Waddington's West: Indigenous Art | October 28 - November 2, 2023

Waddington’s West: Indigenous Art OCTO BE R 28 — NOVEMBER 2 , 2 023

Waddington’s West: Indigenous Art OCTO BE R 28 — NOVEMBER 2 , 2 023

bid and view all lots online at www.waddingtons.ca preview held at Suite 101, 343 Railway Street, Vancouver, V6A 1A4.

director, waddington’s vancouver Jacqui Dixon jd@waddingtons.ca

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778-837-4588

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Lot 15 ROBERT CHARLES DAVIDSON MEETING AT THE CENTRE, 2004 Lot 9 CHIEF HENRY SPECK SR. THUNDERBIRD AND LOON MASKS, 1959

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Lot 17 JOE DAVID NORTH WIND MASK, 1972

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Lot 58 KENOJUAK ASHEVAK WINTER RAVENS, 2002

This catalogue and its contents © 2023 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

Photography & design by Waddington’s All Rights Reserved.

1 DAPHNE ODJIG (1919-2016), ODAWA-POTAWATOMI UNTITLED, 1981

pastel on paper; signed and dated 24 x 22 in — 61 x 55.9 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton AB $8,000 — 10,000

2 JOANE CARDINAL-SCHUBERT (B. 1942) HORSE TALISMAN, 1981

mixed media on paper 29.25 x 40.5 in — 74.3 x 102.9 cm PROVENANCE:

Masters Gallery, Calgary, AB Private Collection, British Columbia $1,500 — 2,000

3 ALLEN SAPP (1929-2015) GETTING WOOD TO BURN

acrylic on canvas signed lower right, titled to stretcher verso 16 x 20 in — 40.6 x 50.8 cm PROVENANCE:

Private Collection, Alberta $2,000 — 3,000

4 ALLEN SAPP (1929-2015) FIXING THE WHEEL

acrylic on canvas signed 18 ins x 24 ins; 45.7 cms x 61 cms PROVENANCE:

Private Collection, British Columbia $1,500 — 2,000

5 CECIL YOUNGFOX (1942-1987), ANISHINAABE (OJIBWE) THE OLD WOMAN SAT BY THE RIVER CLEANING FOR THE WINTER FOOD AND MEDICINE, 1989

acrylic on paper; signed, titled verso 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 3,000

6 EDDY COBINESS (1933-1996), ANISHINAABE (OJIBWE) BIRD

watercolour on paper; signed and dated lower right 17 x 21 in — 43.2 x 53.3 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

7 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW SEA RAVEN, SEA MAN, 1959

watercolour on paper; signed and titled PROVENANCE:

Private Collection, British Columbia $800 — 1,200

8 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW LADY GIANT AND HER FOUR CHILDREN, 1959

watercolour on paper; signed and titled sight 17 x 14.5 in — 43.2 x 36.8 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

9 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW THUNDERBIRD AND LOON MASKS, 1959

watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

10 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW FEAST LADLES: KINGFISHER, SEA LION, 1959

watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

11 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW BULL HEAD, GRIZZLY BEAR AND TYEE SALMON DANCE MASKS, 1959

watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

12 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971) HOUSE POST, 1959

watercolour on paper; signed and titled; unframed 14 x 16.7 in — 35.5 x 42.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

13 CHIEF HENRY SPECK SR. (OZISTALIS) (1908-1971), KWAKWAKA’WAKW EAGLE DANCE MASKS, 1959

watercolour on paper; signed and titled; unframed 14 x 16.75 in — 35.6 x 42.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

14 LELAND BELL (B. 1953), ANISHINAABE (OJIBWE) FOUR SEASONS, 1980

acrylic on canvas; signed and dated lower right; signed, titled (indistinctly) and dated verso 18 x 18 in — 45.7 x 45.7 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

15 ROBERT CHARLES DAVIDSON (B. 1946) MEETING AT THE CENTRE, 2004

epoxy powder-coated aluminium signed and numbered 2/12 17.25 x 26.5 x 28.25 in — 43.8 x 67.3 x 71.8 cm PROVENANCE:

Private Collection, British Columbia $6,000 — 8,000

16 CALVIN HUNT (B. 1958) AND JOHN LIVINGSTON (1951-2019) GREY WHALE TAIL

bronze signed and numbered 5/10 12 x 13.25 x 11 in — 30.5 x 33.7 x 27.9 cm PROVENANCE:

Private Collection, British Columbia $2,500 — 3,500

17 JOE DAVID (B. 1946) NORTH WIND MASK, 1972

cedar, acrylic paint, horse hair, leather signed and dated 11 x 8 x 5.5 in — 27.9 x 20.3 x 14 cm PROVENANCE:

Private Collection, British Columbia $8,000 — 10,000

18 RAYMOND SHAW (B. 1982), KWAKWAKA’WAKW PORTRAIT MASK, 2014

cedar, acrylic paint; signed and dated 9.5 x 7.5 x 4 in — 24.1 x 19.1 x 10.2 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

19 KEN MOWATT (B. 1944) WIND MASK, 1994

birch, acrylic paint, hair, leather inscribed with initials K.M 9 x 6.75 x 5 in — 22.9 x 17.1 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $1,500 — 2,000

20 STANLEY HUNT III (1958-2008), KWAKWAKA’WAKW LARGE TOTEM POLE WITH THUNDERBIRD, KILLER WHALE AND SISUITL DESIGN, 2002

cedar, acrylic paint; signed and dated 55.75 x 54 x 12.5 in — 141.6 x 137.2 x 31.8 cm PROVENANCE:

Private Collection, British Columbia $5,000 — 7,000

21 JOE PETERS JR. (1959-1994), KWAKWAKA’WAKW TSONOQUA FIGURE

cedar, acrylic paint; signed, titled “tso-no-quees” “wass- widi” 24 x 13.5 x 10.5 in — 61 x 34.3 x 26.7 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

22 RICK ADKINS (B. 1955), HAIDA MODEL TOTEM POLE

argillite; signed 9.5 x 2.5 x 3 in — 24.1 x 6.4 x 7.6 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

23 ATTRIBUTED TO ROBERT DAVIDSON SR. (1880-1969), HAIDA ARGILLITE TOTEM DEPICTING FOUR ANIMALS

argillite 9.25 x 1.75 x 1.75 in — 23.5 x 4.4 x 4.4 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

24 ELI BELL, HAIDA TOTEM, 1975

argillite; signed and dated 7 x 2 x 2.5 in — 17.8 x 5.1 x 6.4 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

25 ELLEN NEEL (KAKASO’LAS) (1916-1966), KWAKWAKA’WAKW MODEL TOTEM POLE

cedar, wood stain; signed 11.5 x 13 x 5 in — 29.2 x 33 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

26 ALFIE COLLINSON (B. 1951) WASGO, 1998

argillite, silver, gold plate signed and dated 4 ins x 7.75 ins x 3.5 ins; 10.2 cms x 19.7 cms x 8.9 cms PROVENANCE:

Private Collection, British Columbia $2,500 — 3,500

27 PHIL JANZÉ (1950-2016), GITXSAN BRACELET, 1974

silver; signed and dated PROVENANCE:

Private Collection, British Columbia $3,000 — 5,000

28 A GROUP OF JEWELLERY

silver, argillite, ivory, coral, turquoise; includes a signed silver bracelet by Barry Wilson, a killer whale pendant by Norman Tait, a signed Denny Dixon argillite pendant dated 1977 and a silver Tony Hunt ring bracelet measures 1.5 x 2.25 x 1.75 in — 3.8 x 5.7 x 4.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700

29 A COLLECTION OF JEWELLERY

silver, gold ; including one Birks silver bracelet and a gold bracelet by Wayne Wilson as well as a Birks 1951 silver compact with an early Bill Reid design commemorating the 1951 Royal visit 1.5 x 2.5 x 2 in — 3.8 x 6.4 x 5.1 cm; 1 x 2.25 x 2 in — 2.5 x 5.7 x 5.1 cm; 0.5 x 2 x 2 in — 1.3 x 5.1 x 5.1 cm PROVENANCE:

Private Collection, British Columbia $1,500 — 2,500

30 A FINELY WOVEN NUU-CHAH-NULTH CEDAR ROOT MAQUINNA HAT

cedar root, dyed grasses 9.5 x 10 x 10 in — 24.1 x 25.4 x 25.4 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

31 A FINE EARLY 20TH CENTURY TLINGIT RATTLE TOP LIDDED BASKET WITH INTRICATE GEOMETRIC DESIGN

spruce root, natural and dyed bear grasses 4 x 6.5 x 6.5 in — 10.2 x 16.5 x 16.5 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

32 AN EXCEPTIONALLY FINE 19TH CENTURY TLINGIT OPEN BASKET

spruce root, natural and dyed grasses 4.5 x 5.5 x 5.5 in — 11.4 x 14 x 14 cm PROVENANCE:

Private Collection, Vancouver $1,000 — 1,500

33 A FINE EARLY 20TH CENTURY TLINGIT BOTTLE BASKET WITH LID

spruce root, natural and dyed bear grasses 8 x 5 x 5 in — 20.3 x 12.7 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

34 AN EARLY 20TH CENTURY CHILCOTIN BURDEN BASKET

cedar bark, natural dye 8 x 11.75 x 7.5 in — 20.3 x 29.8 x 19.1 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

35 FOUR FINELY WOVEN NUU-CHAHNULTH TRINKET BASKETS WITH LIDS, CA. 1880-90

spruce root, natural and dyed grasses 2 x 3.5 x 3.5 in — 5.1 x 8.9 x 8.9 cm; 2 x 3.5 x 3.5 in — 5.1 x 8.9 x 8.9 cm; 2 x 2.75 x 2.75 in — 5.1 x 7 x 7 cm; 2 x 2.5 x 2.5 in — 5.1 x 6.4 x 6.4 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

36 A COLLECTION OF NORTHWEST COAST WOVEN BASKETS

consisting of two Coast Salish baskets, a Nuu-Chah-Nulth basket with whale motif and imbricated small round basket 9.25 x 17 x 16.5 in — 23.5 x 43.2 x 41.9 cm; 7 x 12 x 8 in — 17.8 x 30.5 x 20.3 cm; 8.5 x 12 x 6 in — 21.6 x 30.5 x 15.2 cm; 3.5 x 5.75 x 5.75 in — 8.9 x 14.6 x 14.6 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

37 A COLLECTION OF 20TH CENTURY NUU-CHAH-NULTH BASKETS

cedar root and dyed grasses 2.4 x 2.6 x 2.8 in — 6 x 6.5 x 7 cm; 2.4 x 2.6 x 2.8 in — 8 x 8 x 7 cm; 2.4 x 2.6 x 2.8 in — 6 x 6.5 x 7 cm; 1 x 1.2 x 1.2 in — 2.5 x 3 x 3 cm; 4.7 x 1.6 x 1.4 in — 12 x 4 x 3.5 cm PROVENANCE:

Private Collection, British Columbia $100 — 150

38 JOHN LIVINGSTON (1951-2019), ADOPTED KWAKWAKA’WAKW RATTLE WITH HUMAN DESIGN

cedar, acrylic paint height 11.25 in — 28.6 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

39 HENRY HUNT (1923-1985), KWAKWAKA’WAKW PORTRAIT MASK, CA.1950’S

cedar, acrylic paint, lacquer; signed 10 x 6.5 x 5 in — 25.4 x 16.5 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $1,500 — 2,500

40 CICERO AUGUST (B. 1940) AND UNIDENTIFIED ARTIST, COAST SALISH POLYCHROMED RATTLE AND HALIBUT BOWL

wood, acrylic paint, leather, deer hoof; rattle is signed 20.5 x 2 x 2 in — 52.1 x 5.1 x 5.1 cm; 2.5 x 14 x 9 in — 6.4 x 35.6 x 22.9 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

41 JIMMY JOHN (1876-1987), NUU-CHAH-NULTH MODEL TOTEM POLE

cedar, acrylic paint; signed 19 x 7 x 4.5 in — 48.3 x 17.8 x 11.4 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

42 TITUS CAMPBELL (1893-1966), TSIMSHIAN MODEL TOTEM POLE

cedar, acrylic paint; signed and inscribed, depicting bear cub and bear mother 14 x 3.75 x 3.5 in — 35.6 x 9.5 x 8.9 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

43 HENRY ROBERTSON (1934-2016), HAISLA MODEL TOTEM POLE

cedar, acrylic paint; signed ‘Hank Robertson’ 17 x 4 x 2.5 in — 43.2 x 10.2 x 6.4 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

44 UNIDENTIFIED ARTIST MODEL TOTEM

cedar, acrylic paint; inscribed Northwest Coastal Haida; raven, whale, bear, Jen/i/1997 tall height 25 in — 63.5 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

45 UNIDENTIFIED ARTIST MODEL TOTEM

wood, acrylic paint 15.75 x 4 x 5 in — 40 x 10.2 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

46 UNIDENTIFIED ARTIST CARVED FIGURE

cedar, acrylic paint 18.5 x 8.75 x 3.5 in — 47 x 22.2 x 8.9 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

47 RICHARD SUMNER (B. 1956), KWAKWAKA’WAKW CANOE BOX

cedar, twine; signed 12 x 16 x 11.5 in — 30.5 x 40.6 x 29.2 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

48 LARRY ROSSO (1944-2006) PAINTED BENTWOOD BOX, 1991

cedar, acrylic paint; signed and dated 12.5 x 12.5 x 12.5 in — 31.8 x 31.8 x 31.8 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

49 PAUL JOHNNY AND UNIDENTIFIED ARTIST BUTTON BLANKET WITH OPPOSING DESIGNS ALONG WITH A BLANKET CASE

wool, embroidery floss, buttons; signed 70 x 59 in — 177.8 x 149.9 cm; 18.5 x 28 in — 47 x 71.1 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

50 ROBERT CHARLES DAVIDSON (B. 1946) SEA BEAR BOX BACK, 1969

screenprint on paper; 75 in the unnumbered edition sight 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

51 ROBERT CHARLES DAVIDSON (B. 1946), HAIDA BENT BOX DESIGN, 1978

screenprint on paper; signed, titled, dated and numbered 78/100 sight 18 x 19 in — 45.7 x 48.3 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

52 WILLIAM (BILL) RONALD REID (1920-1998) AND VARIOUS ARTISTS THE SALMON - CANADA’S PLEA FOR A THREATENED SPECIES

limited edition portfolio of prints limited edition portfolio was produced under the direction of Fisheries and Marine Service, Environment Canada, Ottawa. It consists of the following sections and items: 1. The Legacy: including 5 original silkscreen prints by Bill Reid 2. The Atlantic: including 6 reproductions of 19th century prints 3. The Pacific: including 5 reproductions of gouache paintings by David Denbigh 4: The Cycle: including 6 reproductions of watercolours by Rudi Kovach 5. A book titled “The Salmon” written by Roderick Haig-Brown, 1974, 79 pages including reproductions of colour photographs The portfolio is presented in its original wood and linen protective presentation box, with a bas-relief by Bill Reid 22 x 17 in — 55.9 x 43.2 cm PROVENANCE:

Private Collection, British Columbia $1,000 — 1,500

53 WILLIAM (BILL) RONALD REID (1920–1998), HAIDA UNFINISHED DRAWING OF CENTRAL FIGURE IN “SPIRIT OF HAIDA GWAI” (THE BLACK CANOE), 1997

intaglio photogravure; signed, dated and numbered 18/25 29.5 x 21.5 in — 74.9 x 54.6 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

54 TIM PAUL (B. 1950) MOON OF THE HERRING, 2000

screenprint and mixed media on paper signed, titled, dated and numbered 10/35; unframed 26 x 24.5 in — 66 x 62.2 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

55 PARR (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED

felt tip drawing on paper; signed sight 19.50 x 25 in — 49.5 x 63.5 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $1,000 — 1,500

56 PARR (1893-1969), KINNGAIT (CAPE DORSET) UNTITLED

felt tip and graphite drawing on paper; signed 20 x 25.75 in — 50.8 x 65.4 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $1,000 — 1,500

57 JOSEPHIE POOTOOGOOK (1887-1958) HUNTER, 1958

stonecut print on paper signed, titled, dated and numbered 18/50 sight 17 x 9.25 in — 43.2 x 23.5 cm PROVENANCE:

Pegasus Gallery, British Columbia Private Collection, British Columbia $4,000 — 6,000

58 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) WINTER RAVENS, 2002

etching and aquatint on paper; signed, dated, titled and numbered 38/50 9.6 x 12.8 in — 24.5 x 32.5 cm PROVENANCE:

Private Collection, Alberta $1,200 — 1,800

59 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) A FINE CATCH, 2005

etching and aquatint on paper; signed, titled, dated and numbered 50/50; unframed sheet 20 x 19 in — 50.8 x 48.3 cm PROVENANCE:

Private Collection, British Columbia $700 — 900

60 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) FIELD OF RAVENS, 1983

stonecut print on paper; signed, titled, dated and numbered, 2/50; unframed 24 x 33.9 in — 61 x 86 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700

61 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) TWO RAVENS, 1968

stonecut print on paper; signed, dated, titled and numbered 9/50 sight 18.9 x 24 in — 48 x 61 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton AB $1,000 — 1,500

62 PAUTA SAILA (1916-2009), KINNGAIT (CAPE DORSET) STARTLED LOONS, 2004

stonecut and stencil on paper; signed, titled, dated and numbered 50/50; unframed sheet 20 x 24 in — 50.8 x 61 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

63 LUCY QINNUAYUAK (1915-1982), KINNGAIT (CAPE DORSET) RADIANT BIRDS, 1982

stonecut and stencil on paper; signed, titled, dated and numbered, 28/50; unframed 24.4 x 28.3 in — 62 x 72 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500

64 PAUTA SAILA (1916-2009), KINNGAIT (CAPE DORSET) DREAM OF OWL, 1972

stonecut on paper; signed, titled, dated and numbered, 23/50; unframed 24.4 x 32.7 in — 62 x 83 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700

65 LUCY QINNUAYUAK (1915-1982), QAMANI’TUAQ (BAKER LAKE) TRIO OF OWLS, 1981

stonecut and stencil on paper; signed, titled, dated and numbered, 4/50; unframed 23.6 x 28.3 in — 60 x 72 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, AB $300 — 500

66 PUDLO PUDLAT (1916-1992), KINNGAIT (CAPE DORSET) WE TRAVEL WITH THE LOON, 1973

stonecut and stencil on paper; signed, titled, dated and numbered, 14/50; unframed 24.5 x 34 in — 62.2 x 86.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600

67 PITALOOSIE SAILA (1942-2021), KINNGAIT (CAPE DORSET) BIRD SPIRIT AT SEA, 1984

stonecut and stencil on paper; signed, titled, dated and numbered 29/50; unframed 24.5 x 36 in — 62.2 x 91.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 800

68 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) AUKPUK, 1974

stonecut on paper; signed, titled, dated and numbered, 30/50; unframed 24.4 x 33.9 in — 62 x 86 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300

69 KUDJUAKJUK (MARY QAYUARYUK) (1908-1982), KINNGAIT (CAPE DORSET) SKY SPIRIT, 1977

stonecut and stencil on paper; signed, titled, dated, numbered, 35/50 sight 21.3 x 26 in — 54 x 66 cm PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB $200 — 400

70 ANNAGO (ARNAQU) ASHEVAK (1956-2009), KINNGAIT (CAPE DORSET) TOWN RAVENS, 2003

stonecut and stencil on paper; signed, titled, dated, numbered, 18/50, sight 25.4 x 19.5 in — 64.5 x 49.5 cm PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB $600 — 900

71 NINGIUKULU (NINGEOKULUK) TEEVEE (B. 1963), KINNGAIT (CAPE DORSET) SNOW GEESE RETURN, 2008

etching and aquatint on paper; signed, titled, dated and numbered 33/50; unframed 38.5 x 28 in — 97.8 x 71.1 cm PROVENANCE:

Private Collection, New Brunswick $500 — 700

72 NINGIUKULU (NINGEOKULUK) TEEVEE (B. 1963), KINNGAIT (CAPE DORSET) THE OWL AND THE BOY, 2008

lithograph on paper; signed, titled, dated and numbered 33/50; unframed 24 x 18 in — 61 x 45.7 cm PROVENANCE:

Private Collection, New Brunswick $500 — 700

73 MEELIA KELLY (1940-2006), KINNGAIT (CAPE DORSET) PURSUED, 2003

etching and aquatint on paper; signed, titled, dated and numbered 50/50; unframed 26.25 x 24.25 in — 66.7 x 61.6 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

74 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) UNTITLED

felt tip drawing on paper; signed in syllabics sight 22.75 x 17 in — 57.8 x 43.2 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

75 KAVOVAOW MANNOMEE (B. 1958), KINNGAIT (CAPE DORSET) OWL WITH CATCH

pencil and felt tip pen on paper; signed in syllabics; unframed sheet 19.5 x 15 in — 49.5 x 38.1 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

76 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY

stone 10.6 x 6.1 x 5.5 in — 27 x 15.5 x 14 cm PROVENANCE:

Private Collection, Alberta $800 — 1,000

77 LUKE IKSIKTAARYUK (1909-1977), QAMANI’TUAQ (BAKER LAKE) A GROUP OF FOUR ANTLER BIRDS

antler; signed in syllabics tallest height 6.6 in — 16.8 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

78 ANDY MIKI (1918-1983), ARVIAT (ESKIMO POINT) ANIMAL CA.1980

antler 4.7 x 2 x 1.2 in — 12 x 5 x 3 cm PROVENANCE:

Private Collection, Seattle, WA $400 — 600

79 MARK TUNGILIK (1913-1986), NAUJAAT (REPULSE BAY) FLOCK OF BIRDS ON A CLIFF

stone, ivory; signed in syllabics 4.5 x 5.25 x 2.75 in — 11.4 x 13.3 x 7 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

80 ROMEO EEKERKIK (1923-1983) FAMILY WITH SEAL

antler, stone 7.5 x 12 x 5.25 in — 19.1 x 30.5 x 13.3 cm PROVENANCE:

Private Collection, Seattle, WA $600 — 900

81 ELIJAH MICHAEL (1929-2008) FLYING SHAMAN, CA. 1969

whalebone 10 x 40 x 9 in — 25.4 x 101.6 x 22.9 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900

82 JOSEPH SUSLAQ, UQSUQTUUQ (GJOA HAVEN) WHITE FACE WITH IGLOO

stone; signed in syllabics 9.5 x 5 x 4.75 in — 24.1 x 12.7 x 12.1 cm PROVENANCE:

Private Collection, Alberta $200 — 400

83 CHARLIE UGYUK (1939-1999), TALOYOAK (SPENCE BAY) HAWK

whalebone, stone; signed in syllabics 11 x 4 x 7 in — 27.9 x 10.2 x 17.8 cm PROVENANCE:

Private Collection, Alberta $2,000 — 4,000

84 OSUITOK IPEELEE (1923-2005), KINNGAIT (CAPE DORSET) CARVED OOSIK WITH ANIMALS

oosik, stone; signed 21.1 x 3.3 x 3 in — 53.5 x 8.5 x 7.5 cm PROVENANCE:

Marion Scott Gallery, Vancouver, BC Private Collection, Alberta $2,000 — 2,500

85 ANDREW PALONGAYAK, UQSUQTUUQ (GJOA HAVEN) SHAMAN’S EFFIGY

stone, antler 7.25 x 7.5 x 5 in — 18.4 x 19.1 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

86 WAYNE PUQIQNAK (B. 1975) DRUMMER

stone, antler, bone; signed in syllabics 8 x 8.5 x 6.5 in — 20.3 x 21.6 x 16.5 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

87 UNIDENTIFIED ARTIST DRUMMER

whalebone, hide, antler, stone, hair 15 x 11 x 6 in — 38.1 x 27.9 x 15.2 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

88 EEGYVUDLUK POOTOOGOOK (1931-2000), KINNGAIT (CAPE DORSET) BABY CARIBOU

stone, antler 9 x 8.5 x 4.25 in — 22.9 x 21.6 x 10.8 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

89 TAYARAQ TUNNILLIE (1934-2015), KINNGAIT (CAPE DORSET) SEDNA

stone; signed in syllabics 9 x 10 x 2.75 in — 22.9 x 25.4 x 7 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

90 MARK PITSEOLAK SR. (1945-2012), KINNGAIT (CAPE DORSET) MOTHER AND CHILD

stone; indistinctly signed in syllabics 10 x 9 x 5 in — 25.4 x 22.9 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

91 ISA AQIATTUSUK SMILER (1921-1986), INUKJUAK (PORT HARRISON) SEATED WOMAN STRETCHING SKIN

stone; signed in Roman 12.5 x 11.5 x 7 in — 31.8 x 29.2 x 17.8 cm PROVENANCE:

Private Collection, Alberta $2,500 — 4,500

92 PETER SEVOGA (1940-2007), QAMANI’TUAQ (BAKER LAKE) MOTHER & CHILD

stone 9.1 x 9.1 x 4.9 in — 23 x 23 x 12.5 cm PROVENANCE:

Private Collection, Alberta $500 — 700

93 JOY KILUVIGYUAK HALLAUK (1940-2000), ARVIAT (ESKIMO POINT) MOTHER & CHILD

stone 11.6 x 4.7 x 4.7 in — 29.5 x 12 x 12 cm PROVENANCE:

Private Collection, Alberta $400 — 600

94 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY

stone; signed in syllabics 3.75 x 3.5 x 2.75 in — 9.5 x 8.9 x 7 cm PROVENANCE:

Private Collection, Seattle, WA $400 — 600

95 LUCY TASSEOR TUTSWEETOK (1934-2012), ARVIAT (ESKIMO POINT) FAMILY

stone 2.75 x 3.5 x 2 in — 7 x 8.9 x 5.1 cm PROVENANCE:

Private Collection, Seattle, WA $300 — 500

96 DAVIDIALUK ALASUA AMITTU (1910-1976), PUVIRNITUQ (POVUNGNITUK) FISH IN NET

stone; signed in syllabics 3.75 x 10 x 2.5 in — 9.5 x 25.4 x 6.4 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

97 TUNA IQULIQ (1935-2015), QAMANI’TUAQ (BAKER LAKE) MUSK OX

stone 10 x 14 x 6 in — 25.4 x 35.6 x 15.2 cm PROVENANCE:

Private Collection, British Columbia $2,000 — 4,000

98 SILAS QIYUK (B. 1933), QAMANI’TUAQ (BAKER LAKE) FLOATING BIRDS

stone; signed in Roman 6 x 11.5 x 10.5 in — 15.2 x 29.2 x 26.7 cm PROVENANCE:

Private Collection, Alberta $800 — 1,000

99 JOE TALIRUNILI (1893-1976) INUIT FAMILY OF A LONG TIME AGO, 1975

stonecut print on paper signed, dated and numbered 17/50 sight 13 x 18.9 in — 33 x 48 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900

100 MYRA KUKIIYOUT (1929 - 2006), BAKER LAKE SPIRIT OF THE HAWK, 1975

stencil on paper ; signed, titled, dated and numbered, 5/14, sight 21.3 x 29.1 in — 54 x 74 cm PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB $300 — 500

101 JESSIE OONARK (1906-1985), KINNGAIT (CAPE DORSET) KUDLOOPUDLOOALOOK (SEA MONSTER), 1970

stencil; signed, titled, dated and numbered, 7/34 on reverse; unframed 22 x 30.3 in — 56 x 77 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 800

102 JESSIE OONARK (1906-1985), QAMANI’TUAQ (BAKER LAKE) INUK WITH BIRDS, 1974

stonecut and stencil on paper; signed, titled, dated and numbered 12/50 sight 17.5 x 23 in — 44.5 x 58.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 1,500

103 JESSIE OONARK (1906-1985), QAMANI’TUAQ (BAKER LAKE) LITTLE WOMAN, 1983

stonecut and stencil on paper; signed, titled, dated and numbered, 17/36; unframed 25.6 x 20.5 in — 65 x 52 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $800 — 1,200

104 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) THE LAND, 1983

colour pastel on paper; signed; unframed 9.8 x 14.6 in — 25 x 37 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500

105 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) UNTITLED (FIGURE WITH MANY FACES)

coloured pencil drawing on paper; signed; unframed 8.7 x 11.8 in — 22 x 30 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $300 — 500

106 SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE) UNTITLED (FIGURE WITH MANY FACES)

coloured pencil drawing on paper; signed; unframed 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Private Collection, Alberta $350 — 450

107 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) UNTITLED (BIG WOMAN)

coloured pencil drawing on paper; signed; unframed 22.25 x 30 in — 56.5 x 76.2 cm PROVENANCE:

Private Collection, Alberta $400 — 600

108 RUTH ANNAQTUUSI TULURIALIK (B. 1934), QAMANI’TUAQ (BAKER LAKE) UNTITLED

coloured pencil drawing on paper; unframed 22 x 29.5 in — 55.9 x 74.9 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,200

109 JANET KIGUSIUQ (1926-2005), QAMANI’TUAQ (BAKER LAKE) GATHERING FOR FEAST, 1978

stonecut print on paper; signed, titled, dated and numbered 18/50; unframed 20.5 x 29 in — 52.1 x 73.7 cm $200 — 400

110 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) THE BOY AND HIS GRANDMOTHER TRICKS MEAN PEOPLE, 1980

stonecut and stencil on paper; signed, titled, dated and numbered 1/60; unframed 25 x 36 in — 63.5 x 91.4 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

111 MARY PUDLAT (B. 1923), KINNGAIT (CAPE DORSET) INNUGAIT, 2001

lithograph on paper; signed, titled, dated and inscribed p.p; unframed sheet 17 x 13 in — 43.2 x 33 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

112 SOROSULUTU, KINNGAIT (CAPE DORSET) FISHING AT NIGHT, 1976

lithograph on paper; signed, titled, dated and numbered 42/50; unframed sheet 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

113 MELIA JAW (1934-2006), KINNGAIT (CAPE DORSET) STUNG, 2005

lithograph on paper; signed, titled, dated and numbered 50/50 14.75 x 18 in — 37.5 x 45.7 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

114 MARY PUDLAT (1923-2001), KINNGAIT (CAPE DORSET) WOMEN STRETCHING BEAR SKIN, 1991

lithograph on paper; signed, titled, dated and numbered 8/25; unframed 30 x 43 in — 76.2 x 109.2 cm PROVENANCE:

Private Collection, New Brunswick $500 — 700

115 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) OWLS IN SPRING SNOW, 1972

stonecut print on paper; signed, titled, dated and numbered 20/50; unframed 22.25 x 24 in — 56.5 x 61 cm PROVENANCE:

Private Collection, New Brunswick $200 — 400

116 KUMUARTOK, KINNGAIT (CAPE DORSET) ANGELS BECKON, 2002

etching and aquatint on paper; signed, titled, dated and numbered 9/50; unframed 35.5 x 27.5 in — 90.2 x 69.9 cm PROVENANCE:

Private Collection, New Brunswick $300 — 500

117 OSHOOCHIAK PUDLAT (1908-1992), KINNGAIT (CAPE DORSET) NALUNAIKUTAI, 1990

lithograph on paper; signed, titled, dated and numbered 21/50; unframed 20 x 25 in — 50.8 x 63.5 cm PROVENANCE:

Private Collection, New Brunswick $150 — 250

118 PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET) UNTITLED (SCARECROW WITH BIRDS), 1963

engraving on paper; signed in syllabics, dated and numbered 24/50 sight 10.5 x 12.5 in — 26.7 x 31.8 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $200 — 400

119 KENOJUAK ASHEVAK (1927-2013), KINNGAIT (CAPE DORSET) COMPOSITION, 1967

engraving on paper; signed, titled, dated and numbered 46/50 sight 11 x 13 in — 27.9 x 33 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

120 VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE) CREATURES OF THE DEEP, 1985

stonecut and stencil; signed, titled, dated and numbered 7/48; unframed 25 x 37 in — 63.5 x 94 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

121 CLEMENCE WESCOUPE (B. 1951), ANISHINAABE (OJIBWE) CANADA GOOSE

acrylic on canvas board, 1986; signed and dated 18 x 14 in — 45.7 x 35.6 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

122 CLEMENCE WESCOUPE (B. 1951) NEW SPIRIT, 1979

acrylic on paper signed, titled and dated sight 29.1 x 21.3 in — 74 x 54 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300

123 NORVAL MORRISSEAU (1932-2007), ANISHINAABE (OJIBWE) THUNDERBIRD SPIRIT

screenprint on rag paper; signed, titled and numbered 69/78 31 x 21 in — 78.7 x 53.3 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $500 — 700

124 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) THE WOMAN AND THE FLY

screenprint on paper; signed, titled and numbered 34/98 sight 18.5 x 22.2 in — 47 x 56.5 cm PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB $400 — 500

125 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) MY GRANDDAUGHTER

screenprint on paper; signed, titled and numbered 63/500 PROVENANCE:

Private Collection, British Columbia $250 — 300

126 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) OJIBWAY THUNDERBIRD

screenprint on paper; signed, titled and numbered 63/500 sight 19 x 13 in — 48.3 x 33 cm PROVENANCE:

Private Collection, British Columbia $250 — 300

127 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) BEAR SPIRIT

screenprint on paper; signed, titled and numbered 63/500 sight 13 x 18.5 in — 33 x 47 cm PROVENANCE:

Private Collection, British Columbia $250 — 350

128 NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE) MY GRANDSON AND THE BIRDS

screenprint on paper; signed, titled and numbered 63/500 sight 13 x 19 in — 33 x 48.3 cm PROVENANCE:

Private Collection, British Columbia $250 — 300

129 SAMUEL (SAM) ASH (1951-2021) UNTITLED

acrylic on card signed sight 11.6 x 17.3 in — 29.5 x 44 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 300

130 DAPHNE ODJIG (1919-2016), ANISHINAABE (OJIBWE) THE OLD SWIMMING HOLE, 1981

screenprint on paper; signed, titled, dated and numbered; 21/125; unframed 25 x 22 in — 63.5 x 55.9 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600

131 DAPHNE ODJIG (1919-2016), ODAWA-POTAWATOMI ARMS OF SECURITY, 1977

screenprint on paper; signed, titled, dated and inscribed artist’s proof, sight 24 x 19.7 in — 61 x 50 cm PROVENANCE:

Private Collection, British Columbia $800 — 1,000

132 DAPHNE ODJIG (1919-2016) SPIRIT OF JERUSALEM

screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

133 DAPHNE ODJIG (1919-2016) WESTERN WALL, JERUSALEM

screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

134 DAPHNE ODJIG (1919-2016) JAFFA GATE

screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

135 DAPHNE ODJIG (1919-2016) FAITHS OF JERUSALEM

screenprint on paper signed, titled and numbered 122/250; unframed 29 x 23 in — 73.7 x 58.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

136 DAPHNE ODJIG (1919-2016) VISION

screenprint on paper signed, titled and numbered 122/250; unframed 29.25 x 21.75 in — 74.3 x 55.2 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

137 EVOO SAMGUSAK MANGELIK (B. 1942), KANGIQLINIQ (RANKIN INLET) VASE DECORATED WITH BIRDS

glazed ceramic 18 x 10 x 12 in — 45.7 x 25.4 x 30.5 cm PROVENANCE:

Private Collection, Alberta $600 — 900

138 KAKEE PETER (B. 1973), KINNGAIT (CAPE DORSET) HAWK

stone; signed in Roman 7.5 x 5.5 x 2.25 in — 19.1 x 14 x 5.7 cm PROVENANCE:

Private Collection, British Columbia $350 — 450

139 JONASIE QUARQORTOK FABER (B. 1944), GREENLAND MUSK OX

stone ; signed in Roman 4.5 x 7 x 2.2 in — 11.4 x 17.8 x 5.6 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

140 JOMIE AIPEELEE (B. 1963), IQALUIT (FROBISHER BAY) MUSK OX

stone 3.5 x 6 x 2 in — 8.9 x 15.2 x 5.1 cm PROVENANCE:

Private Collection, British Columbia $200 — 300

141 MARIE KUUNNUAQ (1933-1990), QAMANI’TUAQ (BAKER LAKE) SMALL MUSK OX

stone; signed in syllabics 4.3 x 6.3 x 2 in — 11 x 16 x 5 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton AB $300 — 500

142 ANDY MAMGARK (1930-1997), ARVIAT (ESKIMO POINT) RECLINING BEAR

stone, antler; signed in syllabics 4.75 x 8 x 4.5 in — 12.1 x 20.3 x 11.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

143 LUCASSIE OQAITUQ (B. 1921), SANIKILUAQ (BELCHER ISLANDS) HUNTER WITH HARPOON, 1969

stone, wood, antler; measurements without spear 12 x 6 x 3 in — 30.5 x 15.2 x 7.6 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $300 — 500

144 ENOOK MANOMIE (B. 1941), IQALUIT (FROBISHER BAY) BEAR WITH SEAL, 1965

stone; signed in Roman 5.5 x 15 x 4.5 in — 14 x 38.1 x 11.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600

145 UNIDENTIFIED ARTIST GROWLING BEAR

stone 3.5 x 6.5 x 2 in — 8.9 x 16.5 x 5.1 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $100 — 200

146 DAVIDEE SAUMIK (1925-1984), INUKJUAK (PORT HARRISON) MOTHER AND CHILD

stone; signed in syllabics 9.5 x 3 x 5.5 in — 24.1 x 7.6 x 14 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

147 ATTRIBUTED TO MARY KIINALIK KUMAK (B. 1923), SALLUIT (SUGLUK) WOMAN STRETCHING SKIN

stone 6 x 8 x 3.5 in — 15.2 x 20.3 x 8.9 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

148 JOANASIE MANNING (B. 1967), KINNGAIT (CAPE DORSET) OWL AND CHICKS

stone, antler; signed in Roman 4 x 8 x 5 in — 10.2 x 20.3 x 12.7 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

149 JIMMY TAIPANAK (1919-2000), QAMANI’TUAQ (BAKER LAKE) FACE

stone 5 x 2.5 x 1.75 in — 12.7 x 6.4 x 4.4 cm PROVENANCE:

Private Collection, British Columbia $150 — 250

150 UNIDENTIFIED ARTIST MOTHER AND CHILD

stone 8 x 5 x 3.5 in — 20.3 x 12.7 x 8.9 cm PROVENANCE:

Private Collection, British Columbia $300 — 400

151 NOAH JAW (B. 1976), KINNGAIT (CAPE DORSET) KAYAKER

stone, antler, leather; signed 3.25 x 11 x 6.5 in — 8.3 x 27.9 x 16.5 cm; 5 x 5.5 in — 12.7 x 14 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

152 CHARLIE INUKPUK (B. 1941), INUKJUAK (PORT HARRISON) MAN WITH WOLF, 1969

stone 14.4 x 7.5 x 8.7 in — 36.5 x 19 x 22 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

153 ALICE UTAKRALAK NANORAK (B. 1939), NAUJAAT (REPULSE BAY) BIRTHING CIRCLE

stone; signed in syllabics 4.5 x 6 x 5.5 in — 11.4 x 15.2 x 14 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

154 TUNA IQULIQ (1935-2015), QAMANI’TUAQ (BAKER LAKE) FIGURE

stone; signed in syllabics 6.25 x 4 x 3 in — 15.9 x 10.2 x 7.6 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

155 UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON) GROWLING BEAR

stone 2.5 x 5.5 x 2 in — 6.4 x 14 x 5.1 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

156 JOANASIE NOWKAWALK (B. 1926), INUKJUAK (PORT HARRISON) WOMAN WITH OTTER, CA.1969

stone 9.4 x 5.9 x 3.5 in — 24 x 15 x 9 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $500 — 700

157 UNIDENTIFIED ARTIST FAMILY

stone 10 x 8 x 7 in — 25.4 x 20.3 x 17.8 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

158 LUCASSIE TOOKALOOK (B. 1917), PUVIRNITUQ (POVUNGNITUK) MAN HOLDING SEAL, 1967

stone 9.1 x 11.4 x 7.5 in — 23 x 29 x 19 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

159 ADAMIE AUPALURTA PUTUGO (B. 1934), PUVIRNITUQ (POVUNGNITUK) MAN WITH WALRUS HEAD

stone 6 x 6.5 x 4 in — 15.2 x 16.5 x 10.2 cm PROVENANCE:

George R. Dinney Collection, Winnipeg

By Descent to the Current Private Collection, British Columbia $400 — 600

160 ATTRIBUTED TO FELIX KOPAK (B. 1918), NAUJAAT (REPULSE BAY) LARGE WALKING MAN

stone 23 x 9 x 11 in — 58.4 x 22.9 x 27.9 cm PROVENANCE:

Private Collection, British Columbia $600 — 900

161 GEORGE ARLUK (1949-2023), ARVIAT (ESKIMO POINT) FIGURE

stone; signed in Roman and syllabics 6.5 x 7.5 x 1.75 in — 16.5 x 19.1 x 4.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

162 GEORGE ARLUK (1949-2023), ARVIAT (ESKIMO POINT) TRANSFORMATION

stone; unsigned 7 x 4.5 x 2.5 in — 17.8 x 11.4 x 6.4 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

163 MAUDIE RACHEL OKITTUQ (B. 1944), TALOYOAK (SPENCE BAY) SPIRIT OWL

stone 9.5 x 4 x 10 in — 24.1 x 10.2 x 25.4 cm PROVENANCE:

Private Collection, British Columbia $400 — 600

164 AXANGAYUK SHAA (1937-2019), KINNGAIT (CAPE DORSET) GOOSE

stone; unsigned 12 x 7 x 13 in — 30.5 x 17.8 x 33 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 2,000

165 ABRAHAM ANGHIK RUBEN (B. 1951), PAULATUK SPIRIT BIRD, 1983

stone; signed in Roman, dated 13 x 22 x 7 in — 33 x 55.9 x 17.8 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $1,000 — 1,500

166 JOANASSIE IGIU (1923-1981), KINNGAIT (CAPE DORSET) OWL

stone; signed in syllabics 9 x 14 x 10 in — 22.9 x 35.6 x 25.4 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $400 — 600

167 KAKA ASHOONA (1928-1996), KINNGAIT (CAPE DORSET) SEAL

stone; signed in Roman 11 x 16 x 8 in — 27.9 x 40.6 x 20.3 cm PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $600 — 900

168 UNIDENTIFIED ARTIST KUDLIK

stone, antler 5.5 x 10.5 x 6 in — 14 x 26.7 x 15.2 cm PROVENANCE:

Private Collection, British Columbia $200 — 400

169 GRAHAM PETTMAN (B. 1938), CREE SALMON, 1982

stone; signed and dated 14 x 10 x 7 in — 35.6 x 25.4 x 17.8 cm PROVENANCE:

Private Collection, British Columbia $500 — 700

170 GRAHAM PETTMAN (B. 1938), CREE COUPLE

stone; signed 10.75 x 5 x 4 in — 27.3 x 12.7 x 10.2 cm PROVENANCE:

Private Collection, British Columbia $300 — 500

Editions NOV EM BE R 18 — 23, 2 023

Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding.

Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

buyer’s premium

Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash; interac direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

all transactions are conducted in canadian dollars (cad)

Selling at Waddington’s shipping

The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from: PakShip 905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca Safer Shipping Inc. 416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species).

This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca).

For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca.

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Conditions of Sale 1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made.

Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2

tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca