No Blank Walls | July 6 - 11, 2024

No Blank Walls AU CT I ON E NDS JU LY 1 1 AT 2PM ET

No Blank Walls AU CT I ON E NDS JULY 1 1 AT 2PM ET

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Lot 141 SUNDAY B. MORNING AFTER ANDY WARHOL DIAMOND DUST MARILYN

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Lot 9 TIFFANY ERWIN CANT SEA GAZER, 2008

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Lot 56 BRIAN KELLEY BLUE GRASS

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Lot 146 RONALD YORK WILSON CAIRO (FROM THE “CITIES” PORTFOLIO)

This catalogue and its contents © 2024 Waddington McLean & Company Ltd.

This auction is subject to the Conditions of Sale on our website. www.waddingtons.ca

Photography & design by Waddington’s All rights reserved.

1 JOHN ABSOLON (1815-1895), BRITISH PEACE oil on canvas; signed with monogram 28.5 x 21.5 in — 72.4 x 54.6 cm PROVENANCE:

Private Collection, Toronto, ON Purchased from the T. Eaton Company Limited, Canada, June 1, 1951, together with a copy of the original receipt

$1,000 — 1,500

2 VENETIAN SCHOOL (19TH/20TH CENTURY) UNTITLED (BOATS AND FISHER FOLK) oil on board 9.25 x 12 in — 23.5 x 30.5 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

3 DAVID BERNETT (20TH CENTURY), CANADIAN JOURNEY INTO [THE] NORTHERN LIGHTS relief carving, stone; signed lower right; titled to partial artist’s label verso 15.1 x 15.1 x .6 in — 38.4 x 38.4 x 1.5 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

4 MONICA BIAGOLI (20TH CENTURY), CANADIAN FIVE WORKS FROM THE “MOTHERBOARD” SERIES, 1998 five lithographs in colours on paper; 1. initialed, titled, and numbered “2/3 VE” 2. initialed, titled and numbered “1/2 VE” 3. initialed, titled and numbered “2/3 VE” 4. initialed, titled and numbered “1/2 VE” 5. initialed, titled and numbered “1/2 VE” each sheet 41.5 x 14.5 in — 105.4 x 36.8 cm PROVENANCE:

Corporate Collection, Markham, ON

$100 — 150

5 CLAUDE BREEZE (B. 1938), CANADIAN THE MAN WHO TALKS TO THE WIND #4, 1985-1986 woodcut in black ink on Japon paper; signed, titled, dated “85/6”, and numbered “4/8 Part 1” to margin image 8 x 5.4 in — 20.2 x 13.8 cm; sheet 14.3 x 10.2 in — 36.2 x 26 cm PROVENANCE:

Private Collection, Ontario

$125 — 175

6 HENRI CARTIER-BRESSON (1908-2004), FRENCH CÓRDOBA, SPAIN, 1933 reproduction print; signed in ink to margin; printed ca. 1980 image 14.4 x 9.8 in — 36.5 x 24.8 cm; sheet 17.9 x 13.9 in — 45.5 x 35.3 cm PROVENANCE:

Private Collection, Europe

$300 — 400

7 HARRY BRODSKY (1908-1997), AMERICAN STILL LIFE WITH SCISSORS; BOTTLE NO. 2 lithographs on paper, with full margins; each signed, titled, and numbered 14/20 and 5/20, respectively image 10.8 x 13.7 in — 27.5 x 34.7 cm; image 9.2 x 13.2 in — 23.4 x 33.5 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

8 NATHANIEL BUCK (ACTIVE 1724-1759) AND SAMUEL BUCK (1696-1779), BRITISH THE EAST VIEW OF HIGHAM-FERRERS-COLLEGE IN THE COUNTY OF NORTHAMPTON, 1729 engraving with letters on laid paper, with watermark plate 7.9 x 14.6 in — 20 x 37.2 cm; sheet 10.5 x 16.9 in — 26.7 x 42.9 cm PROVENANCE:

Gift of Mr. and Mrs. Ralph Presgrave to the Art Gallery of Ontario, Toronto, ON, in 1979 Deaccessioned to benefit art purchases at the AGO

$70 — 120

9 TIFFANY ERWIN CANT (B. 1954), AMERICAN SEA GAZER, 2008 lithograph in colours on paper; signed and numbered 40/400 to margin; certificate of authenticity adhered verso image 20 x 20 in — 50.8 x 50.8 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

10 ATTRIBUTED TO CONSALVO CARELLI (1818-1900), ITALIAN NAPOLI oil on canvas 23.9 x 36.1 in — 60.7 x 91.7 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

11 ANGELA CARUGATI (1881-1977), ITALIAN UNTITLED (ROMAN RUINS) oil on canvas; signed lower right 10 x 8 in — 25.4 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

12 MOIRA CLARK (B. 1950), CANADIAN THE GARDEN FACES WEST, 1984 etching in colours on paper; signed, titled, dated “84”, and numbered 3/10 to margin sheet 29.9 x 40.5 in — 75.9 x 102.9 cm PROVENANCE:

Corporate Collection, Toronto, ON

$200 — 300

13 JAMES HUGHES CLAYTON (ACTIVE 1891-1929), BRITISH EVENING GLOW, CEMAES, ANGLESEY watercolour on paper; signed lower left; titled verso sight 14.75 x 22 in — 40.5 x 59.5 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

14 AFTER JOHN CONSTABLE (1776-1837), BRITISH ON RIVER STOUR, SUFFOLK oil on canvas; signed “John Constable” lower left; titled to nameplate; titled and inscribed to stretcher verso 20.25 x 28.25 in — 51.4 x 71.8 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

15 AFTER JEAN-BAPTISTE-CAMILLE COROT (1796-1875) UNTITLED (SUNLIT FORESTED PATH) oil on canvas; inscribed “Copy of a Corot - Jack Weldon Humphrey, 1924” to lower stretcher bar 15.25 x 22.25 in — 38.7 x 56.5 cm PROVENANCE:

Gift of Mr. Morgan Ferris, Saint John’s, NL in 1990Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 250

16 ARCHIBALD F. CUTHBERTSON (1924-2000), AUSTRALIAN EXCITED IMAGE mixed media on paper; signed lower right; titled to gallery label verso sight 25 x 17.4 in — 63.5 x 45.1 cm PROVENANCE:

From the Vincent Price Collection, Sears, Roebuck and Co.Private Collection, Toronto, ON

$75 — 100

17 KENNETH (KEN) EDISON DANBY (1940-2007), CANADIAN THE ARMSTRONG MILLER, 1970; BELOW THE DAM, 1982 screenprints in colours on paper ; The Armstrong Miller, 1970signed, dated, and numbered 35/50 to marginBelow the Dam, 1982signed, dated, and numbered 75/100 to margin image 11.6 x 17.9 in — 29.5 x 45.5 cm; image 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

