“No Blank Walls” Art Online Auction SE PT E MB E R 23 - 28, 2 01 8
“No Blank Walls” Art Online Auction SEPTEMBER 23-27, 2018
senior specialist Doug Payne dp@waddingtons.ca 416-847-6180
bid online at onlineauctions.waddingtons.ca all lots can be viewed online at www.waddingtons.ca NOTE: This auction will not be on preview. All lots can be on viewed by appointment tel: 416-504-9100 toll free: 1-877-504-5700
This catalogue and its contents Š 2018 Waddington McLean & Company Ltd. This auction is subject to the Conditions of Sale printed in the back of this catalogue. Photography & design by Waddington’s All Rights reserved.
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2
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(20TH CENTURY)
UNKNOWN (20TH CENTURY)
“THE CHANGELING”, “MARILYN”, “THE MIKADO” THREE POSTERS (40.5” x 26.5”) (34.5” x 23.5”) (34” x 20.5”)
TORONTO BUILDINGS PAIR OF LARGE PHOTOGRAPHIC PRINTS (Each sight, 34” x 34”)
JOHN HENRY MARTIN (CANADIAN, 1941-)
$30—40
$100—150
RAINBOW BLUEBIRD SCREEN PRINT; INSCRIBED AT TOP ‘Rainbow Bluebird Notebook No, 5 Special Edition//Bird and Line Distribution Series - Memories of Parliament and Shuter to Henry & Judy/Thanks’; SIGNED AND DATED AT TORONTO// December 1974 - January 1975 LOWER LEFT; INSCRIBED Artist’s Proof LOWER RIGHT (Sight, 21.5” x 16.8”) $60—90
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5
6
N. FOSTER (BRITISH, 20TH CENTURY)
ALLAN D. POLLOCK (CANADIAN, 1906-1978)
WILLIAM WALTON ARMSTRONG (CANADIAN, 1916-1998)
WHITBY - INNER HARBOUR WATERCOLOUR; SIGNED AND DATED 1989 LOWER RIGHT (Sight, 11.5” x 18”)
GAUTHIER’S OLD CAMP, GEORGIAN BAY OIL ON PANEL; SIGNED LOWER RIGHT; SIGNED, TITLED AND DATED ‘63 VERSO
CROSSROADS OIL ON CANVAS; SIGNED LOWER LEFT; TITLED AND DATED AT QUINTE MARCH /54
$50—75
8 x 10 in — 20.3 x 25.4 cm $125—175
20 x 24 in — 50.8 x 61 cm Provenance: Waldrof Galleries, Ltd., Montreal, QC; Private Collection, Canada $80—120
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8
9
DOLLAR? (20TH CENTURY)
ARTHUR F. MCKAY (CANADIAN, 1926 -2000) & PETER LARGE (20TH CENTURY)
J.V. PHILLIPS (CANADIAN, 20TH CENTURY)
ABSTRACT OIL ON MASONITE; INDISTINCTLY SIGNED AND DATED MAY 1960 LOWER RIGHT; INSCRIBED VERSO: TO DAWN & DENNIS UPON THEIR MARRIAGE, WITH LOVE FROM RON & FRANCES COWDEN 1961.
“LESLIE ST. LIGHTHOUSE”, “DRY BOAT”, “WHARF STUDY” THREE ETCHINGS; EACH SIGNED, TWO TITLED, EACH NUMBERED 10/20, 8/20, 11/20; TWO DATED 82’ AND ‘86; Each plate (10” x 8”) (8” x 9.8”) (8” x 9.8”) UNFRAMED, SHRINK WRAPPED.
