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Branch Armchairs and Rectangular Table by TribuFor nearly 40 years, innovation and quality have been our driving passions. Rylock design and manufacture a range of high performance product solutions. AUSTRALIAN MADE AND OWNED.
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Kodo Collection by Vincent Sheppard
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WARM UNDER FOOT • SOFT AND RESILIENT • NEW DESIGN RANGE • PRE-GLUED AND PRE-FINISHED
It’s time to talk cork. We’re not talking “kitchen of the ‘70s” look, we’re talking a fresh, sleek offering from Cork Imports Australia while still embracing all the benefits of traditional cork.
Featured inset, is the Calais Alloy tile soon to be seen in some pretty big commercial offerings around Australia. The tile is a slightly translucent smoky grey, which allows the beauty of the underlying grain to shine through and will suit any space. The Calais Cream is a translucent cream finish over a natural tile, which allows hints of the natural colour to peek through.
As with the other recent offerings from Cork Imports, the tiles are pre-glued and pre-finished, so it’s easy to install and with minimal mess.
Importing only the best Portuguese cork, Cork Imports Australia is reinventing interior design style for the 21st century with its New Generation Cork range, at a time when sustainable materials are the only materials that really matter. Naturally waterproof, the Quercus suber (cork oak) can be harvested continuously without felling the tree, and its bark makes the perfect material for you home –warm in winter, cool in summer, acoustically sound,
hypoallergenic, fire-retardant and with antistatic properties so it doesn’t attract or retain dust.
It’s safe to say that Cork Imports Australia has an extensive range of floor tiles, wall tiles and cladding that can add instant interest, not to mention the exclusive spa range.
Whether you’re installing a new floor or replacing an old worn-out one, cork is the natural choice, offering the most benefits and huge versatility. With the warmth of carpet, the elegance of hardwood and colour selection of vinyl all rolled into one, you just can’t go wrong!
Calais Cream Calais AlloyMadeira New Madeira WhiteCalais Cream Harmony
1. RONDELLA WOOD HEATER IN BLACK | DIMENSIONS: 85 (W) X 85 (D) X 87 (H) CM HEAT OUTPUT: 25KW | VERY LOW EMISSIONS: 0.7G/KG | THIS BEAUTIFUL, ROUNDED DESIGN MAKES A STRONG STATEMENT IN YOUR ROOM WITH AN EYE-CATCHING STYLE YOU CAN ENJOY FROM EVERY ANGLE - INCLUDING RIGHT THROUGH TO THE OTHER SIDE OF THE ROOM. SEE DISPLAY IN-STORES OR MORE OPTIONS ONLINE.
2. DOMINA LOW LIFT UP DOOR WOOD HEATER IN BLACK | DIMENSIONS: 107 (W) X 55 (D) X 115 (H) CM HEAT OUTPUT: 15.7KW | VERY LOW EMISSIONS: 1.2G/KG | MADE FROM HEAVY-GAUGE STEEL, IT HAS THREE DIFFERENT COMBUSTION MODES: PRIMARY, SECONDARY, AND TERTIARY BURN - SO YOU ARE GUARANTEED TO GET PERFECT HEAT WITH EVERY SETTING. SEE DISPLAY IN-STORES OR MORE OPTIONS ONLINE.
3. ELORA BARREL WOOD HEATER IN BLACK | DIMENSIONS: 49 (W) X 49 (D) X 122.8 (H) CM HEAT OUTPUT: 9.0KW | VERY LOW EMISSIONS: 0.5G/KG | MADE FROM HEAVY-GAUGE STEEL AND VERMICULITE FIRE BRICKS TO INCREASE THERMAL MASS. THE GLASS DOORS OF THE FIREBOX GIVE IT AN ADDED ADVANTAGE OF SLOW COMBUSTION AND RETAIN HEAT FOR LONGER PERIODS. SEE DISPLAY IN-STORES OR MORE OPTIONS ONLINE.
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Where Time Elapses by Diana Miller. Photography by Andy McPherson. dianamiller.me
Cassina’s Soriana armchair by Afra and Tobia Scarpa. Ca ss in a s So ri an a ar mcha ir Afra and Tobia Scar p a. mobilia.com.au
art has been one of my favourite elements in the many homes we’ve included in Grand Designs Australia over the years. For me personally, art takes an interior to the next level and it’s something I look for when selecting houses for the magazine. In our special feature this issue, we chat to some experts about kicking off your art collection. We show you how to style your home with art and confidently pick pieces that tell a story and mean something to you.
Speaking of taking your home to the next level, our “attention to detail” feature shows how you can set your home apart from the rest. Think butler’s pantries, sophisticated storage and wine fridges.
This issue, we also take a look at Autumn House by Studio Bright. The Melbourne home received an unprecedented four wins in last year’s Houses Awards: Australian House of the Year; House Alteration and Addition over 200 Square Metres; Garden or Landscape; and House in a Heritage Context (which was jointly awarded to Fusilier Cottage by Bence Mulcahy). Autumn House has three parts to it: the original Victorian, the Jorgensen addition, and the new contemporary works. “The difference with Autumn House is it takes on three styles of architecture, not trying to combine them but, in fact, celebrating their differences,” says writer Karsha Green. Take a closer look in the projects section.
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this issue of Grand Designs Australia magazine explores the notion of modern luxury. Jacques Tati’s hilarious movie Mon Oncle immediately springs to mind. As in this film, shot in 1958, we have an ongoing tussle between luxury and usability in the search for a modern life. Not much has changed since 1958. It was in this era that the term “Mid Century Modern” was invented, the influence of which is still with us today. The idea of a modern life conjures a scenario where technology has a seamless relationship with our daily life. As is borne out in this movie, newfangled machines have a habit of going haywire. Equally, the architecture of the modern had a purity and a misguided functionality, where style dominated over usability; the lack of sun protection, natural landscape, circuitous garden paths, and ridiculously manicured architecture made for a sanitised lifestyle.
Have we learnt from this?
Sixty years on, technology has caught up with aspiration and the gizmos from the ‘50s have become more integrated and less a “feature”. The architecture, equally, has in the main, become more environmentally aware, while achieving great
connection between indoors and out. The stark palette used in the ‘50s has also turned full circle, becoming far more tactile and natural.
Maddison Architects’ project at Blairgowrie could be classed as a Modernist-style home. The difference here is that the house is fitting into the natural environment, following the contours of the land, blending with the indigenous landscape and oriented correctly for solar gain. Here, my interest in Modernism is on show. The idea of express structure, connection to outdoors, primary colours and inventive architecture could all be attributed in principle to Modernism. There is an honesty with this house, with the offform concrete and natural timber interior, and being embedded into the site. It is in some ways responding to the human condition. I like to call this style “Biophilic Modernism”.
It’s a natural condition for humans to want to interact with natural materials such as timber, to connect to natural landscape, have cross ventilation, and have good acoustic attenuation. It has taken decades for Modernism to engage with these conditions and produce architecture and interiors that are a lot more comfortable than 1950s Modernism.
So maybe we need to think a little more deeply about what luxury means to us. Is it having a home theatre? Is it having a swimming pool? Is it having a butlers’ pantry? Or is it having a home that considers the comfort of all of its inhabitants — fresh air, a view to the back or front yard, a place for children to play so they can see their parents?
The great Roman architect and engineer Vitruvius, in the first-century BC, talked about the three elements necessary for a well-designed building: Firmitas — it should be robust. Utilitas – it should function well for the people using it. Venustas – it should delight. He also thought that a timeless notion of beauty could be learnt from the “truth of nature”, that nature’s designs were based on universal laws of proportion and symmetry. He believed that the body’s proportions could be used as a model of natural proportional perfection.
These time-honoured principles were lost during early Modernism. Jacques Tati designed his Mon Oncle film set to show the frailty of strippedback, austere, lifeless architecture. All architecture should function well for the people using it, and give joy.
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Minimalist, brave and bold, Brutalist interiors are all about textured surfaces, simple silhouettes, geometric shapes, expansive proportions and architectural honesty — add a touch of glam and a splash of colour for inspired living
EDITED BY LINDA BARACIOLLI
01/ Inspired New Destination Introducing Circa
— a design destination for curated architectural products. Circa has launched as a dedicated resource for architects and interior designers, builders and specifiers. Based in Port Melbourne, Circa is a multi-purpose space ready to inspire and entertain. Circa offers an extensive and exclusive range of engineered and solid timber flooring, and a curated selection of premium architectural hardware, fittings and fixtures for residential and commercial projects of any style or scale. Photography By Peter Clarke Photography. circacurated.com.au
02/ Visit Melbourne Design Week
Now in its seventh year, Melbourne Design Week 2023 is a celebration of local and international design excellence. Taking place 18-28 May, this year’s event will invite participants to respond to the theme
“Design the world you want”, encouraging the design industry to use creative thinking to address pressing issues facing today’s society. The 2023 program will feature talks, tours, workshops and exhibitions across Melbourne and Victoria, and will be guided by three thematic pillars: transparency, currency and legacy. As part of Melbourne Design Week, Melbourne Design Fair will return for a second year, presented in collaboration with the Melbourne Art Foundation, and will take place 18-21 May. Photography by Tim Carrafa. designweek.melbourne
03/ Studio Reimagined
Located in Brisbane’s thriving design precinct among art galleries, restaurants, cafes, bars and leading fashion labels is a premium design experience in the heart of the city. Inspiration abounds for architects, building industry professionals, designers and passionate home builders at the re-imagined Brisbane Design Studio by Brickworks Building Products. The Brisbane Design Studio upholds the architectural precedent set by existing Brickworks showrooms in Australia’s capital cities as well as the global flagship studio on New York’s iconic Fifth Avenue. The newly expanded and renovated space is located at 27 James Street, Fortitude Valley. Photography by Cathy Schusler. brickworks.com.au
04/ Light From The Earth
A new collection of table lamps and pendants is now available at Remodern. Inspired by its deep and intrinsic connection to nature, Remodern has partnered with ground-breaking design studio, Nongzao, to bring its Raw Earth collection to Australia. Characterised by concise forms and flowing lines, each piece in this collection is uniquely made from the simplest and most natural material of all: soil. Moulded by combining cast diatomaceous earth with metallic minerals and biodegradable plant fibres, the collection of six lights radically reimagines contemporary design and draws our attention to more sustainable design practices. remodern.com.au
ARENT & PYKE: INTERIORS BEYOND THE PRIMARY PALETTE
JULIETTE ARENT AND SARAHJANE PYKE | THAMES & HUDSON AUSTRALIA, $80
The objects that tell stories, the colours that call to the senses, the materials that evoke certain moods — all these play a vital part in the design of a home. Known for their focus on the psychology of space, design duo Juliette Arent and Sarah-Jane Pyke believe a well-designed home can enrich your life. Their masterful approach to colour and materials results in optimistic and meaningful interiors that are high on charm and comfort. Whether it’s the drama of three different types of marble or a checkerboard terrazzo floor of variegated greens, their signature style is truly captivating.
HOME BY THE SEA: THE SURF SHACKS AND HINTERLAND HIDEAWAYS OF BYRON BAY
NATALIE WALTON
HARDIE GRANT BOOKS, $60
Home by the Sea: The Surf Shacks and Hinterland
Hideaways of Byron Bay is another beautiful interiors book from Natalie Walton. This one opens the doors to a range of diverse and inspiring homes in the creative community of Australia’s Byron Bay, giving you a taste of what it’s like to live in this iconic town. Let Natalie take you on a tour of 18 homes belonging to interior and fashion designers, artists, makers and more, reflecting on community and creativity, living intentionally, and the value of loving where you live.
100 CANBERRA HOUSES
TIM REEVES AND ALAN ROBERTS HALSTEAD PRESS, $39.95
In 100 Canberra Houses, Tim Reeves and Alan Roberts have carefully selected a diverse array of private and public dwellings from the first 100 years of Canberra. They reveal the social history and context of each home, and the innovation and foresight of the owners and designers. From the spartan cottages of the first workmen to the sleek energy-efficient homes of the new millennium, every home has a story. Vibrant colour drawings, photos and plans illuminate this well-researched and easy-to-digest book.
MAKING SPACE: A HISTORY OF NEW ZEALAND WOMEN IN ARCHITECTURE
ELIZABETH COX (EDITOR)
MASSEY UNIVERSITY PRESS, $69.95
Brilliant, hardworking and creative, female architects have made many significant contributions to the built environment, creativity and community of Aotearoa, New Zealand. This book spans more than a century, telling the story of women making space for themselves in a male-dominated profession. Written by 30 leading women architects, architectural historians and academics, the book’s bold, vivid chapters shine light on hundreds of remarkable women, including many whose careers have until now been lost to the historical record. Making Space is a significant contribution to architectural and social history.
WOHA: NEW FORMS OF SUSTAINABLE ARCHITECTURE
PATRICK BINGHAM-HALL
THAMES & HUDSON AUSTRALIA, $90
This book offers a major overview of Singapore’s most exciting architecture practice, documenting the complete corpus of WOHA’s pioneering sustainable and built work. WOHA is at the vanguard of urban and ecological revitalisation in Singapore and a pioneer of South East Asia’s green-building revolution. Founded by Wong Mun Summ and Richard Hassell in 1994, Singapore’s most dynamic architecture studio is known for delivering innovative and sustainable design solutions to combat the challenges of climate change, biodiversity loss and urbanisation.
Karndean Designflooring offers beautiful, design-led floors in gluedown, rigid core and loose lay formats. So you can choose the design you want, in the format you need.
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Benched into a broad slope running into Frederick Henry Bay, Mays Point House is a sleek concrete pavilion that is grand yet quiet, rich yet minimalist. A series of sleeping, sitting and living spaces stretch along a single level and a winged roof, each taking in the southerly views. With the home facing strong winds, there is refuge and the north sun in the outdoor space to the rear. The beautiful materials add depth and lustre — from the waxed steel benchtops to the deeply stained timber and honed concrete floors, playing against the irregularity of in situ panels. Showcasing the cumulative effect of years of refinement across Tanner Architect projects, this home won the Esmond Dorney Award for Residential Architecture — Houses (New) in the 2022 Tasmanian Architecture Awards. Photography by Adam Gibson. tanner-architects.com.au
Blending old and new influences, this spectacular South Yarra House renovation combines original Edwardianera features with striking contemporary design. Pop Architecture worked alongside Beatrix Rowe Interior Design to carefully transform the extension and renovation of the home, which includes a single-storey addition at the rear with a rooftop terrace above. The design brief led to a strong passive design philosophy and strategically placed glazing to shed light on curved forms and carefully selected materials. Inspiration came from its surroundings, including the majestic eucalyptus tree in the backyard which is immediately visible upon entering the Edwardian portion of the house, as well as the corrugated iron fences in the back laneway and distinctive ornate brick chimneys that punctuate the skyline in the suburb. Inside, curved plaster and rounded smooth stone cultivate an element of sculptural design, while materials work together to maximise natural light. Photography by Willem-Dirk du Toit. poparchitecture.com.au.
A two-bedroom, two-bathroom home located next to a busy road, Corner House by Archier won the New House Under 200sqm category in the 2022 Houses awards, among other accolades. Corner House was praised by the Houses judges as “a study in how we can live with spirited connectedness” in what are sometimes uninspiring suburban landscapes. Instead of existing among an external environment, the Corner House turns inward and centres on an internal landscape. A dark facade of fibre-cement cladding buffers the home from noisy traffic, with the lived experience focusing on a courtyard that also acts to project light into the home through extensive glazing. The judges said “its mastery of light and shade, tactile restraint and calm inventiveness made it a clear and deserving winner”. Photography by Rory Gardiner. archier.com.au
Brook Bridge is a clever and inspiring architectural solution that surpasses the dreams of its owner. A bridge that feels like a tree house, it spans an intimate gully complete with spring-fed creek. Flooded with light and offering views from every space, it presents an elegant and tranquil response to its environment. The architecture is pared back to the essentials, with a refrained palette of materials masterfully detailed so that every element of the house becomes a seamless part of the cohesive design. Brook Bridge by Max Pritchard Gunner Architects demonstrates how bold architectural innovation can be a quiet contextual part of the landscape. This project was commended in the Residential Architecture — Houses (New) category of the 2022 SA Architecture Awards. Photography by Sam Noonan. mpgarchitects.com.au
05
This Canberra family home is liveable, functional and cost-effective, achieving high levels of energy efficiency through passive solar design. The home includes a series of playful design elements that also skilfully perform dual roles to create a sustainable building — the central double-height void is framed by exposed brick internal walls to add thermal mass, while the butterfly roof is set at the perfect angle to maximise both solar access and solar panel placement. Other sustainability features include northern orientation, triple glazing and thermally broken windows, high insulation, deciduous garden plantings, and it runs on 100 per cent electric power. Designed by The Mill: Architecture + Design, this home won The Derek Wrigley Award for Sustainable Architecture in the 2022 ACT Architecture Awards.
Photography by Anne Stroud. themilldesign.com.au 03 04 05
It takes decades of experience to learn the skills needed to fabricate a fireplace as exceptional as an ADF. Starting as a family-owned metalworking business founded in 1976, ADF has changed the landscape of what the modern Australian fire looks like, performs like, and lasts like. Made in Portugal, ADF epitomises what a fireplace has become.
castworks.com.au
01
SORIANA ARMCHAIR
A striking lounge chair can elevate the wow factor of a room, but the best ones should be as comfortable as they are beautifully designed — a union between functionality and art for pure indulgence at home
Cassina’s Soriana Armchair by Afra and Tobia Scarpa offers soft, generous contours hugged by a painted steel brace, bringing highend boho into your living, with casual comfort wrapped up in sophistication. An iconic design from 1969, it changed the face of upholstered furniture by using polyurethane foam to create alluring aesthetics and support greater leisure. With Cassina continuing to innovate and meet customer demand, today’s Soriana maintains the same aesthetic allure but as an eco-friendly version of itself. Focused on sustainability, it is made with biodegradable internal padding of 100 per cent recycled PET-blown fibre, plus a recyclable timber panel base, so you can sink into a reduced carbon footprint. Soriana is available in a range of fabric or leather options, including a limited-edition denim. mobilia.com.au
02
QUILT ARMCHAIR
A spirited challenge to the formal structured armchair, the iconic Quilt Armchair offers loads of character and lounging appeal. Its honeycomb-like geometric components are both mathematical and decorative in design, while its soft plump fullness offers superior comfort. To top it off, this beauty will remain neat and presentable in high-use settings. The generously proportioned Quilt seating series by the Bouroullec brothers is covered in bright, stretch fabrics for an instant colour hit, and also includes a sofa. livingedge.com.au
At Fanco we want to help you transform your environment, which is why we focus on quality & design.
As specialists in air movement & ventilation, we offer a wide range of products to suit your technical & visual requirements. The elegant Infinity-iD (pictured above) is a favourite amongst Architects & Designers. Powered by an energy efficient motor & consuming only 3.4w on the lowest speed, the fan is a class leader in all areas.
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Ventilation solutions to make your environment healthy & energy efficient.
03
MOON CHAIR
Reminiscent of the organic forms of the 1960s, the Moon Chair (also called the Alfa Lux) from Danish company Nielaus Furniture is a stunning fusion of functional furniture and art. In use, this sculptural lounge chair offers a unique floating experience, with a 360-degree swivel and comfort on all sides. When not in use, the Moon Chair almost looks like a sculpture to adorn your home. Available in a wide variety of colours, it can be upholstered in leather or fabric with hand-fitted buttons, while its base is created from laser-cut polished stainless steel. Designed in 2002 by renowned Danish designer Steen Østergaard, the Moon Chair has become a design icon. danishred.com.au
04RALLY ARMCHAIR
Timothy Oulton experiments with delicately hand-woven leather detail in this striking, low-profile occasional chair. Handcrafted by specialist artisans using only traditional fabrication techniques passed from one artisan to another, each Timothy Oulton piece is inspired by the past, but reconceived from a modern perspective. Available in a wide range of signature Timothy Oulton leathers, this plush experience will welcome you for ultimate relaxation after a long day at work. cocorepublic.com.au
05
GUBI BASKET LOUNGE CHAIR
Anyone familiar with the work of Joe Colombo would be surprised by the Basket Collection, a delightful addition to your space. From a designer known for his futuristic style, his love of technology and his affi nity for synthetic materials, a furniture collection in rattan seems like a departure from the norm. Look a little closer, however, and the hallmarks of classic Colombo become clear: organic lines, a distinctly modernist aesthetic, and a highly innovative approach to his chosen material. Launched at Copenhagen’s Three Days of Design in June 2022, this collection comprises a three-seater sofa, a two-seater sofa and a lounge chair. Each piece is formed from a steel skeleton for strength and stability, and covered with a hand-woven rattan skin carefully made from interlaced strips and oval stakes, and capped with a sumptuous cushion. cultdesign.com.au
Dovre’s 640WD is a wood-fire stove in the most classic sense.
European-made of the finest cast-iron with a side-loading door for added convenience, the 640WD is capable of warming areas of up to 200m2.
Dovre’s best-selling stove, the 640WD is now available in Australia.
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100 per cent French flax linen scalloped European pillowcases
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As we lean into the warmer weather, bring those fresh elements into the home with a selection of furnishings and homewares that embrace the colours and textures of the outdoors. Inspired by a freshly plucked flower, or a splash of citrus in a summery drink, embrace the beauty of nature
The creative director of Artedomus and New Volumes appreciates organic forms and natural materials, which have forged his foray into a career in design in Australia
WORDS LINDA BARACIOLLI
curious and determined, Cornwallborn award-winning designer Thomas Coward was attracted to design via art and sculpture, and recognised from a young age he was not going to settle for a mainstream career. “It became obvious at school that I had an inclination towards more creative pursuits,” he says. “I ended up studying furniture design in London, but I’ve always been drawn to stone, marble and water as mediums.”
After moving to Australia on a whim for a holiday, Thomas was pleased to discover designer Joseph Licciardi and his adventure ended up becoming permanent. “Here was a man who had the same fascination with bathware, who was living halfway across the world. His brand had just merged with Schiavello, so it was a natural progression for me to start working with them,” said Thomas. “Within that company, I learnt everything I needed to know about bathware, stone and taking products to market. After several years there, I joined the team at Artedomus. It was a step that made perfect sense for me as Artedomus specialises in stone, bathware and architectural services — everything I love. As a team, we elevated the perception of the company through design events, installations, showroom design and thoughtful engagement with the design community. We firmly cemented ourselves as a supplier of beautiful, inspiring products that run counter to trends and offer long-term appeal.”
With Thomas’ input as a creative strategist, Artedomus has become a leading supplier of unique stone, tiles, architectural surfaces, bathware and furniture of exceptional quality and beauty for residential and commercial architectural projects. In line with this, New Volumes by Artedomus was born quite organically. “New Volumes happened after a discussion with Artedomus managing director Phil Brenton. It was a lightbulb moment when we drew a line between the past, present and future,” recalls Thomas.
The inaugural collection of New Volumes was presented in 2018, exploring and pushing the boundaries of a single natural material. Collection 01 explored Elba — a rich, complex stone 250 million years in the making — fashioned into products that are sincere, serene and strong, each one with a new story yet to be written.
“For each collection, we select a distinct assembly of designers to bring our chosen material to life and I take a lot of joy from being involved both as creative director and one of the designers,” says Thomas. “What I love about being a designer is the opportunity to see an idea turn from a thought into a physical form and then for someone to appreciate that thought and live with it every day. It’s a special kind of pleasure to see one’s ideas become part of another person’s life; I believe we become attached to objects, which in a way become our companions through life, a constant in life’s ups and downs, a keepsake of memories in some ways.
“As a designer, my style isn’t confined by a singular aesthetic; it’s more about a type of consideration I embed into the work, where the objects then absorb
“It’s a special kind of pleasure to see one’s ideas become part of another person’s life”
their own identity rather than mine. I draw from abstract memories and I tend to contemplate an idea for months before even sketching it. I find that sketching can distract from the process, so I leave that until I’m ready to present a shape or idea.
“Sustainability is another primary consideration. I favour natural materials and this is why New Volumes focuses on exactly that. I’m optimistic about people keeping these items forever, but realistic enough to know they may be discarded, in which case it’s good to know fired mud (terracotta) and marble have minimal environmental impact.”
The items Thomas has designed for New Volumes are his most popular pieces. Simple and considered, they are both practical and charming. His current favourites among his designs are the New Volumes terracotta Cove chairs. The red patina, made from fired Italian mud, is fashioned into a simple organic form, promoting comfort and posture, evoking effortless elegance and earthy beauty. Suitable for inside or out, the Cove chair makes a uniquely stunning addition to a lounge setting.
“My philosophy on design and life is to be tenacious about one’s goals. Nothing worthwhile is without effort, and all successful pursuits have some form of determination and vision. For me, my current focus is to see New Volumes become an international brand. Australia has incredible design talent and Artedomus has the opportunity to showcase it through our unique collections.” artedomus.com; newvolumes.com
art can be a focal point, adding beauty and intrigue, and it sets the mood in a space. The right piece of art can also become the final piece of a puzzle to tie a look together.
Collecting art enhances your own creativity and cultural knowledge. Art can be a lot of fun, as well as a sound financial investment; it’s also a way to support the artistic community and help to conserve history.
The art world might seem a little daunting at first, but it need not be. Like learning anything new, it takes research and patience to discover what there is to know. Avid art collector Freddy Grant, from Think First HQ, says if you don’t know much about art, spend some time getting to know artists before you buy anything. “Immerse yourself in art online by following artists and galleries on social media, go to art fairs, openings and visit local galleries,” he suggests. “This will help you figure out the styles and artists you like and also give you a feel for the market … don’t be afraid to ask questions and don’t feel intimidated.”
Once you begin, you’ll gain assurance and make informed decisions. If you are a new collector, Nancy Donaldson, founder of Art Lovers Australia, says there are some basic rules of thumb that can guide you when selecting your first few purchases. “You’ll refine your collecting with practice, so start small and as
ABOVE Prophecy by Martin Breeze. bluethumb.com.au
your confidence grows, you can commit to more significant works,” she says. “Starting small also means less risk financially, and in terms of the space you have for the work.”
Freddy adds once you get a feel for the market, trust your gut and buy what you love. “Art is the best way to express yourself at home and it will nearly always divide opinion, so don’t worry about it,” he notes.
You might think that a beautiful piece of art is out of reach, but the changing landscape of art has meant there are more opportunities to source inspiring pieces to fill your home. Freddy acknowledges that every artist now has an outlet. “Thanks to the online revolution that’s happened, everyone can easily buy an artwork you love at a price you can afford, if you put a bit of work in,” he notes.
Gaining a basic knowledge of the market will help you to understand what something is worth, so you’ll pay a fair price. Nancy also suggests doing your research on the artist’s bio and sales history. “This is very easy to do online or speak to an art consultant or gallery you trust,” she says.
When you buy art, in most cases you’ll be supplied with documentation to confirm that the work is the real deal. Nancy says most galleries and artists can provide a certificate of authenticity upon sale. “This helps you keep track of the artwork details for valuation and potential resale in the future,” she says. Another tip: store your receipt in a safe place.
In the art world, networking and developing connections with key players will be beneficial. Building relationships with curators and galleries keeps you up-to-date and informed. Nancy says galleries will have the inside information on who is exhibiting soon and know the artist’s background story. “The gallery can put together a personalised curation of suggestions to help you fine tune your search and they can let you know when new work comes in so you don’t miss out on high-demand artists.”
The true value of art is how it makes you feel, whether the art draws you in. Does it make you pause and ponder as you walk by? Does it leave a lasting impression? The monetary value of an artwork is linked to the artist, the work, and what collectors are prepared to pay.
Freddy suggests there is another aspect new collectors should be across and that is to ask questions about the materials used. “It’s good to be aware of quality materials — such as Belgian linen canvas and professional-grade paints,” he says. “And ask questions about how an artwork was made and how to take care of it. If you buy an artwork on a cheap ready-made stretched canvas, it often won’t last as long.”
ABOVE Looking Through by Katrina McKeon. plumegallery.com
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ABOVE Coastal Flow by Petra Meikle de Vlas. petrameikledevlas.com
LEFT Green High Noon by Katrina McKeon. plumegallery.com
You’ve made a couple of initial art purchases and are enjoying the thrill of the chase — researching, building relationships, perusing art galleries, online galleries and art shows. Building your dream collection will take time. The more you immerse yourself in art, you’ll probably find yourself drawn to repeated themes or groups of artists, according to Nancy. “This is when you can set yourself a budget and wish list,” she says. “For example, you may wish to support First Nations artists or photographers. Start going to exhibition openings to see what’s on offer in that genre, so when the right piece comes up, you will be ready to purchase it.”
Another way to grow your collection, suggests Freddy, is to connect with emerging artists. “Not only are they usually a more affordable option, but they may go on to do incredible things. Quite a few years ago I bought a piece by Archibald winner Vincent Namatjira for a fraction of the price he sells for these days, now of course it’s one of the most prized pieces in my collection.”
Some people prefer to stick to a few artists they enjoy and buy mainly their work, whereas others like to purchase a diverse mix of art. Nancy thinks an eclectic mix is a more viable financial option. “You are spreading your investment risk,” she says.
ABOVE Harmony by Jeska Valk. artloversaustralia.com.au
ABOVE RIGHT Here and There
2 by Loribelle Spirovski. bluethumb.com.au
“Also, it’s important to support emerging artists to keep the arts industry fresh and exciting.”
When purchasing art to be hung in your home, the space it is intended for can also influence what you buy. Choosing art for your bedroom is different to choosing art for living spaces — one is far more private, the other more public. Nancy says living zones are usually more social and playful, especially if you have children, whereas a bedroom generally needs a more calming and rejuvenating choice, she explains.
“For a collector, the main differences would be that the living area is on public viewing and it most probably has the larger walls. You would showcase your most significant works in the living spaces. Your bedroom is a more intimate space so choose works that are more personal,” says Nancy.
Her favourite established artists are Australian photographer Michael Cook for his social commentary, installation artist Yayoi Kusama for her incredible lifelong commitment to her practice, and Del Kathryn Barton’s portraits.
Among Freddy’s top three is Ken Done. “He’s a legend, an original, and his art is iconic,” says Freddy. “I also like Vincent Namatjira for his unique style and the way he uses wit to explore complex and difficult issues, and Del Kathryn Barton.”
As for artists to watch, Freddy suggests Kim Leutwyler. “Kim has been breaking down the walls of Australia’s most renowned art institutions and filling them with beautiful portraits of LGBTQ+ people for the last decade,” he says. “I’m proud to call her a friend. She even did a portrait of my husband and I to mark our 10-year anniversary.”
Another up-and-coming artist he likes is Jane Reynolds. “Nostalgia meets technical skill and she has an innate
You can hang a solo piece of art, or two or three together — or you can even be a little more adventurous and create a gallery wall, which is a curated display of art, photos, or prints arranged as a decorative element. Freddy suggests looking for groups of artworks with a common thread. “This could be works by the same artist, complementary colours, a particular hue throughout,” he explains.
Freddy says he had portraits all around his home which gave him the idea of having a dedicated portrait wall. “You can have a group of loose ends too, and similar framing can still give this group a cohesive look, although I love the organised chaos of mishmash frames,” he notes.
Size, colour and style are important when selecting that perfect piece of artwork for your home. Artwork is often the focal point of each room, so it’s important to make great selections.
Tip 1: Choose the right size and scale of artwork for your room
Make sure the artwork is the right size for the room. If you have a large wall, you don’t want too much empty space around it. If in doubt, go bigger, as this can give the illusion that the room is larger than it is. If you’re hanging artwork over a piece of furniture such as a sideboard, bed or couch, make sure the artwork is not the same width. This will draw your eye towards the one line and not take in the entire size of the room. It is often best to buy artwork at least 20cm wider or narrower than the furniture it sits above. Scale is also important. Ensure your chosen artwork fits spatially into the room. Art should be hung at eye height — not too low or too high.
Tip 2: Choose artwork by colour
I like to choose artwork first when styling a space. This will enable you to develop a colour palette for your entire room — for example, soft furnishings such as bedlinen, cushions, rugs and furniture upholstery. Colour plays a huge part in the mood of your room. Neutral colour palettes are timeless and give a sense of calm. Bright palettes of reds, pinks and oranges depict a happy and fun decor. Gold and blacks create a more luxe/opulent interior.
Tip 3: Purchase a commission
eye for composition. I also like Loribelle Spirovski who won last year’s Bluethumb Art Prize (I actually bought the winning piece as a memento as I was the art prize director at the time). She is destined for more great things,” says Freddy.
If you are looking at new and emerging artists to add to your collection, Nancy also has some suggestions: “Bianca GardinerDodd for her incredibly detailed dot paintings, award-winning hyperrealist painter Jeska Valk, and Brendan Walsh with his mixed-media pop culture pieces.”
To begin, Freddy says to take a group of artworks and find a wall where they’ll fit comfortably. “Play with how you’re going to hang your art on the floor by juxtaposing matching and complementary colours, experimenting with spacing and trying different overall shapes,” he advises. “You’ll know when it’s right, so trust your instincts.”
A point to note: Freddy says unless your artworks are exactly the same size, it’s better to space asymmetrically. “This also makes it easier to keep adding to over the years; it really is fun to see your gallery walls grow over time.”
Buying commissioned artwork from your favourite artist is a great way to ensure the artwork is the right size and incorporates all of your favourite colours. Don’t ask the artist to stray from their style of work as this may end in disappointment for all involved.
Tip 4: Choose your artworks because you love them!
Choose art that makes you feel good and that you connect with. This artwork will be in your home for many years and you will be looking at it every day. Don’t fill your walls with what you think is on trend; choose art because it evokes memories and feelings, reflects your personal style and just makes you feel good. Art is to be enjoyed! plumegallery.com
THIS PAGE Freddy Grant.Since 1987, Caesarstone has inspired design freedom in millions of homes worldwide.
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We invite you to enter your project in the exclusive Gaggenau Kitchen of the Year Design Contest
Synonymous with high-end luxury, Gaggenau home appliances offer inspiring design, handcrafted quality and exemplary performance. Now in its second year, the Gaggenau Kitchen of the Year Design Contest is open to professional kitchen designers, architects, interior designers, builders and developers from across Australia who have created kitchens that speak to the pursuit of excellence and set a new precedent for design.
“As a brand, Gaggenau seeks not only to inspire others, but also to be inspired by others, and that was one driving force behind our inaugural Kitchen of the Year award. But most of all, it was about celebrating great design and it gave us an opportunity to see and understand
how our product is used around the country, and to celebrate that,” says Robert Warner, general manager of Gaggenau Australia.
As an industry leader in home appliances, Gaggenau products have been incorporated into luxury kitchens all around the world, with top architects, designers and specifiers preferencing them to deliver an unparalleled kitchen experience. “The versatility of the space makes this one of the most unique rooms in the house to design. As such, we feel that kitchen design deserves to be celebrated,” says Olya Yemchenko, Gaggenau senior brand communications manager. “The Kitchen of the Year Design Contest was created to honour truly unique and outstanding kitchen design. We’re
looking forward to receiving a fantastic selection of entrants in our second year as we grow our contest, and we are certain our 2023 winner will be a stand-out.”
If the kitchen is the heart of the home, then Gaggenau is its soul. With its heritage dating back to 1683 in Germany’s Black Forest region, the Gaggenau avant-garde design philosophy challenges the conventional aesthetic of appliances. “One of our core principles is to bring professional cooking into the private kitchen and this philosophy has driven much of the Gaggenau contributions to the development of the global luxury kitchen,” says Olya.
The difference with Gaggenau is the creation of the appliance. The design must perform exceptionally and unfailingly. The designer’s vision facilitates this function, yet inspires so much more. Gaggenau’s reputation is built on the exceptional craftsmanship of its artisans. Of the 840 processes involved in assembling Gaggenau refrigerators, 813 are performed by hand. The iconic 90cm-wide ovens have been assembled by hand for more than 30 years. Even the Gaggenau baking stones have the brand name hand-stamped into every piece.
The Gaggenau Kitchen of the Year seeks to acknowledge outstanding projects that place the kitchen at the centre of life, bringing materiality, function and technology to the fore. The “Best of the Best” inaugural 2021 winner was the Fitzroy Project. Designed by Robert Nichol & Sons, the winning kitchen occupies the metaphorical and physical heart of a small 1850s bluestone cottage in Melbourne’s Fitzroy. With the designers focused on timeless appeal, they were determined to create a kitchen appropriate to the home and one that would withstand the passing of fads, which is why Gaggenau appliances were a perfect choice. They blend beautifully with Obsidian Linen Japanese laminate, matt white marble benchtop and gunmetal tapware and metalware.
There are two entry categories — “Luxury Home” and “Multi-Residential” — in the second Gaggenau Kitchen of the Year Design Contest, and entries must be for projects completed between May 1, 2021 and April 30, 2023. Entries will be judged by a distinguished panel of industry leaders and professionals from across the design community, and submissions will be graded based on a number of criteria including: authenticity and originality of design; response to the client brief; performance and end-user considerations; quality of execution; and the integration of Gaggenau.
The “Best of the Best” award will acknowledge both skill and creativity, and the winner will receive an exclusive trip for two to Europe. Entries are open now and close on 30 April, 2023, with the shortlist to be announced in July 2023. gaggenau.com.au
Entries now open
Open to professional kitchen designers, architects, interior designers, builders and developers from Australia, the contest acknowledges kitchens that speak to the pursuit of excellence and set a new precedent for design. All entries will be judged by a distinguished panel and the grand prize for the Best of the Best is an exclusive trip for two to Europe.
Entries open 1 November 2022 and close 30 April 2023.
Scan the QR code to enter.
An intriguing and innovative loft plan abode on a very small, compact inner-city site
WORDS CARROL BAKER PHOTOGRAPHY FREMANTLE AUSTRALIA
HOUSE North Melbourne
LOCATION Melbourne, Vic
INITIAL BUDGET $700,000
FINAL COST $713,055
DATE COMMENCED March 2019
DATE COMPLETED May 2020
from a once vacant unkempt block with discarded furniture strewn across it to a charming family dwelling, this project is a standout.
Ben Milbourne from Bild Architecture and artist and photographer Tanja Milbourne were the owners of the project, and live there with their daughter and family dog. The couple wanted to build a home that was fluid in form, one that would aptly accommodate their family’s needs over time. “We were also conscious of the rich built heritage of North Melbourne and really wanted to engage with and contribute to this layered history in a contemporary way,” says Ben.
As it was his own home, Ben enjoyed the autonomy that went with that. “As an architect, the freedom of our own project allowed me to test new ideas and approaches that perhaps I would not have been able to on projects for other clients,” he notes. It was a decision that certainly paid dividends. The final project is a design coup in beautiful functional living in a very compact 8mx8m site.
The three-storey house incorporates three levels of functional living space and a terrace with outdoor stairs to the rooftop garden, where you can immerse yourself in the magical city views beyond. There are three bedrooms, bathroom, master bedroom and ensuite, kitchen, dining and lounge room, opening out onto a small terrace on the third level. The ground floor houses a single garage and self-contained apartment.
THE FLEXIBILITY OF LIVING SPACES IN THE DESIGN THAT CAN EVOLVE AS THE FAMILY’S NEEDS CHANGE
Ben says given the tight parameters, with the footprint covering the whole house, the garden was moved to the rooftop. “There’s no left-over or wasted space in the house; rainwater tanks are tucked under the main stairs on the ground level and the ensuite shower under the stairs on level one, storage units are squeezed into void spaces that in other projects would have been left unused,” he says. In some cases, spaces within the home had to serve multiple functions.
Another challenge was site access for construction. To overcome this, they incorporated pre-cast concrete structures, fabricated off-site and then trucked in an erected in one day.
Ben is a senior lecturer in architecture at RMIT University. “I was interested in how, in historic buildings near our site, the areas around windows and doors have increased surface articulation to draw your visual attention and also to deflect water and dirt from these openings,” he says. “In this project I interpreted this trait using an algorithm that simulates magnetic fields, creating a turbulent surface around the windows and doors of a 3D model of the building.
“We then used a computer-controlled milling machine to carve the turbulent surface pattern into plywood panels, which were used as moulds into which the pre-cast concrete wall panels were poured and set, imprinting the complex surface pattern into the walls of our home,” he explains.
Ben says the exterior of the project was deliberately monochromatic to highlight the textured and patterned concrete skin of the building. The interior spaces are infused with life and colours that add a splash of playfulness. In each of the bathrooms, for example, there are brightly coloured vinyl fi nishes in yellow, blue and green. There is also warm timber that offsets the coolness of the concrete surfaces.
The contemporary dining space, where friends and family can gather
In the cosy study, the warmth of timber punctuates the space
For Ben and Tanja, their favourite part of the project is the garden. “We both love our rooftop garden; it allows us to grow our own food and is our sanctuary in the city,” enthuses Ben.
As they worked on the project during COVID-19, Ben says they did tweak it a little. The third bedroom became a work space from home for Tanja, with a fold-down bed hidden in wardrobes for when visitors stay.
Ben says one of the most memorable moments of the project was witnessing the large panels arrive. “Watching the pre-cast concrete panels arriving on site and being lifted into place (some weighed more than 14 tonnes) in a single day was pretty astonishing and, to be honest, more than a little terrifying,” he recalls.
The home is a study in economical but functional design that was carefully planned — there is no wasted space
ARCHITECT Bild Architecture, bild.com.au BUILDER Dick Reynolds Building, drbuilding.com.au
An inner-city loft with dark tones, but the mood is anything but sombre. Splashes of white, green and red and plenty of warm timber create an inviting and stylish abode
01/ 410 Aluminous porcelain
caesarstone.com.au
02/ Apollo 100 track light in textured white. astrolighting.com
03/ Yadigari Anatolia red wool kilim. mindtheg.com
04/ Offset coffee table. district.com.au
05/ Vera table by Studio Pip. district.com.au
06/ Janinge dining chair. ikea.com/au
07/ Echo coffee table. fanuli.com.au
08/ Rubber plant in black pot lights4fun.co.uk
we called on Australian architects to enter their best designs for a chance to win this prestigious award and huge exposure in the magazine and across its online and social media platforms.
We are looking for brilliant client outcomes in residential buildings, conversions, significant renovations or restoration projects. We are searching for interesting elements in terms of design, use of materials and construction to deliver a project that shines.
In addition to the main prizes awarded by our panel of architects, there is a separate People’s
Choice program that allows you to see and vote on some of the best work in the country. We are also excited to announce for the very fi rst time, the introduction of the Cosh Living Best Interior Award and the Rylock Windows & Doors Best Energy Efficient Home Award, to be judged by our esteemed panel.
The Grand Designs Australia Magazine House of the Year Awards 2022/23 are proudly brought to you by our Gold sponsor, Cosh Living; Silver sponsor, Rylock Windows & Doors; and trade partners Big Ass Fans, Caesarstone, Dollar Curtains + Blinds, GoodWe, Karndean Designflooring, Scandia, Doxter, Hoxter and Kalora.
Proudly brought to you by
SRG HOUSE
Architecture Studio Johnston
Construction SQ Projects and Dot Kom Carpentry
Photography Anson Smart Websites studiojohnston.com.au; sqprojects.com.au
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Architecture and construction CplusC Architectural Workshop
Photography Michael Lassman, Murray Fredericks and Renata Dominik Website cplusc.com.au
Architecture Ha Architecture
Construction LocBuild
Photography Tom Ross
Websites h-a.com.au; locbuild.com.au
WELCOME TO THE JUNGLE HOUSE
Architecture and construction CplusC Architectural Workshop
Photography Murray Fredericks, Michael Lassman and Ryan Ng Website cplusc.com.au
WALNUT HOUSE
Architecture Adam Kane Architects Construction Hardwick Build Co
Photography Timothy Kaye Websites adamkane.com.au; hardwickbuildco.com.au
THE GRAND DESIGNS AUSTRALIA MAGAZINE HOUSE OF THE YEAR AWARDS CELEBRATE GREAT OUTCOMES IN RESIDENTIAL HOME DESIGN. IN ADDITION TO THE MAIN PRIZES AWARDED BY OUR PANEL OF ARCHITECTS, THERE IS A SEPARATE PEOPLE’S CHOICE PROGRAM THAT ALLOWS YOU TO SEE AND VOTE ON SOME OF THE BEST WORK IN TOWN.
1. Meet our finalists: All entrants are now showcased online. By voting, you’ll see some of the best residential projects in Australia and learn about who created them.
2. Visit to Vote: www.houseoftheyear.com.au
3. Win! Vote now to win our GoodWe Solar Energy Storage System.
VOTE & GO IN THE DRAW TO WIN A GOODWE SOLAR ENERGY STORAGE SYSTEM FOR YOUR HOME
A Grand Designs Home is an energy efficient home so we are especially pleased to be offering this prize for consumer voters.
Tell us how you’d like to use this prize on your project to win.
VOTING NOW OPEN!
VALUED AT UP TO $15,000
Founded in 2008 by directors Colin Kupke and Shane Sinnott, Cosh Living has always been known for representing the world’s leading outdoor furniture brands including Tribù, Dedon and Atelier Vierkant, In 2016, Cosh moved to incorporate indoor furniture into its offering. With its own design studio led by Justin Hutchinson and the factory in Melbourne, Cosh launched Kett, a brand with an Australian soul as well as the style and quality that allow it to sit alongside prestigious outdoor brands and enhance the overall Cosh experience. Kett has been an overwhelming success and today is the company’s equal highest-selling brand, and along with supporting indoor products from renowned Italian brand Potocco, indoor furniture is now an important part of the overall Cosh Living DNA. coshliving.com.au
Rylock Windows & Doors is an Australian-madeand-owned innovative leader in the design and fabrication of high-performance window and door systems. Whether the site is urban, coastal or rural, every custom window and door combines quality, style and performance for optimal comfort throughout the home. Rylock sources local materials and manufactures each product with consideration towards a project’s climatic conditions. For nearly 40 years, quality custom fabrication has been the company’s driving passion and with both inspiration and knowledge, its highly skilled sales consultants work with clients to emphasise a project’s architectural features to maximise natural airflow and enhance your connection with the outdoor environment. With a solutions-based approach, Rylock specifies products for thermal comfort, noise, privacy, and security requirements. Headquartered in Melbourne, Rylock has manufacturing facilities in Melbourne and Adelaide, while also servicing Sydney, the ACT and Tasmania. rylock.com.au
This home brings together three generations of architecture that pay homage to their past while providing a young family with their future
WORDS KARSHA GREEN PHOTOGRAPHY RORY GARDINER
THE AUBURN MESH WEDGE, ADORNED IN VERDANT CLIMBERS AND ENCLOSING THE HOME’S UPPER SLEEPING QUARTERS
HOUSE Autumn House
LOCATION Carlton North, Vic
DATE COMMENCED Jan 2017
DATE COMPLETED Aug 2021
combining architectural styles isn’t new, we’ve seen it many times before.
The difference with Autumn House is it takes on three styles of architecture, not trying to combine them but, in fact, celebrating their differences. The original Victorian terrace was owned and lived in by architect, Mike Jorgensen. Jorgensen did extensive reconfigurations and renovations on the property in the ’80s and when he passed in 2017, the current homeowners purchased the property. They commissioned Studio Bright with the task of sympathetically balancing the architecture of Victorian Jorgensen while creating a functional home for a young family. Autumn House effectively became two restorations and one addition.
“The brief was to provide a contemporary family home with rooms and spaces sited in and around existing buildings, the mature elm tree, and providing a variety of intertwined garden spaces for the twin girls to explore and play,” says Melissa Bright, director of Studio Bright.
Autumn House has three parts: the original Victorian, the Jorgensen addition, and the new contemporary works. The body of work undertaken by Studio Bright involved the restoration of the Victorian front and hallway, including bringing archways and cornices back to their former glory and adding some playful detailing to suggest a modern intervention. The space has been reconceived as night-time spaces with two kids’ bedrooms, shared bathroom, small laundry and informal living area. The Jorgensen renovation was respectfully kept intact, honouring its rich material palette. The new, north-facing, two-storey extension celebrates the mature elm tree at its heart. This “unapologetically contemporary” space houses the functional aspects of a family home, including living, kitchen and dining areas, as well as an activity space with private study, bike room and services shed. The upper level consists of the master bedroom, ensuite and roof-top deck.
“One of the most complex design challenges was the marrying of the Victorian, the Jorgensen addition and the new extension. Many discussions were had on the
The internal palette responds to its existing buildings and landscape, including the much-loved elm tree paired with bright greens and exposed timbers
minutiae of details and junctions — where to stop and start a period skirt and how to transition the Victorian. Small touches assume a critical role in clarifying the right amount of contemporaneity balanced alongside the desire to respect and celebrate the heritage of the Victorian and Jorgensen work beforehand,” says Melissa.
The internal palette of Autumn House responds to its existing buildings and landscape. Colours and materials are inspired by the muchloved elm tree and the playful bright greens, rich exposed timbers, and red-brick flooring of the ’80s Jorgensen extension. The home’s exterior expression takes on a whole new form with a structural mesh facade. “Composed of a delicate framework of steel, atop a perimeter garden and finished with an expanded steel mesh screen”, the facade appears as a floating veil, solid yet transparent and cocooning the master suite inside. Adorned with various species of climbers, the mesh screen will one day become a wall of lush greenery, providing privacy for the family and a welcome site in its urban context.
“In such a gritty laneway environment, it’s so nice to see the contrast on the inside — the house as an inner-city garden retreat … we think that even in tight urban areas, there is an opportunity for lots of green, this benefit going beyond just this family but as an offering to the neighbourhood and the lane,” says Melissa.
In a gritty laneway, in an inner-city suburb, this home showcases how incorporated outdoor and indoor environments can create a beautiful, peaceful home in any context
THE WARM AND CALM MATERIAL AND COLOUR PALETTE THAT OFFERS
A RETREAT FROM THE GRITTY CITY LANEWAY AND SEAMLESSLY TRANSITIONS THROUGH THE HOME’S ARCHITECTURAL STYLES
“SMALL TOUCHES ASSUME A CRITICAL ROLE IN CLARIFYING THE RIGHT AMOUNT OF CONTEMPORANEITY BALANCED ALONGSIDE THE DESIRE TO RESPECT AND CELEBRATE THE HERITAGE OF THE VICTORIAN AND JORGENSEN WORK BEFOREHAND”
— MELISSA BRIGHT
FIXTURES & FITTINGS
Tapware E&S, Brodware
Joinery handles Hardware Box, Designer Doorware, Lo & Co
Induction cooktop V-ZUG
Ovens V-ZUG
Fridge Fisher & Paykel
Dishwasher Miele
Rangehood Whispair
Kitchen sink Franke
Concrete basins Nood Co
Ensuite basin Lindsey Wherrett
Toilet Caroma
Custom-made upholstery and daybed seats Grazia & Co, leather by Instyle, fabric by Warwick
Harvey Swivel armchairs Grazia & Co
Ivy coffee table Grazia & Co
Pavilion external table and chairs
Grazia & Co
Dining chairs Muuto
Iluka credenza Jardan
Ziggy ottoman Jardan
Valley sofa Jardan
External armchairs, coffee table, solid timber stools Jardan
Circle dining table and stools
Snelling Studio
Sideboard Zuster
Dining pendants Matter Made, Criteria
The mesh screen will one day become a wall of lush greenery, providing privacy for the family and a welcomed site for its inhabitants in the surrounding urban context
Colour Palette
A restful retreat, with a subtle palette of pinks and calming hues. The mood is relaxed and interspersed with cool concrete and touches of green
Throwing Caution by Bronwyn artloversaustralia.com.au
Mino one-light wall bracket beaconlighting.com.au ee table.
graziaandco.com.au
Roco brass table lamp. cocorepublic.com.au
Harvey swivel armchair. graziaandco.com.au
Jute round rug.
elattehome.com
Green miniature boxwood. sweetpeaandwillow.com
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Full of history and family memories, Lewis House’s homeowners sought to future-proof their home without eliminating its past
WORDS KARSHA GREEN PHOTOGRAPHY JACK LOVEL
The material and colour palette of Lewis House is a beautifully presented, modern interpretation of the home’s heritage with its tactile, earth and handmade qualities
HOUSE Lewis House
LOCATION Cottesloe, WA
DATE COMMENCED Sept 2019
DATE COMPLETED Sept 2020
lewis House is a 1940s inter-war, Spanish Mission-style home built by Peter Thorald Travers Lewis between 1939-1950. Its walls hold an abundance of stories and memories, including 20 years of family memories of its current homeowners. Having raised their three children in the house, they were not prepared to part with it, but wanted to enhance its livability for the next chapter of their lives, as well as address some major maintenance issues that had arisen over time.
“The clients had owned the house for nearly 20 years and it had been home for their three children as they grew up. They each had a deep love for the house and the memories it held, but the ground floor had become increasingly unlivable (issues of rising damp, extremely low ceilings, dark, cold, and generally lacked flow),” says lead architect and director of Studio Roam, Sally Weerts.
The project involved reconfiguration of existing floor space on ground level to include three bedrooms, two bathrooms, reading room/ library, shared lounge and laundry, as well as updates to the patio and reconfiguration of stair access to the kitchen. On the upper level, minor reconfiguration would include a new terrace, study and updates to the master suite, as well as the reconfiguration of the staircase and adjacent loggia.
“The clients wished to create a home that would accommodate the needs of their adult family. As the primary residence for two, rooms and spaces required a degree of flexibility and functionality that would allow them to adapt to periods when their adult children could return home with their own families and be comfortably accommodated in the ground-level spaces,” says Sally.
Lewis House is special in many ways, not only to the homeowners. It also “holds heritage significance for its early, rare use of off-form concrete construction” within the residential realm. Throughout the renovation, every decision was a sensitive response to the heritage values of the home. From interior palette to architectural form, “the new design elements sit sensitively within the existing building fabric — not attempting to mimic the old but still creating a sense that everything belongs,” says Sally.
Off-form concrete, terracotta and pink accents are inspired by the families memories of holidaying in Puglia, Italy
Pink-toned tiles are a subtle and warm complement to the off-form concrete and contemporary design
The construction methodology for Lewis House was an unusual one and required a seamless collaboration between architect/interior designer, builder and structural engineer. It was “essentially a new build within the existing perimeter walls” as early on in the design process, it was established that the only viable solution to address the home’s issues within the constraints of the heritage listing was to excavate the entire lower level. The new floor level now sits 750mm below the original one. This arduous task paid off, solving the damp issues and giving the ground floor a more spacious feeling. The interior palette is light and celebrates textural variation, inspired by the family’s memories
of holidays spent in villas in Puglia, Italy. A distinctive feature of SpanishMission style is terracotta, of which its material and colour have been woven throughout the home’s interior — in particular the new staircase and pink-toned tiling in the bathroom and bedrooms. The material and colour palette of Lewis House have created a beautifully presented, modern interpretation of the home’s heritage with its tactile, earth and handmade qualities.
“The design is a carefully considered response guided by the existing building rather than being influenced by trends, thereby ensuring all work completed should have a long lifespan,” says Sally.
THE EXPOSED CONCRETE PLINTH THAT IS A VISUAL REPRESENTATION OF THE PREVIOUS FLOOR LEVEL AND TELLS THE STORY OF THE HOME’S PAST
Lewis House “holds heritage significance for its early, rare use of off-form concrete construction” within the residential realm
ARCHITECT Studio Roam, studioroam.com.au
INTERIOR DESIGNER IOTA, @iota_au
BUILDER Assemble Building Co., assemblebuilding.co
BELOW The renovation was essentially an interior rehaul, recreating a new home for the now adult family while still respecting the architectural heritage
Terracotta tiles, crisp white walls and arch windows in the newly reconfigured stairway are a beautifully modern interpretation of traditional Italian design
An artful fusion of modern living and yesteryear, with Spanish influences. The colour palette is made up of warm neutrals, whites and splashes of shell pink, coupled with earthy rich browns
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Simba mid-century rug. covethouse.eu
Donna 18 pendant in linen. pholc.se
Darci wall light. alti.com.au
Augustas cushion in rose. castlery.com.au
Cugino stool by Mattiazzi. district.com.au
She Said chair by Nitzan Cohen for Mattiazzi. district.com.au
When two worlds collide, the timeless and the new, a little sprinkling of magic happens
WORDS CARROL BAKER PHOTOGRAPHY HILARY BRADFORD
Warm and welcoming green spaces connect seamlessly to nature
THE LUSH GARDEN COURTYARD AT THE REAR, A CALMING QUIET SPACE
aclassic architectural home that boasts a clever fusion of old and new is the latest offering sourced by Grand Designs Australia. This heritage family bungalow in Ballarat has a diminutive footprint but it packs a huge punch in design and liveability.
The home is occupied by a young family with three children aged from 10 to 18. It’s probably no surprise that on their wish list was a parents’ retreat with a bedroom, walk-in robe, ensuite and lounge. They also wanted a new kitchen and rear entry. The new renovation offers a sense of quiet and tranquillity and connects effortlessly to the exterior gardens.
All up, the completed project consisted of three bedrooms, bath, laundry, study, master bed, walk-in robe, ensuite, a relaxed open-plan living/kitchen/dining space and a lounge, plus a generously proportioned outdoor area. Luke Stanley from Luke Stanley Architects says the project concept was to offer a space that would work in harmony with the surrounding landscape, not overshadow it. “The idea for the design was to provide a dark timber box that would be recessive within the garden and highlight the existing greenery,” he explains.
HOUSE Talbot House
LOCATION Ballarat, Vic
INITIAL BUDGET $400,000
FINAL COST $415,000
DATE COMMENCED August 2016
DATE COMPLETED March 2017
The project was built by Peter Jones Building. The material selection, including cedar cladding, random stone, in-situ concrete hearth and garden walls, complement the organic, natural surrounds. Beautiful organic materials were integral to the build and add warmth and timeless character to the home. Stepping into this delightful abode, there is a feeling of quiet, of contentment. This reserved simple design pays homage to cultivated pared-back spaces that are supremely liveable. One light-infused space connects to the other via a walkway, with large windows either side offering a view to the green space beyond. The kitchen has contemporary clean lines — the black cabinetry is a feature. It bodes well with the white fi nger tiles that offer contrast and capture the light. The American oak flooring is a feature in the living spaces and kitchen, adding warmth and complementing the simple colour palette. In the living space, a cosy wood fi replace is perfect for the family
to gather around during those chilly Ballarat winters. From there you look out to the gardens beyond.
The seamless transition from indoors to out is Luke’s favourite part of the new design. “The large sliding doors allow the living room to become an extension of the garden courtyard,” he muses.
When the numbers were crunched for this project, it showed the initial design would lead to a budget blowout. Luke says that required a wellcontemplated change of plan. “The original design was for a two-storey extension that was redesigned as a single storey to manage costs,” he says. Many eco-friendly measures were incorporated into the build.
Among those were door and window openings that are a high-performance double-glazed system. Luke says the timber cladding is FSC certified. “The extension and renovation works were also designed for passive solar gain and cross ventilation,” he explains.
THE NEW RENOVATION OFFERS A SENSE OF QUIET AND CALM AND CONNECTS EFFORTLESSLY TO THE EXTERIOR GARDENS
PROJECT TEAM ARCHITECT Luke Stanley Architects, lukestanleyarchitects.com BUILDER Peter Jones Building
ONE LIGHT-INFUSED SPACE CONNECTS TO THE OTHER VIA A WALKWAY, WITH LARGE WINDOWS EITHER SIDE THAT OFFER A VIEW TO THE GREEN SPACE BEYOND
This project is testament to what can be achieved with thoughtful and measured design. Luke says it has a small and unpretentious footprint, but has made a huge difference to the quality of the occupants’ day-to-day living. “They said it ticked all their boxes and loved that the existing garden was an integral part of the outcome,” he notes. The garden has sculpted form, the focal point a leafy tree that offers respite from the summer sun. A blend of groundcovers, grasses and strappy plants round out the story.
As with any project of this scope,
when working with a previous build, there are always moments of wonder. For Luke a highlight was the removal of the in-situ concrete formwork. “We could see the fi replace hearth and garden walls revealed,” he comments.
This project is a design coup, creating handsome liveable spaces generations of the family can enjoy for years to come. On a personal note, for Luke, this project became a well-deserved professional triumph. “This was an important project in Luke Stanley Architects’ history and was a stepping stone to much larger residential commissions,” he reveals.
Charming, light-filled and warm, with ample organic texture through timber and polished concrete. Simple and understated, with clean lines, slim white tiles, organic greens, black and polished concrete round out the story
Empty nesters wanted a modern home that was spacious and comfortable while also feeling cosy enough for two
WORDS KARSHA GREEN PHOTOGRAPHY SCOTT BURROWS
The new design was to keep the floorplan tight, utilising voids and high ceilings in the main living area to open up the space and bring in natural light
HOUSE Mossman Court
LOCATION Noosa Heads, Qld
DATE COMMENCED Dec 2019
DATE COMPLETED Dec 2020
sharen and Drew were empty nesters sitting on a north-facing block on the Noosa Heads canals. On the verge of retirement, the couple decided it was time to renovate their late ’80s/early ’90s brick house and create their forever home. Embracing the coastal design while cleverly using Palm Springs-inspired breeze blocks as privacy screening, Sharon and Drew are living the holiday life, for life.
“The process started as a small renovation with emphasis on privacy from the street as well as from the canal frontage. Privacy was to be achieved without the loss of natural light and a welcoming arrival for guests. Kind of like a welcoming fortress,” says Jack Henderson, designer at Aboda Design Group.
The original house had good orientation and a well-planned layout, however, low ceilings and narrow rooms made the space feel “cramped and dingy”. As empty nesters, Sharon and Drew wanted their home to be spacious and comfortable but also feel cosy when it was only the two of them. Jack and Abode Design Group chose to keep the floorplan tight, utilising voids and high ceilings in the main living area to open up the space and bring in natural light. Through the use of Passive Design principles, large voids allow for air circulation while expansive glass doors and windows let the coastal breeze flow through the home, eliminating the need for air conditioning. “I am sure the clients use the air conditioning, but every time I have visited them the house has been wide open, and natural airflow has been used to keep the house cool,” says Jack.
Now empty nesters, the homeowners wanted their home to be light-filled and spacious, while also feeling cosy and comfortable for just the two of them
On the main level, the kitchen, living and dining space connect seamlessly with outdoor entertaining areas and the swimming pool. The central void introduces air and light and provides a focal point that brings together the various rooms and levels within the home. A sculptural spiral staircase eloquently connects the lower level with the fi rst-floor sleeping quarters. The new home is a four-bedroom, four-bathroom dwelling with a twoand-a-half-car garage, lift and pool.
A sculptural spiral staircase eloquently connects the lower level with the
sleeping quarters
“The owners are well travelled and have developed a love for Palm Springs-inspired design. The use of breeze blocks was a must, and fortunately they share a deep entrenched connection to Noosa and coastal design heritage. Because of this connection to both design styles, breeze blocks became a prominent feature of the home,” reveals Jack.
Mossman Court’s breeze block facade is now its trademark feature, but it was also one of the project’s biggest obstacles. Due to its curved nature, extra care and planning had to go into calculating the curved length and steel positioning that would support the few tonnes of breeze blocks in this curved formation. The result was certainly worth the effort and not only provides a stunning coastal aesthetic, but also acts as a privacy screen, blocking views from neighbouring properties and passersby. The breeze blocks also allow sunlight and breeze to fi lter into the home.
“Curves in the facade soften the otherwise brutal and staunch building, and end up being a really nice balance between solid and delicate,” says Jack.
A richness and depth in selected tones gives this interior a luxurious feel
BUILDING/INTERIOR DESIGNER Aboda Design Group, aboda.com.au
BUILDER Jaicon Construction, jaicon.com.au
The well-travelled homeowners have acquired a love for Palm Springs and were adamant on incorporating breeze blocks in the new design
EDITOR’S FAVOURITE THE BREEZE BLOCK FACADE THAT GIVES A PALM SPRINGS-INSPIRED FEEL TO THIS NOOSA HEADS HOME
01/ Water#1 by Emilie-Heurtevent. artloversaustralia.com.au
02/ Ellisse Triple pendant by Nemo. alti.com.au
03/ Belinda velvet throw in Petrol Blue. raggedrose.com
Colour Palette
A compelling design with a visual feast of style. Plenty of curves inside soften a brutalist exterior form.
04/ Vintage Green
Gloss Finger Mosaic. teranova.com.au
05/ Vincent Shepherd Curly dining chair. cotswoldfurniture.com. au/en
06/ Plate dining table. livingedge.com.au
07/ Ponti concrete planter. cocorepublic.com.au
Black and white, timber, with hints of gold add a sophisticated edge
Bl ack an d w h ite, tim b e r, with hints of g old add a sop h isticate d e d g e
08/ Fibre bar stool. livingedge.com.au
With views to die for and ample light, open spaces, this stunning palatial home is like a breath of fresh air
WORDS CARROL BAKER PHOTOGRAPHY ANNE STROUD
Sky-high ceilings add a touch of drama and style in the dining space
with picturesque views that stretch from Black Mountain to Queanbeyan, this striking abode is a symphony of charisma, colour and light.
The home is a collaborative effort between Preferred Builders, DNA Architects and the homeowners. Aj Bala from DNA Architects says the project is a lifestyle haven, designed for the homeowners who are semi-retired. “It’s perched within the canopies at the top of Ngunnawal Land and is a beautiful interpretation of how the home, hobbies and friends can be intrinsically interwoven,” he enthuses.
Before The Nest was constructed, the existing on-site dwelling, a family home, was
bereft of open light-fi lled spaces. So the team from DNA Architects rolled up their sleeves and went to work, designing a captivating spacious dwelling that is a showstopper. Aj says this design was also about maximising the remarkable views. “As fate would have it, the perfect level for the new house was eerily similar to that of the home which once stood upon the land,” he notes.
It was a complex project, one that required extensive commercial construction organisation as well as diligent planning. The dwelling is now a series of beautiful spaces, fi lled with opportunities to create moments that will become lasting memories, shared with family and friends. DNA Architects already had an established working relationship with the clients — this gave
them invaluable insight into the way they shared their spaces with each other and with family and friends.
The beating heart of the home is undoubtedly the soaring 5.5m-high dining space. “It opens out to both the central atrium and the Canberra skyline to the north,” explains Aj. The artfully restrained interior colour palette is soothing and refi ned, with warm and textured detailing. It’s fresh, innovative, and takes a restrained walk on the wild side with stunning results.
The building material palette includes a VM Zinc front door, a 4.5m-high monolithic feature clad in zinc shingle. Aj says it pays homage to its location. “The lichen-coloured door is an ode to the adjoining bushland of Red Hill reserve,” he comments.
HOUSE The Nest
LOCATION Red Hill, ACT
INITIAL BUDGET $5,000,000
FINAL COST $6,541,800
DATE COMMENCED February 2018
DATE COMPLETED August 2021
From floor to ceiling, eye-catching materials captivate and invite you to linger for longer. A burnished concrete floor, equitone cladding, and black Japanese ply ceiling all feature. Aj says the concrete floor is one of the heroes of the dwelling. “It has been executed to perfection in both colour and fi nish and partners the timber and equitone around the rest of the home,” he shares.
The sense of connectedness to the vast landscape beyond is made possible through the glazing. It’s an engineering and architectural feat of mammoth proportions. Aj says the frame system, tracks and rollers were all engineered specifically for the project. “The 5.5m-high glazing within the heart of this home was a pipe dream we never imagined could be executed to this level,” he enthuses.
There are features galore within this home, each one trumping the last. A swim spa that feels as though you are floating on top of the world is cantilevered above the entry to the basement garage.
There are many warm tactile spaces that effortlessly harmonise with each other. There are ample spots for family and friends to comfortably visit, and a dedicated basement space to accommodate their car collection.
The central atrium is light-fi lled, connecting to the dining area. The openness of this space almost feels as if you are dining alfresco style. In fact, when the atrium and terrace doors are open, you feel a calm connectedness to the outdoors, well beyond the walls of the home. For Aj, this is another standout feature. “The play of light and textures within this space evolve each day and hour,” he adds.
The floating central roof was another design success. As with any project of this scale, aesthetics need to be balanced with form and function. Aj says their engineer was up to the challenge. “Our structural engineer came to the party … not only was he able to make this element sing, he made it float,” he notes.
The glass elevator is a superb addition, allowing access to the roof terrace to drink in the majestic views.
The homeowners enjoy the concept of concealed or secret doors — it adds an element of mystery and playfulness to the project and it also helps to streamline spaces. Aj says they achieved this in a range of ways — “from the material that was chosen right through to the style of door and closer which was selected”, he notes.
The homeowners are justifiably enchanted with the project. “We are absolutely thrilled,” they enthuse.
Colour Palette
Black ply ceilings and polished concrete floors speak a neutral vernacular. Texture is the hero within, with plenty of tactile elements. Caramel and toffee brown, with dark shades. A palette with the perfect balance of style and sophistication
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01/ Caesarstone Excava quartz. caesarstone.com.au
02/ Hudson wall light in black. frenchbedroomcompany. co.uk
03/ Desert Sand abstract. cocorepublic.com.au
04/ Callan dining table by Theodore Alexander. sweetpeaandwillow.com
05/ Ren dining chair. livingedge.com.au
06/ Cubo square polished concrete planter in dark grey. schots.com.au
07/ Fiddle leaf fig artificial plant. dowsingandreynolds.com
08/ Ring Filigree mirror. bocadolobo.com
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New showcase highlights superb finishes for your bathroom and kitchen fittings
Phoenix is one of Australia’s home-grown success stories in the design world. From the 1980s when Brian Wansborough embarked on a mission to manufacture three-piece tapware of superior quality, to founding Phoenix with a focus on design innovation, and now a thriving Australian business that is a leader in kitchen and bathroom fittings with designs that have been awarded internationally, the company has a proud legacy.
Continuing its story of innovation, Phoenix recently launched a new showcase, The Curated Finishes Collection, to inspire specifiers and homeowners to envisage the Phoenix finishes paired with contemporary bathroom materials such as sophisticated tiles, elegant stone and warm timbers. In this new showcase, each finish has its own palette with layers of tone and depth represented in an atmospheric style to guide you to the perfect selections for your projects.
Chantelle Malone, project and marketing manager at Phoenix, describes how the concept for The Curated Finishes Collection was born. “We identified a need for people to be able to conceptualise how Phoenix finishes could complement their upcoming projects. To bring this idea to life, we knew that we needed to show actual product rather than artistic representations.”
Demonstrating the beauty of cohesion as well as ontrend ideas for execution, The Curated Finishes Collection highlights Phoenix’s eight product finishes available across all its design-driven tapware, showers and accessories collections — Brushed Gold, Gun Metal, Brushed Nickel, Matte Black, Chrome, Stainless Steel, Brushed Carbon and Matte White.
» Brushed Gold. The warm tones of Phoenix’s Brushed Gold finish is characterised by the muted lines across its surface and soft metallic hue. It is a modern spin on traditional gold tapware and works well with earthen, natural tones found in terracotta and stone.
» Gun Metal. The soft, matt finish of Gun Metal will lend a sophisticated look to your space and complement warm whites or soft greys, timber and dark marble.
» Brushed Nickel. This finish is characterised by its soft metallic appearance and brushed lines on its surface. Brushed Nickel is an excellent choice for referencing a refined colour palette.
Brushed Gold Brushed Nickel
» Matte Black. The Matte Black finish makes a confident statement that complements a monochromatic aesthetic or one that features terrazzo or pastel hues. Take it up a notch with timber tones such as messmate or oak.
» Chrome. Versatile and flexible, Chrome is an old favourite that offers a classic and timeless finish, able to complement a range of colours and designs.
» Stainless Steel. Phoenix’s Stainless Steel is a durable, marinegrade finish that offers a crisp and clean look for both indoors and out.
» Brushed Carbon. The textural, earthen feel of Brushed Carbon creates mood and drama. It works beautifully with sophisticated tones, bringing visual interest to classic as well as modern design aesthetics.
» Matte White. A subtle, natural finish with an organic tone that blends beautifully with rich timber and stones such as marble and terrazzo, Matte White also accommodates pops of colour.
The Matte White finish is available exclusively to Phoenix’s latest collection, Nuage.
Delivering innovation, precision and quality for decades, Phoenix is the preferred choice for people who appreciate timeless design, elegant luxury and Australian innovation. For more than 30 years, Phoenix has been innovating in the world of bathroom and kitchen fittings and accessories, designing beautiful products in-house and making them with pride.
The Phoenix team designs prototypes and refines all bathroom and kitchen fittings in-house in Australia, combining this with world-class technology to ensure you get a superior product. Designed with a focus on the Australian lifestyle, each piece aims to bring a timeless experience of quality to your home.
Each piece produced by Phoenix is built to last. High-quality durable materials are used and a rigorous manufacturing and quality control process employed. The company’s products comply with Watermark and WELS and for enhanced peace of mind, each piece comes with an extensive warranty.
Phoenix offers a wide range of beautiful products to meet every need and to suit every design aesthetic. Find out more online, where you can download the Phoenix Tapware Catalogue or Phoenix Builders Catalogue. phoenixtapware.com.au
Matte Black Stainless Steel Chrome Brushed Carbon
with stylish good looks, lots of storage space and an impressive island bench with a custom-built bookshelf on the end, this is one kitchen you’ll want to read all about.
The Wood, Marble & White team had its work cut out for them when sourcing products in lengths that suited the room’s extra-high 3500mm ceilings, but their dedication has clearly paid off; this kitchen is absolutely stunning. The black shadow lines playing around the timber cabinetry add definition to the space. The warm shades of the timber in the island bench are highlighted against the darker, luxurious tones of the cabinetry beyond, resulting in a delightful contrast.
But it’s the fi nishing touches that truly make this kitchen. From the custom-built bookshelf on the end of the island to the stone upstand and the horizontal wall panelling next to the black cabinets, these all create interest without being overwhelming. A streamlined look was created thanks to handleless doors, and soft-close mechanisms were employed to make this kitchen as dreamy to cook in as it is to look at. These lucky homeowners have achieved their kitchen happily ever after.
Design Katia Slogrove from Wood, Marble & White. woodmarbleandwhite.com.au
A modern take on this look
PHOTOGRAPHY BOSE CREATIVE
glamour and elegance epitomised the architectural P&O style of the 1930s, so when it came to designing a kitchen for a home of the era, Anita Mitchell of Premier Kitchens didn’t need to look far for inspiration.
The owners wanted something more than the white Shaker-style, typical of their home’s beachy location, and happily embraced the sophisticated, nautical-based aesthetic proposed by Anita.
However, with the home’s existing kitchen in a hot, cramped corner of the home, a decision was made to adapt the
floor plan and relocate to a cooler, more central zone. For a family of five, the change made for a much more usable space, enabling the inclusion of a long island bench for informal gathering.
With this reconfiguration on board, the addition of high-end appliances and ample storage — including an integrated fridge, pantry and appliance cabinet — introduced an inherent practicality to the space. But it’s the moody tones and opulent details that elevate this design to the realm of “breathtaking”.
Slim Shaker and V-groove profi led cabinetry melds with moody grey
quartzite and herringbone timber flooring to set the scene, while dramatic brass accents in the form of handles, sink mixer, oven knobs, pendant lights and countertop relief introduce an undeniable sheen of glamour.
One can only assume it’s a domain destined for refi ned conversation and lavish entertaining.
Design Anita Mitchell. Build Premier Kitchens premierkitchens.net.au
THE VERTICAL HERRINGBONE TILE PATTERN THAT CREATES A TEXTURAL POINT OF DIFFERENCE IN THE ROOM
this bathroom is a concerto of rich colour and texture. The solid-timber four-drawer wall-hung vanity is complemented by the Italian premium ceramic oversized basins in matte white. The cascade vessel mixers with swivel spout in antique brass add a touch of glamour.
The Japanese soaking tub with in-built seat was custom-made in Mexico from hammered copper. It takes centre stage and sets the scene for relaxation and comfort. Beautiful textures and metals in dark tones have created a luxurious and calming space.
Downlights for general lighting have been paired with vertical strip lighting for additional face-height illumination by Litfad. The ensuite can transform from a lavish lightfi lled room to prepare for the day to a duskinspired calming haven. The wall, floor and feature wall tiles add colour and depth to the design. Comfort has been addressed with the heated towel rail in brushed gunmetal. There are integrated dual-set timers for the rails and radiant underfloor heating.
Design Tobi Farthing Build Paul Farthing. allbathroomgear.com.au
you don’t need to look twice to work out the hero of this unique bathroom designed and built by Rosemount Kitchens. Just check out the Hemingway tub from Baths of Antiquity in all of its copper and black glory!
Prior to this bathroom’s transformative makeover, it exuded late ‘80s vibes with its beige tiles, cream cabinetry on the vanity and a shower over a built-in bath hob. It was incredibly small and had a vanity that was too large for the space, making it feel crowded. As a result, the owners wanted a complete layout change and requested the beautiful black and copper bath as a feature in the room, as well as a separate shower.
Their aim was for the room to look as spacious as possible. To help with this, a concealed cistern toilet and a wall-hung vanity were selected. To incorporate the in-wall cistern, a wall was built out and was turned into a shelf below the recessed mirrored overhead cabinetry. This meant the owners could have the toilet they really wanted while creating an added design feature.
Mirrored wall cabinets were chosen rather than cabinetry for the vanity as storage was paramount. One of the special design features of this space is the LED strip lighting under the mirrored cabinets, recessed in the ceiling on the feature marble herringbone wall to give the bathroom a true luxe feel.
One of the challenges the team faced for this bathroom renovation was the existing heating/cooling duct return that could not be moved. To create enough space for an expansive shower, the design team used the duct return to their advantage and made a tiled shower seat within the shower. Innovative thinking at its best! Design and Build Rosemount Kitchens. rosemountkitchens.com.au
PHOTOGRAPHY TIM TURNER
Get down to the nitty-gritty of the functional elements of your home
167 Attention to Detail
176 Light & Shade
In French it is le luxe or grandiose. It’s that definitive and undeniable sense of quality and style that sets one home apart from another. How does yours shape up?
WORDS CARROL BAKER
A WINE FRIDGE KEEPS YOUR WINE STORED AT OPTIMAL TEMPERATURES. WHETHER YOU ARE A WINE ENTHUSIAST OR JUST ENJOY A TIPPLE OR TWO, STORING WINE IN A SPECIAL-PURPOSE FRIDGE KEEPS IT AT THE RIGHT TEMPERATURE AND AWAY FROM NATURAL LIGHT AND HEAT THAT CAN AFFECT ITS AGEING
t is in many respects the collective whole of the many components that make up a home — from striking natural materials, bespoke and quality fittings to unique fixtures and finishes that take it to the next level of style.
Just as air-conditioning in a home helps to keep it at a comfortable temperature no matter what the season, so too does underfloor heating. It goes a long way to adding an extra layer of comfort to your home environment. Basically, underfloor heating is a way to control the climate of your internal environment through convection, conduction and radiation.
There are two different types: electric, which uses heating elements that can be mats, foils or mesh — this is easier to retrofit in homes. The other type is hydronic which, as its name applies, incorporates water and a type of antifreeze fluid. The combined mixture is circulated through the flooring in a closed loop. This system is often used in new builds and larger flooring projects.
Arguably one of the most prolific trends in kitchen design at the moment is the butler’s pantry. Helle Olsen from Collaroy Kitchen Centre says the concept has an interesting origin. “Also known as a butler’s kitchen, butler’s pantries were originally used for storing fine china, large serving platters, silverware, alcohol and other valuable items,” says Helle.
“In wealthy families, the area was locked and only the butler had the key, and in smaller homes, the butler’s pantry was also used to serve and plate meals.”
The modern butler’s pantry has evolved into a place for storage, an additional preparation area, and a place to hide all the mess when entertaining in open-plan kitchen spaces. Helle has some suggestions on how to incorporate a butler’s pantry without extending your home’s footprint. “You can convert a walk-in pantry to a butler’s pantry to store china, crockery, wine, bakeware and glassware. If space permits, you may be able to include a dishwasher or drinks fridge,” she says.
Helle adds that a butler’s pantry must be designed with care, with everyday items on hand. “If not, it can increase prep time as you walk between your main kitchen and your butler’s pantry,” she explains. Other points to consider, she says, are how much space you’ll need, how many power points, and plumbing for a sink or dishwasher.
A wine fridge keeps your wine stored at optimal temperatures. Whether you are a wine enthusiast or just enjoy a tipple or two, storing wine in a special-purpose fridge keeps it at the right temperature and away from natural light and heat that can affect its ageing. Removable shelving for extra-large bottles, adequate lighting to make your selection when needed and an effective seal are all potential inclusions to consider when purchasing your wine fridge.
ABOVE Image courtesy of Original Style. originalstyle.com
LEFT Image courtesy of KitchenBanc. kitchenbanc.com.au
BELOW LEFT Image courtesy of Collaroy Kitchen Centre. collaroykitchen.com.au
The kitchen can be one of those areas where there never seems to be enough storage. With the contemporary kitchen playing even more of a pivotal role in family life, addressing this need is important. Crispin Gardener from Winebanc says the modern kitchen is no longer solely the cook’s domain — it has become the hub of family life and the centre of activity. “This essential room offers the chance to show off your personal style and impress your guests with cutting-edge technology,” he says. “Winebanc’s first-of-its-kind storage units add a sophisticated edge to any kitchen. These unique, customisable cabinets provide a safe and convenient place for glassware, recipe books and more.”
Winebanc’s stunning features include inbuilt mood lighting, USB outlets, swipe-tooperate functionality and magnetic wireless phone-charging stations.
The kitchen benchtop is by and large the workhorse of the kitchen. It will be sliced and diced on, beaten, banged, be subject to temperature extremes, and probably be sat on. Functionality is important, but so too is aesthetics. A beautiful benchtop tells a story; it is distinctive and beautiful. Natural and engineered stone, concrete, metals such as copper and stainless steel, and durable warm timber benchtops all create a sense of timeless style.
In the dawning of a new era in benchtop surfaces, Brydie York, APAC general manager of marketing, says Caesarstone sustainability and longevity take equal billing to that of aesthetics and style. “The brand has now added two completely new surfaces to meet the creative demands of architects, designers and consumers,” says Brydie. “The benchtop surface, both indoors and out, is now seen as the defining decorative element in any space, one that has to look beautiful for a lifetime but also be the product of the most exacting standards in terms of sustainable, ethical production.”
Caesarstone porcelain offers a new point of view, one that includes striking colouration, bolder veins and palpable textures in a series of 17 designs in honed and ultra-rough finishes.
There is plenty to get excited about with cutting-edge new kitchen appliances; black is back, giving them a sleek modern look. Crispin says one innovation he’s fascinated by right now is hybrid cooktops. “These allow you to change between gas and induction, and combi-steam ovens are also having their moment. They incorporate convection and steam for the ultimate flexibility,” he says.
Companies such as Smeg have also introduced ovens that have air fry capabilities, as well as barbecue and stone cooking. There are now fridges such as the LG Instaview that let you see what’s inside without letting cold air escape — all you need to do is knock twice!
Crispin says he is a fan of anything that brings additional convenience — “taps that serve boiling, chilled and even sparkling water, and sensor-operated soap dispensers,” he shares.
ABOVE & BELOW Image courtesy of Big Ass Fans. bigassfans.com/au
ABOVE RIGHT Image courtesy of Urban Front. urbanfront.com
It’s no secret that a beautiful ceiling fan takes a home to the next level of style. Sophia Lake from Big Ass Fans says just like a piece of art, ceiling fans can make a statement in your home while also being practical. “Exploring different colour options and materials can showcase the fan as part of the home decor,” she says. “Making your home ceiling fan a masterpiece will impress visitors while keeping the room cool and comfortable.”
There are also some great new colours in ceiling fans to add a shimmer of sophistication. Sophia says a matt white finish to a ceiling fan adds dimension and texture, breathing fresh life into a home. “Especially in summer, the coastal look and feel is elevated with a matt white or woodgrain texture,” she notes.
New technology continues to evolve in our homes, creating greater autonomy and ease of operation. Sophia says smart home automation is indeed taking the home appliance world by storm, and ceiling fans are swiftly adapting with app or voice integration technology. “The idea of ‘set and forget’ allows ceiling fans to automatically turn on or off, or change speed all through the touch of a button has increased home comfort significantly,” she adds.
One way to add plenty of street cred to your home is through a beautiful statement door. It’s also a way to add a touch of drama and personality to your home. Doors of course are a functional necessity, but they can contribute so much more. After all, it’s one of the first things people see. An extra-wide front door makes a bold statement — have it painted in a contrasting colour so it really pops. What does the visual language of your front door say about your home? Take it from dull to dazzling with a new pivoting statement front door.
PLACEMENT OF LIGHTING IN LIVING SPACES IS KEY, SO GET EXPERTS ON BOARD TO GUIDE YOU THROUGH THE PROCESS TO ENSURE SPECIFIC ILLUMINATION NEEDS ARE SUFFICIENTLY MET
Signature designer lighting can make a big impact. A pendant that casts an illuminating glow can be bewitching. You can even take pendant lighting into wet areas of the home now. Placement of lighting in living spaces is key, so get experts on board to guide you through the process to ensure specific illumination needs are sufficiently met. If you have a void in your home, a statement light will steal the show.
There are some clever ways you can acquire a sophisticated and luxurious look with some simple inclusions and strategic styling. Add some luxury with textiles and layering. A pop of cool colour mixed with neutrals creates a beautiful modern look. Swap out small pillows for larger ones and add a textured rug.
Update your handles — fresh new hardware won’t break the bank and provides an instant lift to kitchen cupboards and bathroom vanities.
Add a bunch of blooms to a pretty vase; you don’t need to purchase many blooms — some greenery artfully snipped from your garden will add texture and bulk.
Source a bespoke piece of art, add a faux fur throw, find your lost travelling treasures you have packed away and create a range of window box frames and display them.
Think metallic — that always adds a little glamour with pieces such as photo frames, trinket boxes, vases and trays.
Apply wallpaper to one bedroom or a powder room wall to lift a space and provide a little glitz.
LEFT Image courtesy of Caffé Latte. caffelattehome.com BELOW LEFT Image courtesy of Tom Raffield. tomraffield.com
Proudly made in Australia since 1990, Paarhammer windows and doors are custom-made to perfectly suit your unique style and design requirements.
windows and doors are double or triple-glazed, and available in timber or composite Wood-Alu with U-values as low as 0.8.
Suitable even for achieving
Also available is our tested &
windows and doors that offer without requiring shutters.
Quality and sustainability go hand in hand at Paarhammer.
A light and bright home opens its doors and offers a heartfelt warm welcome
WORDS CARROL BAKER
avibrant light-filled home extends a soothing respite from the everyday; it’s calm and tranquil. There are many ways to turn a dull and dark abode into a serene and light-filled haven.
Painting your floor a light shade will brighten a space. The same applies to the walls; paint them white — and the lighter and brighter the shade of white, the more it will lift the space. Or choose a colour scheme of light colours to paint a room. Blues, greens and neutral palettes will all lighten a space. The reverse is true with reds, oranges and browns.
However, if a room has low ceilings, small windows, or obstructions outside making it dark, Fiona Poon from po-co Architecture says painting the room a light colour may not necessarily lift the space. “There won’t be a lot of light for those walls to ‘bounce’ around, and white paint may actually accentuate the shadows,” she explains. “Instead, it could be an idea to embrace these spaces as more warm, cosy nooks, to decorate in deeper, earthy tones and textures with warm white artificial lighting.”
Fiona adds that it’s important to be aware of the warmth of the light source. “A 2700K or 3000K light creates a warmer light colour than a brighter light that can seem blue and cold,” she notes.
A fabulous way to introduce more light into a space is through the use of voids. According to Japanese philosophy, a void is pure energy, it is powerful. It also creates a feeling of vastness, of space, as it draws the eye upwards.
It’s little wonder it’s a focal point that many designers like to include if space permits. Fiona says she loves creating double-height voids in her designs. “Often it’s an opportunity to add a high window in an orientation you couldn’t get at ground level; the way the light can bounce around the higher walls and ceiling can be really effective at providing some nice, ambient light,” she shares.
Be Smart and seal the weak point in a building with the best windows and doors.
Miglas – Green & Efficient!
Miglas combines the advantages of both timber and aluminium into one product to create a low maintenance, energy effi cient and thermally stable window and door system. This unique suite provides comfort and protection in the harsh Australian climate all year round while allowing you full architectural freedom with a wide range of styles, sizes and colours.
Our goal was to not only match or outperform established overseas products but to ensure that the ALICLAD system met our Australian design preferences and suited our extreme climate.
The aim ... The perfect window The
Strategically placed mirrors can also welcome more light in as they allow it to penetrate and move around a room. Fiona says if placed in the correct spots, mirrors can double the light entering a room. “If the mirror reflects a window, you effectively have a natural light source from both the real and reflected window — and, of course, the bigger the better,” she notes. “We also like to place them opposite garden spaces so you can get some garden views in unexpected places.”
Mirrors are a smooth reflective surface; one that is rough or segmented will scatter light, so choose your frames carefully. As a design feature, why not go bold and consider a gallery wall of mirrors?
If you feel that there are just too many walls in your living spaces that are making them feel dark and gloomy, you could simply just get rid of one or more. You’d be surprised at the difference it can make. The catch is that it needs to be non-load-bearing. Removing a wall opens up a space, creating a beautiful area that can potentially be flooded with natural light. Peter Knights from Taylor Knights says walls are used to define and separate spaces, so eliminating them helps to remove the division. “This is particularly common around external thresholds, where people love to have the seamless connection between inside and out,” he says.
There are so many different styles and types of windows and doors available for contemporary homebuilders that some might argue we are spoilt for choice. However, not all windows and doors are equal in letting in natural light.
Peter says the bigger the window, the more natural light will enter the home. “But we often find the orientation of the windows is what’s really important as to what type of light you want to bring into the space,” he explains. “Northern light is controllable and direct, southern light is soft and opaque, eastern light is low and bright, and west is low and golden.”
While the shape of the window is important to let in light, so too is the aspect ratio. Mitch Hartley from Miglas says it’s important to note that a window that is wider than it is high will provide light for longer periods of the day.
“But floor-to-ceiling windows are problematic in summer and are much better designed up off the ground where they can be more easily shaded,” he says.
ABOVE & BELOW Image courtesy of Paarhammer Windows & Doors. Photography by Peter Hyatt. paarhammer.com.au
There have been some innovative developments in windows. Mitch says Europe has always been the glazing innovator with windows you can tilt, twist, turn and lift, however, the market has moved away from these systems over the past 12 months. “Many of our clients are swapping complicated systems on their plans for simplicity of operation and unimpeded views,” he says. “We also find that ‘bringing the outside in’ has been replaced with ‘keeping the outside out’, with customers being much more in tune to the thermal and noise efficiencies of products.”
There are also new innovations in glazing to improve thermal performance. Mitch says the Window
Energy Rating Scheme is now rating air infiltration, which is a huge step forward. “Previously the materials were measured for their conductivity, which, in a practical sense, did not consider the seal and energy leakage around an opening,” he explains.
Adding a skylight is a beautiful and innovative way to bring more light into your home. Peter says skylights offer a different opportunity to manipulate the way light enters the room. “The skylight reveal can be curved, coloured or textured to allow the light to filter through and encourage a dynamic experience to the room,” he explains.
“For example, in our Malvern garden
Image courtesy of Kustom Timber. kustomtimber.com.au
Image courtesy of Taylor Knights. Photography by Derek Swalwell. taylorknights.com.au
house, we used an off-form concrete skylight that was triangular in shape and angled towards the south. This was done to frame an existing birch tree and encourage the southern light to enter a darker part of the room.”
Skylights can also be used in other areas to allow more light penetration. Peter says they often use a skylight above circulation spaces and incorporate materials that are transparent or semi-opaque to encourage light into areas of the home where windows just aren’t possible. “An example would be a townhouse where the circulation is stacked, and the floor material is made of perforated steel so light can filter through the floor,” he comments.
To create warm and light-filled spaces at home, opt for furniture and furnishings in lightercoloured hues. Fiona says dark furnishings such as stained timber, dark leather, and dark-coloured flooring or rugs can sometimes overpower a space and absorb the light.
“If you’re trying to make it lighter and more airy, choose lighter-coloured surfaces or fabrics that complement the wall and ceiling colour choice,” she advises.
Fiona adds that trimming back overgrown hedges or climbers is something that is often overlooked. “You might have planted in front of a window or over a pergola to create a garden outlook, but over time this might grow very high or close to your window, which then inadvertently blocks natural daylight,” she says.
The right blinds and curtains improve internal comfort. Danielle Crosby, brand manager at Dollar Curtains + Blinds, says choosing the right type of window furnishings for your home is integral to the overall feel of a room. “Your curtains and blinds do more than just control the light. They complete the space, adding dimension, warmth and comfort to turn a house into a home,” she notes.
As for the shape and type of internal blinds and curtains, just like windows, some will invite in more natural light than others. “Sheer curtains work particularly well in modern homes, softening windows without interfering with the view. They also disperse the soft glow of sunlight in a space,” she says. “Layering with a block-out blind or block-out lining behind the sheer will protect your home from excess heat, UV and light but maintain the aesthetic of the sheer.”
There are plenty of cool contemporary colours that will impress. Danielle suggests sheers in neutral tones, from whites and warmer linens to shades of grey and charcoal.
There are also new innovations that are making controlling blinds a lot easier. “Dollar Curtains + Blinds’ automated window coverings add more to a home than just convenience,” explains Danielle. “With the touch of a button, your window coverings glide open or closed and stop exactly where you like,” she says. “You can choose from a remote, our exclusive ‘Dollar Curtains + Blinds control’ app where you can easily set timers and daily routines, or use our Pulse Hub to operate your window coverings via voice control with your smart devices.”
Taking it outside, external blinds add a touch of class to
your windows. They are perfect for controlling light, privacy and mitigating heat gain. Rosalind Caligari, marketing manager from Shade Factor, says these three elements contribute to making a modern home comfortable. Blinds can also protect your furnishings from the harsh summer sunlight. Rosalind says blinds by Warema retract seamlessly into custom-made pelmets, making them disappear altogether — maximising views and letting the outdoors in. “They’re highly customisable, allowing for various slat designs, componentry, technologies and finishes,” she says. “External venetian blinds by Warema are German-engineered, premium products that maximise the benefits of sun shading and pair the motorised blinds with a home automation system such as Warema Climatronic.”
With the days of drapes with dangling cords and dated heavy curtains behind us, automated and motorised shade systems are a solution for people who want to eliminate clutter, support a modern design aesthetic, control daylight light and reduce heat gain in their home. Using the best of current innovations, you can hide elements of shading systems, creating both a seamless finish and an element of surprise.
Over the years, Shade Factor has brought a large variety of blind and sun shading products to the Australian market, that reveal themselves when needed.
Starting from within the home, by motorising your internal roller blinds, cords are gone. Go one step further and conceal all your blind componentry by using Blindspace, an innovative blind concealment box, which is plastered into your ceilings. Working together with your builder and plasterer, Blindspace’s blind concealment system allows roller blinds to be completely concealed when retracted, giving you a clear and unobstructed view. With a simple press of a button, watch your retracted blinds magically and effortlessly lower from your ceiling. For a smart, modern curtain solution, Blindspace’s REESE curtain tracks are also plastered-in. This unique curtain track system gives a flush, streamline finish.
You can also consider mounting blinds on the exterior of your home. Not only does it declutter
your living spaces, but there are additional sustainability benefits by keeping your house cooler in hot weather. Shade Factor’s flagship external venetian blinds from Warema are customised and designed to completely retract into a pelmet. To maximise views and natural light when the blinds are no longer required, a fine cable-guided option is available.
With some smart German-engineering from Warema and problem-solving by the Shade Factor team, external blinds can be adapted to asymmetric windows. Warema’s range of external venetian blinds is the perfect customisable solution, disappearing into custom-made pelmets for a seamless finish. As well as offering concealment, these outdoor blind innovations enable you to control how your house responds to the weather and the outdoor environment, in order to reduce heat gain, enhance comfort, promote health and achieve maximum energy efficiency.
If you’re after a clever retractable awning solution, Warema’s 700S recess folding arm awning is designed with a standard front panel, or can be mounted with a custom front panel that matches the building facade. All you’ll see is a minimal panel line, however, with the press of a button, a section of the building pops out and the awning opens.
While we normally think of concealment as hiding blinds and componentry so full windows are visible, motorised bi-fold screens
hide windows and provide uninterrupted, bold architectural facades. These innovative screens are architectural elements in themselves and add to ultra-modern or monolithic buildings. Customise the motorised bi-fold screens to work with your exterior’s cladding so that when closed, your windows disappear.
To top it off, all of these solutions can link into your home automation system, helping create a highly responsive and comfortable living environment. Reach out to the Shade Factor team, who can help with everything from consultation and product advice, through to project planning and expert installation of high performing shade systems across Australia. shadefactor.com.au
Completed just as Sydney plunged into a series of unprecedented COVID-19 lockdowns, this peaceful Hamptons-style garden was a much-needed escape for a young family stuck at home
WORDS RACHEL WHITE PHOTOGRAPHY CREATIVE EVENTS PHOTOGRAPHY
with restrictions in full swing, this garden oasis kept the owners sane during the uncertain and ever-changing 2020/21 lockdowns, providing much-needed respite and a change of scenery for a family who suddenly found themselves working and studying from home full-time.
“The children basically spent the pandemic in the pool,” says Andrew Sidie, owner and director of Stone Lotus Landscapes. “Outdoor spaces with a slightly exotic feel may have been the antidote to lockdowns.”
Luscious ferns, crisp white accents and a deep turquoise pool make this Kingsford garden feel more like a tropical resort than a backyard in Sydney’s Eastern Suburbs. “Our clients wanted a complete outdoor redesign,” says Andrew. “They wanted something aesthetically pleasing with a slight Hamptons feel to complement the interior of their home.”
Perennially popular, the Hamptons aesthetic fits in Sydney, where the climate and lifestyle are well suited to open-plan, breezy living heavily influenced by proximity to the ocean. Applying the white-washed, laid-back indoor aesthetic to outdoor areas is a harmonious and natural progression.
“We created a coastal/Hamptons look and feel through a simple colour and material palette,” says Andrew. His team utilised “lots of white and natural materials such as timber, which will be allowed to grey, stone and lots of lush, broad-leaf tropical plant varieties, such as Bangalow Palms and Elephant Ears, which pop against the crisp colour palette.”
In keeping with the theme, the design brief included a non-negotiable pool for the kids, which was challenging given the inner-city location. “The area is a relatively small space,” says Andrew. “The challenge was to get a decent-sized pool in and still have enough space to relax poolside and
for gardens. To keep the area soft and to maximise greenery, we steered away from solid paved pool surrounds, instead selecting large steppers embedded in Zoysia Sir Grange and garden beds along the length of the pool. Incorporating planting poolside instead of hardscaping around all four sides stops it feeling too stark and harsh.”
With expansive lawns in the front yard, the idea was to steer clear of turfing in the backyard to allow for a lush space packed with greenery. Pursuing a private oasis vibe, Andrew opted for broadleaf plant varieties that really “pack a greenery punch and helped amp up the lush factor,” he says.
“I love the architectural quality that palms bring to a garden, and when placed poolside in particular, they also have a strong emotive quality, conjuring imagery of deserted islands and tropical holidays,” says Andrew. “It’s hard not to want to relax beneath the shade of a palm tree.”
LANDSCAPING DESIGN AND CONSTRUCTION
Stone Lotus Landscapes, stonelotus.com.au
PAVING Artisan Exterior POOL Cronulla Pools
Specialising in creating modern coastal, tropical and ever-popular Hamptons-style gardens, Andrew is an experienced landscaper and horticulturalist well versed in the fi ne art of creating an outdoor space that acts as an extension of the home.
“I really enjoy the whole aesthetic of this project,” he says. “But looking out across the pool area from the interiors has to be my favourite perspective.”
According to Andrew, creating harmony between indoor and outdoor areas is a process that “fi rstly involves assessing the site and project specifically and listening to our client’s brief. Our design philosophy is to create wellthought-out and considered outdoor spaces that are expertly executed and incorporate quality materials and fi nishes which, of course, meet our client’s brief.”
Skilfully creating a space that
meets the expectations of a family with different, and often confl icting, needs and wants is a tough assignment. Achieving a harmonious mix of tranquillity and effortless glamour for Mum and Dad while also creating a fun and usable space for the kids, the design of this project exhibits a remarkable understanding of spatial concerns and attention to detail.
Stone Lotus Landscapes has created a space that punches well above its weight despite its relatively small dimensions. Delivering on both a practical and aesthetic level, the design is a tangible demonstration of the merits of a wellconsidered, balanced approach that is sensitive to the needs of all its users. The result is a beautiful, functional garden that elevates the everyday, making even the mundane seem special and providing respite during challenging times.
Katrina McKeon is a prolific artist driven by her passion for colour, textured paint application and abstract expressionist fields of pattern. Her paintings combine moments and subsequent emotions experienced in her life. Her characteristic bold use of colour across the picture plane demonstrates her enthusiasm for her work. Her strongly composed coloured Tropicana Freedom (pictured with Katrina) depicts bold, free strokes of intense colour — nature’s floral beauty captured on canvas. Katrina’s paintings are a distinctive and unmistakable visual feast. plumegallery.com
The Fanco Sanctuary DC ceiling fan is a perfect match for large open living areas and covered outdoor spaces, thanks to its wide-reaching blade span and powerful airflow. Its latest Teak and Natural Blade finishes are a hit for those looking to add a contemporary cooling look in both urban and coastal locations. The Sanctuary range is currently available in six different colours and sizes 70in, 86in and 92in, with light and without. universalfans.com.au
For a wow factor in your new kitchen, think colour, texture and metal decor elements. For lovers of classic white kitchens, consider using white as a highlight colour rather than a monochromatic colour scheme. Try lower cabinetry in bold colours and keep upper cabinets white with textured glass doors to add interest. Whatever you do, to create a
truly impressive kitchen you need a kitchen design and construction company experienced in unique creations. In Sydney, that’s Collaroy Kitchen Centre. collaroykitchen.com.au
Covesmore Solutions, known as the “Ex Parker People”, sets the standard in upholstery, polishing and furniture restoration. Based in Sydney, it offers furniture restoration services for Parker furniture and other premium brands. With more than 60 years of shared experience across the team, it upholds the same values that built the Parker business — “integrity and perfection”. This is why Tony Parker himself has endorsed the work. covesmore.com.au
05/ SUPREME COMFORT
Introducing the Cleo Recliner Chair 7150/7151 with three size options and five functionalities, which can be combined to create your perfect armchair. The functionalities include separate motorised footrest, back and headrest adjustment and even the option of lift and rise. All of this is available with the option of long-life rechargeable battery power and a
superb range of leather and fabric colours. Prices start from $4999. himolla.com/au
06/ LOUNGING ABOUT
The Tosca outdoor lounge chair is simultaneously warm and inviting, stylish and intriguing. It was the first time TRIBÙ called upon a female designer to create an outdoor furniture piece and that is evident in the design. The extra-wide braiding material is genuinely innovative: foam mousse is encased in a seamless sheath of knitted textilene and polyolefin, which makes the material weather-resistant and surprisingly soft. coshliving.com.au
07/ DUAL-FORMAT DURABILITY
Every home, room and approach to styling a space is completely unique, and choosing a floor that suits you and your home can be challenging. That’s why Karndean offers its beautiful, design-led Van Gogh and Knight tile range in dual format. Choose from either gluedown or rigid core so you can enjoy exactly the design you want, in the format you need. Find out more at karndean.com
08/ COSY CORK
New Generation Cork is one of the latest products exclusively distributed by Cork Imports Australia. The NG Cork tiles come pre-finished and pre-glued using a patented finishing process for quick and no-fuss installation, without the need for sanding or polishing. Available in a range of designs and colours, as well as wall tiles, cork is an innovative and versatile choice and the most eco-friendly flooring solution on the market. corkimports.com.au
09/CONTOUR STYLE
Beautiful and sustainable, Porta Primed Pine Contours timber lining boards create a high-end result without the price tag. Primed Pine Contours are pre-sanded, pre-primed and ready to paint in a top coat that complements your space. There is no need to sand or apply an undercoat, just select your paint colour and apply! They can be painted prior to installation, reducing paint prep, mess and
clean up inside. Primed Pine Contours are available in four stylish designs and are suitable for curved applications. They can also be used in conjunction with any other Contours profile to create a unique design. porta.com.au
With Panasonic Comfort cloud, you can come home to a comfortable house all year round. Activate your air-conditioner on the way home via the app and come home to fresh clean air, just the way you want it. Control and monitor your air-conditioners from anywhere. panasonic.com/au/
Breathe new life into any space while adding warmth and ambience with the Amantii Bespoke range. There are three Amantii Bespoke electric fire models available: the Symmetry Bespoke, the Symmetry XT Bespoke and the Traditional Bespoke. With design integrity, quality craftsmanship and attention to detail, the Amantii Bespoke range is the perfect blend of versatility, style and function. These fireplaces feature a truly clean face display, unencumbered by unsightly venting, and can provide a brilliant flame even while the heat is off for ambience in every season. castworks.com.au
The Easi-Fit roller blinds from Tuiss are revolutionary when it comes to installing DIY roller blinds. What makes these blinds different and exciting for anyone looking for a quick DIY option is that you don’t need a drill for installation. This innovative new style of roller blind can be installed simply by twisting the tension mechanism to tighten
and lock the blind exactly in place as you need it. You do not have to attach brackets, which makes them incredibly quick and easy to install. Easi-Fit roller blinds are available to order online from Tuiss. Blinds online, made simple. blindsonline.com.au
The Warmbrite 200 is a medium-size, fan-assisted convection fireplace engineered to effectively heat homes up to 200sqm. Finished in high-temp Senotherm Metallic Black, its three-speed electric fan gives you flexible heating with low emissions. The firebrick-lined firebox extends overnight burn times, and the firebox itself is constructed from 6mm heavy-duty steel and comes with an 8mm Easyfit baffle plate and a 10-year warranty. Fitted with impact-resistant glass, it incorporates a “Clearview” air wash system which helps prevent blackening of the glass and cuts maintenance. scandiastoves.com.au
14/ AWARD-WINNING FAN
You deserve a ceiling fan that adds to the beauty of your home and makes your life simpler. With more than 75 international awards to attest to its quality, Haiku in Driftwood by Big Ass Fans represents the pinnacle in style and innovation for ceiling fans. Plus, buying online is a breeze. bigassfans.com/au
15/ DINE IN STYLE
The Mango Creek extension dining table is reminiscent of country and coastal living but also styles equally well in traditional interiors. Made from Indonesian mango wood and available in multiple finishes, each piece is exceptionally detailed in its wood grain to show its natural beauty. Perfect for hosting friends and family, this table can extend to comfortably seat up to 10 guests. Discover the extensive Mango Creek living and dining collection both in store and online at OZ Design Furniture. ozdesignfurniture.com.au
With U-values from a very low 0.8, noise reduction of up to 43dB, extra seals, triple-glazed with argonfilled air gap and low-E glass, Paarhammer Passive House Range products are the very pinnacle of energy efficiency. These windows and doors use sustainably sourced Australian hardwood timber, German hardware and Austrian low-VOC Adler paints/stains. Its Wood-Alu and architectural timber windows and doors come in many different styles, all custom-made to meet your specific design requirements and suitable for reaching passive house level efficiency. Photography courtesy of ARKit. paarhammer.com.au
17/ PRECISION BLINDS
External Venetian Blinds by Warema are precision-engineered in Germany and recognised internationally for product design excellence, winning multiple design awards. Installed on the building’s exterior, these blinds can help reduce the heating effects of solar radiation by up to 90 per cent to create relaxing, comfortable interior spaces. The customisable product range provides unique solutions for asymmetric windows, high-wind areas,
dim-out options, the optimisation of views and the increase of privacy. shadefactor.com.au
Caesarstone Porcelain presents a new point of view for benchtops and surfaces in both interior and exterior spaces. The 17 beautifully textured surfaces, in Honed and Ultra Rough finishes, deliver new highs in terms of durability, strength and beauty. Exceptionally resistant to scratches, pressure and rupture, as well as being UV resistant and able to withstand extremely high temperatures, Caesarstone Porcelain offers extraordinary opportunities for outdoor kitchens and entertaining areas. Plus you’ll get a lifetime warranty. caesarstone.com.au/porcelain-collection
Perfect for big celebrations and family dining, the extendible Grande Arche aluminium table is inspired by the forms and lines of the famous Arc de La Défence, one of the prominent symbols of Paris. With its highly evolved technical features and bold design, this table is a fusion of perfection and rigour. The Italian-made Grande Arche hides a retractable mechanism that permits the use of two extensions, lengthening from 220cm to 320cm and seating up to 12 people. There is also a fixed table with dimensions 220x100cm. The Grande Arche collection by Fast is designed by Robby E Francesca Cantarutti and is available at Cotswold InOut Furniture. cotswoldfurniture.com.au
You’ll be delighted with the i30X gas fireplace, which is easy to run and operate. Turn it on by a button, change the fan speed with three different speeds, turn the fan off when your room has reached the desired temperature, and enjoy it for hours on end. The i30X can be installed into fireplaces, chimneys, space heaters, or it can be used as a freestanding feature. With years of experience installing these units, The Gas Log Fire Company can provide expert advice and installation, even for tricky situations. gaslogfiresmelbourne.com
WineBanc uses human-centric design and motionactivated technology to bring your shelves to you. Simply place your stemware, wine, recipe books or crockery in your storage unit, then swipe your hand for the shelf to come within arm’s reach. This Australian-developed product is fully customisable and is fast becoming one of the most sought-after features for high-end home building and renovation projects. winebanc.com.au
Automation is easy with Australia’s largest range of indoor and outdoor window coverings at Dollar Curtains + Blinds. Adjust your window coverings with one remote control, or use your smart devices to operate them remotely or automatically in response to the time of day, the activities within your home, or changes in the weather, via the exclusive Dollar Curtains + Blinds control app on your smart device. Dollar Curtains + Blinds automation features cutting-edge rechargeable battery technology, or hard-wired motors with no need to recharge, across indoor and outdoor window coverings. dollarcurtainsandblinds.com.au
23/ MAXIMISE SOLAR
With the lowering of feed-in tariffs for solar systems, homeowners are now looking for solutions that maximise the return on investment. The GEH hybrid inverter from GE, when paired with a battery, means you can store solar power and use it whenever you need it, lowering electricity bills. The GEH is a premium product that offers the best features on the market to maximise the use of your energy, including an intelligent back-up power mode that keeps essential loads going in the event of a grid outage, giving you total peace of mind. gesolarinverter.com.au
24/ DESIGNER LAMPS
Topo is a collection of lamps designed by the famous designer Joe Colombo in 1970. Topo is a fascinating object of automotive inspiration: the slits on the metal cap recall the air intakes of 1960s sports cars, while the shape of the lampshade corresponds to the envelope of the classic E27 bulb housed inside it, like bodywork over the engine. In addition, the articulated metal arms allow you to extend or retract the lamp as you wish. italstyle.com.au
25/ OUTDOOR COOKING UPGRADE
The New CROSSRAY Mini Outdoor Kitchen will take your outdoor cooking to a whole new level and elevate your living. Perfect for smaller backyards, townhouse courtyards or alfresco areas, this compact and fully equipped outdoor kitchen features a flush-mounted CROSSRAY 2B gas barbecue, 63L single stainless-steel fridge with temperature control and LED back lighting, 60mm stone benchtop and under-bench storage. The CROSSRAY two-burner barbecue is a highintensity, high-temperature-output gas barbecue with built-in flame failure device included as standard and meets indoor code. thermofi lm.com.au
Miglas combines the advantages of both timber and aluminium windows to create low-maintenance, energy-efficient and thermally stable window and door systems. This unique double-glazed window and door system provides comfort and protection in the harsh Australian climate while allowing you full architectural freedom with a wide range of styles, sizes and colours. Research into the failings of both stand-alone timber and aluminium windows showed that where each of these materials had its weakness, the other had its strength. When combined, they provide the perfect solution. miglas.com.au
Intrim, known for its gorgeous Australian-made skirting boards and architraves, has introduced Hamptons “Selections in a Box” — a curated collection of timber moulding profiles selected for you by Hamptons expert, Natalee Bowen. Explore the Classic Hamptons style on the Intrim website, choose one of the three selections, order the samples box for your skirting, architraves, cornice, inlay mould, chair rail for your wainscoting, plus see recommended corner blocks, wall panelling layouts and other trims. intrimmouldings.com.au
28/ COLOUR YOUR WORLD
An exciting burst of colour is coming to a garden near you. Generally associated with green mats (because they look so good in a green lawn), Mr Trampoline is excited to introduce a candycoloured assortment of mat treatments to really personalise your garden design. Choose from pink, orange, red, yellow, sky blue, classic black, silver, navy, or the eternal favourite, green. Whatever hue you choose, you’ll be bringing your garden to exuberant, jumping-jack life. And the great thing about Mr Trampoline tramps is that they can be easily painted and refreshed whenever you want. mrtrampoline.com.au
29/ ALL-AUSTRALIAN STUNNER
A front wall or fence is a prelude to your home and needs to align with your property’s overall style and design, as well as provide privacy and security. Australian-owned ModularWalls offers Australianmade wall systems that create stunning looks for Australian homes. Available in an extensive range of customised design options, all ModularWalls have acoustic properties, too. Pictured is the VogueWall® — a masonry alternative modular wall designed to closely mirror the dimensions of a rendered masonry wall with piers. Find out more online. modularwalls.com.au
30/ LUXURY LIVING
Elegant and durable, Stoked Stainless products will help create a stunning retreat in any indoor or outdoor space for year-round enjoyment. Available through its Australian warehouse, the company’s bespoke tubs are handmade in New Zealand by skilled artisans. The range of products can accommodate everyone’s needs, with wood-fired and electrically heated tubs, spa pools and baths, as well as combined wood-fired and electric hybrid tub and stunning plunge pools. stokedstainless.com
The sheer mention of the Hamptons in the state of New York, USA, allows your thoughts to drift off to its pristine white beaches, glamorous lifestyle and exclusive parties. It’s a place frequented by New York City’s elite and now you have the opportunity to enter this dreamy world!
How can you create ambience with audio in your home?
Having a high-quality system allows it to fi ll the room with ease, creating a more relaxed environment to enjoy.
What are some tips to fi nd the right audio for your space (avoiding echo etc)
There is no set rule — it is based on the size, the materials that make up the room and the overall goal (cinema, background music, dedicated music listening, rocking out etc). Echo is based on room acoustics, which can be improved by using acoustic treatment solutions that improve both sound quality and reduce echo in a room regardless of whether you play music or not.
How do you go about “conveying musical emotion”?
It is about connecting the listener to what the artist conveys in their music. Much of this is masked with lower-quality fi les and systems that squash the sound and the real emotion the artists put into their work.
Jesse Ross is the chief technology officer of Addicted To Audio. He chats about home audio
FOR THE COMPLETE MINIMALIST, WE ARE ABLE TO HIDE ALL OF THE SPEAKERS COMPLETELY, EITHER IN THE WALL OR IN THE CEILING, DEPENDING ON THE OPTIONS, GIVING YOU HIGH-QUALITY SOUND WITHOUT SEEING THE SPEAKERS
Why is this so important?
It creates true listening enjoyment; you are able to feel what was meant to be felt and get lost in the music, rather than it being something that is just happening in the background.
What are some exciting new developments in home audio?
Streaming has really hit its stride. It’s now good enough to enjoy audio to its fullest, and it’s accessible at many price points to make it less price-prohibitive for most people.
Have you recently launched any new products for the home? Tell us about them
One of the latest ranges recently announced is the Dynaudio Focus range of active speakers. This removes the amplifier from the equation, leaving you with two high-quality
speakers to enjoy, with streaming on board, all while conveying the true quality that was intended.
How do you cater to minimalist or modern design with your at-home audio systems?
There are two factors involved here. First, we would ask the customer if they want the speakers to be seen, or not, as we have solutions for both. Focal has very modern designs for its physical speakers that do appeal to some, while on the higher-end scale, we have Steinway Lyngdorf systems, which look as opulent as the matching piano brand suggests. For the complete minimalist, we are able to hide all of the speakers completely, either in the wall or in the ceiling, depending on the options, giving you high-quality sound without seeing the speakers.
What sets the Focal brand apart from other audio/home audio brands?
One of the biggest factors would be the quality and heritage behind the brand. All of Focal’s standalone speakers are still handcrafted in France, with continued investment in this area. Additionally, the company is still pushing the envelope for design and sound quality, plus the actual sound it creates, which is truly realistic, engaging and dynamic.
Is there anything else of interest you’d like to add?
People of all walks of life enjoy music, although they have been conditioned in the last few years to be content with “good enough”. This has turned music into a minor pursuit for some, rather than a true experience that can and should be in enjoyed to its fullest. addictedtoaudio.com.au; focalaustralia.com.au
We need to keep talking about sustainable design
he planet is burning and it could be the end of humanity as we know it — if we don’t act now everything will turn to dust.” It sounds like a job for Superman or at least a super solution. Sustainability is our only hope.
This simple comic book scenario may seem a bit melodramatic, but sustainable design still has trouble capturing people’s imaginations. While the basic principles date back millennia, changing people’s minds about single-usage disposables remains a challenge.
In recent years I’ve hosted the annual Sustainability Awards in the fields of Architecture & Design. Standing in front of a room full of true believers, you realise how many collective years have gone into trying to convert the industry. What was once fringe “green” science is now eye-popping design. In the hands of today’s design leaders, aesthetics is almost a by-product of materials chosen for longevity and recyclability. Materials that work as opposed to look good. But it has been a long road and we’re not there yet.
Ask those in the know and you realise that no matter how good an idea, how compelling the science — if that idea and science is not communicated simply, it goes nowhere. If the economics doesn’t stack up, forget it. Even if it means saving the planet.
Architecture remains a combination of aesthetics and science, yet it is the sexy design that still gets all the attention. In architecture schools, “building science” has long been taught alongside the doctrines of modernism. Yet most homeowners, when asked to choose what’s important in their home, point to the re-constituted stone benchtop as opposed to the solar hot water system or passive design principles.
Educating the building industry, let alone the public, has not been easy. In the 1980s the term “Passive Design” was chosen as the catch phrase. The problem was how best to spread the word on the benefits. Apart from the passionate few, the greatest minds of the time were focused on the science as opposed to the messaging. In the 1990s, the introduction of kerb-side recycle bins started to put sustainability front of mind in households, but there was still enormous vested interest in maintaining the status quo.
During these early years, the CSIRO was measuring the benefits of passive design. Numerical values and empirical evidence validated the claims these “greenie”-type architect were making. Then, around the turn of the century, the government stepped in and
legislated that energy targets be embedded into housing codes. There was enormous push-back in the industry. New houses had to be scored on their “passive” credentials, while most people just wanted their MTV.
Fast forward to the new millennia and things slowly began to change. Sustainable design, whose advocates had been shouting into the void for years, started to have their messages echoed by those warning about the wider perils to the planet. Sustainability or sustainable design has now become a rallying point for global environmental issues. An all-encompassing term that includes passive design, new technologies, renewable building materials, affordable housing, future proofi ng as well as the circular economy. It has taken 50 years to turn the tide. In that time we’ve learnt you cannot change attitudes focusing on morality alone. When it comes to converting attitudes, legislation helps, but economics ultimately clinches the argument. This, and the fact you will also be more comfortable in your home, are the only messages that cut through.
The cry from our fi rst Sustainable Superheroes, though, still rings true: “How to heat your home in the winter and cool it in the summer — using the sun and the wind.” The message couldn’t be simpler.
according to the AISC National Industry Insights Report, the industry generates more than $360 billion in revenue, producing around nine per cent of Australia’s Gross Domestic Product, and has a projected annual growth rate of 2.4 per cent in the next five years.
While buildings provide countless benefits to society, they also have significant environmental impacts. Let’s look at some of the ways construction activities impact the environment throughout the lifecycle of development.
The construction sector is one of the largest exploiters of natural resources, with half of them being non-renewable. Research from the World Watch Institute shows that the industry consumes 40 per cent of the world’s raw stones, gravel and sand as well as 25 per cent of its virgin wood per year. The use of fossil fuels is the biggest concern, both because of the current rate of depletion of these fossil fuels and the greenhouse gasses generated with usage.
Some construction companies are starting to incorporate low or zero carbon technologies, however, change is slow as the industry remains one of the least digitised.
Construction requires land that could have a direct impact on the habitat of the wildlife in the area. Noise from construction activities disturbs the natural day cycle of animals and birds, resulting in their migration and thus reducing the biodiversity of an area.
Soil, waste concrete and hazardous chemicals from construction sites also pollute ground water, which impacts aquatic habitats, plant life, invertebrate and all life stages of fi sh. Unfortunately, the long-term effects are only visible long after the project is completed.
Air pollution within a construction site comes in many forms.
Carbon emissions: The construction sector is responsible for 39 per cent of energy and processrelated carbon dioxide emissions. Most of it stems from the use of heavy machinery such as rock breakers, excavators and trucks which operate diesel engines and generate pollutants such as carbon monoxide, carbon dioxide, nitrogen oxides and hydrocarbons.
Construction dust: Common construction materials such as concrete, cement, timber, stone and silica release huge amounts of dust which is spread over wide areas and can remain in the air for days, even weeks. This dust can cause serious health problems for humans and animals.
Noxious vapours: Oils, glues, thinners, paints, treated timbers, plastics and cleaners emit dangerous fumes that contribute to air pollution. Some are odourless and colourless chemicals which are especially dangerous because they are harder to detect.
These include asbestos, chromated copper arsenic (CCA), formaldehyde, perfluorinated compounds, phthalates, polybrominated diphenyl ethers (PBDEs) and short-chain chlorinated paraffi ns (SCCPs).
A 2020 National Waste Report found that Australia generated 27 million tonnes of waste (44 per cent of all waste) from the construction and demolition (C&D) sector in 2018-19.
Typically, the waste from these activities includes bricks, concrete, metal, timber, plasterboard, asphalt, rock and soil. About 40 per cent of the construction and demolition waste is disposed to landfi ll, while the rest is recycled, illegally dumped or stockpiled.
China has long been the main end-market for recycling materials from Australia and other countries. However, in 2018, the Chinese government introduced its “National Sword Policy” which restricted waste imports and banned certain foreign waste materials including C&D waste. Since then, Australia’s
need for solutions to construction waste has become urgent.
The main strategy to reduce the waste sent to landfi ll is the use of levies, but the effectiveness of this strategy has fallen short over the years.
Fuel effi ciency
Vehicles and machinery release many harmful chemicals into the surrounding air, contributing to air pollution and climate change.
Some ways to limit the negative effects of fuel on the environment are to reduce vehicle idling time, and use hybrid equipment and greener alternative fuel sources such as solar, wind and hydropower. Using sustainable materials
Using sustainable materials can limit environmental impacts and save on building costs. Some examples include:
Recycled materials: from timber and metal
Cement: made from recycled plastic
Green thermal insulation: to reduce reliance on air-conditioning and heating
Straw bales: to replace plaster and concrete alternatives
Bamboo: a lightweight renewable alternative to many timber products
Proper waste management system
Having a strong, clearly defi ned waste management plan that includes elements such as:
Tracking and documenting the amount of waste and recycled materials for each project.
Physical separation of general waste and recyclables.
Containment dust, debris or spills. Environmental considerations in construction
With the impact of climate change now evident around the world, it is crucial for the construction industry to commit to sustainability. Putting in place an environmental protection strategy in project planning will go a long way towards reducing environmental impacts of buildings and creating a better future.
Chris Knierim is the founder of Code Green and a national and international awardwinning designer. Chris is an advocate for good design and is invited by the building industry and government to provide his professional expertise in creating a better built environment for all. codegreen.com.au
Editor-at-Large Peter Maddison answers your questions
QWe’ve
become intrigued with the idea of living in a tiny home. We have just recently been married, don’t have much money, but we see a tiny home as perhaps a way of getting into the housing market. Would you agree? We’d like to have kids one day but not for a few years. We’ll need to buy some land somewhere in Victoria; we’re interested in somewhere not too far away from a centre such as Ballarat or Geelong.
A
QOur family of three generations (two grandparents, one daughter, two teenagers and one child) would like to all live together where we can enjoy family life but still have our own privacy. Our 10-year-old granddaughter has special needs and is in a wheelchair. Our daughter and the kids will move in with us in our existing home which is a single storey. We’ll renovate, but what should we do? We want for obvious reasons to avoid a home that has stairs.
AYou may consider adding a small extension which is separated by an access link. This semi-connected pavilion would then be acoustically separated and give you more privacy. I’d suggest you maintain one kitchen for cost reasons, but this will also bring the extended family together for meals. With regard to your granddaughter, ensure that any works have a flat floor and that bathrooms are designed to be particularly accessible — enough space for a wheelchair to enter the bathroom and manoeuvre up to and into the shower recess as necessary. It’s also handy to provide a seat in the shower so that bathing can take place independently.
If you go to Maddison Architects’ website, maddisonarchitects.com. au, you’ll see an exemplar Tiny Home we designed for the RACV. This prototype has been purchased by a young couple and they’re living in it at Mansfield and loving it. They have added a second module because the original footprint was only 16sqm. You can buy a “lot” of Tiny Home for $100,000. I suggest taking a look at tinyhouse.org.au for inspiration. There is also a Tiny Home Expo each year, which might be worth attending.
QLast
year we put down a manufactured timber floor. It’s very, very glossy, shows the dirt and scratches are very noticeable, too. We didn’t realise this at the time when we were looking at a sample. We’re so disappointed with it. Would it be possible to paint over it with a matt finish?
AThis is not a problem. You can certainly resurface your glossy floor. Give it a light sand and reapply a satin or low-sheen finish. I wouldn’t recommend a matt finish. There are lots of great products on the market, such as Intergrain, Bona and Tung Oil. Do a small sample on your floor as a test before deciding on the gloss level and product choice.
Q&A — Need Peter’s Help?
Email your queries to homedesign@umco.com.au
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