliage, shells and scrollwork, height 9 in — 22.8 cm, 39.8 oz. — 1238 grams

chased with borders of flutes and stiff leaves below the moulded gadroon rim, the turned wood base with silver boss, diameter 5.8 in — 14.7 cm

of plain baluster form and plain with moulded bead borders, height 7.7 in — 19.5 cm, 11.2 oz. — 349 grams

$800 — 1,200

$200 — 300

GEORGE IV SILVER TWO-BOTTLE CONDIMENT CRUET, JOHN WRANGHAM & WILLIAM MOULSON, LONDON, 1826

VICTORIAN SILVER TROPHY CUP, ELKINGTON & CO., BIRMINGHAM, 1876

SET OF FOUR VICTORIAN SILVER SALT CELLARS WITH SPOONS, HENRY JOHN LIAS & SON, LONDON, 1875

of hourglass shape with moulded gadroon rim on four panel feet, fitted two cut glass bottles with stoppers, height 6.1 in — 15.5 cm, 7.1 oz. — 222 grams $250 — 350

the flaring bowl lobed at the base, raised on a knopped stem and circular foot, height 10.3 in — 26.2 cm, 12.8 oz. — 397 grams NOTE:

Inscribed ‘Her Majesty the Queen’s Prize / Gunner P. Turner Wilson / Shoeburyness, 1876’ $200 — 300

$300 — 400

of compressed circular shape, engraved with leafy vines between beaded rims, contained in a fitted case, height 1.3 in — 3.4 cm, diameter 2.2 in — 5.5 cm, 4.8 oz. — 149 grams $200 — 300

PAIR OF VICTORIAN SILVER SALT CELLARS AND A MUSTARD POT, MESSRS. BARNARD, LONDON, 1839

ENGLISH SILVER TEA AND COFFEE SERVICE, ELKINGTON & CO., BIRMINGHAM, 1915-28

FRENCH SILVER CHALICE, PARIS, 1752

of circular shape, pierced and moulded with scrolling leaves, each on three scroll feet, with blue glass liners, height 3 in — 7.7 cm, 10.6 oz. — 330 grams

comprising five pieces, each fluted body engraved at the shoulder with diaper panels, shells and scrollwork, kettle on lampstand height 12.6 in — 32 cm, 106 oz. — 3297 grams

$200 — 300

the multi-knopped stem and base moulded and chased with borders of flutes and formalised leaves, height 7.4 in — 18.7 cm, 7.8 oz. — 244 grams, maker’s mark GL, crescent between $500 — 700

NOTE:

Contains material which may be subject to import/export regulation $1,500 — 2,000

FRENCH SILVER GILT CHALICE AND PATEN, M. CHÉRET, PARIS, C.1938

FRENCH SILVER WINE BOTTLE CARRIAGE, C.1900

the chalice stem with lapis lazuli knop, contained in a fitted case, height 7” — 17.7 cm., diameter 6.4” — 16.3 cm., 34.1 oz. — 1061 grams (gross)

of two-wheeled gun carriage form, chased with ribbon-tied foliage, the scroll handle moulded with a mask, shell and scrolling leaves, length 13 in — 33 cm, 37.3 oz. — 1160 grams, maker’s marks L&Cie, crown above, also struck with Russian marks

PAIR OF FRENCH SILVER MOUNTED GLASS WINE JUGS, PIERRE QUEILLÉ, PARIS, C.1900

$1,000 — 1,500

$600 — 800

with plain C-scroll handles and hinged covers, the bases and collars pierced and engraved with buds and leaves, height 9.6 in — 24.5 cm $500 — 700

RUSSIAN SILVER MOUNTED CUT GLASS WINE JUG, KARL FABERGÉ, MOSCOW, 1899-1908

RUSSIAN SILVER MOUNTED PAINTED ICON OF THE MOTHER OF GOD, MOSCOW, 1884

GERMAN SILVER GOBLET, MID-19TH CENTURY

of wrythen fluted tapering cylinder form with angular scroll handle and hinged cover, the collar moulded with stylized floral motifs above a Greek key border and pendant laurel garlands, height 11.9 in — 30.2 cm, assaymaster Ivan Lebedkin, engraved numerals

with pierced, chased and engraved oklad, 12.6 x 10.4 in — 32 x 26.5 cm, assaymaster Viktor Savinkov, maker’s mark (cyrillic) FI $500 — 700

the lobed bowl chased with panels and raised on three winged caryatid supports above a hexagonal foot moulded with panels of masks and figures, height 7 in — 17.8 cm, 11 oz. — 342 grams $200 — 300

$1,000 — 1,500

LARGE GERMAN SILVER FIGURAL CENTREPIECE, LAZARUS POSEN WITWE, FRANKFURT, C.1900

GERMAN SILVER TWO-HANDLED OVAL CENTREPIECE BOWL, PROBABLY HANAU, C.1900

of oval basket form, a female figure with billowing drape applied at one end, a putto at the other, the sides with attendant cherubs, flowers and leaves, all on an Art Nouveau moulded scroll base, length 24.8 in — 63 cm, 155.5 oz. — 4837 grams

with pierced rim and scroll handles on four scroll feet, all moulded and chased with floral garlands, masks, shells and scrollwork, length 15.6 in — 39.5 cm, 32.7 oz. — 1017 grams

DANISH SILVER OVAL CENTREPIECE BOWL, #622B, HARALD NIELSEN FOR GEORG JENSEN, COPENHAGEN, POST-1945

$5,000 — 7,000

$400 — 600

plain with scroll and berry handles on an oval foot, length 16.4 in — 41.7 cm, 38.7 oz. — 1205 grams $2,000 — 3,000

DANISH SILVER ‘ACORN’ PATTERN FLATWARE SERVICE, JOHAN ROHDE FOR GEORG JENSEN, COPENHAGEN, 20TH CENTURY

DANISH SILVER ‘CACTUS’ PATTERN FLATWARE SERVICE, GUNDORPH ALBERTUS FOR GEORG JENSEN, COPENHAGEN, 20TH CENTURY

DANISH SILVER ‘PYRAMID’ PATTERN FLATWARE SERVICE, HARALD NIELSEN FOR GEORG JENSEN, COPENHAGEN, POST-1945

comprising one hundred and twenty-eight pieces: 12 dinner knives, 12 dinner forks, 12 luncheon knives, 12 salad forks, 12 soup spoons, 12 butter spreaders, 12 dessert forks, 12 dessert spoons; 12 tea spoons, 12 coffee spoons; 3 serving spoons; 3 serving forks, gravy ladle, pie server, 151 oz. — 4696 grams

comprising eighty-three pieces: 8 dinner knives, 8 dinner forks, 8 soup spoons, 8 dessert knives, 7 dessert forks, 10 dessert spoons, 7 tea spoons, 4 coffee spoons, 8 demi-tasse spoons, 2 sauce spoons, 2 pickle forks, 2 pairs of salad servers, pie slice, 2 serving spoons, bottle opener, fish knife, pair of carvers, 82.4 oz. — 2563 grams

comprising eighty-three pieces: 12 dinner knives, 12 dinner forks, 12 soup/dessert spoons, 10 salad/dessert forks, 12 tea knives, 12 tea spoons, 13 coffee spoons, 84.4 oz. — 2626 grams

$5,000 — 7,000

$3,000 — 4,000

ITALIAN SILVER FLATWARE SERVICE, MIRACOLI, MILAN, 20TH CENTURY

DUTCH SILVER HANOVERIAN PATTERN FLATWARE SERVICE, 1894-95

WIENER WERKSTÄTTE SILVER PLATED VASE, 1920S

comprising one hundred and seventy-three pieces: 24 dinner knives, 24 dinner forks, 12 soup spoons, 12 fish knives, 12 fish forks, 12 luncheon/dessert knives, 18 luncheon/dessert forks, 12 dessert spoons, 12 tea spoons, 18 coffee spoons, serving spoon and fork, pair of salad servers, bread knife, cheese knife, pâté knife, butter knife, cake knife, serving tongs, asparagus tongs, tomato server, pickle fork, sardine server, preserve spoon, sugar spoon, pie slice, 251.3 oz. — 7815 grams

comprising eighty-five pieces: 24 dinner forks, 24 table spoons, 18 dessert forks, 17 dessert spoons, 2 serving spoons, contained in a fitted canteen, 172.2 oz. — 5355 grams

the floriform vessel with hammered finish on domed circular foot, height 9.1 in — 23 cm, stamped marks

$3,000 — 5,000

$2,500 — 3,500

$3,000 — 4,000

$250 — 350

AMERICAN SILVER TEA AND COFFEE SERVICE, GORHAM MFG. CO., PROVIDENCE, R.I., 1910

AMERICAN SILVER GEORGE WASHINGTON SUGAR TONGS, THOMAS HARLAND, NORWICH, CT., C.1799

CANADIAN SILVER TEA KETTLE ON LAMPSTAND, HENRY BIRKS & SONS, MONTREAL, QUE., 1948

comprising four pieces, of fluted straight-sided oval form, engraved and moulded with narrow floral, foliate and wave borders, coffee pot height 7.7 in — 19.5 cm, 63.7 oz. — 1980 grams

with shell grips, moulded with profile portraits and ‘WASHINGTON’ on the terminals, length 6.5 in — 16.5 cm, 1.7 oz. — 53 grams

of plain design with moulded scroll spout and handle on three scroll feet, height 15.2 in — 38.5 cm, 51 oz. — 1585 grams

$800 — 1,200

NOTE:

$700 — 1,000

Forks in this pattern, from the collection of Henry Francis du Pont, are in the Winterthur Museum $200 — 300

CANADIAN SILVER COVERED SERVING DISH, HENRY BIRKS & SONS, MONTREAL, QUE., 20TH CENTURY

CANADIAN SILVER SHAPED SQUARE SALVER, HENRY BIRKS & SONS, MONTREAL, QUE., 1965

CANADIAN SILVER SQUARE SALVER, HENRY BIRKS & SONS, MONTREAL, QUE., 1965

of plain circular shape, the shallow domed cover engraved with scrolling leaves, diameter 13.6 in — 34.5 cm, 57.8 oz. — 1798 grams

plain with a moulded rim, on four bun feet, width 12.8 in — 32.5 cm, 39.2 oz. — 1220 grams

plain with shaped and moulded rim, on four bun feet, width 14 in — 35.5 cm, 47.3 oz. — 1471 grams

$700 — 1,000

$500 — 700

$600 — 800

CANADIAN SILVER TWO-HANDLED SERVING TRAY, HENRY BIRKS & SONS, MONTREAL, QUE., 1959

CANADIAN SILVER ‘CHANTILLY’ PATTERN FLATWARE SERVICE, HENRY BIRKS & SONS, MONTREAL, QUE., 20TH CENTURY

CANADIAN SILVER COVERED SERVING DISH, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

of plain oval shape with moulded rim and scroll handles at the ends, length 27.2 in — 69 cm, 119.4 oz. — 3714 grams $1,500 — 2,000

comprising two hundred and three pieces: 21 dinner knives, 23 dinner forks, 18 luncheon knives, 18 luncheon forks, 18 dessert spoons, 12 soup spoons, 12 tea knives, 20 salad forks, 18 tea spoons, 28 coffee spoons, 4 table spoons, cold meat fork, pickle fork, sauce ladle, sugar tongs, cheese knife, paté knife, hors d’oeuvres server, pair of berry spoons, pair of carvers, 209.3 oz. — 6510 grams

of circular shape, the domed cover with stylised leaf and blossom finial, with removable divider, height 4.7 in — 12 cm, diameter 10.1 in — 25.7 cm, 48.1 oz. — 1496 grams $1,500 — 2,000

$2,500 — 3,500

CANADIAN SILVER SQUARE COMPORT CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

CANADIAN SILVER STEEP SIDED BOWL WITH BLOSSOM PATTERN LADLE, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

CANADIAN SILVER CIRCULAR DISH, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

hand-hammered and applied with scrolling tendrils terminating in berry clusters at the corners, raised on a stepped circular foot, diameter 18.3 in — 46.5 cm, 51.6 oz. — 1604 grams $1,500 — 2,000

applied with stylized leaves, with blue glass liner, height 3.1 in — 7.8 cm, diameter 4.8 in — 12.1 cm, 4.1 oz. — 128 grams $250 — 350

with applied tendril and blossom handles, diameter 6.8 in — 17.3 cm, 6.4 oz. — 200 grams $200 — 300

FIVE CANADIAN SILVER SHELL SHAPED NUT DISHES, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

FOUR CANADIAN SILVER PEPPER CASTERS AND FOUR SALT CELLARS WITH SPOONS, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

CANADIAN SILVER BUTTER DISH, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

on circular bases, length 3.9 in — 9.8 cm, 8.8 oz. — 273 grams $200 — 300

with stylised leaf and berry finials and bases, caster height 3.4 in — 8.7 cm, 8.1 oz. — 251 grams $300 — 500

the cover hand-hammered below a blossom finial, the base with a moulded border, with glass liner, stand diameter 5.9 in — 15 cm, 8.3 oz. — 259 grams $250 — 350

TWO PAIRS OF CANADIAN SILVER BLOSSOM PATTERN SERVING SPOONS AND FORKS AND A PIE SLICE, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

CANADIAN SILVER FLATWARE SERVICE, CARL POUL PETERSEN, MONTREAL, QUE., MID-20TH CENTURY

PAIR OF CANADIAN SILVER ‘TRILIUM’ SALAD SERVERS, DOUGLAS BOYD, RICHMOND HILL, ONT., 1960 length 8.5 in — 21.5 cm, 5.9 oz. — 184 grams

hand-hammered, the pierced handles with applied pods, largest length 9.6 in — 24.5 cm, 12.1 oz. — 376 grams

comprising eighty-six pieces: 11 dinner knives, 12 dinner forks, 12 soup spoons, 12 tea knives, 10 salad forks, 12 dessert spoons, 12 dessert forks, sugar spoon, pie slice, sauce ladle, pair of salad servers, 105.3 oz. — 3275 grams

$600 — 800

$2,500 — 3,500

$150 — 250

CANADIAN SILVER FIDDLE AND THREAD PATTERN SERVING SPOON, J.G. JOSEPH & CO., TORONTO, ONT., C.1857-77

PAIR OF CANADIAN SILVER FIDDLE PATTERN FISH SERVERS, PIERRE LESPERANCE, QUEBEC CITY, QUE., C.1870

CANADIAN SILVER FIDDLE PATTERN TABLE FORK, JACQUES VARIN DIT LATOUR, MONTREAL, QUE., LATE 18TH CENTURY

length 12.5 in — 32 cm, 6.5 oz. — 203 grams

slice length 12.8 in — 32.5 cm, 13.1 oz. — 407 grams

length 7.9 in — 20 cm, 2.3 oz. — 73 grams

NOTE:

The crest and motto VIRTUTE ADEPTA are those of Patton

$50 — 100

$250 — 350

$150 — 250

GROUP OF CANADIAN SILVER FLATWARE, VARIOUS MAKERS, 19TH CENTURY

CANADIAN SILVER COVERED ECUELLE, SALOMON MARION, MONTREAL, QUE., EARLY 19TH CENTURY

NORTH AMERICAN GEM-SET SILVER-GILT CHALICE AND PATEN, PROBABLY CANADIAN, C.1950

comprising: 2 table spoons and a dessert fork (François Sasseville, Quebec City), table fork and dessert fork (Savage & Lyman, Montreal), 2 butter knives (Michael Septimus Brown, Halifax and Gustavus Seifert, Quebec City) and a sugar spoon (William Learmont, Montreal), 15.3 oz. — 475 grams

with moulded batwing fluted handles and fluted border at the rim, the domed cover chased with flutes above a foliate lappet border, width 11.9 in — 30.3 cm, 27.2 oz. — 846 grams

moulded and chased with Celtic ornament and applied with volute borders, set with a single old European-cut diamond and ten garnet cabochons, contained in a fitted case, height 8.9 in — 22.7 cm, diameter 6.1 in — 15.5 cm, 30.7 oz. — 955 grams, maker’s mark AB in monogram

$300 — 400

$3,500 — 5,000

$700 — 1,000

THREE CANADIAN PEWTER TABLE SPOONS, THOMAS MENUT, MONTREAL, 19TH CENTURY

DALE CHIHULY (AMERICAN, B.1941), AMETHYST PERSIAN GLASS GROUP WITH GREEN AND YELLOW LIP WRAPS, 2005

ORREFORS ‘ARIEL’ GLASS VASE, EDVIN ÖHRSTRÖM, 1950

length 8.5 in — 21.5 cm, stamped marks TM over beaver in oval and MONTREAL in rectangle $100 — 200

comprising two pieces, 10.6 x 12.2 x 10.2 in — 27 x 31 x 26 cm, engraved mark PP05 $2,000 — 3,000

the ovoid vessel internally decorated in green with a portrait of a girl, stylized plants and a butterfly, height 5.9 in — 15 cm, engraved ORREFORS / SWEDEN / ARIEL 142-E / E. ÖHRSTRÖM $1,000 — 1,500

ORREFORS GRAAL FISH VASE, EDVARD HALD, C.1953

PAIR OF LOETZ ENGRAVED SILVER OVERLAID ‘PAPILLON’ IRIDESCENT GLASS VASES, C.1900

‘BACCHANTES’, LALIQUE MOULDED AND FROSTED GLASS VASE, POST-1978

the thick-walled globular vessel internally decorated in black and green with fish swimming amongst weeds, height 4.5 in — 11.5 cm, engraved Orrefors / Sweden / Graal Nr. 1954 D / Edward Hald $250 — 350

of shouldered form overlaid and engraved with prunus branches, height 9.1 in — 23.2 cm

of flaring cylinder form, decorated with a frieze of full length nude female figures, height 9.6 in — 24.3 cm, engraved marks Lalique ® / France

$600 — 800

$700 — 1,000

‘ONDINES’, LALIQUE MOULDED AND PARTLY FROSTED GLASS VASE, POST-1945

‘BACCHUS’, LALIQUE MOULDED AND PARTLY FROSTED GLASS VASE, POST-1945

‘DEUX FLEURS’ AND ‘L’AIR DU TEMPS’, TWO LALIQUE GLASS PERFUME BOTTLES, POST-1945

of flaring cylinder form, decorated with nude female bathers, height 9.4 in — 24 cm, acid-stamped marks Lalique ® / France

of flaring cylinder form, decorated with a frieze of fauns amongst ivy, height 7 in — 17.8 cm, stenciled marks Lalique ® / France

largest height 4 in — 10.2 cm, engraved and acid-stamped marks

$400 — 600

$250 — 350

‘CAMARET’, LALIQUE MOULDED, FROSTED AND ENAMELED GLASS VASE, C.1930

GALLÉ PASQUE FLOWER CAMEO GLASS VASE, C.1900

LEGRAS ENAMELED CAMEO GLASS WINTER LANDSCAPE VASE, EARLY 20TH CENTURY

of globular form, moulded with rows of stylized fish, stained with blue-grey enamel, height 5.5 in — 14 cm, engraved marks Lalique ® / France

the ovoid vessel of yellow glass, overlaid with green, brown, purple and blue, etched with flowers and leaves, height 6.3” — 16 cm., cameo mark Gallé

Nr. 1010

$300 — 400

$700 — 1,000

$100 — 200

with triangular rim, decorated with an encircling winter landscape on a mottled ochre ground, height 5.3 in — 13.5 cm, enameled signature Legras $250 — 350

FAÇON DE VENISE WINE GLASS, 17TH CENTURY

EIGHT ANGLO-IRISH CUT GLASS WATER GOBLETS, 19TH CENTURY

LARGE ORMOLU MOUNTED ‘SÈVRES’ COVERED VASE, C.1900

the octagonal funnel bowl supported on a convoluted stem with white and yellow spiral threads above a spreading circular foot, height 6.4 in — 16.2 cm

each with a broad band of diamonds above a knopped stem and star-cut circular foot, height 5 in — 12.7 cm

painted in colours with a panel of Flora and attendants on one side, a garden view on the reverse, within elaborate gilt surrounds on a blue ground, restored, height 36.4 in — 92.5 cm, signed C. Rochette, painted interlaced L’s and S..... in blue

PROVENANCE:

$200 — 300

Waddington’s, Toronto, June 21st, 1999, lot 300, Property from the Collection of Rudy Eswarin, Toronto, former Fellow of the Corning Museum of Glass, Corning, N.Y.

$1,500 — 2,000

$350 — 500

PAIR OF ‘SÈVRES’ BLUE-GROUND VASES, LATE 19TH CENTURY

PAIR OF ‘SÈVRES’ BLEU CÉLESTE GROUND PLATES, LATE 19TH CENTURY

with fluted necks and moulded scroll handles, each painted in colours on one side of the body with a panel of figures in a garden setting, reserved within a gilt surround, height 12” — 30.5 cm., painted interlaced Ls marks in blue

painted on the centres each with a large panel of lovers beneath a tree or a child feeding chickens, the shaped rims with gilt ribbon-tied floral garlands and lattice borders, tiny chip, diameter 9.4 in — 24 cm, incised and painted interlaced Ls marks in blue

‘SÈVRES’ BLUE GROUND ECUELLE WITH COVER AND STAND, 19TH CENTURY

$800 — 1,200

painted with panels of cupids in colours reserved within gilt scroll surrounds on turquoise and blue paneled grounds, stand length 7.7 in — 19.5 cm, painted interlaced Ls marks in teal PROVENANCE:

Collection of the late Mrs. L.H. Condé, Toronto

Label with Leo and Doris Hodroff Collection, no.3012

$300 — 500

$250 — 350

PROVENANCE:

‘SÈVRES’ BLUE AND GILT GROUND TÊTE-À-TÊTE SERVICE, C.1900

FRENCH CHAMPLEVÉ ENAMELED ORMOLU MOUNTED TWO-HANDLED VASE, PROBABLY ‘SÈVRES’, C.1900

PAIR OF FRANZ THALLMAIER RECTANGULAR PLAQUES AFTER MURILLO, C.1900

painted in colours with a panel of putti on one side, a floral arrangement on the reverse, height 11.2 in — 28.5 cm

painted in colours with Fruit Sellers and Children Playing Dice, contained in elaborate Black Forest carved wood frames, plaques 14.2 x 11.4 in — 36 x 29 cm, overall 25 x 20 in — 63.5 x 51 cm, impressed marks 321 / M and K / 321, embossed green oval label FRZ. X THALLMAIER / PORZELLAINMALEREI / MÜNCHEN

comprising eight pieces, painted in colours with panels of courting figures in garden settings, tray width 15.6 in — 39.5 cm, painted signatures Lefranc, printed marks (worn) M. Imple. / de Sèvres

$250 — 350

$700 — 1,000

$2,000 — 3,000

100

101

102

BERLIN OVAL PLAQUE OF TWO CHERUBS, LATE 19TH CENTURY

DRESDEN OVAL PORTRAIT PLAQUE OF ‘JESUS IN THE TEMPLE’, LATE 19TH CENTURY

DRESDEN OVAL PORTRAIT PLAQUE OF A CHILD, C.1900

painted in colours, after Raphael’s Sistine Madonna, framed, plaque 6.7 x 8.9 in — 17 x 22.5 cm, impressed KPM and sceptre marks $250 — 350

painted in colours, after Heinrich Hofmann, framed, plaque 7.7 x 5.7 in — 19.5 x 14.5 cm, impressed mark

painted in colours, in an Italian Renaissance style frame mounted with moulded and engraved brass and lapis lazuli medallions, overall height 13 in — 33 cm

$200 — 300

103

104

105

‘VIENNA’ CIRCULAR PLAQUE OF ‘AIR’ (JUNO ORDERS AEOLUS TO RELEASE THE WINDS), AFTER CHARLES DUPUIS, LATE 19TH/EARLY 20TH CENTURY

‘VIENNA’ OVAL PLATTER, LATE 19TH CENTURY

‘VIENNA’ SMALL TANKARD, C.1900

the large central panel painted with the allegorical scene in colours, within red, blue and raised gilt borders, the quarter panels filled with pink-ground medallions, scrolling leaves and grotesqueries, framed, restored, diameter 19.5 in — 49.5 cm, painted shield mark in blue and titled in red script

the rectangular centre panel painted in colours with an allegorical scene representing the Triumph of Peace, reserved on a colourfully paneled and gilt ground with smaller medallions, length 12.9” — 32.8 cm., signed S.V. Brues(?), painted shield mark in underglaze blue and double-headed eagle in white enamel

of cylinder shape with domed cover, painted on the front with a panel of classical lovers, reserved within a gilt surround on a colourful paneled ground, height 5.2 in — 13.3 cm, painted shield mark in underglaze blue $250 — 350

$400 — 600

$1,000 — 2,000

106

107

108

RUSSIAN PORCELAIN EASTER EGG, PROBABLY IMPERIAL PORCELAIN MANUFACTORY, LATE 19TH CENTURY

‘OURSIN’, PABLO PICASSO (1881-1973), CERAMIC BOWL, 72/150, C.1955

WEDGWOOD DRAGON LUSTRE FOOTED BOWL, 1920S

height 2.4” — 6 cm., diameter 7” — 17.9 cm., dated 31.3.55, impressed EMPREINTE / ORIGINALE DE / PICASSO, inscribed K-116 and numbered 72/150 in black

decorated in gilt on a nacreous mottled powder blue ground, height 5.5” — 14 cm., diameter 8” — 20.3 cm., printed mark in gilt

painted in colours on one side, after Timofey Andreyevich Neff, with an angel holding a candle in one hand and a thurible in the other, reserved within a burnished surround on a gilt ground with starburst panel on the reverse, with moulded gilt metal finial on a circular pedestal base, overall height 8.7” — 22 cm., panel signed with initials (Cyrillic) YA $500 — 700

NOTE:

From an edition of 150, conceived March 31st, 1955 (A.R. 268) $1,500 — 2,000

$200 — 300

109

110

111

EIGHT COALPORT BLUE AND GILT TOPOGRAPHICAL PLATES, EARLY 20TH CENTURY

COALPORT YELLOW-GROUND ARMORIAL SERVICE, C.1810

BARR, FLIGHT & BARR WORCESTER APRICOT AND GILT GROUND TWO-HANDLED VASE AND COVER, C.1810

each painted with a landscape vignette on the centre, diameter 9.4 in — 24 cm, painted titles and pattern number x304 in red, impressed and printed marks in teal $200 — 300

painted with gilt armorials and Greek key borders, the rims with colourful mythical figures, birds, flowers and scrolling leaves, comprising twenty-nine pieces: 18 plates, 4 oval dishes, 3 shell dishes, 2 square dishes, circular bowl, oval bowl, minor chips, plates diameter 9.4 in — 24 cm PROVENANCE:

Label with Mercury Antiques, London $1,000 — 1,500

painted with a gilt and pale blue panel of ‘Group of Female Figures from Sir Wm. Hamilton’s Vases’, reserved on a paneled ground with Greek key and applied white bead borders, minor restoration, height 10 in — 25.3 cm, painted marks and titled in red script PROVENANCE:

Chadwick Shand Gallery, Toronto, 1984 $350 — 500

112

113

114

CHAMBERLAINS WORCESTER MINIATURE BASKET, C.1830

PAIR OF ROYAL CROWN DERBY APPLE GREEN GROUND TWO-HANDLED VASES WITH COVERS, ALBERT GREGORY, 1906/08

MARTIN BROTHERS STONEWARE JUG, 1894

painted in colours with an encircling view of Windsor Castle and the river Thames between plain gilt borders, tiny chip, height 1.9 in — 4.7 cm, painted marks in red script Windsor / Chamberlains / Worcester $100 — 200

painted in colours with garden flowers and trailing foliage, small repairs, height 14.2 in — 36 cm, painted signatures A. GREGORY and ALBT. GREGORY, printed marks in red $1,000 — 1,500

incised and painted with panels of formalised leaves, height 5.1” — 13 cm., incised marks Martin Brothers / London & Southall and dated 6-1894 $300 — 400

115

116

117

MOORCROFT MOONLIT BLUE VASE, C.1925

MOORCROFT EVENTIDE PLATE, C.1925

MOORCROFT FLAMBÉ ORCHIDS VASE, 1930S

slip-trailed and painted with trees and rolling hills in speckled shades of blue and green, height 14.4 in — 36.5 cm, impressed marks, painted signature in green

slip-trailed and painted in colours with trees and tufts of grass in a hilly landscape, diameter 8.6 in — 21.8 cm, impressed marks, painted initials in blue $250 — 350

$1,200 — 1,600

painted with colourful flowers on a red and deep blue ground, height 7.6 in — 19.3 cm, impressed marks including facsimile signature and Royal Warrant, painted signature in blue $300 — 400

118

119

120

BROOKLIN POTTERY FIGURAL VASE, THEO AND SUSAN HARLANDER, C.1975

BROOKLIN POTTERY VASE, THEO AND SUSAN HARLANDER, C.1975

BROOKLIN POTTERY BIRD, THEO HARLANDER, C.1980

of cylinder form, incised and painted in colours, height 18 in — 45.7 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO.

of cylinder shape, incised and painted with geometric forms in shades of blue and brown, height 10.6 in — 26.8 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO.

incised and painted in colours, height 11.9 in — 30.2 cm, incised TH monogram

PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto $250 — 350

PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto

The Murray and Margaret Leslie Collection, sold in these rooms, December 11th, 2013, lot no.162 Dr. Harvey Lindzon Collection, Toronto

$150 — 250

$300 — 400

PROVENANCE:

121

122

123

BROOKLIN POTTERY BOAT SHAPED BOWL, THEO AND SUSAN HARLANDER, C.1975

BROOKLIN POTTERY PLATE, THEO AND SUSAN HARLANDER, C.1970

incised and painted in colours with a female figure tending cattle, diameter 11.1 in — 28.3 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO. CANADA

incised and painted in shades of brown and grey with a nude female figure, diameter 11.2 in — 28.5 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO. CANADA

incised and painted in colours with figures and birds, length 19.1 in — 48.6 cm, moulded oval studio mark, incised T. + S. / HAR / LAN / DER. / BROOKLIN / ONTARIO / CANADA PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto

PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto $150 — 250

$250 — 350

PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto $150 — 250

124

125

126

BROOKLIN POTTERY PLATE, THEO AND SUSAN HARLANDER, C.1970

incised and painted in shades of ochre and brown with lovers beneath a tree, diameter 11.7 in — 29.8 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO. CANADA

incised and painted in colours with six figures, diameter 11.3 in — 28.8 cm, moulded oval studio mark, incised T. + S. HARLANDER . BROOKLIN . ONTARIO. CANADA

PAIR OF BROOKLIN POTTERY RECTANGULAR TILE PANELS, THEO AND SUSAN HARLANDER, C.1970

PROVENANCE:

Dr. Harvey Lindzon Collection, Toronto

$150 — 250

$350 — 500

Dr. Harvey Lindzon Collection, Toronto $150 — 250

incised and painted in shades of brown with stylized figures and animals, framed, overall 36 x 12.6 in — 91.5 x 32 cm, original paper labels

127

128

129

BROOKLIN POTTERY MASK, THEO HARLANDER, C.1980

BROOKLIN POTTERY FIGURAL CANDLESTICK, THEO AND SUSAN HARLANDER, 1960S

BROOKLIN POTTERY FIGURAL JUG, THEO AND SUSAN HARLANDER, DATED 1964

formed as a female figure in a striped dress, height 14.4 in — 36.5 cm, incised TSH monogram, T. + S. HARLANDER . BROOKLIN . ONTARIO . CANADA

incised and coloured in pale blue and green, moulded studio monogram, incised T. + S. / HAR / LAN / DER / 1964

PROVENANCE:

coloured in tones of green, minor glaze chip, height 12 in — 30.5 cm, moulded oval studio mark, incised TH monogram $250 — 350

Heidi MacLaren Collection, Oshawa Dr. Helmut and Mary Vollmer Collection, Oshawa, No. 13

Heidi MacLaren Collection, Oshawa Dr. Helmut and Mary Vollmer Collection, Oshawa, No. 58

$250 — 350

130

131

132

BROOKLIN POTTERY TRIPLE VASE FORM THREE-LIGHT CANDELABRUM, THEO AND SUSAN HARLANDER, C.1970

TIFFANY STUDIOS SCARAB DESK LAMP, EARLY 20TH CENTURY

AUSTRIAN COLD PAINTED BRONZE FIGURE OF AN ARABIAN CARPET MERCHANT, C.1900

coloured in tones of green and brown, height 23.8 in — 60.5 cm, moulded oval studio seal mark, incised T.+S. / HARLANDER / BROOKLIN / ONTARIO

with iridescent beetle form glass shade on patinated bronze base with impressed Tiffany Glass & Decorating Compnay trademark, registration number 28630, and Tiffany Studios, New York, height 8.7” — 22 cm.

$400 — 600

$10,000 — 15,000

probably Carl Kauba for Franz Bergman, impressed ‘Austria’, height 8.3” — 21 cm. $1,000 — 1,500

133

134

135

TWO FRANZ BERGMAN COLD PAINTED BRONZE FIGURES OF MOORISH CHILDREN, 19TH CENTURY

PAIR OF IRISH GEORGE III GILT BRONZE CANDLESTICKS, LATE 18TH CENTURY

GEORGE IV TORTOISESHELL AND ROSE GOLD SNUFF BOX, EARLY 19TH CENTURY

the first of a young man seated on a signed, nickelled carpet numbered 459, the top with impressed registration diamond for June 28, 1882, together with a figure of a seated young girl, with impressed amphora trademark, 3.75 x 5.5 x 4.25 in — 9.5 x 14 x 10.8 cm

each baluster riser on block base raised on ball feet, height 8.25 in — 21 cm

length 2.1 in — 5.3 cm

$300 — 400

$100 — 150

136

137

138

NAPOLEON III BOULLE WORK GAMES CASE, C.1870

THREE VICTORIAN CARVED IVORY PARASOL HANDLES, MID-19TH CENTURY

THREE VICTORIAN SILVER MOUNTED IVORY DESK SEALS, MID 19TH CENTURY

including an owl head, opposing masks of two men, and a harpy being swallowed by a dolphin, length 3.3 in — 8.5 cm

including a bust of Prince Albert, a hand, and opposing masks of purity and the devil, tallest height 3.9 in — 10 cm

$200 — 300

$300 — 400

$200 — 300

opening to a rosewood divided interior fitted with removable game piece trays, 2.5 x 12 x 9 in — 6.4 x 30.5 x 22.9 cm $200 — 300

139

140

141

VICTORIAN MALACHITE AND BELGIAN MARBLE DESK STAND, 19TH CENTURY

SMALL ART NOUVEAU BRONZE BUST ON STAND BY PROF. AMEDEO NERI, C.1902

AFTER CORREGIO (ITALIAN, 1489-1534)

width 14 in — 35.6 cm $500 — 700

signed and dated, on rouge griotte marble base, height 10 in — 25.5 cm $200 — 300

CUPID SHARPENING HIS ARROW gouache on unsigned oval ivory panel, a detail from the orginal work Danaë, in contemporaneous velvet frame, oval 4.5 x 5.5 in — 11.4 x 14 cm; 8 x 9 in — 20.3 x 22.9 cm $200 — 300

142

143

144

AFTER JEAN BAPTISTE GREUZE (FRENCH, 1725-1805)

TURNED AND MOULDED MARBLE BANK BAROMETER, C.1910

FRENCH MINIATURE CARRIAGE CLOCK, C.1890

INNOCENCE (GIRL WITH A LAMB)

the square riser inset with four ink font pots over pen tray base, height 22” — 55.9 cm.

numbered 1924, with Corinthian columns supporting a dentilled cornice, in fitted case with key, handle up height 3.1” — 7.9 cm.

gouache on unsigned oval ivory panel, in giltwood and gesso frame, 9.8 x 7.9 in — 25 x 20 cm $300 — 400

$600 — 800

$300 — 500

145

146

147

FRENCH QUARTER REPEATING CARRIAGE CLOCK BY PIERRE AND ALFRED DROUCOURT, PARIS, C.1890

MASSIVE FRENCH REPEATING CARRIAGE CLOCK, C.1890

FRENCH GILT BRONZE MOUNTED ALABASTER FIGURAL MANTEL CLOCK, JAPY FRÉRES, PARIS, C.1880

numbered throughout 14840, with impressed maker’s mark and strike/silent lever under base, cased, handle up height 6.5 in — 16.4 cm $300 — 400

gorge cased and numbered 16652, with impressed maker’s mark DG flanking a clock, in fitted travel case with tooled retailer’s mark: D. C. Rait & Sons, Goldsmiths to the Queen, Glasgow, handle up height 9.75” — 24.8 cm.

the signed 8-day movement in a case surmounted by mediaeval style figures allegorical of the harvest, 22.75 x 17.3 in — 57.8 x 44 cm

$500 — 700

$700 — 900

148

149

150

PAIR OF FERDINAND BARBEDIENNE NEO-GREC BRONZE CANDELABRA, PARIS, C.1880

LARGE ITALIAN GILTWOOD ANGEL FORM ARCHITECTURAL OVERDOOR REMNANT, 19TH CENTURY

each signed, and having paw footed tripartite base with grotesque terminals supporting a classical bust and fluted column to five branches hung with chains, to candle cups all surmounted with crane form finial, height 31.5 in — 80 cm

36 x 39 in — 91.4 x 99.1 cm

NEAPOLITAN GRAND TOUR GILT BRONZE FIGURE OF PERSEUS WITH THE HEAD OF MEDUSA, CHIURAZZI FOUNDRY, NAPLES, LATE 19TH CENTURY

$1,000 — 1,500

$500 — 700

after the model by Benvenuto Cellini (15001571) located in the Loggia dei Lanzi of the Piazza della Signoria, Florence, height 10.5 in — 26.7 cm $200 — 300

151

152

153

PAUL-ÉDOUARD DELABRIÈRRE (FRENCH, 1829–1912)

FRENCH SILVERED BRONZE AGRICULTURAL TROPHY BY EMILE FROMENT MEURICE (1837-1913), PARIS, 1875

PAUL AICHELE (GERMAN, 1859-1910)

STRUTTING PHEASANT gilt bronze, signed in the mould, height 10 in — 25.4 cm $400 — 600

modelled as four sheep on naturalistic gound with tree an fence on rouge griotte marble base with silver presentation plaque to A. Geran-Maillard, 11.8 x 13.25 x 9.3 in — 30 x 33.7 x 23.5 cm

MOORISH BOY WITH BUCKING DONKEY patinated bronze, signed and dated ‘98, height 9.5 in — 24.1 cm $500 — 700

$1,000 — 1,500

154

155

156

KARL PHILIPP (AUSTRIAN, 1872-1949)

AUSTRIAN ORIENTALIST BRONZE AND IVORY FIGURE OF A MUSICIAN, EARLY 20TH CENTURY

FERDINAND BARBEDIENNE CLASSICAL BRONZE FIGURE OF A HUNTER AND HOUND, AFTER THE ANCIENT, C.1880

modelled as a young woman in traditional Japanese costume playing a shamisen, with impressed encircled AT foundry mark and ‘Austria’, and numbered 1595, height 13.5 in — 34.3 cm

with A. Collas Reduction Mechanique mark, height 17.3 in — 43.9 cm

BOBSLEIGH TEAM signed, with Aust-Reich foundry mark, on Portoro marble base, length 14 in — 35.6 cm $500 — 700

$500 — 700

$800 — 1,200

157

158

159

LARGE ITALIAN GILT BRONZE EQUESTRIAN GROUP OF THE CONDOTTIERE BARTOLOMEO COLLEONI, 20TH CENTURY

JEAN JOSEPH PERRAUD (FRENCH, 1819-1878)

ALBERT ERNEST CARRIERE-BELLEUSE (FRENCH, 1824-1887)

PAN WITH THE INFANT BACCHUS

LISEUSE

patinated bronze, signed and dated 1859, with impressed foundry mark AR (Alexis Rudier), bronze height 57.5 in — 146.1 cm; 24.8 in — 63 cm

patinated and gilt bronze and carved ivory, signed, base with title plaque ‘Grand Prix au Salon’,, height 24 in — 61 cm

$1,000 — 1,500

$2,000 — 3,000

160

161

162

EUTROPE BOURET (FRENCH, 1833-1906)

EUGENE-ANTOINE AIZELIN (FRENCH, 1821-1902)

ARISTIDE LUIGI FABBRUCCI (ITALIAN, 1859-1921)

HESITATION

NYMPHE DE DIANE

patinated bronze, signed and titled on the base with foundry mark for Pinèdo Bronzier, Paris and Exposition Universelles, 1889 roundel, height 32 in — 81.3 cm

patinated bronze, signed and titled, and with Barbedienne Foundry, Paris, mark, height 38 in — 96.5 cm

PAIR OF PATINATED BRONZE BACCHANALIAN CHERUB FIGURAL GROUPS, 19TH CENTURY

a reduction of the monument by Andrea del Verrocchio (1435-1488), in in Campo Santi Giovanni e Paolo, Venice, on a moulded verde antico marble base, height 19.75 in — 50.2 cm $1,000 — 1,500

$2,000 — 3,000

$3,000 — 4,000

each surmounted by pillar candle platform, height 29 in — 73.7 cm $2,500 — 3,500

163

164

165

MAURICE BOUVAL (FRENCH, 1863-1916)

PAIR OF FRENCH SCHOOL PATINATED AND GILT BRONZE FIGURES OF ROMAN SOLDIERS, 19TH CENTURY

CESARE LAPINI (ITALIAN, 1848-AFTER 1900)

each on turned rouge griotte marble base, height 19.25” — 48.9 cm.

white marble group, inscribed Gall. Lapini, Firenze, height 60 in — 152.4 cm

$2,000 — 3,000

$1,000 — 1,500

$50,000 — 70,000

166

167

168

PAIR OF FRENCH GILT BRONZE, BURL WALNUT AND ROSEWOOD MARBLE TOPPED GUÉRIDON TABLES, EARLY 20TH CENTURY

FRANÇOIS LINKE GILT BRONZE MOUNTED KINGWOOD PARQUETRY BUREAU DE DAME, C.1900

FRANÇOIS LINKE GILT BRONZE, KINGWOOD AND MAHOGANY TABLE Á THÉ, C.1900

signed, of overall bombé form, the floral basket inlaid hinged top opening to interior fitted with five drawers over a tooled baize writing surface, with rocaille appliqués overall, 38” x 33.7” x 20.25” — 96.5 x 85.5 x 51.4 cm.

signed, index number 610, with two tiers and mounts designed by Leon Message, the removable oval tray supported by cherubic triton figures over parquetry surface with rocaille appliqués in the frieze, on cabriole legs with bust appliqués at the knees and paw foot sabots, 34” x 30.75” x 21.5” — 86.4 x 78.1 x 54.5 cm.

AUTUMN patinated bronze, with incised signature and Thiébaut Frères foundry seal and signature, height 18.3 in — 46.5 cm

after the models by Adam Weisweller, each circular marble top supported by three pairs of bamboo form supports on tripartite under tier raised on spayed feet with sabots, height 29.25” — 74.3 cm., diameter 14.6” — 37 cm. $6,000 — 8,000

$20,000 — 30,000

CUPID AND PSYCHE

$20,000 — 30,000

169

170

171

FRANÇOIS LINKE GILT BRONZE MOUNTED KINGWOOD PARQUETRY ENVELOPE TABLE À JEUX, C.1900

PAIR OF FRANÇOIS LINKE GILT BRONZE MOUNTED KINGWOOD, MAHOGANY AND TULIPWOOD VITRINE CABINETS, C.1910

LARGE VICTORIAN SARCOPHAGUS FORM MAHOGANY WINE CELLARETTE, C.1850

signed, the swivel top with four panels opening to a tooled baize lined playing surface over a single drawer with scrolling neoclassical appliqué in the frieze, 29” x 23” x 23” — 73.7 x 58.4 x 58.4 cm. $10,000 — 15,000

each signed and ebony and bois satine strung, with moulded fleur-de-pêcher marble top and floral bouquet inlaid base and acanthus appliqués overall, 65” x 32.7” x 16.5” — 165.1 x 83 x 41.9 cm.

the hinged lid opening to a lead lined interior, 23 x 31 x 20.5 in — 58.4 x 78.7 x 52.1 cm $800 — 1,200

$30,000 — 40,000

172

173

LOUIS VUITTON ORANGE VUITTONITE CANVAS STEAMER TRUNK, C.1920

LOUIS VUITTON ORANGE VUITTONITE CANVAS CABIN TRUNK, C.1925

serial no. 207066, the laelled linen interior fitted with two lift-out trays, th lid named to E.A. Davey, Toronto, 22.75 x 44 x 22.25 in — 57.8 x 111.8 x 56.5 cm

serial no. 773024, the labelled linen interior with hinged wardrobe compartment with four hangers, exterior monogrammed R.A.L. (Robert Alexander Laidlaw), with numerous destination and travel labels,

$2,000 — 3,000

$800 — 1,200

NOTE:

Robert A. Laidlaw (1886-1976) was a prominent Ontario businessman and philanthropist. He joined his father’s lumber firm after graduation in 1908 and during a long and successful career, served it, and other important Canadian corporations. However, he is best remembered for his philanthropic work, making major contributions to leading healthcare, educational and cultural institutions including the Hospital for Sick Children, the University of Toronto, the National Ballet School, and the National Ballet of Canada. In 1949 Laidlaw helped establish the Laidlaw Foundation, ensuring the continuation of his philanthropic efforts.

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

UPCOMING AUCTIONS Fine Wine

Canadian Fine Art

Decorative Arts & Design

Fine Spirits

Inuit Art

Asian Art

The McCarthy and Boyd Collections of Fine Scotch Whisky

International Art

Fine Jewellery & Watches

NOVEMBER 25 - DECEMBER 3

MONDAY, NOVEMBER 18

TUESDAY, NOVEMBER 19

NOVEMBER 23 - 28

NOVEMBER 25 - DECEMBER 3 Under the Authority of the LCBO

275 King Street East, 2nd Floor Toronto, Ontario Canada M5A 1K2

www.waddingtons.ca

NOVEMBER 23 - 28

NOVEMBER 30 - DECEMBER 5

MONDAY, DECEMBER 2

Asian Art NOVEMBER â&#x20AC;&#x201D; DECEMBER

Canadian Studio Ceramics: The Paul Duval Collection - Part 1 D ECEMBER 7 â&#x20AC;&#x201D; 12