7.8 x 19.5 in — 19.8 x 49.5 cm
“SUNDOWN” AND “RED-WINGED BLACK BIRD” TWO WATERCOLOURS; FORMER SIGNED AND DATED ‘81 LOWER RIGHT (Sight, 19” x 24”) LATTER SIGNED AND DATED ‘74 LOWER LEFT (Sight, 13.5” x 15”)
$30—40
$50—75
10
11
12
WALTER REDINGER (CANADIAN, 1940-)
JOHN WARD (CANADIAN, 1948-)
WILLIAM ARTHUR WINTER (CANADIAN, 1909-1996)
“KNAPSACK” & “LOVERS” NINE INK & PENCIL SKETCHES ALL IN ONE FRAME; EACH SIGNED AND NUMBERED 1/9 to 9/9 (Seven titled “KNAPSACK”, Two titled “LOVERS”; Each sight (8.5” x 7.5”) $40—60
UNTITLED ACRYLIC ON PAPER; SIGNED AND DATED /95 LOWER LEFT (Image, 9.3” x 5.5”) $100—150
$50—75
PRACTICE; DANCERS PAIR OF INK SKETCHES; EACH SIGNED; TITLED VERSO - EACH SIGHT (13” x 9”) $125—175
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14
15
DIETER TEUSCH (GERMAN, 1940-)
GUILLERMO SILVA SANTAMARIA (COLOMBIAN, 1921-2007)
BLUSHING JOHN MIXED MEDIA ON CANVAS; SIGNED AND DATED 1989 VERSO; TITLED TO STRETCHER - UNFRAMED 19 x 24 in — 48.3 x 61 cm $30—50
SI YO NO SOY PARA MI SOLAMENT, QUIEN SOY YO? (IF I AM NOT FOR MYSELF ALONE, WHO AM I?) COLOUR ETCHING; SIGNED, TITLED, DATED 1960 AND INSCRIBED Series No. 16 IN PENCIL LOWER LEFT (Plate, 10” x 15.3”) Note: One inch indent line at top middle, see photo. Provenance: Estate of Carol Solway, Toronto GALLERY PASCAL, Toronto $60—80
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17
18
ISABEL MCLAUGHLIN (CANADIAN, 1903-2004)
LUBA GENUSH (CANADIAN, 1924-)
SIGNED? (EUROPEAN, 20TH CENTURY)
FISHING VILLAGE GRAPHITE DRAWING; UNSIGNED, UNFRAMED, MATTED ONLY. (Ma!ing, 17.5” x 22”) (Sight, 19.5” x 15”)
UNTITLED COLOUR ETCHING WITH INTAGLIO; INSCRIBED “artist proof II LOWER LEFT; SIGNED LOWER RIGHT (Plate, 16.5” x 22.5”)
$60—80
$40—60
CANAL STUDY OIL ON CANVAS; INDISTINCTLY SIGNED LOWER LEFT 20 x 24 in — 50.8 x 61 cm $50—75
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20
21
GORDON MCNAMARA ROBERTSON (CANADIAN, 1910-2006)
ARTO YUZBASIYAN (CANADIAN, 1948-)
B. MUNTZ (BRITISH, 20TH CENTURY)
FOUR SKETCHES, ITALY FOUR WATERCOLOURS SET IN ONE FRAME; FORTH SIGNED LOWER RIGHT; TITLED AND DATED 1966 TO PLACARD VERSO - Each sheet (22” x 7.5”) Note: Pin holes in each corner
“TUGBOATS” AND “SUMMER 1983, QUEEN STREET WEST” (TWO WORKS) FORMER - COLOUR PRINT; SIGNED AND NUMBERED 133/500 (Image, 9.3” x 19”) LATTER POSTER; SIGNED AND DATED 1986 IN PEN LOWER RIGHT (24” x 28.5”)
$100—150
WINCHELSEA, SUSSEX OIL ON ACADEMY BOARD; SIGNED LOWER LEFT, TITLED VERSO 8.5 x 10.5 in — 21.6 x 26.7 cm $30—50
$60—80
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23
24
LUCIENNE ZEGRAY (CANADIAN, 1939-)
LUPE RODRIGUEZ (CANADIAN, 1953 -2008)
ELIZABETH BERRY (CANADIAN, 1945-)
LE SPOT ST. DENIS, 1993 PASTEL; SIGNED LOWER MIDDLE LEFT; TITLED TO LABELS VERSO (Sight, 16.5” x 20.5”)
SUNLIT ARCHITECTURE GICLEE PRINT ON ARCHES PAPER (Image, 15” x 22.5”) (Sheet, 22.5” x 30”)
BASKETS OF PANSIES WATERCOLOUR; SIGNED LOWER RIGHT (Sight, 14” x 20”)
Exhibited: Darbinsky Gallery, Toronto in the late 1990’s
$100—150
Provenance: Kastel Gallery, Montreal Private Collection, Toronto $125—175
$100—125
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26
27
** CUMING (CANADIAN, 20TH CENTURY)
PIERRE JEROME (FRENCH, 1905-1982)
PIERRE JEROME (FRENCH, 1905-1982)
SEATED NUDE PASTEL; SIGNED LOWER LEFT
BACK VIEW OF SEATED NUDE OIL ON CANVAS; SIGNED LOWER LEFT (Note: Paint cracks)
ROAD TO MOUNTAINS OIL ON BOARD; SIGNED AND DATED ‘65 LOWER RIGHT 24 x 36 in — 61 x 91.4 cm $80—120
18.5 x 12.3 in — 47 x 31.2 cm Provenance: Estate of Carol Solway, Toronto
28.5 x 23.8 in — 72.4 x 60.5 cm $150—200
$150—200
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29
30
ROWLEY WALTER MURPHY (CANADIAN, 1891-1975)
RUDOLF PUSAK (AUSTRIAN, 1908 -1990)
FRANK NORTHGRAVE (CANADIAN, 20TH CENTURY)
BOATS IN DRYDOCK WATERCOLOUR; UNSIGNED; TITLED TO LABEL VERSO (Sight, 21.3” x 14.3”)
UNTITLED (ABSTRACT) OIL ON CANVAS; SIGNED LOWER RIGHT
WINTER STUDIES PAIR OF OILS ON CANVAS; EACH SIGNED
Provenance: Estate of R.W. Murphy, Toronto
30 x 24 in — 76.2 x 61 cm
Each 8 x 10 in — 20.3 x 25.4 cm
$100—125
$100—125
$75—100
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32
33
SIGNED QUINCON? (FRENCH, 19TH CENTURY)
EARLY 20TH CENTURY DUTCH
DAVID ROBERTS (BRITISH, 19TH CENTURY), BRITISH
GLASS VASE OF FLOWERS ATOP BOOK OIL ON PANEL; INDISTINCTLY SIGNED AND DATED 1873 LOWER RIGHT 8.8 x 11 in — 22.2 x 27.9 cm
STILL LIFE OF FLOWERS OIL ON MASONITE; INDISTINCTLY SIGNED LOWER RIGHT 20 x 20 in — 50.8 x 50.8 cm $200—300
MARKET SCENE OIL ON CANVAS; SIGNED LOWER RIGHT 12.8 x 16 in — 32.4 x 40.6 cm $200—300
$150—200
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35
36
DAVID ROBERTS (BRITISH, 19TH CENTURY)
19TH CENTURY SCOTTISH
(AFTER) FRANCIS PHILIP STEPHANOFF (BRITISH, 1788-1860)
THE TOWER OF DAVID WATERCOLOUR ON PAPER, MOUNTED TO BOARD; BEARS SIGNATURE David Roberts R.A. LOWER LEFT; TITLED TO NAMEPLATE 7 x 10.5 in — 17.8 x 26.7 cm $200—300
COUPLE BY THE STREAM OIL ON PANEL; MONOGRAMMED ‘CFD’ or ‘CB’ AND DATED ‘83 LOWER LEFT
A MIDSUMMER NIGHT’S DREAM OIL ON BOARD, GLUED DOWN ON MASONITE;
8 x 11 in — 20.3 x 27.9 cm
11 x 8.75 in — 27.9 x 22.2 cm
$100—150
$150—200
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38
39
MONOGRAMMED? (20TH CENTURY)
KENNETH (KEN) SEAGER (CANADIAN, 1927-)
SAMPSON & MATTHEWS (20TH CENTURY)
“ST. JAMES” AND “RUINS” (TWO WORKS) FORMER - OIL ON PLYWOOD; SIGNED AND TITLED LOWER RIGHT (36” x 20”) LATTER - OIL ON BOARD; SIGNED LOWER LEFT (32” x 41”)
“NORTHERN RIVER” AND “WHITE PINE” TWO SILKSCREENS; FORMER - A!er Tom Thomson (34” x 29.5”) LATTER A!er A.J. Casson (Sight, 18.8” x 25”) Note: Cond. noted on each. Former bo"om le! and top le!; La"er - middle right, see photos)
STREET MUSICIANS WATERCOLOUR; MONOGRAMMED IN PENCIL LOWER RIGHT (Sheet, 13.5” x 9.5”) $50—100
$150—200
$150—200
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41
42
CHRISTINE MARSHALL (CANADIAN, 1946-)
ROY TOMLINSON (CANADIAN, 1928-)
FREDERICK HAGAN (CANADIAN, 1918 -2003) AND AUDREY MATHESON (CANADIAN, 1923-2018)
“BLUE JAYS” AND “LYNX” TWO LIMITED EDITION PRINTS; BOTH SIGNED; EACH INSCRIBED Aritst Proof Remarques AND NUMBERED 8/25 & 1/25 LOWER LEFT; Each Image size (23.5” x 19”) (21” x 28”) Both professionally framed. $60—80
THE SUNNING ROCK - MERGANSERS COLOUR LITHOGRAPH; SIGNED, TITLED, NUMBERED 76/100 AND DATED ‘84 IN PENCIL (Image, 19.3” x 27.3”) $75—100
“PIONEER GRAVE” AND “VARIOUS LAKE VIEWS (4)” FORMER - LITHOGRAPH; TITLED LOWER LEFT, SIGNED AND DATED ‘44 LOWER RIGHT IN PENCIL (Sight, 13” X 16.3”) LATTER - FOUR WATERCOLOURS; ONE SIGNED AND TITLED, ALL UNFRAMED - Each sheet (9.3” x 12”) (9.9” x 13.8”) (9” x 12”) (10” x 14”) $100—150
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44
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WILLIAM WALKER ALEXANDER (CANADIAN, 1870-1948)
19TH CENTURY EUROPEAN
SIGNED? (AMERICAN, 20TH CENTURY)
UNTITLED (AUTUMN FIELDS) WATERCOLOUR; SIGNED LOWER LEFT (Sight, 9.5” x 13.5”)
A GERMAN LANDSCAPE WATERCOLOUR (Oval sight, 7.8” x 9.5”) $80—120
$100—150
THE OLD LIGHTHOUSE WATERCOLOUR; INDISTINCTLY SIGNED LOWER MIDDLE (Sight, 14.8” x 11”) $20—30
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ROBERT DAVID SIMPSON (CANADIAN, 1938-)
AUDREY HOLROD (CANADIAN, 1926 -2010)
(AFTER) JOHN JAMES AUDUBON
BLACK BEAR ROCK - CALBOT TRAIL, NOVA SCOTIA (END OF HURRICANE, SEPT 1974) OIL ON MASONITE; SIGNED LOWER RIGHT; TITLED TO FRAME IN PENCIL VERSO
BEACH PEEBLE #3, #4, #6, #8, #10 FIVE PASTELS; EACH SIGNED LOWER RIGHT, TITLED VERSO (Sights, 17” x 14” and 14” x 17”)
9 x 12 in — 22.9 x 30.5 cm $40—60
Each sight 17 x 14 in — 61 x 50.8 cm $80—100
PILEATED WOODPECKER (PICUS PILEATUS) COLOUR PRINT 35.5 x 23.5 in — 90.2 x 59.7 cm $100—150
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50
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WALTER RAYMOND DUFF (CANADIAN, 1879-1967)
MICHAEL H. CLEARY (CANADIAN, 1930-) AND DOROTHY MARY MOULD (CANADIAN, 1924-2013)
DESCOURCEL GOURGUE (HAITIAN, 20TH CENTURY)
UNIVERSITY COLLEGE (UNIVERSITY OF TORONTO) ETCHING; SIGNED AND DATED ‘13 LOWER RIGHT (Plate, 9.8” x 18.8”) Together with: Hans Figura etching; “HARBOUR VIEW IN WINTER” (Plate, 12.5” x 9.5”) and a WALLACE NUTTING print “SEWING BY THE FIRE” ( $80—120
“BROUGHTON’S FARM - JONES ROAD, GRAVENHURST” AND “COUNTRY CHURCH” TWO WATERCOLOURS; FORMER SIGNED AND DATED OCT 1980 LOWER LEFT; TITLED TO ARTIST LABEL VERSO (Sight, 10” x 14.3”) LATTER - SIGNED LOWER RIGHT (Sight, 13.5” x 18.5”)
“VILLAGE SCENE” AND “FISHERMEN CASTING NETS” TWO OILS ON CANVAS; EACH SIGNED LOWER RIGHT (24” x 18”) (20.3” x 18”) $80—120
$60—80
52
53
54
ROBERT ALLEN PATERSON (CANADIAN, 1936-)
SIGNED? (20TH CENTURY)
JACQUES MELS (DUTCH, 1899-1974); A. MIOLEE (DUTCH, 19TH/20TH CENTURY)
SUMMER COLOUR LITHOGRAPH; SIGNED, TITLED AND NUMBERED 2/15 (Image, 14.5” x 18.3”) Provenance: GALLERY PASCAL, Toronto $30—50
UNTITLED (A GOOD BOOK) ETCHING; INDISTINCTLY NUMBERED LOWER LEFT AND SIGNED LOWER RIGHT (Plate, 19.3” x 19”) $50—75
LANDSCAPE WITH HOUSES AND HILL; WOODED LANDSCAPE (2 WORKS) FORMER WATERCOLOUR; SIGNED LOWER LEFT (Sight, 8.3” x 13.3”) LATTER CHARCOAL; SIGNED AT BREDERRODE LOWER RIGHT (Sight, 12” x 18”) $60—80
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56
57
WILLIAM J. POTTER (AMERICAN, 1883-1964)
LOSI CINELLO [UMBERTO LOSI] (ITALIAN, 1928-1982)
EARLY 20TH CENTURY CANADIAN
COASTAL VIEW THRU TREES OIL ON BOARD; SIGNED LOWER RIGHT
MUSICA ENCAUSTIC ON WOOD; SIGNED, TITLED AND DATED ‘59 LOWER RIGHT; SIGNED AND TITLED VERSO
12 x 14 in — 30.5 x 35.6 cm $100—125
26 x 27 in — 66 x 68.6 cm Provenance: Galeria Schneider, Rome
“HIGH PARK, TORONTO” AND “LAKE ONTARIO, TORONTO” PAIR OF PRIMITIVE OILS ON CANVAS BOARD; EACH TITLED AND DATED 1916 LOWER RIGHT (Cond. noted: Craquelure and some paint loss) Each 27 x 17 in — 68.6 x 43.2 cm $150—200
Exhibited: Triton Museum of Art, San Jose $300—400
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PAUL MCDOWELL (CANADIAN, 20TH CENTURY)
HAROLD BARLING TOWN (CANADIAN, 1924-1990)
UNSIGNED (20TH CENTURY)
PORTRAIT OF A YOUNG WOMAN OIL ON CANVAS; SIGNED AND DATED ‘55 LOWER RIGHT
WARRIOR BEING HAULED FROM HORSE ETCHING; SIGNED AND DATED 7.22.58 IN IMAGE TOP LEFT; SIGNED AND NUMBERED 45/85 LOWER LEFT (Sheet, 8” x 13.5”) Note: Etching has slipped in frame.
30 x 24 in — 76.2 x 61 cm $100—150
Provenance: From the VINCENT PRICE Collection $100—125
PORTRAIT OF A GIRL IN RED OIL ON CANVAS BOARD 16 x 12 in — 40.6 x 30.5 cm $40—60
61
62
63
LORI MCALEAR (CANADIAN, 20TH CENTURY)
GORDON ROBERTSON MCNAMARA (CANADIAN, 1910-2006)
GORDON ROBERTSON MCNAMARA (CANADIAN, 1910-2006)
FAMILY PORTRAIT COLOUR ETCHING; SIGNED, TITLED, NUMBERED 3/10 AND DATED ‘79 IN PENCIL (Plate, 11.5” x 9”) Note: Water stain to mat bo!om le".
“SAN MIGUEL, MEXICO” AND “CHURCH FRONT - MEXICO” TWO WATERCOLOURS; EACH SIGNED, LATTER DATED 1951; Each sight (21.5” x 7”) (25” x 9.5”)
$40—60
$100—150
“CATHEDRALS” AND “ABSTRACT BUILDINGS” TWO WATERCOLOURS; EACH SIGNED; LATTER UNFRAMED, MATTED AND SHRINK WRAPPED; Former sight, (15” x 10.8”) La!er (Sheet, 14.5” x 22”) $80—120
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65
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J.A.H. JAMESON (BRITISH, 19TH CENTURY) & J.S. HILL (BRITISH, 20TH CENTURY)
CANADIAN SCHOOL (20TH CENTURY)
SAUL FIELD (CANADIAN, 1912-1987); JEAN TOWNSEND-FIELD (2) (CANADIAN, 1921-2006)
“LANDSCAPE WITH PEAT GATHERERS” & “SHEPHERD AND FLOCK” TWO WATERCOLOURS; FORMER, SIGNED AND DATED ‘02 LOWER LEFT (Sight, 14” x 20.5”); LATTER, SIGNED LOWER RIGHT (Sight, 8.5” x 10.8”)
MOUNTAIN VISTA OIL ON MASONITE; UNSIGNED 10 x 12 in — 25.4 x 30.5 cm $30—40
GHOSTAKOVITCH; OF LOVE AND MARRIAGE; QUEEN ANNE’S LACE FORMER - MIXED MEDIA ON PAPER; SIGNED, TITLED AND DATED ‘60 (11” x 8.5”) LATTER - TWO ETCHINGS, NUMBERED 5/75 AND PROOF (Plate, 10” x 11”) (Plate, 8” x 9.8”)
$50—75 $80—120
67
68
69
19TH CENTURY
TOM LA PIERRE (CANADIAN, 1930 -2010)
DAVID SILVERBERG (CANADIAN, 1936-)
AND THE CURTAIN DESCENDING LITHOGRAPH; SIGNED, TITLED AND NUMBERED 12/20 AND DATED ‘80 IN PENCIL (Image, 17” x 26”)
MEMOIRES D’ATELIER COLOUR ETCHING; SIGNED, TITLED AND INSCRIBED Artist Proof #1 (Plate, 20.5” x 14.3”)
$40—60
$100—125
70
71
72
DAVID SILVERBERG (CANADIAN, 1936-)
SIGNED? (CANADIAN, 20TH CENTURY)
LACHLAN MACLEAN MORRISON (CANADIAN, 1904-?)
MUSICIANS COLOUR ETCHING; SIGNED, TITLED AND INSCRIBED Stage proof 1 print only (Plate, 17.8” x 13”)
“CAW WIND II” AND “NORTH BY NORTHWEST II” TWO COLOUR ETCHINGS; EACH TITLED, NUMBERED 83/350 AND 42/375 AND INDISTINCTLY SIGNED IN PENCIL; Each plate (6” x 9.3”) (3.5” x 9.8”)
“NUDES WITH CHESS BOARD”, “MALE NUDE WITH BOTTLE”, “THREE NUDES BY BOATS FOR HIRE SIGN” THREE OILS ON BOARD; FIRST INITIALED AND DATED ‘81 LOWER RIGHT (12” x 16”) LATTER TWO INITIALED AND DATED ‘82 LOWER RIGHT (16” x 22”) (18” x 24”)
TULIPA VARIO FLORE HAND COLOURED ENGRAVING; TITLED LOWER LEFT IN IMAGE (Plate, 12.5” x 7”) $30—40
$100—125
$120—160
$125—175
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74
75
LACHLAN MACLEAN MORRISON (CANADIAN, 1904-?)
RAPHAEL SOYER (AMERICAN, 1899 -1987)
SIGNED? (20TH CENTURY)
UNTITLED (MEDICAL BOARD) OIL ON MASONITE; UNSIGNED 24 x 36 in — 61 x 91.4 cm
YOUNG WOMAN SITTING ON BED LITHOGRAPH; SIGNED AND NUMBERED 8/100 IN PENCIL (Image, 17” x 14”)
$30—40
$80—120
“HAYMAKERS”, “CITY STRUCTURE”, “CATHEDRAL” (THREE WORKS) FIRST - COLOUR WOODCUT; INDISTINCTLY SIGNED AND TITLED (Image, 7” x 6.8”) SECOND - ETCHING; INDISTINCTLY SIGNED, TITLED, NUMBERED E.A. 6/20 AND DATED ‘91 (Plate, 8.8” x 7.3”) THIRD COLOUR LITHOGRAPH; SIGNED, TITLED AND NUMBERED 92/200 (Image, 9” x 6.3”) $80—120
76
77
78
OSWALD FRANKLYN PENNINGTON (BRITISH, 1885-1953)
GORDON MACKENZIE (CANADIAN, 20TH CENTURY)
FRANK OWEN SALISBURY (BRITISH, 1874-1962)
“LAKE ERIE - CANADIAN EMIGRANT SHIP”, DREADNOUGHT - AMERICAN EMIGRANT SHIP”, “WHITE STAR AUSTRALIAN EMIGRANT SHIP”, SET OF FOUR ETCHINGS; EACH SIGNED AND TITLED IN PENCIL; Each plate (4” x 6”) Note: Plastic black frames
SUN POINT WATERCOLOUR; SIGNED AND DATED ‘92 LOWER RIGHT; TITLED TO ARTIST LABEL VERSO (Sight, 10” x 14”)
THE HEART OF THE EMPIRE, MAY 6TH, 1935 COLOUR PRINT; NUMBERED - The Time Worlds Copyright 548 LEFT; SIGNED LOWER RIGHT (Image, 19” x 29.8”)
$125—175
$75—125
$100—150
79
80
81
GRAHAM CANTIENI (CANADIAN, 1938-)
JESSIE MAURA POWER (CANADIAN, 1913-2005)
VARIOUS STUDIES SIX WORKS ON PAPER; - TWO OILS; THREE INKS; PASTEL - ALL SIGNED, FOUR DATED ‘71 (Each sheet approx. 24” x 19”) UNFRAMED
JAMES COOK BLACKSMITH SHOP; E. BERT BATSON TWO ETCHINGS;EACH SIGNED, TITLED AND NUMBERED 47/100 AND 48/100; Each plate (4.3” x 5.3”)
$100—150
$50—75
82
83
84
ANTONI TAPIES (SPANISH, 1923-2012)
JOHN HAROLD THOMAS SNOW (CANADIAN, 1911-2004)
PATRICIA (PAT) MARY FAIRHEAD (CANADIAN, 1927-) UNTITLED (NIGHTFALL) WATERCOLOUR; SIGNED LOWER RIGHT (SIGHT, 19” X 24”) UNTITLED (NIGHTFALL) WATERCOLOUR; SIGNED LOWER RIGHT (Sight, 19” x 24”)
UNTITLED SET OF THREE IDENTICAL LITHOGRAPHS; EACH SIGNED AND NUMBERED 8/50, 13/50, 17/50; Each folding sheet (19” x 15”) UNFRAMED
ANKARA COLOUR LITHOGRAPH; SIGNED, TITLED AND NUMBERED 10/50 IN PENCIL (Image, 12” x 17.8”)
$200—300
$100—125
$100—150
85
86
87
S. DAY (CANADIAN, 20TH CENTURY) UNTITLED WATERCOLOUR; SIGNED AND DATED 21” X 27”
FP (20TH CENTURY)
FRANK WEINER (CANADIAN, 20TH CENTURY) AND UNSIGNED? (20TH CENTURY)
UNTITLED WATERCOLOUR; SIGNED AND DATED 21” X 27” 21 x 27 in — 53.3 x 68.6 cm
UNTITLED (THE DOOR) SCULPTURE (Wood, metal, composition) INITIALED FP TO UNDERSIDE 24 x 16 x 18 in — 61 x 40.6 x 45.7 cm $200—300
$100—150
“FOREST SCENE” AND “FLOWERS IN A WHITE VASE” (TWO WORKS) FORMER - OIL ON CANVAS; SIGNED Frano W. LOWER RIGHT; SIGNED AND DATED 1960 VERSO (20” x 16”) LATTER - OIL ON CANVAS, LAID ON FOAM BOARD Cond.noted: Canvas bubbled, cracks and minor paint chips (20” x 16”) 20 x 16 in — 50.8 x 40.6 cm $100—150
88
89
90
PETER SZULE (HUNGARIAN, 1886 -1944)
PAULE LEGACE (CANADIAN, 1951-)
JAMASIE TEEVEE (1910-1985), E7-977, CAPE DORSET / KINNGAIT APIK OPIKLU stonecut, 1977, 22/50, framed, sight
SEATED WOMAN OIL ON CANVAS; SIGNED LOWER LEFT
LES 3 SOEURS (THE 3 SISTERS) OIL ON CANVAS; SIGNED LOWER RIGHT; TITLED AND DATED JUI 1995 VERSO
31.5 x 24 in — 80 x 61 cm
20 x 32 in — 50.8 x 81.3 cm
$200—300
$300—400
22 x 31 in — 55.9 x 78.7 cm $300—500
91
92
93
PITALOOSIE SAILA, R.C.A. (1942-), E7 -1006, CAPE DORSET / KINNGAIT THE NEW AMOUTIK stonecut and stencil, 1980, 16/50, framed, sight
LUCY QINNUAYUAK (1915-1982), ᓗᓯ ᑭᓐᐅᐊᔪᐊ, E7-1068, CAPE DORSET / KINNGAIT AIPARIK stonecut and stencil, 1976, 28/50, framed, sight
MARY QAYUARYUK (1908-1982), E7 -1012, CAPE DORSET / KINNGAIT SEAGULLS ON SPRING ICE stonecut and stencil, 1981, 38/50, framed, sight
22 x 27.5 in — 55.9 x 69.9 cm $300—500
23 x 31.5 in — 58.4 x 80 cm $300—500
23 x 32 in — 58.4 x 81.3 cm $300—500
94
95
96
MARY PUDLAT (1923-), E7-1005, CAPE DORSET / KINNGAIT GIFT GIVING CELEBRATION stonecut and stencil, 1984, 12/50, framed, sight
KANANGINAK POOTOOGOOK, R.C. A. (1935-2010), ᑲᓇᒋᓇ ᐳᑐᒍᑭ, E7-1168, CAPE DORSET / KINNGAIT ANGRY SEAGULL lithograph, 1983, 24/50, framed, sight
KEELEEMEEOOMEE SAMUALIE (1919 -1983), E7-951, CAPE DORSET / KINNGAIT MOTHER AND YOUNG lithograph, 1979, 40/50, framed, sight
22 x 28.5 in — 55.9 x 72.4 cm
21.5 x 29 in — 54.6 x 73.7 cm
19.5 x 26 in — 49.5 x 66 cm
$300—500
$300—500
$300—500
97
98
99
AOUDLA PUDLAT (1951-2006), E7 -1366, CAPE DORSET / KINNGAIT BIRD IN SUMMER CLOUDS; BIRD IN WINTER CLOUDS pair of stencils, 1984, 46/50 ; 1984, 24/50, framed, sight
MARY OKHEENA (HOLMAN, 1955-) JOY OF THE FIRST RAIN FALL COLOUR STENCIL; SIGNED, TITLED, NUMBERED 17/50 AND DATED 1988 IN PENCIL (Sheet, 20” x 25.8”)
JAMASIE TEEVEE (1910-1985), E7-977, CAPE DORSET / KINNGAIT PROUD MOTHER WITH SONS CATCH stonecut, 1977, 50/50, framed, sight
21.25 x 28.5 in — 54 x 72.4 cm; 21.5 x 28.5 in — 54.6 x 72.4 cm
$125—175
$300—500
100
101
102
KAKULU SAGIATUK (1940-), E7-930, CAPE DORSET / KINNGAIT FAMILY MEMBERS RETURN stonecut and stencil, 1981, 5/50, framed, sight
NAPATCHIE POOTOOGOOK (1938 -2002), ᓇᐸᓯ ᐳᑐᒍ, E7-1104, CAPE DORSET / KINNGAIT CARIBOU IN THE HILLS lithograph, 1977, 28/50, framed, sight
EGEVADLUQ RAGEE (1920-1983), E7 -1013, CAPE DORSET / KINNGAIT WOMAN IN THE SEA stonecut, 1977, 9/50, framed, sight
23 x 31 in — 58.4 x 78.7 cm
21.5 x 29.5 in — 54.6 x 74.9 cm
$300—500
$300—500
23 x 30.75 in — 58.4 x 78.1 cm
$500—700
21 x 26.5 in — 53.3 x 67.3 cm $300—500
103
104
105
MARY PUDLAT (1923-), E7-1005, CAPE DORSET / KINNGAIT WOMAN OF THE SEA stonecut and stencil, 1979, 20/30, framed, sight
JAMASIE TEEVEE (1910-1985), E7-977, CAPE DORSET / KINNGAIT IVIK OPIKLU stonecut, 1977, 32/50, framed, sight
BEN HOUSTIE (INDIGENOUS, 1960)
22 x 32.5 in — 55.9 x 82.6 cm $300—500
22 x 31 in — 55.9 x 78.7 cm $300—500
EAGLE ACRYLIC ON PAPER; SIGNED, TITLED AND DATED 2017 IN PENCIL (Image, 12.5” x 12.5”) (Sheet, 15” x 22.3”) UNFRAMED $100—125
106
107
108
BEN HOUSTIE (INDIGENOUS, 1960)
BEN HOUSTIE (INDIGENOUS, 1960)
FROG ACRYLIC ON PAPER; SIGNED, TITLED AND DATED 2017 IN PENCIL (Image, 10” x 14”) (Sheet, 15” x 22.3”) UNFRAMED
GREAT BLUE HERON ACRYLIC ON PAPER; SIGNED, TITLED AND DATED 2017 IN PENCIL (Image, 24” x 17.5”) (Sheet, 30” x 22”) UNFRAMED
DANNY M. DENNIS (INDIGENOUS, 1951-)
$100—125
$150—200
VARIOUS STUDIES FIVE INK DRAWINGS; EACH SIGNED AND DATED 1996; TWO TILED “EAGLE” AND “FROG-EAGLE-RAVEN” (Each sheet, 26” x 14”) UNFRAMED $100—125
109
110
111
ARIEL BEN DAVID (ISRAELI, 1942-)
SIGNED? (20TH CENTURY)
19TH CENTURY
UNTITLED (THE PINK BLOUSE) FOUR IDENTICAL COLOUR LITHOGRAPHS; EACH SIGNED AND NUMBERED 126/150, 127/150, 128/150, 129/150; Each image (17” x 25”) Each sheet (21.5” x 28”)
UNTITLED (A WALK IN THE PARK) OIL ON CANVAS; INDISTINCTLY SIGNED AND DATED 1970 VERSO
PORTRAIT OF A GENTLEMAN OIL ON BOARD; UNSIGNED
$100—150
10 x 8 in — 25.4 x 20.3 cm $100—150
$30—40
112
113
114
19TH CENTURY
19TH CENTURY
PORTRAIT OF A BEARDED GENTLEMAN OIL ON CANVAS, LAID DOWN ON CARD; INITIALED VP LOWER RIGHT
PORTRAIT OF A YOUNG CHILD HOLDING A FLOWER OIL ON CANVAS, LAID DOWN ON 20TH C. CANVAS; UNSIGNED; Condition noted: Paint loss lower right, see photo
DAVID CLAYTON DRUM (CANADIAN, 1944-)
$100—125
31.5 x 19 in — 80 x 48.3 cm $200—300
REHEARSAL PASTEL; SIGNED LOWER RIGHT; TITLED VERSO 12 x 10 in — 30.5 x 25.4 cm $80—100
115
116
117
VIKTOR OLIVA (CZECH, 1861-1928)
19TH CENTURY
UNKNOWN (20TH CENTURY)
UNTITLED (THE TIRED LUTE PLAYER) WATERCOLOUR WITH WHITE; INITIALED LOWER RIGHT (Sight, 12.3” x 9.5”) $100—150
“THE SLEDGE OF A RUSSIAN CITIZEN” AND “RUSSIAN FEMALES ENTERING A SLEDGE” PAIR OF CHROMOLITHO’S - PLATES, No. 2 and 4 (A!er Mornay); EACH TITLED IN PRINT; Each image (9.3” x 13.5”)
SEATED FIGURE COMPOSITION SCULPTURE; INDISTINCTLY NUMBERED OR SIGNED TO UNDERSIDE (25” x 17.5” x 17”) $100—150
$100—150
118
119
120
MAX GOLDNER (GERMAN, 1889-1976)
MAX GOLDNER (GERMAN, 1889-1976)
MAX GOLDNER (GERMAN, 1889-1976)
“HOMESTEAD”, “WINDMILL” COUNTRY ROAD” THREE WATERCOLOURS; EACH SIGNED; EACH SIGHT (13.8” x 10”) (13.8” x 10”) (9.3” x 13.5”)
“ARCHED DOORWAY”, “ARCHED BALCONY”, ARCHED ENTRANCE TO VILLAGE” THREE WATERCOLOURS; EACH SIGNED; EACH SIGHT (13” x 9.5”) (13” x 9.5”) (11.5” x 15”)
“CANAL STUDY”, “STREET SCENE”, “STREET SCENE” THREE WATERCOLOURS; EACH SIGNED; EACH SIGHT (13” x 9.5”) (9.8” x 13.5”) (13” x 9.5”)
$80—120
$80—120
$80—120
121
122
123
MAX GOLDNER (GERMAN, 1889-1976)
F.A. HUBERT (GERMAN, 20TH CENTURY)
*** STUBNER (GERMAN, 20TH CENTURY)
COUPLE ON ROADWAY BY WINDING RIVER OIL ON CANVAS BOARD; SIGNED LOWER LEFT
HARVEST TIME OIL ON CANVAS BOARD; SIGNED LOWER RIGHT
“LAKE SCENE WITH SAILBOATS”, “RIVER SCENE WITH VILLAGE” TWO WATERCOLOURS; EACH SIGNED; EACH SIGHT (9” x 13.3”) (18.5” x 12.3”) $80—120
22 x 31 in — 55.9 x 78.7 cm $100—125
124
125
*** RIEMER (POLISH, 20TH CENTURY)
H. MATHIAS (20TH CENTURY)
LANDSCAPE WITH WINDING ROADS AND BIRCH TREES OIL ON CANVAS; SIGNED LOWER RIGHT 23.8” X 31.5” $100—125
LAKESIDE HOUSE OIL ON CANVAS; SIGNED LOWER RIGHT (Note: stain at top le! and stretcher marks showing, see photo) 10 x 12 in — 25.4 x 30.5 cm $40—60
21.5 x 27.5 in — 54.6 x 69.9 cm $100—125
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca