No Blank Walls | Auction Ends July 11 At 2PM ET by waddingtons

AUCTION ENDS JULY 11 AT 2PM ET

No

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front cover Lot 141

SUNDAY B. MORNING AFTER ANDY WARHOL DIAMOND DUST MARILYN

front inside cover Lot 9

TIFFANY ERWIN CANT SEA GAZER, 2008

back inside cover Lot 56

BRIAN KELLEY BLUE GRASS

back cover Lot 146

RONALD YORK WILSON CAIRO (FROM THE “CITIES” PORTFOLIO)

This auction is subject to the Conditions of Sale on our website. www.waddingtons.ca

JOHN ABSOLON (1815-1895), BRITISH PEACE

oil on canvas; signed with monogram

28.5 x 21.5 in — 72.4 x 54.6 cm

PROVENANCE:

Private Collection, Toronto, ON

Purchased from the T. Eaton Company Limited, Canada, June 1, 1951, together with a copy of the original receipt

$1,000 — 1,500

2

VENETIAN SCHOOL (19TH/20TH CENTURY)

UNTITLED (BOATS AND FISHER FOLK) oil on board

9.25 x 12 in — 23.5 x 30.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

3

DAVID BERNETT (20TH CENTURY), CANADIAN

JOURNEY INTO [THE] NORTHERN LIGHTS relief carving, stone; signed lower right; titled to partial artist’s label verso

15.1 x 15.1 x .6 in — 38.4 x 38.4 x 1.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

4

MONICA BIAGOLI (20TH CENTURY), CANADIAN

FIVE WORKS FROM THE “MOTHERBOARD” SERIES, 1998 five lithographs in colours on paper;

1. initialed, titled, and numbered “2/3 VE”

2. initialed, titled and numbered “1/2 VE”

3. initialed, titled and numbered “2/3 VE”

4. initialed, titled and numbered “1/2 VE”

5. initialed, titled and numbered “1/2 VE” each sheet 41.5 x 14.5 in — 105.4 x 36.8 cm

PROVENANCE:

Corporate Collection, Markham, ON $100 — 150

CLAUDE BREEZE (B. 1938), CANADIAN

THE MAN WHO TALKS TO THE WIND #4, 1985-1986

woodcut in black ink on Japon paper; signed, titled, dated “85/6”, and numbered “4/8 Part 1” to margin

image 8 x 5.4 in — 20.2 x 13.8 cm; sheet 14.3 x 10.2 in — 36.2 x 26 cm

PROVENANCE:

Private Collection, Ontario

$125 — 175

6

HENRI CARTIER-BRESSON (1908-2004), FRENCH

CÓRDOBA, SPAIN, 1933

reproduction print; signed in ink to margin; printed ca. 1980

image 14.4 x 9.8 in — 36.5 x 24.8 cm; sheet 17.9 x 13.9 in — 45.5 x 35.3 cm

PROVENANCE:

Private Collection, Europe

$300 — 400

HARRY BRODSKY (1908-1997), AMERICAN STILL LIFE WITH SCISSORS; BOTTLE NO. 2 lithographs on paper, with full margins; each signed, titled, and numbered 14/20 and 5/20, respectively

image 10.8 x 13.7 in — 27.5 x 34.7 cm; image 9.2 x 13.2 in — 23.4 x 33.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 500

NATHANIEL BUCK (ACTIVE 1724-1759) AND SAMUEL BUCK (1696-1779), BRITISH THE EAST VIEW OF HIGHAM-FERRERS-COLLEGE IN THE COUNTY OF NORTHAMPTON, 1729 engraving with letters on laid paper, with watermark plate 7.9 x 14.6 in — 20 x 37.2 cm; sheet 10.5 x 16.9 in — 26.7 x 42.9 cm

PROVENANCE:

Gift of Mr. and Mrs. Ralph Presgrave to the Art Gallery of Ontario, Toronto, ON, in 1979 Deaccessioned to benefit art purchases at the AGO

$70 — 120

TIFFANY ERWIN CANT (B. 1954), AMERICAN SEA GAZER, 2008

lithograph in colours on paper; signed and numbered 40/400 to margin; certificate of authenticity adhered verso image 20 x 20 in — 50.8 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

ATTRIBUTED TO CONSALVO CARELLI (1818-1900), ITALIAN NAPOLI

oil on canvas

23.9 x 36.1 in — 60.7 x 91.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

ANGELA CARUGATI (1881-1977), ITALIAN

UNTITLED (ROMAN RUINS) oil on canvas; signed lower right 10 x 8 in — 25.4 x 20.3 cm

PROVENANCE:

Private Collection, Toronto, ON $400 — 600

MOIRA CLARK (B. 1950), CANADIAN THE GARDEN FACES WEST, 1984 etching in colours on paper; signed, titled, dated “84”, and numbered 3/10 to margin sheet 29.9 x 40.5 in — 75.9 x 102.9 cm

PROVENANCE:

Corporate Collection, Toronto, ON $200 — 300

JAMES HUGHES CLAYTON

(ACTIVE 1891-1929), BRITISH EVENING GLOW, CEMAES, ANGLESEY

watercolour on paper; signed lower left; titled verso

sight 14.75 x 22 in — 40.5 x 59.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

AFTER JOHN CONSTABLE (1776-1837), BRITISH

ON RIVER STOUR, SUFFOLK

oil on canvas; signed “John Constable” lower left; titled to nameplate; titled and inscribed to stretcher verso

20.25 x 28.25 in — 51.4 x 71.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 400

15

AFTER JEAN-BAPTISTE-CAMILLE COROT (1796-1875)

UNTITLED (SUNLIT FORESTED PATH) oil on canvas; inscribed “Copy of a Corot - Jack Weldon Humphrey, 1924” to lower stretcher bar 15.25 x 22.25 in — 38.7 x 56.5 cm

PROVENANCE:

Gift of Mr. Morgan Ferris, Saint John’s, NL in 1990Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 250

16

ARCHIBALD F. CUTHBERTSON (1924-2000), AUSTRALIAN

EXCITED IMAGE

mixed media on paper; signed lower right; titled to gallery label verso sight 25 x 17.4 in — 63.5 x 45.1 cm

PROVENANCE:

From the Vincent Price Collection, Sears, Roebuck and Co.Private Collection, Toronto, ON $75 — 100

17

KENNETH (KEN) EDISON DANBY (1940-2007), CANADIAN THE ARMSTRONG MILLER, 1970; BELOW THE DAM, 1982 screenprints in colours on paper ; The Armstrong Miller, 1970signed, dated, and numbered 35/50 to marginBelow the Dam, 1982signed, dated, and numbered 75/100 to margin image 11.6 x 17.9 in — 29.5 x 45.5 cm; image 18 x 24 in — 45.7 x 61 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

DAVID DAWSON (20TH CENTURY), CANADIAN

UNTITLED (SAPLING BY A STREAM) gouache on canvas; signed lower right 16 x 20 x .75 in — 40.6 x 50.8 x 1.9 cm

PROVENANCE: Private Collection, Ontario

$200 — 300

CORNELIA (CLARISSA) DIBBLE (B. 1937), BRITISH WOMAN IN A FANTASTIC LANDSCAPE mixed media on board; signed lower right; titled to partial label verso

38.3 x 18 in — 97.3 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 150

20

EDWARD GILBERT HESTER (CA. 1843-1903), BRITISH

MORNING: GOING TO COVER; EVENING: RETURNING TO THE KENNELS, 1877 engravings in colours on paper; both signed to the plate; after the original paintings by Edward Algernoon Stuart Douglas (ca. 1850-1920); published by Arthur Ackermann, 191 Regent Street, London

19.75 x 15,.75 in — 50.2 x 40 cm; 19.9 x 16 in — 50.5 x 40.6 cm

PROVENANCE:

Private Collection, Montreal, QC

$80 — 120

ASHER BROWN DURAND (1796-1886) AFTER HENRY INMAN (1801-1846), AMERICAN

JOHN MARSHALL LLD, 1833

engraving with letters; with facsimile signature “J. Marshall” plate 9.5 x 6.1 in — 24.1 x 15.6 cm; sheet 10.1 x 6.5 in — 25.7 x 16.4 cm

PROVENANCE:

Gifted to the Art Gallery of Ontario by Mr. and Mrs. Ralph Presgrave in 1978

Deaccessioned to benefit art purchases at the AGO

$70 — 120

IN THE MANNER OF REMBRANDT VAN RIJN (1606-1669)

STUDY OF AN OLD WOMAN CALLED ‘THE ARTIST’S MOTHER’ oil on canvas adhered to stretcher 16 x 14.1 in — 40.6 x 35.8 cm

PROVENANCE: Private Collection, Toronto, ON

$150 — 200

23

AFTER HUBERT BELLIS (1831-1902)

STILL LIFE WITH CAT AND HUNTING TROPHIES

oil on canvas

36.25 x 47.25 in — 92.1 x 120 cm

PROVENANCE:

Private Collection, Toronto, ON $300 — 400

DUTCH SCHOOL (18TH/19TH CENTURY)

UNTITLED (WATERING HOLE) oil on board; indistinctly signed and dated verso 9.25 x 12.1 in — 23.5 x 30.7 cm

PROVENANCE:

Private Collection, Toronto, ON $150 — 200

GÉRARD EDELINCK (1640-1707); JACQUES LUBIN (CA. 1659-1703); PIERRE LOUIS VAN SCHUPPEN (1627-1702); CHARLES LOUIS SIMONNEAU (1645-1728), BELGIAN/FRENCH

PORTRAITS DES HOMMES ILLUSTRES DU DIX-SEPTIÈME SIÈCLE, CA. 1805 engravings on paper; disassembled manuscript with one folio page and 20 loose engravings each approx. 16.25 x 10.25 in — 41.3 x 26 cm

PROVENANCE:

Private Collection, Quebec

Private Collection, Toronto, ON

$150 — 200

TATJANA ANDREJEWNA FAIDISCH (B. 1955), RUSSIAN

WIE DIE KARTEN FALLEN (HOW THE CARDS FALL), 1988 oil on canvas; initialed in Cyrillic lower right; signed, titled, and dated in Cyrillic verso 60.6 x 31.5 in — 154 x 80 cm

PROVENANCE:

Private Collection, New York, NY

$200 — 300

27

JORGE FLORES (1934-2008), MEXICAN UNTITLED (FIGURAL ABSTRACT)

acrylic on paper; signed lower right sight 21.5 x 29.5 in — 54.6 x 74.9 cm

PROVENANCE:

Private Collection Toronto, ON $200 — 300

KEIZAN FUJII (B. 1918); SHINZAN KAMIJYO (1907-1997); GABOKU OGAWA (1911-2000), JAPANESE

THREE PAINTED SCROLLS

each India ink on paper, scroll mounted; Keizan Fujii Poème du Printemps Espéré signed and stamped lower left Shinzan Kamijyo La Lune au-Dessus du Fleuvesigned and double stamped middle left, stamped upper right Gaboku Ogawa Jour par Jour on est Bonheursigned and stamped middle left, stamped upper right

77.6 x 18.1 in — 197.1 x 46 cm;

77.6 x 20.1 in — 197.1 x 51.1 cm;

78.3 x 19.7 in — 198.9 x 50 cm

PROVENANCE:

L’Artothèque, Montreal, QC $300 — 500

TOMIKO FURUSAWA (B. 1922), JAPANESE ÉCRITURE DU SEIKIDOHONKOKINSHU

ink on paper on bi-fold screen; stamped lower left

25.6 x 67.3 in — 65 x 171 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

CLARENCE GAGNON (1881-1942), CANADIAN

WINTER MORNING BAIE ST. PAUL lithograph in colours on paper; signed and titled in plate; numbered 587/1000 to margin image 17 x 21 in — 43.2 x 53.3 cm

PROVENANCE:

Private Collection, Toronto, ON $70 — 150

31

FRANK GALSWORTHY (1863-1959); CHARLES S. MILLARD (1837-1917), BRITISH

SAILING ON A CALM LAKE, 1913; CASTLE ON A SCOTTISH LOCH watercolours on paper; Sailing on a Calm Lake, 1913signed and dated lower left Castle on a Scottish Lochsigned under the mat lower left 9.8 x 14.3 in — 24.9 x 36.3 cm; 9.3 x 14.3 in — 23.6 x 36.3 cm

PROVENANCE:

Private Collection, Toronto, ON $100 — 150

32

WALTER GAUDNEK (1931-2022), CZECH/AMERICAN UNTITLED oil on canvas; signed upper left 14 x 14.25 in — 35.6 x 36.2 cm

PROVENANCE:

Private Collection, Toronto, ON $150 — 250

GEMINI G.E.L. (20TH CENTURY), AMERICAN

TECHNICS AND CREATIVITY: GEMINI G.E.L, 1971

publication produced in conjunction with The Museum of Modern Art, New York, NY containing 364 illustrations, a multiple of Jasper Johns’ Target (1970), as well as a collage of watercolour pads and brush; packaged in a white clam shell box; from an unnumbered edition of 2500

10.7 x 8.9 x 1.3 in — 27.2 x 22.7 x 3.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 300

GENERAL IDEA (1968-1994), CANADIAN STUDY FOR URSA MAJOR AND TAURUS: PAVILION FRAGMENTS FROM THE STARRY VAULT, 1983

lithograph in colours and metallic foils on paper; from an unnumbered edition of 1000 sight 27.75 x 35 in — 70.5 x 88.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

AFTER THÉODORE GÉRARD (1829-1895), BELGIAN BOY IN SHADES OF GREY AT SCHOOL ENTRANCE, THE INCIDENT oil on canvas; signed lower right

25.5 x 17.75 in — 64.8 x 45.1 cm

PROVENANCE:

Private Collection, Toronto, ON $300 — 400

ATTRIBUTED TO SYBIL GOLDSMITH (1917-2005), AMERICAN STILL LIFE

charcoal on paper; signed lower right sight 18.3 x 24 in — 46.5 x 61 cm

PROVENANCE:

Private Collection, Toronto, ON $300 — 400

JOHN FREDERIC GREENWOOD (1885-1954), BRITISH

UNTITLED (VILLAGE STREET)

wood engraving on paper; signed and numbered 7/50 to margin

image 5.1 x 7 in — 15.2 x 19.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

GEORGES GRELLET (1869-1959), FRENCH

PETIT CHAT, 1925

lithograph in colours on paper; signed and titled to margin; dated in plate image 15.25 x 11.5 in — 38.7 x 29.2 cm

PROVENANCE:

Private Collection, Toronto, ON

$50 — 75

ANTHONY GROSS (1905-1984), BRITISH ROUNDED HILLS, MAMELONS; IMAGINARY LANDSCAPES, ROUNDED HILLS, MAMELONS, CA. 1960 etchings in black on wove paper, with full margins;

1. signed in plate, signed, titled, and numbered 21/50 to margin

2. signed in plate, signed, titled, numbered 1/2, and inscribed “1st State”; adhered to backing plate 14.8 x 19.5 in — 37.5 x 49.5 cm; plate 14.7 x 19.25 in — 37.3 x 48.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$250 — 450

CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN

UNTITLED (TWO WOODLAND SCENES) watercolours on paper; signed “C B Hagan” lower left; signed “C B Hagan” lower right 22 x 27 in — 55.9 x 68.6 cm; 21.25 x 26 in — 54 x 66 cm

PROVENANCE:

Corporate Collection, Toronto, ON

$300 — 400

CATHERINE BEVERLY HAGAN (B. 1950), CANADIAN

UNTITLED (TWO WOODLAND STREAM SCENES)

watercolours on paper; each signed “C B Hagan” lower left

22.25 x 26.75 in — 56.5 x 67.9 cm; 22 x 27 in — 55.9 x 68.6 cm

PROVENANCE:

Corporate Collection, Toronto, ON

$300 — 400

SHUNTEI HAMANAKA (B. 1916); KINWO MINEO (B. 1942); KEMPO SONOYAMA (B. 1929), JAPANESE

THREE PAINTED SCROLLS

one ink and colour on paper, scroll mounted; two India ink on paper, scroll mounted;

1. Shuntei HamanakaPoème de 36 Syllablesstamped lower left

2. Kinwo MineoPoème de 17 Syllablesstamped lower left

3. Kempo SonoyamaPoème Sélectionné Dans Manyosigned and stamped upper right

45.7 x 15 in — 116.1 x 38.1 cm; 72 x 15.7 in — 182.9 x 39.9 cm; 15.2 x 154.7 in — 38.6 x 392.9 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$100 — 200

DON HAMILTON (B. 1949); UNIDENTIFIED ARTIST (20TH CENTURY), CANADIAN

A MOUNTAIN NEAR BANFF, 1993; UNTITLED (SNOW-CAPPED MOUNTAINS) pastel on paper; screenprint on paper; A Mountain Near Banff, 1993signed and dated lower right; titled to label verso Untitled (Snow-Capped Mountains)indistinctly signed and inscribed “pres. proof IV” lower left

14.5 x 21.5 in — 36.8 x 54.6 cm; 16.2 x 25.5 in — 41.1 x 64.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$75 — 100

KEISEN HARADA (B. 1940); SOKIN HORIE (B. 1925), JAPANESE TWO PAINTED SCROLLS

both India ink on paper, scroll mounted; Keisen Harada Aimer à Vivre Tranquille stamped lower left Sokin Horie Poéme du Printemps signed and stamped lower left overall 75.2 x 31.9 in — 191 x 81 cm; overall 48 x 26.4 in — 121.9 x 67.1 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$300 — 500

LAWREN PHILLIPS HARRIS, OSA, RCA (1910-1994), CANADIAN

TWO FIGURE DRAWINGS, 1938

graphite on paper ; Figure With Pole initialed and dated “’38” lower right; titled to label verso

Prone Figure initialed and dated lower left; titled to label verso

sight 11.8 x 5.3 in — 30 x 13.5 cm; sight 4.3 x 10.6 in — 10.9 x 26.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$300 — 400

SYDNEY E. HART (1867-1921), BRITISH HAY FIELD, 1910

watercolour on paper; signed and dated lower left sight 9.8 x 21.5 in — 25 x 54.6 cm

PROVENANCE:

Collection of the City of Brantford, OntarioPrivate Collection, Ontario

$250 — 350

RIVA HELFORD (1910-2002), AMERICAN

THREE ABSTRACTS

screenprints on paper;

1. Untitled (#1), ca. 1960signed lower right; dedication verso

sight 5.6 in x 8.8 in — 14.2 cm x 22.4 cm

2. Untitled (#2), 1962signed and dated sight 7.75 x 10 in - 19.7 x 25.4 cm

3. Untitled (#3)signed lower left

sight 9.25 x 4.9 in — 23.5 x 12.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

JANIS HENDRICKSON (20TH CENTURY), AMERICAN ROY LICHTENSTEIN, 1988; KISS V, 1964, CA. 1980

book; screenprint in colours on wove paper; 1. book: signed “R. Lichtenstein” in pencil to title page; first edition, 1988, published by Benedikt Taschen Verlag GmbH & Co.

2. screenprint: signed “Roy Lichtenstein” in marker to margin; published by Poster Originals, Ltd., New York, NY

book 12.1 x 9.4 in — 30.7 x 23.9 cm;

screenprint 34.6 x 35 in — 87.9 x 88.9 cm

PROVENANCE:

Private Collection, Ontario

$600 — 800

HUBERT VON HERKOMER (1849-1914), GERMAN/BRITISH GRANDFATHER’S PET

engraving on paper; printed and published by the Fine Art Society, London, 1880

33.5 x 23 in — 85.1 x 58.4 cm

PROVENANCE:

Private Collection, Ontario

$200 — 300

G. HOWARD HILDER (1866-1935), AMERICAN CARIBBEAN PINES NEAR CUTLER, FLORIDA, 1925

oil on board; signed and dated lower right; titled and inscribed with storyline verso 16 x 12 in — 40.6 x 30.5 cm

PROVENANCE:

Private Collection, Ontario

$300 — 400

WILLIAM HOGARTH (1697-1764), BRITISH

THE MARCH TO FINCHLY SUBSCRIPTION

RECEIPT, 1749

engraving on wove paper

sight 8 x 10.75 in — 20.3 x 27.3 cm

PROVENANCE:

Private Collection, Toronto

$100 — 150

KYUSEN ICHIKAWA (B. 1934); SHINGAI TANAKA (1942-2007); KOYO ENDO (B. 1939), JAPANESE TONNERRE, LOINTAIN; CHEMIN; HOMME ET FEMME

each ink on paper, scroll mounted overall 58.3 x 33.9 in — 148.1 x 86.1 cm; overall 65 x 35.4 in — 165.1 x 89.9 cm; overall 68.9 x 35.4 in — 175 x 89.9 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$300 — 400

HARRY MAYER ZEILIG (1908-2002), CANADIAN

FOUR PORTRAITS OF HOLLYWOOD STARS

gouache on card;

1. titled “Cary Grant”

20.5 x 15.25 in - 52.1 x 38.7 cm

2. titled “Humphrey Bogart”

24.25 x 15 in - 61.8 x 38.1 cm

3. titled “James Stewart”

27.75 x 22 in - 70.5 x 55.9 cm

4. titled “Olivia de Havilland”

26.25 x 20 in - 66.7 x 50.8 cm

PROVENANCE:

Private Collection, Ontario

$100 — 150

MAFU JIANG (20TH CENTURY), CHINESE

UNTITLED, 2000

mixed media on canvas; signed and dated lower right 48 x 48 in — 121.9 x 121.9 cm

PROVENANCE:

Private Collection, Ontario

$300 — 400

55

RENINA KATZ (B. 1925), BRAZILIAN UNTITLED, 1974

lithograph in colours on paper; signed, dated, and numbered 15/17 to margin; inscribed “Latin American Collection / Katz, R. / Untitled” verso

sight 31 x 22.5 in — 78.7 x 57.2 cm

PROVENANCE:

Private Collection, OntarioSt. Joe Minerals Corporation, New York, NY $200 — 300

56

BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN BLUE GRASS

screenprint in colours on paper; signed, titled, and numbered 105/165 to margin image 22 x 30 in — 55.9 x 76.2 cm

PROVENANCE:

Corporate Collection, Toronto, ON $200 — 300

BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN

COLOUR FIELD I

etching in colours on paper; signed, titled, and numbered 12/60 to margin image 9.7 x 17.75 in — 24.6 x 45.1 cm

PROVENANCE:

Corporate Collection, Toronto, ON $150 — 250

BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN

COLOUR FIELD II

etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.7 in — 24.6 x 45 cm

PROVENANCE:

Corporate Collection, Toronto, ON $150 — 250

59

BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD III

etching in colours on paper; signed, titled, and numbered 14/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm

PROVENANCE: Corporate Collection, Toronto, ON $150 — 250

BRIAN KELLEY (B. 1946), AMERICAN/CANADIAN COLOUR FIELD IV

etching in colours on paper; signed, titled, and numbered 10/60 to margin 9.7 x 17.75 in — 24.6 x 45.1 cm

PROVENANCE:

Corporate Collection, Toronto, ON $150 — 250

WILLIAM JOSEPH KING (1857-1943), BRITISH

UNTITLED (MOTHER AND CHILD), 1884 oil on canvas; signed and dated lower left 30 x 20 in — 76.2 x 50.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

MICHEL LASNE (1590-1667); JEAN MORIN (1590-1650), FRENCH

PORTRAIT DE HENRI DE BOURBON, PRINCE DE CONDÉ, 1645; RÉNE DE LONGUEIL, MARQUIS DE MAISONS, CA. 1642-1650

engraving with letters laid on antique watermarked paper; etching and engraving with stippling on laid paper image 13 x 9.25 in — 33 x 23.5 cm; image 12.8 x 10.4 in — 33.5 x 26.6 cm

PROVENANCE:

The Lasne: Bequest of Frank Darling to the Art Gallery of Ontario in 1923, Toronto, ON

The Morin: Ex. Collection of Mr. and Mrs. Ralph Presgrave

Gifted to the Art Gallery of Ontario in 1979, Toronto, ON

Deaccessioned to benefit art purchases at the AGO

$140 — 200

63

ATTRIBUTED TO ALBERT MARIE LEBOURG (1849-1928), FRENCH LE PORT DE ROTTERDAM, 1882

oil on canvas board; signed and dated “/82” lower right; signed “Albert Marie Lebourg” and titled verso 11.75 x 16 in — 29.8 x 40.6 cm

PROVENANCE: Estate Collection, Toronto, ON

$200 — 300

64

LOUIS LEGRAND (1863-1951), FRENCH LA PEDICULTURE, 1905

drypoint etching on laid paper, with full margins and watermark; signed and numbered 4/30 to margin; published by Gustave Pellet 17.3 x 12.2 in — 44 x 31 cm

PROVENANCE: Private Collection, Toronto, ON

$100 — 150

JOHN LINDLEY (1799-1865), BRITISH

NINE ASSORTED BOTANICAL PRINTS, 19TH CENTURY

engravings in colours on paper; some signed in plate

largest 11.75 x 8.75 in — 29.8 x 22.2 cm

PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

THOMAS GOFF LUPTON (1791-1873), BRITISH; GIOVANNI VENDRAMINI (1769-1839) AFTER SIR WILLIAM BEECHEY (1753-1839), ITALIAN

KING WILLIAM THE FOURTH; ADMIRAL SIR THOMAS DUCKWORTH, K.B. mezzotint with letters on paper; stipple engraving with letters on paper; King William the Fourth engraved by Thomas Goff Lupton, published by William Sams, Royal Library, 1 St. James Street, London

Admiral Sir Thomas Duckworth, K.B. from an original painting by Sir William Beechey, drawn by W. Evans, engraved by J. Vendramini

sheet 15.7 x 12.6 in — 40 x 32.1 cm;

image 15.6 x 12.5 in — 28 x 23.5 cm; sheet 16.1 x 12.9 in — 41 x 32.8 cm; image 12 x 10 in — 30.5 x 25.3 cm

PROVENANCE:

Both gifted to the Art Gallery of Ontario, Toronto, ON by Mr. and Mrs. Ralph Presgrave in 1979 Deaccessioned to benefit art purchases at the AGO

$120 — 180

67

SALVATORE MARESCA (19TH/20TH CENTURY), ITALIAN MAN SMOKING A PIPE; MAN LIGHTING A PIPE oil on canvas; both attributed to “S. Maresca” to nameplates

15.5 x 10.1 in — 39.4 x 26.7 cm; 15.35 x 10.25 in — 39 x 26 cm

PROVENANCE:

Private Collection, Montreal, QC

$100 — 150

PETER AND TRAUDL MARKGRAF (20TH CENTURY), CANADIAN WINTER SKY

screenprint in colours on paper; signed, titled, and numbered 93/148 to margin image 16.5 x 14.6 in — 41.9 x 37.1 cm

PROVENANCE:

Private Collection, Ontario

$100 — 150

BARBARA MCGIVERN (1945-2019), CANADIAN

14 IN 1 #1

acrylic and gold leaf on paper; signed, titled, and stamped verso

10.25 x 7 in — 26 x 17.8 cm

PROVENANCE:

Estate of Barbara McGivern Private Collection, Toronto, ON

$100 — 125

BARBARA MCGIVERN (1945-2019), CANADIAN

14 IN 1 #5

acrylic and gold leaf on paper; signed, titled, and stamped verso

7 x 10.25 in — 17.8 x 26 cm

PROVENANCE:

Estate of Barbara McGivern

Private Collection, Toronto, ON

$100 — 125

BARBARA MCGIVERN (1945-2019), CANADIAN

14 IN 1 #6

acrylic and gold leaf on paper; signed, titled, and stamped verso

7 x 10.25 in — 17.8 x 26 cm

PROVENANCE:

Estate of Barbara McGivern

Private Collection, Toronto, ON

$100 — 125

JOHANNES JACABUS (JAN) MESKER (1843-1890), DUTCH

UNTITLED (SAILORS COMING TO PORT) gouache on paper; signed lower right sight 20.6 x 15.3 in — 52.3 x 38.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

73

HENRY MOORE (1898-1986), BRITISH

THE DRAWINGS OF HENRY MOORE, 1977

offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Art Gallery of Ontario, 5 November31 December 1977

sight 27.5 x 19 in — 69.9 x 48.3 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NBDeaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

74

HENRY MOORE (1898-1986), BRITISH

THE ART OF HENRY MOORE, 1986

offset lithograph on paper; signed upper right; collection label verso; exhibition poster for Hong Kong Museum of Fine Arts, Hong Kong, 2 February - 12 March, 1986

sight 30 x 19.4 in — 76.2 x 49.3 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

HENRY MOORE (1898-1986), BRITISH

3 TEMAS EN LA OBRA DE HENRY MOORE, 1982-1983

offset lithograph on paper; signed lower left; collection label verso; exhibition poster for Museo de Monterrey [Mexico], 5 November 1982 - 24 January, 1983

sight 31 x 18 in — 78.7 x 45.7 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

HENRY MOORE (1898-1986), BRITISH HENRY MOORE, 1987

offset lithograph on paper; collection label verso; exhibition poster for National Gallery of Modern Art, New Delhi, 1 October - 15 November, 1987

sight 29.25 x 19.5 in — 74.3 x 49.5 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

HENRY MOORE (1898-1986), BRITISH HENRY MOORE: AT THE SERPENTINE, 80TH BIRTHDAY EXHIBITION OF RECENT CARVINGS AND BRONZES [AND] AT THE TATE: THE HENRY MOORE GIFT, 1978

offset lithograph on paper; signed lower right; collection label verso

sight 16.25 x 11.4 in — 41.3 x 28.6 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

HENRY MOORE (1898-1986), BRITISH HENRY MOORE: SHELTER AND COAL MINING DRAWINGS, 1984

offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Zeichnungen Aus Den Jahren, 1939-42 sight 31.8 x 22.5 in — 80.8 x 57.2 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$300 — 400

HENRY MOORE (1898-1986), BRITISH HENRY MOORE: GRAPHICS IN THE MAKING, 1975

offset lithograph on paper; signed lower right; collection label verso; exhibition poster for Tate Gallery, May 21 - July 6, 1975

sight 29 x 18.9 in — 73.7 x 48 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

HENRY MOORE (1898-1986), BRITISH RECLINING FIGURE IN A LANDSCAPE

offset lithograph on paper; signed lower right; collection label verso

sight 16.5 x 24.75 in — 41.9 x 62.9 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$100 — 150

HENRY MOORE (1898-1986), BRITISH UNTITLED (SEATED WOMAN)

offset lithograph on paper; signed lower right; collection label verso

sight 28.75 x 19.25 in — 73 x 48.9 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

HENRY MOORE (1898-1986), BRITISH TWO HUNDRED YEARS OF AMERICAN GROWTH / HENRY MOORE: AN AMERICAN PORTRAIT, 1776-1976

offset lithograph on paper; signed lower right; collection label verso sight 28 x 20.3 in — 71.1 x 51.6 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

TAIKO MOCHIZUKI (B. 1952), JAPANESE ÉCLATEMENT

ink on paper; stamped lower left sheet 26.8 x 44.7 in — 68 x 113.5 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

AFTER GEORGE MORLAND (1763-1804), BRITISH

UNTITLED (YOUTH IN THE STABLE), 1797 oil on canvas; signed lower left; signed and dated verso 14 x 18 in — 35.6 x 45.7 cm

PROVENANCE:

Private Collection, Toronto, ON $75 — 150

WILLIAM MOULIS (1919-1989), AMERICAN KASBAH

collage and gouache on paper; signed lower right; titled to gallery label verso sheet 29 x 19.75 in — 73.7 x 50.2 cm

PROVENANCE:

Fairweather Hardin Gallery, Chicago, IL

Private Collection, Toronto, ON

$100 — 150

NAOYOSHI MURAYAMA (B. 1936), JAPANESE

SEIGIN (UN COUP DE SABRE), 1990 oil on canvas; signed, titled, and dated lower right 35.8 x 46.1 in — 92 x 117 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$400 — 600

MARY NEWCOMB (1922-2008), BRITISH

WAVY WATER - THE DUDE’S FOOT SHOWING IN THE SECOND WASH LINE watercolour on paper; initialed lower right; signed and titled verso sight 7.9 x 9.3 in — 20.1 x 23.6 cm

PROVENANCE:

Private Collection, Toronto, ON

$50 — 100

SOKO NOZAWA (B. 1931), JAPANESE ROSÉE

ink on paper; stamped lower right sight 28.3 x 40 in — 72 x 101.5 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

LIZ PARKINSON (20TH CENTURY), CANADIAN

METAMORPHIC / ATLANTIC SHORE; CHESTNUT TRAIL / AERCULUA HIPPOASTANUM

etching in colours on paper; drypoint and lithograph in colours on paper; Metamorphic / Atlantic Shoresigned, titled, and numbered 5/10 lower leftChestnut Trail / Aerculua Hippoastanumsigned, titled, and numbered 5/10 lower right

14.1 x 22.25 in — 35.8 x 56.5 cm; 14 x 22 in — 35.6 x 55.9 cm

PROVENANCE:

Corporate Collection, Toronto, ON

$200 — 250

SOPHIE PAQUET (B. 1963), CANADIAN UNTITLED (FLORAL STUDY)

acrylic on paper; signed lower right image 13.5 x 18.1 in — 34.3 x 46 cm

PROVENANCE:

Private Collection, Toronto, ON

$120 — 150

LUC PEIRE (1916-1944), BELGIAN OMBRE ET VIE, 1961 woodcut on matte poster paper; signed and numbered 39/200

7.5 x 15.75 in — 19.1 x 40 cm

PROVENANCE:

Private Collection, Toronto, ON $200 — 300

AFTER PABLO PICASSO (1881-1973), SPANISH FEMME A LA MANDOLINE (MADEMOISELLE LEONIE ASSIE), 1979-1982

lithograph in colours on Arches Paper; pencilsigned “Collection Marina Picasso”, numbered 222/500 to margin; embossed printer’s chop lower left

image 21 x 17 in — 53.3 x 43.2 cm

PROVENANCE:

Private Collection, Ontario

$400 — 600

AFTER PABLO PICASSO (1881-1973), SPANISH

PORTRAITS IMAGINAIRES, 1969 screenprint in colours on paper; signed and dated “27.2.69” to plate sight 21.5 x 16 in — 54.6 x 40.6 cm

PROVENANCE:

Private Collection, Quebec

$300 — 500

94 ALVAR SUÑOL MUNOZ-RAMOS

(B. 1935), SPANISH

DESNUDO SOBRE UN DIVAN lithograph in colours on paper; signed and numbered 61/140 to margin; titled to label verso image 20.4 x 15.5 in — 50.8 x 39.4 cm

PROVENANCE:

Private Collection, Toronto, ON

$75 — 100

95

AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH FEMME NUE COUCHÉ, TOURNÉE A DROITE, 1906 drypoint etching on cream laid paper; from an unknown edition size

image 5.5 x 7.5 in — 14 x 19 cm; image 25.5 x 33 in — 64.8 x 83.8 cm

PROVENANCE: Private Collection, Florida $200 — 400

96

AFTER PIERRE-AUGUSTE RENOIR (1841-1919), FRENCH LE PORTRAIT DE STÉPHANE MALLARMÉ etching on paper; signed and titled to plate upper right sheet 12.9 x 10 in — 32.8 x 25.4 cm

PROVENANCE: Private Collection, Toronto, ON $40 — 50

SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH

GIRL’S HEAD, 1821; LORD CARLISLE, 1821

mezzotints with letters on thick laid paper; the first dated and numbered “No. 11” in the plate; the second dated “Aug. 1821” in the plate; published by The Engraver, Bayswater, London

sheet 8.9 x 6.3 in — 28 x 17.8 cm;

image 11 x 7 in — 9.5 x 7.9 cm; sheet 11.4 x 7.2 in — 29 x 18.5 cm;

image 3.7 x 3.1 in — 10.6 x 8.7 cm

PROVENANCE:

Ex. Coll. Mr. and Mrs. Ralph Presgrave

Gifted to the Art Gallery of Ontario, Toronto in 1979

Deaccessioned to benefit art purchases at the AGO

$100 — 150

98

SAMUEL WILLIAM REYNOLDS THE ELDER (1773-1835) AFTER JOSHUA REYNOLDS (1723-1792), BRITISH

LORD SOUTHAMPTON, 1820; JOSEPH DEANE BOURKE, D.D., ARCHBISHOP OF TUAM (3RD EARL OF MAYO), 1838

mezzotints with letters on thick laid paper; the first published in 1820; the second numbered “Proof” in the plate and published in 1838

sheet 8.9 x 6.4 in — 32.2 x 23.8 cm;

image 14 x 9.3 in — 13.7 x 10.8 cm;

sheet 12.8 x 9.4 in — 35.8 x 23.7 cm;

image 5.1 x 4 in — 13 x 10.2 cm

PROVENANCE:

Ex. Coll. Mr. and Mrs. Ralph Presgrave

Gifted to the Art Gallery of Ontario, Toronto in 1979

Deaccessioned to benefit art purchases at the AGO

$100 — 150

99

AFTER REMBRANDT VAN RIJN (1606-1669), DUTCH THE DEATH OF THE VIRIGIN, 1639 [BARTSCH, 99; HOLLSTEIN, 161] etching on trimmed paper; signed and dated to plate lower left sheet 14.7 x 12.8 in — 37.4 x 32.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$100 — 200

100

RONNIE ROBERTS (B. 1954), CANADIAN J BOB’S COUNTRY MARKET, 2000

UltraChrome K3 colour photograph; signed and dated to mat; titled and dated to label verso sight 10 x 17.75 in — 25.4 x 45.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

101

RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE, PARIS

black and white archival photograph; signed and dated to mat; titled and dated to label verso sight 12.7 x 17.9 in — 32.3 x 45.5 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

102

RONNIE ROBERTS (B. 1954), CANADIAN MONTMARTRE PARIS CAFÉ, 1986

hand-printed colour photograph; titled and dated to gallery label verso sight 19.5 x 23.5 in — 50.8 x 61 cm

PROVENANCE:

David Jean Gallery, Toronto, ON Private Collection, Ontario

$100 — 150

103

RONNIE ROBERTS (B. 1954), CANADIAN ONCE A DREAM, 2021

UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 13 x 17 in — 33 x 43.2 cm

PROVENANCE:

Private Collection, Ontario

$150 — 200

104

RONNIE ROBERTS (B. 1954), CANADIAN TALKING TREES, 2017

UltraChrome K3 photograph; signed and dated to mat; titled and dated to label verso sight 11.5 x 17.9 in — 29.2 x 45.5 cm

PROVENANCE:

Private Collection, Ontario

$150 — 200

105

R. ROMAGNOLI (20TH CENTURY), ITALIAN

FALL LAKE VIEW

oil on canvas; signed lower left 20 x 27.5 in — 50.8 x 69.9 cm

PROVENANCE:

Private Collection, Westmount, QC

$100 — 200

106

PITALOOSIE SAILA (B. 1942) TRANSFORMATION, 1986

stonecut and stencil on paper; signed, titled, dated, and numbered 28/50

21.75 x 26.75 in — 54 x 67.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

107

GAKUSUI SHINOMIYA (B. 1927), JAPANESE

SECRET

ink on paper; stamped lower left sight 33.9 x 38.6 in — 86 x 98 cm

PROVENANCE: L’Artothèque, Montreal, QC

$75 — 150

108

MANNER OF CHARLES SHAYER (1826-1914), BRITISH UNTITLED (FARMER RESTING WITH HORSE) oil on canvas

30.5 x 25 in — 77.5 x 63.5 cm

PROVENANCE: Private Collection, Toronto, ON $400 — 600

109

NICOLA SIMBARI (1927-2012), ITALIAN

UNTITLED (RAINY DAY)

screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin sight 20 x 26.5 in — 76.2 x 91.4 cm

PROVENANCE:

Private Collection, Toronto, ON $200 — 300

110

NICOLA SIMBARI (1927-2012), ITALIAN

UNTITLED (STREET SCENE)

screenprint in colours on paper; signed and numbered “artist proof XLI/L” to margin image 19.9 x 26.7 in — 76.2 x 91.4 cm

PROVENANCE:

Private Collection, Toronto, ON $200 — 300

111

SIR HERBERT EDWIN PELHAM HUGHES-STANTON (1870-1937), BRITISH

UNTITLED - PERSON SITTING ON A ROCK BY A COUNTRY PATH, 1922

oil on canvas; signed “Hughes-Stanton” and dated lower left; inscribed “No. 1517” in black crayon to frame verso; date stamps verso 18 x 24 in — 45.7 x 61 cm

PROVENANCE:

Private Collection, Montreal, QC

$400 — 600

112

L. STEPANO (B. 1948), AMERICAN UNTITLED (WOMAN WALKING ALONG WOODED PATH)

oil on canvas; signed lower right 18.1 x 24 in — 46 x 61 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 200

113

JYONAN TANEYA (B. 1919), JAPANESE POÈME DE 31 SYLLABLES “NOSTALGIE”

ink on paper; stamped lower left sheet 40.2 x 10.2 in — 102 x 26 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

114

KATSUJIRO TERASHI (1927-2015), JAPANESE

TOITURE EN TUILES, 1988 screenprint in colours on paper; signed, titled, dated “’88”, numbered 11/50, and stamped lower margin

image 28.7 x 23.4 in — 73 x 59.5 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$75 — 150

115

GEORGE CAMPBELL (CAM) TINNING (1910-1996), CANADIAN UNTITLED (FLOWERS), 1962 oil on board; signed and dated lower right

14.5 x 10.5 in — 36.8 x 26.7 cm

PROVENANCE:

Private Collection, Toronto, ON $75 — 100

116

FOLLOWER OF TITIAN (CA. 1485-1576), ITALIAN

THE GODDESS FLORA IN A LANDSCAPE oil on canvas

56 x 38 in — 142.2 x 96.5 cm

PROVENANCE:

Private Collection, Toronto, ON $400 — 600

117

HAJIME TOGUCHI (B. 1925), JAPANESE PAPILLONS

screenprint in colours on paper; signed to mat sight 17.7 x 21.7 in — 45 x 55 cm

PROVENANCE:

L’Artothèque, Montreal, QC

$50 — 75

118

NATALIA OLEGOWNA TOLSTAJA (B. 1954), RUSSIAN

DER BAUM (TREE), 1990

oil on canvas; signed, titled, and dated verso 35.4 x 29.5 in — 90 x 75 cm

PROVENANCE:

Private Collection, New York, NY

$400 — 600

119 JULIAN TREVELYAN (1910-1988), BRITISH

THE PLOUGH, 1976 [TURNER, 322] etching in colours on Barcham Green paper; signed, titled, and numbered 92/150 to margin; printed by Studio Prints and published by Christie’s Contemporary Art in an edition of 150; accompanied by a signed Certificate of Authenticity from the Director of Christie’s Contemporary Art image 12.6 x 17.6 in — 32 x 45 cm

PROVENANCE:

Private Collection, Toronto, ON Private Collection, Kingston, ON Private Collection, Bath, UK

$300 — 400

121

UNIDENTIFIED ARTISTS (19TH CENTURY)

FOUR BOTANCIAL AND FRUIT PRINTS two etchings in colours on paper; two lithographs in colours on paper;

Untitled (Floral Bouquet #1)”Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin

Untitled (Floral Bouquet #2)”

Paul Lenard Lithographer; Print Colorer, 206 Fleet Street, London” in letters to lower margin

Doyenné d’ete Pear

Framboise Brinckle’s Orange largest 11 x 7 in — 27.9 x 17.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$120 — 180

122

UNIDENTIFIED ARTISTS (19TH CENTURY)

PSILLACULE CAÏCA - BARRABAND; UNTITLED (BASKET OF FLOWERS AND BIRDS); UNTITLED (A POSY OF FLOWERS); UNTITLED (FLOWERS AND INSECTS) etchings in colours on paper largest/sight 14.2 x 11 in — 36.1 x 27.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$120 — 180

123

UNIDENTIFIED ARTIST (20TH CENTURY)

UNTITLED (EXOTIC BEAUTY) oil on board 28 x 22 in — 71.1 x 55.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 300

124

UNIDENTIFIED ARTIST (20TH CENTURY)

UNTITLED (HANDS OF BUDDHA) gouache on paper; initialed “JB” lower right sight 11.75 x 26.75 in — 29.8 x 67.9 cm

PROVENANCE: Private Collection, Toronto, ON $150 — 180

125

UNIDENTIFIED ARTIST (20TH CENTURY)

JAMES DEAN

hand-coloured photograph sheet 10.25 x 8 in — 26 x 20.3 cm

PROVENANCE: Private Collection, Toronto, ON $50 — 75

UNIDENTIFIED ARTIST (19TH CENTURY), BRITISH PORTRAIT OF A DANCER, CA. 1830 oil on canvas

35.75 x 27 in — 90.8 x 68.6 cm

PROVENANCE:

C.H. Major English Furniture, London, UKPrivate Collection, Montreal, QC, purchased from the above on August 24, 2001

$200 — 300

127

UNIDENTIFIED ARTIST (19TH/20TH CENTURY)

UNTITLED (PORTRAIT OF A YOUNG WOMAN) oil on canvas

16.25 x 14.25 in — 41.3 x 36.2 cm

PROVENANCE: Private Collection, Toronto, ON

$100 — 150

128

WALTER BACHINSKI (B. 1939), CANADIAN

UNTITLED (SEATED WOMAN WITH NUDES), 1979 graphite and charcoal on Arches paper; indistinctly signed and dated “79” lower right sight 20.9 x 28 in — 53.1 x 71.1 cm

PROVENANCE:

Private Collection, Toronto, ON $150 — 250

129

UNIDENTIFIED ARTIST (20TH/21ST CENTURY)

UNTITLED (STREET PROCESSION) oil on canvas; indistinctly signed lower right 24.1 x 36 in — 61.2 x 91.4 cm

PROVENANCE:

Private Collection, Toronto, ON $50 — 75

130

GUTTORN OTTO (1919-2012), CANADIAN WINTER LANDSCAPE

oil on Masonite; signed and dated 1967

48 x 96.5 in — 121.9 x 245.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$500 — 800

131

UNIDENTIFIED ARTIST (20TH CENTURY), LATVIAN UNTITLED (TOWN SCENES) watercolours on paper;

1. Untitled (Winter Street Scene) indistinctly signed lower left

2. Untitled (Two People Talking in a Back Lane)

17.5 x 14.4 in — 44.5 x 36.6 cm; 20.75 x 20.5 in — 52.7 x 52.1 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

132

UNIDENTIFIED ARTIST (20TH CENTURY), AMERICAN YELLOW LANDSCAPE

oil on canvas; indistinctly signed lower left sight 35.3 x 47.6 in — 89.7 x 120.9 cm

PROVENANCE:

Private Collection, Toronto, ON

$150 — 250

133

PAUL VALERY (1871-1945), FRENCH VALÉRY/ERNI: RÉFLEXIONS SIMPLE SUR LE CORPS, 1967

limited edition book, in folio, with twentyfive lithographs in colours on Japon Nacre paper; lithographs in sheets and wrapped in corresponding folders, in clam shell folio; limited to 326 copies; printed by Mourlot overall 17.75 x 13.4 x 2.75 in — 44.5 x 34.3 x 7 cm

PROVENANCE:

Private Collection, Prince Edward Island

$200 — 400

VARIOUS ARTISTS

(MID-17TH CENTURY), BRITISH SET OF FOUR BIBLICAL SCENES

engravings in black on laid paper; each signed and titled in plate; titles include “Abraham, lay not thine hand on the Child,” “Ishmael driven out,” “Saul designes the death of David,” and “A triumph for David”

largest 13.5 x 8.25 in — 34.3 x 21 cm

PROVENANCE:

Private Collection, Montreal, QC

$100 — 150

135

JEWGENIJ SERGEJEWITSCH

WACHTANGOW (B. 1942), RUSSIAN ABSTRACT (SPIDERWEB), 1989 oil on canvas; initialed in Cyrillic and dated “89” lower right; signed, titled, and dated in Cyrillic verso

35.5 x 27.6 in — 90 x 70 cm

PROVENANCE:

Private Collection, New York, NY

$400 — 600

136

JEWGENIJ SERGEJEWITSCH

WACHTANGOW (B. 1942), RUSSIAN BLACK AND RED ABSTRACT, 1990 oil on canvas; initialed in Cyrillic and dated “90” lower right; signed, titled, dated, and inscribed in Cyrillic verso

23.75 x 29.5 in — 60.3 x 74.9 cm

PROVENANCE:

Private Collection, New York, NY

$250 — 350

137

JEWGENIJ SERGEJEWITSCH

WACHTANGOW (B. 1942), RUSSIAN DIE BLUME (THE FLOWER), 1988 oil on canvas; initialed in Cyrillic and dated “88” lower right; signed, titled, and dated in Cyrillic verso

37.4 x 33.4 in — 95 x 84.8 cm

PROVENANCE:

Private Collection, New York, NY

$400 — 600

138

JEWGENIJ SERGEJEWITSCH

WACHTANGOW (B. 1942), RUSSIAN EXPLOSION, 1989

oil on canvas; initialed and dated “October 1989” in Cyrillic to top margin; signed, titled, and dated in Cyrillic verso

45.3 x 37.4 in — 115 x 95 cm

PROVENANCE:

Private Collection, New York, NY

$300 — 400

139

CHIKKOU WAKATSUKI (B. 1918), JAPANESE

POÈME DE 31 SYLLABLES: ON EST TOUJOURS

ink on paper on decorative mount; stamped lower left 14.6 x 18.9 in — 37 x 48 cm

PROVENANCE: L’Artothèque, Montreal, QC

$75 — 150

140

ANDY WARHOL (1928-1987) WITH BOB COLACELLO (20TH CENTURY), AMERICAN

ANDY WARHOL’S EXPOSURES, 1979 hardcover, first edition book; signed in marker to title page; published by Andy Warhol Books / Grosset & Dunlap, Inc., 1979

11.5 x 9.6 x 1 in — 29.2 x 24.4 x 2.5 cm

PROVENANCE:

Private Collection, Ontario

$400 — 600

141

SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN DIAMOND DUST MARILYN screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 302/2500 verso; published by Sunday B. Morning, Belgium sheet 38 x 38 in — 96.5 x 96.5 cm

PROVENANCE:

Private Collection, California, USA

$800 — 1,000

142

SUNDAY B. MORNING AFTER ANDY WARHOL (1928-1987), BELGIAN

I LOVE YOUR KISS FOREVER FOREVER screenprint in colours on museum board; stamped “Published by Sunday B. Morning” / “fill in your own signature” and numbered 219/2500 verso; published by Sunday B. Morning, Belgium

sight 16.25 x 22.25 in — 41.3 x 57.2 cm

PROVENANCE:

Private Collection, California, USA

$600 — 800

143

JOSEF WENGLEIN (1845-1919), GERMAN; HENRY FARRER (1843-1903), AMERICAN TWO BARBIZON LANDSCAPE VIEWS; VILLAGE HOUSES WITH CARRIAGE, 1886 two engravings on paper; one etching on heavy paper; Two Barbizon Landscape Views signed “J. Wenglein” in the plate Village Houses with Carriage signed and dated in the plate

sight 13.1 x 17.5 in — 33.3 x 44.5 cm; sight 15.7 x 29.25 in — 39.9 x 74.3 cm

PROVENANCE:

Private Collection, Ontario

$250 — 350

144

ROBERT J. WICKENDEN (1861-1931), CANADIAN AUTUMN, LAURENTIAN HILLS, NEAR STE. ADÈLE

oil on panel; signed and dated “05” lower left; signed, titled, and dated verso

9 x 14.5 in — 22.9 x 36.8 cm

PROVENANCE:

Private Collection, Toronto, ON

$200 — 300

145

RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN BLUE OPUS; BLUE OPUS (TRIAL COPY), 1978 screenprints in colours on paper; 1. Blue Opus; signed, titled, and numbered “HC 20/25” with Chinese seal lower margin

2. Blue Opus (trial copy); signed “Lela M. Wilson ONT” (the artist’s wife) and dated “Aug. 6/2005”; inscribed “Trial Copy - Blue Opus 1978 By York Wilson R.C.A.” verso

20.9 x 24.1 in — 53.1 x 61.2 cm; 20.9 x 24 in — 53.1 x 61 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

146

RONALD YORK WILSON OCA, RCA (1907-1994), CANADIAN CAIRO (FROM THE “CITIES” PORTFOLIO)

screenprint in colours on paper; signed and numbered 46/60 to margin 22.6 x 28 in — 57.4 x 71.1 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

147

RONALD YORK WILSON OSA, RCA (1907-1884), CANADIAN

FIVE LIFE DRAWINGS, 1972-1976 charcoal and graphite on paper;

1. Janice; dated “72-73”

2. Janice Robinette de Cortes; inscribed “Mexico 8.3.’73”

3. Janice De Cortes; dated “15.11.76”

4. Janice De Cortes; dated “23.11.76”

5. Janice De Cortes; dated “23.11.76” sheets 19.75 x 25.75 in — 50.2 x 65.4 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

148

RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN JAIPUR (FROM THE “CITIES” PORTFOLIO)

screenprint in colours on paper; signed and numbered 48/60 to margin

22.75 x 28 in — 57.8 x 71.1 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

149

RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN MARRAKECH (FROM THE “CITIES” PORTFOLIO)

screenprint in colours on paper; signed and numbered 40/60 to margin

22.5 x 28 in — 57.2 x 71.1 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

150

RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN NGAIO, 1977

screenprint in colours on paper; signed, dated “’77”, and numbered 19/20 lower margin sheet 18.5 x 10.75 in — 47 x 27.3 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 200

151

RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN

NEW YORK (FROM THE “CITIES” PORTFOLIO)

screenprint in colours on paper; signed, titled, and numbered 46/50 to margin 18.75 x 25.5 in — 47.6 x 64.8 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

152

RONALD YORK WILSON, OSA, RCA (1907-1984), CANADIAN YORK WILSON: PINTURAS - DIBUJOS, 1969/70

screenprint in colours on paper; exhibition poster for Palacio de Bellas Artes, Mexico, 1969/70

27.5 x 19.25 in — 69.9 x 48.9 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$150 — 250

153

RONALD YORK WILSON OCA, RCA (1907-1984), CANADIAN SRINAGAR (FROM THE “CITIES” PORTFOLIO)

screenprint in colours on paper; signed, titled, and numbered 56/60 to margin sheet 22.75 x 28 in — 57.8 x 71.1 cm

PROVENANCE:

Beaverbrook Art Gallery, Fredericton, NB

Deaccessioned to benefit art purchases at the Beaverbrook Art Gallery

$200 — 300

154

OSSIP ZADKINE (1880-1967), RUSSIAN/FRENCH

LE MONDE SECRET DE / THE SECRET WORLD OF ZADKINE, 1966

hardcover, limited first edition book, uncut; signed and numbered 66/100; together with original red silk portfolio with gold lettering in red cloth slipcase; published by Arted, Editions d’Art in 1966

15.15 x 11.7 x 1.4 in — 38.5 x 29.7 x 3.6 cm

PROVENANCE:

Private Collection, Ontario

$200 — 300