International Art | November 23 - 28, 2019 by waddingtons

International Art NOV E M B ER 23 â&#x20AC;&#x201D; 28, 2 01 9

International Art FEBRUARY 23 â&#x20AC;&#x201D; 28, 2019

bid online at onlineauctions.waddingtons.ca

senior specialist Susan Robertson sr@waddingtons.ca

all lots can be viewed online at www.waddingtons.ca

416-847-6179

on view Sunday, November 22 from 12 pm to 4 pm Monday, November 23 from 11 am to 5 pm Monday, November 24 from 11 am to 5 pm

consignment coordinators Alec Kerr ak@waddingtons.ca 416-847-6166

Jaimie Singleton internationalart@waddingtons.ca 416-504-9100 EXT 6201

Monday, November 25 from 10 am to 12 pm

front cover Lot 303 DANIEL RIDGWAY KNIGHT (1839–1924), AMERICAN JEUNE FILLE METTANT CARACO (DETAIL)

front inside cover

Lot 328

EDWARD SEAGO (1910-1974), BRITISH LEIDSCHENDAM - HOLLAND

back inside cover Lot 368 YULIY YULEVICH (JULIUS) KLEVER (1850-1924), RUSSIAN SNOW COVERED FOREST WITH WOOD GATHERER, 1879

back cover Lot 329 ELIOT HODGKIN (1905-1987), BRITISH ORANGES AND LEMONS IN PAPER BAGS, 1965

preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

301 BEN AUSTRIAN (1870-1921), AMERICAN A HEN AND 13 CHICKS, 1920 Oil on canvas; signed and dated 1920 lower right, inscribed “Painted by Ben Austrian/ Clovelly at the Pinnicle/ Kempton, P.A. 1920” in black felt pen to the relined canvas verso and to the stretcher 20 x 26 in — 50.8 x 66 cm PROVENANCE:

Ex. Collection of Frank E. Moore and his wife Edith, Ellwood City, PA; By descent through the family to the present Private Collection, Bowmanville, ON $7,000 — 10,000

302 EDMUND DARCH LEWIS (1835-1910), AMERICAN VIEW OF NORTH CONWAY, NEW HAMPSHIRE, 1858 Oil on canvas; signed and dated 1858 lower right, titled in pencil to the stretcher 14 x 20 in — 35.6 x 50.8 cm PROVENANCE:

Acquired by the present Private Collection, Loretto, ON, from a Private Collection in Manitoulin Island, ON, whose family held the painting for generations beginning with the grandparents $4,000 — 6,000

303 DANIEL RIDGWAY KNIGHT (1839–1924), AMERICAN JEUNE FILLE METTANT CARACO Oil on canvas; signed ‘Ridgway Knight / Paris’ lower left. Accompanied by a photo certificate from Howard L. Rehs, New York, Cat. No. SF1068. 22 x 18 in — 55.9 x 45.7 cm PROVENANCE:

Boussod Valadon & Cie, Paris, June 29, 1889 (19933); William Buchanan, New York, December 23, 1889, ff2860; C.J. McDonough (American Art galleries, April, 18, 1912, Lot 72, $600.00, the Estate of W. Buchanan); John J. Harrington (trustee); M. Knoedler & Co., New York (C5826), October 9, 1925; J.J. Gillespie Company Fine Art Galleries, Pittsburg, PA; W.H. Remmel, 1934; Mr. & Mrs. Norman E. Sharp, New York, inscribed to pen and ink label verso backing (by descent); Spanierman Gallery, LLC. (Skinner, Inc., September 27, 1996, lot 493, $22,000); Private Collection, Toronto, Canada $30,000 — 50,000

304

305

306

JOSEF LAUER (1818-1881), AUSTRIAN

OTTO HERSCHEL (1871-1937), AUSTRIAN

KARL VEL CHARLES MARCHAND KAUFMANN (1843-1901), AUSTRIAN

LADY IN HER BOUDOIR

SCENE ON THE DANUBE, VIENNA, 1875

Oil on canvas; signed upper right 21 x 16.6 in — 53.3 x 42.2 cm

Oil on canvas laid down to masonite, the verso covered with canvas; signed with pseudonym “C. Marchand” and dated indistinctly 1875 at Vienne lower right 18 x 31.75 in — 45.7 x 77.5 cm

EDELWEISS AND ANT ON A BANK Oil on panel, painted in an oval on a square panel; signed lower right, signed at “Wien” to inscribed pen and ink artist label verso Oval/Overall 8 x 6.5 in — 20.3 x 16.5 cm; 8.25 x 6.7 in — 21 x 17.1 cm PROVENANCE:

Collection, Kelowna, B.C.

PROVENANCE:

Carl Gundela, Wien stamp to the stretcher; Private Collection, Markham, ON $1,000 — 1,500

$3,000 — 4,000

PROVENANCE:

See website for full catalogue details. $2,000 — 3,000

307

308

309

LOUIS PIERRE VERWEE (1807-1877), BELGIAN

JACOB JACOBS (1812-1879), BELGIAN

CLARKSON FREDERICK STANFIELD (1793-1867), BRITISH

HERDSMAN BY A STREAM, 1841

THE BROKEN DAM, POSSIBLY NORWAY, 1860

Oil on panel; signed and dated “F. 1841” bottom centre 22 x 29.5 in — 55.9 x 74.9 cm

Oil on panel; signed and dated 1860 lower right 13.4 x 17.3 in — 34 x 44 cm

PROVENANCE:

Private Collection, Toronto $4,000 — 6,000

$3,000 — 5,000

SHIPWRECK WITH FIGURES TO THE RESCUE, JUNE 11, 1859 Oil on canvas; signed and dated ‘June 11th 1859’ lower left 17.75 x 30 in — 45.1 x 76.2 cm PROVENANCE:

See website for full catalogue details. $2,000 — 3,000

310

311

312

ARTHUR JOSEPH MEADOWS (1843-1907), BRITISH

WILLIAM SHAYER THE ELDER (1787-1879), ENGLISH

CHARLES COOPER HENDERSON (1803-1877), BRITISH

FISHING BOATS COMING AND GOING FROM A BUSY HARBOUR, 1862

FISHERFOLK AT THE SHORE, 1843

PAIR OF LOUTH-LONDON ROYAL MAIL COACHING SCENES

Oil on canvas; signed “Arthur J. Meadows” and dated /62 lower right 18 x 32 in — 45.7 x 81.3 cm PROVENANCE:

Private Collection, Toronto $2,000 — 3,000

Oil on canvas; signed and dated 1843 lower left 17 x 21 in — 43.2 x 53.3 cm PROVENANCE:

The Fine Art Galleries, The T. Eaton Co., Ltd., Canada partial gallery labels verso; Ritchies, Toronto, Sale No. 744, Lot 4042; Private Collection, Toronto

Pair of oils on canvas Each 12.5 x 23.5 in — 31.8 x 59.7 cm PROVENANCE:

Arthur Ackermann & Son Ltd., London gallery labels verso $4,000 — 6,000

$2,000 — 3,000

313

314

315

JAMES EDWIN MEADOWS (1828-1888), BRITISH

THOMAS SIDNEY COOPER (1803-1902), BRITISH

JOHN VARLEY THE ELDER (1778-1842), BRITISH

LANDSCAPE IN SUSSEX WITH FARM WAGON

CANTERBURY MEADOWS, 1859

CONWAY CASTLE, 1808-1812

Oil on panel; signed lower right, signed with incised stamped initials TSC in the panel, signed and dated 1859 in black paint with a red wax seal verso 8.75 x 14 in — 22.2 x 35.6 cm

Graphite and watercolour on textured paper laid down to a heavier paper support; titled and dated 1808-1812 in the AGO records. Mat-ted and unframed. Sheet 8.69 x 18.69 in — 22.1 x 47.4 cm

Oil on canvas; signed “J. Meadows” lower left, titled to gallery label verso 30 x 48 in — 76.2 x 121.9 cm PROVENANCE:

See website for full catalogue details. $3,000 — 4,000

PROVENANCE:

See website for full catalogue details.

$2,000 — 3,000

$1,000 — 1,500

316 HENRY GILLARD GLINDONI (1852-1913), BRITISH THE KNAVE OF HEARTS, 1894 Oil on panel; signed and dated 94 lower right, titled to label verso inscribed, “The Studio” 13 x 19 in — 33 x 48.3 cm PROVENANCE:

The Classic Fine Art Galleries, Toronto; Estate Collection, Toronto until 2000; By descent to the present Private Collection, Toronto; Private Collection, Toronto $3,000 — 4,000

317

318

GEORGE SHERIDAN KNOWLES (1863-1931), BRITISH

WESTWARD HO!