18 DAVID DAWSON (20TH CENTURY), CANADIAN UNTITLED (SAPLING BY A STREAM) gouache on canvas; signed lower right 16 x 20 x .75 in — 40.6 x 50.8 x 1.9 cm PROVENANCE:

Private Collection, Ontario

$200 — 300

19 CORNELIA (CLARISSA) DIBBLE (B. 1937), BRITISH WOMAN IN A FANTASTIC LANDSCAPE mixed media on board; signed lower right; titled to partial label verso 38.3 x 18 in — 97.3 x 45.7 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

20 EDWARD GILBERT HESTER (CA. 1843-1903), BRITISH MORNING: GOING TO COVER; EVENING: RETURNING TO THE KENNELS, 1877 engravings in colours on paper; both signed to the plate; after the original paintings by Edward Algernoon Stuart Douglas (ca. 1850-1920); published by Arthur Ackermann, 191 Regent Street, London 19.75 x 15,.75 in — 50.2 x 40 cm; 19.9 x 16 in — 50.5 x 40.6 cm PROVENANCE:

Private Collection, Montreal, QC

$80 — 120

21 ASHER BROWN DURAND (1796-1886) AFTER HENRY INMAN (1801-1846), AMERICAN JOHN MARSHALL LLD, 1833 engraving with letters; with facsimile signature “J. Marshall” plate 9.5 x 6.1 in — 24.1 x 15.6 cm; sheet 10.1 x 6.5 in — 25.7 x 16.4 cm PROVENANCE:

Gifted to the Art Gallery of Ontario by Mr. and Mrs. Ralph Presgrave in 1978 Deaccessioned to benefit art purchases at the AGO

$70 — 120

22 IN THE MANNER OF REMBRANDT VAN RIJN (1606-1669) STUDY OF AN OLD WOMAN CALLED ‘THE ARTIST’S MOTHER’ oil on canvas adhered to stretcher 16 x 14.1 in — 40.6 x 35.8 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

23 AFTER HUBERT BELLIS (1831-1902) STILL LIFE WITH CAT AND HUNTING TROPHIES oil on canvas 36.25 x 47.25 in — 92.1 x 120 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

24 DUTCH SCHOOL (18TH/19TH CENTURY) UNTITLED (WATERING HOLE) oil on board; indistinctly signed and dated verso 9.25 x 12.1 in — 23.5 x 30.7 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

25 GÉRARD EDELINCK (1640-1707); JACQUES LUBIN (CA. 1659-1703); PIERRE LOUIS VAN SCHUPPEN (1627-1702); CHARLES LOUIS SIMONNEAU (1645-1728), BELGIAN/FRENCH PORTRAITS DES HOMMES ILLUSTRES DU DIX-SEPTIÈME SIÈCLE, CA. 1805 engravings on paper; disassembled manuscript with one folio page and 20 loose engravings each approx. 16.25 x 10.25 in — 41.3 x 26 cm PROVENANCE:

Private Collection, Quebec Private Collection, Toronto, ON

$150 — 200

26 TATJANA ANDREJEWNA FAIDISCH (B. 1955), RUSSIAN WIE DIE KARTEN FALLEN (HOW THE CARDS FALL), 1988 oil on canvas; initialed in Cyrillic lower right; signed, titled, and dated in Cyrillic verso 60.6 x 31.5 in — 154 x 80 cm PROVENANCE:

Private Collection, New York, NY

$200 — 300

27 JORGE FLORES (1934-2008), MEXICAN UNTITLED (FIGURAL ABSTRACT) acrylic on paper; signed lower right sight 21.5 x 29.5 in — 54.6 x 74.9 cm PROVENANCE:

Private Collection Toronto, ON

$200 — 300

28 KEIZAN FUJII (B. 1918); SHINZAN KAMIJYO (1907-1997); GABOKU OGAWA (1911-2000), JAPANESE THREE PAINTED SCROLLS each India ink on paper, scroll mounted; Keizan Fujii Poème du Printemps Espéré signed and stamped lower left Shinzan Kamijyo La Lune au-Dessus du Fleuvesigned and double stamped middle left, stamped upper right Gaboku Ogawa Jour par Jour on est Bonheursigned and stamped middle left, stamped upper right 77.6 x 18.1 in — 197.1 x 46 cm; 77.6 x 20.1 in — 197.1 x 51.1 cm; 78.3 x 19.7 in — 198.9 x 50 cm PROVENANCE:

L’Artothèque, Montreal, QC

$300 — 500

29 TOMIKO FURUSAWA (B. 1922), JAPANESE ÉCRITURE DU SEIKIDOHONKOKINSHU ink on paper on bi-fold screen; stamped lower left 25.6 x 67.3 in — 65 x 171 cm PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

30 CLARENCE GAGNON (1881-1942), CANADIAN WINTER MORNING BAIE ST. PAUL lithograph in colours on paper; signed and titled in plate; numbered 587/1000 to margin image 17 x 21 in — 43.2 x 53.3 cm PROVENANCE:

Private Collection, Toronto, ON

$70 — 150

31 FRANK GALSWORTHY (1863-1959); CHARLES S. MILLARD (1837-1917), BRITISH SAILING ON A CALM LAKE, 1913; CASTLE ON A SCOTTISH LOCH watercolours on paper; Sailing on a Calm Lake, 1913signed and dated lower left Castle on a Scottish Lochsigned under the mat lower left 9.8 x 14.3 in — 24.9 x 36.3 cm; 9.3 x 14.3 in — 23.6 x 36.3 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

32 WALTER GAUDNEK (1931-2022), CZECH/AMERICAN UNTITLED oil on canvas; signed upper left 14 x 14.25 in — 35.6 x 36.2 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 250

33 GEMINI G.E.L. (20TH CENTURY), AMERICAN TECHNICS AND CREATIVITY: GEMINI G.E.L, 1971 publication produced in conjunction with The Museum of Modern Art, New York, NY containing 364 illustrations, a multiple of Jasper Johns’ Target (1970), as well as a collage of watercolour pads and brush; packaged in a white clam shell box; from an unnumbered edition of 2500 10.7 x 8.9 x 1.3 in — 27.2 x 22.7 x 3.2 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 300

34 GENERAL IDEA (1968-1994), CANADIAN STUDY FOR URSA MAJOR AND TAURUS: PAVILION FRAGMENTS FROM THE STARRY VAULT, 1983 lithograph in colours and metallic foils on paper; from an unnumbered edition of 1000 sight 27.75 x 35 in — 70.5 x 88.9 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

35 AFTER THÉODORE GÉRARD (1829-1895), BELGIAN BOY IN SHADES OF GREY AT SCHOOL ENTRANCE, THE INCIDENT oil on canvas; signed lower right 25.5 x 17.75 in — 64.8 x 45.1 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

36 ATTRIBUTED TO SYBIL GOLDSMITH (1917-2005), AMERICAN STILL LIFE charcoal on paper; signed lower right sight 18.3 x 24 in — 46.5 x 61 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

37 JOHN FREDERIC GREENWOOD (1885-1954), BRITISH UNTITLED (VILLAGE STREET) wood engraving on paper; signed and numbered 7/50 to margin image 5.1 x 7 in — 15.2 x 19.1 cm PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

38 GEORGES GRELLET (1869-1959), FRENCH PETIT CHAT, 1925 lithograph in colours on paper; signed and titled to margin; dated in plate image 15.25 x 11.5 in — 38.7 x 29.2 cm PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

39 ANTHONY GROSS (1905-1984), BRITISH ROUNDED HILLS, MAMELONS; IMAGINARY LANDSCAPES, ROUNDED HILLS, MAMELONS, CA. 1960 etchings in black on wove paper, with full margins; 1. signed in plate, signed, titled, and numbered 21/50 to margin 2. signed in plate, signed, titled, numbered 1/2, and inscribed “1st State”; adhered to backing plate 14.8 x 19.5 in — 37.5 x 49.5 cm; plate 14.7 x 19.25 in — 37.3 x 48.9 cm PROVENANCE:

Private Collection, Toronto, ON

$250 — 450

40 CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN UNTITLED (TWO WOODLAND SCENES) watercolours on paper; signed “C B Hagan” lower left; signed “C B Hagan” lower right 22 x 27 in — 55.9 x 68.6 cm; 21.25 x 26 in — 54 x 66 cm PROVENANCE:

Corporate Collection, Toronto, ON

$300 — 400

41 CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN UNTITLED (TWO WOODLAND STREAM SCENES) watercolours on paper; each signed “C B Hagan” lower left 22.25 x 26.75 in — 56.5 x 67.9 cm; 22 x 27 in — 55.9 x 68.6 cm PROVENANCE:

Corporate Collection, Toronto, ON

$300 — 400

42 SHUNTEI HAMANAKA (B. 1916); KINWO MINEO (B. 1942); KEMPO SONOYAMA (B. 1929), JAPANESE THREE PAINTED SCROLLS one ink and colour on paper, scroll mounted; two India ink on paper, scroll mounted; 1. Shuntei HamanakaPoème de 36 Syllablesstamped lower left 2. Kinwo MineoPoème de 17 Syllablesstamped lower left 3. Kempo SonoyamaPoème Sélectionné Dans Manyosigned and stamped upper right 45.7 x 15 in — 116.1 x 38.1 cm; 72 x 15.7 in — 182.9 x 39.9 cm; 15.2 x 154.7 in — 38.6 x 392.9 cm PROVENANCE:

L’Artothèque, Montreal, QC

$100 — 200

43 DON HAMILTON (B. 1949); UNIDENTIFIED ARTIST (20TH CENTURY), CANADIAN A MOUNTAIN NEAR BANFF, 1993; UNTITLED (SNOW-CAPPED MOUNTAINS) pastel on paper; screenprint on paper; A Mountain Near Banff, 1993signed and dated lower right; titled to label verso Untitled (Snow-Capped Mountains)indistinctly signed and inscribed “pres. proof IV” lower left 14.5 x 21.5 in — 36.8 x 54.6 cm; 16.2 x 25.5 in — 41.1 x 64.8 cm PROVENANCE:

Private Collection, Toronto, ON

$75 — 100

44 KEISEN HARADA (B. 1940); SOKIN HORIE (B. 1925), JAPANESE TWO PAINTED SCROLLS both India ink on paper, scroll mounted; Keisen Harada Aimer à Vivre Tranquille stamped lower left Sokin Horie Poéme du Printemps signed and stamped lower left overall 75.2 x 31.9 in — 191 x 81 cm; overall 48 x 26.4 in — 121.9 x 67.1 cm PROVENANCE:

L’Artothèque, Montreal, QC

$300 — 500

45 LAWREN PHILLIPS HARRIS, OSA, RCA (1910-1994), CANADIAN TWO FIGURE DRAWINGS, 1938 graphite on paper ; Figure With Pole initialed and dated “’38” lower right; titled to label verso Prone Figure initialed and dated lower left; titled to label verso sight 11.8 x 5.3 in — 30 x 13.5 cm; sight 4.3 x 10.6 in — 10.9 x 26.9 cm PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

46 SYDNEY E. HART (1867-1921), BRITISH HAY FIELD, 1910 watercolour on paper; signed and dated lower left sight 9.8 x 21.5 in — 25 x 54.6 cm PROVENANCE:

Collection of the City of Brantford, OntarioPrivate Collection, Ontario

$250 — 350

47 RIVA HELFORD (1910-2002), AMERICAN THREE ABSTRACTS screenprints on paper; 1. Untitled (#1), ca. 1960signed lower right; dedication verso sight 5.6 in x 8.8 in — 14.2 cm x 22.4 cm 2. Untitled (#2), 1962signed and dated sight 7.75 x 10 in - 19.7 x 25.4 cm 3. Untitled (#3)signed lower left sight 9.25 x 4.9 in — 23.5 x 12.4 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

48 JANIS HENDRICKSON (20TH CENTURY), AMERICAN ROY LICHTENSTEIN, 1988; KISS V, 1964, CA. 1980 book; screenprint in colours on wove paper; 1. book: signed “R. Lichtenstein” in pencil to title page; first edition, 1988, published by Benedikt Taschen Verlag GmbH & Co. 2. screenprint: signed “Roy Lichtenstein” in marker to margin; published by Poster Originals, Ltd., New York, NY book 12.1 x 9.4 in — 30.7 x 23.9 cm; screenprint 34.6 x 35 in — 87.9 x 88.9 cm PROVENANCE:

Private Collection, Ontario

$600 — 800

49 HUBERT VON HERKOMER (1849-1914), GERMAN/BRITISH GRANDFATHER’S PET engraving on paper; printed and published by the Fine Art Society, London, 1880 33.5 x 23 in — 85.1 x 58.4 cm PROVENANCE:

Private Collection, Ontario

$200 — 300

50 G. HOWARD HILDER (1866-1935), AMERICAN CARIBBEAN PINES NEAR CUTLER, FLORIDA, 1925 oil on board; signed and dated lower right; titled and inscribed with storyline verso 16 x 12 in — 40.6 x 30.5 cm PROVENANCE:

Private Collection, Ontario

$300 — 400

51 WILLIAM HOGARTH (1697-1764), BRITISH THE MARCH TO FINCHLY SUBSCRIPTION RECEIPT, 1749 engraving on wove paper sight 8 x 10.75 in — 20.3 x 27.3 cm PROVENANCE:

Private Collection, Toronto

$100 — 150

52 KYUSEN ICHIKAWA (B. 1934); SHINGAI TANAKA (1942-2007); KOYO ENDO (B. 1939), JAPANESE TONNERRE, LOINTAIN; CHEMIN; HOMME ET FEMME each ink on paper, scroll mounted overall 58.3 x 33.9 in — 148.1 x 86.1 cm; overall 65 x 35.4 in — 165.1 x 89.9 cm; overall 68.9 x 35.4 in — 175 x 89.9 cm PROVENANCE:

L’Artothèque, Montreal, QC

$300 — 400

53 HARRY MAYER ZEILIG (1908-2002), CANADIAN FOUR PORTRAITS OF HOLLYWOOD STARS gouache on card; 1. titled “Cary Grant” 20.5 x 15.25 in - 52.1 x 38.7 cm 2. titled “Humphrey Bogart” 24.25 x 15 in - 61.8 x 38.1 cm 3. titled “James Stewart” 27.75 x 22 in - 70.5 x 55.9 cm 4. titled “Olivia de Havilland” 26.25 x 20 in - 66.7 x 50.8 cm PROVENANCE:

Private Collection, Ontario

$100 — 150

54 MAFU JIANG (20TH CENTURY), CHINESE UNTITLED, 2000 mixed media on canvas; signed and dated lower right 48 x 48 in — 121.9 x 121.9 cm PROVENANCE:

Private Collection, Ontario

$300 — 400

55 RENINA KATZ (B. 1925), BRAZILIAN UNTITLED, 1974 lithograph in colours on paper; signed, dated, and numbered 15/17 to margin; inscribed “Latin American Collection / Katz, R. / Untitled” verso sight 31 x 22.5 in — 78.7 x 57.2 cm PROVENANCE:

Private Collection, OntarioSt. Joe Minerals Corporation, New York, NY

$200 — 300

56 BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN BLUE GRASS screenprint in colours on paper; signed, titled, and numbered 105/165 to margin image 22 x 30 in — 55.9 x 76.2 cm PROVENANCE:

Corporate Collection, Toronto, ON

$200 — 300

57 BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD I etching in colours on paper; signed, titled, and numbered 12/60 to margin image 9.7 x 17.75 in — 24.6 x 45.1 cm PROVENANCE:

Corporate Collection, Toronto, ON

$150 — 250

58 BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD II etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.7 in — 24.6 x 45 cm PROVENANCE:

Corporate Collection, Toronto, ON

$150 — 250

59 BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD III etching in colours on paper; signed, titled, and numbered 14/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm PROVENANCE:

Corporate Collection, Toronto, ON

$150 — 250

60 BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD IV etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm PROVENANCE:

Corporate Collection, Toronto, ON

$150 — 250

61 WILLIAM JOSEPH KING (1857-1943), BRITISH UNTITLED (MOTHER AND CHILD), 1884 oil on canvas; signed and dated lower left 30 x 20 in — 76.2 x 50.8 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

62 MICHEL LASNE (1590-1667); JEAN MORIN (1590-1650), FRENCH PORTRAIT DE HENRI DE BOURBON, PRINCE DE CONDÉ, 1645; RÉNE DE LONGUEIL, MARQUIS DE MAISONS, CA. 1642-1650 engraving with letters laid on antique watermarked paper; etching and engraving with stippling on laid paper image 13 x 9.25 in — 33 x 23.5 cm; image 12.8 x 10.4 in — 33.5 x 26.6 cm PROVENANCE:

The Lasne: Bequest of Frank Darling to the Art Gallery of Ontario in 1923, Toronto, ON The Morin: Ex. Collection of Mr. and Mrs. Ralph Presgrave Gifted to the Art Gallery of Ontario in 1979, Toronto, ON Deaccessioned to benefit art purchases at the AGO

$140 — 200

63 ATTRIBUTED TO ALBERT MARIE LEBOURG (1849-1928), FRENCH LE PORT DE ROTTERDAM, 1882 oil on canvas board; signed and dated “/82” lower right; signed “Albert Marie Lebourg” and titled verso 11.75 x 16 in — 29.8 x 40.6 cm PROVENANCE:

Estate Collection, Toronto, ON

$200 — 300

64 LOUIS LEGRAND (1863-1951), FRENCH LA PEDICULTURE, 1905 drypoint etching on laid paper, with full margins and watermark; signed and numbered 4/30 to margin; published by Gustave Pellet 17.3 x 12.2 in — 44 x 31 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

65 JOHN LINDLEY (1799-1865), BRITISH NINE ASSORTED BOTANICAL PRINTS, 19TH CENTURY engravings in colours on paper; some signed in plate largest 11.75 x 8.75 in — 29.8 x 22.2 cm PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

66 THOMAS GOFF LUPTON (1791-1873), BRITISH; GIOVANNI VENDRAMINI (1769-1839) AFTER SIR WILLIAM BEECHEY (1753-1839), ITALIAN KING WILLIAM THE FOURTH; ADMIRAL SIR THOMAS DUCKWORTH, K.B. mezzotint with letters on paper; stipple engraving with letters on paper; King William the Fourth engraved by Thomas Goff Lupton, published by William Sams, Royal Library, 1 St. James Street, London Admiral Sir Thomas Duckworth, K.B. from an original painting by Sir William Beechey, drawn by W. Evans, engraved by J. Vendramini sheet 15.7 x 12.6 in — 40 x 32.1 cm; image 15.6 x 12.5 in — 28 x 23.5 cm; sheet 16.1 x 12.9 in — 41 x 32.8 cm; image 12 x 10 in — 30.5 x 25.3 cm PROVENANCE:

Both gifted to the Art Gallery of Ontario, Toronto, ON by Mr. and Mrs. Ralph Presgrave in 1979 Deaccessioned to benefit art purchases at the AGO

$120 — 180

67 SALVATORE MARESCA (19TH/20TH CENTURY), ITALIAN MAN SMOKING A PIPE; MAN LIGHTING A PIPE oil on canvas; both attributed to “S. Maresca” to nameplates 15.5 x 10.1 in — 39.4 x 26.7 cm; 15.35 x 10.25 in — 39 x 26 cm PROVENANCE:

Private Collection, Montreal, QC

$100 — 150

68 PETER AND TRAUDL MARKGRAF (20TH CENTURY), CANADIAN WINTER SKY screenprint in colours on paper; signed, titled, and numbered 93/148 to margin image 16.5 x 14.6 in — 41.9 x 37.1 cm PROVENANCE:

Private Collection, Ontario

$100 — 150

69 BARBARA MCGIVERN (1945-2019), CANADIAN 14 IN 1 #1 acrylic and gold leaf on paper; signed, titled, and stamped verso 10.25 x 7 in — 26 x 17.8 cm PROVENANCE:

Estate of Barbara McGivern Private Collection, Toronto, ON

$100 — 125

70 BARBARA MCGIVERN (1945-2019), CANADIAN 14 IN 1 #5 acrylic and gold leaf on paper; signed, titled, and stamped verso 7 x 10.25 in — 17.8 x 26 cm PROVENANCE:

Estate of Barbara McGivern Private Collection, Toronto, ON

$100 — 125

71 BARBARA MCGIVERN (1945-2019), CANADIAN 14 IN 1 #6 acrylic and gold leaf on paper; signed, titled, and stamped verso 7 x 10.25 in — 17.8 x 26 cm PROVENANCE:

Estate of Barbara McGivern Private Collection, Toronto, ON

$100 — 125

72 JOHANNES JACABUS (JAN) MESKER (1843-1890), DUTCH UNTITLED (SAILORS COMING TO PORT) gouache on paper; signed lower right sight 20.6 x 15.3 in — 52.3 x 38.9 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

73 HENRY MOORE (1898-1986), BRITISH THE DRAWINGS OF HENRY MOORE, 1977 offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Art Gallery of Ontario, 5 November 31 December 1977 sight 27.5 x 19 in — 69.9 x 48.3 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

74 HENRY MOORE (1898-1986), BRITISH THE ART OF HENRY MOORE, 1986 offset lithograph on paper; signed upper right; collection label verso; exhibition poster for Hong Kong Museum of Fine Arts, Hong Kong, 2 February - 12 March, 1986 sight 30 x 19.4 in — 76.2 x 49.3 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

75 HENRY MOORE (1898-1986), BRITISH 3 TEMAS EN LA OBRA DE HENRY MOORE, 1982-1983 offset lithograph on paper; signed lower left; collection label verso; exhibition poster for Museo de Monterrey [Mexico], 5 November 1982 - 24 January, 1983 sight 31 x 18 in — 78.7 x 45.7 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

76 HENRY MOORE (1898-1986), BRITISH HENRY MOORE, 1987 offset lithograph on paper; collection label verso; exhibition poster for National Gallery of Modern Art, New Delhi, 1 October - 15 November, 1987 sight 29.25 x 19.5 in — 74.3 x 49.5 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

77 HENRY MOORE (1898-1986), BRITISH HENRY MOORE: AT THE SERPENTINE, 80TH BIRTHDAY EXHIBITION OF RECENT CARVINGS AND BRONZES [AND] AT THE TATE: THE HENRY MOORE GIFT, 1978 offset lithograph on paper; signed lower right; collection label verso sight 16.25 x 11.4 in — 41.3 x 28.6 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

78 HENRY MOORE (1898-1986), BRITISH HENRY MOORE: SHELTER AND COAL MINING DRAWINGS, 1984 offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Zeichnungen Aus Den Jahren, 1939-42 sight 31.8 x 22.5 in — 80.8 x 57.2 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$300 — 400

79 HENRY MOORE (1898-1986), BRITISH HENRY MOORE: GRAPHICS IN THE MAKING, 1975 offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Tate Gallery, May 21 - July 6, 1975 sight 29 x 18.9 in — 73.7 x 48 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

80 HENRY MOORE (1898-1986), BRITISH RECLINING FIGURE IN A LANDSCAPE offset lithograph on paper; signed lower right; collection label verso sight 16.5 x 24.75 in — 41.9 x 62.9 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$100 — 150

81 HENRY MOORE (1898-1986), BRITISH UNTITLED (SEATED WOMAN) offset lithograph on paper; signed lower right; collection label verso sight 28.75 x 19.25 in — 73 x 48.9 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

82 HENRY MOORE (1898-1986), BRITISH TWO HUNDRED YEARS OF AMERICAN GROWTH / HENRY MOORE: AN AMERICAN PORTRAIT, 1776-1976 offset lithograph on paper; signed lower right; collection label verso sight 28 x 20.3 in — 71.1 x 51.6 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

83 TAIKO MOCHIZUKI (B. 1952), JAPANESE ÉCLATEMENT ink on paper; stamped lower left sheet 26.8 x 44.7 in — 68 x 113.5 cm PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

84 AFTER GEORGE MORLAND (1763-1804), BRITISH UNTITLED (YOUTH IN THE STABLE), 1797 oil on canvas; signed lower left; signed and dated verso 14 x 18 in — 35.6 x 45.7 cm PROVENANCE:

Private Collection, Toronto, ON

$75 — 150

85 WILLIAM MOULIS (1919-1989), AMERICAN KASBAH collage and gouache on paper; signed lower right; titled to gallery label verso sheet 29 x 19.75 in — 73.7 x 50.2 cm PROVENANCE:

Fairweather Hardin Gallery, Chicago, IL Private Collection, Toronto, ON

$100 — 150

86 NAOYOSHI MURAYAMA (B. 1936), JAPANESE SEIGIN (UN COUP DE SABRE), 1990 oil on canvas; signed, titled, and dated lower right 35.8 x 46.1 in — 92 x 117 cm PROVENANCE:

L’Artothèque, Montreal, QC

$400 — 600

87 MARY NEWCOMB (1922-2008), BRITISH WAVY WATER - THE DUDE’S FOOT SHOWING IN THE SECOND WASH LINE watercolour on paper; initialed lower right; signed and titled verso sight 7.9 x 9.3 in — 20.1 x 23.6 cm PROVENANCE:

Private Collection, Toronto, ON

$50 — 100

88 SOKO NOZAWA (B. 1931), JAPANESE ROSÉE ink on paper; stamped lower right sight 28.3 x 40 in — 72 x 101.5 cm PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

89 LIZ PARKINSON (20TH CENTURY), CANADIAN METAMORPHIC / ATLANTIC SHORE; CHESTNUT TRAIL / AERCULUA HIPPOASTANUM etching in colours on paper; drypoint and lithograph in colours on paper; Metamorphic / Atlantic Shoresigned, titled, and numbered 5/10 lower leftChestnut Trail / Aerculua Hippoastanumsigned, titled, and numbered 5/10 lower right 14.1 x 22.25 in — 35.8 x 56.5 cm; 14 x 22 in — 35.6 x 55.9 cm PROVENANCE:

Corporate Collection, Toronto, ON

$200 — 250

90 SOPHIE PAQUET (B. 1963), CANADIAN UNTITLED (FLORAL STUDY) acrylic on paper; signed lower right image 13.5 x 18.1 in — 34.3 x 46 cm PROVENANCE:

Private Collection, Toronto, ON

$120 — 150

91 LUC PEIRE (1916-1944), BELGIAN OMBRE ET VIE, 1961 woodcut on matte poster paper; signed and numbered 39/200 7.5 x 15.75 in — 19.1 x 40 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

92 AFTER PABLO PICASSO (1881-1973), SPANISH FEMME A LA MANDOLINE (MADEMOISELLE LEONIE ASSIE), 1979-1982 lithograph in colours on Arches Paper; pencilsigned “Collection Marina Picasso”, numbered 222/500 to margin; embossed printer’s chop lower left image 21 x 17 in — 53.3 x 43.2 cm PROVENANCE:

Private Collection, Ontario

$400 — 600

93 AFTER PABLO PICASSO (1881-1973), SPANISH PORTRAITS IMAGINAIRES, 1969 screenprint in colours on paper; signed and dated “27.2.69” to plate sight 21.5 x 16 in — 54.6 x 40.6 cm PROVENANCE:

Private Collection, Quebec

$300 — 500

94 ALVAR SUÑOL MUNOZ-RAMOS (B. 1935), SPANISH DESNUDO SOBRE UN DIVAN lithograph in colours on paper; signed and numbered 61/140 to margin; titled to label verso image 20.4 x 15.5 in — 50.8 x 39.4 cm PROVENANCE:

Private Collection, Toronto, ON

$75 — 100

95 AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH FEMME NUE COUCHÉ, TOURNÉE A DROITE, 1906 drypoint etching on cream laid paper; from an unknown edition size image 5.5 x 7.5 in — 14 x 19 cm; image 25.5 x 33 in — 64.8 x 83.8 cm PROVENANCE:

Private Collection, Florida

$200 — 400

96 AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH LE PORTRAIT DE STÉPHANE MALLARMÉ etching on paper; signed and titled to plate upper right sheet 12.9 x 10 in — 32.8 x 25.4 cm PROVENANCE:

Private Collection, Toronto, ON

$40 — 50

97 SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH GIRL’S HEAD, 1821; LORD CARLISLE, 1821 mezzotints with letters on thick laid paper; the first dated and numbered “No. 11” in the plate; the second dated “Aug. 1821” in the plate; published by The Engraver, Bayswater, London sheet 8.9 x 6.3 in — 28 x 17.8 cm; image 11 x 7 in — 9.5 x 7.9 cm; sheet 11.4 x 7.2 in — 29 x 18.5 cm; image 3.7 x 3.1 in — 10.6 x 8.7 cm PROVENANCE:

Ex. Coll. Mr. and Mrs. Ralph Presgrave Gifted to the Art Gallery of Ontario, Toronto in 1979 Deaccessioned to benefit art purchases at the AGO

$100 — 150

98 SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH LORD SOUTHAMPTON, 1820; JOSEPH DEANE BOURKE, D.D., ARCHBISHOP OF TUAM (3RD EARL OF MAYO), 1838 mezzotints with letters on thick laid paper; the first published in 1820; the second numbered “Proof” in the plate and published in 1838 sheet 8.9 x 6.4 in — 32.2 x 23.8 cm; image 14 x 9.3 in — 13.7 x 10.8 cm; sheet 12.8 x 9.4 in — 35.8 x 23.7 cm; image 5.1 x 4 in — 13 x 10.2 cm PROVENANCE:

Ex. Coll. Mr. and Mrs. Ralph Presgrave Gifted to the Art Gallery of Ontario, Toronto in 1979 Deaccessioned to benefit art purchases at the AGO

$100 — 150

99 AFTER REMBRANDT VAN RIJN (1606-1669), DUTCH THE DEATH OF THE VIRIGIN, 1639 [BARTSCH, 99; HOLLSTEIN, 161] etching on trimmed paper; signed and dated to plate lower left sheet 14.7 x 12.8 in — 37.4 x 32.5 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

100 RONNIE ROBERTS (B. 1954), CANADIAN J BOB’S COUNTRY MARKET, 2000 UltraChrome K3 colour photograph; signed and dated to mat; titled and dated to label verso sight 10 x 17.75 in — 25.4 x 45.1 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

101 RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE, PARIS black and white archival photograph; signed and dated to mat; titled and dated to label verso sight 12.7 x 17.9 in — 32.3 x 45.5 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

102 RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE PARIS CAFÉ, 1986 hand-printed colour photograph; titled and dated to gallery label verso sight 19.5 x 23.5 in — 50.8 x 61 cm PROVENANCE:

David Jean Gallery, Toronto, ON Private Collection, Ontario

$100 — 150

103 RONNIE ROBERTS (B. 1954), CANADIAN ONCE A DREAM, 2021 UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 13 x 17 in — 33 x 43.2 cm PROVENANCE:

Private Collection, Ontario

$150 — 200

104 RONNIE ROBERTS (B. 1954), CANADIAN TALKING TREES, 2017 UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 11.5 x 17.9 in — 29.2 x 45.5 cm PROVENANCE:

Private Collection, Ontario

$150 — 200

105 R. ROMAGNOLI (20TH CENTURY), ITALIAN FALL LAKE VIEW oil on canvas; signed lower left 20 x 27.5 in — 50.8 x 69.9 cm PROVENANCE:

Private Collection, Westmount, QC

$100 — 200

106 PITALOOSIE SAILA (B. 1942) TRANSFORMATION, 1986 stonecut and stencil on paper; signed, titled, dated, and numbered 28/50 21.75 x 26.75 in — 54 x 67.9 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

107 GAKUSUI SHINOMIYA (B. 1927), JAPANESE SECRET ink on paper; stamped lower left sight 33.9 x 38.6 in — 86 x 98 cm PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

108 MANNER OF CHARLES SHAYER (1826-1914), BRITISH UNTITLED (FARMER RESTING WITH HORSE) oil on canvas 30.5 x 25 in — 77.5 x 63.5 cm PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

109 NICOLA SIMBARI (1927-2012), ITALIAN UNTITLED (RAINY DAY) screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin sight 20 x 26.5 in — 76.2 x 91.4 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

110 NICOLA SIMBARI (1927-2012), ITALIAN UNTITLED (STREET SCENE) screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin image 19.9 x 26.7 in — 76.2 x 91.4 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

111 SIR HERBERT EDWIN PELHAM HUGHES-STANTON (1870-1937), BRITISH UNTITLED - PERSON SITTING ON A ROCK

BY A COUNTRY PATH, 1922 oil on canvas; signed “Hughes-Stanton” and dated lower left; inscribed “No. 1517” in black crayon to frame verso; date stamps verso 18 x 24 in — 45.7 x 61 cm PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

112 L. STEPANO (B. 1948), AMERICAN UNTITLED (WOMAN WALKING ALONG WOODED PATH) oil on canvas; signed lower right 18.1 x 24 in — 46 x 61 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

113 JYONAN TANEYA (B. 1919), JAPANESE POÈME DE 31 SYLLABLES “NOSTALGIE” ink on paper; stamped lower left sheet 40.2 x 10.2 in — 102 x 26 cm PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

114 KATSUJIRO TERASHI (1927-2015), JAPANESE TOITURE EN TUILES, 1988 screenprint in colours on paper; signed, titled, dated “’88”, numbered 11/50, and stamped lower margin image 28.7 x 23.4 in — 73 x 59.5 cm PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

