SEPTEMBER 10 — 15, 2022 Discovery
International
International Discovery
SEPTEMBER 10 — 15, 2022
This catalogue and its contents © 2022 Waddington McLean & Company Ltd.
front cover Lot 58 JESSICA ELLEN HAYLLAR GOING TO MY UNCLE’S (THE GOODS AND CHATTELS), 1880
Photography & design by Waddington’s All Rights reserved.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
front inside cover Lot 48 JOHN SANDERSON WELLS SUNDAY MORNING CHURCH PARADE, HYDE PARK
back inside cover Lot 26 LOREN ENTZ WHISTLING IN, 1988 back cover Lot 102 LUDWIG MUNTHE VINTERLANDSKAP MED TIMMERVAGN, 1862
bid and view all lots online at www.waddingtons.ca on view
Sunday, September 11 from 12pm to 4pm Monday, September 12 from 10am to 7pm Tuesday, September 13 from 10am to 5pm preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700
senior specialist Susan 416-847-6179sr@waddingtons.caRobertson administrator Mary 416-504-9100mm@waddingtons.caMcMaster &consignmentmarketingspecialist Mark 416-489-6105mjg@waddingtons.caGleberzon
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2
$400 — 600
BlockFramed.5ins x 4.4 ins; 12.7 cms x 11.2 cms; Sheet 7.9 ins x 7 ins; 20 cms x 17.8 cms; Framed 14 ins x 10.5 ins; 35.6 cms x 26.7 cms
PROVENANCE: Waddington’s Auctions, Toronto, ON December 11, 2004, Lot 103; Private Collection, Toronto
LÉONARD TSUGUHARU FOUJITA (1886–1968), JAPANESE/FRENCH
ALACIEL (FROM A BOOK OF CATS), 1929 [BUISSON II.30.127]
PROVENANCE: “The Hundred Antiques,” Toronto gallery label Estateverso;ofLois Orkin, Toronto, ON
Wood engraving on Japon paper; signed and dated “/35” in pencil to margin.
Collotype on Japon vellum paper; signed and dated 1929 in the plate lower right, with printed text “Made in France” to the edge of the lower left margin. Published in New York by Covici Friede in an edition of 500 in 1930. Framed. Plate 8 ins x 10.2 ins; 20.3 cms x 25.9 cms; Sheet 9.8 ins x 12.8 ins; 24.8 cms x 32.4 cms; Framed 14 ins x 16 ins; 35.6 cms x 40.6 cms
SQUIRREL BY THE LAKE, 1935
SAMUEL REINDORF POLISH/AMERICAN/CANADIAN(1914-1988),
$200 — 300
Privateverso; Collection, Boca Raton, Florida
PROVENANCE: Private Collection, Ontario $500 — $700
OvalFramed.15.25ins x 11 ins; 38.7 cms x 27.9 cms; Sheet 16.5 ins x 12.8 ins; 42 cms x 32.5 cms; Framed 23.5 ins x 20 ins; 59.7 cms x 50.8 cms
$150 — 250
John Cleary Gallery, Fine Art Photography, Houston, Texas gallery label
CLIPPED WINGS, 1922 Watercolour and ink on stiff paper with no watermark; bears signature in pencil lower left.
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LOREN ENTZ (B.1949), AMERICAN TO SOAR LIKE AN EAGLE Oil on masonite; signed “Entz” lower right. 15.75Framed.ins x 11.5 ins; 40 cms x 29.2 cms; Framed 20.6 ins x 16.6 ins; 52.3 cms x 42.2 cms
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PROVENANCE:
AFTER LOUIS ICART (1888-1950), FRENCH
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LEA AVIZEDEK (20TH/21ST CENTURY), ISRAELI
Odon Wagner Gallery, Toronto, ON; Private Collection, Aurora, ON $500 — 700
LÁSZLÓ MEDNYÁNSZKY (1852–1919), HUNGARIAN LAKEVIEW THROUGH TREES
PROVENANCE:
SPIRIT (WOMAN SEATED AT THE WINDOW)
Mixed-media on paper; signed in English and Hebrew lower left and lower right respectively, titled “Spirit” to gallery label verso. Framed. Sight 26.26 ins x 35.75 ins; 66 cms x 91.4 cms; Framed 34.25 ins x 43.7 ins; 87 cms x 111 cms
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Watercolour and gouache on light blue textured paper; signed ‘Mednyánszky’ in pencil lower right. Framed behind glass. Sight 10 ins x 13.5 ins; 25.4 cms x 34.3 cms; Framed 16.6 ins x 19.3 ins; 42.2 cms x 49 cms
PROVENANCE:
With Griette et Anis, France label verso; Private Collection, Halifax, NS by descent through the family from their grandparents $300 — 400
AFTER ERSKINE NICOL (1825-1904), SCOTTISH/IRISH
CARL BERNHARD SCHLÖSSER (1832DIED AFTER 1914), GERMAN
PROVENANCE:
Propertyverso; of an East Coast women’s Williamcollege; Doyle Auctions, New York, NY, November 9, 1994, Lot 9; Estate Collection, Ontario $2,500 — 3,500
Wimmer & Co., Gallery of Fine Arts, Munich (Germany) stamped to the canvas
Ex. Coll. William Maxted (or Maxfed), 60 Great Russell Street, London, UK old inscribed collector’s label to the stretcher; With the American Exposition, accompanied by a letter dated “April 6th/86,” laminated in plastic, addressed to “Mr. J. Eastwood, Hamilton Ontario Dr.” (sic), from Mr. Howard? (indistinct), Art Director of the American Exposition; Coll. Mr. J. Eastwood, Hamilton, Ontario; Waddington’s, Toronto, April 14th - April 18th, 1980, lot 1122 as “E. Nicol”;
PROVENANCE:
THE CONFIDANT
From whom purchased by the father of the present Private Collection, Toronto who received this work by descent
Oil on canvas; titled to the collector’s inscribed pen and ink label verso, numbered “71” in pen and ink to a small label verso. Framed. 29.9 ins x 23.1 ins; 76 cms x 58.7 cms; Framed 38.1 ins x 31.25 ins; 96.8 cms x 79.4 cms
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8
$600 — 800
KEPT IN, 1866
Oil on canvas; signed “Carl Schlöesser” lower right. Framed. 39 ins x 27 ins; 99.1 cms x 68.6 cms; Framed 46.8 ins x 34.6 ins; 118.9 cms x 87.9 cms
The first title: signed “R. Buckner f” lower right and titled “Barnaby Rudge & Grip from an etching” lower left.
PROVENANCE: Private Collection, Toronto, ON $300 — 400
REIGEN (ROUND DANCE), CA. 1914
PROVENANCE: Private Collection, Cookstown, ON $2,000 — 3,000
The second title: signed “R. Buckner f” lower right, indistinctly inscribed lower left. Each framed.
RICHARD BUCKNER (1812-1883), BRITISH
FRITZ FREUND (1859–1942), GERMAN
Image 13 ins x 7 ins; 21 cms x 17.8 cms; F ramed 21 ins x 15.25 ins; 21.6 cms x 39.4 cms; Sight 8.3 ins x 15.4 ins; 21.1 cms x 39.1 cms; Framed 17.5 ins x 23.6 ins; 44.5 cms x 59.9 cms
Two gouache and mixed-media works on brown paper.
TWO ILLUSTRATIONS: BARNABY RUDGE AND HIS RAVEN GRIP; FIGURES ON THE COAST
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10
Oil on canvas; signed “F. Freund” and indistinctly dated “14” lower left. Framed. 16.75 ins x 31.5 ins; 42.5 cms x 80 cms; Framed 21.25 ins x 36.2 ins; 54 cms x 91.9 cms
FIGURES ON THE SEASHORE Oil on canvas; bears signature “Jozef Israels” lower right, titled to the AGO labels verso. Framed. 10.5 ins x 15.4 ins; 26.7 cms x 39 cms; Framed 15 ins x 19.7 ins; 38.1 cms x 50 cms
PROVENANCE: Private Collection, Toronto, ON $1,000 — 1,500
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FRANZ XAVER WOLF (1896–1990), AUSTRIAN
THE FAMILY OF THE PAINTER Oil on masonite board with a plywood backboard; signed upper right, signed and titled in pen and ink to artist’s studio label verso together with the artist’s wax seal to the plywood backboard verso. 19.5 ins x 16 ins; 49.5 cms x 40.6 cms
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FOLLOWER OF JOZEF ISRAËLS (18241911), DUTCH
PROVENANCE: Bequest of Frederick William Gerald Fitzgerald to the Art Gallery of Toronto (AGO) as “Joseph Israels” on July 5, 1949; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 49/11 to gallery labels Deaccessionedverso; from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO $500 — 700
ROSA MÜLLER (1866-1880), GERMAN
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SHEEP GRAZING BY A LAKE, 1881
Oil on canvas; signed and dated /81 lower right. Framed.
$300 — 400
14
FOLLOWER OF EUGENE DE BLAAS (1843–1932), AUSTRIAN COQUETTE, 1891
Oil on panel; bears signature and 1891 date in red paint lower left, titled to the nameplate. Framed. 13.5 ins x 10.6 ins; 34.3 cms x 27 cms
PROVENANCE: With W. Jewell Picture Frame Maker, Bristol label to the frame verso; Private Collection, France
12 ins x 20 ins; 30.5 cms x 50.8 cms; Framed 14.9 ins x 22.9 ins; 37.8 cms x 58.2 cms
PROVENANCE: Parisienne Gallery, Toronto, ON stamped to the verso backing; The Estate of Laura Silver, Toronto, ON
$500 — 700
PROVENANCE: Arthur Whitcombe, Cheltenham Gallery labels Waddington’sverso; Auctions, Toronto, ON June 9, 1994, Lot 1544; Estate of W.A. Ross MacFadden, Toronto, ON $200 — 300
Oil on canvas; signed bottom right, titled to the nameplate. Framed. 24 ins x 17 ins; 61 cms x 41.9 cms; Framed 34.25 ins x 27.5 ins; 87 cms x 69.9 cms
AFTER WILLIAM JOSEPH SHAYER (1811-1892), BRITISH
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L’ORAGE (WOMAN IN A STORM)
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CAMILLO INNOCENTI (1871-1961), ITALIAN
PROVENANCE: Prominent Private Family Collection, Dundas, ON $1,500 — 2,500
Four colour lithographs; each by C.R. Stock after W.J. Shayer. Published June 1st, 1886 by Arthur Ackermann, 191 Regent Street, London. Matching oak frames. Each (Sight) 7.9 ins x 24.5 ins; 19.1 cms x 62.2 cms; (Each) Framed 15.5 ins x 31.9 ins; 39.4 cms x 81 cms
FOUR SEASONAL COACHING SCENES: SPRING, SUMMER, AUTUMN, WINTER, 1883
PROVENANCE: Private Collection, Toronto, ON $600 — 800
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JOHAN FREDERIK CORNELIS SCHERREWITZ (1868–1951), DUTCH LANDSCAPE AND COWS
BARBIZON LANDSCAPE
Oil on panel; signed “Louis Cabie” lower right. Framed. 20.25 ins x 15 ins; 51.4 cms x 38.1 cms
Oil on board; signed lower right, titled to the nameplate. Framed. 8.9 ins x 14.4 ins; 22.9 cms x 36.8 cms; Framed 14.9 ins x 20.25 ins; 37.8 cms x 51.4 cms
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LOUIS ALEXANDRE CABIÉ (1853-1939), FRENCH
PROVENANCE: Of Things Past, Toronto, ON 11/14/2017 label verso backing; Private Collection, Toronto, ON $500 — 700
JOHAN FREDERIK CORNELIS SCHERREWITZ (1868–1951), DUTCH
SWISS CHALET AT RIVERSIDE WITH A WOMAN TENDING A BOAT AT SUNSET, 1886 Oil on canvas; signed “A Holmlund” and dated “86” lower left. Framed. 22.25 ins x 30.25 ins; 56.5 cms x 76.8 cms; Framed 27.1 ins x 35 ins; 68.8 cms x 88.9 cms
SHEEP ON THE DUNES
Oil on canvas; signed lower left. Titled to plate affixed to the lower-middle of the frame. Titled to gallery label verso. 22Framed.insx39.5 ins; 55.9 cms x 100.3 cms; Framed 27.75 ins x 45.6 ins; 70.5 cms x 115.8 cms
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JOSEPHINA HOLMLUND (1827–1905), SWEDISH
PROVENANCE: The French Gallery, London, UK gallery label verso, with indistinct F.G. Inventory No. 2/152 to the label; Private Collection, Toronto, ON $1,500 — 2,500
$800 — 1,200
PROVENANCE: An indistinct, handwritten pen and ink label verso, in Swedish, may read ‘Gifted by Captain Waudriss to B.C.R. Dolling. Private1887’; Collection, Ontario
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One untitled.
22
BRUCE YARDLEY (B.1962), BRITISH FISH MARKET, VENICE
$800 — 1,200
Win Henstock Gallery, Oakville, ON; Private Collection, Ontario
Oil on linen; signed lower right, titled to the stretcher. Framed. 16 ins x 16 ins; 40.6 cms x 40.6 cms; Framed 21.5 ins x 21.5 ins; 54.6 cms x 54.6 cms
PROVENANCE:
Win Henstock Gallery, Oakville, ON gallery label, inventory No. 011BY verso; Private Collection, Ontario
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JOHN YARDLEY (B.1933), BRITISH SEVEN VARIOUS VIEWS INCLUDING VENICE, HONFLEUR AND UK VILLAGES: Seven watercolours; each signed lower left or lower right in pencil, six views are titled verso including: “Outer Harbour, Honfleur”; “The Striped Posts”; The“Long“Dedham”;Melford”;MauveDress”; and “Inner Harbour, Honfleur”
$400 — 600
PROVENANCE:
All unframed, shrink-wrapped. (2) 12.2 ins x 16.2 ins; 31 cms x 41.1 cms; (5) 15.25 ins x 25.25 ins; 38.7 cms x 64.1 cms
Oil on canvas; signed “A. Arnegger” lower left, titled to the top selvage, titled to a typed label with the artist’s name “A. Arnegger” inventory “No. 5609” to the frame verso. 27.5 ins x 55.5 ins; 70 cms x 141 cms; Framed 33.75 ins x 61.5 ins; 85.7 cms x 156.2 cms
ALOIS ARNEGGER (1879–1967), AUSTRIAN AT AMALFI
ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
THREE LETTERS: C, X AND Y (FROM THE ALPHABET SUITE), 1976-1977
PROVENANCE: Private Collection, Toronto, ON $1,200 — 1,800
PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $800 — 1,000
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23
Three colour silkscreens; each signed and numbered 128/350 in pencil to margin. Printed by Atelier Gourdon, Atelier Arcay, Paris and American Atelier, New York. Published by Chalk & Vermillion, Greenwich, Connecticut. Framed, with similar dimensions. Image, each 15.5 ins x 10.5 ins; 39.4 cms x 27.3 cms; Framed 26.1 ins x 20.1 ins; 66.3 cms x 51.1 cms
Colour silkscreen with metallic ink on paper; signed and numbered 224/300 in pencil to margin. Framed. Printed by Chicago Serigraph Workshop, Chicago. Published by Circle Fine Arts, ImageChicago.18
$600 — 800
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ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
LOREN ENTZ (B.1949), AMERICAN
ins x 13.5 ins; 45.7 cms x 34.3 cms; Framed 27 ins x 21.25 ins; 68.6 cms x 54 cms
Oil on canvas; signed and dated “Loren Entz 88” lower right. Framed. 20 ins x 24 ins; 50.8 cms x 61 cms; Framed 25.25 ins x 29.25 ins; 64.1 cms x 74.3 cms
PROVENANCE: With Allman-Ricks Framing, Springville, UT label Privateverso;Collection, Ontario
$800 — $1,000
WHISTLING IN, 1988
Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON
AMOUREUSE (FROM THE TWENTIES REMEMBERED), 1977 [LEE, 104]
PROVENANCE:
OvalFramed.21.25 ins x 17.5 ins; 54 cms x 44.5 cms; On 22.5 ins x 18.5 ins; 57.2 cms x 47 cms; Framed 28.3 ins x 24.5 ins; 71.9 cms x 62.2 cms
RICHARD BUCKNER (1812-1883), BRITISH SELF-PORTRAIT OF THE ARTIST, CIRCA 1840
10.25 ins x 8.5 ins x 5.5 ins; 25.4 cms x 21.6 cms x 14 cms
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PAT HAPTONSTALL (1943-1995), AMERICAN
PROVENANCE: Private Collection, Ontario $1,000 — $1,500
RANGE BRANDIN, 1984
Bronze with dark brown patina; signed “Pat Haptonstall” with copyright in the cast by the cowboy’s left boot spur, numbered 15/16 in the cast under the cowboy’s right boot spur. Raised on a wood base.
Oil on canvas, painted in the oval on a rectangular stretcher; signed lower right, titled to a gallery document dated 1985 in ink affixed to the verso, signed by the Alan Jacobs Gallery, Ltd., London, UK.
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W. Wingate & Johnston (Fine Art Limited), UK label inscribed: “Portrait by R. Buckner / V.3” verso; Alan Jacobs Gallery Ltd., London with their letterhead adhered to the verso as “Self-Portrait of the Artist” headed “For Lloyd G. Morrow Esq.” in 1985; Private Collection, Ontario $700 — 900
PROVENANCE:
LAUNCHING OUT TO SEA
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MOTHER AND HER CHILDREN BY A SUNNY WINDOW
PROVENANCE: Estate Collection, Ontario $500 — 700
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Oil on canvas; signed ‘Loren Entz’ lower right. Framed. 24 ins x 24 ins; 61 cms x 61 cms; Framed 29.5 ins x 29.5 ins; 74.9 cms x 74.9 cms
LAMMERT LEIRE VAN DER TONGE (1871-1937), DUTCH
LOREN ENTZ (B.1949), AMERICAN
Oil on canvas; signed lower right. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 18.75 ins x 22.6 ins; 47.6 cms x 57.4 cms
PROVENANCE: Private Collection, Ontario $500 — $700
MOTHER AND CHILDREN WELCOMING SOLDIERS HOME
Oil on canvas; signed lower right. Framed. 30 ins x 20 ins; 76.2 cms x 50.8 cms; Framed 37.8 ins x 28 ins; 96 cms x 71.1 cms
Oil on canvas; signed “P. Sauvage” lower left, titled to a typed label verso. Framed. 13.75 ins x 10.5 ins; 34.9 cms x 26.7 cms; 16.8 ins x 14 ins; 42.7 cms x 35.6 cms
PROVENANCE: Private Collection, Ontario $500 — 700
PROVENANCE: Estate Collection, Ontario $500 — 700
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ERNEST WALBOURN (1872-1927), BRITISH
AN INTERIOR WITH CHILDREN
PHILIPPE FRANÇOIS SAUVAGE (ACTIVE 1872), FRENCH
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LOUIS SIMON CABAILLOT LASSALLE (1810–1870), FRENCH
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WILLEM CAREL NAKKEN (1835–1926), DUTCH A PICARDY HOMESTEAD
$500 — 700
$1,500 — 2,500
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PROVENANCE: Frederick Thom Gallery, Toronto, ON gallery label verso; Private Collection, Ontario
SISTER AND BROTHER PREPARING FOR A DAY’S CATCH
Oil on panel; signed “Louis Lassalle” lower left. Framed. 10.6 ins x 8.4 ins; 27.3 cms x 21.6 cms; Framed 15.25 ins x 13.1 ins; 38.7 cms x 33.3 cms
17Framed.insx26 ins; 43.2 cms x 66 cms; Framed 29.3 ins x 38.5 ins; 74.4 cms x 97.8 cms
Oil on canvas; signed lower left, titled to gallery label verso certifying the work.
PROVENANCE: Messrs. H. & P. De Casseres, London, UK gallery label verso; Private Collection, Toronto, ON
PROVENANCE:
RUSSIAN/UKRAINIAN SCHOOL (20TH CENTURY)
Oil on heavy paper; unsigned. Unframed. Sheet 28.75 ins x 20 ins; 73 cms x 50.8 cms
Oil on canvas; signed lower left, titled to gallery label verso
VERA (19TH/20THALMANOFFCENTURY), RUSSIAN
PROVENANCE: Estate Collection, Ontario $400 — 600
RUSSIAN WINTER (TROIKA RIDE THROUGH SNOW)
COUNTRYMAN SEATED IN SNOW PLAYING A BALIKA
Atelier Janos Lukacs, “The House of Fine Arts,” Toronto, ON, gallery label verso, inventory #1041; Estate Collection, Ontario $1,000 — 1,500
30 ins x 24 ins; 76.8 cms x 61.6 cms; Framed 39 ins x 32.8 ins; 99.1 cms x 83.3 cms
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36
37
MOZART AT THE COURT OF MARIE-ANTOINETTE Lithograph en grisaille heightened with watercolour and opaque watercolour; signed in the plate lower right, titled to gallery label verso backing. Sheet 19.5 ins x 29.5 ins; 49.5 cms x 74.9 cms; Framed 34.5 ins x 40 ins; 87.6 cms x 101.6 cms
$100 — 150
PROVENANCE: Estate Collection, Ontario
AFTER VICENTE GARCÍA DE PAREDES (1845–1903), SPANISH
$800 — 1,200
PROVENANCE: A.H. Hardwick’s English Framing Shop, Hamilton, ON label verso; Estate Collection, Ontario
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BERNARD LOUIS BORIONE (C.1865-1920), FRENCH
MUSICAL REHEARSAL, 1891 Oil on canvas; signed “B. Borione” and dated 1891 lower left. Framed. 16.8 ins x 11.8 ins; 38.1 cms x 30.5 cms; Framed 24.25 ins x 21.1 ins; 61.6 cms x 53.6 cms
THE FRIENDS, 1850 Oil on panel; signed “J. Akkersdijk” and dated 1850 upper left, titled to the Dominion Gallery label verso. Framed. 14.25 ins x 11.25 ins; 36.2 cms x 28.6 cms; Framed 19.4 ins x 16.5 ins; 49.3 cms x 41.9 cms
PROVENANCE: Dominion Gallery, Montreal, QP; inventory No. B4942 stamps and gallery label verso; Acquired by the Dominion Gallery in February 1970 from a prominent business and community leader in Montreal who had fled Czechoslovakia with his family in the late 1930s; Sold to Dr. and Mrs. J. Morton, Belleville, Ontario, on April 2, 1974; Estate Collection, Ontario $600 — 800
David Wistow, “Eye Spy: A Do-It-Yourself Guide to Quality in Art,” 1985 $1,000 — 1,500
PROVENANCE:
39
AFTER JOHN CONSTABLE (1776-1837), BRITISH
THE GROVE, HAMPSTEAD, C. 1821-2
Oil on canvas; unsigned. A late 18th to mid 19th century copy. Framed. 14 ins x 12 ins; 35.6 cms x 30.5 cms; Framed 20.75 ins x 19 ins; 52.7 cms x 48.3 cms
40
JACOB AKKERSDIJK (1815-1862), DUTCH
Gifted to the Art Gallery of Toronto by Mrs. Massey Trebel on February 18, 1916; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 581 as “The Coming Storm”, gallery label, verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit future purchases at the AGO
EXHIBITED:
PROVENANCE: Strauss & Co., Johannesburg, SA; From whom purchased by the present Private Collection, Toronto, ON $1,500 — 1,800
PROVENANCE: Private Collection, Toronto, ON $800 — 1,200
42
JOSEF (JOZEF) ISRAËLS (1824-1911), DUTCH
Charcoal drawing on paper; signed lower left, signed and titled by the artist to a handwritten pen and ink label verso backing. Framed. Sight 15.7 ins x 10.6 ins; 39.9 cms x 26.9 cms; Sight 25 ins x 19.8 ins; 63.5 cms x 50.3 cms
FISHERFOLK ON THE BEACH
HENRI ALPHONSE LAURENT-DESROUSSEAUX (1862-1906), FRENCH
Oil on canvas; signed “Laurent-Desrousseaux” lower left. Framed. 14 ins x 10.9 ins; 35.6 cms x 27.3 cms; Framed 18.8 ins x 15.60 ins; 47.8 cms x 39.6 cms
41
ALTER MANN (OLD MAN)
Oil on canvas; signed “D. Sherrin” lower left, titled to the nameplate. Framed. 24 ins x 36 ins; 61 cms x 91.4 cms; Framed 28.9 ins x 40.9 ins; 73.4 cms x 103.9 cms
PROVENANCE:
THE WATCHER
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Oil on board; bears signature “Jozef Israels” lower right, titled to gallery labels verso. Framed. 23.25 ins x 17.75 ins; 59.1 cms x 45.1 cms; Framed 32.75 ins x 27.25 ins; 83.2 cms x 69.2 cms
DANIEL SHERRIN (1868-1940), BRITISH SAILING HOME
1,50044
The Fine Art Galleries, The T. Eaton Co., Ltd., Canada, partial gallery label, verso; Private Collection, Burlington, ON $500 — 700
EXHIBITED:
PROVENANCE:
With Haynes Art Gallery, Toronto in 1924 partial dated label to the Bequeststretcher;oftheLate John Paris Bickell, Toronto as “Josef Israels” as an “oil on canvas” on February 13, 1952; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 51/34 to gallery labels verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO
The Art Gallery of Ontario, Toronto in “The Hague School: Collecting in Canada at the Turn of the Century”, Cat. No. 14 as “J. Israels The Watcher”, exhibition label verso. $1,000 —
FOLLOWER OF JOSEF (JOZEF) ISRAËLS (1824-1911), DUTCH
Oil on canvas; signed “FX Pieler” lower right, titled to the nameplate, copyright stamp verso, inventory number “4558” in black crayon to the canvas verso. Framed. 20.25 ins x 16 ins; 49 cms x 39 cms; Framed 25.3 ins x 21.3 ins; 64.3 cms x 54.1 cms
Oil on canvas; signed “J. Gailis” and dated “47” lower right; signed “Janis Gailis. Latvian Painter” and dated “1947” verso. TogetherUnframed.with a paperback book: “Janis Gailis/ Ein Lettischer Landschaftsmaler” by Janis Silins, 1948, Als Manuskript Gedruckt, text in English and German. 27.75 ins x 27.5 ins; 70.5 cms x 69.9 cms; Book 14 ins x 11.5 ins; 35.6 cms x 29.2 cms
JĀNIS GAILIS (1903-1975), LATVIAN/ AMERICAN
STILL LIFE WITH FLOWERS
PROVENANCE:
46
STILL LIFE OF FLOWERS, 1947
Trevor Pierce, Toronto, ON; Gifted to the present Private Collection, Toronto, ON $500 — 700
45
Odon Wagner Gallery, Toronto, ON; Private Collection, Cobourg, ON $1,500 — 1,800
FRANZ XAVER PIELER (1879-1952), AUSTRIAN
PROVENANCE:
PROVENANCE: Colerick & Fairbank Decorators and Art Dealers, London, Canada gallery label Estateverso; Collection, Ontario
Wallis & Son, The French Gallery, London gallery label verso; Continental Galleries of Fine Art, Montreal, QC, gallery label verso; Waddington’s Auctions, Toronto, ON, November 21, 2006, Lot 288; Estate Collection, Ontario
$3,000 — 4,000
ADOLPHE JOSEPH THEODORE MONTICELLI (1824-1886), FRENCH
JOHN SANDERSON WELLS (1872-1955), BRITISH
47
48
Oil on panel; signed lower right. Framed. 12.25 ins x 18.75 ins; 31.1 cms x 47 cms; Framed 17.75 ins x 23.9 ins; 45.1 cms x 60.7 cms
SUNDAY MORNING CHURCH PARADE, HYDE PARK
Oil on wood panel; signed lower left; signed and titled in pencil verso, titled to gallery label verso backing. Framed. 9.8 ins x 16 ins; 25 cms x 40.6 cms; Framed 17.75 ins x 23.75 ins; 45.1 cms x 60.3 cms
$700 — 900
PROVENANCE:
ELEGANT LADIES AND THEIR DOGS IN A PARKLAND
ALLEGORY OF MEEKNESS
19TH CENTURY EUROPEAN
Oil on canvas laid down to cardboard; signed indistinctly lower left, numbered “No. 9” to the selvage. Framed. 12 ins x 11.9 ins; 30.5 cms x 30.2 cms
PROVENANCE: Estate Collection, Ontario $500 — 700
PROVENANCE: Private Collection, Ontario $800 — $1,200
PAUL ROUFFIO (1855-1911), FRENCH
49
BELLE EPOQUE BEAUTY WITH FLOWER IN HER HAIR, FACING LEFT
Oil on canvas; signed “P. Rouffio” upper left. Framed. 15.5 ins x 13.25 ins; 39.4 cms x 33.7 cms; Framed 21.25 ins x 18.6 ins; 54 cms x 47.2 cms
50
ERTÉ (NÉ ROMAIN DE TIRTOFF) (18921990), RUSSIAN/FRENCH FASHIONS, 1974 Colour silkscreen; signed and numbered 97/260 in pencil to margin. Printed by Rowland Workshop, Wheeling. Published by Circle Fine Arts, Chicago.
SheetFramed.25.75 ins x 20.4 ins; 54.3 cms x 43.2 cms; Framed 30.9 ins x 27.6 ins; 65.2 cms x 51.8 cms
51
SIR CHARLES LOCK EASTLAKE (1793-1865), BRITISH
PROVENANCE: Private Collection, Winnipeg, MB $600 — 800
52
GYPSY GIRL WITH TAMBOURINE, 1861 Watercolour and gouache on paper; signed “Chas Eastlake” and dated “1861” lower right. Framed. Sight 11.5 ins x 15.75 ins; 29.2 cms x 39.4 cms; Framed 22.75 ins x 25.75 ins; 57.8 cms x 65.4 cms
PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $500 — 700
ROBERT (20TH/21STFRANCISCENTURY), CANADIAN
PROVENANCE: Private Collection, Halifax, NS $600 — 800
PROVENANCE: Estate Collection, Ontario $3,000 — 5,000
53
Oil on canvas; signed “Francis” lower right, signed “Robert Francis” and titled verso. The frame is integrated with the painting. 71 ins x 51 ins; 179.1 cms x 126.5 cms
54
WEDDING CELEBRATION
LUC LA MAIN FROIDE COULD YOU BE MY BROTHER
Oil on panel; signed “Monticelli” lower left. 15Framed.insx21.6 ins; 38.1 cms x 54.6 cms; Framed 23.25 ins x 30.1 ins; 59.1 cms x 76.5 cms
ADOLPHE JOSEPH THEODORE MONTICELLI (1824-1886), FRENCH
Oil on linen; signed lower left, titled to the stretcher. Framed.
BRUCE YARDLEY (B.1962), BRITISH WESTMINSTER AND THE THAMES
Win Henstock Gallery, Oakville, ON gallery label verso; Private Collection, Ontario
Oil on canvas; signed lower right, titled to the stretcher and to gallery label verso.
20 ins x 24 ins; 50.8 cms x 61 cms; Framed 25.6 ins x 29.5 ins; 65 cms x 74.9 cms
12Unframed.insx16ins; 30.5 cms x 40.6 cms
PROVENANCE:
56
Win Henstock Gallery, Oakville, ON gallery label verso; Private Collection, Ontario
$600 — 900
PROVENANCE:
55
BRUCE YARDLEY (B.1962), BRITISH CORN STREET MARKET (BRISTOL)
$500 — 600
PROVENANCE: MacConnal-Mason & Son Ltd., London, England gallery label, verso; Sotheby’s New York, NY, July 9, 1999, Lot 571; Christopher Wood, London UK; Estate Collection, Ontario
57
CHARLES II VAN DEN EYCHEN (1859-1923), BELGIAN
AT THE GROOMER’S
EXHIBITED: This was the artist’s first painting exhibited at The Royal Academy, London, UK. The relevant page from the catalogue of “The Exhibition of the Royal Academy”, 1880, the 112th, entry no. 79, p.7 is adhered to the verso.
JESSICA ELLEN HAYLLAR (1858-1940), BRITISH GOING TO MY UNCLE’S (THE GOODS AND CHATTELS), 1880 Oil on board; signed “Jessica Hayllar” and dated 1880 lower right, titled and inscribed by the artist to a handwritten pen and ink label verso certifying this work. Framed. 10.4 ins x 7 ins; 26.5 cms x 17.8 cms; Framed 14.25 ins x 11.35 ins; 36.2 cms x 28.8 cms
$3,000 — 5,000
58
$3,500 — 4,500
PROVENANCE: David Bendann’s Fine Art Rooms, Baltimore, MD, USA, label verso; Frederick W. Thom Limited, Toronto, ON, label Estateverso;Collection, Ontario
Oil on canvas; signed lower left. Framed. 33.25 ins x 24.8 ins; 81.3 cms x 61 cms; Framed 44.25 ins x 36.9 ins; 112.4 cms x 93.7 cms
Oil on canvas; signed “A.J. Zwart” lower left, signed and titled verso. Framed. 19.75 ins x 15.75 ins; 48.9 cms x 38.7 cms; Framed 25.3 ins x 21.3 ins; 64.3 cms x 54.1 cms
PROVENANCE: Private Collection, Winnipeg, MB $700 — 900
“RODE ROTSEN” BY TRAYAS (RED ROCKS BY TRAYAS)
PROVENANCE: Gifted to the present Private Collection, Kelowna, BC $600 — 800
Oil on canvas; signed with a compounded signature “HMoore” lower right, titled to the nameplate. Framed. 11.8 ins x 22 ins; 30.5 cms x 55.9 cms; Framed 17.2 ins x 27.5 ins; 43.7 cms x 69.9 cms
59
HENRY MOORE (1831-1895), BRITISH THE CORNISH COAST
ADRIANUS (ARIE) JOHANNES ZWART (1903-1981), DUTCH
60
FISHING BOATS NEAR SHORE
Oil on board; apparently unsigned, inscribed “No. 12 / Old English” in pencil to the board verso, given to “James Stark (1794-1859)” to a typed label verso backing.
PROVENANCE: Private Collection, Winnipeg, MB
8.75Framed.insx 11 ins; 22.9 cms x 27.9 cms; Framed 13.4 ins x 15.4 ins; 34 cms x 39.1 cms
PROVENANCE: J. Wilson Fine Art, Ottawa, ON gallery label to the backing paper on the frame
$700 — 900 62
JAMES STARK (1794-1859), BRITISH GATHERING WOOD ON A ROADWAY OUTSIDE TOWN
$700 — 900
**VIZINO (19TH/20TH CENTURY), NEOPOLITAN
EXHIBITED: This work was on loan to the National Gallery in Ottawa for several years while owned by the Peruvian Ambassador to Canada.
Ex.verso;Coll. the Peruvian Ambassador whose works were sold at auction before he returned to Peru; Private Collection, Toronto, ON
Oil on canvas laid down on masonite; signed “Vizino” lower right. Framed. 24 ins x 40.5 ins; 61 cms x 102.9 cms; Framed 32.5 ins x 48.6 ins; 82.6 cms x 123.4 cms
61
PROVENANCE: With The T. Eaton Co., Limited, Canada Picture Department label verso; Private Collection, Toronto, ON $100 — 200
POUL BILLE-HOLST (1894-1959), DANISH DEN SKAVE LYGTE, 1917 Oil on coarse grain canvas; signed “P. BilleHolst” and dated 1917 lower left, titled in Danish in pencil to the stretcher. Framed. 18.5 ins x 20.5 ins; 47 cms x 52.1 cms; Framed 19.4 ins x 21.5 ins; 49.3 cms x 54.6 cms
PROVENANCE: Private Collection, Toronto, ON $200 — 300
GEORGE HENRY DOWNING (1878-1940), BRITISH
64
AN ENGLISH VILLAGE Watercolour and ink on paper; signed lower left, titled to label verso. Framed. Sight 11.75 ins x 7.75 ins; 29.8 cms x 19.7 cms; Framed 18.75 ins x 13.75 ins; 47.6 cms x 34.9 cms
63
THE BROKEN ENGAGEMENT
Sheet sight 21.5 ins x 14.5 ins; 54.6 cms x 36.8 cms; Framed 27.3 ins x 20.3 ins; 69.3 cms x 51.6 cms
PROVENANCE: Private Collection, Toronto, ON
65
PROVENANCE: A. Robertson Fine Art Dealer, Maker of Frames, Toronto, ON gallery label verso, marked frame No. 7249; Private Collection, Ontario
FRANCESCO COLEMAN (1851-1918), ITALIAN
$600 — 900
Watercolour; signed at “Roma” lower right, titled to gallery label verso. Framed behind glass.
66
Pastel on paper laid down on canvas; unsigned. Framed. 44.5 ins x 36 ins; 113 cms x 91.4 cms; Framed 51 ins x 43 ins; 129.5 cms x 109.2 cms
19TH CENTURY BRITISH SCHOOL, BRITISH
$600 — 800
THE LOVE LETTER
Gifted to the present Private Collection, Kelowna, BC
$400 — 600
Gifted to the present Private Collection, Kelowna, BC
Oil on canvas; signed P. Wilhelm Millenaar lower left. Framed. 8 ins x 10 ins; 20.3 cms x 25.4 cms; Framed 13.75 ins x 15.75 ins; 34.9 cms x 40 cms
PROVENANCE:
PETER WILHELM MILLENAAR (1887-1978), DUTCH
68
STILL LIFE WITH STONEWARE, POTTERY AND APPLES
PROVENANCE:
CECILIA MARIA ELISABETH DE RANITZ (1880-1970), DUTCH
69
STILL LIFE OF EGGS IN A BOWL
$300 — 500
Watercolour on laid paper; signed “EdeR” lower left, signed “Ede Ranitz” at “Singel, Amsterdam” in pencil verso backboard. Sheet 11.75 ins x 15.5 ins; 29.8 cms x 39.4 cms; Framed 15.25 ins x 19.25 ins; 38.7 cms x 48.9 cms
VILLEFRANCHE-SUR-MER, FRENCH RIVIERA
70
ATTRIBUTED TO JOHN BRETT (1831-1902), BRITISH THE COAST AT TORBAY
$700 — 900
PROVENANCE: Private Collection, Winnipeg
$400 — 600
Oil on board; bears signature “J. Brett” lower left, titled to the nameplate. Framed. 8 ins x 14 ins; 20.3 cms x 35.6 cms; Framed 14.8 ins x 20.8 ins; 37.6 cms x 52.8 cms
PROVENANCE: Private Collection, Kelowna, BC
ADRIANUS (ARIE) JOHANNES ZWART (1903-1981), DUTCH
Oil on canvas; signed lower left, signed and titled “Villefrance A.M. Zuid-Frankrijk” in black ink verso. Framed. 25.75 ins x 19.5 ins; 65.4 cms x 49.5 cms; Framed 31.75 ins x 25.5 ins; 80.6 cms x 64.8 cms
71
FOUR BATHERS AT A WOODLAND POOL
Sheet folded 16 ins x 14 ins; 40.6 cms x 35.6 cms; Framed 23.3 ins x 21.25 ins; 59.2 cms x 54 cms
Private Collection, Montreal, QC; Private Collection, Toronto, ON $200 — 400
73
PROVENANCE:
PROVENANCE:
Collection of Jerry Greben and gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600
UNIDENTIFIED (20TH CENTURY), AMERICAN?
20TH CENTURY AUSTRIAN/FRENCH SCHOOL, UNKNOWN
SEATED NUDE, HEAD DOWN, 1966 Mixed-media drawing on paper with waxy finish; indistinctly signed with monogram initials and dated “66” lower right. Framed. Sheet 18.9 ins x 12.5 ins; 48 cms x 31.7 cms; Framed 24.25 ins x 18 ins; 61.6 cms x 45.7 cms
Printed image heightened with watercolour wash on Neusiedler watermarked stiff paper; signed indistinctly in blue over a printed signature in the plate, lower right. Framed behind glass.
72
ANDRÉ WILDER (1871-1965), FRENCH MATINEE A LES ÎLES CHAUSEY, 1909
Oil on canvas; signed lower left. Framed. 19.9 ins x 27.5 ins; 50.5 cms x 69.9 cms; Framed 25.75 ins x 33.5 ins; 65.4 cms x 85.1 cms
PROVENANCE: Private Collection, Westmount, QC
$200 — 400
$600 — 800
PROVENANCE: Private Collection, Montreal, QC; Private Collection, Ontario
74
75
Oil on canvas; signed and dated 1909 lower left. Signed with initials “A.W.” and titled to the stretcher, verso (unknown if in the artist’s hand). Framed. 23.6 ins x 31.75 ins; 61 cms x 80 cms; Framed 32 ins x 40.3 ins; 81.3 cms x 102.4 cms
R. ROMAGNOLIA (20TH CENTURY), ITALIAN LAKE VIEW, AUTUMN
Oil on canvas; signed “M. Rinaldi” lower right. Framed. 19.75 ins x 27.5 ins; 50.2 cms x 69.9 cms; Framed 25.7 ins x 33.6 ins; 65.3 cms x 85.3 cms
76
PROVENANCE: Private Collection, Westmount, QC $200 — 300
BRITISH (19TH/20TH CENTURY)
Oil on canvas; bears signature “Stanhope A Forbes” lower left 16 ins x 24 ins; 40.6 cms x 61 cms
M. RINALDI (B.1919), ITALIAN
77
FAMILY OUTSIDE COTTAGE WITH CHICKENS
PROVENANCE: Private Collection, Winnipeg, MB $300 — 500
MISTY LAKESIDE VIEW
Ex. Coll. M. Pierrefort, France while with A. Robinot Emballeur de Beaux-Arts, Paris exhibition label verso; Private Collection, Quebec
78
$300 — 400
Sheet 14.4 ins x 16.5 ins; 36.5 cms x 42 cms; Framed 17 ins x 19.25 ins; 43.2 cms x 48.9 cms
VACANCES (VACATION WITH A SPANIEL)
79
$1,000 — $1,500
Bronze with dark brown patina; signed “Pat Haptonstall CA” and dated 1988 in the cast by the dog’s head on the foot of the bronze, numbered 4/18 in the cast under the dog’s right side. Raised on a wood base.
ALMÉRY LOBEL-RICHE (1880-1950), FRENCH
PAT HAPTONSTALL (1943-1995), AMERICAN
PROVENANCE:
A. Robinot Emballeur de Beaux-Arts, Paris Exposition de Monte Carlo, No. 435 exhibition label while with M. Pierrefort
PROVENANCE: Private Collection, Ontario
EXHIBITED:
DOG TIRED, 1988
9.75 ins x 19.75 ins x 13.75 ins; 30.5 cms x 45.7 cms x 34.9 cms
Mixed media colour monoprint with aquatint and etching lines on paper; signed “Lobel Riche” lower right. Signed “Lobel Riche” and inscribed “Vacances” in blue crayon to the backing board. Framed behind glass.
Oil on canvas; signed lower right. Framed. 23.75 ins x 41.8 ins; 61 cms x 106.7 cms; Framed 30 ins x 48.5 ins; 76.2 cms x 123.2 cms
FARMERS AT A LOCK
80
PROVENANCE: Private Collection, Winnipeg, MB $600 — 800
Oil on canvas; signed and dated “Loren Entz 88” lower right, titled to the nameplate. Framed. 20 ins x 18 ins; 50.8 cms x 45.7 cms; Framed 26.1 ins x 24.4 ins; 66.3 cms x 62 cms
81
PROVENANCE: Private Collection, Ontario $800 — $1,000
LOREN ENTZ (B.1949), AMERICAN WARMTH AT TWILIGHT, 1988
JOHN HORACE HOOPER (1851–1906), BRITISH
ATTRIBUTED TO STANISLAS LÉPINE (1836-1892), FRENCH
Oil on canvas; signed “S. Lepine” lower left, titled to gallery label verso, numbered “No. 224” in pen and ink to the canvas verso. Framed.
82
SIR HERBERT EDWIN PELHAM HUGHES-STANTON (1870-1937), BRITISH
$1,000 — 1,500 83
$1,000 — 1,500
AU CLAIR DE LUNE
PROVENANCE: W. Scott & Sons, Montreal, QC; From whom purchased by Mr. E.G. Rykert in 1900 (in an earlier letter in the archives at the National Gallery of Canada, Dr. Max Stern of the Dominion Gallery had given the date as February 1, 1901); Les Cadres R.G., Danton label to the frame verso; Dominion Gallery, Montreal, QC Inventory No. C3048 gallery label verso and with partial D.G. stamps to the stretcher, entered into the DG inventory on April 21, 1961; Sold to Steven Juvelis, Marblehead, Mass. on December 9, Returned1961; to the Dominion Gallery, Montreal, QC in September 1962; Private Collection, Westmount, QC
EARLY AUTUMN, 1922 Oil on canvas; signed “Hughes-Stanton” and dated 1922 lower left, titled “Early Autumn” to the nameplate. Framed under 18glass.ins x 24 ins; 45.7 cms x 61 cms; Framed 25.5 ins x 31.25 ins; 64.8 cms x 79.4 cms
PROVENANCE: Private Collection, Montreal, QC
10.5 ins x 8.5 ins; 26.7 cms x 21.6 cms; Framed 18.5 ins x 16.5 ins; 47 cms x 41.9 cms
7.3 ins x 5.9 ins; 18.6 cms x 15 cms; Framed 13.25 ins x 11.25 ins; 33.7 cms x 28.6 cms
85
CATHEDRAL INTERIOR AT PRAYER TIME Oil on canvas; signed lower left. Framed. 20 ins x 16 ins; 50.8 cms x 40.6 cms; Framed 21.75 ins x 18.75 ins; 55.2 cms x 47.6 cms
PROVENANCE: Gifted to the present Private Collection, Kelowna, BC
$500 — 700
84
FRANZ ALT (1821-1914), AUSTRIAN CHURCH IN VIENNA, 1849 Watercolour and ink on paper; signed and dated 1849 lower right. Framed behind Sightglass.
PROVENANCE: Private Collection, Vienna, Austria by descent to present Private Collection, Ontario
ADRIAN NICHOLAAS VISSER (1887–1933), DUTCH
$800 — 1,200
PROVENANCE: Private Collection, Toronto
$600 — 800
HIGHLAND CATTLE
Oil on canvas; signed with pseudonym “A. Millward” lower right. Framed. 12.1 ins x 18.3 ins; 31.8 cms x 45.7 cms; Framed 20.3 ins x 26.25 ins; 51.4 cms x 66.7 cms
87
16.75 ins x 12.1 ins; 42.5 cms x 30.8 cms; Framed 26.25 ins x 21.75 ins; 66.7 cms x 55.2 cms
$600 — 800
PROVENANCE: Private Collection, Montreal, QC
86
MAURICE LELOIR (1853-1940), FRENCH CARDINAL BLESSING THE TROOPS Watercolour and ink on watercolour board; signed lower right. Framed behind Boardglass.
LOUIS BOSWORTH HURT (1856-1929), SCOTTISH
ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH LOVE (FROM LOVE AND TENNIS), 1974 Colour silkscreen; signed and numbered 260/260 in pencil to margin. Framed. Image 21.5 ins x 17 ins; 54.6 cms x 43.2 cms; Framed 31.25 ins x 25.1 ins; 79.4 cms x 63.8 cms
THE OLD BRIDGE OF DEE Oil on board; signed with incised signature: “S.J. Barnes” lower right, titled in pencil verso. Framed. 11.75 ins x 17.25 ins; 29.8 cms x 43.8 cms; Framed 19.4 ins x 25 ins; 49.3 cms x 63.5 cms
SAMUEL JOHN BARNES (1847-1901), BRITISH
PROVENANCE: Toronto, ON $200 — 300
89
PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600
88
91
TENNIS (FROM THE LOVE AND TENNIS SUITE), 1974
ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
AT THE SIDEWALK (FROM LA LÉGENDE DE LA VIE D’UTRILLO), 1927/28
90
Colour silkscreen; signed and numbered 50/260 in pencil to margin. Framed. Image 21.4 ins x 17 ins; 54.4 cms x 43.2 cms; Framed 31.4 ins x 25.2 ins; 79.8 cms x 64 cms
MAURICE UTRILLO (1883–1955), FRENCH
PROVENANCE: Private Collection, Aspotogan, NS $150 — 250
PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600
Lithograph on thin paper; unsigned, titled to a typed label verso. Framed. Image 8 ins x 6.7 ins; 20.2 cms x 17 cms; Sheet 12.6 ins x 9.5 ins; 32.2 cms x 24.2 cms; Framed 17.6 ins x 13.75 ins; 44.7 cms x 34.9 cms
92
GUILLAUMIN AU PENDU, 1873 [CHERPIN, 2]
WILL BARNETT (1911-2012), AMERICAN THE YOUNG COUPLE, 1971 [COLE, 141]
Colour etching and aquatint; signed, titled and numbered AP in pencil to margin. Aside from the edition of 225. Framed behind glass.
Etching on laid paper from the posthumous edition printed after 1906. SheetFramed.10.8 ins x 7.4 ins; 27.5 cms x 18.7 cms; Plate 6.1 ins x 4.7 ins; 15.6 cms x 12 cms; Framed 16 ins x 12.5 ins; 40.6 cms x 31.8 cms
Plate 17.8 ins x 15.4 ins; 45.1 cms x 39.2 cms; Framed 29 ins x 26.1 ins; 73.7 cms x 66.3 cms
PAUL CÉZANNE (1839–1906), FRENCH
PROVENANCE:
93
Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $500 — 700
PROVENANCE: Private Collection, Aspotogan, NS $400 — 600
95
94
FOLLOWER OF HENRY ALKEN (1785–1851), BRITISH
PROVENANCE: Frederick William Gerald Fitzgerald Collection formed between 1885 and 1925 (as per the article in “The Globe & Mail”, ‘Fitzgerald Collection on Display as Unit’); Bequeathed by F.W.G. Fitzgerald to the Art Gallery of Ontario on October 19, 1949 as an “Unknown/ 19th Century French School” artist (it is not an “oil on canvas” as stated on the AGO label verso but an oil on cradled panel); Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 49/19 to gallery labels Deaccessionedverso;from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO
Pair of oils on panel; both signed “H. Alken”, both given to the artist to the nameplates to the frames, recto. Both
Each with remains of a 19th century Calcutta framer’s label of British mouldings verso; Private Collection, Ontario
MANNER OF ADOLPHE JOSEPH THOMAS MONTICELLI (1824–1886), FRENCH
$800 — 1,200
MARDI GRAS
SETTING OFF; FULL CRY
Oil on cradled panel; given to an “Unknown French” artist and titled “Mardi Gras” to the AGO gallery labels verso. Unsigned. Framed. 9.3 ins x 13.25 ins; 24.1 cms x 34.3 cms; Framed 15.75 ins x 19.6 ins; 40 cms x 49.8 cms
Eachframed.10 ins x 13 ins; 25.4 cms x 33 cms; Framed 20.8 ins x 24 ins; 52.8 cms x 61 cms
PROVENANCE:
$1,000 — 1,500
HESSAM ABRISHAMI (B.1951), IRANIAN YOUNG BALSAM
Limited edition, archival print on paper; signed “Hessam” and numbered 372/395 in pencil to the image. Framed. 16 ins x 20 ins; 40.6 cms x 50.8 cms; Framed 24.25 ins x 28.25 ins; 61.6 cms x 71.8 cms $100 — 300
JAMES BELL ANDERSON (1866-1938), SCOTTISH
CORNER OF WEST BOW EDINBURGH Oil on Academy board; scratched-signed lower right, titled lower left. Inscribed in another hand in pen and ink to the backing paper to the top of the frame: “down the hill on the way to Joppa, Edinborough, Scotland”. Framed behind 6glass.insx 8 ins; 15.2 cms x 20.3 cms; 10 ins x 12.1 ins; 25.4 cms x 30.7 cms
PROVENANCE: Private Collection, Ontario $300 — 400
97
96
Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON
Watercolour on paper; signed in pencil lower right, titled “Vaporettos” to gallery label verso backing. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 22 ins x 28 ins; 55.9 cms x 71.1 cms
$500 — 700
$300 — 500
JOHN YARDLEY (B.1933), BRITISH VAPORETTOS, VENICE
98
PROVENANCE: Win Henstock Gallery, Oakville, ON, gallery label verso; Private Collection, Ontario
RUSSIAN FAIRY TALE (FROM THE TWENTIES REMEMBERED AGAIN), 1978 Colour silkscreen; signed and numbered A/P in pencil to margin. Aside from the edition of 300. Published by Circle Fine Art with their blind stamp dated 1978 to the lower right margin. Framed. Image 18 ins x 13 ins; 45.7 cms x 33 cms; Framed 26.75 ins x 20.2 ins; 67.9 cms x 51.3 cms
99
ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH
PROVENANCE:
PROVENANCE: Private Collection, Toronto $400 — 600
CAVALIERS IN DISCUSSION IN A CELLAR Oil on canvas, laid down onto masonite; unsigned. Framed. 12 ins x 15 ins; 30.5 cms x 38.1 cms; Framed 19 ins x 21.8 ins; 48.3 cms x 55.4 cms
MANNER OF GEORGE CATTERMOLE (1800–1868), BRITISH
BAR MAID WITH FLIRTING CAVALIERS IN A TAVERN Oil on canvas; signed “de Pré” lower right, accompanied by a printed biography certifying this as “an Original Oil painting by the Artist.” Framed. 31.25 ins x 27.5 ins; 79.4 cms x 69.9 cms; Framed 35.8 ins x 32 ins; 90.9 cms x 81.3 cms
WILLI DE PRÉ (1922-1995), GERMAN
PROVENANCE: By descent through the Simpson family to the present Private Collection, Orillia, ON $400 — 600
101
100
STUDYING THE TORAH, 1926
VINTERLANDSKAP MED TIMMERVAGN, 1862
Oil on canvas; signed “L Munthe” and dated indistinctly 1862 bottom centre. Titled (in Swedish) and dated to an old pen and ink label verso. Framed. 22 ins x 31.5 ins; 55.9 cms x 80 cms; Framed 32.1 ins x 41.9 ins; 81.5 cms x 106.4 cms
LUDWIG MUNTHE (1841–1896), NORWEGIAN
PROVENANCE: Waddington’s Auctions, Toronto, ON, Jan. 26, 2017, Lot 79; Private Collection, Toronto
The pen and ink label verso is inscribed: purchased at an auction (indistinctly named) on ‘8 Mars 1911’; Private Collection, Ontario
$700 — 900
103
$1,500 — 2,500
102
PROVENANCE:
ALFRED LAKOS (1870-1961), HUNGARIAN
Oil on canvas; signed and dated ‘Lakos, A / 926’ upper right. Framed. 13 ins x 17 ins; 33 cms x 43.2 cms; Framed 16.2 ins x 20.5 ins; 41.1 cms x 52.1 cms
Image 10.6 ins x 15.9 ins; 27 cms x 40.4 cms; Sheet 15.9 ins x 20 ins; 40.5 cms x 55 cms
Oil on canvas; signed “Meisel” lower right. 15.5Framed.insx 18 ins; 39.4 cms x 45.7 cms; Framed 22 ins x 24.5 ins; 55.9 cms x 62.2 cms
105
ERNST MEISEL (1838-1895), GERMAN
Archival inkjet print on paper; signed, titled, dated 1972, inscribed “Printed 2003” and inscribed with the artist’s inventory number ‘GP7657’ in pencil verso. Unframed. And contained in the artist’s white shipping box.
PROVENANCE: G.P. Studio, 76 Lafayette Avenue, Brooklyn, NY; Private Collection, Toronto, ON acquired directly from the artist, circa 2020 sent in the shipping box $700 — 900
OFF DUTY
PROVENANCE: Purchased at Frederick Thom Gallery, Toronto, ON, 1984 $600 — $800
104
GILLES PERESS (B.1946), FRENCH RAINY DAY, CITY CENTRAL, BELFAST, 1972 [GP7657]
Private collection of the consignor’s parents who emigrated from Holland to Canada in the 1950s; Private Collection, Vancouver, BC
MOTHER AND CHILDREN WITH THEIR SHEEP
$500 — 700
106
19TH CENTURY DUTCH
J. GORIUS (19TH CENTURY), DUTCH SCHOOL
107
Oil on canvas. Unsigned and undated.
FISHING BY MOONLIGHT
Oil on canvas; signed “Gorius” lower left.
PROVENANCE:
17.75Framed.insx 21 ins; 44.5 cms x 53.3 cms; Framed 23.75 ins x 26.8 ins; 60.3 cms x 68.1 cms
PROVENANCE:
18.5Framed.insx 26 ins; 47 cms x 66 cms; Framed 25.25 ins x 32.3 ins; 64.1 cms x 82 cms
$300 — 400
Private collection of the consignor’s parents who emigrated from Holland to Canada in the 1950s; Private Collection, Vancouver, BC
PROVENANCE: Purchased from Frederick W. Thom Limited, Toronto, ON, gallery label verso, in Private1972; Collection, Toronto, ON $1,000 — 1,500
108
MARKET DAY
Oil on canvas; unsigned. Framed. 25.1 ins x 28.3 ins; 63.7 cms x 72 cms; Framed 31.5 ins x 34.5 ins; 80 cms x 87.6 cms
PROVENANCE: Estate Collection, Ontario $1,000 — 1,500
Oil on board, laid down to a stretched canvas; signed “H.C. Shayer” lower right. A collaborative work between the two brothers. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 16.5 ins x 20.5 ins; 41.9 cms x 52.1 cms
ALFRED MONTAGUE (1832-1883), BRITISH
109
HENRY THRING SHAYER (1825-1894) & CHARLES WALLER SHAYER (1826-1914), BRITISH HAY HARVEST
THE END OF THE VILLAGE, CROWMARSH, OXON, 1916
15 ins x 20.25 ins; 38.1 cms x 51.4 cms; Framed 20.5 ins x 25.5 ins; 52.1 cms x 64.8 cms
Mixed-media oil over a printed ground on canvas, with an arched top; bears signature and date: “J.W. Waterhouse 1909” lower right. Framed. Sight 38.75 ins x 32 ins; 101.6 cms x 82.6 cms; Framed 50.6 ins x 44.4 ins; 128.5 cms x 112.8 cms
ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH
111
110
Oil on canvas; signed lower left; signed and inscribed “11-XVI” (November 1916?) verso. Framed.
PROVENANCE: The Estate of Eleanor Routledge, Ontario $1,000 — 1,500
PROVENANCE: Private Collection, Toronto, ON $1,200 — 1,800
GATHER YE ROSEBUDS WHILE YE MAY, 1909 (PAINTED COPY)
AFTER JOHN WILLIAM WATERHOUSE (1849–1917), BRITISH
$1,000 — $1,500
LOREN ENTZ (B. 1949), AMERICAN
RICE HARVESTERS
Tempera on fabric; signed “DW Putu Bedil, Bali, Ubud” lower right. Framed. 26.25 ins x 18.75 ins; 66.5 cms x 47.5 cms; Framed 29.3 ins x 21.5 ins; 74.5 cms x 54.5 cms
PROVENANCE: Private Collection, Toronto, ON $200 — 300
DEWA PUTU BEDIL (1921-1999), INDONESIAN
PROVENANCE: With Allman-Ricks Framing, Springville, UT label Privateverso;Collection, Ontario
113
112
THE WELCOME FIRE, 1987
Oil on masonite; signed and dated ‘Loren Entz 87” lower left, titled to the nameplate. 12Framedinsx14.2 ins; 30.5 cms x 36 cms; Framed 22.5 ins x 20.1 ins; 57.2 cms x 51.1 cms
B
Zwart, Adrianus (Arie) Johannes (60, 70)
N
Downing, George Henry (63)
Lassalle, Louis Simon Cabaillot (33) Laurent-Desrousseaux, Henri Alphonse (41) Leloir, Maurice (86)
P / R
E / F
Paredes, After Vicente García de (37) Peress, Gilles (105)
European, 19th Century (49)
Blaas, Follower of Eugene de (14)
Sherrin, Daniel (44)
Wolf, Franz Xaver (11)
Bille-Holst, Poul (64)
Visser, Adrian Nicholaas (85)
Rouffio, Paul Russian/Ukrainian(50) School (35)
Barnett, Will (93)
Vizino, ** Walbourn,(62)Ernest (31)
Shayer, After William Joseph (16)
Unidentified, 20th Century(72)
Pieler, Franz Xaver (45) Pré, Willi de (100)
Sauvage, Philippe François (32)
Hayllar, Jessica Ellen (58) Holmlund, Josephina (20) Hooper, John Horace (81) Hughes-Stanton, Sir Herbert Edwin Pelham (83)
A
Freund, Fritz (10)
Bedil, Dewa Putu (112)
C
T
Wilder, André (74)
Y / Z
Yardley, Bruce (22, 55, 56)
British, (19th/20th Century) (66, 77)
Mednyánszky, László (6) Meisel, Ernst (104) Millenaar, Peter Wilhelm (69) Montague, Alfred (108) Monticelli, Manner of Adolphe Joseph Thomas (47, 54, 94) Moore, Henry (59) Müller, Rosa (13) Munthe, Ludwig (102)
Alken, Follower of Henry (95)
U
Barnes, Samuel John (88)
Akkersdijk, Jacob (39)
Eychen, Charles II Van Den (57) Foujita, Léonard Tsuguharu (1) Francis, Robert (53)
Stark, James (61)
Wells, John Sanderson (48)
Hurt, Louis Bosworth (87)
Waterhouse, After John William (110)
Abrishami, Hessam (97)
Coleman, Francesco (65)
Icart, After Louis (3) Innocenti, Camillo (15) Israëls, Follower of Josef (Jozef) (12, 43) Israëls, Josef (Jozef) (42)
V / W
Arnegger, Alois (23)
Eastlake, Sir Charles Lock (52) Entz, Loren (113, 4, 26, 29, 80)
Constable, Afer John (40)
Alt, Franz Anderson,(84)James Bell (96)
Lépine, Attributed to Stanislas (82) Lobel-Riche, Alméry (78)
G
I
Ranitz, Cecilia Maria Elisabeth de (68) Reindorf, Samuel (2) Rinaldi, M. Romagnolia,(76)R. (75)
Erté, (24, 51, 89, 90, 98, 25)
Tonge, Lammert Leire Van Der (30)
Schlösser, Carl Bernhard (8)
M
Dutch, 19th Century (107)
Nakken, Willem Carel (34) Nicol, After Erskine (7)
Scherrewitz, Johan Frederik Cornelis (18, 19)
Gorius, J. Grunwald,(106)Bela Ivany (73) H Haptonstall, Pat (27, 79)
Avizedek, Lea (5)
Breanski, Alfred Fontville Jr. de (111) Brett, Attributed to John (71)
D
Gailis, Janis (46)
S
Shayer, Henry Thring (109)
Almanoff, Vera (36)
Borione, Bernard Louis (38)
Buckner, Richard (9, 28)
L Lakos, Alfred (103)
Utrillo, Maurice (91)
Yardley, John (21, 99)
Cabié, Louis Alexandre (17) Cattermole, Manner of George (101) Cézanne, Paul (92)
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.
*There is a minimum handling charge of $20 per item
Items selling for $2,501 to $7,500 15%
A premium of 20% of the successful bid price of each lot.
Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).
Forconsider.collections
PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.
waddington’s commission rates
canadian art department commission rates
payment
For more information please visit: www.cites.org
Items selling for $2,500 or less 20%
*There is a minimum handling charge of $20 per item
removal of purchases
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
bidding
All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.
Items selling for $2,501 to $7,500 15%
Items selling for $250 or less 25%
buyers premium
Items selling for $251 to $2,500 20%
auction advice
A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
ALL PRICES IN CANADIAN FUNDS
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
Items selling for $7,501 or more 10%
insurance
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
Safer Shipping Inc. 416-299-3367 / perry@safershipping.ca416-299-9750/www.safershipping.ca
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to
with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at Ourwww.waddingtons.ca.officesarelocated in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).
Frames on artwork are not included as part of purchase or condition.
shipping
Selling at Waddington’sBuying at Waddington’s
Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Items selling for $7,501 or more 10%
condition of lots
cites
Notes:
4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.
(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.
8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to 13.$25,000).Inthe
10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.
14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.
Conditions of Sale
5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.
7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.
11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14
15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).
3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).
16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:
1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid
(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;
(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and
2.accordingly.Eachlot sold is subject to a 20% buyers premium as part of the purchase price.
days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.
9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.
6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.
tel: www.waddingtons.catoll416-504-9100free:1-877-504-5700
275Waddington’sKingStreet East, Second Floor Toronto, Ontario M5A 1K2