FLEECED

Oil on canvas; signed lower left, signed and titled in pencil to the stretcher 18 x 24 in — 45.7 x 61 cm

Oil on canvas; signed lower left, signed and titled to the stretcher in pencil 18 x 24 in — 45.7 x 61 cm

$2,000 — 3,000

319

320

321

ALBERT CLARK (1821–1909), BRITISH

FRANK MOSS BENNETT (1874–1953), BRITISH

ARCHIBALD GEORGE BARNES (1887-1972), BRITISH

THE GENTLEMAN’S STORY

IDEAL HEAD

Oil on canvas; signed lower right, signed and tilted indistinctly in pencil verso 15 x 20 in — 38.1 x 50.8 cm

Oil on canvas; signed lower right, titled to gallery label to the stretcher 30 x 25 in — 76.2 x 63.5 cm

PROVENANCE:

See website for full catalogue details.

Carroll Fine Arts Limited, Toronto gallery label verso; Private Collection, Nottawa, ON

WELSH BLACK COW IN A LANDSCAPE Oil on canvas; signed lower left 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Uno Langman Limited, Vancouver, BC; Private Collection, Toronto $1,200 — 1,800

$2,000 — 3,000

$1,500 — 2,000

322

323

324

SYDNEY PERCY KENDRICK (1874–1955) IN COLLABORATION WITH ARTHUR WARDLE (1864–1949), BRITISH

WILLIAM A. BREAKSPEARE (1855-1914), BRITISH

ERNEST WALBOURN (1872–1927), BRITISH

THE MUSICIAN’S ADMIRER

FEEDING THE DUCKS

CHRISTMASTIDE, 1917

Oil on canvas; signed lower right 14 x 18 in — 35.6 x 45.7 cm

Oil on canvas; signed lower left 24 x 18 in — 61 x 45.7 cm

PROVENANCE:

The Cooling Galleries Ltd., London & Toronto gallery label verso; Private Collection, Nottawa, ON

See website for full catalogue details.

Oil on canvas; signed “S. Kendrick” lower right, inscribed and dated: “Sidney (sic) Kendrick 1917/ Dog by Arthur Wardle” in pen and ink verso 24.25 x 18 in — 61.6 x 45.7 cm $3,000 — 5,000

$1,500 — 2,000

$1,500 — 2,500

325

326

DAVID GAULD (1865-1936), SCOTTISH

ALFRED FONTVILLE DE BREANSKI JR. (1877–1955), BRITISH

TWO AYRSHIRES BY A WATER-BUTT

NEAR ALLPORT DERBYSHIRE

Oil on canvas; signed lower right 19.5 x 29.5 in — 49.5 x 74.9 cm

Oil on canvas; signed lower right, signed and signed with initials with “Copyright reserved” and titled by the artist verso 24 x 16 in — 61 x 40.6 cm

$2,500 — 3,500

PROVENANCE:

The Estate of Lawrence Goode, Nottawa, ON $2,000 — 3,000

327 ALFRED FONTVILLE DE BREANSKI JR. (1877–1955), BRITISH A SUMMER MORNING IN DONEGAL Oil on canvas; signed lower right, signed and titled verso 24 x 36 in — 61 x 91.4 cm PROVENANCE:

Roberts Art Gallery, Toronto gallery label verso; Private Collection, Niagara-on-the-Lake, ON $3,000 — 5,000

328

329

EDWARD SEAGO (1910-1974), BRITISH

ELIOT HODGKIN (1905-1987), BRITISH

LEIDSCHENDAM - HOLLAND

ORANGES AND LEMONS IN PAPER BAGS, 1965

Oil on masonite board; signed lower left, titled verso 22 x 36 in — 55.9 x 91.4 cm

Oil on canvas on masonite board; signed and dated “20 V 65” (May 20, 1965) lower left 12 x 20 in — 30.5 x 50.8 cm

PROVENANCE:

See website for full catalogue details.

