Venu #33 Winter 2016/17

Page 54

The Florence Griswold Museum, through its exhibit

Colony, the buildings and environment surrounding the

In Place: Contemporary Photographers Envision a

Museum were, and still are, ideally suited to be artisti-

Museum, made a bold, courageous departure from

cally interpreted, a haven for nature lovers, artists and

its early twentieth-century beginnings associated

visitors alike. The buildings work with the environment,

with the Lyme Art Colony. Ten photographers were

where walls reflect sunlight and cast shadows. Its setting,

tasked to focus solely on the setting of the Museum

populated by meadows, forests and fields all situated

and its grounds. Despite the deceptively limited sub-

on an idyllic riverside inspired a generation of artists and

ject matter, the project resulted in an array of vastly

continues to thrill visitors today.

different works, creating a new collection of stunning,

While the Florence Griswold Museum prides itself on

unique and quite personal re-interpretations of this

its rich history, In Place shows that the Museum is not

shared environment. The exhibit runs through January

stuck in the past by any means. Its choice to base the

29th, and is definitely worth a visit.

new exhibit in modern photography is completely inten-

So what makes the Florence Griswold Museum

tional, seeing contemporary photography as an art that

an ideal setting for an exhibit like this? Its location in

increasingly pushes the boundaries with other media.

Old Lyme, Connecticut, for one, which lives up to the

Speaking with the Museum’s curator Amy Kurtz Lansing,

Museum’s description as a beautiful place to visit far

she explained how the development of In Place began

from the bustle of city life.

in her eyes as “unstructured.” Asked about her first

Then there is the property of the Museum itself. Orig-

impressions of the artists’ work, Ms. Kurtz Lansing said

inally used in the early twentieth-century by the Lyme Art

that she would hear the artists develop a “kernel of an

Tina Barney, The Print Dress, 2016. Chromogenic color print. Courtesy of Paul Kasmin Gallery.


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Venu #33 Winter 2016/17 by VENÜ MAGAZINE - Issuu