Page 1

$ . ! % 2 % !( % 2 % ( !4 %XHIBITIONCATALOGUEINCLUDESANESSAY BY#AROLINE+NOWLES

$AVID+ENDALL $AVID+ILLEEN %STELLE6INCENT &RANCESCA7EBER .EWTH (OLLY'ILBERT (OLLY-C'LYNN ,ANIS,EVY

,AURA7ESTER ,ORENZ7IDMAIER -ARJOLEIN(OUBEN 0AUL(ALLIDAY 2ACHEL*ONES 2EBECCA,OCKE 3ANTIAGO%SCOBAR*ARAMILLO


0HOTOGRAPHSBY 3ANTIAGO%SCOBAR*ARAMILLO (OLLY'ILBERT 0AUL(ALLIDAY -ARJOLEIN(OUBEN 2ACHEL*ONES $AVID+ENDALL $AVID+ILLEEN ,ANIS,EVY 2EBECCA,OCKE (OLLY-C'LYNN %STELLE6INCENT &RANCESCA7EBER .EWTH ,AURA7ESTER ,ORENZ7IDMAIER #URATEDBY $AVID+ENDALLAND,ANIS,EVY %DITEDBY ,ISA2OBERTSON EDITOR VIEWüNDERORGUK $ESIGNBY -ANDANA!HMADVAZIR DESIGNER VIEWüNDERORGUK !LSOAVAILABLEASACOLOUR E PUBLICATION WWWVIEWüNDERORGUKSHOP 0UBLISHEDBY 6IEWüNDER0HOTOGRAPHY'ALLERY ,INEAR(OUSE 0EYTON0LACE 'REENWICH ,ONDON3%23 WWWVIEWüNDERORGUK &IRSTPUBLISHED!PRIL 4HEARTISTSANDAUTHORS

4HEVIEWSEXPRESSEDINTHIS PUBLICATIONARENOTNECESSARILY THEVIEWSOFTHEPUBLISHEROREDITOR !CKNOWLEDGMENTS 4HANKYOUTO'ABRIELLE "ENDINERp6IANI ,OUISE&ORRESTER 0AUL(ALLIDAY #AROLINE+NOWLES AND!BBAS.OKHASTEHFORTHEIR CURATORIALSUPPORT SPONSORSHIP ANDORGANISATIONOFTHIS EXHIBITIONANDRELATEDEVENT 0HOTOGRAPHYAND4HE0RACTICEOF 7ALKING 'OLDSMITHS 5NIVERSITY OF,ONDON RD*UNE 4HEEXHIBITIONANDEVENTARE SPONSOREDBY/PENVIZOR WWWOPENVIZORCOM WITHTHE SUPPORTOFTHE#ENTREFOR5RBAN AND#OMMUNITY2ESEARCH 'OLDSMITHS 5NIVERSITYOF ,ONDON WWWGOLDACUKCUCR /PENVIZORISANINDEPENDENT INTERNATIONALARTSANDCULTURAL ORGANIZATIONANDONLINEPLATFORM DEDICATEDTOSUPPORTINGAND SHOWCASINGCOLLABORATIVE PROJECTSANDDEVELOPMENTACROSS BORDERS CULTURESANDDISCIPLINES CONNECTINGANDCELEBRATING INDIVIDUALS COMMUNITIESAND ORGANIZATIONSAROUNDTHEWORLD 4HISEXHIBITIONISPARTOF 5RBAN%NCOUNTERS2OUTESAND 4RANSITIONS4HEFESTIVAL PROGRAMMEISAVAILABLEAT WWWURBANENCOUNTERSORG


%SSAYBY #AROLINE+NOWLES

7RITINGANDPHOTOGRAPHINGkTHEURBANlDEMANDSCOMPLICITYWITH THEVIEWTHATCITIESEXISTASDISTINCTREALMSOFHUMANSETTLEMENT WHILSTKNOWINGTHATTHEYDONOTTHATTHEYAREPLATFORMSFROMWHICH ITISPOSSIBLETOLOGTHECOMINGSANDGOINGSTHATACCUMULATETOTHE DENSENETWORKSOFEVERYDAYLIFEWECALLCITIES4HECITYISNOTWHAT ITSEEMS!NDIFINNOTBEINGWHATITSEEMSITWERETOHAVEACENTRE ASETOFDEüNINGFEATURESpWHICHITDOESNlTpTHENTWOIDEASABOVE ALLOTHERSARTICULATETHEURBANSURFACEANDMOBILITY4HINKOFTHESE IDEASASCONSTITUTIVEOFANURBANTHATISNlTWHATITSEEMS7HERE DOESTHISLEAVESTREETPHOTOGRAPHY3TREETPHOTOGRAPHYTANGLES MOSTEFFECTIVELYWITHURBANISMWHENITENGAGESWITHSURFACEAND MOBILITYINPRACTICEANDASAPRACTICE5RBANPHOTOGRAPHYAND URBANLANDSCAPEARETHUSCO CONSTITUTIVE ANDINTHISDYNAMIC ISSUESOFREPRESENTATIONARESIDELINEDBYCRUCIALQUESTIONSTHATCAN BEASKEDWITHTHELENS7HATISACITY(OWARECITIESPRODUCED 7HATHUMANANDARCHITECTURALFABRICDOTHEYARTICULATE!ND THROUGHWHATGRAMMAROFIMAGESMIGHTPHOTOGRAPHYASASETOF PRACTICESANDENGAGEMENTSPRODUCECITIES 7HATISTHISURBANSURFACE!NDHOWMIGHTURBANPHOTOGRAPHY DIALOGUEWITHIT#ONCEPTUALLYTHEURBANSURFACEISAPLANEOF ENGAGEMENTWHEREEVERYTHINGTHATCANBEKNOWNANDEXPERIENCED TAKESPLACE4HEREARENOHIDDENkREALITIESlOBSCUREDBYDEPTHIN THISCONCEPTIONOFSURFACE"ECAUSETHEURBANSURFACEISWHERE EVERYTHINGHAPPENSITISHERETHATWEMIGHTUSEFULLYAIMTHE ANALYTICPHOTOGRAPHIC LENSOFURBANINVESTIGATION"UTTHISISNOTA SMOOTHSURFACEOFURBANkČOWlCONTRA3OCIOLOGIESOFMOBILITIES )T ISATEXTUREDSURFACE NAVIGATEDWITHEMBODIEDSKILLANDKNOWLEDGE ACROSSWHICHWESTUMBLEANDFALTER NOTČOW4HISURBANSURFACE ISTEXTUREDBYANDWITHHUMANACTIVITYANDOBJECTSOFMATERIAL CULTURE INCLUDINGARCHITECTURE4HEURBANSURFACEISCREATEDINTHE FABRICOFSOCIALLIFE COLLECTIVE EXISTENTIALEVERYDAYLIFETEXTURE NOTTEXT5RBANPHOTOGRAPHYOPERATESBOTHWITHINANDAPARTFROM THISSOCIALLYTEXTUREDSURFACE"UTITDOESNOTREADILYREVEALITS CONSTITUTION ITSMODESOFOPERATIONANDITSSOCIALMORPHOLOGY &LEETINGENCOUNTERSWITHTHECAMERALENSALONEWILLNOTEXPOSE THISSURFACE"UTINCONCERTWITHDEEPERRESEARCHANDENGAGEMENT WITHURBANTHEORYTHELENSCANDELIVERBETTERAPPROXIMATIONSOF WHATWECANNEVERREALLYKNOW+NOWLEDGEISALWAYSTENTATIVEAND PROVISIONAL#ITIESAREALWAYSDUPLICITOUS LAYEREDREPOSITORIESOF MULTIPLETRUTHSANDTHEYSHARETHESEFEATURESWITHPHOTOGRAPHY 3OTHEISSUESBECOMEHOWTOUNRAVELSOMEOFTHISDUPLICITY(OW




TOSEEBETTERWHATISHAPPENINGORHOWTOSEETHINGSTHATDONOT EASILYGIVETHEMSELVESUPTOTHELENS



"ERLINlSSURFACEDISPLAYSITlSLAYEREDPAST)TSDIFüCULT TO RECONCILE RELATIONSHIPWITH.ATIONAL3OCIALISMlSREGIMESOFEXTERMINATION THE#OLD7ARlSWALLOPERATINGAFAULT LINEBETWEENFAMILIES POLITICAL IDEOLOGIES ECONOMICSYSTEMSANDLIFESTYLES4HEPASTLEAVESITS IMPRINTONACITYTHATkREMEMBERSFORGETFULLYl "ITSOFTHEWALLSERVE NEWMOREPOSITIVEPURPOSESANDMARKNEWBOUNDARIES&ORMER FACTORIESANDCOMMUNALBATHHOUSESPROVIDESTUDIOANDEXHIBITION SPACEFORARTISTS4HEARCHITECTURALFABRICOFTHEOLDANDTHEAVANT GARDEAGITATEEACHOTHERANDTHENEWMODERN MONUMENTAL ARCHITECTURETHATSTRETCHESALONGTHERIVERPROVIDINGTHE ADMINISTRATIVE POLITICALCENTREOFTHENEWORDER'RANDSPACESBUILT FORIMAGINEDSOCIALITIES HOSTENCOUNTERSBETWEENSTRANGERSAND THEWANDERINGSOFCITIZENS TOURISTSANDPHOTOGRAPHERS"UTTHESE ARESUPERüCIALOBSERVATIONS5NDERSTANDINGHOWTHESESPACESARE CONSTITUTEDANDSUSTAINED THEIROLDGHOSTSANDTHEIRNEWPURPOSES ANDHOWSMALLTHINGSMAPONTOBIGGERSCHEMESTAKESTIME DETAILED INVESTIGATIONANDENGAGEMENTWITHURBANTHEORY -OVINGFROMSURFACETOMOBILITYITISEVIDENTTHATCITIESARE INHERENTLYMOBILEWHICHISTOSAYTHATTHEYARECONSTITUTEDINHUMAN MOBILITYASDE#ERTEAUSUGGESTS#ITIESAREALWAYSCOMPOSED INTHEROUTESPEOPLECHARTTHROUGHTHEM"UTTHESEAREMUTUAL ACTSOFCONSTITUTION4HECITYSTREETSMAKELIVESANDTHEMSELVES INTHECLATTEROFFOOTSTEPSJOURNEYSTHATAREASEXISTENTIALAND IDIOSYNCRATICASTHEPHOTOGRAPHSTHATRESULT#ITIESAREINDEED COMPOSEDINLARGEANDSMALL SCALEMOBILITIESANDTHISCONSTANT MOVEMENTISTHEMOSTSTRIKINGFEATUREOFCITIES5RBANMOBILITY CHALLENGESTHEFREEZE FRAMEOFTHELENSTHATEXTRACTSANDDISPLAYS MOMENTSINTHEČOWOFACTIVITIESANDTHINGSTHATMAKEUPURBANLIFE 7HATDOESTHISMAKINGOFCITIESINMOBILITYENTAIL$ISSEMBLING MOBILITYWECANSEETHATITISCOMPOSEDINMULTIPLE*OURNEYS INVOLVINGSPECIüCITINERARIESCONNECTINGPLACESACROSS NEIGHBORHOODSORCONTINENTS3CALEISIMPORTANTBUTURBANSCHOLARS HAVEBECOMETRANSüXEDBYTRANSNATIONALMOBILITYWHENINFACT SHORTJOURNEYSAREASSIGNIüCANTASLONGONES"ORROWINGFROM )NGOLDWECANTHINKOFAJOURNEYASACONTINUOUSITINERARY AMATRIX OFMOVEMENTAKINDOFCARRYINGALONGAPATH  #ONNECTINGPLACES BRINGSTHEMINTOANETWORKOFCOMINGANDGOINGSOJOURNEYS ARETHEVERYSOCIALPRACTICESTHATCONNECTANDCONSTITUTESPACE !PLACEISMADEINTHETANGLEOFJOURNEYSCROSSINGIT*OURNEYS CARRYPLANS INTENTIONTHATISNOTALWAYSREALIZED3OJOURNEYS AREOPENUNFOLDINGPOSSIBILITIES SOMETIMESMOVINGINNEWAND UNPREDICTABLEDIRECTIONSWITHINTHESTRUCTURESOFBIGGERJOURNEYS &ORURBANANDTRANSNATIONALMIGRANTSROUTINEJOURNEYSAREFRAMED BYLONGERJOURNEYS ANOTHERMATRIXOFCONNECTION


4HEPLANNINGANDEXECUTIONOFJOURNEYSISNAVIGATION.AVIGATION ISORDINARYWAY üNDINGIMPROVISEDEXPLORATORYMOVEMENT   .AVIGATIONPRODUCESTHEARRIVALSANDDEPARTURESTHATMAKEEVERYDAY ANDITISINEVITABLYSOCIALITREQUIRESKNOWLEDGEANDSKILL KNOWING ASWEGOFROMPLACETOPLACE.OTTHATWEČOWACROSSTHESURFACE OFTHEWORLD BUTüNDOURWAYWITHINIT&INDINGOURWAYTAKES KNOWLEDGEANDSKILL3KILLISCOMPRESSEDKNOWLEDGEABOUTTHEWORLD  ANDHOWTOLIVEINIT7HATSKILLDOESITTAKETOLIVEAPARTICULARLIFE (EREISFURTHERCONVERGENCEBETWEENTHECONSTITUTIONOFURBANLIFE ANDTHEPRACTICESOFSTREETPHOTOGRAPHYWHICHALSOWORKSTHROUGH MOBILEENGAGEMENTWITHTHECITY5RBANPHOTOGRAPHYNAVIGATES ROUTESOFURBANEXPLORATIONTHROUGHCITIESCONSTITUTEDINTHESAME MOBILEPRACTICES ,IKEPLACESWECANTHINKOFPEOPLEASCOMPOSEDINTHESUMOFTHEIR JOURNEYS)NTHISFRAMEWORKWEAREWHEREWEGO HOWWEGO AND WHOWEENCOUNTERONTHEWAY*OURNEYSANDENCOUNTERSCONSTITUTE SUBJECTIVITIESpWAYSOFBEINGHUMANINTHEWORLDANDTHESUBSTANCE OFLIVES7ELIVEASWEGOANDMAKEUPLIFEASWEGOALONG )FWETHINKABOUTCITIESINTHESETERMSTHENURBANPHOTOGRAPHIC ENCOUNTERDEMANDSCREATIVEENGAGEMENTANDIMAGINATIVE INTERPRETATIONOFTHESURFACESONWHICHHUMANACTIVITIESAREPLAYED OUT3URFACESCONTAINALLTHATWENEEDTOKNOWOFSOCIALSIGNIüCANCE BUTINTHEIRSOCIAL TEXTUREDOESNOTEASILYOFFERITSELFTOTHEEYE THE CAMERAORTHEANALYTICALLENS4OKNOWBEYONDTHESUPERüCIALWE NEEDTOWAITANDSEE7ENEEDTOWORKATIT7ENEEDTOBEPREPARED TOASKSEARCHINGQUESTIONSANDLINGERWATCHWHOGOESWHEREAND WHY!TTEMPTEDANDAPPROXIMATEANSWERSTOTHESEQUESTIONSREVEAL FRAGMENTSOFSOCIALMORPHOLOGY CLUESABOUTTHEWAYSINWHICHTHE URBANSOCIALWORLDISORGANIZEDANDCONSEQUENTLYHOWITWORKSATA BIGGERSCALETHANTHESPECIüCPRACTICESOFPHOTOGRAPHYCANREVEAL

#AROLINE+NOWLES $IRECTOR #ENTREFOR5RBAN#OMMUNITY2ESEARCH#5#2 0ROFESSOROF3OCIOLOGY 'OLDSMITHS 5NIVERSITYOF,ONDON

.OTES 1. See Cosgrove and Daniels (1988) The Iconography of Landscape, Cambridge: Cambridge University Press for a lucid exploration of landscape as symbolic of hidden realities. A similar framing is found in Marxist work like John Berger’s. 2. See Sheller and Urry (2006) ‘The New Mobilities Paradigm’, Environment and Planning A vol.38(2) pp207-226 Notes 3-6 all draw on Tim Ingold’s (2000) excellent text, The Perception of the Environment: essays in livelihood, dwelling and skill, London: Routledge


3ANTIAGO%SCOBAR*ARAMILLO




(OLLY'ILBERT




0AUL(ALLIDAY




-ARJOLEIN(OUBEN




2ACHEL*ONES




$AVID+ENDALL




$AVID+ILLEEN




,ANIS,EVY




2EBECCA,OCKE




(OLLY-C'LYNN




%STELLE6INCENT




&RANCESCA7EBER .EWTH




,AURA7ESTER




,ORENZ7IDMAIER




6IEWüNDER0HOTOGRAPHY'ALLERY ,INEAR(OUSE

0EYTON0LACE OFF2OYAL(ILL

'REENWICH ,ONDON3%23 WWWVIEWüNDERORGUK

A Here and A There  

How we make sense of, and move about in, the city depends on who we are and where we have both come from and ‘arrived’; gender, race, nation...

Read more
Read more
Similar to
Popular now
Just for you