Interior Architecture Portfolio by VrushtiParikh

P O R T F O L i O

Vrushti Parikh| Interior Architecture

Resume

VRUSHTI PARIKH “Grow each and everyday”

E-mail: vrushti.parikh.7@gmail.com Contact no.: 9727771726 Date of Birth: 23rd february, 1999 Nationality: Indian Language: Gujarati (native), Hindi, English, French (Basic)

EDUCATION Bachelor of Interior Design (2016-2021) 5 year Undergraduate program at Faculty of Design, CEPT University, Ahmedabad. Higher secondary (2014-2016) HB Kapadia School, Ahmedabad.

Experience

Technical Skills

Internship at MADLAB, Bangalore June - November’19

AutoCAD

1. Olympia Tech Park, Chennai - Retail Design Designed a retail store - layouting, 3D modeling, rendering and event layouts. Also, attended the client meetings and helped in making presentations.

Adobe Indesign

2. One Crest, Chennai - Residential Design, Strategy Design Documented the site and made layouts for the recreational spaces that give Residential community - the luxury. Also, attended client meetings and made presentation drawings.

SketchUp

3. ID Restaurant and Kitchen, Chennai - Hospitality Design, Strategy Design Documented the site and involved in brief research for building a narrative of ID

Microsoft Word

4.Women Labour’s Hostel, Sri city - Hospitality Design, Strategy Design Documented the site and designed the ground floor area - layouting, 3D modeling

Microsoft Excel

5. Farida Design Studio, Ambur - Retail Design Documented the site and produced layouts with understanding of program brief.

Assistantship in Documenting events at CEPT University December’19 - January’20

AdobePhotoshop VRay Lumion Microsoft Powerpoint Hand Drafting Model Making Revit

Certificate

Interests

Social Psychology | Wesleyan University

Photography Writing Reading Travelling Poetry

https://www.coursera.org/account/accomplishments/certificate/32A9R4FG283G

Introduction to Psychology | Yale University https://www.coursera.org/account/accomplishments/certificate/MELA5FB8SLYD

Cameras, Exposure, and Photography | Michigan State University https://www.coursera.org/account/accomplishments/certificate/G9PYVPRBMENX

Graphic Design | University of Colorado https://www.coursera.org/account/accomplishments/certificate/YWL2M9NEB9DZ

Content

Contextualising Interior spaces

Interior | Skin | Context

Hospitality Design

Institutional Design

Emotions, Expressions and Experiences in Interior spaces - A systems Approach Exhibition Design

In-Detail: A system in making

Exploration of Design: Material in Focus

3D Renderings and Photography

System Design

Commercial Design

Representation

The studio focuses on Hospitality design where my site is located on riverside of Gajoldoba, West Bengal. As the site is known as Birds' Paradise, I took gliding as my concept to design resort which gives visitors experience of floating in the sky. The idea of gliding in one space to another and also within the space is shown through the use of ramps and spaces at different levels. The use of different roofs like butterfly roof and pitch roof shows the level of closure that space communicates with the user according to its functionality purposes.

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Contextualising Interior spaces Hospitality Design

GLIDING Factors that impact or influence the concept

Lightness

Pool

Spa

Seamless

Outdoor seating Villa

Floating

Outdoor seating

bar

liquor store

CONCEPT ARTWORK

TOILET

PORCH

TOILET f&b store

kitchen

restaurant

dry store

veg prep

buffet 6'

meat prep cold storage

Female wash r

Male wash

security office

courtyard

weighing bay

laundry and housekeeping i

P.C wash

dry garbage

store

BANQUET HALL

wet garbage

ladies restroom

Courtyard mens restroom

offices

WAITING LOUNGE

cafe

roo

Sliding

r's

PORCH

ice

off

VILLAS SPA Outdoor seatings

RECEPTION LOBBY Road

RESTAURANT AND BAR

Silent Spreading the wings, you reach the mountains or touch the river water, you sing along the winds and fly over the fields Suspending

POOL

Site plan with changes in zoning

PRE FUNCTION AREA

pti

Clo

PUBLIC BLOCK - FROM LAKE SIDE Axo

Way to Restaurant Lobby Restaurant

Bar

Way to Bar

Reception

RECEPTION

Form | Axo | Plan | View

Reception Lobby

Lounge

Cloak Room

Reception

Manager’s Office

Lobby

Drop - Off Area Washroom Entry

RESTAURANT AND BAR Form | Axo | Plan | View

Lake

Passage to the Resaturant entrance Ramp to Bar

Buffet Counter

Lake

Courtyard Washroom

Entrance to the Restaurant

Back staircase to Bar 1st Level Ramp to Bar Lake side view bar seating

Lake

Courtyard Outdoor Back staircase Seating to Bar Restaurant - Double height seating 2nd Level

Restaurant - Bar

SPA

Form | Axo | Plan | View

Spa - Concept diagram

The spa is oriented in the direction of the lake to make one feel secluded and peaceful. The idea was to make the visitor experience the calmness of the place. Taking the visitor from the narrow entrance to a wide open courtyard space which overlooks to the pool and the lake. So when one is entered in the spa, there is transition experienced by the visitor from the outer site space to somewhere private and serene space where one can have massage alongside greens. One can also have healthy snacks at the health cafe and relax on hammock while looking at pool.

Swimming Pool

Pool Deck Area

Deck area

Single Massage Room

Sauna

Single Massage Room Washrooms

Couple’s Massage room

Changing rooms

Manager’s office Beverage Area

Waiting area and Reception Entrance

COTTAGE

Form | Axo | Plan | View

Lake

Cottage - Concept diagram

The cottage is planned in such a way that it splits into different levels which helps in creating a playful seamless journey from one space to the other space. The idea of making the visitor experience the path while moving to the other space is emphasized by the creating ramps which adds seamless transition. The staggered level of functionality brings more dynamism into the cottage which makes the spaces more interactive. The visitor is made to go to the terrace garden to look at the birds flying over the lake. Also, the cottage sectional profile is made in resemble to gliding state of the bird.

Lake view Balcony

Lounge Area

Terrace Garden

Way to Terrace garden Swimming Pool

Washroom

Bedroom Pantry area

Washroom

Entrance

Deck Area

1st Level

2nd Level

The studio was to design an artist's residency at riverfront, ahmedabad. The process was to design from inside and then considering the surrounding context. The Artists Residency consists of 12 different artists coming together in a space where they have their own individual studio and workshop area. All individual artist studio are considered as a kit of parts in order to make clusters, which come together to make a narrative space where all the artists can interact which each other and experience differently in their own private studio space. Ground floor consists of all public areas that allows studios to have view.

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Interior | Skin | Context Institutional Design

Why any artist will join this Artist’s Residency? Spaces where all artists come together to showcase their art. Interactive enough to collabrate and share their knowlegde. Each artist requires different kind of spaces to create their kind of art. Interactive spaces where the thoughts/ideas blends into the art. Exhibition space itself is a performative narration of their art, weekly or monthly the artists can perform their art. Free flow connective spaces to each studio and diverging it into different workshops, cafe, library which are more active spaces to get the artist their mindspace.

For many artists, to be able to spend time in a quiet and nuturing enviornment where one can focus on creative work.

AREA STATEMENT

ARTIST IN RESIDENCY VISUAL ARTIST Photographer Painter Graphic designer/ 3D visualizer Cartoonist Sculptor PERFORMANCE ARTIST

Classical dancer Dancer Theatre Artist Singer

LITERATURE ARTIST Writer APPLIED ARTIST Weaver

STUDIO SPACES 1. Photographer : 75 sqm 2. Painter : 45 sqm 3. Graphic designer : 65 sqm 4. Cartoonist : 60 sqm 5. Scupltor : 120 sqm 6. Ceramic Artist : 30 sqm 7. Dancer : 70 sqm : 80 sqm 8. Theatre Artist : 70 sqm 9. Singer : 65 sqm 10. Writer : 70 sqm 11. Weaver : 70 sqm Total Area = 820 sqm COMMON AREAS 1. Exhibition Space : 120 sqm 2. Workshop (4 workshops) : 190 sqm -Textile workshop -70sqm -Metal workshop -60sqm -Wood workshop -60sqm 3. Performance Space : 150 sqm 4. Cafe (informal) : 65 sqm 5. Research and Library : 70 sqm 6. Meeting room (formal) : 20sqm 7. Toilets : 120 sqm 8. Services : 64sqm -Reception and Admin offices -40sqm -IT Room/Server -15sqm -Pantry -9sqm 9. Landscape : 150sqm Total Area = 949 sqm

PERFORMATIVE NARRATION

What is the vision? All the artist coming together are performative, visual and literature artists. Every artist needs their own mindspace to think/express art out of their thoughts/ideas. The notion behind this Artist Residency is to create a performative narration through their art. The art becoming a spatial expression of their space. Art be the part of the space, not space becoming the constraint for doing art.

COLLABORATIVE ART

My vision is collaborative support system for artists to develop, manifest, and communicate their visionary work. My principal intention is to nurture the arts and encourage a transformational experience. The mission is to facilitate the creative and inspiration process. Artist Residency should give artists the opportunity to live and work outside of their usual environments, providing them with time to reflect, research, or produce work. How the stress-free environment should influenced them practice and help them adopt a more solitary approach to working.

KIT OF PARTS

Theatre Artist

Weaver

Writer

Painter

Cartoonist

Photographer

Ceramic Artist

Classical Dancer

Dancer Sculptor

3D Visualiser

Personal Space Workshop Storage

Singer

CLUSTERS AND NARRATION OF CLUSTERS 3

4 4

1 2

CLUSTER-2 CLUSTER-1

1. Theatre Artist 2. Cartoonist 3. Performance Area 4. Writer 5. Weaver 6. Drying area

1. Sculptor 2. Workshop 3. Dancer 4. 3D Visualiser 5. Photographer

CLUSTER-3 1. Classical Dancer 2. Singer 3. Painter 4. Ceramic Artist

= COMBINATIION OF CLUSTERS 1. Cluster 1 2. Cluster 2 3. Cluster 3 4. Library 5. Public area

5 4

FLOOR LAYOUTS

GROUND FLOOR

FIRST FLOOR

LEGENDS

1. Reception 2. Meeting Room 3. Admin Office 4. Courtyard 5. Weekly/Monthly Events Zone 6. Help Desk 7. Stationary Shop 8. IT Room 9. Library 10. Lawns 11. Theatre Artist's Studio 12. Cartoonist Studio 13. Writer's Studio 14. Amphitheatre 15. Plaza 16. Toilets

1. Gallery 2. Cafe 3. Textile Mobile Workshop 4. Textile Artist's Studio 5. Drying Area

SECOND FLOOR LEGENDS 1. Singer's Studio 2. Classical Dancer's Studio 3. Garden Area 4. Contemporary Dancer's Studio 5. Sculptor Studio 6. Assemble Area 7. Toilet 8. Metal and Wood Workshop

THIRD FLOOR LEGENDS 1. Photographer's Studio 2. 3D Visualiser's Studio 3. Pantry 4. Potter's Studio 5. Painter's Studio

WEST ELEVATION

SECTION BB’

EAST ELEVATION

SECTION AA’

EXPLODED AXO

FIRST FLOOR THIRD FLOOR

SECOND FLOOR GROUND FLOOR

EXTERIOR VIEWS

NORTH-WEST FACADE

EAST-SOUTH FACADE

INTERIOR VIEWS

Lobby

Lobby - Towards Library

Library

Cafe

SECTIONAL PERSPECTIVE

The studio aimed at designing an exhibition through a system approach using the 965 theory of emotions, expressions and experiences. The brief is to curate exhibition for Studio Smitamoksh at Hurwitz gallery. After understanding their philosophy, materials that they use and motifs like cow, lotus, fish, banana leaf which they mostly use in their artwork - I associate their work with prayer and impressions of water waves on sand – like it resonates in one’s mind when one sees their artwork and leaves a very strong impression of it.. with its colour or being it intricate details combining threads and wood… together by evoking consciousness of people. My notion here is to make one feel peaceful and bring out the message that studio smitamoksh is all about… which I feel is – “The interaction of different natural elements coming together as in a whole composition makes one wonder and feel lost in its story of calmness.”

