Editions | November 18 - 23, 2023

Editions NOV EM BE R 18 — 23, 2 023

Editions NOV EM BE R 18 — 23, 2 023

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director, international art Goulven Le Morvan glm@waddingtons.ca 438-528-8489

front cover

Lot 28 PABLO PICASSO JACQUELINE AU CHAPEAU NOIR, 1962, [B. 1028; BA. 1311]

director, canadian fine art Liz Edwards le@waddingtons.ca

front inside cover

specialist, canadian art Gregory Humeniuk gh@waddingtons.ca

back inside cover

416-847-6193

416-847-6190

consignment specialist, international art Alicia Bojkov amb@waddingtons.ca

Lot 47 GUIDO MOLINARI BI-OCRE, 1965 [E1965-1] Lot 68 GENERAL IDEA AIDS SERIES (GROUP LOT)

back cover

Lot 21 PABLO PICASSO FRANÇOISE, 14 JUIN 1946 [B. 401; M. 45]

416-847-6176

consignment specialist, canadian art Kendra Popelas kp@waddingtons.ca 416-967-6027

tel: 416-504-9100 toll free: 1-877-504-5700

This catalogue and its contents © 2023 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

1 PIERRE-CHARLES CANOT (1710-1777), AMERICAN A MODERATE GALE, CIRCA 1766

etching with drypoint in black on wove paper; etching presumably made after the original artwork by Ludolf Bakhuyzen the Elder (1631-1708); published by John Boydell, London sheet 14 x 20 in — 35.6 x 50.8 cm PROVENANCE:

The Parker Gallery, London, UK; Private Collection, Toronto, ON, acquired by descent from the above $800 — 1,200

2 REMBRANDT VAN RIJN (1606-1669), DUTCH THE RETURN OF THE PRODIGAL SON, 1636 [B. 91; H. 147]

etching in black on laid paper, without watermark; new Hollstein’s first state (of three), with narrow margins, later impression in rich dark ink sheet 6.6 x 5.7 in — 16.7 x 14.6 cm; plate 6.3 x 5.5 in — 16 x 14 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Bartsch 91; Hollstein 147 $2,500 — 3,500

3 GERALD LESLIE BROCKHURST (1890-1978), BRITISH HEAD OF A GIRL, DORETTE, 1942 [F. 1.II/VI]

lithograph in black on cream laid paper, with full margins; signed in pencil, from an unnumbered edition of 30 sheet 14.6 x 10.6 in — 37 x 26.8 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Fletcher 1.II/VI $400 — 600

4 GIORGIO DE CHIRICO (1888-1978), ITALIAN IL FANCIULLO, THE YOUNG BOY, 1971 [B. 15]

soft ground etching in colours on wove paper, with full margins; signed, titled and justified “P.A.” for artist’s proof, aside from the edition of 65; printed by Alberto Caprini, Rome, Italy, blindstamp sheet 27.6 x 19.7 in — 70 x 50 cm PROVENANCE:

Karney Daniels Gallery, Toronto, ON; Private Collection, Toronto, ON LITERATURE:

Brandani 15 $300 — 400

5 DANIEL PRICE (D.P.) ERICHSEN BROWN (B. 1939), CANADIAN WOMAN LOOKING UP

lithograph on paper signed and numbered V/X sight 21.875 x 21.5 in — 55.6 x 54.6 cm; image 21 x 20.875 in — 53.3 x 53 cm PROVENANCE:

Private Collection, London, ON; by descent to Private Collection, Toronto, ON $300 — 400

6 LÉONARD TSUGUHARU FOUJITA (1886-1968), FRENCH/JAPANESE LA JEUNESSE, 1960 [B. 60.28]

lithograph on BFK Rives paper; signed, numbered 38/250 and inscribed “à Mlle Madeleine Meleb (sp?)/Amicalement/ Leonard Foujita” in blue pen and ink to bottom centre margin image 21.25 x 15.5 in — 54 x 39.4 cm; sheet 27.75 x 21.25 in — 70.5 x 54 cm PROVENANCE:

Private Collection, Montreal, QC LITERATURE:

Buisson, 60.28 $500 — 700

7 LÉONARD TSUGUHARU FOUJITA (1886-1968), FRENCH/JAPANESE AZUBAH, FROM A BOOK OF CATS, 1930, [BII.30.127]

collotype on Japanese paper; signed and dated in the plate; from an unnumbered edition of 500 17.3 x 13.4 in — 47 x 37 cm

PROVENANCE:

Private Collection, Ontario LITERATURE:

Buisson II.30.127 $400 — 600

8 KATHLEEN MARGARET HOWITT GRAHAM, RCA (1918-2008) MOOLEEOOJA I, II, III (SUITE), 1975

lithographs on paper each signed, titled dated “75” and numbered “P.P”; embossed with the West Baffin Eskimo Cooperative seal each 13.25 x 16.5 in — 33.7 x 41.9 cm PROVENANCE:

Acquired directly from the artist; Collection of Wallace (Wallie) Brannen, Halifax, NS; Private Collection, Halifax, NS $400 — 600

9 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN QUAI AUX FLEURS, FROM DERRIÈRE LE MIROIR, 1954 [M. 99; C. BOOKS 24]

lithograph in colours on wove paper; from the edition of 2500; printed by Mourlot Frères and published by Maeght Editeur, Paris 13.8 x 4.6 in — 35 x 11.75 cm PROVENANCE:

Private Collection, United States LITERATURE:

Mourlot 99; Cramer Books 24 $500 — 700

10 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN JEREMIAH AND LES PROPHÈTES, FROM DESSINS POUR LA BIBLE, 1956 [M. 139-144; C. BOOKS 25]

one lithograph in colours and one in black, each on wove paper, the full sheet; each from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris sight 13.5 x 10 in — 34.3 x 25.4 cm PROVENANCE:

Private Collection, Vancouver, BC LITERATURE:

Mourlot 139 and 144; Cramer Books 25 $400 — 600

11 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN SAINT GERMAIN-DES-PRÉS, FROM DERRIÈRE LE MIROIR, 1954 [M. 100; C. BOOKS 24]

lithograph in colours on wove paper, the full sheet; from the edition of 2500; printed by Mourlot Frères and published

by Maeght Editeur, Paris 15 x 10.8 in — 38 x 27.5 cm

PROVENANCE:

Private Collection, United States LITERATURE:

Mourlot 100; Cramer Books 24 $500 — 700

12 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN LE CIRQUE, ONE PLATE, 1967 [M. 521; C. BOOKS 68]

lithograph in colours on Arches paper, the full sheet; from the unnumbered edition of 250, there was also a signed and numbered edition on 24 and another edition of 20 hors commerce numbered in Roman; printed by Mourlot, Paris and published by Tériade, Paris sheet 16.7 x 12.7 in — 42.5 x 32.2 cm

PROVENANCE:

Franklin Bowles Galleries, San Francisco, CA; Private Collection, Seattle, WA LITERATURE:

Mourlot 521; Cramer Books 68 $4,000 — 6,000

13 MARC CHAGALL (1887-1958), FRENCH/BELARUSIAN COVER FROM DERRIERE LE MIROIR N° 147, 1964 [C. BOOKS 59]

lithograph in colours on wove paper; from the edition of 2500; printed by Mourlot Frères and published by Maeght Editeur, Paris 15 x 11.1 in — 38.1 x 28.2 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Cramer Books 59 $2,000 — 3,000

14 MARC CHAGALL (1887-1958), FRENCH/BELARUSIAN LE ROI DAVID À LA LYRE, 1979 [M. 935]

lithograph in colours on Japon nacré, with full margins; signed and numbered 8/50; printed and published by Maeght, Paris sheet 22 x 17.8 in — 56 x 45.3 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Mourlot 935 $4,000 — 6,000

15 JACQUES VILLON (1875-1963), FRENCH NATURE MORTE AUX NOIX, 1929 [G.&P. 232]

etching, drypoint and roulette in black on paper, with full margins; signed and numbered 15/50 11 x 15 in — 27.9 x 38.1 cm;

PROVENANCE:

Moos Gallery, Toronto, ON; Private Collection, Toronto, ON LITERATURE:

Ginestet & Pouillon 323 $600 — 800

16 GEORGES BRAQUE (1882-1963), FRENCH LA DANSE, 1934 [V. 25]

etching on BFK Rives paper, with full margins; signed, from the unnumbered edition of 250, from the book “Georges Braque” by Carl Einstein; published by Editions des Chroniques du Jour, Paris sheet 11.1 x 8.8 in — 28.2 x 22.4 cm; plate 9.5 x 6.9 in — 24.1 x 17.4 cm

PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Vallier, 25 $2,000 — 3,000

17 PABLO PICASSO (1881-1973), SPANISH FEMME A LA FRAISE, DE PROFIL, SONETO VII, FROM VINGT POEMES, BY LUIS DE GONGORA Y ARGOTE, 1948 [B. 503; BA. 765; C. BOOKS 51]

sugar-lift aquatint in black on Marais wove paper, the full sheet; signed in red crayon, (Baer cites 3 such proofs on this paper not including this impression) sheet 15.1 x 11 in — 38.3 x 28 cm

PROVENANCE:

LITERATURE:

Swann Galleries, New York, 6 Mar 2007, lot 606; Christopher-Clark Fine Art, San Francisco, CA; Private Collection, United States

Bloch 503; Baer 765; Cramer Books 51 $10,000 — 15,000

18 PABLO PICASSO (1881-1973), SPANISH TÊTE DE BOUFFON, CARNAVAL, 1965 [B. 1193; BA. 1356]

linocut in black and brown on cream Arches paper, with full margins; signed and numbered 115/160; there were also 35 artist’s proofs and hors commerce; printed

by Arnéra, Vallauris, France and published

by Le Patriote, Nice, France sheet 29.5 x 24.4 in — 75 x 62 cm

PROVENANCE:

Gallery Dresdnere, Toronto, ON; Private Collection, Toronto, ON LITERATURE:

Bloch 1193; Baer 1356 $8,000 — 12,000

19 AFTER PABLO PICASSO (1881-1973), SPANISH TÊTE DE FAUNE, 1959 [MA. 2101]

aquatint in colours on wove paper, with full margins; signed and justified “H.C.” for hors commerce, a proof aside from the edition of 300, printed by Crommelynck, Paris, blindstamp sheet 22 x 17.7 in — 56 x 44.9 cm

PROVENANCE:

Private Collection, Seattle, WA LITERATURE:

Maeght 2101 $6,000 — 8,000

20 HENRI MATISSE (1869-1954), FRENCH PORTRAIT DE CLAUDE D., 1946 [D. 585]

lithograph on annam appliqué on Arches paper, with full margins; signed and numbered 72/75, aside from the edition of 100; published by Fernand Mourlot, Paris sheet 25.8 x 19.7 in — 65.5 x 50 cm

PROVENANCE:

Sotheby’s New York, 1 May 2008, lot 107; Private Collection, Ontario LITERATURE:

Duthuit 585 $10,000 — 15,000

21 PABLO PICASSO (1881-1973), SPANISH FRANÇOISE, 14 JUIN 1946 [B. 401; M. 45]

lithograph in black on cream Arches wove paper, the full page; signed and numbered 10/50, there were also 5 artist’s proofs; published by Mourlot, Paris sheet 25.5 x 19.5 in — 64.8 x 49.5 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 401; Mourlot 45 $70,000 — 90,000

22 JOAN MIRÓ (1893-1983), SPANISH LA CASCADA, 1964 [M. 323]

lithograph in colours on Arches paper, the full sheet; signed and numbered 1/75; published by Maeght Editeur, Paris sheet 35.2 x 23.8 in — 89.5 x 60.4 cm PROVENANCE:

Private Collection, Seattle, WA LITERATURE:

Mourlot 323 $10,000 — 15,000

23 JOAN MIRÓ (1893-1983), SPANISH UNTITLED, PLATE 4 FROM “GRAVURES POUR UNE EXPOSITION,” 1973 [D. 609, C. BKS. 174]

etching and aquatint in colours on Arches paper, with full margins; signed and numbered 12/75, there were also 15 hors commerce numbered in Roman; printed

by Atelier Morsang, Paris and published

by Pierre Matisse, New York plate 25 x 36 in — 63.5 x 91.5 cm; sheet 13.7 x 27 in — 34.8 x 68.7 cm PROVENANCE:

Private Collection, Ontario LITERATURE:

Dupin, 609; Cramer Books, 174 $1,500 — 2,500

24 MARC CHAGALL (1887-1085), FRENCH/BELARUSIAN L’ILE D’EOLE, FROM L’ODYSSÉE, 1975 [C. 96]

lithograph in colours on Japon nacré paper, with full margins; signed and numbered 28/30, one plate from the complete portfolio “L’Odyssée” comprising 43 lithographs, this print is from the Deluxe suite printed on Japon nacré, there was

also an edition of 250 and 20 hors commerce; printed and published by Mourlot, Paris sheet 21 x 15.5 in — 53.4 x 39.3 cm PROVENANCE:

Private Collection, Seattle, WA

LITERATURE:

Cramer Books 96 $10,000 — 15,000

25 PABLO PICASSO (1881-1973), SPANISH SABLE MOUVANT, 1966 [B. 1183-1192; BA. 1152-1161/B/B; C. BOOKS 136]

the complete suite of 10 aquatints on Rives paper, watermark LB, with full margins; signed and numbered 12/15 on the justification page, one of the “Exemplaire de Chapelle” from the edition of 255, there were also 7 hors commerce; printed by Piero Crommelynck and published by Louis Broder, Paris sight 16.9 x 12.7 in — 43 x 32.2 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 1183-1192; Baer 1152-1161/B/b; Cramer Books 136 $10,000 — 15,000

26 AFTER PABLO PICASSO (1881-1973), SPANISH LA CASSEROLE ÉMAILÉE, FROM “ESTAMPES”, 1950

wood engraving in colours on Van Gelder wove paper, with full margins; signed by the artist and Robert Brey and numbered in Roman LXXIX/C, aside from the edition of 250; co-published by L’Image Littéraire and R. Finelli-Feugère, Nice and New York sheet 14.2 x 18.2 in — 36 x 46.2 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON $7,000 — 9,000

27 AFTER PABLO PICASSO (1881-1960), SPANISH NATURE MORTE AU CRÂNE, CIRCA 1960

aquatint in colours on Arches wove paper, with full margins; signed and numbered 91/150; printed and published by Lacourière, Paris, blindstamp sheet 22.2 x 30.1 in — 56.5 x 76.5 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON $12,000 — 18,000

28 PABLO PICASSO (1881-1973), SPANISH JACQUELINE AU CHAPEAU NOIR, 1962, [B. 1028; BA. 1311]

linoleum cut in colours on Arches wove paper, watermark, with full margins; signed and numbered 4/50, there were also approximately 35 artist’s proofs; printed

by Arnéra, Vallauris and published by Gallery Louise Leiris, Paris in 1963 sheet 29.5 x 24.5 in — 74.9 x 62.2 cm PROVENANCE:

Heather James Fine Art, Palm Desert, CA; M.S. Rau Antiques, New Orleans, LA; Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 1028; Baer 1311 $120,000 — 150,000

29 PABLO PICASSO (1881-1973), SPANISH DORA MAAR AU COLLIER, 1937 [B. 300; BA. 628]

drypoint and etching in black on Arches laid paper, with full margins; stamped, signed and numbered 36/50, there were also 15 artist’s proofs numbered in Roman numerals; printed by Frélaut, Paris in 1961 and published by Galerie Louise Leiris, Paris in 1980 sheet 20.7 x 16.3 in — 52.5 x 41.3 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 300; Baer 628 $7,000 — 9,000

30 PABLO PICASSO (1881-1973), SPANISH INES AND HER CHILD, 1947 [M. 61; B. 415]

PROVENANCE:

lithograph in black on Arches paper; inscribed “61”, “M 61”, and “6/6 FM” in pencil verso; from Mourlot’s only state, Mourlot calls for five proofs aside the signed and numbered edition of 50 sheet 26 x 19.5 in — 65.7 x 49.9 cm

Christie’s, New York, 28 April 2003, lot 52; Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 61; Bloch 415 $10,000 — 15,000

31 AFTER PABLO PICASSO (1881-1973), SPANISH CRÂNE DE CHEVRE SUR LA TABLE, 1950-1953 [BA. 903]

aquatint in colours enhanced with oil and pastel on Rives BFK wove paper, will full margins; signed in blue crayon; a unique enhanced proof with great blue, aside from the edition of 150; published by Lacourière, Paris, blindstamp sheet 21.9 x 30.2 in — 55.7 x 76.6 cm

PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

A certificate signed by Maya Picasso, with the drystamp, dated from December 2nd, 2010 will be delivered to the buyer.

Baer 903 $10,000 — 20,000

32 PABLO PICASSO (1881-1973), SPANISH FEMME NUE A LA JAMBE PLIÉE, FROM THE VOLLARD SUITE, 1931-1939 [B. 141; BA. 208 BD]

etching in black on Montval laid paper with Picasso watermark; a proof aside from the edition of 260, there were also an edition 50 with larger margins with the Petiet Collection stamp verso; printed

by Lacourière, Paris and published by Ambroise Vollard, Paris sheet 17.4 x 13.3 in — 44.2 x 33.7 cm PROVENANCE:

Collection Petiet, Paris; Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 141; Baer 208 $6,000 — 8,000

33 PABLO PICASSO (1881-1973), SPANISH LES BAIGNEUSES SURPRISES, FROM THE VOLLARD SUITE, 1931-1939 [B. 194; BA. 355]

etching and drypoint in black on Montval laid paper, Vollard watermark, with full margins; signed, from the edition of 50 with larger margins, aside from the edition of 260; printed by Lacouriere, Paris and published by Ambroise Vollard, Paris sheet 13.3 x 16.9 in — 33.7 x 43 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 194; Baer 355 $6,000 — 8,000

34 PABLO PICASSO (1881-1973), SPANISH DRESSAGE AU CIRQUE, AVEC, AU PREMIER PLAN, ECUYÈRE, MAGICIEN, FAUCONNIER ET LA COLOMBE DE NOÉ, FROM LA SERIE 156, 1970 [B. 1891; BA. 1897]

etching in black on Rives BFK paper, with full margins; stamped-signed and numbered 45/50, there were also 15 artist’s proofs; published by Galerie Louise Leiris, Paris sheet 19.8 x 25.6 in — 50.2 x 65.1 cm PROVENANCE:

Christie’s, New York, 26 April 2011, lot 132; Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 1891; Baer 1897 $4,000 — 6,000

35 PABLO PICASSO (1881-1973), SPANISH LE VIOL, V, PLATE 31, FROM LA SUITE VOLLARD [B. 182, BA. 341]

drypoint in black on Montval laid paper with the Vollard watermark, with full margins; signed, from the edition of 50 with larger margins, aside from the edition of 260; printed by Lacouriere, Paris and published by Ambroise Vollard, Paris sheet 14.9 x 19.5 in — 37.9 x 49.6 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Block 182; Baer 341 $6,500 — 8,500

36 PABLO PICASSO (1881-1973), SPANISH SCULPTEUR ET MODELE AGENOUILLE, FROM LA SUITE VOLLARD, 1931-1939 [B. 178; BA. 331]

etching and drypoint in black on Montval laid paper, Vollard watermark, with full margins; signed, from the edition of 260, there were also 50 with larger margins; printed by Lacouriere, Paris and published by Ambroise Vollard, Paris sheet 17.3 x 13.1 in — 44 x 33.2 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 178; Baer 331 $25,000 — 35,000

37 PABLO PICASSO (1881-1973), SPANISH SCULPTEUR ET MODÈLE DEBOUT, FROM LA SUITE VOLLARD, 1933-1939 [B. 177; BA. 330]

etching in black on Montval laid paper with Vollard watermark, with full margins; signed, from the unnumbered edition of 260, there was also an edition of 50 with wider margins; printed by Lacourière, Paris and published by Ambroise Vollard, Paris in 1939 sheet 17.5 x 13.4 in — 44.5 x 34 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Bloch 177; Baer 330 $8,000 — 12,000

38 SALVADOR DALÌ (1904-1989), SPANISH VENUS DE MILO AUX TIROIRS, 1986

PROVENANCE:

bronze with green patina, lost wax process; incised with signature, dated “1988” and numbered 87/499; foundry Airaindor Valsuani, France, stamp and published by Demart Pro Arte B.V, stamp 14.2 x 3.9 x 3.9 in — 36 x 10 x 10 cm

LITERATURE:

Gallery Sixtyeight, Toronto, ON; Private Collection, Toronto, ON Robert et Nicolas Descharnes, “Dali Sculptures et Objects The Hard and the Soft”, Eccart, 2004, p. 37, the larger model reproduced. $2,500 — 3,500

39 SALVADOR DALÍ (1904-1989), SPANISH NOBILITY OF TIME, 1977-1984

PROVENANCE:

bronze with green and brown patina, lost wax process; conceived in 1977 and cast in 1984, with the artist’s incised signature on top of the base; stamp-numbered 267/350, there were also 35 artist’s proofs; stamp-dated “1984”; stamped with the foundry mark of Perseo SA, Mendrisio, Switzerland and with the publisher Jemelton, London on the back of the base 23.6 x 15 x 11.5 in — 60 x 38.1 x 29.2 cm

Dalí Foundation, Paris; Private Collection, Toronto, ON LITERATURE:

Descharnes, “Dali: Le dur et le mou, Sortilège et magie des formes, Sculptures et Objets Relié”, no. 635, p.247. $25,000 — 35,000

40 SALVADOR DALÍ (1904-1989), SPANISH LADY GODIVA WITH BUTTERFLIES, 1976-1984

bronze with brown and gold patina, lost wax process; conceived in 1976 and cast in 1984, with the artist’s incised signature on top of the base; stamp-numbered 312/350, there were also 35 artist’s proofs; numbered 312/350, stamped with the foundry mark of Perseo SA, Mendrisio, Switzerland and with the publisher I.A.R. Art Resources on the back of the base 20.1 x 19.6 x 9.5 in — 51 x 49.8 x 24.1 cm

PROVENANCE:

Dalí Foundation, Paris; Private Collection, Toronto, ON LITERATURE:

Descharnes, “Dali: Le dur et le mou, Sortilège et magie des formes, Sculptures et Objets Relié”, no. 640, p.248. $25,000 — 35,000

41 KOSSO ELOUL (1920-1995), CANADIAN INDEPTH, 1969

screenprint on wove paper signed, titled, dated “69” and numbered 28/35 27.5 x 19.5 in — 69.9 x 49.5 cm PROVENANCE:

Private Collection, Ontario $200 — 300

42 KOSSO ELOUL (1920-1995), CANADIAN ELUDING II, 1971

screenprint on aluminum foil signed, titled, numbered AP/2 and dedicated sight 19.5 x 25.5 in — 49.5 x 64.8 cm PROVENANCE:

Private Collection, Ontario $350 — 450

43 RITA LETENDRE, RCA (1928-2021), CANADIAN YATAR, 1979

screenprint on wove paper signed, titled dated “79” and numbered 77/100 27.625 x 19.625 in — 49.8 x 70.2 cm PROVENANCE:

W.J. Bouchard, Inc., Important Corporate Collection, Ontario $400 — 600

44 YAACOV AGAM (B. 1928), ISRAELI COZUMEL

agamograph; signed and numbered 59/99 sheet 13.8 x 15 in — 35 x 38 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 500

45 VICTOR VASERELY (1906-1997), HUNGARIAN/FRENCH UNTITLED, 1965

embossed print with silver foil paper; signed and numbered 19/125 14.25 x 9.5 in — 36.2 x 24.1 cm PROVENANCE:

Pollock Gallery, Toronto, ON; Private Collection, London, ON; By descent to Private Collection, Toronto, ON $800 — 1,200

46 Victor Vasarely (1906-1997), Hungarian DIORRE, FROM “JALONS”, 1986 screenprint in colours on wove paper; signed and numbered 21/250; printed

by Atelier Arcay, Paris and published by Galerie Lahumiere, Paris image 25.4 x 25.2 in — 64.5 x 64 cm PROVENANCE:

Private Collection, Ontario $600 — 800

47 GUIDO MOLINARI (1933-2004) BI-OCRE, 1965 [E1965-1]

silkscreen in colours on wove paper, with full margins signed, titled, dated “65” and numbered 36/70; inscribed “I4326” on verso at bottom left sheet 47.8 x 28.6 in — 121.3 x 72.6 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Camille de Singly, E1965-1; Musée d’art contemporain, Montréal, Dix ans de propositions géométriques : Le Québec, 1955-1965, Montréal, 1975, p. 17.

Visuel cat. #20, p. 34; Bogardi, Georges, “Québec exhibition describes an era in transition”, The GAZETTE, 17 janvier 1981.

Gilles Daigneault et Ginette Deslauriers, La gravure au Québec (1940-1980), SaintLambert, Les Éditions Héritage, 1981, p. 44; Les vingt ans du musée à travers sa collection, Musée d’art contemporain de Montréal, 1985, p. 358; France Gascon, Temps composés. La donation Maurice Forget, Joliette: Musée d’art de Joliette, 1998, p. 146; Musée de Lachine, Amplitude, 18 septembre - 19 décembre 2004 [dépliant]; Daigneault, Gilles et Margarida Mafra (ed.). Guido Molinari, Montréal, Fondation Guido Molinari, 2018. Cartel, p. 320, cat. #168. $2,500 — 3,500

48 NOBU FUKUI (B. 1942), JAPANESE/AMERICAN #2, ORANGE-RED, 1972

screenprint in colours on wove paper, with full margins; signed, titled “#2”, dated, and numbered “A.P.”; titled, dated, and numbered to gallery label verso sheet 25.6 x 29.7 in — 65 x 75.5 cm PROVENANCE:

The Pollock Gallery Limited, Toronto, ON; Private Collection, Toronto, ON $300 — 400

50 ALAIN JACQUET (1939-2008), FRENCH DUNCAN’S DONUT, 1990

offset lithograph in colours on paper, the full sheet; signed and numbered 13/100 verso 8.3 x 8.3 in — 21 x 21 cm PROVENANCE:

Private Collection, Toronto, ON $300 — 600

51 ANTONI CLAVÉ (1913-2005), SPANISH A ALBRECHT DÜRER, 1971

engraving in colours with carborundum and embossing on wove paper, the full sheet; signed and numbered 51/79 sheet 29.9 x 22.4 in — 76 x 57 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

52 KAARE ESPOLIN-JOHNSON (1907-1994), NORWEGIAN ENKEN, 1983

lithograph in colours on paper; signed and numbered 38/400 sheet 16.7 x 20.1 in — 42.4 x 51 cm PROVENANCE:

Private Collection, Nova Scotia $300 — 400

54 DAVID LLOYD BLACKWOOD, RCA (1941-2022) CAPTAIN LLEWELLYN KEAN, 1971

etching and aquatint in colours signed, titled, dated and numbered 17/25 plate diameter 7.5 in — 19.1 cm; plate PROVENANCE:

Gallery Pascal, Toronto, ON; Private Collection, Whitby, ON $1,000 — 1,500

53 DAVID LLOYD BLACKWOOD, RCA (1941-2022) S.S. IMOGENE WITH CREW ON ICE AS SEEN FROM THE S.S. EAGLE, 1967

etching and relief print signed, titled, dated and numbered 10/10 in lower margin plate 30 x 20 in — 76.2 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON $3,000 — 4,000

55 HENRY MOORE (1898-1986), BRITISH HANDS I, 1973 [C. 284]

lithograph in sepia on Arches paper, with full margins; signed and numbered 32/75, there were also 15 artist’s proofs numbered in Roman; printed by Curwen Prints Ltd., London and published by Fischer Fine Art Ltd., London 25.6 x 19.7 in — 65 x 50 cm PROVENANCE:

Private Collection, London, ON; By descent to Private Collection, Toronto, ON LITERATURE:

Cramer 284 $600 — 800

56 HENRY MOORE (1898-1986), BRITISH MOTHER AND CHILD, 1976-1977 [C. 431]

lithograph in colours on T.H. Saunders wove paper, with full margins; signed and numbered 45/50; printed by Curwen Prints Ltd, London, UK and published by The Art Gallery of Ontario, Toronto, ON sheet 22.4 x 18.3 in — 57 x 46.6 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Cramer 431 $1,000 — 1,500

57 HENRY MOORE (1898-1986), BRITISH SCULPTURAL IDEAS VII, FROM “SCULPTURAL IDEAS”, 1980 [C. 586]

etching and aquatint in colours, with full margins; signed and numbered 26/50, with full margins; printed by James Collyer and John Crossley, London and co-published

by Raymond Spencer Company Ltd. for the Henry Moore Foundation, Much Hadham, and 2RC Editions, Rome 17 x 22.9 in — 43.2 x 58.1 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Cramer 586 $2,000 — 3,000

58 HENRY MOORE (1898-1986), BRITISH FOUR STANDING WOMEN, 1974-75 [C. 336]

lithograph in colours on BFK Rives watermarked paper, with full margins; signed and numbered 39/75; printed by J.E. Wolfensberger, Zurich, Switzerland and published by the Art Gallery of Ontario, Toronto, ON 1975 sheet 17.7 x 21.9 in — 45 x 55.5 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Cramer 336 $700 — 900

59 ROBERTO MATTA (1911-2002), CHILEAN VA-RIANTE, 1974 [S. 353]

etching and aquatint in colours on wove paper, with full margins; signed and numbered 70/100, there were also 25 artist’s proofs numbered in Roman; published by George Visat, Paris sheet 25.6 x 19.7 in — 67.7 x 51.3 cm; plate 19.7 x 15 in — 50 x 38 cm PROVENANCE:

Private Collection, British Columbia LITERATURE:

Sabatier 353 $400 — 600

60 ROBERTO MATTA (1911-2002), CHILEAN SEXPLICATION SUFFISANTE, 1972

etching and aquatint in colours on Arches paper, watermark, with full margins; signed and numbered 79/100; from an edition of 100, there were also 25 artist’s proofs numbered in Roman; published by George Visat, Paris sheet 20.1 x 26.4 in — 51 x 67 cm; plate 15 x 18.9 in — 38 x 48 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

61 DAVID BROWN MILNE (1882-1953) PAINTING PLACE (“THE COLOPHON” EDITION), 1930-1931

colour drypoint on Fabriano wove paper signed; initialed in matrix sight 5.875 x 7.875 in — 14.9 x 20 cm; plate 4.75 x 6.75 in — 12.1 x 17.1 cm PROVENANCE:

Private Collection, Gananoque, ON LITERATURE:

Tovell 1980, no. 63 V, 150-151. $800 — 1,200

62 ANTONI TÀPIES (1923-2012), SPANISH LES CISEAUX, 1969 [G. 193]

soft-ground etching and embossing on wove paper; signed and numbered 31/75; published by Maeght, Paris sheet 30 x 22.5 in — 76.2 x 57.2 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Galfetti, 193 $400 — 600

63 CHRIS CURRERI (B. 1978), CANADIAN UNTITLED PORTRAIT, 2002

digital print on watercolour paper and thread signed and dated verso diameter 2.5 in — 6.4 cm PROVENANCE:

Private Collection, Toronto, ON $400 — 600

64 MICAH LEXIER (B. 1960), CANADIAN A MINUTE OF MY TIME, 1998

1 . linoleum relief print on wove paper titled, dated “July 14, 1998”, numbered AP3 and inscribed “15:25-15:26” 2. spit-bite aquatint on wove paper titled, dated “July 7, 1998”, numbered AP2 and inscribed “12:08-12:09” each 9.75 x 9.75 in — 24.8 x 24.8 cm PROVENANCE:

Private Collection, Toronto, ON $600 — 800

65 HAROLD BARLING TOWN, OSA, RCA (1924-1994) LADY IN POLKA DOT HAT, 1970

lithograph on paper signed, dated “70” and numbered 26/65; titled, dated and numbered to labels verso 20 x 13.75 in — 66 x 50.8 cm PROVENANCE:

Mazelow Gallery, Toronto, ON; Private Collection, Toronto, ON $300 — 600

67 HAROLD BARLING TOWN, OSA, RCA (1924-1994) JOHN LENNON, 1969

lithograph on paper signed, dated “69” and numbered 1/180 sight 19.5 x 13.5 in — 49.5 x 34.3 cm PROVENANCE:

Private Collection, Toronto, ON $600 — 800

66 HAROLD BARLING TOWN, OSA, RCA (1924-1994) YOKO ONO, 1969

lithograph on paper signed, dated “69” and numbered 18/180; titled, dated and numbered to labels verso 20 x 14 in — 50.8 x 35.6 cm PROVENANCE:

Mazelow Gallery, Toronto, ON; Private Collection, Toronto, ON $600 — 800

68 GENERAL IDEA (1968-1994) AIDS SERIES (GROUP LOT)

1.

AIDS, 1987 (signed in 1988) [F.8702] screenprint on paper signed, dated “88” and numbered 43/80 30 x 30 in — 76.2 x 76.2 cm 2.

AIDS (stamps), 1988 [F.8804] offset lithograph on perforated paper edition size unknown, unsigned, unnumbered 10 x 8.25 in — 76.2 x 76.2 cm

3.

AIDS (poster), 1988 [F.8801] offset lithograph on paper edition size unknown, unsigned, unnumbered for General Idea’s exhibition AIDS at YYZ Artists’ Outlet, 1988 34.25 x 24.70 in — 76.2 x 76.2 cm 4.

AIDS (t-shirt), 1994-96 [F.9402] screenprint on cotton T-shirt signed, edition of 200 32 x 20 in — 76.2 x 76.2 cm

PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Fischer, Barbara, ed. General idea: Editions 1967-1995 Blackwood Gallery University of Toronto at Mississauga, 2003. $3,000 — 5,000

69 GENERAL IDEA (1968-1994) GENERIC, 1992 [F.9204] WITH PLACEBO PIN, 1991 [F.9114]

1.

Generic, 1992 [F.9204] custom-shaped printed red-yellow-black mylar balloon and title sheet signed, titled, dated and numbered 163/250 2.

Placebo Pin, 1991 [F.9114] enamel on metal lapel pin first edition: edition of approximately 300 (with gold infill), unsigned and unnumbered overall 25 x 33 x 0.6 in — 63.5 x 83.8 x 1.5 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Fischer, Barbara, ed. General idea: Editions 1967-1995 Blackwood Gallery University of Toronto at Mississauga, 2003. $600 — 800

70 GENERAL IDEA (1968-1994) MONDO CANE KAMA SUTRA, 1983/2001 [F.8302]

screenprint on paper signed “AA Bronson for GI”, titled, dated and numbered 27/27 17 x 22 in — 40.6 x 54.6 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Fischer, Barbara, ed. General idea: Editions 1967-1995 Blackwood Gallery University of Toronto at Mississauga, 2003. $2,000 — 4,000

71 LEON GOLUB (1922-2004), AMERICAN ENCOUNTER, 1986

lithograph in colours on Arches paper, the full sheet; signed and justified “B.A.T.” for Bon a tirer, aside from the edition of 70 22 x 30.1 in — 55.9 x 76.5 cm PROVENANCE:

Private Collection, Toronto, ON $550 — 750

72 BEN SHAHN (1898-1969), AMERICAN MANY MEN FROM THE RILKE PORTFOLIO: FOR THE SAKE OF A SINGLE VERSE, 1968

lithograph in colours on paper, the full sheet; printed by Atelier Mourlot, New York 22 ¼ x 17 ¾ in — 55.9 x 43.2 cm PROVENANCE:

Private Collection, Toronto, ON $450 — 700

73 JOHN CHAMBERLAIN (B. 1927), AMERICAN UNTITLED, CIRCA 1989

black and white Lucite relief on handmade paper, the full sheet; signed and numbered 13/18; Toronto, published

by Pace Editions, New York 41 x 29 in — 104.1 x 73.7 cm PROVENANCE:

Private Collection, Toronto, ON EXHIBITED:

Black and White, Pace Gallery, New York, 2016, a similar work displayed. $600 — 800

74 CHRISTOPHER PRATT, RCA (1935-2022) LABRADOR CURRENT, OCTOBER, 1973

PROVENANCE:

screenprint in colours on Arches wove paper, with full margins signed, titled, dated “Oct 1973” and numbered 4/25 image 17.75 x 17.75 in — 45.1 x 45.1 cm; sheet 20 x 20.1 in — 50.8 x 51.1 cm

Morrison Art Gallery, Saint John, NB; Prominent Private Collection of a former museum curator, Fredericton, NB $3,000 — 5,000

75 TAKAO TANABE, RCA (B. 1926) THE LAND INTERIORS, 1973

lithograph on paper signed, dated “73” and numbered 52/75 18.1 x 24 in — 46 x 61 cm PROVENANCE:

Corporate Collection, British Columbia $800 — 1,200

76 DAVID ALFARO SIQUEIROS (1896-1974), MEXICAN PERRO BRAVO, GUARDIÁN DE LA PAZ, 1945

lithograph in black on wove paper, with full margin; signed, dated, and justified “E/E” for edición especial (artist’s proof); printed by El Taller de Gráfica Popular, Mexico City sheet 22.4 x 14.2 in — 57 x 36 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Mario De Micheli, “Siqueiros, I maestri del colore, Milan,” Fratelli Fabbri Editori, 1966, no. 3 (illustrated) $600 — 800

77 DAVID ALEXANDER (ALEX) COLVILLE (1920-2013) BORDER COLLIE, 1972

screenprint on wove paper signed and numbered 492/500 sheet 5 x 5 in — 12.7 x 12.7 cm; image 4.375 x 4.375 in — 11.1 x 11.1 cm PROVENANCE:

Private Collection, London, ON; By descent to Private Collection, Toronto, ON $1,500 — 2,000

78 ANTONI CLAVÉ (1913-2005), SPANISH POINT VERT, 1972 [P. 279]

etching and aquatint in colours with carborundum and embossing, the full sheet; signed and numbered 60/75; published by Vision Nouvelles, Paris sheet 30 x 22.25 in — 76.2 x 56.5 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Passeron, 279 $400 — 500

79 ADOLPH GOTTLIEB (1903-1974), AMERICAN NIGHT GLOW, 1971

etching and aquatint in colours on Fabriano paper, with full margins; signed, dated and numbered 48/65; printed and published by 2RC Edizioni d’Arte, Rome, Italy sheet 34 x 26.5 in — 86.4 x 67.2 cm; plate 23.8 x 17.5 in — 60.5 x 44.5 cm PROVENANCE:

Dunkelman Gallery, Toronto, ON; Private Collection, Toronto, ON $1,500 — 1,800

80 TED HARRISON, RCA (1926-2015) BALL GAME, 1991

screenprint in colours on wove paper, with full margins signed, titled, dated “91” and numbered 14/200 sheet 22.5 x 29 in — 57.2 x 73.7 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

81 PETER DOIG (B. 1959), SCOTTISH UNTITLED, CANOE, 2008

aquatint in colours on Somerset paper, the full sheet; signed and numbered 217/500; published for the “Peter Doig” exhibition at the Musée d’Art Moderne, Paris 23.4 x 29.5 in — 59.5 x 75 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $3,000 — 4,000

82 PETER DOIG (B. 1959), SCOTTISH FISHERMAN, 2014

archival digital pigment print in colours on Somerset 300g photo rag paper, the full sheet; signed and numbered 147/500; published by the Montreal Museum of Fine Art 34.4 x 27.1 in — 87.5 x 69 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $4,000 — 6,000

83 PATRICK HUGHES (B. 1939), BRITISH

PROVENANCE:

ROBOTSKI, 2017

Private Collection, United Kingdom

hand-painted 3D multiple with archival inkjet; signed and numbered 23/50 in pencil, contained in a perspex box; published by Flowers Gallery, London 17.7 x 39.4 x 6.3 in — 45 x 100 x 16 cm

NOTE:

This lot is not onsite and is not available for in-person preview. $5,000 — 7,000

84 PATRICK HUGHES (B. 1939), BRITISH

PROVENANCE:

JAZZ, 2016

Private Collection, United Kingdom

hand-painted 3D multiple with archival inkjet; signed and numbered 33/50 in pencil, contained in a perspex box; published by Flowers Gallery, London 17.7 x 35.8 x 8.1 in — 45 x 91 x 20.5 cm

NOTE:

This lot is not onsite and is not available for in-person preview. $5,000 — 7,000

85 DAMIEN HIRST (B. 1965), BRITISH TAYTU BETUL, FROM “THE EMPRESSES,” H10-5, 2022

laminated giclée print in colours with screenprinted glitter on aluminum composite panel; signed in pencil and stamp-numbered 1874/2814 to label affixed verso; published by HENI Editions, London 39.4 x 39.4 in — 100 x 100 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $6,500 — 8,500

86 DAMIEN HIRST (B. 1965), BRITISH THE HOURS SPIN SKULL, 2009

unique multiple comprised of a plastic skull with gloss enamel paint in colours, with inset watch faces; titled to the back of the skull in black paint, from the edition of 210 unique multiples, accompanied

by The Hours CD album “See the Light” and contained in the original black box; published by Other Criteria, London 7.4 x 4.9 x 7.6 in — 19 x 12.5 x 19.5 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $9,000 — 11,000

87 DAMIEN HIRST (B. 1965), BRITISH KEUKENHOF (VEIL), H4-8, 2020

PROVENANCE:

diasec-mounted giclée print in colours on aluminum panel, the full panel; signed to label and numbered 71/75 verso; published by HENI Editions, London, contained within original HENI card packaging 36.2 x 49.6 in — 92 x 126 cm

Heni Edition, London, UK; Private Collection, Toronto, ON $12,000 — 18,000

88 DAMIEN HIRST (B. 1965), BRITISH 4088, AND I DIED THIS YEAR, FROM THE “CURRENCY” SERIES, 2016

enamel paint on handmade paper; signed, titled, dated “2016” and numbered 4088 verso, from the edition of 10,000, each work unique; with artist’s blindstamp, microdot, hallmark and hologram verso; published by Heni Editions, London sheet 7.9 x 11.8 in — 20 x 30 cm

PROVENANCE:

Heni Editions, London, UK; Private Collection, Toronto, ON $15,000 — 20,000

89 JEFF KOONS (B. 1955), AMERICAN BALLOON DOG, MAGENTA, 2015

limoges porcelain with chromatic coating; stamp-signed, titled, dated and numbered 1902/2300 verso, contained in original styrofoam-lined presentation box with original plastic stand; manufactured

by Bernardaud, Limoges, France and published by the Museum of Contemporary Art, Los Angeles 10.5 x 10.5 x 5 in — 26.6 x 26.5 x 12.7 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $8,500 — 9,500

90 JEFF KOONS (B. 1955), AMERICAN BALLOON RABBIT (VIOLET), 2019

limoges porcelain with chromatic coating in violet; stamp-signed, dated and numbered 746/999 on the underside; contained in original styrofoam-lined presentation box with original plastic stand; published by Bernardaud, Limoges, France 11.5 x 5.5 x 8.3 in — 29.2 x 13.9 x 21 cm

PROVENANCE:

Private Collection, Europe LITERATURE:

A certificate of authenticity will be delivered to the buyer. $8,000 — 12,000

91 THE CONNOR BROTHERS (B. 1968), BRITISH EVERY SAINT HAS A PAST, 2021

giclée print in colours with screenprint varnish on wove paper, with full margins; signed, dated “21” and numbered 143/150, there were also 15 artists proofs and 15 special proofs; printed by Jealous Print Studio, London and published by Clarendon Fine Art, London 47.2 x 29.5 in — 120 x 75 cm PROVENANCE:

Private Collection, Toronto, ON $1,600 — 1,800

92 ROBERT LONGO (B. 1953), AMERICAN SATURN, 2006

archival pigment print on Epson Exhibition paper, with full margins; signed, dated and numbered 5/30, there were also 5 artist’s proofs; published by Adamson Editions, Washington, DC 15.5 x 23.5 in — 26.6 x 59.9 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $6,000 — 8,000

93 YAYOI KUSAMA (B. 1929), JAPANESE PUMPKINS, YELLOW AND RED, 2016

two lacquered cast resin sculptures; each stamped with the artist’s name to the base, offered in their original box; published by Benesse Holdings, Japan 4.02 x 3 x 3 in — 10.2 x 7.6 x 7.6 cm; 3.9 x 3.9 x 3.1 in — 10 x 10 x 8 cm PROVENANCE:

Private Collection, Toronto, ON $1,300 — 1,800

94 YAYOI KUSAMA (B. 1929), JAPANESE PUMPKIN, RED, NAOSHIMA, 2019

lacquered cast resin sculpture; stamped signature and titled to underside “Naoshima © Yayoi Kusama”, contained in the original deep green box; published by Benesse Holdings, Inc., Naoshima, Japan 3.3 x 5.3 x 5.3 in — 8.4 x 13.5 x 13.5 cm PROVENANCE:

Private Collection, Toronto, ON $600 — 800

95 AI WEIWEI (B. 1957), CHINESE WO IST DIE REVOLUTION, 2019

digital black and white print on Canson 180g paper, the full sheet; signed and numbered 107/180 74.8 x 39.4 in — 190 x 100 cm PROVENANCE:

Private Collection, Toronto, ON $800 — 1,200

96 YOSHITOMO NARA (B. 1959), JAPANESE BANGING THE DRUM; MARCHING ON A BUTTERBUR LEAF; REAL ONE, 2019-2020

suite of three offset lithographs in colours on wove paper, the full pages; each printed with the mention “Dallas Contemporary © Yoshitomo Nara”; published by Dallas Contemporary, Texas 15 x 16.9 in — 38 x 43 cm; 24 x 18.1 in — 61 x 46 cm; 27.2 x 16.9 in — 69 x 43 cm PROVENANCE:

Private Collection, United States $1,500 — 2,500

97 KAREL APPEL (1921-2006), DUTCH UNTITLED, 1969

screenprint in colours on Arches paper; signed, dated “69” and numbered 17/75 sheet 22.4 x 30.1 in — 56.8 x 76.5 cm PROVENANCE:

Private Collection, Montreal, QC $600 — 800

98 KAREL APPEL (1921-2006), DUTCH CIRCUS, 10 PLATES, VOLUME 1, 1978

complete portfolio of 10 woodcuts with carborundum in colours on Arches paper, the full pages; each signed and numbered 109/130 in white pencil, numbered again on each justification page, there were also 20 artist’s proofs in Roman numerals, complete with the title page, contained in its original red linen-covered case; printed by Arts-Litho, Paris and published

by ABCD, Paris each 30 x 22.25 in — 76.2 x 56.5 cm PROVENANCE:

Private Collection, Montreal, QC $7,000 — 9,000

99 MARINO MARINI (1901-1980), ITALIAN SIX PLATES, I, II, IV, V, VII, VIII, FROM “MARINO FROM SHAKESPEARE I”, 1978 [G. 349-356]

six etchings and aquatints in colours on wove paper; each signed and justified “P.A.” for artists proofs, each one from the 12 artists proofs, aside from the edition of 75, there were also 50 numbered in Roman; printed by Labryrinth, Florence and published by ZWR, London 29.5 x 22 in — 75 x 56 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Guastalla 349-356 $5,000 — 7,000

100 AFTER FRANCIS BACON (1909-1992), BRITISH PERSONNAGE COUCHE, 1966

PROVENANCE:

lithograph in colours on Chiffon Mandeure paper, with full margins; numbered 45/200; published by Maeght, Paris sheet 25 x 18 in — 63.5 x 45.7 cm

$1,000 — 1,750

Private Collection, Toronto, ON

101 ANDY WARHOL (1928-1987), AMERICAN FLOWERS TAPESTRY, CIRCA 1980

woven tapestry; woven signature “Andy Warhol” in the pattern lower right, with the embroidered signature “Warhol ©” verso, from the edition of 20; published by Modern Master Tapestries, New York 71.7 x 71.7 in — 182 x 182 cm

PROVENANCE:

Modern Master Tapestries, New York; Private Collection, Europe, acquired from the above NOTE:

This lot is not onsite and is not available for in-person preview $25,000 — 35,000

102 ANDY WARHOL (1928-1987), AMERICAN VEGETARIAN VEGETABLE, FROM “CAMPBELL’S SOUP II”, 1969 [F. & S. 56]

screenprint in colours on smooth wove paper, with full margins; signed and justified “P” in black ballpoint pen; one of the 26 artist’s proofs lettered from A to Z aside from the numbered edition of 250; published by Factory Additions, New York sheet 35.1 x 23.1 in — 89.2 x 58.6 cm PROVENANCE:

Theo Waddingtons Inc, Montreal, QC; Private Collection, Montreal, QC LITERATURE:

Feldman and Schellmann 56 $30,000 — 50,000

103 DAVID HOCKNEY (B. 1937), BRITISH YVES-MARIE HERVÉ, 1974 [S.A.C. 159; M.C.A.T. 156]

lithograph on BFK Rives buff paper, the full sheet; signed, dated “74” and justified “working proof”, aside from the edition of 75, there were also 24 artist’s proofs; published by Petersburg Press, Ltd, New York 29.75 x 22 in — 75.6 x 55.9 cm PROVENANCE:

Private Collection, London, ON; By descent to Private Collection, Toronto, ON LITERATURE:

Scottish Arts Council 159; Museum of Contemporary Art, Tokyo 156 $4,000 — 6,000

104 MEL BOCHNER (B. 1940), BARRY LE VA (B. 1941), SOL LEWITT (1928-2007) AND ROBERT MANGOLD (B. 1937), AMERICAN 4 X 4 X 4, PORTFOLIO OF FOUR WORKS, 1990

complete portfolio of four screenprints in colours on paper, the full sheets; each signed and numbered 25/100, the Le Va dated “1990”, the Bochner dated “1968/1990”, there were also 15 artist’s proofs; printed by Watanabe Studio, Brooklyn and published by Parasol Press, Ltd., New York 48 x 48 in — 121.9 x 121.9 cm PROVENANCE:

Private Collection, Toronto, ON $8,500 — 10,500

105 JIM DINE (B. 1935), AMERICAN IMOGEN, FROM “COMPLETE GRAPHICS”, 1969

screenprint in colours on wove paper, with full margins; signed, from the unnumbered edition of 200; published by Galerie Mikro, Berlin sheet 8 x 8.5 in — 20.3 x 21.6 cm;

PROVENANCE:

Private Collection, London, ON; By descent to Private Collection, Toronto, ON $300 — 400

106 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1989 [L. 282; SF-341]

lithograph in colours on Waterleaf paper, the full sheet; signed and numbered 11/50, there were also 9 artist’s proofs; printed and published by The Litho Shop Inc., Santa Monica, California, blindstamp 46.3 x 29.9 in — 117.5 x 76 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 282; SF-341 $6,000 — 8,000

107 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1991 [SF-345]

lithograph in colours on Waterleaf paper, the full sheet; signed, titled, and numbered 1/50 verso; there were also 10 artist’s proofs; published by The Litho Shop, Inc., Santa Monica, California 46.4 x 30 in — 117.8 x 76.2 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

Please refer to the condition report for details.

LITERATURE:

SF-345 $6,000 — 8,000

108 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1992 [SF-356]

lithograph in colours on Waterleaf wove paper, the full page; signed and numbered 46/50; printed and published by The Litho Shop Inc., Santa Monica, California, blindstamp 29.8 x 46.8 in — 75.6 x 118.8 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SF-356 $4,000 — 5,000

109 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1985 [SFE-031]

aquatint in colours on Rives BFK wove paper, with full margins; signed and justified “CTP IV”, one of the colour trial proofs, aside from the edition of 23, there were also 4 artist’s proofs; printed and published by The Litho Shop, Inc., Santa Monica, California 44.5 x 31.75 in — 12.9 x 80.7 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark l.65; SFE-031 $4,000 — 6,000

110 SAM FRANCIS (1923-1994), AMERICAN TRIETTO 4, 1991 [SFE-077 RC]

aquatint in colours on Fabriano paper, with full margins; signed in pencil and numbered 20/66, there were also 14 artist’s proofs; printed and published

by Vigna Antoniniana Stamperia d’Arte, Rome, blindstamp and 2RC Edizioni d’Arte, Rome 52.8 x 65 in — 134 x 165 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $10,000 — 15,000

111 SAM FRANCIS (1923-1994), AMERICAN TRIETTO 3, 1991 [SFE-076 RC]

aquatint in colours on Fabriano paper, with full margins; signed in pencil and numbered 20/66, there were also 14 artist’s proofs; printed by Vigna Antoniniana Stamperia d’Arte, Rome, blindstamp and published by 2RC Edizioni d’Arte, blindstamp 38.2 x 53.1 in — 97 x 135 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SFE-076 RC $5,000 — 7,000

112 SAM FRANCIS (1923–1994), AMERICAN UNTITLED, 1993 [SFE-091]

aquatint in colours on wove paper, with full margins; signed and numbered 22/25, there were also 6 artist’s proofs; printed and published by The Litho Shop, Inc., Santa Monica, California, blindstamp 15.25 x 9.38 in — 38.7 x 23.8 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SFE-091 $2,000 — 2,400

113 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1995 [SFE-117]

aquatint in colors on wove paper, with full margins; artist’s blindstamp signature as issued (a posthumous impression) and numbered 33/25, there were also 6 artist’s proofs; printed and published by The Litho Shop, Inc., Santa Monica, California 21 x 18 in — 53.4 x 45.7 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SFE-117 $1,800 — 2,200

114 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1985 [SFE-029]

aquatint in colours on wove paper, with full margins; signed and justified “AP”, one of the 6 artist’s proofs, aside from the edition of 25; printed and published

by The Litho Shop, Inc., Santa Monica, California, blindstamp 36 x 13.25 in — 91.4 x 33.7 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SFE-029 $3,000 — 4,000

115 SAM FRANCIS (1923-1994), AMERICAN DOUBLED CROSS, 1973 [L. 168; SF-188]

lithograph in colours on wove paper, the full sheet; signed and numbered 9/30, there were also 4 artist’s proofs; printed and published by The Litho Shop, Inc., Santa Monica, California, blindstamp 27.4 x 41.5 in — 69.5 x 105.4 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 168; SF-188 $6,000 — 8,000

116 SAM FRANCIS (1923-1994), AMERICAN DARK CUP, 1973 [L. 160; SF-141]

lithograph in colours on BFK Rives paper, the full page; signed and numbered 4/28 in silver pencil, there were also 3 artist’s proofs and 1 Bon a Tirer; printed and published by The Litho Shop, Inc., Santa Monica, California, blindstamp 27.5 x 41.4 in — 69.9 x 105.1 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 160; SF-141 $1,500 — 2,500

117 SAM FRANCIS (1923-1994), AMERICAN DARK BLUE CUP, 1973 [L. 161; SF-141A]

lithograph in colours on Rives BFK paper, the full sheet; signed and numbered 4/4, probably one of 4 artist’s proofs, aside from the edition of 30; printed and published by The Litho Shop, Inc., Santa Monica, California 27.25 x 41.25 in — 69.2 x 104.8 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 161; SF-141A $4,000 — 6,000

118 SAM FRANCIS (1923–1994), AMERICAN AND PINK, 1973 [L. 163; SF-143]

PROVENANCE:

lithograph in colours on Rives BFK paper, the full sheet; signed and numbered 13/28, there were also 3 colour trial proofs; printed and published by The Litho Shop, Inc., Santa Monica, California 27.5 x 41.38 in — 69.85 x 105.11 cm

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 163; SF-143 $6,000 — 8,000

119 SAM FRANCIS (1923-1994), AMERICAN DAMP, 1969 [L. 104; SF-90]

PROVENANCE:

lithograph in colours on BFK Rives paper, the full sheet; signed and justified “Color Trial Proof #6”, one of the seven unique proofs aside from the edition of 20; published by Tamarind Lithography Workshop, Los Angeles, blindstamp 26 x 37 in — 66 x 94 cm

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 104; SF-90 $4,000 — 5,000

120 PABLO PICASSO (1881-1973), SPANISH AU CIRQUE L’ECUYERE BRUNE, 1967 [B. 1452; BA. 1488]

etching in black on wove paper, with full margins; stamped-signed and numbered 12/50 sheet 14.9 x 18.5 in — 37.8 x 47 cm PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Bloch 1452; Baer 1488 $2,500 — 3,500

121 AFTER PABLO PICASSO (1881-1973), SPANISH LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 354]

lithograph in black on wove paper; a proof aside from the edition of 180; published by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 354 $400 — 500

122 AFTER PABLO PICASSO (1881-1973), SPANISH LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 353]

lithograph in black on wove paper; a proof aside from the edition of 180; published

by André Sauret, Paris 17 x 13 in — 43.18 x 33 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 354 $400 — 500

123 AFTER PABLO PICASSO (1881-1973), SPANISH LE PEINTRE ET SON MODÈLE, FROM “REGARD SUR PARIS”, 1962 [M. 355]

lithograph in black on wove paper; a proof aside from the edition of 180; published

by André Sauret, Paris sheet 17 x 25 in — 43.18 x 63.5 cm PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 355 $400 — 500

124 AFTER PABLO PICASSO (1881-1973), SPANISH PLATE XI, FROM “LE VISAGE DE LA PAIX”, 1951

lithograph in black on paper; inscribed “XCIII/CL”; printed by Mourlot, Paris, published by Cercle d’Art, Paris image 5.4 x 7.6 in — 13.7 x 19.2 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON $300 — 400

125 JOAN MIRÓ (1893-1983), SPANISH UNTITLED, FROM “ALBUM 19”, 1963 [C. BOOKS 86]

lithograph in colours on Rives BFK paper with watermark, the full sheet; signed and numbered 22/100; printed by Maeght, Paris and published by Sala Gaspar, Barcelona 12 x 8.6 in — 30.4 x 21.9 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Cramer Books 86 $1,500 — 2,000

126 JOAN MIRÓ (1893-1983), SPANISH SILENCE, FROM “HAI-KU”, 1967 [M. 1233; C. BOOKS 118; M. 555]

lithograph in colours on Arches paper, the full sheet; signed and numbered 49/100, there were also 15 artist’s proofs; printed and published by Maeght, Paris 12.2 x 9.1 in — 30.9 x 23 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Maeght 1233; Cramer Books 118; Mourlot 555 $800 — 1,200

127 AFTER JOAN MIRO (1893-1983), SPANISH FEMMES, OISEAUX, ÉTOILES, 1960 [MA. 1715]

lithograph in colours on BFK Rives paper, with full margins; signed and numbered 210/300; published by Maeght Editeur, Paris, blindstamp sheet 28.2 x 21.4 in — 71.6 x 54.4 cm

PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Maeght 1715 $5,500 — 7,500

128 JOAN MIRÓ (1893-1983), SPANISH QUERELLE D’AMOUREUX, I, FROM “ALLEGRO VIVACE”, 1981 [M. 1233]

lithograph in colours on Arches paper, the full sheet; signed and numbered 27/100; printed by Daniel Lelong, Paris and published by Atelier Lelong, Paris 35.1 x 23.8 in — 89.2 x 60.5 cm

PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Maeght 1233 $5,000 — 7,000

129 JOAN MIRÓ (1893-1983), SPANISH LA FEMME AU MIROIR, FROM “DERRIERE LE MIROIR, DIX ANS D’EDITION”, 1956 [M. 242; C. BOOKS 36]

lithograph in colours on Arches paper, the full sheet; from the edition of 2500, aside from the signed and numbered edition of 150; printed by Mourlot, Paris and published by Maeght Editeur, Paris 14.6 x 18 in — 37.2 x 45.7 cm PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 242; Cramer Books 36 $600 — 800

130 MENAHEM BERMAN (1929-2017), ISRAELI CHAGALL WINDOWS CANDLESTICKS

pair of candlesticks with gold-plated brass and silver enclosing screenprints in colours on Arches paper; after Marc Chagall; each inscribed with facsimile signature “Chagall” and numbered 13/300 on base 10 x 3 x 2 in — 25.4 x 7.6 x 5.1 cm PROVENANCE:

Arta Gallery, Jerusalem NOTE:

Depicting the “Twelve Tribes of Israel” from the “Chagall Windows” at the Hadassah Hospital in Jerusalem.

LITERATURE:

A certificate of authenticity issued by Itamar Barkai, President of Arta Gallery, Jerusalem Ltd. will be delivered to the buyer. $700 — 900

131 MARC CHAGALL (1887-1985), RUSSIAN/FRENCH PLACE DE LA CONCORDE, FROM “REGARDS SUR PARIS (A)”, 1960 [M. 353]

lithograph in colours on Arches paper, watermark, with margins; a proof with margins probably one aside the signed and numbered edition of 25 with margins, there was also an edition of 180; printed by Sorlier, Paris and published by André Sauret, Paris sheet 16.9 x 13 in — 43 x 32.9 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 353 $800 — 1,200

132 AFTER MARC CHAGALL (1887-1985), RUSSIAN/FRENCH COUPLE DANS LES MIMOSAS, FROM “NICE AND THE CÔTE D’AZUR”, 1967 [CS. 32]

lithograph in colours on Arches wove paper, with full margins; signed and numbered in Roman XXXII/LXXV, aside from the edition of 150; printed by Charles Sorlier, Paris and published by Fernand Mourlot, Paris 29.3 x 20.9 in — 74.5 x 53 cm

PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Sorlier 32 $14,000 — 18,000

133 AFTER MARC CHAGALL (1887-1985), FRENCH/BELARUSIANH LA TRIBU DE SIMEON, FROM “THE TWELVE MAQUETTES OF STAINED GLASS WINDOWS FOR JERUSALEM”, 1967 [CS. 313]

lithograph in colours on Arches wove paper, watermark, with full margins; signed and numbered in roman XLVII/LXXV, aside from the edition of 150, there were also 25 artist’s proofs; printed by Charles Sorlier, Paris and published by Mourlot, Paris sheet 29.1 x 20.7 in — 74 x 52.5 cm

PROVENANCE:

Galerie Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Sorlier 13 $4,000 — 6,000

134 AFTER MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN THE TRIBE OF ZEBULON, FROM “TWELVE MAQUETTES OF STAINED GLASS WINDOWS FOR JERUSALEM”, 1964 [CS. 16]

lithograph in colours on Arches paper, with full margins; signed and numbered 117/150, there was also an edition of 75 numbered in Roman; printed by Charles Sorlier and published by Mourlot, Paris sheet 29.3 x 20.8 in — 74.4 x 52.9 cm

PROVENANCE:

Private Collection, Toronto, ON LITERATURE:

Sorlier 16 $8,000 — 12,000

135 SALVADOR DALÍ (1904–1989), SPANISH LA DIVINE COMEDIE, FROM “DANTE ALIGHIERI, L’ENFER, LE PURGATOIRE, LE PARADIS,” 1959-1963 [ML. 1039-1138, F. 189-200]

the complete portfolio comprising 100 woodcuts in colours on Rives BFK paper, watermark, with full margins; signed and numbered 4/150 in coloured crayon, the woodcuts from the volume “Inferno” in red, “Purgatory” in purple and “Paradise” in blue, each woodcut loose as issued, in six volumes with matching slipcases, this numbered edition of 150 is aside from the total edition of 4765, complete with the text by Dante Alighieri in French; published by Editions d’Art Les Heures Claires, Paris PROVENANCE:

Helene Arthur Galleries LTD., Toronto, ON; Private Collection, Ontario, acquired from the above in 1965 $35,000 — 45,000

136 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN QUAI DE LA TOURNELLE, FROM “REGARD SUR PARIS”, 1960 [M. 351; C. BOOKS 53]

lithograph in colours on Arches paper, the full sheet; from the edition of 180, there was also a signed and numbered edition of 25 with margins and an edition of 30 unsigned without the central fold, this proof with the central fold on the double page as issued; printed by Sorlier, Paris and published by André Sauret, Paris sheet 15.4 x 23.5 in — 39 x 59.7 cm

PROVENANCE:

Odon Wagner Gallery, Toronto, ON; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 351; Cramer Books 53 $3,000 — 4,000

137 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN DAVID ET BATHSHEBA, FROM “DESSINS POUR LA BIBLE”, 1956 [M. 132; C. BOOKS 25]

lithograph in colours on wove paper, the full sheet; from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris sheet 13.8 x 10.1 in — 35 x 25.7 cm PROVENANCE:

Gallery Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 132; Cramer Books 25 $400 — 600

138 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN DAVID A LA HARPE, FROM “DESSINS POUR LA BIBLE”, 1956 [M. 134; C. BOOKS 25]

lithograph in colours on wove paper, the full sheet; from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris sheet 13.9 x 10.1 in — 35.2 x 25.7 cm PROVENANCE:

Gallery Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 134; Cramer Books 25 $400 — 600

139 MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN ASSUERUS CHASSE VASTHI, FROM “DESSINS POUR LA BIBLE”, 1956 [M. 251; C. BOOKS 25]

lithograph in colours on wove paper, the full sheet; from an unnumbered edition of 6500, there was also a signed and numbered edition of 75 with margins; printed by Mourlot, Paris and published by Éditions de la Revue Verve, Tériade, Paris 13.8 x 10.2 in — 35 x 26 cm PROVENANCE:

Gallery Raphael, Frankfurt, Germany; S.P. Family Collection, Toronto, ON LITERATURE:

Mourlot 251; Cramer Books 25 $400 — 600

140 AFTER MARC CHAGALL (1887-1985), FRENCH/BELARUSIAN THE ARTIST AS A PHOENIX: GALERIE MAEGHT, 1972

lithograph in colours on wove paper; signed and dated in black felt pen, from the unnumbered edition of 5000; printed

by Mourlot, Paris and published by Maeght, Paris sheet 30.5 x 20 in — 77.5 x 50.8 cm PROVENANCE:

Private Collection, Toronto, ON $800 — 1,000

141 SAM FRANCIS (1923-1994), AMERICAN SET OF THREE, UNTITLED, 1982 [L. 33; SFE-001]; UNTITLED, 1983 [L. II I. 41; SFE-009]; UNTITLED, 1982 [L. 35; SFE-003]

three aquatints and etchings in colours on Somerset paper, with full margins; each signed and justified “AP”; UNTITLED, 1982 [L. 33, SFE-001]: one of the 19 artist’s proofs, aside from the edition of 100; UNTITLED, 1983 [L. II I. 41, SFE-009]: one of the 4 artist’s proofs, there were also 9 monoprint variations, 1 bon à tirer, 2 trial proofs, and 3 colour trial proofs; UNTITLED, 1982 [L. 35, SFE-003]: one of the 8 artist’s proofs aside from the edition of 20 and some other colour trial proofs; all printed and published by The Litho Shop, Inc., Santa Monica, California, blindstamp 23.8 x 17.8 in — 60.4 x 45.2 cm

PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark, 33, II I. 41, 35; SFE-001, SFE-009, SFE-003 $4,000 — 6,000

142 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1989 [L. 281; SF-340]

lithograph in colours on PTI #120 Waterleaf paper, the full page; signed and justified AP 6/10, aside from the edition numbered of 50, there were also 1 bon à tirer and 5 colour trial proofs; printed by George Page for The Litho Shop and published by The Litho Shop, Santa Monica, California 45.2 x 29.1 in — 114.9 x 74 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview. $6,000 — 8,000

143 SAM FRANCIS (1923-1994), AMERICAN GREEN CORAL, 1973 [L. I. 10; SFE-5A]

etching and aquatint in colours on Fabriano wove paper, with full margins; signed and justified “AP 4/10”; printed

by Eleonora Rossi, Giancarlo Iacomucci, Stamperia, Rome and published by 2RC Edizione d’Arte, Rome, blindstamp 27.6 x 39 in — 70 x 99 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark I. 10; SFE-5A $2,000 — 3,000

144 SAM FRANCIS (1923-1994), AMERICAN SALMON, 1973 [L. I.9; SFE-4A]

aquatint in colors on Fabriano Rosaspina wove paper, full margins; signed and justified “AP 11/11”, aside from the edition of 45; printed by Eleonora Rossi, Giancarlo Iacomucci, Stamperia, Rome and published by 2RC Edizione d’Arte, Rome, blindstamp 25 x 35 in — 63.5 x 88.9 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark I. 9; SFE-4A $2,000 — 3,000

145 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1973 [L. I.1; SFE-IC]

etching and aquatint in colors on wove Fabriano Rosaspina paper, full margins; signed and numbered 19/20, there were also 7 artist’s proofs; printed by Eleonora Rossi and Giancarlo Iacomucci at Stamperia 2RC, Rome and published by 2RC Edizioni d’Arte, Rome 29.3 x 35.4 in — 74.5 x 90 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark L. I.1; SFE-IC $2,000 — 3,000

146 SAM FRANCIS (1923-1994), AMERICAN L’ÉTOILE, 1995 [SF-364]

lithograph in colours on Waterleaf wove paper, the full page; artist’s blindstamp signature as issued (a posthumous impression), numbered 34/50 in pencil; published by The Litho Shop Inc., Santa Monica, California 49.8 x 30.9 in — 126.4 x 78.5 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

SF-364 $3,000 — 4,000

147 SAM FRANCIS (1923-1994), AMERICAN UNTITLED, 1969 [L. 108; SF-106A]

lithograph in colours on BFK Rives paper, the full page; signed and justified “Trial Proof”, one of the 6 trial proofs, aside from the edition numbered of 30, there were also 8 artist’s proofs and 6 signed copies; printed and published by Hollander’s Workshop, New York 28.3 x 40 in — 71.8 x 101.6 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 108; SF-106A $2,000 — 3,000

148 SAM FRANCIS (1923-1994), AMERICAN CONCERT HALL SET II, 1977 [L. 224; SF-231]

lithograph in colours on Rives BFK paper, with full margins; signed and numbered 34/75, there were also 8 artist’s proofs and 1 bon à tirer; printed by The Litho Shop Inc., Santa Monica, California, blindstamp and published by Louisiana Museum of Modern Art, Denmark 25.5 x 16 in — 68.4 x 40.6 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 224; SF-231 $1,700 — 2,500

149 SAM FRANCIS (1923-1994), AMERICAN SET OF TWO, UNTITLED, 1975 [L. 174; SF-194]

two lithographs in colours on wove paper, with full margins; each signed and justified “CPT” for Colour Trial Proof (a unique colour variant) and “A.P” one for the 11 artist’s proofs, aside from the edition of 125; printed by The Litho Shop Inc., Santa Monica, California, blindstamp and published by Swiss Graphic Society, Bern 22 x 17.5 in — 55.8 x 44.4 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark 174; SF-194 $3,000 — 5,000

150 SAM FRANCIS (1923-1994), AMERICAN SET OF TWO, UNTITLED, 1982 [L. 252; SF267]; UNTITLED, 1982 [L. 253; SF-268]

two lithographs in colours on BFK Rives paper, the full sheets; UNTITLED, 1982 [L. 252; SF-267]: signed and justified “AP 3/6” one of the six artist’s proofs, aside from the edition of 26, there was also 1 bon à tirer and 1 trial proof; UNTITLED, 1982 [L. 253, SF-268]: signed and numbered 5/18, each print is a unique color variant, there was also one artist’s proof; each printed and published by The Litho Shop, Inc., Santa Monica, California, blindstamp 42 x 29.8 in — 106.7 x 75.6 cm PROVENANCE:

Private Collection, Europe NOTE:

This lot is not onsite and is not available for in-person preview.

LITERATURE:

Lembark, 252, 253; SF-267, SF-268 $5,000 — 7,000

151 SALVADOR DALÍ (1904-1989), SPANISH LES TROIS BARONS FELONS, FROM “TRISTAN & ISEULT”, 1971 [M. & L. 420, F 70-10 O]

etching and drypoint in colors on wove paper, with full margins; signed and numbered 58/125; printed by Atelier Rigail, Paris and published by Pamela Verdag sheet 17.6 x 13 in — 44.8 x 32.9 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

152 SALVADOR DALÍ (1904-1989), SPANISH TRISTAN ET LE DRAGON, FROM “TRISTAN & ISEULT”, 1971 [M. & L. 420, F 70-10 E]

etching and drypoint in colors on wove paper, with full margins; signed and numbered 58/125; printed by Atelier Rigail, Paris and published by Pamela Verdag sheet 17.6 x 13 in — 44.7 x 33 cm; plate 15.7 x 10.4 in — 40 x 26.5 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

153 SALVADOR DALÍ (1904-1989), SPANISH LE GIRAFE EN FEU, FROM LA JUNGLE HUMAINE, 1976 [F. 76-2A]

lithograph in colours on Arches paper, with full margins; signed and numbered 98/250, aside from the edition of 250 numbered in Roman and some other proofs; printed by Atelier Lithographique, Paris and published by Martin Lawrence Limited Editions, Los Angeles 18.5 x 25 in — 47 x 63.5 cm PROVENANCE:

S.P. Family Collection, Toronto, ON LITERATURE:

Field, 76-2A $400 — 600

154 SALVADOR DALÍ (1904-1989), SPANISH STUDY FOR THE BATTLE OF TETUAN, 1962

etching and aquatint in colours on wove paper; signed and numbered 23/300 sheet 15 x 22.3 in — 38 x 56.7 cm PROVENANCE:

S.P. Family Collection, Toronto, ON $2,000 — 3,000

155 LEROY NEIMAN (1921-2012), AMERICAN X-RATED FILMAKERS, 1974

screenprint in colours on Arches paper, with full margins; signed and numbered 66/300 image 23 x 19.8 in — 58.4 x 50.3 cm PROVENANCE:

Patrician Galleries Inc., Chatsworth, CA; Private Collection, Toronto, ON $400 — 600

156 SAYED HAIDER RAZA (1922-2016), INDIAN PANCHTATVA, 2007

lithograph in colours on archival paper, with full margins; signed, titled, dated “07” justified “A.P.” for artist’s proof, aside from the edition of 100; published by Archer Graphic Studio, Ahmedabad, India 34.5 x 67 in — 87.6 x 170.2 cm PROVENANCE:

Private Collection, Toronto, ON $1,500 — 1,800

157 SAYED HAIDER RAZA (1922-2016), INDIAN BINDU BIJA-MANTRA, 2006

lithograph in colours on archival paper, with full margins; signed, dated “’06” and justified “A.P.” for artist’s proof, aside from the edition of 100; published by Archer Graphic Studio, Ahmedabad, India 60 x 60 in — 152.4 x 152.4 cm PROVENANCE:

Private Collection, Toronto, ON $800 — 1,000

Canadian & International Fine Art NOVEMBER 25 - 30, 2023

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

buyer’s premium

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payment

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Selling at Waddington’s shipping

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Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).

This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca.

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca