Vale Life Magazine Feb-Mar 2013

Page 47

Vale Life : Feb/Mar 2013

sense of pace and urgency. Was it difficult to strike this balance? “Yes, it is a difficult balance, but it’s also a very attractive balance to go for. One of the things that interested me in the project was having the chance to do something that was very farcical and fast but which still had people gripped by the story. It’s not meant to be a spoof of the story. The most important thing for me was to keep the story as tight and real as possible.”

like a meditation on a man alone, searching for the truth. Not exactly nail-biting, which is what one needs. So at first I couldn’t really find a way in – until I bought the VHS of the Hitchcock film for £2.99, and there was the answer, ready-made.”

What do the four actors have to understand about their parts to ensure the show works at its best? “Two things. That the faster and tighter they play it, the more Does that mean it is the story will work. We ‘One of the things a send-up of the should all be breathless ridiculousness of by the end. So when that interested me was the theatre rather than the actors take their chance to do something that final the ridiculousness of bow, it should be the story? like they’ve achieved was farcical and fast’ “Yes, absolutely. something extraordinary. Much as we love theatre, it is Secondly - as I’ve said - the ridiculous, of course, by its very nature. A story is all: both the story of the play and the world of wood, canvas and light, as someone characters’ own individual stories as well. once said, but always taken so madly Even though it’s billed as a comedy, the seriously by performer and audience. There actors should take the story as seriously as is a kind of unspoken agreement that neither they would a psychological drama.” will let on that we know it’s actually total artifice and pretence and therefore barmy The 39 Steps promises to be an evening really. The actual story is quite different. I of fun and laughter harking back to a more would never ever send that up. The story is spiffing time when men wore moustaches the key to everything.” and tweed, and women swooned. Tickets are available through the Waterside booking What was your starting point for adapting office or online. Hitchcock’s film for the stage? “The first idea was of adapting John l Aylesbury Waterside Theatre, Buchan’s book, which of course is one of Exchange Street, Aylesbury, the first great thrillers. It is very elegant Buckinghamshire, HP20 1UG and charming and even for its time quite Telephone Booking: 0844 871 7607 Website: www.atgtickets.com/aylesbury suspenseful, but still rather staid. It is more

Spring at The Waterside Your at-a-glance guide to what’s on... Rocky Horror Show

February 4th-9th

Rumours of Fleetwood Mac

February 11th

Colin Fry

February 12th

Balletboyz

February 14th

Chris Dean’s Syd Lawrence Orchestra

February 15th

The 39 Steps

February 18th-23rd

Russian State Ballet: Coppelia & Swan Lake

February 25th-27th

Anton & Erin: Go to Hollywood

March 2nd

Wow! A Celebration of Kate Bush

March 4th

Milton Jones

March 6th

Tommy Emmanuel & Martin Taylor

March 7th

The Rat Pack Vegas Spectacular

March 8th

Joseph

March 12th-16th

Chinese State Circus

March 20th-21st

Roy Chubby Brown Mother Africa Goodnight Mister Tom

March 22nd March 23rd March 26th-30th

Vale Life : Feb/Mar 2013

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