Waddington's West: Discovery Art | February 24 – 29, 2024

Page 1

Waddington’s West: Discovery Art

FEBRUARY 24 — 29, 2024

Waddington’s West: Discovery Art

FEBRUARY 24 — 29, 2024

bid and view all lots online at www.waddingtons.ca

preview held at Suite 101, 343 Railway Street, Vancouver, V6A 1A4

Please contact us to book an appointment or for more information.

NOTE

Item(s) located in Vancouver, BC. Local pick up by special arrangement; shipment from Vancouver only.

tel: 778-837-4588

toll free: 1-877-504-5700

This catalogue and its contents © 2024 Waddington McLean & Company Ltd.

director, waddington’s vancouver

Jacqui de Leeuw jd@waddingtons.ca 778-837-4588

front cover

Lot 1

GERALD SEVIER

VISTA # 65

front inside cover

Lot 47

GWEN HUGHES

CONTEMPLATIVE MOOSE

back inside cover

Lot 48

DEBRA BEVAART

SEAL COMING UP FOR AIR

back cover

Lot 72

JESSIE OONARK

LITTLE WOMAN, 1983

design
Waddington’s All Rights Reserved.
Photography &
by
is subject to the Conditions of Sale printed in the back of this catalogue.
This auction

GERALD SEVIER (B. 1934)

VISTA # 65

oil on canvas signed lower right and titled verso 36 x 48 in — 91.4 x 121.9 cm

PROVENANCE:

Private Collection, British Columbia

$1,000 — 1,500

2

HILARY PRINCE (B. 1945)

CLOUDS OUT TO THE SEA, 1999

oil on paper signed and dated lower right 20.5 x 30.3 in — 52 x 77 cm

PROVENANCE:

Corporate Collection, British Columbia

$300 — 500

1

3

HILARY PRINCE (B. 1945), CANADIAN BEAUMONT MARSH ALBERTA, 2000 oil on paper signed and dated lower right

19.7 x 29.9 in — 50 x 76 cm

PROVENANCE:

Corporate Collection, British Columbia

$300 — 500

4

HILARY PRINCE (B. 1945) MEDICINE LAKE II, 2002 oil on paper signed and dated lower right

20.9 x 29.5 in — 53 x 75 cm

PROVENANCE:

Corporate Collection, British Columbia

$300 — 500

JOSEPH FRANCIS PLASKETT, RCA (1918-2014)

EMMA LAKE #7, 1957 pastel on paper titled and dated to label verso sight 18.1 x 24 in — 46 x 61 cm

PROVENANCE:

Corporate Collection, British Columbia $200 — 400 6

HILARY PRINCE (B. 1945)

SEASCAPE I, 1981 oil on paper signed and dated lower right sight 25 x 38 in — 63.5 x 96.5 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$300 — 500

5

7

HILARY PRINCE (B. 1945), CANADIAN UNTITLED gouache on paper signed sight 17.3 x 24.8 in — 44 x 63 cm

PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB

$200 — 400

8

LYNN MALIN (B. 1943) MOUNTAINSCAPE, 1983 gouache on paper signed and dated lower right; unframed 30 x 22.5 in — 76.2 x 57.2 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$100 — 125

FRANK LEONARD BROOKS, RCA (1911-2011)

UNTITLED

watercolour on paper signed lower right

21.5 x 28.5 in — 54.6 x 72.4 cm

PROVENANCE:

Private Collection, British Columbia

$700 — 1,000

10

FREDERICK STANLEY HAINES, OSA, PRCA (1879-1960)

COTTONWOOD

aquatint on paper signed lower right

sight 8.5 x 10 in — 21.6 x 25.4 cm

PROVENANCE:

Private Collection, Alberta

$300 — 500

9

11

HENRI LEOPOLD MASSON, RCA (1907-1996)

BUCKINGHAM, 1976 watercolour on paper signed, titled and dated 8.1 x 13.4 in — 20.5 x 34 cm

PROVENANCE:

Private Collection, British Columbia $600 — 900

12

ATTRIBUTED TO ROCKWELL KENT (1882-1971), AMERICAN UNTITLED (DOG SLEDDING) etching on paper; numbered 3/5 9 x 13 in — 22.9 x 33 cm

PROVENANCE:

Private Collection, Alberta $100 — 125

13

PAUL ARCHIBALD CARON, ARCA (1874-1941)

PRÈS DE BAIE ST-PAUL

watercolour on paper; estate stamp lower right sight 5 x 6.75 in — 12.7 x 17.1 cm

PROVENANCE:

Water Klinkoff Gallery, Montreal; Private Collection, British Columbia

$300 — 500

14

DAVID LANGEVIN (B. 1959)

UNTITLED (BIRCH TREES)

oil on board

signed lower right 20 ins x 30 ins; 50.8 cms x 76.2 cms

PROVENANCE:

Private Collection, British Columbia

$800 — 1,200

15

MIKE SVOB (B. 1955)

BOSS OF THE MEADOW acrylic on canvas signed lower right; signed and titled verso 12 ins x 16 ins; 30.5 cms x 40.6 cms

PROVENANCE:

Private Collection, British Columbia

$300 — 500

16

MIKE SVOB (B. 1955)

BLACK BEAR, WHISTLER acrylic on board signed lower right; signed and titled verso 12 x 16 in — 30.5 x 40.6 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

17

NANCY O’TOOLE (1936-2023)

AUTUMN FOLIAGE

acrylic on board

signed lower right; signed and titled verso 14 x 11 in — 35.6 x 27.9 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 250

18

IRIS MICHEL LEROUX (B. 1950)

DISTANCE AND TEMPS, 2002

acrylic on canvas

signed lower right; signed, titled and dated verso; unframed 30 x 37 in — 76.2 x 94 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 600

19

TAKAO TANABE, RCA (B. 1926) THE LAND INTERIORS, 1973 lithograph on paper signed, dated “73” and numbered 52/75 18.1 x 24 in — 46 x 61 cm

PROVENANCE:

Corporate Collection, British Columbia $600 — 800

20

DOUGLAS HECTOR HAYNES, RCA (1936-2016)

NORTHERN SERIES 29, 1994 monoprint on paper signed, titled and dated sheet 29.5 x 22 in — 74.9 x 55.9 cm

PROVENANCE:

Estate of Tom and Judy Peacocke, Edmonton, AB

$600 — 900

DOUGLAS HECTOR HAYNES, RCA (1936-2016)

MAJACAR 105, 1999

mixed media on paper signed, titled and dated 12 x 10.5 in — 30.5 x 26.7 cm

PROVENANCE:

Estate of Tom and Judy Peacocke, Edmonton, AB

$600 — 900

22

JANET MITCHELL, RCA (1912-1988)

UNTITLED (FALL TREES), 1971

mixed media on paper signed and dated lower right sight 9.25 x 11 in — 23.5 x 27.9 cm

PROVENANCE:

Private Collection, Alberta

$300 — 500

21

23

D. HELEN MACKIE (1926-2018) TRAVELLING NORTH linocut on paper signed, titled and numbered 6/20; unframed 27.5 x 21.5 in — 69.9 x 54.6 cm

PROVENANCE:

Private Collection, British Columbia $100 — 200

24

HILARY PRINCE (B. 1945), CANADIAN NEAR WINDHOEK, NAMIBIA, 1994 watercolour on paper signed and dated sight 4 x 6 in — 10.2 x 15.2 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$50 — 80

25

IRENE E. MCCAUGHERTY (1914-1996)

HOWARD LESLIE’S OUTDOOR DANCE WRITING ON STONE, 1986 mixed media on paper signed, titled and dated lower left sight 5.5 x 10.4 in — 14 x 26.5 cm

PROVENANCE:

Private Collection, British Columbia

$600 — 900

26

IRENE E. MCCAUGHERTY (1914-1996)

THE GALT HOME 1900, 1994 mixed media on paper signed, titled and dated lower left 11 x 22 in — 27.9 x 55.9 cm

PROVENANCE:

Private Collection, Alberta

$600 — 900

27

PIERRE CHÉNIER (20TH CENTURY), CANADIAN

UNTITLED

mixed media on paper signed lower right

47.5 x 27.5 in — 120.7 x 69.9 cm

PROVENANCE:

Private Collection, British Columbia

$250 — 350

28

BRUCE MITCHELL (1912-1995), CANADIAN

UNTITLED (HAULING LOGS THROUGH THE SNOW) oil on canvas signed lower left

16.5 x 20.5 in — 41.9 x 52.1 cm

PROVENANCE:

Private Collection, Alberta

$400 — 600

29

BRUCE MITCHELL (1912-1995)

SPRINGTIME CREEK

oil on canvas signed lower right

16.75 x 20 in — 42.5 x 50.8 cm

PROVENANCE:

Private Collection, Alberta

$600 — 900

30

JOE FERENC ACS (B. 1936)

RAINY DAY OLD STRATHCONA

oil on board signed lower right; signed and titled verso 8 x 10 in — 20.3 x 25.4 cm

PROVENANCE:

Private Collection, Alberta

$300 — 500

31

GEORGE A. THOMSON, OSA (1868-1965) EDGEWOOD PARK NEW HAVEN, CONNETICUT (SIC) IN SPRING TIME

oil on board titled verso

10 x 14 in — 25.4 x 35.6 cm

PROVENANCE:

Private Collection, Alberta

$600 — 900

32

EDWIN LOCKEY (20TH CENTURY), CANADIAN

HOWE SOUND, VANCOUVER

oil on board signed

12 x 14 in — 30.5 x 35.6 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 600

33

TINYAN CHAN (B. 1942), CANADIAN

UNTITLED

oil on board

signed lower right

14.5 x 18 in — 36.8 x 45.7 cm

PROVENANCE:

Private Collection, Alberta

$400 — 600

34

FREDERICK HENRY BRIGDEN, OSA, RCA (1871-1956), CANADIAN

UNTITLED

watercolour on paper

signed bottom right

sight 14 x 20.5 in — 35.6 x 52.1 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 600

35

UNIDENTIFIED ARTIST DONKEYS WITH CLIFF IN THE BACKGROUND

watercolour on paper

24.5 x 17.5 in — 62.2 x 44.5 cm

$100 — 125

36

THOMAS WILLIAM FRIPP, BCFSA (1864-1931)

BUSH FIRE ON SUMMERS MOUNTAIN, 1912 watercolour on paper signed and dated lower left

7.5 x 10.5 in — 19.1 x 26.7 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 600

37

MONICA TAP (B. 1962)

MARION NICOLL, CA. 1920

oil on panel; titled to label verso 10.5 x 8.5 in — 26.7 x 21.6 cm

PROVENANCE:

Estate of Tom and Judy Peacocke, Edmonton, AB

$200 — 400

38

JEAN-PAUL LEMIEUX (1904-1990)

LA JEUNE FILLE

lithograph in colours on wove paper; signed and numbered 13/75 sight 15 x 9.5 in — 38.1 x 24.1 cm

PROVENANCE:

Private Collection, Alberta

$500 — 700

39

JEAN-PAUL LEMIEUX (1904-1990)

LE MOINE, 1971

lithograph on paper; signed and numbered 73/200

10 x 8 in — 25.4 x 20.3 cm

PROVENANCE:

Private Collection, British Columbia $300 — 500

40

BERNICE FENWICK MARTIN (1902-1999)

STILL LIFE

oil on canvas board signed lower left

15 x 19 in — 38.1 x 48.3 cm

PROVENANCE:

Private Collection, Alberta $1,000 — 1,500

41

DALVA DUARTE (B. 1949), BRAZILIAN STILL LIFE WITH POMEGRANATE

oil on canvas; signed lower right 20 x 24 in — 50.8 x 61 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

42

GRAEME SHAW (B. 1951), CANADIAN SPRING DANCE

oil on canvas signed lower left; titled verso 24 x 20 in — 61 x 50.8 cm

PROVENANCE:

Private Collection, Alberta

$500 — 700

43

STEPHEN WADDELL (B. 1968)

THE COLLECTOR AND THE SHOWROOM, 2016

archival pigment print from an edition of 50 each, sight 10.75 x 7.75 in — 27.3 x 19.7 cm

PROVENANCE:

Monte Clark Gallery, Vancouver, BC Private Collection, British Columbia

$300 — 600

44

ROY ARDEN (B. 1957)

HASTINGS STREET SIDEWALK, 1995 archival pigment print signed, titled and numbered A/P 2 sheet 8 x 10 in — 20.3 x 25.4 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

45

LYNN MALIN (B. 1946), CANADIAN GOLDEN GROUND (DIPTYCH)

oil and mixed media Lexan each 24 x 24 in — 61 x 61 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB $200 — 400

46

ROY KIYOOKA, RCA (1926-1994)

COURT # 3, 1971

screenprint on paper signed, titled, dated and numbered 7/50; unframed

sight 29.25 x 24.5 in — 74.3 x 62.2 cm

PROVENANCE:

Estate of Tom and Judy Peacocke, Edmonton, AB

$400 — 600

47

GWEN HUGHES, ACA CONTEMPLATIVE MOOSE ceramic, paint signed

18 x 7.75 x 13.5 in — 45.7 x 19.7 x 34.3 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$200 — 400

48

DEBRA BEVAART (B. 1957), COAST SALISH

SEAL COMING UP FOR AIR stone; signed

3 x 6.5 x 8.5 in — 7.6 x 16.5 x 21.6 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

49

GEORGE PRICE, COAST SALISH

SUN MASK

cedar and acrylic; signed 60 x 58 x 11 in — 152.4 x 147.3 x 27.9 cm

PROVENANCE:

Private Collection, British Columbia

$500 — 700

50

DAVID MORRISON

KOMOKWA, CHIEF OF THE UNDERSEA WORLD MASK, 2008

cedar, cedar bark, acrylic paint; signed, titled and dated verso not including hair 15 x 11 x 9 in — 38.1 x 27.9 x 22.9 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 300

51

DAVID MORRISON

KOMOKWA, CHIEF OF THE UNDERSEA WORLD MASK, 2008

cedar, cedar bark, acrylic paint; signed, titled and dated verso not including hair 14 x 7 x 8 in — 35.6 x 17.8 x 20.3 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 200

52

EDDIE APADACA (B. 1969), COAST SALISH

EAGLE MASK, 2007

cedar, cedar bark, acrylic paint, feathers; signed and dated verso not including hair 10.5 x 8.5 x 9 in — 26.7 x 21.6 x 22.9 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

53

UNIDENTIFIED ARTIST

HOK HOK MASK

cedar, cedar bark, acrylic paint; unsigned not including hair 7 x 6 x 16 in — 17.8 x 15.2 x 40.6 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 200

54

DELMAR JOSEPH AND LANCE JOSEPH SR., COAST SALISH

SUN MASK AND RAVEN PANEL, 2007

cedar, stain, cedar bark, copper, acrylic paint; both signed, titled, “Raven Panel” dated 24.5 x 24.5 x 2 in — 62.2 x 62.2 x 5.1 cm; 7.5 x 25.75 x 1 in — 19.1 x 65.4 x 2.5 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 200

55

DARREN YELTON (B. 1961), HAROLD BAKER AND R. KRAWKCHUK, COAST SALISH

A GROUP OF SEVEN CARVED NORTHWEST COAST PANELS, 1982-2001 cedar, stain; signed and dated tallest height 18 in — 45.7 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

56

IRVIN SPARROW, COAST SALISH SALMON cedar; signed 13 x 48 x 3 in — 33 x 121.9 x 7.6 cm

PROVENANCE:

Private Collection, British Columbia

$400 — 500

57

DAVID LOUIS (B. 1969), COAST SALISH TALKING STICK WITH THUNDERBIRD, KILLER WHALE AND RAVEN

cedar, acrylic paint; signed

54 x 19.5 in — 137.2 x 49.5 cm

PROVENANCE:

Private Collection, British Columbia

$300 — 500

58

VARIOUS ARTISTS

TWO CARVED PADDLES AND TWO HUMMINGBIRD PANELS

cedar, acrylic paint; signed Delmar Joseph, Chris Paul and Stuart Banfort

30 x 5 in — 76.2 x 12.7 cm;

30 x 4.75 in — 76.2 x 12.1 cm;

7.25 x 6 in — 18.4 x 15.2 cm;

7.25 x 6 in — 18.4 x 15.2 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 400

59

TRESHAM GREGG AND SUE COLEMAN

ALL ONE SPIRIT, LOVE SPIRIT, ANIMAL SPIRITS, EAGLE

screenprint and lithograph

“Animal Spirit” signed, titled, dated 73 and numbered 98/100

“All One Spirit” signed, titled and numbered 147/850

“Eagle” signed

“Love Spirit” signed, titled and numbered 123/950

sight 24.4 ins x 17.7 ins; 62 cms x 45 cms;

sight 18.5 ins x 23.5 ins; 47 cms x 59.7 cms;

sight 28.3 ins x 21.9 ins; 72 cms x 55.5 cms;

sight 20.9 ins x 14.2 ins; 53 cms x 36 cms

PROVENANCE:

Private Collection, British Columbia

$100 — 150

60

LESSLIE (LESLIE ROBERT SAM) (B. 1973), COAST SALISH

TWO WORKS: TRANSFORMLINE screenprints on paper; each signed, titled and numbered 53/100 each 11 x 11 in — 27.9 x 27.9 cm

PROVENANCE:

Private Collection, Alberta

$100 — 125

61

FRED ANDERSON (B. 1966) AND PATRICK AMOS (B. 1957), NUU-CHAH-NULTH

HEILTSUK SPIRIT BEAR AWAKEN, 1984; SWAN, 1984 screenprints on paper; signed and numbered artist proof 21/25; signed, dated and numbered XV/XV

14.5 x 10 in — 36.8 x 25.4 cm; 14 x 14 in — 35.6 x 35.6 cm

PROVENANCE:

Private Collection, British Columbia

$80 — 100

62

ICE BEAR (CHRIS JOHNSON), OJIBWE

UNTITLED, 1993

gouache on paper; signed and dated lower right; unframed 30 x 22.5 in — 76.2 x 57.2 cm

PROVENANCE:

Private Collection, British Columbia

$100 — 125

63

DAPHNE ODJIG (1919-2016)

WESTERN WALL, JERUSALEM

screenprint on paper

signed, titled and numbered 122/250; unframed

29 x 23 in — 73.7 x 58.4 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 300

64

DAPHNE ODJIG (1919-2016)

VISION

screenprint on paper

signed, titled and numbered 122/250; unframed

29.25 x 21.75 in — 74.3 x 55.2 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 300

65

NORVAL MORRISSEAU (1931-2007), ANISHINAABE (OJIBWE)

MY GRANDSON AND THE BIRDS

screenprint on paper; signed, titled and numbered 63/500

sight 13 x 19 in — 33 x 48.3 cm

PROVENANCE:

Private Collection, British Columbia

$200 — 300

66

ROY THOMAS (1929-2004), ANISHINAABE (OJIBWE)

UNTITLED

screenprint on paper; signed and numbered 8/75

sight 17 x 22 in — 43.2 x 55.9 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 250

67

ELISAPEE ISHULUTAQ (1925-2018), PANNIRTUQ (PANGNIRTUNG)

RAVENOUS BIRD, 1982 lithograph on paper; signed, dated and numbered 11/50 sight 20.5 x 25.2 in — 52 x 64 cm

PROVENANCE:

Private Collection, Idaho $80 — 100

68

VICTORIA MAMNGUQSUALUK (1930-2016), QAMANI’TUAQ (BAKER LAKE)

CREATURES OF THE DEEP, 1985 stonecut and stencil; signed, titled, dated and numbered 7/48; unframed 25 x 37 in — 63.5 x 94 cm

PROVENANCE:

Private Collection, British Columbia $200 — 400

69

UNIDENTIFIED ARTIST

WHALES, 1982

lithograph on paper; signed, dated and numbered 15/50

sight 18.3 x 24 in — 46.5 x 61 cm

PROVENANCE:

Private Collection, Idaho

$80 — 100

70

JOSIE PAMIUTU PAPIALUK (1918-1996), PUVIRNITUQ (POVUNGNITUK)

MARINE LIFE, 1980

felt-tip drawing on paper; signed and dated

sight 19 x 24.5 in — 48.3 x 62.2 cm

PROVENANCE:

Estate of Tom and Judy Peacocke, Edmonton, AB

$150 — 200

71

DANIEL INUKPUK, INUKJUAK (PORT HARRISON)

HUNTING GEAR, 1975

stonecut on paper; signed and titled in syllabics, dated and numbered 20/40 14 x 21.5 in — 35.6 x 54.6 cm

PROVENANCE:

Private Collection, British Columbia $150 — 200

72

JESSIE OONARK (1906-1985), QAMANI’TUAQ (BAKER LAKE)

LITTLE WOMAN, 1983 stonecut and stencil on paper; signed, titled, dated and numbered 17/36; unframed 25.6 x 20.5 in — 65 x 52 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$700 — 900

73

SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE)

UNTITLED (FIGURE WITH MANY FACES) colour pencil on paper; signed; unframed 8.7 x 11.8 in — 22 x 30 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$200 — 300

74

SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE)

THE LAND, 1983 stonecut on paper; signed; unframed 9.8 x 14.6 in — 25 x 37 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$200 — 300

75

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

AUKPUK, 1974

stonecut on paper; signed, titled, dated and numbered 30/50; unframed 24.4 x 33.9 in — 62 x 86 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$150 — 300

76

HAROLD QARLIKSAQ (1928-1980), QAMANI’TUAQ (BAKER LAKE)

KAYAKS AND SWIMMING CARIBOU, 1978 graphite on paper; signed and dated 22 x 30 in — 55.9 x 76.2 cm

PROVENANCE:

Private Collection, New Brunswick

$80 — 100

KUMUARTOK, KINNGAIT (CAPE DORSET)

ANGELS BECKON, 2002 etching and aquatint on paper; signed, titled, dated and numbered 9/50; unframed

35.5 x 27.5 in — 90.2 x 69.9 cm

PROVENANCE:

Private Collection, New Brunswick

$200 — 400

78

PITSEOLAK ASHOONA (1904-1983), KINNGAIT (CAPE DORSET)

OWLS IN SPRING SNOW, 1972 stonecut on paper; signed, titled, dated and numbered 20/50; unframed 22.25 x 24 in — 56.5 x 61 cm

PROVENANCE:

Private Collection, New Brunswick

$150 — 300

77

79

SIMON TOOKOOME (1934-2010), QAMANI’TUAQ (BAKER LAKE)

AT THE CENTRE, 1971

stonecut print on paper; signed, titled, dated and numbered 38/39; unframed 17 x 21 in — 43.2 x 53.3 cm

PROVENANCE:

Private Collection, New Brunswick $100 — 150

80

MELIA JAW (1934-2006), KINNGAIT (CAPE DORSET) STUNG, 2005

felt-tip on paper; signed, titled, dated and numbered 50/50 14.75 x 18 in — 37.5 x 45.7 cm

PROVENANCE:

Private Collection, British Columbia $200 — 300

MARY PUDLAT (B. 1923), KINNGAIT (CAPE DORSET)

INNUGAIT, 2001

lithograph on paper; signed, titled, dated and numbered p.p; unframed sheet 17 x 13 in — 43.2 x 33 cm

PROVENANCE:

Private Collection, British Columbia

$150 — 200

82

JANET KIGUSIUQ (1926-2005), QAMANI’TUAQ (BAKER LAKE)

GATHERING FOR FEAST, 1978

stonecut print on paper; signed, titled, dated and numbered 18/50; unframed 20.5 x 29 in — 52.1 x 73.7 cm

$150 — 300

81

83

OSHOOCHIAK PUDLAT (1908-1992), KINNGAIT (CAPE DORSET)

NALUNAIKUTAI, 1990

lithograph on paper; signed, titled, dated and numbered 21/50; unframed 20 x 25 in — 50.8 x 63.5 cm

PROVENANCE:

Private Collection, New Brunswick $100 — 150

84

JOE TALIRUNILI (1893-1976)

INUIT FAMILY OF A LONG TIME AGO, 1975 stonecut on paper signed, dated and numbered 17/50 sight 13 x 18.9 in — 33 x 48 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$300 — 600

85

HELEN KALVAK (1901-1984), ULUKHAKTOK (HOLMAN)

WALL HANGING

stonecut on fabric

27 x 12 in — 68.6 x 30.5 cm

PROVENANCE:

Private Collection, British Columbia

$100 — 125

86

KINWATSIAK QINNUAYUAK, KINNGAIT (CAPE DORSET)

RECLINING SEAL

stone; signed and dated

2 x 3.7 x 1.6 in — 5 x 9.5 x 4 cm

PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB

$50 — 100

87

ECHALOOK, KINNGAIT (CAPE DORSET)

GREEN BIRD

stone; signed in syllabics

9.4 x 6.1 x 3.5 in — 24 x 15.5 x 9 cm

PROVENANCE:

Estate of Ken and Eunice Barron, Edmonton, AB

$80 — 100

88

UNIDENTIFIED ARTIST, PUVIRNITUQ (POVUNGNITUK)

HUNTER WITH SEAL stone, ivory, baleen inset; signed in Roman “Sakaraias”

7 x 6 x 2.25 in — 17.8 x 15.2 x 5.7 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$200 — 400

89

LUCASSIE NOWRAKUDLUK (1912-1981) AND UNIDENTIFIED ARTIST, INUKJUAK (PORT HARRISON)

TWO BUSTS

stone

2.75 x 1.5 x 1.25 in — 7 x 3.8 x 3.2 cm; 3 x 1.75 x 1 in — 7.6 x 4.4 x 2.5 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$50 — 80

90

AQJANGAJUK SHAA (1937-2019), KINNGAIT (CAPE DORSET)

GOOSE

stone; unsigned

12 x 7 x 13 in — 30.5 x 17.8 x 33 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$400 — 600

91

JOANASSIE IGIU (1923-1981), KINNGAIT (CAPE DORSET)

OWL

stone; signed in syllabics

9 x 14 x 10 in — 22.9 x 35.6 x 25.4 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$400 — 600

92

KAKA ASHOONA (1928-1996), KINNGAIT (CAPE DORSET)

SEAL

stone; signed in Roman 11 x 16 x 8 in — 27.9 x 40.6 x 20.3 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$400 — 600

93

ANDREW PALONGAYAK, UQSUQTUUQ (GJOA HAVEN)

SPIRIT

stone, antler; signed in Roman and syllabics

7 x 6 x 1 in — 17.8 x 15.2 x 2.5 cm

PROVENANCE:

Private Collection, British Columbia

$100 — 150

94

MARK TUNGILIK (1913-1986)

HUNTER WITH SEAL AND BEAR ivory and stone signed in syllabics

3 x 4 x 2.5 in — 7.6 x 10.2 x 6.4 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$100 — 200

95

D. AKOILAK & UNIDENTIFIED ARTIST BEAR ON ROCK; BIRD TOTEM stone, antler; “Bear on Rock” signed in Roman

4 x 4 x 2.5 in — 10.2 x 10.2 x 6.4 cm;

10.5 x 1.25 x 1.25 in — 26.7 x 3.2 x 3.2 cm

PROVENANCE:

Private Collection, Idaho

$80 — 100

96

UNIDENTIFIED ARTISTS

THREE ANTLER WORKS antler, stone

3.5 x 9 x 5 in — 8.9 x 22.9 x 12.7 cm;

4 x 9 x 2.5 in — 10.2 x 22.9 x 6.4 cm;

2.5 x 7 x 6 in — 6.4 x 17.8 x 15.2 cm

PROVENANCE:

Private Collection, Idaho

$50 — 100

SAITUKIE TASSUGAT, ULULA IVALUTANAR & UNIDENTIFIED ARTIST, KANGIQTUGAAPIK (CLYDE RIVER)

DRUMMER; TOTEM; TOTEM WITH BEARS antler, stone

8 x 3 x 2 in — 20.3 x 7.6 x 5.1 cm;

4.5 x 2 x 1 in — 11.4 x 5.1 x 2.5 cm; 4 x 5 x 2.5 in — 10.2 x 12.7 x 6.4 cm

PROVENANCE:

Private Collection, Idaho

$100 — 200

98

PAUL AALUK (B. 1950), UQSUQTUUQ (GJOA HAVEN)

FISHERMEN

antler, wood, sinew

14.5 x 27 x 15 in — 36.8 x 68.6 x 38.1 cm

PROVENANCE:

Private Collection, Idaho

$100 — 200

97

99

JOHNNY TEMELA, KIMMIRUT (LAKE HARBOUR)

SEAL stone

4 x 8.5 x 3.5 in — 10.2 x 21.6 x 8.9 cm

PROVENANCE:

Private Collection, Idaho

$80 — 100

100

EGESIAK SIMONIE, IQALUIT (FROBISHER BAY)

FIGURE stone

10.5 x 2.5 x 5.5 in — 26.7 x 6.4 x 14 cm

PROVENANCE:

Private Collection, Idaho

$100 — 150

101

ALEX PATSAUQ (B. 1917) AND UNIDENTIFIED ARTISTS

SEAL (2); WHALE

stone; black seal signed in Roman and dated 1977, another seal signed in syllabics

2.25 x 7 x 1.75 in — 5.7 x 17.8 x 4.4 cm;

2.5 x 4 x 2.25 in — 6.4 x 10.2 x 5.7 cm;

1.5 x 4.5 x 2 in — 3.8 x 11.4 x 5.1 cm

PROVENANCE:

Estate of Kenneth and Eunice Barron, Edmonton, AB

$60 — 80

Inuit Art: Sculpture & Graphics

MARCH 2 — 7, 2024

All lots will be offered and sold subject to the Conditions of Sale which appear in this catalogue as well as any Glossary and posted or oral announcements. By bidding at auction, bidders are bound by those Conditions and Glossary, as amended by any announcements or posted notices, which together form the contract of sale between the successful bidder (buyer), Waddington’s™ (auctioneer) and the consignor (seller) of the lot. Description or photographs of lots are not warranties and each lot is sold “as is” in accordance with the Conditions of Sale.

condition of lots

All of the items are to be considered, unless otherwise noted in the catalogue description or condition report, in good condition. The definition of “good” when used in reference to condition, describes an object as having had no major damage or repair but as with the nature of the material, may show minor surface wear, discolouration etc., which indicates the acceptable wear that the piece may acquire with age. If you are particular about minor flaws, you should have our staff answer any questions before bidding. Sizes are approximate. Frames on artwork are not included as part of purchase or condition. It is the sole responsibility of the bidder to inquire as to the condition of a lot before bidding. Condition reports are available upon request by phone, fax, email or in person. You are advised to make any requests well in advance of the sale.

buyer’s premium

Waddington’s charges a buyer’s premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

A charge of 13% HST (Harmonized Sales Tax) is applicable on the hammer price and buyer’s premium except for any items directly shipped from our premises out of Canada. In the case where purchases are shipped out of the province of Ontario, the HST or GST is charged based on the tax status of that province.

payment

Payment for purchases must be by cash; interac direct debit (CDN clients in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

all transactions are conducted in canadian dollars (cad)

shipping

The auctioneers will not undertake packing or shipping. The purchaser must designate and arrange for the services of an independent shipper and be responsible for all shipping and insurance expenses. The auctioneers will, upon request, provide names of professional packers and shippers but will not be held responsible for the service or have any liability for providing this information. Reliable preauction estimates of shipping costs of lots offered in this sale may be obtained from:

PakShip

905-470-6874 / 416-293-8225 / 905-470-6875 taurus@pakship.ca / www.pakship.ca

Safer Shipping Inc.

416-299-3367 / 416-299-9750 perry@safershipping.ca / www.safershipping.ca

removal of purchases

Purchases must be paid for within 48 hours of the date of the sale, and removed from premises within 10 days of the date of sale (see Conditions of Sale, conditions 8 to 15). Clients are advised that packing and/or handling of purchased lots by our employees or agents is undertaken solely as a courtesy for the convenience of clients.

cites

Restrictions exist regarding the import and export of species protected under CITES (Convention on International Trade in Endangered Species). This includes but is not limited to items made of or containing bone (whalebone etc.), ivory, tortoise shell, seal skin, rhinoceros horn and any other animal part and is strictly controlled or forbidden by most countries.

Please review your country’s laws before bidding on pieces made of or containing these restricted items. It is the sole responsibility of the buyer to inquire about and obtain the proper permits for artwork purchased that may contain restricted materials, if such permit can be obtained.

Please contact the department for further assistance. Failure to obtain necessary import/ export permits will not void any sale.

All Narwhal Tusks must have a Marine Harvest Number or a Marine and Mammal Transport number to be sold at Waddington’s.

For more information please visit: www.cites.org

Selling at Waddington’s

insurance

A 1% insurance charge, based on the hammer price of the property, will be applied to all accounts.

auction advice

For auction advice on paintings, drawings, prints, jewellery, and various forms of decorative arts and other collectibles, please contact us via email or telephone.

We are pleased to review emails containing photographs and information on your pieces in order to provide auction estimates for you to consider.

For collections with a variety of objects, please contact our Appraisals and Consignments department (consignments@waddingtons.ca). For department-specific inquiries, please contact the specialist and/or department directly. All contact information can be found at www.waddingtons.ca.

With specialists located at our head office in Toronto as well as in Vancouver and Montreal, we are pleased to meet with prospective consignors across the country. For more information on consigning to our auctions, please contact us at consignments@waddingtons.ca.

Please note that property typically arrives at Waddington’s at least three months before the sale in order to allow our specialists time to research, catalogue, photograph and promote the items. Consignors will receive a contract to sign, setting forth terms and fees for our services.

Buying at Waddington’s

Conditions of Sale

1. Each lot is subject to a premium of 23% on the hammer price up to and including $25,000 CAD. Hammer prices in excess of $25,000 CAD will be charged a buyer’s premium of 20%. Buyer’s premium and applicable Canadian taxes are added to the hammer price.

2. Unless exempted by law, the buyer is required to pay Federal Good and Services Tax on the total purchase price including the buyer’s premium.

3. The auctioneer reserves the right to withdraw any lot from sale at any time, to divide any lot or to combine any two or more lots at his sole discretion, all without notice.

4. The auctioneer has the right to refuse any bid and to advance the bidding at his absolute discretion. The auctioneer reserves the right not to accept and not to reject any bid. Without limitation, any bid which is not commensurate with the value of the article offered, or which is merely a nominal or fractional advance over the previous bid may not be recognized.

5. Each lot may be subject to an unpublished reserve which may be changed at any time by agreement between the auctioneer and the consignor. The auctioneer may bid, or direct an employee to bid, on behalf of the consignor as agreed between them. In addition, the auctioneer may accept and submit absentee and telephone bids, to be executed by an employee of the auctioneer, pursuant to the instructions of prospective purchasers not in attendance at the sale.

6 The highest bidder accepted by the auctioneer for any lot shall be the buyer and such buyer shall forthwith assume full risk and responsibility for the lot and must comply with such other Conditions of Sale as may be applicable. If any dispute should arise between bidders the auctioneer shall have the absolute discretion to designate the buyer or, at his option, to withdraw any disputed lot from the sale, or to re-offer it at the same or a subsequent sale. The auctioneer’s decision in all cases shall be final.

7. Immediately after the purchase of a lot, the buyer shall pay or undertake to the satisfaction of the auctioneer with respect to payment of the whole or any part of the purchase price requested by the auctioneer, failing which the auctioneer in his sole discretion may cancel the sale, with or without re-offering the item for sale.

8. The buyer shall pay for all lots within 48 hours from the date of the sale, after which a late charge of 2% per month on the total invoice may be incurred or the auctioneer, in his sole discretion, may cancel the sale. The buyer shall not become the owner of the lot until paid for in full. Items must be removed within 10 days from the date of sale, after which storage charges may be incurred.

9. Each lot purchased, unless the sale is cancelled as above, shall be held by the auctioneer at his premises or at a public warehouse at the sole risk of the buyer until fully paid for and taken away.

10. All lots are sold “AS IS”. Any description issued by the auctioneer of an article to be sold is subject to variation to be posted online and/or announced via email prior to the time of sale. While the auctioneer has endeavored not to mislead in the description issued, and the utmost care is taken to ensure the correct cataloguing of each item, such descriptions are purely statements of opinion and are not intended to constitute a representation to the prospective purchasers and no warranty of the correctness of such description is made. Some lots are of an age and/or nature which preclude their being in pristine condition and some catalogue descriptions make reference to damage and/or restoration. The lack of such a reference does not imply that a lot is free from defects nor does any reference to certain defects imply the absence of others. It is the responsibility of prospective purchasers to inspect or have inspected each lot upon which they wish to bid and to bid accordingly.

11. Payment for purchases must be by cash; interac direct debit (CDN client in person only); certified cheque (U.S. & Overseas not applicable); bank draft; E-Transfer; Wire Transfer (fee applies); visa or Mastercard (up to $25,000).

12. In the event of failure to pay for or remove articles within the aforementioned time limit, the auctioneer, without limitation of the rights of the consignor and the auctioneer against the buyer, may resell any of the articles affected, and in such case the original buyer shall be responsible to the auctioneer and the consignor for:

(a) any deficiency in price between the re-sale amount and the amount to have been paid by the original buyer

(b) any reasonable charge by the auctioneer for the storage of such articles until payment and removal by the subsequent buyer and

(c) the amount of commission which the auctioneer would have earned had payment been made in full by the original buyer.

13. It is the responsibility of the buyer to make all arrangements for insuring, packing and removing the property purchased and any assistance by the auctioneer or his servants, agents or contractors, in packing or removal shall be rendered as a courtesy and without any liability to them.

14. The auctioneer acts solely as agent for the consignor and makes no representation as to any attribute of, title to, or restriction affecting the articles consigned for sale. Without limitation, the buyer understands that any item bought may be affected by the provisions of the Cultural Property Export Act (Canada).

15. The auctioneer reserves the right to refuse admission to the sale or to refuse to recognize any or all bids from any particular person or persons at any auction.

Waddington’s

275 King Street East, Second Floor

Toronto, Ontario M5A 1K2

tel: 416-504-9100

toll free: 1-877-504-5700

www.waddingtons.ca

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