115 GEORGE CAMPBELL (CAM) TINNING (1910-1996), CANADIAN UNTITLED (FLOWERS), 1962 oil on board; signed and dated lower right 14.5 x 10.5 in — 36.8 x 26.7 cm PROVENANCE:

Private Collection, Toronto, ON

$75 — 100

116 FOLLOWER OF TITIAN (CA. 1485-1576), ITALIAN THE GODDESS FLORA IN A LANDSCAPE oil on canvas 56 x 38 in — 142.2 x 96.5 cm PROVENANCE:

Private Collection, Toronto, ON

$400 — 600

117 HAJIME TOGUCHI (B. 1925), JAPANESE PAPILLONS screenprint in colours on paper; signed to mat sight 17.7 x 21.7 in — 45 x 55 cm PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

118 NATALIA OLEGOWNA TOLSTAJA (B. 1954), RUSSIAN DER BAUM (TREE), 1990 oil on canvas; signed, titled, and dated verso 35.4 x 29.5 in — 90 x 75 cm PROVENANCE:

Private Collection, New York, NY

$400 — 600

119 JULIAN TREVELYAN (1910-1988), BRITISH THE PLOUGH, 1976 [TURNER, 322] etching in colours on Barcham Green paper; signed, titled, and numbered 92/150 to margin; printed by Studio Prints and published by Christie’s Contemporary Art in an edition of 150; accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art image 12.6 x 17.6 in — 32 x 45 cm PROVENANCE:

Private Collection, Toronto, ON Private Collection, Kingston, ON Private Collection, Bath, UK

$300 — 400

121 UNIDENTIFIED ARTISTS (19TH CENTURY) FOUR BOTANCIAL AND FRUIT PRINTS two etchings in colours on paper; two lithographs in colours on paper; Untitled (Floral Bouquet #1)”Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin Untitled (Floral Bouquet #2)” Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin Doyenné d’ete Pear Framboise Brinckle’s Orange largest 11 x 7 in — 27.9 x 17.8 cm PROVENANCE:

Private Collection, Toronto, ON

$120 — 180

122 UNIDENTIFIED ARTISTS (19TH CENTURY) PSILLACULE CAÏCA - BARRABAND; UNTITLED (BASKET OF FLOWERS AND BIRDS); UNTITLED (A POSY OF FLOWERS); UNTITLED (FLOWERS AND INSECTS) etchings in colours on paper largest/sight 14.2 x 11 in — 36.1 x 27.9 cm PROVENANCE:

Private Collection, Toronto, ON

$120 — 180

123 UNIDENTIFIED ARTIST (20TH CENTURY) UNTITLED (EXOTIC BEAUTY) oil on board 28 x 22 in — 71.1 x 55.9 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 300

124 UNIDENTIFIED ARTIST (20TH CENTURY) UNTITLED (HANDS OF BUDDHA) gouache on paper; initialed “JB” lower right sight 11.75 x 26.75 in — 29.8 x 67.9 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 180

125 UNIDENTIFIED ARTIST (20TH CENTURY) JAMES DEAN hand-coloured photograph sheet 10.25 x 8 in — 26 x 20.3 cm PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

126 UNIDENTIFIED ARTIST (19TH CENTURY), BRITISH PORTRAIT OF A DANCER, CA. 1830 oil on canvas 35.75 x 27 in — 90.8 x 68.6 cm PROVENANCE:

C.H. Major English Furniture, London, UKPrivate Collection, Montreal, QC, purchased from the above on August 24, 2001

$200 — 300

127 UNIDENTIFIED ARTIST (19TH/20TH CENTURY) UNTITLED (PORTRAIT OF A YOUNG WOMAN) oil on canvas 16.25 x 14.25 in — 41.3 x 36.2 cm PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

128 WALTER BACHINSKI (B. 1939), CANADIAN UNTITLED (SEATED WOMAN WITH NUDES), 1979 graphite and charcoal on Arches paper; indistinctly signed and dated “79” lower right sight 20.9 x 28 in — 53.1 x 71.1 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 250

129 UNIDENTIFIED ARTIST (20TH/21ST CENTURY) UNTITLED (STREET PROCESSION) oil on canvas; indistinctly signed lower right 24.1 x 36 in — 61.2 x 91.4 cm PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

130 GUTTORN OTTO (1919-2012), CANADIAN WINTER LANDSCAPE oil on Masonite; signed and dated 1967 48 x 96.5 in — 121.9 x 245.1 cm PROVENANCE:

Private Collection, Toronto, ON

$500 — 800

131 UNIDENTIFIED ARTIST (20TH CENTURY), LATVIAN UNTITLED (TOWN SCENES) watercolours on paper; 1. Untitled (Winter Street Scene) indistinctly signed lower left 2. Untitled (Two People Talking in a Back Lane) 17.5 x 14.4 in — 44.5 x 36.6 cm; 20.75 x 20.5 in — 52.7 x 52.1 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

132 UNIDENTIFIED ARTIST (20TH CENTURY), AMERICAN YELLOW LANDSCAPE oil on canvas; indistinctly signed lower left sight 35.3 x 47.6 in — 89.7 x 120.9 cm PROVENANCE:

Private Collection, Toronto, ON

$150 — 250

133 PAUL VALERY (1871-1945), FRENCH VALÉRY/ERNI: RÉFLEXIONS SIMPLE SUR LE CORPS, 1967 limited edition book, in folio, with twentyfive lithographs in colours on Japon Nacre paper; lithographs in sheets and wrapped in corresponding folders, in clam shell folio; limited to 326 copies; printed by Mourlot overall 17.75 x 13.4 x 2.75 in — 44.5 x 34.3 x 7 cm PROVENANCE:

Private Collection, Prince Edward Island

$200 — 400

134 VARIOUS ARTISTS (MID-17TH CENTURY), BRITISH SET OF FOUR BIBLICAL SCENES engravings in black on laid paper; each signed and titled in plate; titles include “Abraham, lay not thine hand on the Child,” “Ishmael driven out,” “Saul designes the death of David,” and “A triumph for David” largest 13.5 x 8.25 in — 34.3 x 21 cm PROVENANCE:

Private Collection, Montreal, QC

$100 — 150

135 JEWGENIJ SERGEJEWITSCH WACHTANGOW (B. 1942), RUSSIAN ABSTRACT (SPIDERWEB), 1989 oil on canvas; initialed in Cyrillic and dated “89” lower right; signed, titled, and dated in Cyrillic verso 35.5 x 27.6 in — 90 x 70 cm PROVENANCE:

Private Collection, New York, NY

$400 — 600

136 JEWGENIJ SERGEJEWITSCH WACHTANGOW (B. 1942), RUSSIAN BLACK AND RED ABSTRACT, 1990 oil on canvas; initialed in Cyrillic and dated “90” lower right; signed, titled, dated, and inscribed in Cyrillic verso 23.75 x 29.5 in — 60.3 x 74.9 cm PROVENANCE:

Private Collection, New York, NY

$250 — 350

137 JEWGENIJ SERGEJEWITSCH WACHTANGOW (B. 1942), RUSSIAN DIE BLUME (THE FLOWER), 1988 oil on canvas; initialed in Cyrillic and dated “88” lower right; signed, titled, and dated in Cyrillic verso 37.4 x 33.4 in — 95 x 84.8 cm PROVENANCE:

Private Collection, New York, NY

$400 — 600

138 JEWGENIJ SERGEJEWITSCH WACHTANGOW (B. 1942), RUSSIAN EXPLOSION, 1989 oil on canvas; initialed and dated “October 1989” in Cyrillic to top margin; signed, titled, and dated in Cyrillic verso 45.3 x 37.4 in — 115 x 95 cm PROVENANCE:

Private Collection, New York, NY

$300 — 400

139 CHIKKOU WAKATSUKI (B. 1918), JAPANESE POÈME DE 31 SYLLABLES: ON EST TOUJOURS ink on paper on decorative mount; stamped lower left 14.6 x 18.9 in — 37 x 48 cm PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

140 ANDY WARHOL (1928-1987) WITH BOB COLACELLO (20TH CENTURY), AMERICAN ANDY WARHOL’S EXPOSURES, 1979 hardcover, first edition book; signed in marker to title page; published by Andy Warhol Books / Grosset & Dunlap, Inc., 1979 11.5 x 9.6 x 1 in — 29.2 x 24.4 x 2.5 cm PROVENANCE:

Private Collection, Ontario

$400 — 600

141 SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN DIAMOND DUST MARILYN screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 302/2500 verso; published by Sunday B. Morning, Belgium sheet 38 x 38 in — 96.5 x 96.5 cm PROVENANCE:

Private Collection, California, USA

$800 — 1,000

142 SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN I LOVE YOUR KISS FOREVER FOREVER screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 219/2500 verso; published by Sunday B. Morning, Belgium sight 16.25 x 22.25 in — 41.3 x 57.2 cm PROVENANCE:

Private Collection, California, USA

$600 — 800

143 JOSEF WENGLEIN (1845-1919), GERMAN; HENRY FARRER (1843-1903), AMERICAN TWO BARBIZON LANDSCAPE VIEWS; VILLAGE HOUSES WITH CARRIAGE, 1886 two engravings on paper; one etching on heavy paper; Two Barbizon Landscape Views signed “J. Wenglein” in the plate Village Houses with Carriage signed and dated in the plate sight 13.1 x 17.5 in — 33.3 x 44.5 cm; sight 15.7 x 29.25 in — 39.9 x 74.3 cm PROVENANCE:

Private Collection, Ontario

$250 — 350

144 ROBERT J. WICKENDEN (1861-1931), CANADIAN AUTUMN, LAURENTIAN HILLS, NEAR STE. ADÈLE oil on panel; signed and dated “05” lower left; signed, titled, and dated verso 9 x 14.5 in — 22.9 x 36.8 cm PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

145 RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN BLUE OPUS; BLUE OPUS (TRIAL COPY), 1978 screenprints in colours on paper; 1. Blue Opus; signed, titled, and numbered “HC 20/25” with Chinese seal lower margin 2. Blue Opus (trial copy); signed “Lela M. Wilson ONT” (the artist’s wife) and dated “Aug. 6/2005”; inscribed “Trial Copy - Blue Opus 1978 By York Wilson R.C.A.” verso 20.9 x 24.1 in — 53.1 x 61.2 cm; 20.9 x 24 in — 53.1 x 61 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

146 RONALD YORK WILSON OCA, RCA (1907-1994), CANADIAN CAIRO (FROM THE “CITIES” PORTFOLIO) screenprint in colours on paper; signed and numbered 46/60 to margin 22.6 x 28 in — 57.4 x 71.1 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

147 RONALD YORK WILSON OSA, RCA (1907-1884), CANADIAN FIVE LIFE DRAWINGS, 1972-1976 charcoal and graphite on paper; 1. Janice; dated “72-73” 2. Janice Robinette de Cortes; inscribed “Mexico 8.3.’73” 3. Janice De Cortes; dated “15.11.76” 4. Janice De Cortes; dated “23.11.76” 5. Janice De Cortes; dated “23.11.76” sheets 19.75 x 25.75 in — 50.2 x 65.4 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

148 RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN JAIPUR (FROM THE “CITIES” PORTFOLIO) screenprint in colours on paper; signed and numbered 48/60 to margin 22.75 x 28 in — 57.8 x 71.1 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

149 RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN MARRAKECH (FROM THE “CITIES” PORTFOLIO) screenprint in colours on paper; signed and numbered 40/60 to margin 22.5 x 28 in — 57.2 x 71.1 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

150 RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN NGAIO, 1977 screenprint in colours on paper; signed, dated “’77”, and numbered 19/20 lower margin sheet 18.5 x 10.75 in — 47 x 27.3 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

151 RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN NEW YORK (FROM THE “CITIES” PORTFOLIO) screenprint in colours on paper; signed, titled, and numbered 46/50 to margin 18.75 x 25.5 in — 47.6 x 64.8 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

152 RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN YORK WILSON: PINTURAS - DIBUJOS, 1969/70 screenprint in colours on paper; exhibition poster for Palacio de Bellas Artes, Mexico, 1969/70 27.5 x 19.25 in — 69.9 x 48.9 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 250

153 RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN SRINAGAR (FROM THE “CITIES” PORTFOLIO) screenprint in colours on paper; signed, titled, and numbered 56/60 to margin sheet 22.75 x 28 in — 57.8 x 71.1 cm PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

154 OSSIP ZADKINE (1880-1967), RUSSIAN/FRENCH LE MONDE SECRET DE / THE SECRET WORLD OF ZADKINE, 1966 hardcover, limited first edition book, uncut; signed and numbered 66/100; together with original red silk portfolio with gold lettering in red cloth slipcase; published by Arted, Editions d’Art in 1966 15.15 x 11.7 x 1.4 in — 38.5 x 29.7 x 3.6 cm PROVENANCE:

Private Collection, Ontario

$200 — 300

155 HARRY MAYER ZEILIG (1908-2002), CANADIAN FIVE PORTRAITS OF HOLLYWOOD STARS gouache on card, mounted onto hardboard; 1. titled “Danny Kaye” verso 35.9 x 24.1 in - 91.2 x 61.2 cm 2. titled “Cary Grant” verso 34.1 x 24 in - 86.6 x 61 cm 3. titled “Bette Davis” verso 35.9 x 24.1 in - 91.2 x 61.2 cm 4. titled “Humphrey Bogart” 33.9 x 23.75 in - 86.1 x 60.3 cm 5. titled “Charles Boyer” 36.1 x 24 in - 91.7 x 61 cm PROVENANCE:

Private Collection, Ontario

$100 — 150

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