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Emotions, Expressions and Experiences in Interior spaces – A Systems Approach Exhibition Design

The weave of each thread making the motif alive in the artwork. Simple teak wood adds its smell and nature’s touch to the product’s sensibilty.

Joy

e ac Pe

To ge th e

rn e

Chetna | Gyan | Yog

The placement of wooden chips according to the texture of wooden grains makes a pattern which gives a sense of checkered composition in a wooden mat.

Traditional wisdom | Sync with nature | Spiritual resonance

l Ce

de r

W on

Growth

n tio a br

Growth

Flow

“ The interaction of different natural materials coming together as in a whole composition makes one wonder and feel lost in its story of calmness.”

Entry

Storyboard-

The color of each woven thread makes connection with wooden holes, emerging into a whole new story through its compostition of pattern and textures.

Lost

Through nature’s element, we can connect to ourselves in its closest manner.

Shanta

Shringar

Adbhuta

Over here, I’ve planned the journey of visitors by segregating the placement of artworks according to the sections of different experience. Dividing the journey into 3 parts which consists of “swagaat, deep, darshan” where ‘Chandra-chandra’, introduction of studio will be there. 2nd – dhyey, dhyan, arth - so after looking at the main product ludo and wooden carpet, one will understand the meaning and actual crucks of studio smitamoksh. 3rd - subodh and anand where one will actually feel ‘nature’ with joy of rain.

Swaagat

Deep

Darshan

Color - Blue Texture - Smooth Material - Stone

Dhyey

The addition of beads sound in rain stick gives one feel of rain and makes one wonder the smell of wet sand.

Color - Green Texture - Shiny Material - Wood

Color - Yellow Texture - Gritty Material - Textured translucent paper

Dhyan

Arth

Subodh

Aanand

Exit

Shanta Rasa

Shringar Rasa

Adbuta Rasa

Color - Blue and White Texture - Soft and Smooth

Color - Green Texture - Shinny Rain water droplets on a leaf Watching sunrise/sunset from a cliff Watching full moon rise Birds weaving their nest - knowing the techniques of it - watching it is absolute beauty A mother’s love to her child Any flower growing on a tree/plant A smile Feather of peacock Early morning winter sun touching on your face Dance of peacock Aina Mahal

Color - Yellow

Sky Water Champa flower Lotus Leaves rattling through the wind Walking on grass Watching full moon rise The sound of shell (shankh) The rotation of Manne wheel Waves taking away sand beneath our feet Krishna’s flute Temples Matrimandir

Lotus pond - the contrast of muddy lake and beauty of flower Watching full moon rise Being in temple during Aarti Sound of the bell continously echoes through the shrines The pink/purple color of sky seen very rarely The water waves just touching feet and then moving away Dancing peacock Voice of cuckoo When raga goes low and loud suddenly Metaphors in poetry - the kind of relations made

Products Chandra Chandra

Shanta Rasa

Zen garden

Vanvaadan

Swaagat | Deep | Darshan - Lotus (also the smell) - Water Cascading - Diya/Jyot - Bhairavi Raga - White oynx stone - Golden quartz stone

Diya hangings

Dhyey | Dhyan | Arth

Wooden Carpet + Ludo

Shringar Rasa

Mirror +Fabric

Godhooli

- Mirrors - Light green color fabric - Reflection of carpet

Diya hangings

Subodh | Aanand

Repetition series

- Warm lighting - Sound of rain - Smoke

Adbhuta Rasa

Hangings

Rain stick + In the Now + Wooden Carpet

This is the relation where artworks, emotions and interventions come together. So, by identifying these kinds of elements in each rasa, I picked up a few elements which relates to the studio and has implemented it in my design. Over here, this is the whole flowchart or sequence diagram where I’ve mapped out the sequence of products to be displayed in certain zone and the supporting sensorial elements that will help in enhancing this products and space.

Postcards

Chandra Chandra

Hangings Wooden carpet and Ludo

Rain stick

Godhooli

Curtain partition

In the now

So, before when one enters he/she will actually see this barrier or curtain which will be translucent and look like flowing water that will be directing one towards the gallery. These are zen intervention made in between the transition of zones using white sand and stones, which adds up to the feeling of being connected throughout the journey.

Zen Garden

Vanvaadan Introduction panel

Repition series

Layout

Section 1

Section 2

Exterior Intervention - Create your own story

So, this is what I was talking about zen transition which makes this narrow way that lead to the other zone. Here, in shringar rasa, I’ve used mirrors on fabric ceiling to enhance the space by reflecting the wooden carpet and ludo kept under it. And curtains are used in such a way that one cannot see what is beyond that space to kind of create curiosity.

Rendered layout

After exiting the gallery on the exterior side I’ve tried creating storyboard intervention. By knowing the story of studio smitamoksh inside, now its time that with the help of the same motifs..one can make their own story by just pasting magnet motifs on magnetic board..

Exploded Axo

INTERIOR VIEWS

Shanta- Storyboard 1

Introduction

Philosophy of Studio SmitaMoksh and Narrative of Chandra Chandra

Shringar

INTERIOR VIEWS

Shringar - Storyboard 2

Adbhuta - Engagement

Towards exit

DAY AND NIGHT has both tangible and intangible qualities. In which intangible has vertices and grid where shifting of points(vertices) and so the grid keeps on changing. And tangible has edges and faces where edges modulates and so faces keeps on changing. It shows transformation of 2D to 3D which is ground to space resulting into metamorphosis. Day and night module can shrink or expand basically transform according to space and can give totally different experience within the space. It also gives flexibility to one’s movement and to dismantle structure. DAY AND NIGHT transforming the space.

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In-Detail - A system in making System Design

BRIEF To develop a Modular, deployable/portable, stackable exhibition system for Architecture & Design Institutions. To construct 1:1 prototype.

INTENT DAY AND NIGHT transforming the space as here in painting also ground is transforming into space. DAY AND NIGHT has both tangible and intangible qualities. In which intangible has vertices and grid where shifting of points (vertices) and so the grid keeps on changing. And tangible has edges and faces where edges modulates and so faces keeps on changing. It shows transformation of 2D to 3D which is ground to space resulting into metamorphosis. Day and night module can shrink or expand basically transform according to space and give totally different experience within the space. It also gives flexibility to one’s movement and to dismantle structure.

One module rhombus

changes into

-Penrose Darts Kites Every vertice changes its position as it goes inward and outward. Shifting of vertices Original grid was perspective ISO but by shifting of points, grid is from penrose to darts and kites.

INTANGIBLE

- Taking geomtry of it. - Diagonal of penrose or its edges So, there is transformation of module vertically and horizontally by modulating edges and there is transformation of grid by shifting of vertices. And while these, no other module is similar. It changes independently with same technique of transformation.

TANGIBLE

INTANGIBLE Vertically modules don’t affect other but horizontally, it fixes itself with other one and also changes, Edges modulates according to sizes Ground to space.

GRID AND MODULES SKELETON AND SKIN

TANGIBLE Positive and negative space are fixed at one point but with their other edges modulated.

ESCHER PAINTING ( LOGIC ) Understanding of skeleton (grid) and skin (module)

Understanding of various scissor joints

Process through models

Process through models - making of 1:1 prototype

2400 DETAIL-1

1500

240,4

2380

1135

900

DETAIL-2

499

DETAIL-4

200 1400

1015,1

SECTION

26 ,5

2525

1016 800

ELEVATION

DETAIL-3

PLAN

section line

Transforming of whole system and shop drawings

PLATE-2

PIPE

PLATE-1 PIPE WELDED WITH 2 PLATE-2

PLATE 1-2 BOLTED PIPE WELDED WITH PLATE-2

PLATE-1 WELDED WITH PIPE

ELEVATION

PLATE-2

PLATE-1 PIPE

PLATE-3

DETAIL-1

PLAN

DETAIL-4

SOFTBOARD MDF (HORIZONTAL SURFACE) T-SECTION FRAME

SPACER T-SECTION FRAME MS FLAT BOLTED WITH BOX SECTION SPACER PIPE BOX SECTION CROSS-SECTION OF PIPE

ELEVATION SECTION

DETAIL-2

DETAIL-3

Details and Variation in sheet sizes

The studio focuses on designing an office space with all working drawings and understanding of materials in interior spaces. The process started with choosing our own client and understand their office hierarchy and working pattern. After which, material board and layouts were made considering their work time and space functionality. Also, designed and detailed furniture pieces like storage, reception table and structured partition.

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Exploration of Design: Material in Focus Commercial Design

· ·

11670

CLIENT Architectural and product photographer who also publishes his own magazine and normally deals with designers and architects. In general, they need to shoot outdoors only but incase if there is small product like watch or any furniture piece like chair, then they need small studio space to shoot.

4650

4655

2370

W1 1

W2 1

W1 2

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

· ·

ENTRY

KEY PLAN

600

1415

1390 V1 600

W2 2

Sr.No

DOOR WINDOW

VENT

REMARKS

Sr.No

NAME

SIZE

1260*2200

HINGED HINGED OPENABLE FIXED FIXED OPENABLE

115mm THICK BRICK LEDGE WALL

725

885

ABBREVIATIONS

D W

1050

NAME

01 02

150

LVL +175

120

1680

ALIGN

235

550

790

18mm THICK BLACK GRANITE PLATFORM TO BE INSERTED 10MM INSIDE THE WALL

750*2200

03 04 05 06

1200*1415

W2 W3 V1

1200*1415 1200*1415 600*2200

2310

390

W3 1

DEMOLISHED WALLS DEMOLISHED WALLS

110

2200

7750

INTENT As each and every photograph tells a story, a photographer’s office should tell the same. While seeing a photo - it makes us feel nostalgic. So, to make one experience it - adding softness to space through materials though they are dark and heavy visually but still can make us feel comfortable.

7750

9165

ADDITION

W3 2

D1 LVL +00 SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

W3 3 ENTRY

CIVIL- MASONARY

IR-2024-AR-1.1-R0 IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS)

A 9300

2370 3

PLAN AT 1500 MM

Wood is majorly used in space and washi paper (Japanese paper used in shoji screens) is used in upper part of partition as wood in overall space can make it dark and dense so, by adding washi paper - half of partition will give diffuse light in space.

VRUSHTI PARIKH (UI4416)

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

· ·

11670 4650

4655

2370

W1 1

W2 1

W1 2

LEVEL-2 STUDIO SPRING SEMESTER- 2019

ENTRY

KEY PLAN

770

1415

945

735 V1

D5 1

PANTRY 2355*1390

D4 1

1960

WASHROOM 2025*1500

LVL +175

WORKSPACE 5010*4000

1500

1200

810

860

3000

D6 1

655 PHOTOGRAPHER'S CABIN 3930*2355

2355

700 W2 2

600 3930

1415

Using walnut wood in major part of space (partition and flooring) will make one feel heaviness, so to balance the space washi paper is used in partition which will allow light to pass through. And space will lighten up with diffuse light coming inside.

800

STORAGE AND PRINTING

2025

1290 400

800

895

1390

D3 1

910

NAME

SIZE

REMARKS

1330*2200

HINGED

900*2200

03 04

850*2200

D4 D5

720*2200 700*2200

HINGED HINGED HINGED HINGED

1200*2200

PIVOTED

1340*2200

PIVOTED

1200*1415

OPENABLE

1200*1415

FIXED

10 11

W3 V1

1200*1415 600*1790

FIXED OPENABLE

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

800

ENTRY

INTERIOR FURNITURE LAYOUT

STORAGE

IR-2024-ID-1.1-R0 IR 2024- EXPLORATION OF DESIGN

1730

925 A

9300

MATERIAL BOARD

Sr.No

D1 1

VENT

LVL +00 D2 1

PROJECTOR SCREEN

795

3055

W3 3

1295

STUDIO SPACE 4240*4000 MEETING ROOM 3925*2895

2405

965

DOOR WINDOW

1270 RECEPTION AND WAITING AREA 3970*3700

1000

D6 2

975

ABBREVIATIONS

D W

7750

D3 2

600

ACCOUNTANT'S CABIN 2660*2525

965

1390

D7 1

DISCUSSION AREAPROJECTOR SCREEN

W3 2

1200 795

1930

1185

7750

Carpet area- 98 sqm

1100

NAME

01 02

1245 9165

1505

970

1730

W3 1

Sr.No

(MATERIAL IN FOCUS) LEVEL-2 STUDIO SPRING SEMESTER- 2019

2370 4

PLAN AT 1500 MM

VRUSHTI PARIKH (UI4416)

· · · ·

600

700

302

600

354

600

350

986

600

419

358

399

1598

161

356

F.X.2

F.X.9

600

700

576

206

A W

B W

402

600

W.P.3

600

F.X.5

F.X.7

F.X.4 158

SPECIFICATION

365*535*360mm

Jaquar Wall Hung- WC with PP soft close seat cover. PRODUCT CODE: CNS-WHT-961N

URINAL

340*320*650mm

Jaquar Urinal with Fixing Accessories Set, Size : 340x320x650 mm PRODUCT CODE: URS-WHT-13263

IN-BULIT BASIN

700mm

KOHLER forefront vanity 700 walnut PRODUCT CODE: K-91601IN-E63

BASIN FAUCET

MIRROR

500*600mm

KOHLER Evandale Cocoa Rectangular Bathroom Mirror

HEALTH FAUCET

8mm 12MM DIA

Jaquar health faucet PRODUCT CODE: ALD-CHR-573

TOWEL RING

BOTTLE TRAP

Jaquar WALL MOUNTED BASIN TAP (AUTO-CLOSING) PRODUCT CODE: PRS-CHR-061

R D5

F.X.3 604

600

F.X.3 911

300

400

F.X.8

32mm size 250*190mm

METROPOLE FLUSH VALVE 32mm

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:25 @ A3

TOILET IR-2024-T-01-R0 IR 2024- EXPLORATION OF DESIGN

Jaquar towel round ring PRODUCT CODE: ACN-CHR-1121BN

3 R

F.X.6

350

DIMENSION

W.C.

S.B.10

F.X.4

F.X.1

PRODUCT NAME

561

No. 01

141

S.P.

561

600

400

F.X.1

F.X.6

200

576

587

985

1014 1214

409

1214

600

938 938

600

333

S.P.

600

S.P.

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

(MATERIAL IN FOCUS) LEVEL-2 STUDIO

Jaquar bottle trap with internal partition PRODUCT CODE: ALD-CHR-769L250X190

SPRING SEMESTER- 2019

Jaquar metropole flush valve PRODUCT CODE: FLV-CHR-1095G

600*600MM MATT FINISH PORCELAIN TILES`

D W

C W

370 370

550 380

40 1000

1238

400

CROMA 190L CRAR0212 SILVER

531*658mm

INDUCTION

PHILIPS HD4938 01

400*400mm

KENT PRIME

300*150mm

WATER FILTER RO

SINK

BOTTLE TRAP

WALL MOUNTED BASIN TAP

ANUPAM SINGLE BOWL SINK 105 SATIN FINISH

400*350mm

1040

1000

L.G. 20L MS2043BP

500*300mm

REFRIGERATOR

SPECIFICATION

DIMENSION

MICROWAVE

32mm size 250*190mm

Jaquar bottle trap with internal partition PRODUCT CODE: ALD-CHR-769L250X190

175

Jaquar WALL MOUNTED BASIN TAP (AUTO-CLOSING) PRODUCT CODE: PRS-CHR-061

PU POLISHED MDF DETAIL- C

PRODUCT SPECIFICATIONS

D P

60 500

500

695 R

CP29

150

WP4 25

114 SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:25 @ A3

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:25 @ A3

S.P.

PANTRY

IR-2024-P-02-R0

IR-2024-P-01-R0

IR 2024- EXPLORATION OF DESIGN

(MATERIAL IN FOCUS)

PLAN AT +600 LVL

SB12

425

200

827

431 05

674

SB11

105 685

500 SB13

600

900

1388

580

663

50 480

654

538

600

650

PANTRY 2355*1390

400

600

640 600

700

C P

B P

725

A P

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

420

190

190 130 400

580 390

435

1000

1040

12mm THICK BLACK GRANITE 18mm THICK BLACK GRANITE RESTED ON MDF

PRODUCT NAME

DETAIL- A

12mm THICK STONE FACIER

510 40

2200

18mm THICK BLACK GRANITE RESTED ON MDF

2025 2200

390

435

22 18

DETAIL- C

DETAIL- B

1040

DETAIL- B

400

510 40

380

12mm THICK BLACK GRANITE AS SPLASHGUARD

12mm THICK BLACK GRANITE USED AS SPLASHGUARD

962

190 130 580

2 400

190 590

370

190 550

370

DETAIL- A

420

380

2200

PU POLISH MDF FOR SHUTTER

No. 01

PU POLISH MDF FOR SHUTTER

1000

18mm THICK BLACK GRANITE RESTED ON MDF

· ·

SPECIFICATIONS

12mm THICK STONE FACIER

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

500

· ·

695

· ·

VRUSHTI PARIKH (UI4416)

LEVEL-2 STUDIO

SPRING SEMESTER- 2019

FLOORING PLAN

PLAN AT +1200 LVL VRUSHTI PARIKH (UI4416)

PLAN AT +1800 LVL VRUSHTI PARIKH (UI4416)

2370

REVISION

TYPE OF REVISION

DATE

1 +2500MM LIGHTING FALSE CEILING LVL

190

NO.

REVISION

TYPE OF REVISION

DATE

SB9

CP27

CP26

SB16

CP38

CP28

CP19

CP20

CP14

SB5

11670 2370

438 400

438 1025

438 100 30

2600

IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS)

VRUSHTI PARIKH (UI4416)

1025

100

2600 1025

REMARKS

1340*2200

PIVOTED

1200*1415

OPENABLE FIXED

10 11

W3 V1

1200*1415 600*1790

FIXED OPENABLE

100

2600

13 11

+1175MM S.B. LVL

1025

1075

300

100MM THICK FALSE CEILING OF ARIAPLY (PREFINISHED PLYWOOD PANEL) TO HIDE CONDUITS AND LIGHT FIXTURES FIXED WITH TIMBER BATTEN

100MM THICK FALSE CEILING OF ARIAPLY (PREFINISHED PLYWOOD PANEL) TO HIDE DRAINAGE AND INLET PIPES OF AC AND CONCEALED SPILT AC UNIT

CHROME GREEN ASIAN PAINT COLOR APPLIED ON WALL

MAATI ASIAN PAINT COLOR APPLIED ON 100MM WIDTH OF WALL

PEBBLE MOSS WOOD TEXTURE ASIAN PAINT COLOR APPLIED LIKE STRIPS OF WOOD

50*5MM THICK WOODEN SKIRTING NAILED ON WALL

60*70MM THICK HORIZONTAL WOODEN PLANK

30*30MM THICK WOODEN FRAME NAILED TO WOODEN PLANKS ON BOTH SIDES

30*30MM THICK WOODEN PATTI JOINED TOGETHER WITH LAP JOINT

60*70MM THICK VERTICAL WOODEN PLANK

100*70MM THICK WOODEN PLANK FIXED WITH TONGUE AND GROOVE TO VERTICAL PLANKS

1025*150MM WALNUT VENEER STICK TO PLYWOOD

0.2MM THICK WASHI PAPER FIXED IN BETWEEN 30*30MM WOODEN PATTI WITH GLUE

13 10

9 D3

13 4

5 12

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

SECTIONAL ELEVATION 12

IR-2024-ID-1.1-R0 IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS)

LEVEL-2 STUDIO

SPRING SEMESTER- 2019

+0MM FINISHED FLOOR LVL

PLAN AT 2200 MM

400

(MATERIAL IN FOCUS)

SPRING SEMESTER- 2019

2370

+2200MM HVAC FALSE CEILING LVL

IR-2024-RCP-01-R0 IR 2024- EXPLORATION OF DESIGN

9 D1

REFLECTED CEILING PLAN

STORAGE

ENTRY

100 30

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

100

LVL +00 W3 3

3 7

60 30

PIVOTED

C SP1

VRUSHTI PARIKH (UI4416)

DATE

438

1200*2200

720*2200 700*2200

1025

D4 D5

+2500MM LIGHTING FALSE CEILING LVL

438

05 06

2600

850*2200

100 30

100

03 04

HINGED HINGED HINGED HINGED

1025

HINGED

900*2200

1075

1330*2200

100

D1 D2

400

01 02

+2600MM SLAB BOTTOM LVL

300

SIZE

60 30

NAME

B SP1

438

Sr.No

TYPE OF REVISION

SPECIFICATIONS

438

+LVL 2200mm

REVISION

+2200MM HVAC FALSE CEILING LVL

+LVL 2500mm

NO.

A SP1

1025

7750

9165

RECEPTION AND WAITING AREA 3970*3700

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

· ·

+0MM FINISHED FLOOR LVL

0.2MM THICK WASHI PAPER FIXED IN BETWEEN 30*30MM WOODEN PATTI WITH GLUE

+2500MM LIGHTING FALSE CEILING LVL

W3 1

1025*150MM WALNUT VENEER STICK TO PLYWOOD

LVL +175

9300

9 13

100

MEETING ROOM 3925*2895

100*70MM THICK WOODEN PLANK FIXED WITH TONGUE AND GROOVE TO VERTICAL PLANKS

· ·

WASHROOM 2025*1500

7750

+2600MM SLAB BOTTOM LVL

STUDIO SPACE 4240*4000

60*70MM THICK VERTICAL WOODEN PLANK SCREWED INTO WALL

H SP2

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

1415

PANTRY 2355*1390

W3 2

30*30MM THICK WOODEN PATTI JOINED TOGETHER WITH LAP JOINT

G SP2

ACCOUNTANT'S CABIN 2660*2525

30*30MM THICK WOODEN FRAME NAILED TO WOODEN PLANKS ON BOTH SIDES

LEVEL-2 STUDIO

FALSE CEILING AT +2200 LVL

WORKSPACE 5010*4000

60*70MM THICK HORIZONTAL WOODEN PLANK SCREWED INTO PLYWOOD FALSE CEILING

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

15 12

W2 2

50*5MM THICK WOODEN SKIRTING NAILED ON WALL

SPRING SEMESTER- 2019

W1 1

PHOTOGRAPHER'S CABIN 3930*2355

PEBBLE MOSS WOOD TEXTURE ASIAN PAINT COLOR APPLIED LIKE STRIPS OF WOOD

2600 2500

W2 1

LEVEL-2 STUDIO

CEILING POINT W1 2

MAATI ASIAN PAINT COLOR APPLIED ON 100MM WIDTH OF WALL

SPRING SEMESTER- 2019

VRUSHTI PARIKH (UI4416)

· ·

4655

1200*1400MM OPENABLE GLASS WINDOW

+0MM FINISHED FLOOR LVL

· ·

4650

+1175MM S.B. LVL

400

PLAN AT 1500 MM

2370

CHROME GREEN ASIAN PAINT COLOR APPLIED ON WALL

IR-2024-ID-1.1-R0

(MATERIAL IN FOCUS)

9300

1220*1470MM D DECOR LATINA BISCUIT MAISON ROMEX POLYESTER BLINDS

SECTIONAL ELEVATION

IR 2024- EXPLORATION OF DESIGN SB6

100MM THICK FALSE CEILING OF ARIAPLY (PREFINISHED PLYWOOD PANEL) TO HIDE DRAINAGE AND INLET PIPES OF AC AND CONCEALED SPILT AC UNIT

CONSOLIDATED PLAN IR-2024-EL+PL+HV-1-R0

WP2

100

438

ENTRY CP8

1075

WP13

CP16 CP15

CP50

CP51

A.C.2 CONCEALED SPLIT 1.5 TON

100

CP13

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 21/03/2019 SCALE: 1:50 @ A3

SB3

438

SB1 SB4

+2200MM HVAC FALSE CEILING LVL

1075

CP47

+LVL 2500mm

CP5

CP9

CP10

CP11

1025

CP12

CP1

100 30

WP10

WP12

SB8

+LVL 2200mm

WP11

60 30

CP43

+2500MM LIGHTING FALSE CEILING LVL

300

100 CP6

400

CP2

60 30

CP44

7750

CP17 CP22

100

+2600MM SLAB BOTTOM LVL

SB21

CP52

F SP2

CP3

CP21

CP48

+0MM FINISHED FLOOR LVL

CP7

CP18

SB20

CP49

E SP2

CP35

A.C.6 CP45 CONCEALED SPLIT 2 TON

2600 1075

493

SB2

2 3

CP4

SB7

CP46

+543 WINDOW SILL LVL

1025

9165

WP1

100MM THICK FALSE CEILING OF ARIAPLY (PREFINISHED PLYWOOD PANEL) TO HIDE CONDUITS AND LIGHT FIXTURES FIXED WITH TIMBER BATTEN

1025

CP36

DRAINAGE PIPE

A.C.1 WP3 CONCEALED SPLIT 2 TON

CP24

A.C.4 CONCEALED SPLIT 1.5 TON

A.C.5 CONCEALED SPLIT 2 TON

COOLENT PIPE

CP29

SB10

CP25

SPECIFICATIONS 12 13

SB14

WP9

+1175MM S.B. LVL

CEILING POINT

CP23

A.C.3 CONCEALED SPLIT 1.5 TON

CP37

SWITCHBOARD

W1 1

W2 1

CP42

CP32

CP30

CP39

WALL POINT B

SB13 CP41

LEGENDS

1025

VRF O.D.U. 10 TON

CP29

1075

CP34

1415

CP33

CP31

1415

CP40

2600

SB11

WP8

100 30

WP4

100

WP6

1025

WP5

SB19

1415

300

WP7

SB12

SB15

834

SB17

100

+1960MM WINDOW LINTEL LVL

3 SB18

438

+2200MM HVAC FALSE CEILING LVL

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

· ·

100

4655

+2600MM SLAB BOTTOM LVL

400

11670 4650

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

300

· ·

60 30

· ·

100

300

590

D SP1

VRUSHTI PARIKH (UI4416)

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

· ·

18 TYPE OF REVISION

2660

600

12*8mm WOODEN BEADING PATTI NAILED TO PLYWOOD

DETAIL- D

16*16mm MS SOLID SQUARE ROD WELDED TOGETHER

200 18

400 16

SECTION B A

18mm THICK WOODEN PLANK NAILED TO VERTICAL FRAMES

12*12mm WOODEN FRAMES NAILED TOGETHER

1075

126

12mm thick plywood 24mm screw used to fix 12mm plywood on wooden frame

168

200

200 18

100 30

100

2200

70*100mm wooden block

1025

FRONT ELEVATION

400

1270

70*50mm wood as base

382

100 30

2200 1175

1025

352

2mm thick walnut veneer applied on plywood

464

582

30*30mm vertical wooden patti

464

1058 464

500

464

1082

438

434

1025

30*30mm wooden patti fixed with lap joint on vertical member

440

1025

435

Washi paper

DETAIL- B

30 60

70*60mm wood

30 60

20gsm WASHI PAPER GLUED IN-BETWEEN TWO WOODEN FRAMES

1080

DETAIL- A

12*12mm THICK WOODEN PATTI FRAME NAILED TO 18mm THICK PLYWOOD AT BACK

382

400

200

18mm THICK WOODEN PLANK NAILED TO VERTICAL FRAMES

DATE

REVISION

NO.

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

382

· ·

18mm THICK PLYWOOD WITH WALNUT VENEER ; TABLE TOP

505

RECEPTION TABLE

IR-2024-P.D-1-R0

IR-2024-ID-4.4.2-R0

464

460

500

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:10 @ A3

600

PARTITION DRAWING 2660 70

18mm THICK PLYWOOD WITH WALNUT VENEER ON IT 18

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

SECTION

IR 2024- EXPLORATION OF DESIGN

IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO

2660 460

505

370

150

370

· ·

30*30MM THICK WOODEN PLANK NO.

100

400

VRUSHTI PARIKH

SECTION A

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

REVISION

TYPE OF REVISION

· ·

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

DATE

WASHI PAPER

400

PLYWOOD SCREWED IN WOODEN PLANK WASHI PAPER INNER FRAMES

50*70MM WOODEN PLANK

512

2MM THICK WALNUT VENEER APPLIED ON PLYWOOD

150

VRUSHTI PARIKH (UI4416)

· ·

12MM THICK PLYWOOD

150

900

PLAN A

70*30MM WOODEN PLANK

150

200

LEVEL-2 STUDIO SPRING SEMESTER- 2019

16*16mm MS SOLID SQUARE ROD WELDED TOGETHER

512

2mm thick walnut veneer applied on plywood

382

12mm thick plywood 70*70 mm wood

(MATERIAL IN FOCUS)

582

12*12mm WOODEN FRAMES NAILED TO PLYWOOD

SPRING SEMESTER- 2019

200 18

Washi Paper

PLAN B

2MM THICK WALNUT VENEER APPLIED ON PLYWOOD

464

184 1270

TOP PLAN

PLYWOOD SCREWED IN WOODEN PLANK

PLYWOOD SCREWED IN 70*30mm WOODEN PLANK 2MM THICK WALNUT VENEER APPLIED ON PLYWOOD

30*30MM THICK WOODEN PLANK

12MM THICK PLYWOOD

VERTICALLY PARTITION JUNCTION 2MM THICK WALNUT VENEER APPLIED ON PLYWOOD

70*70MM THICK WOODEN BLOCK

WASHI PAPER

DETAIL- A

16816

200

PART LAYOUT

12MM THICK PLYWOOD

PLYWOOD AND WOODEN FRAME

KIT OF PARTS - ASSEMBLY OF PARTITION

2MM THICK WALNUT VENEER APPLIED ON PLYWOOD

PHOTOGRAPHER'S OFFICE

70*100MM WOODEN BLOCK

500

12MM THICK PLYWOOD

200

1100

OUTER FRAMES

PARTITION AND FLOORING

150

300

150

370

BACK ELEVATION

30*30MM THICK WOODEN PLANK

DETAIL- B

1270 EQ

LAP JOINT IN ABOVE WOODEN FRAME WHERE WASHI PAPER WILL OVERLAY

DETAIL- C 18mm THICK PLYWOOD WITH WALNUT VENEER 600

PARTITION DRAWING IR-2024-P.D-2-R0

18mm THICK PLYWOOD WITH WALNUT VENEER ON IT

12*12mm WOODEN FRAMES NAILED TO PLYWOOD

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:10 @ A3

50*70MM WOODEN PLANK

18mm THICK WOODEN PLANK NAILED TO VERTICAL FRAMES

12*12mm WOODEN FRAMES NAILED TOGETHER

12*12mm WOODEN FRAMES NAILED TOGETHER; SCREWED TO PLYWOOD

IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS)

30*30MM WOODEN PLANK

3MM GAP

L- JUNCTION OF PARTITION

DETAIL-C

12MM THICK 2MM THICK WALNUT PLYWOOD VENEER APPLIED ON PLYWOOD

370

30*30MM THICK WOODEN PLANK

LAP JOINT IN LOWER SECTION WHERE PLYWOOD WILL BE SCREWED TO FRAMES

370

PLAN B

VRUSHTI PARIKH (UI4416)

DETAIL- D

RECEPTION TABLE

IR-2024-ID-4.4.3-R0 IR 2024- EXPLORATION OF DESIGN (MATERIAL IN FOCUS) LEVEL-2 STUDIO

SPRING SEMESTER- 2019

12MM THICK PLYWOOD

WASHI PAPER

PARTITION AND FALSE CEILING

LEVEL-2 STUDIO

30*30MM WOODEN PLANK

18mm THICK PLYWOOD WITH WALNUT VENEER

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:10 @ A3

150

150 900

150

16*16mm MS SOLID SQUARE ROD WELDED TOGETHER FOR FRAME 12*12mm WOODEN FRAMES NAILED TO PLYWOOD 16*16mm MS SOLID SQUARE ROD WELDED TOGETHER

SPRING SEMESTER- 2019

VRUSHTI PARIKH

· ·

18 336

18 450

450

469

REFRENCE MAGAZINES

18mm THICK PLYWOOD NAILED FROM OUTSIDE AND GLUED FROM INSIDE USED AS HORIZONTAL SUPPORT

18 264

18 216

264

492

DETAIL - B

432

408

432

EARLY WORKS

660

600

SECTION A

730

12mm AL. C-CHANNEL PROFILE SCREWED IN TO VERTICAL PLYWOOD

633 40

90 18

633

1200

694

PLAN C

WIRE MESH DRAWER CLAMPED WITH PLYWOOD FACIER

429

489

400

489

18mm THICK PLYWOOD WITH WALNUT VENEER ON IT

654

633

DETAIL - A

633

1200

654

PLAN B THICK LIGHT BROWN UPHOLSTERED FABRIC ON MEDIUM DENSITY FORM

DETAIL - C

700

120*40mm BRASS PLATED AL. DRAWER HANDLE SCREWED FROM INSIDE

38 469

429

694 642

742

30mm C-CHANNEL PROFILE SCREWED TO HORIZONTAL PLYWOOD

18 430

SECTION B

429 694

633

30mm C-CHANNEL PROFILE SCREWED TO HORIZONTAL PLYWOOD

489

400

489

507

600

12mm AL. C- CHANNEL PROFILE SCREWED INTO PLYWOOD

50 18

50 12

474

50 18

ELEVATION

120*40mm BRASS PLATED AL. DRAWER HANDLE SCREWED FROM INSIDE

455

282

264

441

REFRENCE MAGAZINES

450

REFRENCE IMAGES

426

REFRENCE IMAGES

12 40

280

STATIONARY

ELECTRIC POINT

460

264

PLYWOOD

469

474

12 18

UPHOLSTORY

PRINTER

ALL DIMENSIONS ARE IN MM. ALL DIMENSIONS ARE TO BE READ NOT TO BE MEASURE. THIS DRAWING IS PROPERTY OF VRUSHTI PARIKH. THE DRAWING SHOULD NOT BE COPIED OR USED WITHOUT THEIR PRIOR PERMISSION.

469

18 460

450

451

474

BOOKS

318 469

336

PAPERS RACK

318

318 474

681 120

336

PAPERS RACK

700

BOOKS

336

EXTRA PRINTED PAPERS

318

EXTRA PRINTED PAPERS

336

· ·

18mm THICK PLYWOOD WITH WALNUT VENEER ON IT

SITE: 608, COLLONADE, AHMEDABAD CLIENT: PHOTOGRAPHER PROJECT: OFFICE DESIGN DATE: 24/04/2019 SCALE: 1:50 @ A3

STORAGE

IR-2024-ID-4.4.1-R0

DETAIL - B

IR 2024- EXPLORATION OF DESIGN WIRE MESH FRAME

600

(MATERIAL IN FOCUS)

LEVEL-2 STUDIO 18

PLAN A

633

1200

30*12mm AL. C- CHANNEL FOR SLIDDING DOORS

694

AL. L- CLAMP WELDED TO MESH AND SCREWED TO PLYWOOD

DETAIL - A

SPRING SEMESTER- 2019

18mm THICK PLYWOOD WITH WALNUT VENEER ON IT

DETAIL - C

VRUSHTI PARIKH

3D Renderings and Photography Representation

vrushti.parikh.7@gmail.com

Vrushti Parikh| Interior Architecture