Canadian Art Select including Concrete Contemporary APRIL 27 - MAY 2, 2019
bid online at onlineauctions.waddingtons.ca
contemporary art specialist Stephen Ranger skr@waddingtons.ca
all lots can be viewed online at www.waddingtons.ca
416-847-6194
on view Sunday, May 28, 2019 from 12:00 pm to 4:00 pm
consignment coordinator Kristin Vance kv@waddingtons.ca
front cover Lot 65 THRUSH HOLMES POEMS, 2018 (DETAIL)
front inside cover
Lot 61 LISE GERVAIS UNTITLED (ABSTRACT)
416-504-9100 ext. 6178
back inside cover
Monday, May 29, 2019 from 1:00 pm to 7:00 pm
Lot 49 ELAINE WAISGLASS TULIPA
preview held at 275 King Street East, 2nd Floor Toronto, Ontario M5A 1K2
back cover Lot 42 EVAN PENNY MASK No. 5
tel: 416-504-9100 toll free: 1-877-504-5700
This catalogue and its contents © 2019 Waddington McLean & Company Ltd.
This auction is subject to the Conditions of Sale printed in the back of this catalogue.
Photography & design by Waddington’s All Rights reserved.
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FRANCINE PAQUIN AND BERNARD FRENETTE PLONGER EN L'AZUR acrylic on clay signed 13.25 ins x 12.25 ins; 33.7 cms x 31.1 cms
ALEXANDRE MASINO RACINES DE NUAGES encaustic on panel signed; signed, titled and dated "Avril 2007" on the reverse 31.5 ins x 48 ins; 80 cms x 121.9 cms
GWEN CURRY STUDY #11 - VARIED THRUSH charcoal on paper signed and dated /90; titled to gallery label on the backing 40 ins x 40 ins; 101.6 cms x 101.6 cms
Provenance: Private Collection, Toronto
Provenance: Galerie de Bellefeuille, Montreal Private Collection, Montreal
Provenance: Equinox Gallery, Vancouver Private Collection, Montreal
$1,500–2,000
$300–500
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5
6
ALEXANDRE MASINO J'APPARTIENS À TON ORIGINE encaustic on canvas mounted to board signed, titled and dated 2003 on the reverse 22 ins x 25 ins; 55.9 cms x 63.5 cms
CHRISTOPHER KIER SITE SERIES III, UNTITLED STUDY XXIV mixed media on Mylar signed, titled and dated 1998 sheet 36 ins x 24 ins; 91.4 cms x 61 cms
ALEXANDRE MASINO LA TOTALITÉ DU PRÉSENT encaustic on panel signed; titled and dated to gallery label on the backing 26 ins x 38 ins; 66 cms x 96.5 cms
$300–500
Provenance: Private Collection, Montreal
Provenance: Thielsen Galleries, London, Ontario Private Collection, Toronto
$1,200–1,500
$800–1,000
Provenance: Galerie de Bellefeuille, Montreal Private Collection, Montreal $3,000–4,000
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9
MICHAEL THOMPSON MA JOLIE acrylic on masonite signed and dated; signed, titled and dated 1981 on the reverse 38 ins x 25 ins; 96.5 cms x 63.5 cms
MICHAEL SMITH PORTRAIT #7A oil on panel titled and dated 2004 to gallery label on the reverse 9.75 ins x 7.75 ins; 24.8 cms x 19.7 cms
Provenance: Gallery Moos, Ltd., Toronto Private Collection, Toronto
Provenance: Galerie de Beullfeuile, Montreal Private Collection, Montreal
KENT MONKMAN MODERN LOVE canvas transfer print mounted to board with acrylic overpaint signed in the print, titled, dated 2012 and numbered 2/25 on the overflap 18 ins x 22 ins; 45.7 cms x 55.9 cms
$2,000–3,000
$700–900
$3,000–4,000
10
11
12
PAUL BÉLIVEAU
RICHARD GORENKO OUT IN THE COLD: WARMING UP TO THE END acrylic on board signed, titled and dated /87 on the reverse 48 ins x 26.5 ins; 121.9 cms x 67.3 cms
DAVID BIERK, R.C.A. UNTITLED photographic collage on board with steel surround signed on the reverse 21.25 ins x 32.25 ins; 54 cms x 81.9 cms
HOMMAGE XIII: PAUL KLEE coloured pencil drawing signed, titled, dated /93 and inscribed (PB-93-49) Sheet 30.5 ins x 44 ins; 77.5 cms x 111.8 cms Provenance: Private Collection, British Columbia $5,000—7,000
Provenance: Equinox Gallery, Vancouver Private Collection, Montreal $400–600
Provenance: Private Collection, Toronto
Provenance: Private Collection, Ontario $800–1,000
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15
TONI ONLEY, A.R.C.A. COAST ROCKS, JUNE 1975 watercolour signed, titled and dated in pencil to margin 11 ins x 14.5 ins; 27.9 cms x 36.8 cms
MARK STEBBINS PICTURE ELEMENTS II acrylic and ink on panel signed, titled and dated 2014 on the reverse 8 ins x 8 ins; 20.3 cms x 20.3 cms
MARC GARNEAU UNTITLED mixed media on paper signed and dated 2/1/90 Sheet 30 ins x 40 ins; 76.2 cms x 101.6 cms
Provenance: Private Collection, Ontario
Provenance: Private Collection, Toronto
Provenance: Private Collection, British Columbia
$900–1,200
$600–800
$2,000–3,000
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17
18
DEREK BESANT NIGHT LIGHT watercolour signed; titled and dated Oct. 1978 on gallery label on the backing image 16 ins x 22 ins; 40.6 cms x 55.9 cms
PAUL BÉLIVEAU HOMMAGE XLV: STRAVINSKY, 1994 mixed media on paper signed, titled and dated /94 28.5 ins x 50 ins; 72.4 cms x 127 cms
DEREK BESANT NIGHT STAIR watercolour dated 1982 to gallery label on the backing 44.5 ins x 28.4 ins; 113 cms x 72.1 cms
Provenance: Private Collection, Toronto
Provenance: Mira Godard Gallery, Toronto Private Collection, Toronto
Provenance: Mira Godard Gallery, Toronto Private Collection, Toronto $500–700
$5,000–7,000
$800–1,200
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RUSSELL YURISTY RABBIT CLEANING FOOT oil stick, pastel and charcoal on paper signed and dated '99 34.5 ins x 40.5 ins; 87.6 cms x 102.9 cms
APRIL HICKOX VINE chromogenic print mounted on dibond titled to label on the reverse; from an edition of 5 29.5 ins x 39.5 ins; 74.9 cms x 100.3 cms
PETER HOFFER FOREST mixed media and resin on barn wood titled and dated 2002 on the reverse 48 ins x 81.5 ins; 121.9 cms x 207 cms
Provenance: Private Collection, Montreal $500–700
Provenance: Private Collection, Toronto
Provenance: Galerie Simon Blaise, Montreal Private Collection, Toronto
Note:
$3,000–5,000
$2,000–3,000
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23
24
PETER HOFFER THE COAT mixed media and resin on board titled on the reverse 24 ins x 48 ins; 61 cms x 121.9 cms
JOSEPH SAMPSON WINTER STREAM, 2006 oil on canvas signed 48 ins x 72 ins; 121.9 cms x 182.9 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
SARA MACCULLOCH FALL TREES oil on canvas signed, titled and dated 2006 on the reverse 16 ins x 16 ins; 40.6 cms x 40.6 cms
$2,500–3,500
$2,000–4,000
Provenance: Wynick/Tuck Gallery, Toronto Private Collection, Toronto $1,500–2,000
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26
27
CHRISTOPHER KIER SITE SERIES STUDY XI encaustic and mixed media on mylar signed, titled and dated 2005 28.5 ins x 19.5 ins; 72.4 cms x 49.5 cms
GWEN CURRY BLUE JAY oil stick on paper signed; titled and dated 1991 to gallery label on the backing 48 ins x 48 ins; 119.4 cms x 119.4 cms
TONY SCHERMAN, R.C.A. YORKSHIRE PUDDING mixed media on paper signed, titled and dated '79 sight 28 ins x 22 ins; 71.1 cms x 55.9 cms
Provenance: Thielsen Galleries, London Private Collection, Toronto $700–900
Provenance: Equinox Gallery, Vancouver Private Collection, Montreal
Provenance: Private Collection, Toronto $1,000–1,500
$400–600
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PHILIPPE DESMONTS PETITES FAÇADES ROUGES ET JAUNES; TACHE JAUNE SUR MATIÈRE BLEUE mixed media on board both signed; both titled and dated 2004 on the reverse each 9.75 ins x 9.75 ins; 24.8 cms x 24.8 cms
PIERRE DORION CHINATOWN watercolour titled and dated 2011 to gallery label on the backing 12 ins x 9 ins; 30.5 cms x 22.9 cms
UNKNOWN ARTIST UNTITLED ABSTRACT mixed media on paper sheet 22.5 ins x 28.5 ins; 57.2 cms x 72.4 cms
Provenance: Private Collection, Toronto $300–500
Provenance: Galerie Rene Blouin, Montreal Private Collection, Montreal $800–1,200
Provenance: Private Collection, Montreal $300–500
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32
33
ROBERT MARKLE DRAWING FOR FALLEN FIGURE, SERIES VII charcoal on paper signed and dated ‘64 23 ins x 35 ins; 58.4 cms x 88.9 cms
JACK BEDER WEDGE FORM #38 marble signed, titled and dated 1965 under the base including base 10 ins x 9.25 ins x 3.5 ins; 18.4 cms x 23.5 cms x 8.9 cms
GIUSEPPE DI LEO EDIFICATION OF ALLESANDRO watercolour signed and dated 2009 sight 16 ins x 20.75 ins; 40.6 cms x 52.7 cms
Provenance: The Isaacs Gallery, Toronto Private Collection, Ontario
Provenance: Private Collection, Ontario
Provenance: Tom Hopkins Memorial Art Auction, Montreal, 2011, lot 4 Private Collection, Montreal
$500–700
$600–800
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35
36
CHRISTOPHER KIER UNTITLED wax, pigment, metal leafing and oil on canvas signed, titled and dated 1996 on the reverse 48 ins x 36 ins; 121.9 cms x 91.4 cms
TOM DEAN UNTITLED, #18, 1991-1992 woodcut published in an edition of 30 sheet 35.1 ins x 45.2 ins; 89.2 cms x 114.7 cms
VALERIE PALMER LUNA oil on canvas signed, titled and dated 1989 on the stretcher 41.75 ins x 48.5 ins; 106 cms x 123.2 cms
Provenance: Private Collection, Calgary $2,000–3,000
Provenance: Private Collection, Massachuse!es $500–700
$700–900
Provenance: Private Collection, Toronto $10,000–15,000
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38
39
KEVIN SCHMIDT SMALL WAVES watercolour on rice paper signed and dated 2002 10.75 ins x 15 ins; 27.3 cms x 38.1 cms
KEVIN SCHMIDT SMALL WAVES COLD WATER STUDIES watercolour 18.25 ins x 28 ins; 46.4 cms x 71.1 cms
Provenance: Private Collection, Montreal
Provenance: Private Collection, Montreal
MICHAEL SMITH OVERRUN oil on canvas signed, titled and dated 1996 on the reverse 56 ins x 65 ins; 142.2 cms x 165.1 cms
$300–500
$400–600
Provenance: Waddington & Gorce Inc., Montreal Private Collection, Montreal $3,000–4,000
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RICHARD GORENKO ON GUARD FOR THEM mixed media on board signed, titled and dated /87 on the reverse 29 ins x 29 ins x 2.25 ins; 73.7 cms x 73.7 cms x 5.7 cms
PETER HOFFER UNTITLED (05-II) mixed media on board titled to gallery label on the reverse 24 ins x 48 ins; 61 cms x 121.9 cms
EVAN PENNY MASK NO. 5 bronze signed, dated /89, numbered 2/6 and stamped with foundry mark (Artcast) including base 11 ins x 7.5 ins x 3.25 ins; 27.9 cms x 19.1 cms x 8.3 cms
Provenance: Private Collection, Montreal $500–700
Provenance: Bau-Xi Gallery, Toronto Private Collection, Toronto $2,500–3,500
Provenance: Heffel Fine Art Auction House, Vancouver Private Collection, Alberta $5,000–7,000
43
44
45
EMILY STODDART UNDER IT oil on canvas signed, titled and dated /07 on the reverse 36 ins x 36 ins; 91.4 cms x 91.4 cms
APRIL HICKOX PORTHOLES (BUILDING), 2012 chromogenic print signed, titled, dated and numbered 1/7 on artist label on the backing 24 ins x 20 ins; 61 cms x 50.8 cms
JOHN MEREDITH, R.C.A. UNTITLED COMPOSITION coloured inks 14 ins x 17 ins; 35.6 cms x 43.2 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$800–1,000
Note:
Provenance: Private Collection, Toronto $1,500–2,000
$2,000–3,000
46
47
48
SCOTT EVERINGHAM TWO WAYS ABOUT IT acrylic on canvas signed, titled and dated 2010 on the reverse 18 ins x 18 ins; 45.7 cms x 45.7 cms
APRIL HICKOX PORTHOLES (BLACK BOAT), 2012 chromogenic print from an edition of 7 24 ins x 20 ins; 61 cms x 50.8 cms
ED PIEN THE LOVERS, 2010 ink on shoji paper signed with initials 18.5 ins x 30 ins; 47 cms x 76.2 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$2,000–3,000
$2,000–3,000
Provenance: Private Collection, Toronto $3,000–4,000
49
50
51
ELAINE WAISGLASS TULIPA archival pigment print mounted to Dibond dated and numbered 3/12 on gallery label on the backing 42 ins x 42 ins; 106.7 cms x 106.7 cms
MARK GLEBERZON LOVEBUGS.6722 acrylic paint, resin, wood panel and steel signed, titled and dated 2018 on the reverse 72 ins x 6.25 ins x 2 ins; 182.9 cms x 15.9 cms x 5.1 cms
ERIN LOREE WAITING FOR YOU oil on canvas signed, titled and dated 2013 on the reverse 11 ins x 8 ins; 27.9 cms x 20.3 cms
Provenance: Roberts Gallery, Toronto Private Collection, Toronto
Provenance: Private Collection, Toronto
$5,000–7,000
$1,200–1,500
Provenance: Canadian Fine Arts, Toronto $300–500
52
53
54
BOBBY MATHIESON THE TRIANGLES oil on canvas
VIOLAINE GAUDREAU MOUVEMENTS mixed media on paper signed and dated /95 50 ins x 40 ins; 127 cms x 101.6 cms
JOHN SCOTT HALL TORCH pencil and acrylic on canvas signed and dated '91; titled and dated '91 on the reverse 36 ins x 36 ins; 91.4 cms x 91.4 cms
14 ins x 11 ins; 35.6 cms x 27.9 cms Provenance: Private Collection, Toronto Note: Executed circa 2014. $300–500
Provenance: Galerie Simon Blaise, Montreal Private Collection, Montreal $800–1,200
Provenance: Wynick/Tuck Gallery, Toronto Private Collection, Toronto $4,000–6,000
55
56
57
IRON MEN (JOHN SCOTT, GARY DAULT, MATTHEW VARY) BIG TOE FOOT HAND, 2007 mixed media on paper signed with “IM” stamp and titled within image; inscribed, “Iron Men, John Sco!, Gary Michael Dault, Ma!hew Varey, Big Toe Foot Hand, 2007” and stamped “IM” three times on the backing 66 ins x 51 ins; 167.6 cms x 129.5 cms
DAVID BOLDUC SLIM HARPO oil on canvas signed, titled and dated 1972 on the reverse 72.5 ins x 24 ins; 184.2 cms x 61 cms
KATIE PRETTI THE 4TH PATHWAY NO. 6 mixed media on canvas signed, titled and dated 2012 on the reverse 47 ins x 47 ins; 119.4 cms x 119.4 cms
Provenance: Private Collection, Montreal
Provenance: Private Collection, Toronto
$3,000–5,000
$1,500–2,000
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60
DESIRÉE PATTERSON POINT DE FUSION II, 2017 Kodak Endura metallic print mounted to Dibond with UV lustre lamination signed, titled, dated 2018 (print date) and numbered 1/12 on the reverse 20 ins x 30 ins; 50.8 cms x 76.2 cms
DESIRÉE PATTERSON POINT DE FUSION III, 2017 Kodak Endura metallic print transmounted with UV acrylic on dibond signed, titled, dated 2018 (print date) and numbered 1/12 on the reverse 20 ins x 48 ins; 50.8 cms x 121.9 cms
FRANCES FERDINANDS-FORBES COW AND TRUCK acrylic on canvas signed, titled and dated 1986 on the reverse 26 ins x 40 ins; 66 cms x 101.6 cms
Provenance: Private Collection, British Columbia
Provenance: Private Collection, British Columbia
$2,500–3,500
$4,000–6,000
Provenance: Private Collection, Toronto $4,000–6,000
Provenance: Private Collection, Toronto $1,200–1,500
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LISE GERVAIS UNTITLED (ABSTRACT) watercolour signed 17.5 ins x 22.5 ins; 44.5 cms x 57.2 cms
LUPE RODRIGUEZ HOGAR SERRANO acrylic on canvas signed and dated /84 60 ins x 84 ins; 152.4 cms x 213.4 cms
DULCIE FOO FAT GLACIER PARK - AUTUMN oil on canvas signed and dated '92 on the reverse 24 ins x 36 ins; 61 cms x 91.4 cms
Provenance: Private Collection, Montreal
Provenance: Private Collection, Toronto
$2,500–3,500
$4,000–5,000
Provenance: Wynick/Tuck Gallery, Toronto Private Collection, Toronto
64
65
66
LISE GERVAIS POLUTION (SIC) watercolour signed, titled and dated /89 18.75 ins x 23.75 ins; 47.6 cms x 60.3 cms
THRUSH HOLMES POEMS, 2018 mixed media with neon on panel signed with initials 72 ins x 48 ins; 182.9 cms x 121.9 cms
Provenance: Private Collection, Montreal
Provenance: Private Collection, Toronto
ERIN LOREE IT ALL COMES BACK AROUND oil on canvas signed, titled and dated 2013 on the reverse 12 ins x 12 ins; 30.5 cms x 30.5 cms
$2,500–3,500
$5,000–7,000
$2,500–3,500
Provenance: Canadian Fine Arts, Toronto Private Collection, Toronto $400–600
67
68
69
JOHN KORNER (KOERNER) LANDSCAPE (KINGSTON SERIES) oil on canvas signed and dated /75; signed, titled and inscribed "75-16" on the reverse 36 ins x 36 ins; 91.4 cms x 91.4 cms
CARL BEAM UNTITLED mixed media on paper signed in pencil; with blindstamp: Carl Beam Original Work Sight 14.5 ins x 11.5 ins; 36.8 cms x 29.2 cms
DULCIE FOO FAT DRUMHELLER, RED STONE oil on canvas signed; titled and dated 1982 to gallery label on the reverse 56 ins x 38.5 ins; 142.2 cms x 97.8 cms
Provenance: Private Collection, Montreal
Provenance: Private Collection, Toronto
Provenance: Aggregation Gallery, Toronto Private Collection, Toronto
$400–600
$4,000–6,000
70
71
72
TONY SCHERMAN, R.C.A. UNTITLED mixed media on paper signed and dated /78 sight 23.5 ins x 17.5 ins; 59.7 cms x 44.5 cms
ROBERT YOUDS FAMILY TREE acrylic and oil on canvas signed, titled and dated /89 on the reverse 57 ins x 64 ins; 144.8 cms x 162.6 cms
JEAN ALBERT MCEWEN, R.C.A. UNTITLED mixed media on paper signed twice and dated both /89 and /90 24 ins x 18 ins; 61 cms x 45.7 cms
Provenance: The Mayor Gallery, London, UK Private Collection, Toronto
Provenance: Sable Castelli Gallery, Toronto Private Collection, Toronto
$800–1,200
$3,500–4,500
$700–900
Provenance: Estate of Alison Hymas, Toronto, ON Note: $3,000–4,000
73
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75
BOBBY MATHIESON WIZARD RAP oil on panel signed and dated 2014 on the reverse 12 ins x 9 ins; 30.5 cms x 22.9 cms
LOUISE ROBERT RONAT C'ÉTAIT DANS UNE COUR, J'AIMERAIS VOUS CONNAÎTRE, DIS-JE mixed media on paper signed, titled, dated "4 Avril" 2003 and inscribed "No 764" 24 ins x 25 ins; 61 cms x 63.5 cms
MELANIE AUTHIER VICTROLA acrylic on canvas signed, titled and dated '09 on the reverse 16 ins x 20 ins; 40.6 cms x 50.8 cms
Provenance: Private Collection, Toronto $300–500
Provenance: Private Collection, Montreal $1,200–1,500
Provenance: Private Collection, Toronto $1,500–2,500
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77
78
LOT WITHDRAWN
DAVID R. HARPER A QUIET STUDY goat hide and co!on embroidery floss titled and dated 2013 to unidentified auction label on the backing 25 ins x 20 ins; 63.5 cms x 50.8 cms
CERJ LALONDE UNTITLED (I); UNTITLED (II) collage two works, both signed each 18 ins x 28 ins; 45.7 cms x 71.1 cms
Provenance: Private Collection, Toronto $3,000–5,000
Provenance: Private Collection, Montreal $400–500
79
80
81
YAEL BROTMAN SAFE HOUSE acrylic and ink on paper signed, titled and inscribed “To Eva and Michael - For your heavenly retreat. Enjoy! -Yael” sheet 12.5 ins x 11.25 ins; 31.8 cms x 28.6 cms
GIDEON TOMASCHOFF LA BOCA oil on canvas signed, titled and dated 2002 on the reverse 60 ins x 84 ins; 152.4 cms x 213.4 cms
CORI CREED UNTITLED oil on canvas signed 36 ins x 60 ins; 91.4 cms x 152.4 cms
Provenance: Private Collection, Toronto Exhibited: Yael Brotman, “Safe House”, 1 June - 23 June, 2002, Loop Gallery, Toronto.
Provenance: Edward Day Gallery, Toronto Private Collection, Toronto $2,000–3,000
Provenance: Private Collection, British Columbia Purchased directly from the artist (1998) Note: Executed circa 1998. $3,000–5,000
$300–400
82
83
84
ROBERT VANDERHORST UNTITLED oil on canvas signed and dated /73 13.25 ins x 31.75 ins; 33.7 cms x 80.6 cms
TED BIELER FROM "O" SERIES wood signed on the base; condition noted diameter 26.5 ins; 67.3 cms
Provenance: Private Collection, Ontario
Provenance: Private Collection, Toronto
ROBERT VANDERHORST DUADISTIC (SIC) PHENOMENON NO.2 oil on canvas signed and dated /73; titled to generic label on the reverse 30 ins x 40 ins; 76.2 cms x 101.6 cms
$1,500–2,500
$1,200–1,500
Provenance: Private Collection, Ontario $3,000–5,000
85
86
87
ANDRÉ ETHIER UNTITLED mixed media on board signed and dated 2007 on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms
YVON GALLANT UNTITLED oil on canvas signed and dated '75 18 ins x 24 ins; 45.7 cms x 61 cms
GEORGE VERGETTE TWO WORKS: FLEE #16, FLEE #1 mixed media on paper both signed and titled each 11.25 ins x 15 ins; 28.6 cms x 38.1 cms
Provenance: Private Collection, Toronto
Provenance: The Turner Gallery, Bayfield, Ontario Private Collection, Ontario
Provenance: Private Collection, Montreal
$500–700
$400–600
$200–400
88
89
90
SASHA ROGERS OPEN WINDOW acrylic on canvas signed on the reverse; titled and dated 1993 on the stretcher 40 ins x 30 ins; 101.6 cms x 76.2 cms
WALTER JOSEPH GERARD BACHINSKI SUMMER colour aquatint signed, titled and inscribed "AP" in pencil to margin plate 31.5 ins x 23.75 ins; 80 cms x 60.3 cms
LOT WITHDRAWN
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$2,000–3,000 $800–1,000
91
92
93
GERALD FERGUSON UNTITLED enamel on canvas signed and dated ‘07/’08 on the stretcher 20.25 ins x 20.25 ins; 51.4 cms x 51.4 cms
MARCEL DZAMA ADHESIVE colour lithograph signed and numbered 20/25 sheet 16 ins x 11 ins; 40.6 cms x 27.9 cms
GERALD FERGUSON SEASCAPE WITH ROCK, 2008 enamel on canvas titled and dated "Dec /08" on the stretcher 16 ins x 20 ins; 40.6 cms x 50.8 cms
Provenance: Private Collection, Nova Scotia $3,000–5,000
Provenance: Private Collection, Toronto $600–800
Provenance: Private Collection, Nova Scotia $3,000–5,000
94
95
96
TOM DEAN UNTITLED ink on newsprint signed and dated /96 22.75 ins x 26.75 ins; 57.8 cms x 67.9 cms
SCOTT MACLEOD KARSEFNI’S FIRST ENCOUNTER WITH SKRAELINGS (FIRST CONTACT) mixed media on paper signed and inscribed "9"; titled and dated 2005 to label on the backing sight 15.75 ins x 13.5 ins; 40 cms x 34.3 cms
TIM ZUCK PERSPECTIVE lithograph signed, titled, dated 1971-83 and numbered 6/20 sheet 18 ins x 25 ins; 45.7 cms x 63.5 cms
Provenance: Private Collection, Massachuse!s $400–500
Provenance: Tom Hopkins Memorial Art Auction, Montreal, 2011, lot 20 Private Collection, Montreal $400–600
Provenance: Private Collection, Calgary Barbara Edwards Contemporary, Toronto The Sable-Castelli Gallery Ltd., Toronto $2,000–3,000
97
98
99
ANDREW PLUM ST. IVES oil on board signed, titled and dated 2008 on the reverse 30 ins x 24 ins; 76.2 cms x 61 cms
LORI NEWDICK STRANGE THIRSTS (FROM THE SERIES "HEROINE") Fujicolour print signed, titled, dated 1999 and numbered 5/6 on the reverse (per gallery label on the backing) 30 ins x 40 ins; 76.2 cms x 101.6 cms
MATTHEW VAREY SUBMARINE ON THE SURFACE oil on canvas signed, titled and dated 2007-2008 on the reverse 30 ins x 30 ins; 76.2 cms x 76.2 cms
Provenance: Private Collection, Toronto $1,000–1,500
Provenance: Jane Corkin Gallery, Toronto Private Collection, Alberta
Provenance: Private Collection, Toronto $1,500–2,000
$500–700
100
101
102
ORESTES GREDIAGA UNTITLED ABSTRACT lithograph signed, dated 1997 and numbered 1/1 6.25 ins x 9.5 ins; 15.9 cms x 24.1 cms
MICHAEL ADAMSON FOREST ELEPHANTS ARE SMALLER oil on canvas signed, titled and dated 2005 on the reverse 50 ins x 60 ins; 127 cms x 152.4 cms
ETIENNE ZACK HOW THINGS ARE acrylic on paper signed and dated '08 10 ins x 13.5 ins; 25.4 cms x 34.3 cms
Provenance: Private Collection, Montreal $300–500
Provenance: Private Collection, Toronto $5,000–7,000
Provenance: Private Collection, Montreal $700–900
103
104
105
ANDREW PLUM AUTUMN VORTEX acrylic on canvas signed, titled and dated 2008 on the reverse 36 ins x 36 ins; 91.4 cms x 91.4 cms
WILLEM VERHULST UNTITLED (LANDSCAPE WITH FARM AND FIELDS) oil on masonite signed and dated /92 18 ins x 96 ins; 45.7 cms x 243.8 cms
NICHOLAS HOUGHTON WILTING DAFFODILS coloured pencil on paper signed with initials; titled and dated 1977 to gallery label on the backing 26.25 ins x 40 ins; 66.7 cms x 101.6 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$1,200–1,500
$1,500–2,000
Provenance: Marlborough Godard Gallery, Toronto Private Collection, Montreal
106
107
108
DARLENE COLE MUSICIANS II oil on canvas signed and dated 2002 on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms
DARLENE COLE THREE MUSICIANS oil on canvas signed and dated 2003 on the reverse 30 ins x 30 ins; 76.2 cms x 76.2 cms
DARLENE COLE MUSICIANS oil on canvas signed and dated 2002 on the reverse 20 ins x 16 ins; 50.8 cms x 40.6 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
$500–700
$1,000–1,500
$500–700
$300–400
109
110
111
MATTHEW VAREY BLUEPRINTS OF THE UNIVERSE: PRAYER PAINTING #54, 2004 urethane, pigment and gesso on panel signed, titled and dated 2004 on the reverse 40 ins x 30 ins; 101.6 cms x 76.2 cms
ANDREW BENYEI GEORGE; JENNIFER; JANE polyurethane three sculptures, the first: incised with signature and numbered 6/45; the second: incised with signature and numbered 7/45; the third: incised with signature and numbered 7/45 18 ins x 6 ins x 1 ins; 45.7 cms x 15.2 cms x 2.5 cms; 18 ins x 6 ins x 2 ins; 45.7 cms x 15.2 cms x 2.5 cms; 18 ins x 6 ins x 1 ins; 45.7 cms x 15.2 cms x 2.5 cms
FRANÇOIS BEAUDRY LA CHAISE JAUNE watercolour signed; titled and dated 2009 to gallery label on the backing; framed in steel sheet 29.5 ins x 21.5 ins; 74.9 cms x 54.6 cms
Provenance: Private Collection, Toronto $2,000–4,000
Provenance: Private Collection, Toronto
Provenance: Galerie Dominion, Montreal Private Collection, Montreal $300–400
$1,000–1,500
112
113
114
CHRISTOPHER KIER RITUAL SERIES: STUDY FOR NONTRADITIONAL SACRAFICE (SIC) encaustic on canvas signed, titled and dated 1991 on the reverse 36 ins x 48 ins; 91.4 cms x 121.9 cms
JOHN MACDONALD MORNING RISER oil on board with custom steel frame signed, titled and dated 1999 on the reverse 48 ins x 48 ins; 121.9 cms x 121.9 cms
MARK GASKIN PEARS mixed media on board signed, titled and dated /94 on the reverse 26 ins x 35.5 ins; 66 cms x 90.2 cms
Provenance: Private Collection, Montreal
Provenance: Buschen Mowa! Gallery, Vancouver Private Collection, Montreal
Provenance: Private Collection, Toronto $1,500–2,000
$1,500–2,000
$500–700
115
116
117
STEPHEN APPLEBY-BARR LAUCHIE REID oil on linen signed with monogram 12 ins x 9 ins; 30.5 cms x 22.9 cms
TOM HOPKINS PRIÈRE oil on canvas signed, titled and dated 1994-1995 on the reverse 51 ins x 69 ins; 129.5 cms x 175.3 cms
GEORGE VERGETTE TWO WORKS: PARADISE #28, FLEE (CROWN AND THORNS) the first: mixed media with resin on paper; the second: mixed media with resin on board the first: signed and titled in pencil to margin; the second: signed and titled; dated 2004 on generic label on the reverse sheet/overall 11.25 ins x 15 ins; 28.6 cms x 38.1 cms; 15 ins x 20 ins x 2.75 ins; 38.1 cms x 50.8 cms x 7 cms
Provenance: Private Collection, Toronto Note: Executed circa 2008. $2,000–4,000
Provenance: Mira Godard Gallery, Toronto Private Collection, Toronto $6,000–8,000
Provenance: Private Collection, Montreal $200–300
118
119
120
DOUG KIRTON, R.C.A. INN ON THE PARK VARIATIONS (97.3) oil on canvas, laid down on board signed twice, titled and dated 1997 on the reverse 21 ins x 21 ins; 53.3 cms x 53.3 cms
JACQUES PAYETTE UN JOUR OÙ LA LUMIÈRE DU MATIN S'EST SUBSTITUÉ À TES YEUX encaustic on linen 20 ins x 46 ins; 50.8 cms x 116.8 cms
APRIL HICKOX DAY LILIES AND BUTTERFLY BUSH chromogenic print titled, dated 2010 and numbered 1/7 to gallery label on the reverse 33 ins x 33 ins; 83.8 cms x 83.8 cms
Provenance: Private Collection, Toronto The Sable-Castelli Gallery Ltd., Toronto $400–600
Provenance: Galerie de Bellefeuille, Montreal Private Collection, Toronto $4,000–6,000
Provenance: Leo Kamen Gallery, Toronto Private Collection, Toronto $2,000–3,000
121
122
123
DAVID CRAVEN EMPEROR IX (NO AUTHORITIES) enamel and paper on board signed, titled and dated /87 on the reverse 84 ins x 72 ins x 4 ins; 213.4 cms x 182.9 cms x 10.2 cms; 27 ins x 24 ins x 11 ins; 68.6 cms x 61 cms x 27.9 cms
GATHIE FALK UNTITLED (WATERMELON SLICE) glazed ceramic condition noted 3.75 ins x 9.75 ins x 3.75 ins; 9.5 cms x 24.8 cms x 9.5 cms
NICHOLAS HOUGHTON HOT AND COLD KITCHEN SINK acrylic on board signed with initials and titled to gallery label on the backing 23 ins x 35 ins; 58.4 cms x 88.9 cms
Provenance: Private Collection, British Columbia
Provenance: Galerie Mira Godard, Montreal Private Collection, Montreal
Provenance: Private Collection, Toronto
$1,000–1,500
$3,000–5,000
$300–400
124
125
126
NIHAN BASAK ST. PETE'S BEACH acrylic on board signed, titled and dated 2014 on the reverse 14 ins x 14 ins; 35.6 cms x 35.6 cms
NIHAN BASAK BALM BEACH acrylic on board signed, titled and dated 2014 on the reverse 14 ins x 14 ins; 35.6 cms x 35.6 cms
Provenance: Private Collection, Toronto
Provenance: Private Collection, Toronto
MICHAEL ADAMSON A MARINER BORN oil on eight a!ached canvases signed, titled and dated 2000 on the reverse overall 66 ins x 72 ins; 167.6 cms x 182.9 cms
$400–500
$400–500
Provenance: Private Collection, Toronto $6,000–8,000
127
128
JACK WINN 2 EVAPORATING PROTONS oil, acrylic and automotive paint on mahogany plywood signed; signed, titled, dated May 23, 2017 and inscribed, “TO BE OR NOT; QUANTUM DOTS? I THINK NOTS. YE SHALL BE SAVED. GOODBYE I WAVED. - ANONA RYDER” 36 ins x 32 ins; 91.4 cms x 81.3 cms
TRACEY TARLING PNEUMA BREATH OF LIGHT mixed media on panel signed, titled and dated 2008 on the reverse 18 ins x 48 ins x 1.75 ins; 45.7 cms x 121.9 cms x 4.4 cms
Provenance: Private Collection, Toronto Exhibited: Unkle Collective Exhibition, 2017, London $900–1,200
Provenance: Private Collection, Toronto Bau-Xi Gallery Ltd., Toronto $1,200–1,500
Index A Adamson, Michael…101, 126 Appleby-Barr, Stephen…115 Authier, Melanie…75 B Bachinski, Walter Joseph Gerard…89 Basak, Nihan…124, 125 Beam, Carl…68 Beaudry, Francois…111 Beder, Jack…32 Béliveau, Paul…10, 17 Benyei, Andrew…110 Besant, Derek…16, 18 Bieler, Ted…83 Bierk, David…12 Bolduc, David…56 Brotman, Yael…79 C Cole, Darlene…106-108 Craven, David…121 Creed, Cori…81 Curnoe, Greg…76 Curry, Gwen…3, 26 D Dean, Tom…35, 94 Desmonts, Philippe…28 Di Leo, Guiseppe…33 Dorion, Pierre…29 Dzama, Marcel…92 E Ethier, André…85 Everingham, Scott…46 F Falk, Gathie…122 Ferdinand-Forbes, Frances… 60 Ferguson, Gerald…91, 93 Foo Fat, Dulcie…63, 69 Frenette, Bernard and Francine Paquin…1
G Gallant, Yvon…86 Garneau…15 Gaskin, Mark…114 Gaudreau, Violaine…53 Gervais, Lise…61, 64 Gleberzon, Mark…50 Gorenko, Richard…11, 40 Grediaga, Orestes…100 H Hall, John… 54 Harper, David R.…77 Hickox, April…20, 44, 47, 120 Hoffer, Peter…21, 22, 41 Holmes, Thrush…65 Hopkins, Tom…116 Houghton, Nicholas…105, 123 I Iron Men…55 K Kier, Christopher… 5, 25, 34, 112 Kirton, Doug…118 Korner (Koerner), John…67 L Lalonde, Cerj…78 Loree, Erin…51, 66 M MacCulloch,Sara…24 MacDonald, John…113 MacLeod, Scott…95 Markle, Robert…31 Masino, Alexandre…2, 4, 6 Mathieson, Bobby…52, 73 McEwen, Jean Albert… 72 Meredith, John…45 Monkman, Kent…9 N Newdick, Lori…98
O Onley, Toni…13 P Palmer, Valerie…36 Paquin, Francine and Bernard Frenette…1 Patterson, Desirée…58, 59 Payette, Jacques…119 Penny, Evan…42 Pien, Ed…48 Plum, Andrew…97, 103 Pretti, Katie…57 R Rodriguez, Lupe…62 Rogers, Sasha…88 Ronat, Louise Robert…74 S Sampson, Joseph…23 Scherman, Tony…27, 70 Schmidt, Kevin…37, 38 Smith, Michael…8, 39 Stebbins, Mark…14 Stoddart, Emily…43 T Tarling, Tracey…128 Thompson, Michael…7 Tomaschoff, Gideon…80 U Unknown artist…30 V Vanderhorst, Robert…82, 84 Varey, Matthew…99, 109 Vergette, George…87, 117 Verlhulst, Willem…104 W Waisglass, Elaine…49 Winn, Jack…127
Y Youds, Robert…71 Yuristy, Russell…19 Z Zack, Etienne… 102 Zuck, Tim…96
Buying at Waddington’s All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcement. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any oral announcement or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ and the consignor (seller) of the lot. Descriptions or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.
condition of lots
All of the items are to be considered, unless otherwise noted in the description, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should examine the pieces in person or have our staff answer any questions before bidding. Sizes are approximate. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale. Frames on artwork are not included as part of purchase or condition.
buyers premium
A premium of 20% of the successful bid price of each lot. A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium, except for purchases exported from Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.
payment
Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), VISA or Mastercard (up to $25,000). ALL PRICES IN CANADIAN FUNDS
Selling at Waddington’s bidding
The Auctioneer may also execute bids on behalf of the consignor to protect the reserve. The reserve is the confidential minimum price the seller is willing to accept for his or her property, below which it will not be sold.
shipping
waddington’s commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $251 to $2,500 20%
The Auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping, insurance expenses and any necessary export permits that may apply. The Auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:
Items selling for $250 or less 25%
PakShip
*There is a minimum handling charge of $20 per item
Envoy 416-299-3367 / 416-299-9750 ph@envoy.ca / www.envoypackandship.com
A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.
905-470-6874 / 905-470-6875 / 416-293-8225 taurus@pakship.ca / www.pakship.ca
removal of purchases
Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.
cites
Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries. Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained. Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale. All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s. For more information please visit: www.cites.org
*There is a minimum handling charge of $20 per item canadian art department commission rates Items selling for $7,501 or more 10% Items selling for $2,501 to $7,500 15% Items selling for $2,500 or less 20%
insurance
auction advice
For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please feel free to contact us via email or telephone. We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider. For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons. ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca. Our offices are located in Toronto and Vancouver, but our specialists regularly travel to major Canadian cities to meet with prospective consignors. To receive more information on Valuation Days across Canada or to arrange an appointment, please contact our Toronto office (416-504-9100). Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.
Conditions of Sale 1. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted or announced verbally in the auction room prior to the time of sale. While the auctioneer has endeavoured not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. An opportunity for inspection of each article is offered prior to the time of sale. No sale will be set aside on account of lack of correspondence of the article with its description or its reproduction, if any, whether colour or black & white. Some lots are of an age and/ or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. Frames on artwork are not included as part of purchase or condition. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid, relying upon their own advisers, and to bid accordingly. 2. Each lot sold is subject to a 20% buyers premium as part of the purchase price. 3. Unless exempted by law, the buyer is required to pay Harmonized Sales Tax on the total purchase price including the buyer’s premium. For international buyers, taxes are not applicable when purchases are shipped out of country. Items shipped out of Ontario, the buyer is required to pay taxes as per the tax status of that province, whether it HST or GST (Goods and Services Tax). 4. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice. 5. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized. 6. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale. 7. The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final. 8. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.
9. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred. 10. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away. 11. Notwithstanding condition no. 1, if the buyer, prior to removal of a lot, makes arrangements satisfactory to the auctioneer for the inspection of such lot by a fully qualified person acceptable to the auctioneer to determine the genuineness or authenticity of the lot, to be carried out promptly following the sale of the lot, and if, but only if, within a period of 14 days following the sale a written opinion of such person is presented to the auctioneer to the effect that the lot is not genuine or authentic, accompanied by a written request by the buyer for rescission of the sale, then the sale of the lot will be rescinded and the sale price refunded to the buyer. 12. Payment for purchases must be by cash, INTERAC direct debit (Cdn clients in person only), certified cheque (U.S. & Overseas not applicable), travelers cheque, bank draft, electronic transfer (fee applies), and VISA or Mastercard (up to $25,000). 13. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for: (a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer; (b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer; and (c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer. 14. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them. 15. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada). 16. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.
Waddington’s 275 King Street East, Second Floor Toronto, Ontario M5A 1K2
tel: 416-504-9100 toll free: 1-877-504-5700 www.waddingtons.ca