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Verbiculture Magazine: February 2022 Issue 6

Page 5

NEW BALLET BY JOSHUA L. PEUGH

POETIC FORM OF SHAKE SPEARE TRANSLATED TO DANCE

TIMELESS ROMANCE Joshua L. Peugh is an award-winning choreographer from New Mexico. He is a former dancer with Universal Ballet in South Korea and is the founder and Artistic Director of Dark Circles Contemporary Dance, in addition to his freelance choreography work. He is a choreographer-in-residence at Verb this winter and was commissioned to create a new fulllength ballet, Romeo & Juliet. He has choreographed over 40 new works for major companies including BalletX, Ballet Memphis, and Tulsa Ballet. We sat down with him to talk about his new commission. You trained as a classical ballet dancer. Tell us about

dancing. I ended up dancing that work for the next

your experience and influence in becoming a

six years—even after I left the company, I would

contemporary dance maker.

come back as a guest and dance just that work.

I graduated from Southern Methodist University in

Ohad [Naharin]’s philosophy and movement really

Dallas. I felt very strongly that I was and should be

shaped and shifted me as an artist.

a classical ballet dancer and I took a job dancing with Universal Ballet in South Korea. On my first

What three words describe your choreographic style?

day of work, we auditioned for and worked on Ohad

I don't know if I can pick three words to describe

Naharin’s Minus 7. As a classical ballet dancer, I

my style. I would say that [my work] is a collage—it

began my career dancing for a very contemporary

is a collection of things in no particular order. I like

choreographer and it completely shifted my mind. It

to take things from here and there with movement

changed how I imagined myself as an artist and as a

styles and blend them, paste them together, order

dancer—and it reminded me of the pleasure that I

them, and reorder them to see what new thing can

had forgotten that comes from movement and

be produced. verbiculture | February 2022

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