International Discovery | September 10 - 15, 2022

Page 1

SEPTEMBER 10 — 15, 2022 Discovery

International

International Discovery

SEPTEMBER 10 — 15, 2022

This catalogue and its contents © 2022 Waddington McLean & Company Ltd.

front cover Lot 58 JESSICA ELLEN HAYLLAR GOING TO MY UNCLE’S (THE GOODS AND CHATTELS), 1880

Photography & design by Waddington’s All Rights reserved.

This auction is subject to the Conditions of Sale printed in the back of this catalogue.

front inside cover Lot 48 JOHN SANDERSON WELLS SUNDAY MORNING CHURCH PARADE, HYDE PARK

back inside cover Lot 26 LOREN ENTZ WHISTLING IN, 1988 back cover Lot 102 LUDWIG MUNTHE VINTERLANDSKAP MED TIMMERVAGN, 1862

bid and view all lots online at www.waddingtons.ca on view

Sunday, September 11 from 12pm to 4pm Monday, September 12 from 10am to 7pm Tuesday, September 13 from 10am to 5pm preview held at 275 King Street East, 2nd Floor Toronto, ON M5A 1K2 tel: 416-504-9100 toll free: 1-877-504-5700

senior specialist Susan 416-847-6179sr@waddingtons.caRobertson administrator Mary 416-504-9100mm@waddingtons.caMcMaster &consignmentmarketingspecialist Mark 416-489-6105mjg@waddingtons.caGleberzon

1

2

$400 — 600

BlockFramed.5ins x 4.4 ins; 12.7 cms x 11.2 cms; Sheet 7.9 ins x 7 ins; 20 cms x 17.8 cms; Framed 14 ins x 10.5 ins; 35.6 cms x 26.7 cms

PROVENANCE: Waddington’s Auctions, Toronto, ON December 11, 2004, Lot 103; Private Collection, Toronto

LÉONARD TSUGUHARU FOUJITA (1886–1968), JAPANESE/FRENCH

ALACIEL (FROM A BOOK OF CATS), 1929 [BUISSON II.30.127]

PROVENANCE: “The Hundred Antiques,” Toronto gallery label Estateverso;ofLois Orkin, Toronto, ON

Wood engraving on Japon paper; signed and dated “/35” in pencil to margin.

Collotype on Japon vellum paper; signed and dated 1929 in the plate lower right, with printed text “Made in France” to the edge of the lower left margin. Published in New York by Covici Friede in an edition of 500 in 1930. Framed. Plate 8 ins x 10.2 ins; 20.3 cms x 25.9 cms; Sheet 9.8 ins x 12.8 ins; 24.8 cms x 32.4 cms; Framed 14 ins x 16 ins; 35.6 cms x 40.6 cms

SQUIRREL BY THE LAKE, 1935

SAMUEL REINDORF POLISH/AMERICAN/CANADIAN(1914-1988),

$200 — 300

Privateverso; Collection, Boca Raton, Florida

PROVENANCE: Private Collection, Ontario $500 — $700

OvalFramed.15.25ins x 11 ins; 38.7 cms x 27.9 cms; Sheet 16.5 ins x 12.8 ins; 42 cms x 32.5 cms; Framed 23.5 ins x 20 ins; 59.7 cms x 50.8 cms

$150 — 250

John Cleary Gallery, Fine Art Photography, Houston, Texas gallery label

CLIPPED WINGS, 1922 Watercolour and ink on stiff paper with no watermark; bears signature in pencil lower left.

3

LOREN ENTZ (B.1949), AMERICAN TO SOAR LIKE AN EAGLE Oil on masonite; signed “Entz” lower right. 15.75Framed.ins x 11.5 ins; 40 cms x 29.2 cms; Framed 20.6 ins x 16.6 ins; 52.3 cms x 42.2 cms

4

PROVENANCE:

AFTER LOUIS ICART (1888-1950), FRENCH

5

LEA AVIZEDEK (20TH/21ST CENTURY), ISRAELI

Odon Wagner Gallery, Toronto, ON; Private Collection, Aurora, ON $500 — 700

LÁSZLÓ MEDNYÁNSZKY (1852–1919), HUNGARIAN LAKEVIEW THROUGH TREES

PROVENANCE:

SPIRIT (WOMAN SEATED AT THE WINDOW)

Mixed-media on paper; signed in English and Hebrew lower left and lower right respectively, titled “Spirit” to gallery label verso. Framed. Sight 26.26 ins x 35.75 ins; 66 cms x 91.4 cms; Framed 34.25 ins x 43.7 ins; 87 cms x 111 cms

6

Watercolour and gouache on light blue textured paper; signed ‘Mednyánszky’ in pencil lower right. Framed behind glass. Sight 10 ins x 13.5 ins; 25.4 cms x 34.3 cms; Framed 16.6 ins x 19.3 ins; 42.2 cms x 49 cms

PROVENANCE:

With Griette et Anis, France label verso; Private Collection, Halifax, NS by descent through the family from their grandparents $300 — 400

AFTER ERSKINE NICOL (1825-1904), SCOTTISH/IRISH

CARL BERNHARD SCHLÖSSER (1832DIED AFTER 1914), GERMAN

PROVENANCE:

Propertyverso; of an East Coast women’s Williamcollege; Doyle Auctions, New York, NY, November 9, 1994, Lot 9; Estate Collection, Ontario $2,500 — 3,500

Wimmer & Co., Gallery of Fine Arts, Munich (Germany) stamped to the canvas

Ex. Coll. William Maxted (or Maxfed), 60 Great Russell Street, London, UK old inscribed collector’s label to the stretcher; With the American Exposition, accompanied by a letter dated “April 6th/86,” laminated in plastic, addressed to “Mr. J. Eastwood, Hamilton Ontario Dr.” (sic), from Mr. Howard? (indistinct), Art Director of the American Exposition; Coll. Mr. J. Eastwood, Hamilton, Ontario; Waddington’s, Toronto, April 14th - April 18th, 1980, lot 1122 as “E. Nicol”;

PROVENANCE:

THE CONFIDANT

From whom purchased by the father of the present Private Collection, Toronto who received this work by descent

Oil on canvas; titled to the collector’s inscribed pen and ink label verso, numbered “71” in pen and ink to a small label verso. Framed. 29.9 ins x 23.1 ins; 76 cms x 58.7 cms; Framed 38.1 ins x 31.25 ins; 96.8 cms x 79.4 cms

7

8

$600 — 800

KEPT IN, 1866

Oil on canvas; signed “Carl Schlöesser” lower right. Framed. 39 ins x 27 ins; 99.1 cms x 68.6 cms; Framed 46.8 ins x 34.6 ins; 118.9 cms x 87.9 cms

The first title: signed “R. Buckner f” lower right and titled “Barnaby Rudge & Grip from an etching” lower left.

PROVENANCE: Private Collection, Toronto, ON $300 — 400

REIGEN (ROUND DANCE), CA. 1914

PROVENANCE: Private Collection, Cookstown, ON $2,000 — 3,000

The second title: signed “R. Buckner f” lower right, indistinctly inscribed lower left. Each framed.

RICHARD BUCKNER (1812-1883), BRITISH

FRITZ FREUND (1859–1942), GERMAN

Image 13 ins x 7 ins; 21 cms x 17.8 cms; F ramed 21 ins x 15.25 ins; 21.6 cms x 39.4 cms; Sight 8.3 ins x 15.4 ins; 21.1 cms x 39.1 cms; Framed 17.5 ins x 23.6 ins; 44.5 cms x 59.9 cms

Two gouache and mixed-media works on brown paper.

TWO ILLUSTRATIONS: BARNABY RUDGE AND HIS RAVEN GRIP; FIGURES ON THE COAST

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10

Oil on canvas; signed “F. Freund” and indistinctly dated “14” lower left. Framed. 16.75 ins x 31.5 ins; 42.5 cms x 80 cms; Framed 21.25 ins x 36.2 ins; 54 cms x 91.9 cms

FIGURES ON THE SEASHORE Oil on canvas; bears signature “Jozef Israels” lower right, titled to the AGO labels verso. Framed. 10.5 ins x 15.4 ins; 26.7 cms x 39 cms; Framed 15 ins x 19.7 ins; 38.1 cms x 50 cms

PROVENANCE: Private Collection, Toronto, ON $1,000 — 1,500

12

FRANZ XAVER WOLF (1896–1990), AUSTRIAN

THE FAMILY OF THE PAINTER Oil on masonite board with a plywood backboard; signed upper right, signed and titled in pen and ink to artist’s studio label verso together with the artist’s wax seal to the plywood backboard verso. 19.5 ins x 16 ins; 49.5 cms x 40.6 cms

11

FOLLOWER OF JOZEF ISRAËLS (18241911), DUTCH

PROVENANCE: Bequest of Frederick William Gerald Fitzgerald to the Art Gallery of Toronto (AGO) as “Joseph Israels” on July 5, 1949; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 49/11 to gallery labels Deaccessionedverso; from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO $500 — 700

ROSA MÜLLER (1866-1880), GERMAN

13

SHEEP GRAZING BY A LAKE, 1881

Oil on canvas; signed and dated /81 lower right. Framed.

$300 — 400

14

FOLLOWER OF EUGENE DE BLAAS (1843–1932), AUSTRIAN COQUETTE, 1891

Oil on panel; bears signature and 1891 date in red paint lower left, titled to the nameplate. Framed. 13.5 ins x 10.6 ins; 34.3 cms x 27 cms

PROVENANCE: With W. Jewell Picture Frame Maker, Bristol label to the frame verso; Private Collection, France

12 ins x 20 ins; 30.5 cms x 50.8 cms; Framed 14.9 ins x 22.9 ins; 37.8 cms x 58.2 cms

PROVENANCE: Parisienne Gallery, Toronto, ON stamped to the verso backing; The Estate of Laura Silver, Toronto, ON

$500 — 700

PROVENANCE: Arthur Whitcombe, Cheltenham Gallery labels Waddington’sverso; Auctions, Toronto, ON June 9, 1994, Lot 1544; Estate of W.A. Ross MacFadden, Toronto, ON $200 — 300

Oil on canvas; signed bottom right, titled to the nameplate. Framed. 24 ins x 17 ins; 61 cms x 41.9 cms; Framed 34.25 ins x 27.5 ins; 87 cms x 69.9 cms

AFTER WILLIAM JOSEPH SHAYER (1811-1892), BRITISH

16

L’ORAGE (WOMAN IN A STORM)

15

CAMILLO INNOCENTI (1871-1961), ITALIAN

PROVENANCE: Prominent Private Family Collection, Dundas, ON $1,500 — 2,500

Four colour lithographs; each by C.R. Stock after W.J. Shayer. Published June 1st, 1886 by Arthur Ackermann, 191 Regent Street, London. Matching oak frames. Each (Sight) 7.9 ins x 24.5 ins; 19.1 cms x 62.2 cms; (Each) Framed 15.5 ins x 31.9 ins; 39.4 cms x 81 cms

FOUR SEASONAL COACHING SCENES: SPRING, SUMMER, AUTUMN, WINTER, 1883

PROVENANCE: Private Collection, Toronto, ON $600 — 800

17

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868–1951), DUTCH LANDSCAPE AND COWS

BARBIZON LANDSCAPE

Oil on panel; signed “Louis Cabie” lower right. Framed. 20.25 ins x 15 ins; 51.4 cms x 38.1 cms

Oil on board; signed lower right, titled to the nameplate. Framed. 8.9 ins x 14.4 ins; 22.9 cms x 36.8 cms; Framed 14.9 ins x 20.25 ins; 37.8 cms x 51.4 cms

18

LOUIS ALEXANDRE CABIÉ (1853-1939), FRENCH

PROVENANCE: Of Things Past, Toronto, ON 11/14/2017 label verso backing; Private Collection, Toronto, ON $500 — 700

JOHAN FREDERIK CORNELIS SCHERREWITZ (1868–1951), DUTCH

SWISS CHALET AT RIVERSIDE WITH A WOMAN TENDING A BOAT AT SUNSET, 1886 Oil on canvas; signed “A Holmlund” and dated “86” lower left. Framed. 22.25 ins x 30.25 ins; 56.5 cms x 76.8 cms; Framed 27.1 ins x 35 ins; 68.8 cms x 88.9 cms

SHEEP ON THE DUNES

Oil on canvas; signed lower left. Titled to plate affixed to the lower-middle of the frame. Titled to gallery label verso. 22Framed.insx39.5 ins; 55.9 cms x 100.3 cms; Framed 27.75 ins x 45.6 ins; 70.5 cms x 115.8 cms

19

JOSEPHINA HOLMLUND (1827–1905), SWEDISH

PROVENANCE: The French Gallery, London, UK gallery label verso, with indistinct F.G. Inventory No. 2/152 to the label; Private Collection, Toronto, ON $1,500 — 2,500

$800 — 1,200

PROVENANCE: An indistinct, handwritten pen and ink label verso, in Swedish, may read ‘Gifted by Captain Waudriss to B.C.R. Dolling. Private1887’; Collection, Ontario

20

One untitled.

22

BRUCE YARDLEY (B.1962), BRITISH FISH MARKET, VENICE

$800 — 1,200

Win Henstock Gallery, Oakville, ON; Private Collection, Ontario

Oil on linen; signed lower right, titled to the stretcher. Framed. 16 ins x 16 ins; 40.6 cms x 40.6 cms; Framed 21.5 ins x 21.5 ins; 54.6 cms x 54.6 cms

PROVENANCE:

Win Henstock Gallery, Oakville, ON gallery label, inventory No. 011BY verso; Private Collection, Ontario

21

JOHN YARDLEY (B.1933), BRITISH SEVEN VARIOUS VIEWS INCLUDING VENICE, HONFLEUR AND UK VILLAGES: Seven watercolours; each signed lower left or lower right in pencil, six views are titled verso including: “Outer Harbour, Honfleur”; “The Striped Posts”; The“Long“Dedham”;Melford”;MauveDress”; and “Inner Harbour, Honfleur”

$400 — 600

PROVENANCE:

All unframed, shrink-wrapped. (2) 12.2 ins x 16.2 ins; 31 cms x 41.1 cms; (5) 15.25 ins x 25.25 ins; 38.7 cms x 64.1 cms

Oil on canvas; signed “A. Arnegger” lower left, titled to the top selvage, titled to a typed label with the artist’s name “A. Arnegger” inventory “No. 5609” to the frame verso. 27.5 ins x 55.5 ins; 70 cms x 141 cms; Framed 33.75 ins x 61.5 ins; 85.7 cms x 156.2 cms

ALOIS ARNEGGER (1879–1967), AUSTRIAN AT AMALFI

ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH

THREE LETTERS: C, X AND Y (FROM THE ALPHABET SUITE), 1976-1977

PROVENANCE: Private Collection, Toronto, ON $1,200 — 1,800

PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $800 — 1,000

24

23

Three colour silkscreens; each signed and numbered 128/350 in pencil to margin. Printed by Atelier Gourdon, Atelier Arcay, Paris and American Atelier, New York. Published by Chalk & Vermillion, Greenwich, Connecticut. Framed, with similar dimensions. Image, each 15.5 ins x 10.5 ins; 39.4 cms x 27.3 cms; Framed 26.1 ins x 20.1 ins; 66.3 cms x 51.1 cms

Colour silkscreen with metallic ink on paper; signed and numbered 224/300 in pencil to margin. Framed. Printed by Chicago Serigraph Workshop, Chicago. Published by Circle Fine Arts, ImageChicago.18

$600 — 800

25

26

ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH

LOREN ENTZ (B.1949), AMERICAN

ins x 13.5 ins; 45.7 cms x 34.3 cms; Framed 27 ins x 21.25 ins; 68.6 cms x 54 cms

Oil on canvas; signed and dated “Loren Entz 88” lower right. Framed. 20 ins x 24 ins; 50.8 cms x 61 cms; Framed 25.25 ins x 29.25 ins; 64.1 cms x 74.3 cms

PROVENANCE: With Allman-Ricks Framing, Springville, UT label Privateverso;Collection, Ontario

$800 — $1,000

WHISTLING IN, 1988

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON

AMOUREUSE (FROM THE TWENTIES REMEMBERED), 1977 [LEE, 104]

PROVENANCE:

OvalFramed.21.25 ins x 17.5 ins; 54 cms x 44.5 cms; On 22.5 ins x 18.5 ins; 57.2 cms x 47 cms; Framed 28.3 ins x 24.5 ins; 71.9 cms x 62.2 cms

RICHARD BUCKNER (1812-1883), BRITISH SELF-PORTRAIT OF THE ARTIST, CIRCA 1840

10.25 ins x 8.5 ins x 5.5 ins; 25.4 cms x 21.6 cms x 14 cms

28

PAT HAPTONSTALL (1943-1995), AMERICAN

PROVENANCE: Private Collection, Ontario $1,000 — $1,500

RANGE BRANDIN, 1984

Bronze with dark brown patina; signed “Pat Haptonstall” with copyright in the cast by the cowboy’s left boot spur, numbered 15/16 in the cast under the cowboy’s right boot spur. Raised on a wood base.

Oil on canvas, painted in the oval on a rectangular stretcher; signed lower right, titled to a gallery document dated 1985 in ink affixed to the verso, signed by the Alan Jacobs Gallery, Ltd., London, UK.

27

W. Wingate & Johnston (Fine Art Limited), UK label inscribed: “Portrait by R. Buckner / V.3” verso; Alan Jacobs Gallery Ltd., London with their letterhead adhered to the verso as “Self-Portrait of the Artist” headed “For Lloyd G. Morrow Esq.” in 1985; Private Collection, Ontario $700 — 900

PROVENANCE:

LAUNCHING OUT TO SEA

29

MOTHER AND HER CHILDREN BY A SUNNY WINDOW

PROVENANCE: Estate Collection, Ontario $500 — 700

30

Oil on canvas; signed ‘Loren Entz’ lower right. Framed. 24 ins x 24 ins; 61 cms x 61 cms; Framed 29.5 ins x 29.5 ins; 74.9 cms x 74.9 cms

LAMMERT LEIRE VAN DER TONGE (1871-1937), DUTCH

LOREN ENTZ (B.1949), AMERICAN

Oil on canvas; signed lower right. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 18.75 ins x 22.6 ins; 47.6 cms x 57.4 cms

PROVENANCE: Private Collection, Ontario $500 — $700

MOTHER AND CHILDREN WELCOMING SOLDIERS HOME

Oil on canvas; signed lower right. Framed. 30 ins x 20 ins; 76.2 cms x 50.8 cms; Framed 37.8 ins x 28 ins; 96 cms x 71.1 cms

Oil on canvas; signed “P. Sauvage” lower left, titled to a typed label verso. Framed. 13.75 ins x 10.5 ins; 34.9 cms x 26.7 cms; 16.8 ins x 14 ins; 42.7 cms x 35.6 cms

PROVENANCE: Private Collection, Ontario $500 — 700

PROVENANCE: Estate Collection, Ontario $500 — 700

32

ERNEST WALBOURN (1872-1927), BRITISH

AN INTERIOR WITH CHILDREN

PHILIPPE FRANÇOIS SAUVAGE (ACTIVE 1872), FRENCH

31

LOUIS SIMON CABAILLOT LASSALLE (1810–1870), FRENCH

34

WILLEM CAREL NAKKEN (1835–1926), DUTCH A PICARDY HOMESTEAD

$500 — 700

$1,500 — 2,500

33

PROVENANCE: Frederick Thom Gallery, Toronto, ON gallery label verso; Private Collection, Ontario

SISTER AND BROTHER PREPARING FOR A DAY’S CATCH

Oil on panel; signed “Louis Lassalle” lower left. Framed. 10.6 ins x 8.4 ins; 27.3 cms x 21.6 cms; Framed 15.25 ins x 13.1 ins; 38.7 cms x 33.3 cms

17Framed.insx26 ins; 43.2 cms x 66 cms; Framed 29.3 ins x 38.5 ins; 74.4 cms x 97.8 cms

Oil on canvas; signed lower left, titled to gallery label verso certifying the work.

PROVENANCE: Messrs. H. & P. De Casseres, London, UK gallery label verso; Private Collection, Toronto, ON

PROVENANCE:

RUSSIAN/UKRAINIAN SCHOOL (20TH CENTURY)

Oil on heavy paper; unsigned. Unframed. Sheet 28.75 ins x 20 ins; 73 cms x 50.8 cms

Oil on canvas; signed lower left, titled to gallery label verso

VERA (19TH/20THALMANOFFCENTURY), RUSSIAN

PROVENANCE: Estate Collection, Ontario $400 — 600

RUSSIAN WINTER (TROIKA RIDE THROUGH SNOW)

COUNTRYMAN SEATED IN SNOW PLAYING A BALIKA

Atelier Janos Lukacs, “The House of Fine Arts,” Toronto, ON, gallery label verso, inventory #1041; Estate Collection, Ontario $1,000 — 1,500

30 ins x 24 ins; 76.8 cms x 61.6 cms; Framed 39 ins x 32.8 ins; 99.1 cms x 83.3 cms

35

36

37

MOZART AT THE COURT OF MARIE-ANTOINETTE Lithograph en grisaille heightened with watercolour and opaque watercolour; signed in the plate lower right, titled to gallery label verso backing. Sheet 19.5 ins x 29.5 ins; 49.5 cms x 74.9 cms; Framed 34.5 ins x 40 ins; 87.6 cms x 101.6 cms

$100 — 150

PROVENANCE: Estate Collection, Ontario

AFTER VICENTE GARCÍA DE PAREDES (1845–1903), SPANISH

$800 — 1,200

PROVENANCE: A.H. Hardwick’s English Framing Shop, Hamilton, ON label verso; Estate Collection, Ontario

38

BERNARD LOUIS BORIONE (C.1865-1920), FRENCH

MUSICAL REHEARSAL, 1891 Oil on canvas; signed “B. Borione” and dated 1891 lower left. Framed. 16.8 ins x 11.8 ins; 38.1 cms x 30.5 cms; Framed 24.25 ins x 21.1 ins; 61.6 cms x 53.6 cms

THE FRIENDS, 1850 Oil on panel; signed “J. Akkersdijk” and dated 1850 upper left, titled to the Dominion Gallery label verso. Framed. 14.25 ins x 11.25 ins; 36.2 cms x 28.6 cms; Framed 19.4 ins x 16.5 ins; 49.3 cms x 41.9 cms

PROVENANCE: Dominion Gallery, Montreal, QP; inventory No. B4942 stamps and gallery label verso; Acquired by the Dominion Gallery in February 1970 from a prominent business and community leader in Montreal who had fled Czechoslovakia with his family in the late 1930s; Sold to Dr. and Mrs. J. Morton, Belleville, Ontario, on April 2, 1974; Estate Collection, Ontario $600 — 800

David Wistow, “Eye Spy: A Do-It-Yourself Guide to Quality in Art,” 1985 $1,000 — 1,500

PROVENANCE:

39

AFTER JOHN CONSTABLE (1776-1837), BRITISH

THE GROVE, HAMPSTEAD, C. 1821-2

Oil on canvas; unsigned. A late 18th to mid 19th century copy. Framed. 14 ins x 12 ins; 35.6 cms x 30.5 cms; Framed 20.75 ins x 19 ins; 52.7 cms x 48.3 cms

40

JACOB AKKERSDIJK (1815-1862), DUTCH

Gifted to the Art Gallery of Toronto by Mrs. Massey Trebel on February 18, 1916; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 581 as “The Coming Storm”, gallery label, verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit future purchases at the AGO

EXHIBITED:

PROVENANCE: Strauss & Co., Johannesburg, SA; From whom purchased by the present Private Collection, Toronto, ON $1,500 — 1,800

PROVENANCE: Private Collection, Toronto, ON $800 — 1,200

42

JOSEF (JOZEF) ISRAËLS (1824-1911), DUTCH

Charcoal drawing on paper; signed lower left, signed and titled by the artist to a handwritten pen and ink label verso backing. Framed. Sight 15.7 ins x 10.6 ins; 39.9 cms x 26.9 cms; Sight 25 ins x 19.8 ins; 63.5 cms x 50.3 cms

FISHERFOLK ON THE BEACH

HENRI ALPHONSE LAURENT-DESROUSSEAUX (1862-1906), FRENCH

Oil on canvas; signed “Laurent-Desrousseaux” lower left. Framed. 14 ins x 10.9 ins; 35.6 cms x 27.3 cms; Framed 18.8 ins x 15.60 ins; 47.8 cms x 39.6 cms

41

ALTER MANN (OLD MAN)

Oil on canvas; signed “D. Sherrin” lower left, titled to the nameplate. Framed. 24 ins x 36 ins; 61 cms x 91.4 cms; Framed 28.9 ins x 40.9 ins; 73.4 cms x 103.9 cms

PROVENANCE:

THE WATCHER

43

Oil on board; bears signature “Jozef Israels” lower right, titled to gallery labels verso. Framed. 23.25 ins x 17.75 ins; 59.1 cms x 45.1 cms; Framed 32.75 ins x 27.25 ins; 83.2 cms x 69.2 cms

DANIEL SHERRIN (1868-1940), BRITISH SAILING HOME

1,50044

The Fine Art Galleries, The T. Eaton Co., Ltd., Canada, partial gallery label, verso; Private Collection, Burlington, ON $500 — 700

EXHIBITED:

PROVENANCE:

With Haynes Art Gallery, Toronto in 1924 partial dated label to the Bequeststretcher;oftheLate John Paris Bickell, Toronto as “Josef Israels” as an “oil on canvas” on February 13, 1952; Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 51/34 to gallery labels verso; Deaccessioned from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO

The Art Gallery of Ontario, Toronto in “The Hague School: Collecting in Canada at the Turn of the Century”, Cat. No. 14 as “J. Israels The Watcher”, exhibition label verso. $1,000 —

FOLLOWER OF JOSEF (JOZEF) ISRAËLS (1824-1911), DUTCH

Oil on canvas; signed “FX Pieler” lower right, titled to the nameplate, copyright stamp verso, inventory number “4558” in black crayon to the canvas verso. Framed. 20.25 ins x 16 ins; 49 cms x 39 cms; Framed 25.3 ins x 21.3 ins; 64.3 cms x 54.1 cms

Oil on canvas; signed “J. Gailis” and dated “47” lower right; signed “Janis Gailis. Latvian Painter” and dated “1947” verso. TogetherUnframed.with a paperback book: “Janis Gailis/ Ein Lettischer Landschaftsmaler” by Janis Silins, 1948, Als Manuskript Gedruckt, text in English and German. 27.75 ins x 27.5 ins; 70.5 cms x 69.9 cms; Book 14 ins x 11.5 ins; 35.6 cms x 29.2 cms

JĀNIS GAILIS (1903-1975), LATVIAN/ AMERICAN

STILL LIFE WITH FLOWERS

PROVENANCE:

46

STILL LIFE OF FLOWERS, 1947

Trevor Pierce, Toronto, ON; Gifted to the present Private Collection, Toronto, ON $500 — 700

45

Odon Wagner Gallery, Toronto, ON; Private Collection, Cobourg, ON $1,500 — 1,800

FRANZ XAVER PIELER (1879-1952), AUSTRIAN

PROVENANCE:

PROVENANCE: Colerick & Fairbank Decorators and Art Dealers, London, Canada gallery label Estateverso; Collection, Ontario

Wallis & Son, The French Gallery, London gallery label verso; Continental Galleries of Fine Art, Montreal, QC, gallery label verso; Waddington’s Auctions, Toronto, ON, November 21, 2006, Lot 288; Estate Collection, Ontario

$3,000 — 4,000

ADOLPHE JOSEPH THEODORE MONTICELLI (1824-1886), FRENCH

JOHN SANDERSON WELLS (1872-1955), BRITISH

47

48

Oil on panel; signed lower right. Framed. 12.25 ins x 18.75 ins; 31.1 cms x 47 cms; Framed 17.75 ins x 23.9 ins; 45.1 cms x 60.7 cms

SUNDAY MORNING CHURCH PARADE, HYDE PARK

Oil on wood panel; signed lower left; signed and titled in pencil verso, titled to gallery label verso backing. Framed. 9.8 ins x 16 ins; 25 cms x 40.6 cms; Framed 17.75 ins x 23.75 ins; 45.1 cms x 60.3 cms

$700 — 900

PROVENANCE:

ELEGANT LADIES AND THEIR DOGS IN A PARKLAND

ALLEGORY OF MEEKNESS

19TH CENTURY EUROPEAN

Oil on canvas laid down to cardboard; signed indistinctly lower left, numbered “No. 9” to the selvage. Framed. 12 ins x 11.9 ins; 30.5 cms x 30.2 cms

PROVENANCE: Estate Collection, Ontario $500 — 700

PROVENANCE: Private Collection, Ontario $800 — $1,200

PAUL ROUFFIO (1855-1911), FRENCH

49

BELLE EPOQUE BEAUTY WITH FLOWER IN HER HAIR, FACING LEFT

Oil on canvas; signed “P. Rouffio” upper left. Framed. 15.5 ins x 13.25 ins; 39.4 cms x 33.7 cms; Framed 21.25 ins x 18.6 ins; 54 cms x 47.2 cms

50

ERTÉ (NÉ ROMAIN DE TIRTOFF) (18921990), RUSSIAN/FRENCH FASHIONS, 1974 Colour silkscreen; signed and numbered 97/260 in pencil to margin. Printed by Rowland Workshop, Wheeling. Published by Circle Fine Arts, Chicago.

SheetFramed.25.75 ins x 20.4 ins; 54.3 cms x 43.2 cms; Framed 30.9 ins x 27.6 ins; 65.2 cms x 51.8 cms

51

SIR CHARLES LOCK EASTLAKE (1793-1865), BRITISH

PROVENANCE: Private Collection, Winnipeg, MB $600 — 800

52

GYPSY GIRL WITH TAMBOURINE, 1861 Watercolour and gouache on paper; signed “Chas Eastlake” and dated “1861” lower right. Framed. Sight 11.5 ins x 15.75 ins; 29.2 cms x 39.4 cms; Framed 22.75 ins x 25.75 ins; 57.8 cms x 65.4 cms

PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $500 — 700

ROBERT (20TH/21STFRANCISCENTURY), CANADIAN

PROVENANCE: Private Collection, Halifax, NS $600 — 800

PROVENANCE: Estate Collection, Ontario $3,000 — 5,000

53

Oil on canvas; signed “Francis” lower right, signed “Robert Francis” and titled verso. The frame is integrated with the painting. 71 ins x 51 ins; 179.1 cms x 126.5 cms

54

WEDDING CELEBRATION

LUC LA MAIN FROIDE COULD YOU BE MY BROTHER

Oil on panel; signed “Monticelli” lower left. 15Framed.insx21.6 ins; 38.1 cms x 54.6 cms; Framed 23.25 ins x 30.1 ins; 59.1 cms x 76.5 cms

ADOLPHE JOSEPH THEODORE MONTICELLI (1824-1886), FRENCH

Oil on linen; signed lower left, titled to the stretcher. Framed.

BRUCE YARDLEY (B.1962), BRITISH WESTMINSTER AND THE THAMES

Win Henstock Gallery, Oakville, ON gallery label verso; Private Collection, Ontario

Oil on canvas; signed lower right, titled to the stretcher and to gallery label verso.

20 ins x 24 ins; 50.8 cms x 61 cms; Framed 25.6 ins x 29.5 ins; 65 cms x 74.9 cms

12Unframed.insx16ins; 30.5 cms x 40.6 cms

PROVENANCE:

56

Win Henstock Gallery, Oakville, ON gallery label verso; Private Collection, Ontario

$600 — 900

PROVENANCE:

55

BRUCE YARDLEY (B.1962), BRITISH CORN STREET MARKET (BRISTOL)

$500 — 600

PROVENANCE: MacConnal-Mason & Son Ltd., London, England gallery label, verso; Sotheby’s New York, NY, July 9, 1999, Lot 571; Christopher Wood, London UK; Estate Collection, Ontario

57

CHARLES II VAN DEN EYCHEN (1859-1923), BELGIAN

AT THE GROOMER’S

EXHIBITED: This was the artist’s first painting exhibited at The Royal Academy, London, UK. The relevant page from the catalogue of “The Exhibition of the Royal Academy”, 1880, the 112th, entry no. 79, p.7 is adhered to the verso.

JESSICA ELLEN HAYLLAR (1858-1940), BRITISH GOING TO MY UNCLE’S (THE GOODS AND CHATTELS), 1880 Oil on board; signed “Jessica Hayllar” and dated 1880 lower right, titled and inscribed by the artist to a handwritten pen and ink label verso certifying this work. Framed. 10.4 ins x 7 ins; 26.5 cms x 17.8 cms; Framed 14.25 ins x 11.35 ins; 36.2 cms x 28.8 cms

$3,000 — 5,000

58

$3,500 — 4,500

PROVENANCE: David Bendann’s Fine Art Rooms, Baltimore, MD, USA, label verso; Frederick W. Thom Limited, Toronto, ON, label Estateverso;Collection, Ontario

Oil on canvas; signed lower left. Framed. 33.25 ins x 24.8 ins; 81.3 cms x 61 cms; Framed 44.25 ins x 36.9 ins; 112.4 cms x 93.7 cms

Oil on canvas; signed “A.J. Zwart” lower left, signed and titled verso. Framed. 19.75 ins x 15.75 ins; 48.9 cms x 38.7 cms; Framed 25.3 ins x 21.3 ins; 64.3 cms x 54.1 cms

PROVENANCE: Private Collection, Winnipeg, MB $700 — 900

“RODE ROTSEN” BY TRAYAS (RED ROCKS BY TRAYAS)

PROVENANCE: Gifted to the present Private Collection, Kelowna, BC $600 — 800

Oil on canvas; signed with a compounded signature “HMoore” lower right, titled to the nameplate. Framed. 11.8 ins x 22 ins; 30.5 cms x 55.9 cms; Framed 17.2 ins x 27.5 ins; 43.7 cms x 69.9 cms

59

HENRY MOORE (1831-1895), BRITISH THE CORNISH COAST

ADRIANUS (ARIE) JOHANNES ZWART (1903-1981), DUTCH

60

FISHING BOATS NEAR SHORE

Oil on board; apparently unsigned, inscribed “No. 12 / Old English” in pencil to the board verso, given to “James Stark (1794-1859)” to a typed label verso backing.

PROVENANCE: Private Collection, Winnipeg, MB

8.75Framed.insx 11 ins; 22.9 cms x 27.9 cms; Framed 13.4 ins x 15.4 ins; 34 cms x 39.1 cms

PROVENANCE: J. Wilson Fine Art, Ottawa, ON gallery label to the backing paper on the frame

$700 — 900 62

JAMES STARK (1794-1859), BRITISH GATHERING WOOD ON A ROADWAY OUTSIDE TOWN

$700 — 900

**VIZINO (19TH/20TH CENTURY), NEOPOLITAN

EXHIBITED: This work was on loan to the National Gallery in Ottawa for several years while owned by the Peruvian Ambassador to Canada.

Ex.verso;Coll. the Peruvian Ambassador whose works were sold at auction before he returned to Peru; Private Collection, Toronto, ON

Oil on canvas laid down on masonite; signed “Vizino” lower right. Framed. 24 ins x 40.5 ins; 61 cms x 102.9 cms; Framed 32.5 ins x 48.6 ins; 82.6 cms x 123.4 cms

61

PROVENANCE: With The T. Eaton Co., Limited, Canada Picture Department label verso; Private Collection, Toronto, ON $100 — 200

POUL BILLE-HOLST (1894-1959), DANISH DEN SKAVE LYGTE, 1917 Oil on coarse grain canvas; signed “P. BilleHolst” and dated 1917 lower left, titled in Danish in pencil to the stretcher. Framed. 18.5 ins x 20.5 ins; 47 cms x 52.1 cms; Framed 19.4 ins x 21.5 ins; 49.3 cms x 54.6 cms

PROVENANCE: Private Collection, Toronto, ON $200 — 300

GEORGE HENRY DOWNING (1878-1940), BRITISH

64

AN ENGLISH VILLAGE Watercolour and ink on paper; signed lower left, titled to label verso. Framed. Sight 11.75 ins x 7.75 ins; 29.8 cms x 19.7 cms; Framed 18.75 ins x 13.75 ins; 47.6 cms x 34.9 cms

63

THE BROKEN ENGAGEMENT

Sheet sight 21.5 ins x 14.5 ins; 54.6 cms x 36.8 cms; Framed 27.3 ins x 20.3 ins; 69.3 cms x 51.6 cms

PROVENANCE: Private Collection, Toronto, ON

65

PROVENANCE: A. Robertson Fine Art Dealer, Maker of Frames, Toronto, ON gallery label verso, marked frame No. 7249; Private Collection, Ontario

FRANCESCO COLEMAN (1851-1918), ITALIAN

$600 — 900

Watercolour; signed at “Roma” lower right, titled to gallery label verso. Framed behind glass.

66

Pastel on paper laid down on canvas; unsigned. Framed. 44.5 ins x 36 ins; 113 cms x 91.4 cms; Framed 51 ins x 43 ins; 129.5 cms x 109.2 cms

19TH CENTURY BRITISH SCHOOL, BRITISH

$600 — 800

THE LOVE LETTER

Gifted to the present Private Collection, Kelowna, BC

$400 — 600

Gifted to the present Private Collection, Kelowna, BC

Oil on canvas; signed P. Wilhelm Millenaar lower left. Framed. 8 ins x 10 ins; 20.3 cms x 25.4 cms; Framed 13.75 ins x 15.75 ins; 34.9 cms x 40 cms

PROVENANCE:

PETER WILHELM MILLENAAR (1887-1978), DUTCH

68

STILL LIFE WITH STONEWARE, POTTERY AND APPLES

PROVENANCE:

CECILIA MARIA ELISABETH DE RANITZ (1880-1970), DUTCH

69

STILL LIFE OF EGGS IN A BOWL

$300 — 500

Watercolour on laid paper; signed “EdeR” lower left, signed “Ede Ranitz” at “Singel, Amsterdam” in pencil verso backboard. Sheet 11.75 ins x 15.5 ins; 29.8 cms x 39.4 cms; Framed 15.25 ins x 19.25 ins; 38.7 cms x 48.9 cms

VILLEFRANCHE-SUR-MER, FRENCH RIVIERA

70

ATTRIBUTED TO JOHN BRETT (1831-1902), BRITISH THE COAST AT TORBAY

$700 — 900

PROVENANCE: Private Collection, Winnipeg

$400 — 600

Oil on board; bears signature “J. Brett” lower left, titled to the nameplate. Framed. 8 ins x 14 ins; 20.3 cms x 35.6 cms; Framed 14.8 ins x 20.8 ins; 37.6 cms x 52.8 cms

PROVENANCE: Private Collection, Kelowna, BC

ADRIANUS (ARIE) JOHANNES ZWART (1903-1981), DUTCH

Oil on canvas; signed lower left, signed and titled “Villefrance A.M. Zuid-Frankrijk” in black ink verso. Framed. 25.75 ins x 19.5 ins; 65.4 cms x 49.5 cms; Framed 31.75 ins x 25.5 ins; 80.6 cms x 64.8 cms

71

FOUR BATHERS AT A WOODLAND POOL

Sheet folded 16 ins x 14 ins; 40.6 cms x 35.6 cms; Framed 23.3 ins x 21.25 ins; 59.2 cms x 54 cms

Private Collection, Montreal, QC; Private Collection, Toronto, ON $200 — 400

73

PROVENANCE:

PROVENANCE:

Collection of Jerry Greben and gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600

UNIDENTIFIED (20TH CENTURY), AMERICAN?

20TH CENTURY AUSTRIAN/FRENCH SCHOOL, UNKNOWN

SEATED NUDE, HEAD DOWN, 1966 Mixed-media drawing on paper with waxy finish; indistinctly signed with monogram initials and dated “66” lower right. Framed. Sheet 18.9 ins x 12.5 ins; 48 cms x 31.7 cms; Framed 24.25 ins x 18 ins; 61.6 cms x 45.7 cms

Printed image heightened with watercolour wash on Neusiedler watermarked stiff paper; signed indistinctly in blue over a printed signature in the plate, lower right. Framed behind glass.

72

ANDRÉ WILDER (1871-1965), FRENCH MATINEE A LES ÎLES CHAUSEY, 1909

Oil on canvas; signed lower left. Framed. 19.9 ins x 27.5 ins; 50.5 cms x 69.9 cms; Framed 25.75 ins x 33.5 ins; 65.4 cms x 85.1 cms

PROVENANCE: Private Collection, Westmount, QC

$200 — 400

$600 — 800

PROVENANCE: Private Collection, Montreal, QC; Private Collection, Ontario

74

75

Oil on canvas; signed and dated 1909 lower left. Signed with initials “A.W.” and titled to the stretcher, verso (unknown if in the artist’s hand). Framed. 23.6 ins x 31.75 ins; 61 cms x 80 cms; Framed 32 ins x 40.3 ins; 81.3 cms x 102.4 cms

R. ROMAGNOLIA (20TH CENTURY), ITALIAN LAKE VIEW, AUTUMN

Oil on canvas; signed “M. Rinaldi” lower right. Framed. 19.75 ins x 27.5 ins; 50.2 cms x 69.9 cms; Framed 25.7 ins x 33.6 ins; 65.3 cms x 85.3 cms

76

PROVENANCE: Private Collection, Westmount, QC $200 — 300

BRITISH (19TH/20TH CENTURY)

Oil on canvas; bears signature “Stanhope A Forbes” lower left 16 ins x 24 ins; 40.6 cms x 61 cms

M. RINALDI (B.1919), ITALIAN

77

FAMILY OUTSIDE COTTAGE WITH CHICKENS

PROVENANCE: Private Collection, Winnipeg, MB $300 — 500

MISTY LAKESIDE VIEW

Ex. Coll. M. Pierrefort, France while with A. Robinot Emballeur de Beaux-Arts, Paris exhibition label verso; Private Collection, Quebec

78

$300 — 400

Sheet 14.4 ins x 16.5 ins; 36.5 cms x 42 cms; Framed 17 ins x 19.25 ins; 43.2 cms x 48.9 cms

VACANCES (VACATION WITH A SPANIEL)

79

$1,000 — $1,500

Bronze with dark brown patina; signed “Pat Haptonstall CA” and dated 1988 in the cast by the dog’s head on the foot of the bronze, numbered 4/18 in the cast under the dog’s right side. Raised on a wood base.

ALMÉRY LOBEL-RICHE (1880-1950), FRENCH

PAT HAPTONSTALL (1943-1995), AMERICAN

PROVENANCE:

A. Robinot Emballeur de Beaux-Arts, Paris Exposition de Monte Carlo, No. 435 exhibition label while with M. Pierrefort

PROVENANCE: Private Collection, Ontario

EXHIBITED:

DOG TIRED, 1988

9.75 ins x 19.75 ins x 13.75 ins; 30.5 cms x 45.7 cms x 34.9 cms

Mixed media colour monoprint with aquatint and etching lines on paper; signed “Lobel Riche” lower right. Signed “Lobel Riche” and inscribed “Vacances” in blue crayon to the backing board. Framed behind glass.

Oil on canvas; signed lower right. Framed. 23.75 ins x 41.8 ins; 61 cms x 106.7 cms; Framed 30 ins x 48.5 ins; 76.2 cms x 123.2 cms

FARMERS AT A LOCK

80

PROVENANCE: Private Collection, Winnipeg, MB $600 — 800

Oil on canvas; signed and dated “Loren Entz 88” lower right, titled to the nameplate. Framed. 20 ins x 18 ins; 50.8 cms x 45.7 cms; Framed 26.1 ins x 24.4 ins; 66.3 cms x 62 cms

81

PROVENANCE: Private Collection, Ontario $800 — $1,000

LOREN ENTZ (B.1949), AMERICAN WARMTH AT TWILIGHT, 1988

JOHN HORACE HOOPER (1851–1906), BRITISH

ATTRIBUTED TO STANISLAS LÉPINE (1836-1892), FRENCH

Oil on canvas; signed “S. Lepine” lower left, titled to gallery label verso, numbered “No. 224” in pen and ink to the canvas verso. Framed.

82

SIR HERBERT EDWIN PELHAM HUGHES-STANTON (1870-1937), BRITISH

$1,000 — 1,500 83

$1,000 — 1,500

AU CLAIR DE LUNE

PROVENANCE: W. Scott & Sons, Montreal, QC; From whom purchased by Mr. E.G. Rykert in 1900 (in an earlier letter in the archives at the National Gallery of Canada, Dr. Max Stern of the Dominion Gallery had given the date as February 1, 1901); Les Cadres R.G., Danton label to the frame verso; Dominion Gallery, Montreal, QC Inventory No. C3048 gallery label verso and with partial D.G. stamps to the stretcher, entered into the DG inventory on April 21, 1961; Sold to Steven Juvelis, Marblehead, Mass. on December 9, Returned1961; to the Dominion Gallery, Montreal, QC in September 1962; Private Collection, Westmount, QC

EARLY AUTUMN, 1922 Oil on canvas; signed “Hughes-Stanton” and dated 1922 lower left, titled “Early Autumn” to the nameplate. Framed under 18glass.ins x 24 ins; 45.7 cms x 61 cms; Framed 25.5 ins x 31.25 ins; 64.8 cms x 79.4 cms

PROVENANCE: Private Collection, Montreal, QC

10.5 ins x 8.5 ins; 26.7 cms x 21.6 cms; Framed 18.5 ins x 16.5 ins; 47 cms x 41.9 cms

7.3 ins x 5.9 ins; 18.6 cms x 15 cms; Framed 13.25 ins x 11.25 ins; 33.7 cms x 28.6 cms

85

CATHEDRAL INTERIOR AT PRAYER TIME Oil on canvas; signed lower left. Framed. 20 ins x 16 ins; 50.8 cms x 40.6 cms; Framed 21.75 ins x 18.75 ins; 55.2 cms x 47.6 cms

PROVENANCE: Gifted to the present Private Collection, Kelowna, BC

$500 — 700

84

FRANZ ALT (1821-1914), AUSTRIAN CHURCH IN VIENNA, 1849 Watercolour and ink on paper; signed and dated 1849 lower right. Framed behind Sightglass.

PROVENANCE: Private Collection, Vienna, Austria by descent to present Private Collection, Ontario

ADRIAN NICHOLAAS VISSER (1887–1933), DUTCH

$800 — 1,200

PROVENANCE: Private Collection, Toronto

$600 — 800

HIGHLAND CATTLE

Oil on canvas; signed with pseudonym “A. Millward” lower right. Framed. 12.1 ins x 18.3 ins; 31.8 cms x 45.7 cms; Framed 20.3 ins x 26.25 ins; 51.4 cms x 66.7 cms

87

16.75 ins x 12.1 ins; 42.5 cms x 30.8 cms; Framed 26.25 ins x 21.75 ins; 66.7 cms x 55.2 cms

$600 — 800

PROVENANCE: Private Collection, Montreal, QC

86

MAURICE LELOIR (1853-1940), FRENCH CARDINAL BLESSING THE TROOPS Watercolour and ink on watercolour board; signed lower right. Framed behind Boardglass.

LOUIS BOSWORTH HURT (1856-1929), SCOTTISH

ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH LOVE (FROM LOVE AND TENNIS), 1974 Colour silkscreen; signed and numbered 260/260 in pencil to margin. Framed. Image 21.5 ins x 17 ins; 54.6 cms x 43.2 cms; Framed 31.25 ins x 25.1 ins; 79.4 cms x 63.8 cms

THE OLD BRIDGE OF DEE Oil on board; signed with incised signature: “S.J. Barnes” lower right, titled in pencil verso. Framed. 11.75 ins x 17.25 ins; 29.8 cms x 43.8 cms; Framed 19.4 ins x 25 ins; 49.3 cms x 63.5 cms

SAMUEL JOHN BARNES (1847-1901), BRITISH

PROVENANCE: Toronto, ON $200 — 300

89

PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600

88

91

TENNIS (FROM THE LOVE AND TENNIS SUITE), 1974

ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH

AT THE SIDEWALK (FROM LA LÉGENDE DE LA VIE D’UTRILLO), 1927/28

90

Colour silkscreen; signed and numbered 50/260 in pencil to margin. Framed. Image 21.4 ins x 17 ins; 54.4 cms x 43.2 cms; Framed 31.4 ins x 25.2 ins; 79.8 cms x 64 cms

MAURICE UTRILLO (1883–1955), FRENCH

PROVENANCE: Private Collection, Aspotogan, NS $150 — 250

PROVENANCE: Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $400 — 600

Lithograph on thin paper; unsigned, titled to a typed label verso. Framed. Image 8 ins x 6.7 ins; 20.2 cms x 17 cms; Sheet 12.6 ins x 9.5 ins; 32.2 cms x 24.2 cms; Framed 17.6 ins x 13.75 ins; 44.7 cms x 34.9 cms

92

GUILLAUMIN AU PENDU, 1873 [CHERPIN, 2]

WILL BARNETT (1911-2012), AMERICAN THE YOUNG COUPLE, 1971 [COLE, 141]

Colour etching and aquatint; signed, titled and numbered AP in pencil to margin. Aside from the edition of 225. Framed behind glass.

Etching on laid paper from the posthumous edition printed after 1906. SheetFramed.10.8 ins x 7.4 ins; 27.5 cms x 18.7 cms; Plate 6.1 ins x 4.7 ins; 15.6 cms x 12 cms; Framed 16 ins x 12.5 ins; 40.6 cms x 31.8 cms

Plate 17.8 ins x 15.4 ins; 45.1 cms x 39.2 cms; Framed 29 ins x 26.1 ins; 73.7 cms x 66.3 cms

PAUL CÉZANNE (1839–1906), FRENCH

PROVENANCE:

93

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON $500 — 700

PROVENANCE: Private Collection, Aspotogan, NS $400 — 600

95

94

FOLLOWER OF HENRY ALKEN (1785–1851), BRITISH

PROVENANCE: Frederick William Gerald Fitzgerald Collection formed between 1885 and 1925 (as per the article in “The Globe & Mail”, ‘Fitzgerald Collection on Display as Unit’); Bequeathed by F.W.G. Fitzgerald to the Art Gallery of Ontario on October 19, 1949 as an “Unknown/ 19th Century French School” artist (it is not an “oil on canvas” as stated on the AGO label verso but an oil on cradled panel); Collection of the Art Gallery of Ontario, Toronto, ON, Accession no. 49/19 to gallery labels Deaccessionedverso;from the collection of the Art Gallery of Ontario to benefit art purchases at the AGO

Pair of oils on panel; both signed “H. Alken”, both given to the artist to the nameplates to the frames, recto. Both

Each with remains of a 19th century Calcutta framer’s label of British mouldings verso; Private Collection, Ontario

MANNER OF ADOLPHE JOSEPH THOMAS MONTICELLI (1824–1886), FRENCH

$800 — 1,200

MARDI GRAS

SETTING OFF; FULL CRY

Oil on cradled panel; given to an “Unknown French” artist and titled “Mardi Gras” to the AGO gallery labels verso. Unsigned. Framed. 9.3 ins x 13.25 ins; 24.1 cms x 34.3 cms; Framed 15.75 ins x 19.6 ins; 40 cms x 49.8 cms

Eachframed.10 ins x 13 ins; 25.4 cms x 33 cms; Framed 20.8 ins x 24 ins; 52.8 cms x 61 cms

PROVENANCE:

$1,000 — 1,500

HESSAM ABRISHAMI (B.1951), IRANIAN YOUNG BALSAM

Limited edition, archival print on paper; signed “Hessam” and numbered 372/395 in pencil to the image. Framed. 16 ins x 20 ins; 40.6 cms x 50.8 cms; Framed 24.25 ins x 28.25 ins; 61.6 cms x 71.8 cms $100 — 300

JAMES BELL ANDERSON (1866-1938), SCOTTISH

CORNER OF WEST BOW EDINBURGH Oil on Academy board; scratched-signed lower right, titled lower left. Inscribed in another hand in pen and ink to the backing paper to the top of the frame: “down the hill on the way to Joppa, Edinborough, Scotland”. Framed behind 6glass.insx 8 ins; 15.2 cms x 20.3 cms; 10 ins x 12.1 ins; 25.4 cms x 30.7 cms

PROVENANCE: Private Collection, Ontario $300 — 400

97

96

Collection of Jerry Greben and his gallery Graphis Gallery, Toronto, ON; The Estate of Jerry Greben, Toronto, ON

Watercolour on paper; signed in pencil lower right, titled “Vaporettos” to gallery label verso backing. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 22 ins x 28 ins; 55.9 cms x 71.1 cms

$500 — 700

$300 — 500

JOHN YARDLEY (B.1933), BRITISH VAPORETTOS, VENICE

98

PROVENANCE: Win Henstock Gallery, Oakville, ON, gallery label verso; Private Collection, Ontario

RUSSIAN FAIRY TALE (FROM THE TWENTIES REMEMBERED AGAIN), 1978 Colour silkscreen; signed and numbered A/P in pencil to margin. Aside from the edition of 300. Published by Circle Fine Art with their blind stamp dated 1978 to the lower right margin. Framed. Image 18 ins x 13 ins; 45.7 cms x 33 cms; Framed 26.75 ins x 20.2 ins; 67.9 cms x 51.3 cms

99

ERTÉ (NÉ ROMAIN DE TIRTOFF) (1892-1990), RUSSIAN/FRENCH

PROVENANCE:

PROVENANCE: Private Collection, Toronto $400 — 600

CAVALIERS IN DISCUSSION IN A CELLAR Oil on canvas, laid down onto masonite; unsigned. Framed. 12 ins x 15 ins; 30.5 cms x 38.1 cms; Framed 19 ins x 21.8 ins; 48.3 cms x 55.4 cms

MANNER OF GEORGE CATTERMOLE (1800–1868), BRITISH

BAR MAID WITH FLIRTING CAVALIERS IN A TAVERN Oil on canvas; signed “de Pré” lower right, accompanied by a printed biography certifying this as “an Original Oil painting by the Artist.” Framed. 31.25 ins x 27.5 ins; 79.4 cms x 69.9 cms; Framed 35.8 ins x 32 ins; 90.9 cms x 81.3 cms

WILLI DE PRÉ (1922-1995), GERMAN

PROVENANCE: By descent through the Simpson family to the present Private Collection, Orillia, ON $400 — 600

101

100

STUDYING THE TORAH, 1926

VINTERLANDSKAP MED TIMMERVAGN, 1862

Oil on canvas; signed “L Munthe” and dated indistinctly 1862 bottom centre. Titled (in Swedish) and dated to an old pen and ink label verso. Framed. 22 ins x 31.5 ins; 55.9 cms x 80 cms; Framed 32.1 ins x 41.9 ins; 81.5 cms x 106.4 cms

LUDWIG MUNTHE (1841–1896), NORWEGIAN

PROVENANCE: Waddington’s Auctions, Toronto, ON, Jan. 26, 2017, Lot 79; Private Collection, Toronto

The pen and ink label verso is inscribed: purchased at an auction (indistinctly named) on ‘8 Mars 1911’; Private Collection, Ontario

$700 — 900

103

$1,500 — 2,500

102

PROVENANCE:

ALFRED LAKOS (1870-1961), HUNGARIAN

Oil on canvas; signed and dated ‘Lakos, A / 926’ upper right. Framed. 13 ins x 17 ins; 33 cms x 43.2 cms; Framed 16.2 ins x 20.5 ins; 41.1 cms x 52.1 cms

Image 10.6 ins x 15.9 ins; 27 cms x 40.4 cms; Sheet 15.9 ins x 20 ins; 40.5 cms x 55 cms

Oil on canvas; signed “Meisel” lower right. 15.5Framed.insx 18 ins; 39.4 cms x 45.7 cms; Framed 22 ins x 24.5 ins; 55.9 cms x 62.2 cms

105

ERNST MEISEL (1838-1895), GERMAN

Archival inkjet print on paper; signed, titled, dated 1972, inscribed “Printed 2003” and inscribed with the artist’s inventory number ‘GP7657’ in pencil verso. Unframed. And contained in the artist’s white shipping box.

PROVENANCE: G.P. Studio, 76 Lafayette Avenue, Brooklyn, NY; Private Collection, Toronto, ON acquired directly from the artist, circa 2020 sent in the shipping box $700 — 900

OFF DUTY

PROVENANCE: Purchased at Frederick Thom Gallery, Toronto, ON, 1984 $600 — $800

104

GILLES PERESS (B.1946), FRENCH RAINY DAY, CITY CENTRAL, BELFAST, 1972 [GP7657]

Private collection of the consignor’s parents who emigrated from Holland to Canada in the 1950s; Private Collection, Vancouver, BC

MOTHER AND CHILDREN WITH THEIR SHEEP

$500 — 700

106

19TH CENTURY DUTCH

J. GORIUS (19TH CENTURY), DUTCH SCHOOL

107

Oil on canvas. Unsigned and undated.

FISHING BY MOONLIGHT

Oil on canvas; signed “Gorius” lower left.

PROVENANCE:

17.75Framed.insx 21 ins; 44.5 cms x 53.3 cms; Framed 23.75 ins x 26.8 ins; 60.3 cms x 68.1 cms

PROVENANCE:

18.5Framed.insx 26 ins; 47 cms x 66 cms; Framed 25.25 ins x 32.3 ins; 64.1 cms x 82 cms

$300 — 400

Private collection of the consignor’s parents who emigrated from Holland to Canada in the 1950s; Private Collection, Vancouver, BC

PROVENANCE: Purchased from Frederick W. Thom Limited, Toronto, ON, gallery label verso, in Private1972; Collection, Toronto, ON $1,000 — 1,500

108

MARKET DAY

Oil on canvas; unsigned. Framed. 25.1 ins x 28.3 ins; 63.7 cms x 72 cms; Framed 31.5 ins x 34.5 ins; 80 cms x 87.6 cms

PROVENANCE: Estate Collection, Ontario $1,000 — 1,500

Oil on board, laid down to a stretched canvas; signed “H.C. Shayer” lower right. A collaborative work between the two brothers. Framed. 12 ins x 16 ins; 30.5 cms x 40.6 cms; Framed 16.5 ins x 20.5 ins; 41.9 cms x 52.1 cms

ALFRED MONTAGUE (1832-1883), BRITISH

109

HENRY THRING SHAYER (1825-1894) & CHARLES WALLER SHAYER (1826-1914), BRITISH HAY HARVEST

THE END OF THE VILLAGE, CROWMARSH, OXON, 1916

15 ins x 20.25 ins; 38.1 cms x 51.4 cms; Framed 20.5 ins x 25.5 ins; 52.1 cms x 64.8 cms

Mixed-media oil over a printed ground on canvas, with an arched top; bears signature and date: “J.W. Waterhouse 1909” lower right. Framed. Sight 38.75 ins x 32 ins; 101.6 cms x 82.6 cms; Framed 50.6 ins x 44.4 ins; 128.5 cms x 112.8 cms

ALFRED FONTVILLE DE BREANSKI JR. (1877-1955), BRITISH

111

110

Oil on canvas; signed lower left; signed and inscribed “11-XVI” (November 1916?) verso. Framed.

PROVENANCE: The Estate of Eleanor Routledge, Ontario $1,000 — 1,500

PROVENANCE: Private Collection, Toronto, ON $1,200 — 1,800

GATHER YE ROSEBUDS WHILE YE MAY, 1909 (PAINTED COPY)

AFTER JOHN WILLIAM WATERHOUSE (1849–1917), BRITISH

$1,000 — $1,500

LOREN ENTZ (B. 1949), AMERICAN

RICE HARVESTERS

Tempera on fabric; signed “DW Putu Bedil, Bali, Ubud” lower right. Framed. 26.25 ins x 18.75 ins; 66.5 cms x 47.5 cms; Framed 29.3 ins x 21.5 ins; 74.5 cms x 54.5 cms

PROVENANCE: Private Collection, Toronto, ON $200 — 300

DEWA PUTU BEDIL (1921-1999), INDONESIAN

PROVENANCE: With Allman-Ricks Framing, Springville, UT label Privateverso;Collection, Ontario

113

112

THE WELCOME FIRE, 1987

Oil on masonite; signed and dated ‘Loren Entz 87” lower left, titled to the nameplate. 12Framedinsx14.2 ins; 30.5 cms x 36 cms; Framed 22.5 ins x 20.1 ins; 57.2 cms x 51.1 cms

B

Zwart, Adrianus (Arie) Johannes (60, 70)

N

Downing, George Henry (63)

Lassalle, Louis Simon Cabaillot (33) Laurent-Desrousseaux, Henri Alphonse (41) Leloir, Maurice (86)

P / R

E / F

Paredes, After Vicente García de (37) Peress, Gilles (105)

European, 19th Century (49)

Blaas, Follower of Eugene de (14)

Sherrin, Daniel (44)

Wolf, Franz Xaver (11)

Bille-Holst, Poul (64)

Visser, Adrian Nicholaas (85)

Rouffio, Paul Russian/Ukrainian(50) School (35)

Barnett, Will (93)

Vizino, ** Walbourn,(62)Ernest (31)

Shayer, After William Joseph (16)

Unidentified, 20th Century(72)

Pieler, Franz Xaver (45) Pré, Willi de (100)

Sauvage, Philippe François (32)

Hayllar, Jessica Ellen (58) Holmlund, Josephina (20) Hooper, John Horace (81) Hughes-Stanton, Sir Herbert Edwin Pelham (83)

A

Freund, Fritz (10)

Bedil, Dewa Putu (112)

C

T

Wilder, André (74)

Y / Z

Yardley, Bruce (22, 55, 56)

British, (19th/20th Century) (66, 77)

Mednyánszky, László (6) Meisel, Ernst (104) Millenaar, Peter Wilhelm (69) Montague, Alfred (108) Monticelli, Manner of Adolphe Joseph Thomas (47, 54, 94) Moore, Henry (59) Müller, Rosa (13) Munthe, Ludwig (102)

Alken, Follower of Henry (95)

U

Barnes, Samuel John (88)

Akkersdijk, Jacob (39)

Eychen, Charles II Van Den (57) Foujita, Léonard Tsuguharu (1) Francis, Robert (53)

Stark, James (61)

Wells, John Sanderson (48)

Hurt, Louis Bosworth (87)

Waterhouse, After John William (110)

Abrishami, Hessam (97)

Coleman, Francesco (65)

Icart, After Louis (3) Innocenti, Camillo (15) Israëls, Follower of Josef (Jozef) (12, 43) Israëls, Josef (Jozef) (42)

V / W

Arnegger, Alois (23)

Eastlake, Sir Charles Lock (52) Entz, Loren (113, 4, 26, 29, 80)

Constable, Afer John (40)

Alt, Franz Anderson,(84)James Bell (96)

Lépine, Attributed to Stanislas (82) Lobel-Riche, Alméry (78)

G

I

Ranitz, Cecilia Maria Elisabeth de (68) Reindorf, Samuel (2) Rinaldi, M. Romagnolia,(76)R. (75)

Erté, (24, 51, 89, 90, 98, 25)

Tonge, Lammert Leire Van Der (30)

Schlösser, Carl Bernhard (8)

M

Dutch, 19th Century (107)

Nakken, Willem Carel (34) Nicol, After Erskine (7)

Scherrewitz, Johan Frederik Cornelis (18, 19)

Gorius, J. Grunwald,(106)Bela Ivany (73) H Haptonstall, Pat (27, 79)

Avizedek, Lea (5)

Breanski, Alfred Fontville Jr. de (111) Brett, Attributed to John (71)

D

Gailis, Janis (46)

S

Shayer, Henry Thring (109)

Almanoff, Vera (36)

Borione, Bernard Louis (38)

Buckner, Richard (9, 28)

L Lakos, Alfred (103)

Utrillo, Maurice (91)

Yardley, John (21, 99)

Cabié, Louis Alexandre (17) Cattermole, Manner of George (101) Cézanne, Paul (92)

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

*There is a minimum handling charge of $20 per item

Items selling for $2,501 to $7,500 15%

A premium of 20% of the successful bid price of each lot.

Payment for purchases must be by cash, INTERAC direct debit (CDN clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000).

Forconsider.collections

PakShip 905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

waddington’s commission rates

canadian art department commission rates

payment

For more information please visit: www.cites.org

Items selling for $2,500 or less 20%

*There is a minimum handling charge of $20 per item

removal of purchases

The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

bidding

All of the items are to be considered, unless otherwise noted in the description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

Items selling for $2,501 to $7,500 15%

Items selling for $250 or less 25%

buyers premium

Items selling for $251 to $2,500 20%

auction advice

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

ALL PRICES IN CANADIAN FUNDS

The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.

Items selling for $7,501 or more 10%

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

Safer Shipping Inc. 416-299-3367 / perry@safershipping.ca416-299-9750/www.safershipping.ca

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to

with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at Ourwww.waddingtons.ca.officesarelocated in Toronto and Vancouver, but our specialists occasionally travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100).

Frames on artwork are not included as part of purchase or condition.

shipping

Selling at Waddington’sBuying at Waddington’s

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Items selling for $7,501 or more 10%

condition of lots

cites

Notes:

4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to 13.$25,000).Inthe

10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

Conditions of Sale

5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14

15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax).

16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid

(a) any deficiency in price between the resale amount and the amount to have been paid by the original buyer;

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and

2.accordingly.Eachlot sold is subject to a 20% buyers premium as part of the purchase price.

days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer.

9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

tel: www.waddingtons.catoll416-504-9100free:1-877-504-5700

275Waddington’sKingStreet East, Second Floor Toronto, Ontario M5A 1K2

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