PERFECTO TRACTUS
About the collection The collection title is Latin for «The Perfect Space» . It consists of 69 prints, united in a unique group of 21 . The number 21 is sacred , as is the number of the Universe , which contains the quintessence of the divine Absolute. Number 69 is also a sacred meaning and combines these dual categories like yin and yang , male and female , high and low , and resembles the sign of Cancer, which has the properties of a full immersion in the mystical experiences . This project is an attempt to combine photography and print. Each print is an autonomous art object . Photo goes to print, the fabric , and it is not on the wall of the gallery space and not on the card or in a magazine , and on the human body. In this position the picture more effectively by optimizing the function of the ambient space, and expanding the boundaries of human perception . The source of the prints each had only one photo of a series of specific , additional elements of the other pictures do not prevnosit . From the point of view of trends that we see in the collection of the abundance of color combinations are not specific to the season 13/14 , which sets a whole new direction. At first glance it may seem that the theme of the collection is operated fractal reproduction, but its use here will mark a kind of convergence and the transition from a fractal kaleidoscopic vision , a new trend that is unique . A combination of hard and soft forms, and unusual color alloys emerging new trends and mark the transition from the mainstream. In some prints we see the texture of the fabric - Cell - pile, wool , suede , leather, textured and smooth combination of surfaces. Ideological components , the «soul» of the project - this is the concept of neo- Vedic vision of the world , neo- Vedic philosophy, which includes drevnevedicheskie knowledge , occultism, mysticism, theosophy , gestalt , Taoism , Hinduism , the basic concepts of modern clinical psychology. 100% is not possible to verbalize all the facets of meaning inherent in the project.
1 In this group of prints several basic motives combine . Subject of fractals is not used in pure form. Transformation is carried out in a kaleidoscopic fractal image . Visual value in this series is in interesting transitions in color , geometricity and asymmetry of photographs. Key forms of this series - crosses and arrows - are sent simultaneously to both the Vedic subjects, and to the Aryan . Colours of these prints operates Indian Vedic motifs. Cross translated here as a universal cross- cultural symbol , and the diamond - as a powerful symbol of integrity, strength and power . In this series, there are also natural crystalline motifs. Last print includes ancient form of swastikas and uses international ancient meaning of swastika , which came out of the Vedic philosophy , maya beliefs, Tibetan and Indian traditional religions. Beautiful colors, referring to an ethereal, divine, not tied to any religion. Conversation with God with the Universe, it is impressive and refers to the very archaic motifs.
2 This series of prints makes a reference to the traditional Laya - yoga coloristics. In the system of Laya - yoga there is a hierarchy that has no contradictions with hierarchical systems of other religions. Subject Crusades and rhombic patterns here has some importance , since the combination of diamond and cross ( as an exclusively Western character ) in combination with coloristic that refers to Laya - yoga gives us the total mix of Eastern and Western philosophy , expressed through a visual image of the ornament. The symmetry of the prints is illusory in some cases .
3 This series of prints is made in ​​ traditional coloristics of Laya Yoga. Ornaments combine the forms of crosses and squares. The color combination is unusual for such a pattern, especially given the use of the effect of crystallization of the surface. Elements refer to the animalistic (2) and floral (1) motives. Print shows a combination of stricter forms with thin, ethereal, sublime and spiritualized forms. Theosophical motives.
4 Mystique of the series represents the eastern mask, which refers to the gods of the traditional culture of Tibet. Some of the prints are dark and otherworldly spirits. The combination of colors is interesting when white intervenes blue , green and purple. The asymmetry of the prints is one of the distinguishing features. Many of the prints of this collection is based on the principle of gestalt . At a certain stage in the composition includes color Laya - yoga , creating a transparent and ephemeral space. Deep space + pure color . Clean source reduces the vibrations to the colors, which wants to show itself . The motif of ancient religious crosses + Laya - yoga . Natural , floral motives , and the structure of rocks used in this series.
5 The motif of the gap space, expressed in a clear, split, geometric and instantaneous transition. All the meanings inherent in the series takes place in the form of simple shapes. Subject IT technologies, the transition of the divine in the highest state of matter - Cybernetics. The last print is a combination of two dimensions - blue and yellow, a clear transition between which is carried out through a diamond.