SEPTEMBER —
Canadian Works on Paper & Editions
SEPTEMBER —
Canadian Works on Paper & Editions
SENIOR SPECIALIST Gregory gh@waddingtons.caHumeniuk - -
TOLLTEL﹕
Sunday, September from 12:00 pm to 4:00 pm
BACK COVER Lot SHARY BOYLE UNTITLED﹐
BACK INSIDE COVER Lot JEAN PAUL RIOPELLE SCOUT, [YSEULT1981RIOPELLE 1981.11EST.LI]
FRONT INSIDE COVER Lot WALTER JOSEPH PHILLIPS THE DIVING BOARD
FRONT COVER Lot
JOYCE WIELAND SQUID JIGGIN GROUNDS, 1973
Tuesday, September 13 from 10:00 am to 5:00 pm
Photography & design by Waddington’s All Rights reserved.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Monday, September 12 from 10:00 am to 7:00 pm
PREVIEW HELD AT King Street East, nd Floor Toronto, Ontario M A K FREE﹕
BID AND VIEW ALL LOTS ONLINE AT www.waddingtons.ca
CONSIGNMENT COORDINATOR Kendra kp@waddingtons.caPopelas - -
ON VIEW
This catalogue and its contents © Waddington McLean & Company Ltd.
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PROVENANCE
Joyner Fine Art, Toronto, ON, 30 May 2006, lot Private220; Collection, Ontario
WALTER JOSEPH PHILLIPS R C A -
PROVENANCE
WALTER JOSEPH PHILLIPS R C A -
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THE DOCK colour woodcut on paper signed, titled and numbered 79/100 in lower margin; dated and monogrammed 7.2 ins x 10.5 ins; 18.3 cms x 26.7 cms
Winchester Galleries, Victoria, BC; Levis Auctions, 17 April 2016, lot 83; Private Collection, Ontario
THE DIVING BOARD colour woodcut on paper signed with monogram to the plate 8.6 ins x 5.7 ins; 21.8 cms x 14.5 cms
NIGHT WALKER etching on paper signed, titled, dated, and numbered 17/100 to the margin 10 ins x 7 ins; 25.4 cms x 17.8 cms
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
PROVENANCE Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
RAIN BIRD MAN etching on paper signed, titled, dated, and numbered 17/50 to the 12.75marginins x 6.75 ins; 32.4 cms x 17.1 cms
PROVENANCE Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
BESIDE BIG HORN RIVER watercolour on paper 12signedinsx 16 ins; 30.5 cms x 40.6 cms
UNTITLED gelatin silver print on paper dated to gallery label on the reverse 3 ins x 7.75 ins; 7.6 cms x 19.7 cms
PROVENANCE Corkin Gallery, Toronto, ON; Private Collection, Toronto, ON —
PROVENANCE
JOHN MARCY
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ALAN CASWELL COLLIER O S A R C A
Private Collection, Ontario —
MARSHLANDS
TAKAO TANABE B
AUTUMN PRAIRIE woodcut on paper signed, titled and numbered 33/76; monogrammed to plate, two chop marks 10 ins x 13 ins; 25.4 cms x 33 cms
PROVENANCE
colour silkscreen on paper signed, titled, dated ‘80 and numbered A/P 18 ins x 23.5 ins; 45.7 cms x 59.7 cms
GORDON APPELBE SMITH R C A -
Private Collection, Toronto, ON —
PROVENANCE Private Collection, Toronto, ON —
BOATING ON THE MOUNTAIN LAKE watercolour on paper signed and dated sight 14 ins x 20 ins; 35.6 cms x 50.8 cms
PROVENANCE
FREDERIC MARLETT BELL SMITH O S A R C A -
THE THREE SISTERS CANMORE watercolour on paper signed and titled; titled and inscribed “Mrs. Godwin” on the reverse 16 ins x 24 ins; 40.6 cms x 61 cms
Private Collection, Ontario —
LUCIUS RICHARD O’BRIEN O S A P R C A -
PROVENANCE
Private Collection, Kitchener, ON —
PROVENANCE Private Collection, Toronto, ON NOTE
WALTER JOSEPH PHILLIPS R C A -
MARK BRICKELL -
Unframed —
PROVENANCE Corkin Gallery, Toronto, ON; Private Collection, Toronto, ON —
BANFF SPRINGS HOTEL wood engraving on paper signed; accompanied with menu fragments 6 ins x 4.5 ins; 15.2 cms x 11.4 cms
UNTITLED SKATEBOARDING gelatin silver print on paper titled and dated to gallery label on the reverse 5 ins x 5 ins; 12.7 cms x 12.7 cms
JUTE I YSEULT RIOPELLE
EST LI
Private Collection, Toronto, ON
JEAN PAUL RIOPELLE R C A
LE CALVAIRE gouache on paper laid on board signed; titled to label on the reverse 13 ins x 16.75 ins; 33 cms x 42.5 cms
LITERATURE
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ANDRÉ CHARLES BIÉLER O S A R C A
Private Collection, Waverly, NS —
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colour lithograph on paper signed and numbered 18/75 29.5 ins x 41.3 ins; 75 cms x 105 cms
PROVENANCE
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: HibouÉditeurs, 2005), 149, no. 1967.12EST.LI. —
PROVENANCE
2. Hunter Awaiting Seal, 1975, signed and numbered 274/300
1. Story Telling: A Winter Past Time, signed and numbered 274/300
Private Collection, Toronto, ON —
DIVER colour woodcut on paper signed, titled and numbered 1/3 22.5 ins x 25.5 ins; 57.2 cms x 64.8 cms
WILLIAM KURELEK R C A -
PROVENANCE
3. Sky Tossing, signed and numbered 79/300
Acquired directly from the artist; Private Collection, Toronto, ON —
OF
ANDREW VALKO R C A B
PROVENANCE
GROUP OF FOUR LITHOGRAPHS ON PAPER
4. Stalking Caribou, signed and numbered each271/30012ins x 10 ins; 30.5 cms x 25.4 cms
PROVENANCE
WILLIAM WINTER graphite on paper signed, titled and dated 17.25 ins x 13 ins; 43.8 cms x 33 cms
B
Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
PROVENANCE
Estate of Jack Bush, Toronto, ON; Private Collection, Ontario
NOTE
An early drawing of esteemed Canadian artist, William Winter. Winter moved to Toronto from Winnipeg in 1937 a er training under Frank H. Johnston and Lionel LeMoine Fitzgerald at the Winnipeg School of Art.
TREE IN THE MOONLIGHT SEPTEMBER ink on co on fibre board signed and dated; titled and dated “Sept 2020” on the reverse 11.875 ins x 6 ins; 30.2 cms x 15.2 cms
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LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION
JACK HAMILTON BUSH O S A A R C A -
In 1942, William Winter, Jack Bush and Leslie Wookie established the commercial art firm “Wookie, Bush and Winter”. Bush completed this drawing of Winter during this time.
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JETÉ EN L’AIR
PROVENANCE
NOTE
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watercolour on paper signed, titled, and dated ‘77 17 ins x 22 ins; 43.2 cms x 55.9 cms
JACK HAMILTON BUSH O S A A R C A -
colour screenprint on paper signed, titled, dated ‘76 and numbered 26/100 26.5 ins x 36.5 ins; 67.3 cms x 92.7 cms
Purchased at the Art Rental and Sales Gallery, Art Gallery of Ontario, Toronto, ON, 1976; Private Collection, Toronto, ON
Accompanied by a photocopy of the bill of sale from 1976 (purchaser name and address redacted)
PROVENANCE Gallery Moos, Toronto, ON; Private Collection, Montreal, QC
GERSHON ISKOWITZ R C AS JI
PROVENANCE
PROVENANCE
Beaverbrook Art Gallery, Fredericton, NB; Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery —
AWAITING THE RETURN double-sided crayon and watercolour on paper sketch of cherry blossoms and Estate stamp on the reverse 10 ins x 13.5 ins; 25.4 cms x 34.3 cms
lithograph on paper signed, titled, dated ‘77 and numbered 12/48 Sight 15.625 ins x 20.375 ins; 39.7 cms x 51.8 cms
DONOTIS
ARTHUR LISMER O S A R C A -
RONALD YORK WILSON O S A R C A -
Joyner Fine Art, Toronto, ON, 23 November 1988, lot 401; Private Collection, Toronto, ON —
PROVENANCE Private Collection, Dundas, ON
lithograph on paper; A portfolio of 54 lithographs, signed and numbered 13/44
SANS TITRE SILVER AND GREEN digital print on paper dated and numbered 6/6 to labels on the 26.5reverseins x 40 ins; 67.3 cms x 101.6 cms
Acquired directly from the artist; Mira Godard Gallery, Toronto, ON; Private Collection, Ontario
LAURENT GUÉRIN B
Includes a foreword and list of artwork as well as protective cover and backing papers. Housed in a protective, cardboard case; with an outer fabric cover.
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PROVENANCE
NOTE
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FREDERICK HAGANEXPLORATION
Private Collection, Toronto, ON —
JOSEPH YVON FAFARD R C A -
SHARY BOYLE B
UNTITLED DOG SLEEPING serigraph on paper signed, dated ‘97 and numbered 11/32 image 12.75 ins x 18.75 ins; 32.4 cms x 47.6 cms
Edward Day Gallery, Toronto, ON; Private Collection, Ontario —
PROVENANCE
PROVENANCE
UNTITLED gouache on mat board signed and dated on the reverse 9.25 ins x 6.75 ins; 23.5 cms x 17.1 cms
MOONLIGHT LAKE OF THE WOODS colour woodcut on paper signed and numbered 131 (of 250), monogrammed in the plate 7.2 ins x 6 ins; 18.3 cms x 15.2 cms
EXHIBITED
JEAN PAUL RIOPELLE R C A -
PROVENANCE
WALTER JOSEPH PHILLIPS R C A -
SCOUT
PROVENANCE
Private Collection, Montreal, QC
Riopelle, le parcours du graveur, Galerie JeanClaude Bergeron, O awa, ON, 7-24 April 2005 (another example exhibited) Animalités, Maison des arts Georges-Pompidou, Centre d’art contemporain Carjac, France, dans le cadre du printemps de l’estampe, 19 February-9 April 2005 (another example Jeanexhibited)Paul Riopelle. Impressions sans fin, Musée national des beaux-arts du Québec, 20 October 2005-8 January 2006 (another example exhibited)
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LITERATURE Lithographies et gravures originales, (Paris: Galerie Maeght, 1985), 85 (another example Yseultillustrated)Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: HibouÉditeurs, 2005), 278, no. 1981.11EST.LI (another example illustrated)
Private Collection, Whitby, ON —
YSEULT RIOPELLE EST LI lithograph on paper signed, numbered H/C sight 23.5 ins x 28.75 ins; 59.7 cms x 73 cms; sheet 25.79 ins x 31.69 ins; 65.5 cms x 80.5 cms
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Private Collection, Toronto, ON —
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: HibouÉditeurs, 2005), 354 (repro. col.), no. 1990.09 EST.GR (another example illustrated).
EXHIBITED
Jean Paul Riopelle. Impressions sans fin, Musée national des beaux-arts du Québec, 20 October 2005-8 January 2006 (another example exhibited)
YSEULT RIOPELLE EST GR etching on Arches paper signed, titled, dated ‘91 and numbered 6/35 in pencil to margin 22 ins x 29.5 ins; 55.9 cms x 74.9 cms
JAMES FENWICK LANSDOWNE R C A -
LITERATURE
AUDUBON WARBLER watercolour on paper signed and dated; titled to label on the reverse sheet 15.25 ins x 12.5 ins; 38.7 cms x 31.8 cms; sight 12.75 ins x 10.75 ins; 32.4 cms x 27.3 cms
JEAN PAUL RIOPELLE R C A -
Private Collection, Toronto, ON
HUÎTRES MALPÈQUE SÉRIE DOMMAGE
PROVENANCE
PROVENANCE
REFLECTIONS
Nancy Dillow worked at the Art Gallery of Ontario, before serving as the Director of the Norman Mackenzie Art Gallery, Regina, and the first chief curator of the Winnipeg Art Gallery. A er her retirement in 1984, Dillow became one of the original volunteers with the Textile Museum of Canada, a job she would hold for the next 26 years.
ink on paper signed and dated ‘60 Sight 14.2 ins x 20.5 ins; 36 cms x 52 cms
PROVENANCE Private Collection, Toronto, ON —
NOTE
PROVENANCE Nancy Dillow (née Robertson), Toronto, ON The Estate of Nancy Dillow, Toronto, ON
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watercolour on paper signed and dated; titled to label on the reverse sheet 15.25 ins x 12.38 ins; 38.7 cms x 31.4 cms; sight 12.75 ins x 10.75 ins; 32.4 cms x 27.3 cms
KAZUO NAKAMURA R C A -
GOLDEN WINGED WARBLER
JAMES FENWICK LANSDOWNE R C A -
Private Collection, Toronto, ON —
BETTY ROODISH GOODWIN -
STANDING IN THE SHADE SEPTEMBER
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
ink on co on fibre board signed and dated; titled and dated “Sept 2020” on the reverse 9.5 ins x 3.625 ins; 24.1 cms x 9.2 cms
PROVENANCE
PROVENANCE
Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
ABSTRACT FIGURES
mixed media on paper signed and dated ‘66 10.75 ins x 11 ins; 27.3 cms x 27.9 cms
TWO KILLICKS ON A STAGE HEAD WESLEYVILLE etching and aquatint on paper signed, titled, dated and numbered 27/50 14 ins x 10.75 ins; 35.6 cms x 27.3 cms
CAPTAIN WES KEAN ON THE BRIDGE OF S S NEWFOUNDLAND etching on paper signed, titled, dated and numbered “artist’s 16proof”insx 20 ins; 40.6 cms x 50.8 cms
PROVENANCE Kenzart Associates, Toronto, ON; Private Collection, Toronto, ON —
NOTE
Unframed photos available —
Kenzart Associates, Toronto, ON; Private Collection, Toronto, ON
Accompanied by the original bill of sale from Kenzart Associates, Toronto, ON (purchaser name and address redacted)
PROVENANCE
DAVID LLOYD BLACKWOOD O S A R C A -
DAVID LLOYD BLACKWOOD O S A R C A -
UNTITLED
ARTHUR FORTESCUE ART MCKAY -
NOTE
JEAN PAUL RIOPELLE R C A -
Private Collection, Toronto, ON
ink and brush drawing on paper signed and dated ‘58 sight 19 ins x 25 ins; 48 cms x 83.5 cms
etching on Arches paper signed and numbered 52/120 19.5 ins x 15.8 ins; 49.5 cms x 40.1 cms
LITERATURE
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Nancy Dillow worked at the Art Gallery of Ontario, before serving as the Director of the Norman Mackenzie Art Gallery, Regina, and the first chief curator of the Winnipeg Art Gallery. A er her retirement in 1984, Dillow became one of the original volunteers with the Textile Museum of Canada, a job she would hold for the next 26 years.
FONDATION - YSEULT RIOPELLE EST GR ALB
PROVENANCE
EXHIBITED
Yseult Riopelle, Jean Paul Riopelle: Catalogue raisonné des estampes (Montreal: HibouÉditeurs, 2005), 241 (repro. col.), no. 1974.02EST. GR.ALB (another example illustrated).
Nancy Dillow (née Robertson), Regina, SK; The Estate of Nancy Dillow, Toronto, ON
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PROVENANCE
Jean Paul Riopelle. Impressions sans fin, Musée national des beaux-arts du Québec, 20 October 2005-8 January 2006, no. 82 (another example exhibited)
PROVENANCE
RONALD YORK WILSON O S A R C A -
LOOKING UP ST CECILE STREET silkscreen on paper signed and dated ‘54; titled and dated to gallery labels on the reverse 15 ins x 7 ins; 38.1 cms x 17.8 cms
Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery —
PROVENANCE
NGAIO
stone signed,lithographtitledand numbered A/P; embossedstamped and titled to artist label on the reverse 18.5 ins x 10.5 ins; 47 cms x 26.7 cms
FREDERICK BOURCHIER TAYLOR R C A -
Dominion Gallery, Toronto, ON; Roberts Gallery, Toronto, ON; Private Collection, Quebec —
Acquired directly from the artist; Mira Godard Gallery, Toronto, ON; Private Collection, Ontario —
HOMMAGE TO BECKETT watercolour on paper signed and dated ‘65; titled to gallery label on the reverse 11 ins x 13.75 ins; 27.9 cms x 34.9 cms
LAURENT GUÉRIN B
PROVENANCE
PROVENANCE
ZEBRA CROSSING digital print on paper numbered 3/9 26.5 ins x 40 ins; 67.3 cms x 101.6 cms
Canadian Fine Arts, Toronto, ON; Private Collection, Toronto, ON —
BETTY ROODISH GOODWIN -
DAVID LLOYD BLACKWOOD O S A R C A -
STUDY FOR SAFE HARBOUR etching on paper signed, titled, dated and numbered 36/50 5 ins x 8 ins; 12.7 cms x 20.3 cms
PROVENANCE Private Collection, Ontario —
PROVENANCE Private Collection, Toronto, ON —
SQUID JIGGIN GROUNDS colour lithograph on paper signed, dated ‘73 and numbered 26/50 20.5 ins x 29.5 ins; 52.1 cms x 74.9 cms
JOYCE WIELAND R C A -
PROVENANCE
Nancy Dillow worked at the Art Gallery of Ontario, before serving as the Director of the Norman Mackenzie Art Gallery, Regina, and the first chief curator of the Winnipeg Art Gallery. A er her retirement in 1984, Dillow became one of the original volunteers with the Textile Museum of Canada, a job she would hold for the next 26 years.
NOTE
LOWRIE WARRENER -
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linocut on paper signed, titled, dated and numbered 19/200 4.5 ins x 3.25 ins; 8 cms x 12.5 cms
Nancy Dillow (née Robertson), Regina, SK; The Estate of Nancy Dillow, Toronto, ON
TREE LANDSCAPE STUDY
NOVEMBER
Private Collection, Vancouver, BC; Private Collection, Toronto, ON
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
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TREES B C
ink on co on fibre board signed and partially dated; titled and dated on the 11.25reverseinsx5.5 ins; 28.6 cms x 14 cms
PROVENANCE
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
CHARLES PACHTER B
PROVENANCE Private Collection, Ontario —
DAVENPORT AND BAY colour silkscreen on paper signed, titled, dated ‘84 and numbered 68/150 23.75 ins x 15.75 ins; 60.3 cms x 40 cms
PROVENANCE Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
IN YOUR HOUSE AUGUST ink on co on fibre board signed and dated; titled and dated “Aug 2020” on the reverse 8.75 ins x 5.25 ins; 22.2 cms x 13.3 cms
DORIS JEAN MCCARTHY O S A R C A
Wynick/Tuck Gallery, Toronto, ON; Private Collection, Toronto, ON —
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GEORGIAN BAY THUMBNAIL SKETCH watercolour and felt pen on paper
10signedinsx 8 ins; 25.4 cms x 20.3 cms
THE TREE etching on paper signed, titled, dated, and numbered 17/100 11 ins x 7.5 ins; 27.9 cms x 19.1 cms
PROVENANCE
Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
PROVENANCE
LAWRENCE PAUL YUXWELUPTUN COWICHAN/SYILX FIRST NATION B
JOHN REEVESMARSHALL MCLUHAN gelatin silver on paper signed and dated on the reverse 6.75 ins x 4.125 ins; 17.1 cms x 10.5 cms
PROVENANCE Corkin Gallery, Toronto, ON; Private Collection, Toronto, ON —
PROVENANCE Private Collection, Vancouver, BC; Private Collection, Toronto, ON —
N W C MAN etching on paper signed, titled, dated, and numbered 17/100 to the margin 10 ins x 7.25 ins; 32.4 cms x 17.1 cms
NEW BOAT silkscreen on paper signed, titled, dated “Nov 1975” and numbered 20/55; Also titled to gallery label on the reverse 14.5 ins x 30 ins; 36.8 cms x 76.2 cms
CHRISTOPHER PRATT R C A
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Marlborough Godard, Toronto, ON; Private Collection, Toronto, ON
PROVENANCE
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CONDITION OF LOTS
Waddington’s
Items selling for $2,501 to $7,500 15%
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.
Items selling for $2,500 or less 20%
Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, se ing forth terms and fees for our services.
BIDDING
WADDINGTON ’S COMMISSION RATES
ALL PRICES IN CANADIAN FUNDS
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
AUCTION ADVICE
Buying
PakShip - - / - - / -taurus@pakship.ca / www.pakship.ca
with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at Ourwww.waddingtons.ca.o ces are located in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office ( - - ).
For more information please visit: www.cites.org
CANADIAN ART DEPARTMENT COMMISSION RATES
SHIPPING
BUYERS PREMIUM
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
*There is a minimum handling charge of $20 per item
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank dra , electronic transfer (fee applies), VISA or Mastercard (up to $25,000).
Selling at Waddington’sat
Frames on artwork are not included as part of purchase or condition.
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
Items selling for $250 or less 25%
*There is a minimum handling charge of $20 per item
Items selling for $2,501 to $7,500 15%
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
Safer Shipping Inc. - - / -perry@safershipping.ca / www.safershipping.ca
REMOVAL OF PURCHASES
Items selling for $251 to $2,500 20%
Items selling for $7,501 or more 10%
CITES
ffi
Items selling for $7,501 or more 10%
INSURANCE
All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to Forconsider.collections
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
PAYMENT
A premium of 20% of the successful bid price of each lot.
(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.
15. The auctioneer acts solely as agent for the consignor and makes no representation as to any a ribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Conditions of Sale
12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank dra , electronic transfer (fee applies), and VISA or Mastercard (up to 13.$25,000).Inthe
The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;
days following the sale a wri en opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a wri en request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.
8. Immediately a er the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
accordingly.Eachlot
sold is subject to a 20% buyers premium as part of the purchase price.
event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in a endance at the sale.
(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and
14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.
The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid
Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
9. The buyer shall pay for all lots within 48 hours from the date of the sale, a er which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, a er which storage charges may be incurred.
The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
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