PROVENANCE:

EXHIBITED:

Estate of Thelma Finlayson, Burnaby, BC; By descent to the present Private Collection, Kimberley, ON in 2017

See website for full catalogue details. $20,000 — 30,000

$35,000 — 55,000

330

331

332

ANTONIN HUDEČEK (1872-1941), CZECHOSLOVAKIAN

JOHANNES BOSBOOM (1817-1891), DUTCH

JOZEF ISRAËLS (1824-1911), DUTCH

A FINE JOURNEY IN THE HILLSIDE

INTERIOR OF A HOUSE, 1860’S

Oil on board; signed “Ant. Hudeček” in pencil lower right, signed and inscribed indistinctly: “Jarni Phine” to artist’s pen and ink label verso, further inscribed again to a label on top of the artist label verso 20 x 26 in — 50.8 x 66 cm

Watercolour on paper; signed with initials “J.B” lower right Sheet sight 8 x 5.5 in — 20.3 x 13.9 cm

Watercolour, pencil and ink heightened with white on thick paper; signed “Josef Israëls” in pen and ink lower right, titled to exhibition label verso backing Sheet 12.8 x 9.1 in — 32.6 x 23 cm

$3,000 — 5,000

$1,000 — 1,500

333

334

335

JACOB HENRICUS MARIS (1837-1899), DUTCH

THE BANKS OF THE MAAS HOLLAND

HORSE PULLING A BOAT, CIRCA 1895

PLOUGHING TEAM

Oil on canvas; signed lower left 13 x 19 in — 33 x 48.3 cm

Oil on panel; signed “J. Maris” lower right, titled and dated Circa 1895 to exhibition label verso 12.2 x 10 in — 31 x 25.5 cm

Oil on canvas; signed “J. Maris” lower left 9.2 x 15.2 in — 23.3 x 38.5 cm

PROVENANCE:

See website for full catalogue details.

PROVENANCE:

Private Collection, NS $1,500 — 2,500

PROVENANCE:

See website for full catalogue details.

PIGGYBACK AT THE BEACH, AFTER 1855

PROVENANCE:

See website for full catalogue details. $3,000 — 5,000

PROVENANCE:

$3,000 — 5,000

336

337

338

WILLEM MARIS (1844-1910), DUTCH

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

Oil on panel; signed “W. Maris” lower left. Contained in a spooled Eastlake frame with corners inset with mother-of-pearl. 8.5 x 11 in — 21.6 x 27.9 cm

THE POTATO GATHERER

DRINKING TIME

Oil on canvas; signed lower right 27.75 x 39.5 in — 70.5 x 100.3 cm

Oil on panel; signed lower right 16.5 x 12.5 in — 41.9 x 31.8 cm

PROVENANCE:

Prominent Collection, Montreal

$3,000 — 5,000

$1,000 — 1,500

339

340

341

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951), DUTCH

BERNARD DE HOOG (1867-1943), DUTCH

BERNARD POTHAST (1882-1966), DUTCH

BRINGING IN THE SHEEP

MINDING THE NEW BORN

PLAYING MOTHER AND THE NEW BORN

Oil on panel; signed lower right 10.6 x 14.75 in — 26.9 x 37.5 cm

Oil on canvas; signed lower right 8 x 10 in — 20.3 x 25.4 cm

Oil on canvas; signed lower right 20 x 23.5 in — 50.8 x 59.7 cm

COWS IN A MARSH LAND

Private Collection, Markham, ON $4,000 — 6,000

PROVENANCE:

Prominent Collection, Montreal $1,000 — 1,500

$500 — 700

PROVENANCE:

By descent from the grandmother of the present Private Collection, Toronto $4,000 — 6,000

342

343

344

HENDRIK BAREND KOEKKOEK (1849-1909), DUTCH

ARNOLD MARC GORTER (1866–1933), DUTCH

NARCISSE VIRGILE DIAZ DE LA PEÑA (1808-1876), FRENCH

WINTER WOODLAND SCENE WITH FATHER AND CHILD

VIEW OF A BROOK IN AN AUTUMNAL LANDSCAPE

TURKISH CHILDREN IN A WOOD

Oil on canvas; signed lower right, signed and certified in pen and ink to artist’s label verso: “This picture is warranted to be painted by me H.B. Koekkoek” with his “HBK” initialed red wax seal to the stretcher 14 x 12 in — 35.6 x 30.5 cm

Oil on canvas; signed lower right 26 x 19.5 in — 66 x 49.5 cm PROVENANCE:

W. Scott & Sons, Montreal gallery label verso $1,000 — 1,500

Mixed-media and oil on paperboard; signed lower left, inscribed “N 3167” in blue crayon verso and further inscribed “3743/W” verso, the frame also numbered “N. 3167” in red crayon verso 8.7 x 6.7 in — 22 x 17 cm $2,000 — 3,000

$700 — 1,000

345

346

347

CHARLES ÉMILE JACQUE (1813–1894), FRENCH

EMILE VAN MARCKE DE LUMMEN (1827-1890), FRENCH

CHILDREN PLAYING WITH FARMYARD CHICKENS

SHEEP HERDER IN THE MOONLIGHT

COWS DRINKING IN A SHADED POOL

Oil on canvas; signed lower right 9 x 13 in — 22.9 x 33 cm

Oil on canvas; signed lower left 22 x 32.5 in — 55.9 x 82.6 cm

PROVENANCE:

See website for full catalogue details.

W. Scott & Sons, Montreal gallery label verso; Private Collection, New Westminster, B.C.

Oil on panel; strengthened signature lower left 20 x 18 in — 50.8 x 45.7 cm PROVENANCE:

Prominent Collection, Montreal $2,500 — 3,500

$2,000 — 3,000

$4,000 — 6,000

348

349

ADRIEN HENRI TANOUX (1865-1923), FRENCH

ANDRÉ HENRI DARGELAS (1828-1906), FRENCH

L’HEURE HEUREUSE, 1907

BIG SISTER PIGGY-BACKING BABY OVER A STREAM

Oil on canvas; signed and dated 1907 lower right, titled to gallery label verso 28.7 x 23.7 in — 73 x 60.3 cm

Oil on panel; signed “Dargelas” lower right 13.5 x 10 in — 34.3 x 25.4 cm

PROVENANCE:

Private Collection, Markham, ON

See website for full catalogue details.

PROVENANCE:

$2,000 — 3,000

$1,500 — 2,500

350 ALEXANDRE JACOB (1876-1972), FRENCH L’ABREUVOIR AU PRINTEMPS Oil on board; signed lower right, signed at 3 Rue Retrou a Asnieres (Seine) at 34 Rue J.J. Rensscau and titled verso, with an inscribed label in pen and ink, numbered indistinctly verso 10.25 x 9.5 in — 26 x 24.1 cm PROVENANCE:

See website for full catalogue details. $800 — 1,200

351

352

JOSEPH ATHANASE AUFRAY (1836-C.1885), FRENCH

PIERRE EDOUARD FRERE (1819-1886), FRENCH

CHILDREN FEEDING CHICKENS

AMATEUR BIRD CATCHERS: CHILDREN WITH THE BIRD BASKET; SETTING IT FREE, 1873 AND 1874 RESPECTIVELY

Oil on panel; signed lower right. Contained in a spooled Eastlake frame with corners inset with mother-of-pearl. 10.75 x 8.1 in — 27.3 x 20.5 cm PROVENANCE:

Private Collection, Markham, ON

Pair of charcoal drawings heightened with watercolour on paper; each signed and dated 73 and 74 (indistinctly). See website for full catalogue details.

$1,200 — 1,800

$2,000 — 3,000

353

354

ANTON DOLL (1826–1887), GERMAN

FERDINAND VICTOR LÉON ROYBET (1840–1920), FRENCH

CHILDREN SKATING IN THE VILLAGE POND Oil on canvas; signed at “Munchen” lower left, signed, inscribed indistinctly and numbered “No. 1569” to the artist’s pen and ink label to the stretcher 11 x 18 in — 27.9 x 45.7 cm

THE GUARDSMAN Oil on panel; signed lower left, titled to the handwritten label of provenance verso 19 x 12.5 in — 48.3 x 31.8 cm PROVENANCE:

See website for full catalogue details.

PROVENANCE:

See website for full catalogue details. $3,000 — 5,000

$4,000 — 6,000

355 AFTER PETER PAUL RUBENS (1577-1640), FLEMISH THE GARDEN OF LOVE (AFTER THE ORIGINAL CANVAS OF 1630-1635) Oil on canvas 56 x 72 in — 142.2 x 182.9 cm PROVENANCE:

Westminster Galleries, London, UK according to family records; Family collection, Ottawa; By descent to the present Private Collection, Toronto $7,000 — 9,000

356 18TH CENTURY FLEMISH WASHERWOMEN FOR THE COURT IN AN EXTENSIVE LANDSCAPE WITH RUINS, A MOUNTED KINGSMAN ON GUARD NEARBY, A WOMAN CARRYING A LAMB IN THE LEFT DISTANCE, POINTS THE WAY TO A CASTLE TOWN Oil on canvas 38 x 53 in — 96.5 x 134.6 cm $4,000 — 6,000

357

358

359

FRANCESCO BARTOLOZZI (1725-1815), ITALIAN

EUGÈNE DELACROIX (1798-1863), FRENCH

FERDINAND VICTOR LÉON ROYBET (1840–1920), FRENCH

MALE NUDE SEATED, POSSIBLY 1776

STUDIEN NACH MITTEL-ALTERLICHEN KOSTÜMEN (STUDIES ON MEDIEVAL COS-TUMES)

HEAD OF A CAVALIER LOOKING UPWARDS, 1865

Charcoal and red chalk on paper laid down to board, titled to gallery label and dated “1776?” in the AGO records. Matted and unframed. 21.19 x 16.5 in — 53.8 x 41.9 cm PROVENANCE:

See website for full catalogue details. $1,000 — 1,500

Pencil drawing on paper; titled to collection label with old auction labels verso backing 8 x 6.5 in — 20.3 x 15.9 cm

Mixed-media, charcoal and ink on paper; signed and dated 1865 lower right Sheet sight 22 x 16 in — 55.9 x 40.6 cm $900 — 1,200

PROVENANCE:

See website for full catalogue details. $1,500 — 2,500

360

361

362

ATTRIBUTED TO JÓZSEF RIPPL-RÓNAI (1861-1927), HUNAGRIAN

HENRI DELUERMOZ (1876-1943), FRENCH

PORTRAIT OF ZORKA BANYAI ?

FOUR STUDIES OF ANIMALS: AMERICAN BUFFALO; GREY DONKEY; TIGER; COUCHANT STAG

FOUR STUDIES OF ANIMALS: RABBIT; ELEPHANT (HEAD AND FORELEGS); CAT; GOAT

Four ink and brush drawings on card, one on thin paper, three with added watercolour; each signed, one initialed, each titled to gallery labels to the mats. Each matted and unframed. Sheets, various sizes. See website for full cata-logue details.

Four inks on paper, two with colour washes in watercolour on toned paper, the Rabbit laid down to a larger card support, the Elephant, a possible black pigment transfer print; each signed or initialed lower right, each titled to gallery labels to the mats. See website for full catalogue details.

$2,000 — 2,500

$1,500 — 2,500

Colour pastel on paper laid down to a card support. Unsigned. Sheet 15.75 x 11.75 in — 40 x 29.8 cm PROVENANCE:

Private Collection, Halifax, N.S. by descent through the family from their grand-parents $8,000 — 12,000

363

364

ANTOINE BOUVARD (1870–1956), FRENCH

P*** (PAUL?) LING (19TH/20TH CENTURY), EUROPEAN

A SUNNY AFTERNOON, VENICE

BOULOGNE

Oil on canvas; signed “Bouvard” in blue paint lower left 9.75 x 13 in — 24.8 x 33 cm

Oil on canvas; signed “P. Ling” and signed with overlapping initial monogram “PL” lower right, inscribed “Boulogne” in pencil to the frame verso 27 x 36 in — 68.6 x 91.4 cm

PROVENANCE:

See website for full catalogue details. $2,000 — 3,000

PROVENANCE:

See website for full catalogue details. $4,000 — 6,000

365

366

CARLO GRUBACS (1801–CIRCA 1878), ITALIAN

MICHELE FEDERICO (1884–1966), ITALIAN

SANTA MARIA DELLA SALUTE; BACKWATER WITH GONDALIERS, VENICE

BOATERS AT CAPRI

Two oils on canvas; each signed lower left, the first, titled to the accompanying gallery document Each 8.25 x 11 in — 21 x 27.9 cm

Oil on canvas; signed at Capri lower right 10.5 x 13.25 in — 26.7 x 33.7 cm PROVENANCE:

See website for full catalogue details.

Frederick W. Thom Limited, Toronto gallery label verso; Family Collection by descent to the present Private Collection, Tillsonburg, ON

$5,000 — 8,000

$800 — 1,200

PROVENANCE:

367 LUDWIG MUNTHE (1841-1896), NORWEGIAN FAGGOT GATHERERS, MOONLIGHT Oil on canvas; signed lower left 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Private Collection, Toronto $3,000 — 5,000

368

369

YULIY YULEVICH (JULIUS) KLEVER (1850-1924), RUSSIAN

ANTONIO MARÍA DE REYNA MANESCAU (1859-1937), SPANISH

SNOW COVERED FOREST WITH WOOD GATHERER, 1879 Oil on canvas; signed in cyrillics and dated 1879 lower left 26.5 x 19 in — 67.3 x 48.3 cm PROVENANCE:

Private Collection, Toronto, acquired in Moscow, circa 1980; Brought to Canada in 1992 with the collector

A VENETIAN WATERFRONT Oil on panel; signed at Venezia lower right 7.75 x 11.3 in — 19.7 x 28.8 cm $2,000 — 3,000

$7,000 — 9,000

370 VICENTE GARCÍA DE PAREDES (1845–1903), SPANISH A ROYAL PROCESSION Oil on canvas; signed lower right 20 x 25.5 in — 50.8 x 64.8 cm $2,000 — 2,500

Artist Index

A Aufray, Joseph Athanase (351) Austrian, Ben (301) B Barnes, Archibald George (321) Bartolozzi, Francesco (357) Benne!, Frank Moss (320) Bosboom, Johannes (331) Bouvard, Antoine (363) Breakspeare, William A. (323) Breanski Jr, Alfred Fontville de . (326,327) C Clark, Albert (319) Cooper, Thomas Sidney (314) D Dargelas, André Henri (349) Delacroix, Eugène (358) Deluermoz, Henri (361, 362) Doll, Anton (353) E Epstein, Sir Jacob (212) F Federico, Michele (366) Flemish, 18th Century (356) Frere, Pierre Edouard (352) G Gauld, David (325) Glindoni, Henry Gillard (316) Gorter, Arnold Marc (343) Grubacs, Carlo (365)

H Henderson, Charles Cooper (312) Herschel, O!o (305) Hodgkin, Eliot (329) Hoog, Bernard de (340) Hudeček, Antonin (330) I Israëls, Jozef (332) J Jacob, Alexandre (350) Jacobs, Jacob (308) Jacque, Charles Émile (345, 346)

K Kaufmann, Karl vel Charles Marchand (306) Kendrick, Sydney Percy (322) Knight, Daniel Ridgway (303) Knowles, George Sheridan (317, 318) Koekkoek, Hendrik Barend (342) L Lauer, Josef (304) Lewis, Edmund Darch (302) Lummen, Emile van Marcke de (347) M/N Manescau, Antonio María de Reyna (369) Maris, Jacob Henricus (333, 334, 335) Maris, Willem (336) Meadows, Arthur Joseph (310) Meadows, James Edwin (313) Munthe, Ludwig (367)

P Paredes, Vicente García de (370) Paul, P*** (b. 1922) (364) Peña, Narcisse Virgile Diaz de la (344) Pothast, Bernard (341) R Rippl-Rónai, A!ributed to József (360) Roybet, Ferdinand Victor Léon (354, 359) Rubens, After Peter Paul (355) S Scherrewitz, Johan Frederik Cornelis (337, 338, 339) Seago, Edward (328) Shayer, William the Elder (311) Stanfield, Clarkson Frederick (309) T Tanoux, Adrien Henri (348) V Varley, John the Elder (315) Verwee, Louis Pierre (307) W Walbourn, Ernest (324) Y Yulevich, Yuliy (368)

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.

buyers premium

A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS

Selling at Waddington’s bidding

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

shipping

waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

Items selling for $250 or less 25%

PakShip

*There is a minimum handling charge of $20 per item

Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org

*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%

insurance

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale. 9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Canadian Studio Ceramics: The Paul Duval Collection - Part 1 D ECEMBER 7 â&#x20AC;&#x201D; 12

UPCOMING AUCTIONS Fine Wine

Canadian Fine Art

Decorative Arts & Design

Fine Spirits

Inuit Art

Asian Art

The McCarthy and Boyd Collections of Fine Scotch Whisky

International Art

Fine Jewellery & Watches

NOVEMBER 25 - DECEMBER 3

MONDAY, NOVEMBER 18

TUESDAY, NOVEMBER 19

NOVEMBER 23 - 28

NOVEMBER 25 - DECEMBER 3 Under the Authority of the LCBO

275 King Street East, 2nd Floor Toronto, Ontario Canada M5A 1K2

www.waddingtons.ca

NOVEMBER 23 - 28

NOVEMBER 30 - DECEMBER 5

MONDAY, DECEMBER 2

Waddingtonâ&#x20AC;&#x2122;s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca