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The Parkside National Small Print Exhibition was founded at UW-­Parkside in 1987 by printmaking professor Doug DeVinny. The tradition continues this spring in the Fine Arts Gallery located in the Rita Tallent Picken Regional Center for the Arts and Humanities at the University of Wisconsin Parkside. 7KLVH[KLELWLRQKDVVKRZQWKHÀQHVWH[DPSOHVRIVPDOOIRUPDW original prints created by artists working throughout the United States for over two decades.


FORWARD

The Parkside National Small Print Exhibition started humbly in 1987 by University of :LVFRQVLQ3DUNVLGH3URIHVVRU(PHULWXV'RXJ'H9LQQ\,WGLGQ·WWDNHORQJIRUPHWR meet Doug after taking the helm of the printmaking studios here at Parkside last DXWXPQ , IRXQG KLP D JHQHURXV HGXFDWRU DQG JLIWHG DUWLVW ZKR , QRZ KDYH WKH SOHDVXUHRIFDOOLQJP\IULHQG7KURXJKWKLVIULHQGVKLS,OHDUQHGWKH3DUNVLGH1DWLRQDO 6PDOO3ULQW([KLELWLRQZDVERUQIURPQRWRQO\'RXJ·VORYHRISULQWPDNLQJEXWDOVR from a desire to tighten the weave of the printmaking community on a national level -­ to create community. $V WKH 8:3DUNVLGH *DOOHULHV EHJDQ SODQQLQJ IRU WKLV \HDU·V H[KLELW , GHFLGHG to familiarize myself with the history of the exhibition by rummaging through old FDWDORJV7KHUH,FDPHDFURVVDPDVVRISULQWKLVWRU\DORQJZLWKVRPHIDPLOLDUSULQWV from some familiar faces. $IWHUUHYLHZLQJWZRGHFDGHVRIFDWDORJVLWZDVFOHDUWKDWVXVWDLQLQJWKHOLIHRIDQ H[KLELWLRQZLWKWKLVPXFKKLVWRU\ZRXOGQRWEHZLWKRXWLWVGLIÀFXOWLHV,QWKLQNLQJDERXW WKHIXWXUHRIWKHH[KLELWLRQJDOOHU\VWDIIKDGWRUHWKLQNWKHFKRLFHRIMXURULQWHUPVRI KRZWKHMXURUFRXOGDXJPHQWWKLVKLVWRU\DQGKRZWKHMXURU·VVHOHFWLRQVFRXOGJLYH us a glimpse into the current state of small-­scale image making from contemporary printmakers. Fresh perspectives from the gallery staff and a nation of ambitious printmakers are WKHOLQFKSLQVRIVXFFHVVDQGVXUYLYDORIWKH3DUNVLGH1DWLRQDO6PDOO3ULQW([KLELWLRQ,Q WKLVH[KLELWLRQWKHMXURU0LFKDHO%DUQHVWDNHVXVLQWRDZRUOGRISULQWVWKDWVWUDGGOHV the astoundingly simple and the impressively robust. Keen tonal knowledge and unique mark making are hallmarks of his selections. The Parkside National Small Print Exhibition continues to bend and grow with the ULVLQJFKDQJHVLQWHFKQLTXHIRUPDQGDSSURDFK Kristen Bartel Assistant Professor UW-­Parkside Art Department


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JUROR’S STATEMENT

,WZDVDSOHDVXUHDQGKRQRUWRKDYHEHHQLQYLWHGWRVHOHFWWKHZRUNIRUWKHWK Parkside National Small Print Exhibition. The history and reputation of this exhibition VWDQGVHOHFWDPRQJVWWKHSUHVWLJLRXVMXULHGH[KLELWLRQVGHGLFDWHGWRWKHSULQWPDNLQJ medium that have existed over the past several decades. Printmaking is a medium WKDW,FKHULVKDQGLVDWWKHFHQWHURIP\ZRUOG7KRVHZKRKDYHEHHQELWWHQE\WKLV VDPHEXJNQRZLWLVVRPHWKLQJWKDWLVDGGLFWLYHWKDWJUDEV\RXDQGSXOOV\RXLQ²WKH smell of the ink; wiping an etching plate and watching the image magically emerge; drawing on a beautifully prepared lithographic stone; the pull of the squeegewe; the sound of rolling out the ink; being one with the wood while carving a relief block. , FRXOG JR RQ DQG RQ DQG HDFK SULQWPDNHU ZLOO KDYH WKHLU RZQ UHODWLRQVKLS ZLWK WKHPHGLXP,WSUHVHQWVVRPDQ\SRVVLELOLWLHVWRWKHDUWLVWIRUXWLOL]LQJLQLWVSXUHVWRI WUDGLWLRQDOIRUPVDQGLQWKHFRQWH[WRIWKHFRQWHPSRUDU\DUWZRUOGWRLQFRUSRUDWLQJ LQWRDQ\W\SHRIPXOWLPHGLDSURMHFW,WLVDQDUWLVWLFWRROLQWKHJUDQGFRQWHPSRUDU\ SDOOHWDQGDOVRDPHDQVWRDQHQGZLWKLQLWVHOI$ORQJZLWKDOORIWKLVSULQWPDNLQJ RIIHUVVRPHWKLQJHOVHWKDW,ÀQGUDWKHUXQLTXHIURPWKHRWKHUGLVFLSOLQHVDQGWKDW LV FRPPXQLW\ , DWWULEXWH PXFK RI WKLV WR WKH VWXGLR HQYLURQPHQW ZKHUH DUWLVWV DUH ZRUNLQJVLGHE\VLGHVKDULQJDSUHVVDVVLVWLQJHDFKRWKHULQSULQWLQJRUFROODERUDWLQJ in any endless number of ways. This community extends to the international level. There is the language and sensibility that printmakers share wherever you may be in the world -­ this language can be communicated without even using words. ,Q DQ HYHUFKDQJLQJ ZRUOG RI DUW ZKHUH SULQWPDNLQJ QRZ HQFRPSDVVHV PDQ\ GLIIHUHQWIRUPVWKDQLWGLGLQWKHHDUOLHUWLPHVRIWKLVH[KLELWLRQLWLVDWUXHWHVWDPHQWWR WKHVWUHQJWKRIWKH3DUNVLGH1DWLRQDO6PDOO3ULQW([KLELWLRQ·VUHSXWDWLRQWKDWVRPDQ\ entries possess such a strong tradition of the various processes. An exhibition of this nature does not necessarily permit including the full spectrum of the contemporary SULQWPDNLQJZRUOGGXHWRWKHOLPLWDWLRQVLQVL]HDQGIRUPDWEXWLWGRHVDOORZIRUWKH RSSRUWXQLW\ WR ]RRP LQ RQ WKH WUDGLWLRQDO DVSHFWV RI WKH PHGLXP WKDW , ORYH DQG FHOHEUDWHDQGWRGHPRQVWUDWHWKHPDJLFWKDWDUWLVWVFDQDFKLHYHZLWKWKHVHWRROV :KLOH , HPEUDFH DOO RI WKH QHZ GHYHORSPHQWV WKDW FRQWLQXH WR HPHUJH DQG WKH LQQRYDWLRQVWKDWDUWLVWVSUHVHQWLQWKHLUZRUN,KDYHDWUXHORYHIRUWKHWUDGLWLRQVRI the various print media. A good portion of my personal research is dedicated to SUHVHUYLQJVXFKWUDGLWLRQVZKLOHDOORZLQJLWWRFRH[LVWZLWKWKHQHZ,KRSHWKDWWKLV H[KLELWLRQVXIÀFLHQWO\SUHVHQWVWKLVFRQFHSW


JUROR’S STATEMENT

7KH FDOLEHU RI HQWULHV ZDV WUXO\ LPSUHVVLYH ,W PDGH WKH VHOHFWLRQ RI WKH ZRUN D GDXQWLQJ \HW YHU\ HQMR\DEOH SURFHVV , ZDV SUHVHQWHG ZLWK D ZLGH UDQJH RI VW\OLVWLFDQGWHFKQLFDODSSURDFKHVHQFRPSDVVLQJDOORIWKHWUDGLWLRQDOSULQWPHGLD IURP EHDXWLIXO DEVWUDFWLRQ WR EROG QDUUDWLYH LPDJHU\ DORQJ ZLWK PDQ\ LQGLYLGXDO FRQFHSWXDOYRLFHV,QWKHVHOHFWLRQRIWKHZRUN,VRXJKWWRERWKFRPSRVHDFRKHVLYH exhibition while also present the diversity that exists in the print medium. One of the HVVHQWLDO FRPSRQHQWV WKDW , DOZD\V ORRN IRU LV D EDODQFH EHWZHHQ D PDVWHU\ RI WHFKQLTXHZLWKDVWURQJFRQFHSWXDOYRLFH:LWKWKLVLQPLQGLWZDVDJUHDWVHUYLFH WREHSURYLGHGZLWKWKHVWDWHPHQWVRIHDFKDUWLVWDOORZLQJPHJUHDWHULQVLJKWLQWR their personal worlds that they strive to communicate through their work. The work here presented offers a wonderful collective of extremely talented artists with a VWURQJLQGLYLGXDOYLVLRQLQWKHLUZRUNDQGDYHU\ÀQHFHOHEUDWLRQRIWKHPHGLXPRI 3ULQWPDNLQJ,RIIHUHYHU\RQHP\FRQJUDWXODWLRQVDQG,KRSHWKDWHDFKYLHZHUZLOO KDYHWKHVDPHHQMR\PHQWWKDW,GLGLQFXUDWLQJWKLVH[KLELWLRQ Michael Barnes Professor of Printmaking, 1RUWKHUQ,OOLQRLV8QLYHUVLW\


THE EXHIBITION

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Jinane Abbadi 6DQ'LHJR&$ Displacement 2 (WFKLQJ&KLQH&ROOp NFS  Jinane Abbadi 6DQ'LHJR&$ Displacement 3 (WFKLQJ&KLQH&ROOp NFS  Frances Ashforth 5LGJHÀHOG&7 Inlet Study 2 8QLTXH:DWHUEDVH0RQRW\SH   Frances Ashforth 5LGJHÀHOG&7 Inlet Study 3 8QLTXH:DWHUEDVH0RQRW\SH   David Avery 6DQ)UDQFLVFR&$ The Coming of the Cocklicranes No. 2 (SUMMER) Etching   David Avery 6DQ)UDQFLVFR&$ The Coming of the Cocklicranes No. 3 (AUTUMN) Etching  


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Richard Berns 0W3OHDVDQW:, Young Girl on Steps Dry-­Point NFS  Richard Berns 0W3OHDVDQW:, Glass Landing Staircase Dry-­Point   Lisa Bigalke .HQRVKD:, Following the river ,QWDJOLR   Lisa Bigalke .HQRVKD:, At The Springs Reductive Relief   Tyrus Clutter 2FDOD)/ Gracious and Foolish Words Hard & Soft Ground Etching   Tyrus Clutter 2FDOD)/ Preserve Hard & Soft Ground Etching  



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Stephanie Copoulos-­Selle :DXNHVKD:, Siren’s Song 5HOLHI3ULQWV /HWWHUSUHVVRQ $QWLTXH%RRN3DJHV 3DSHU   Stephanie Copoulos-­Selle :DXNHVKD:, 13 Beasts $UWLVW·V%RRN5HOLHI3ULQWV  /HWWHUSUHVVRQ3DSHU   Tallmadge Doyle (XJHQH25 Cascade III $TXDWLQW/LQH(WFKLQJ 'U\SRLQW&KLQH&ROOp  

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Tallmadge Doyle (XJHQH25 &DVFDGH,, $TXDWLQW/LQH(WFKLQJ 'U\SRLQW&KLQH&ROOp   Lise Drost 0LDPL)/ Masking Tape 6LONVFUHHQ'LJLWDO3ULQW   Lise Drost 0LDPL)/ University at Reeves II 6LONVFUHHQ'LJLWDO3ULQW  

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THE EXHIBITION 19











Bruce Erikson 0DLQHYLOOH2+ View of Caesar Creek, Facing West 2IIVHW/LWKRJUDSK\   Bruce Erikson 0DLQHYLOOH2+ The Little Miami, Near Loveland /LWKRJUDSK  

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Scott Evans 3RFDWHOOR,' Everybody’s Got One (WFKLQJ$TXDWLQW   Donald Furst :LOPLQJWRQ1& 3:20 a.m. 0H]]RWLQW   

Steve Garst 2VKNRVK:, Dandelion Wood Engraving   Steve Garst 2VKNRVK:, Gasshopper Wood Engraving  










THE EXHIBITION

 

















Robert Glasgow ,RZD&LW\,RZD Accommodation &RORU/LWKRJUDSK   Robert Glasgow ,RZD&LW\,RZD Putin’s Plowshare &RORU/LWKRJUDSK   Victoria Goro-­Rapoport .HDUQH\1( Winter Entanglements 1 Etching   Victoria Goro-­Rapoport .HDUQH\1( Winter Tale ,QWDJOLR   Victoria Goro-­Rapoport .HDUQH\1( Noah’s Burden (WFKLQJ(QJUDYLQJ  


THE EXHIBITION 

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Sarojini Johnson 0XQFLH,1 Frog and Lily ,QWDJOLR   Sarojini Johnson 0XQFLH,1 Bird and Nasturtium ,QWDJOLR   Lauren Kinney 0RRUKHDG01 Jack Rabbit Woodcut   Andrew Kozlowski $XEXUQ$/ Monolith Screen Print   Andrew Kozlowski $XEXUQ$/ Yellow Disaster ,QWDJOLR   Alexis Kurtzman +XQWLQJWRQ9DOOH\3$ Candio 3RO\PHU3ODWH&KLQH&ROOp  

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Tony Lazorko 0HVLOOD10 Clunkers Color Woodcut   Tony Lazorko 0HVLOOD10 Let it snow, let it snow, let it snow Color Woodcut   Kathryn Lesh %DLQEULGJH,VODQG:$ Crystal Springs, The Narrows 0RQRW\SH   Kathryn Lesh %DLQEULGJH,VODQG:$ Crystal Springs, Eric 0RQRW\SH  

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Bartholomew Lynch /LQFROQ1( Reachin ,QWDJOLR  

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THE EXHIBITION











Gregory Martens :DXZDWRVD:, Portrait of Mr. Lindner ,QWDJOLR$VVHPSODJH   John McKaig 0DQVÀHOG0, ++060DQVÀHOG 6WRQH/LWKRJUDSK   John McKaig 0DQVÀHOG0, Gout ,QWDJOLR   

Jonathan Metzger )DUPYLOOH9$ Bygone Claim Woodcut with Hand Coloring   Jonathan Metzger )DUPYLOOH9$ Go West Woodcut with Hand Coloring  










THE EXHIBITION 





 





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Johanna Mueller 'HQYHU&2 Wrestling with Spirits Relief Engraving   Johanna Mueller Denver, CO Wrestling with Spirits II Relief Engraving   Meghan OConnor 0XUIUHHVERUR71 Hometown Hierarchy /LWKRJUDSK&ROODJUDSK   Meghan OConnor 0XUIUHHVERUR71 Counteracting Spirals (Into, Out of) /LWKRJUDSK(PERVVHG5HOLHI   Akemi Ohira &KDUORWWHVYLOOH9$ War-­Torn World /LWKRJUDSK   Akemi Ohira &KDUORWWHVYLOOH9$ The Fiedlnote /LWKRJUDSK  

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THE EXHIBITION

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Mike Pennekamp 6W/RXLV02 6DG(QGLQJ$LQW,W" /LQRFXW&KLQH&ROOp   Mike Pennekamp 6W/RXLV02 Cyclops Pizza /LQRFXW   James Reinke 0DGLVRQ:, Praying for Rain /LQRFXW%ORFN3ULQW   Russ Revock &OHYHODQG2+ The Professor Hand-­Colored Etching with Aquatint on Rives   Benjamin Rinehart $SSOHWRQ:, Half Truths &ROORJUDSK3UHVVXUH3ULQW  Reductive Woodcut  


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Catherine Rozmarynowycz &OHYHODQG2+ Chasing the Flying and the Sly /LQRFXW   Blake Sanders %RZOLQJ*UHHQ2+ Adrift 2 &RORU/LWKRJUDSK   Kevin Schroeder 7ROHGR2+ You should always tenderize the meat before grilling 3RO\PHU3ODWH,QWDJOLR 

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Cecilia Smith *OHQ(OO\Q,/ Where ,QWDJOLR  

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Cecilia Smith *OHQ(OO\Q,/ A Bexie (second state) ,QWDJOLR  

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Kelsey Stephenson .QR[YLOOH71 Island Country (WFKLQJ0H]]RWLQW&KLQH&ROOp'LJLWDO   Kelsey Stephenson .QR[YLOOH71 Inscription (WFKLQJ&KLQH&ROOp'LJLWDO   Anh Ta 6LRX[)DOOV6' These Petals 0H]]RWLQW&KLQH&ROOp  



Yoshimi teh +RQROXOX+, Born With A Death Sentence ,QWDJOLR   Yoshimi teh +RQROXOX+, Never Tell Me The Odds ,QWDJOLR  

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Bruce Thayer 0DVRQ0, How Shall We Arrive ,QWDJOLR5HOLHI3ULQW   Bruce Thayer 0DVRQ0, Whatnot ,QWDJOLR5HOLHI3ULQW   Caroline Thorington %HWKHVGD0' Coati Mundi /LWKRJUDSK\&KLQH&ROOp   Caroline Thorington %HWKHVGD0' Lazy Afternoon (vaches dans le prĂŠ) /LWKRJUDSK\&KLQH&ROOp   Linda Whitney 9DOOH\&LW\1' Wishham Girl with her Dutch Boy Rooster 0H]]RWLQW   Linda Whitney 9DOOH\&LW\1' Cayuse Woman with Her Jungle Fowl 0H]]RWLQW  


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Ellen Winkler .HQVLQJWRQ0' Gene’s Roses ,QWDJOLR   Ellen Winkler .HQVLQJWRQ0' Study of Cyclamen ,QWDJOLR   Bill Zaun )W&ROOLQV&2 Falling Water :RRGFXW:DWHUFRORU   Bill Zaun )W&ROOLQV&2 Cascade No. 2 :RRGFXW:DWHUFRORU  


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ACKNOWLEDGEMENTS

The Parkside National Small Print Exhibition is one of the ORQJHVWUXQQLQJFRPSHWLWLYHSULQWH[KLELWLRQVLQWKH0LGZHVW and is known as one of the most prestigious in the nation. 7KLV \HDU·V MXURU 0LFKDHO %DUQHV 3URIHVVRU RI 3ULQWPDNLQJ 1RUWKHUQ ,OOLQRLV 8QLYHUVLW\ KDV VHOHFWHG  VPDOO SULQWV celebrating both traditional and contemporary printmaking. :HKRSH\RXHQMR\WKHH[KLELWLRQ -­ Amy Misurelli Sorensen

CREDITS: Juror: 0LFKDHO%DUQHV Forward:.ULVWHQ%DUWHO Installation:*OHQ/DUVRQ Gallery Intern:5RELQ%URZQ Graphic Design:-DPLH-RQHV&DUH\:DWWHUV Clerical Support:-HQQLH)LOOLSRQH.DUHQ6RUHQVHQ Gallery Director:$P\0LVXUHOOL6RUHQVHQ


Fine Arts Gallery Rita Tallent Picken Regional Center for Arts and Humanities University of Wisconsin-­Parkside :RRG5RDG .HQRVKD:LVFRQVLQ Gallery Hours:0)DPWRSP

Profile for University of Wisconsin-Parkside

Small Print Catalog  

24th Parkside National Small Print Exhibition April 9-July 15, 2015 University of Wisconsin-Parkside Fine Arts Gallery

Small Print Catalog  

24th Parkside National Small Print Exhibition April 9-July 15, 2015 University of Wisconsin-Parkside Fine Arts Gallery

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