Archive Images pages 6 – 7 Alice Anderson and Ino Riga performing ‘Lost Gestures’, 2018, at A Performance Affair, curated by Liv Vaisberg, Will Kerr, and Frédéric de Goldschmidt, presented by La Patinoire Royale-Galerie Valérie Bach, Brussels pages 26 – 27 Alice Anderson performing a ‘Transitional Dance’, with ‘Sound Totem’, Spiritual Machines series, copper-coloured wire and speakers, 2017 pages 36 – 37 Alice Anderson making Sun Drawings in London. As a probable result of climate change, the summer of 2018 was a particularly sunny one in London pages 58 – 59 Alice Anderson in her studio performing a ‘Transitional Dance’, London, 2017 pages 62 – 63 Alice Anderson performing a ‘Transitional Dance’ at La Patinoire Royale, Brussels, 2018 page 81 A Kogi nuhé under construction, Sierra Nevada de Santa Marta, Colombia pages 82 – 83 Alice Anderson, Jonathan Caruana, Samuel N’Sengi and Ino Riga memorising the architectural elements of on-going collective artwork ‘Nuhé’, performative sculpture, copper-coloured wire and wood, dimensions variable, 2018-ongoing pages 86 – 87 Alice Anderson performing a ‘Transitional Dance’, London, 2017 pages 90 – 91 ‘Columns Data’, Architectures Data series, permanent sculptures, copper-coloured wire, 500 × 090 cm. Eiffel Historical Building, Paris, 2016 pages 92 – 93 ‘Floorboards Data’, Architectures Data series, floorboards, copper-coloured wire, 225 × 015 cm. Espace Louis Vuitton, Paris, 2015 page 94 ‘Totem 10’, Spiritual Machines series, vinyls, copper-coloured wire, 175 × 033 cm. Anderson’s studio, 2017 pages 96 – 97 Alice Anderson and Ino Riga performing ‘Capsules Objects’, original objects, Cor-ten steel. Malbuisson Art, Malbuisson, 2016 page 98 ‘Lift Data’, Architectures Data series, copper-coloured wire, 215 × 166 × 089 cm. Howick Place, London, 2016 page 101 ‘181 Kilometres Walk’, copper-coloured wire, metal, 200 cm diameter. Saatchi Gallery, London, 2015 page 102 ‘Cables Data’, Architectures Data series, internet cables, copper-coloured wire, 250 × 006 cm each. Wellcome Collection, London, 2015
103