ALICE HOFFMANN 2018-2020 ARCHITECTURE
BACHELOR
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Architects must cease to only think in terms of buildings - Hans Hollein
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Content CV
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Project_01
6-13
Project_02
14-23
Project_03
24-35
Project_04
36-49
Project_05
50-61
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CV
Personal Profile Alice Hoffmann is born and raised in Luxemburg and started studying at the university of fine arts in Vienna in 2018, where she`s finishing her bachelor. She´s facing in her projects the current crisis that surrounds us in our everyday life, like climate change, the 6th mass extinction, social inequalities, and aspires to create her part in these designing strategies.
Education Bachelor of Architecture ( Summer 2021) Bachelor of Philosophy (Summer 2022) Diplome fin d‘etudes 2017 in Luxemburg main focus on sciences ( math, biology, physics and chemistry) 2016 short Internship M3 Architects Luxemburg and Valentiny Architects EXHIBITION IKA january 2019&2020
Sotfware Skills at high level Rhinoceros Abobe (Photoshop, Illustrator, InDesign, PremierePro, Aftereffects,....) Blender Basics ( Excel, Sketchup, Word, AutoCAD,Vectorworks...)
Languages at high level english, german, luxemburgish, russian, french and notions in spanish
Contact hoffmannalice7@gmail.com | Date of birth 27.06.1998 | Address 23, rue henri de stein L-7349 Heisdorf | Phone +352 691151243 5
Project_01 ADP Design Studio BArch1 analogue digital production Supervisors: Christina Condak, Christina Jauernik, Rüdiger Suppin
FLUSH! The toilet as laboratory and interface for an investigation between inner and outer space
„No architectural treatsie cites the toilet as the primordial element - unlike the fireplace, the roof, or the wall - but the toilet might be the ultimate element. Gradually, incorporated into buildings, plugged into plumbing, turned into a technological device, placed in counterintuitive proximity to baths and showers, and enshrined as a very private room [...] the toilet is a mini-arena with an audience of one, the architectural space in which bodies are replenished, inspected, and cultivated, and where one is left alone for private reflection [...].“ - Toilet, vol.11 of Elements of Architecture, a series of 15 books accompanying the exhibition Elements of Architecture at the 2014 Venice Architecture Biennal/ Rem Koolhaas, AMO, Harvard GSD, Irma Boom, Venice: Marsilio, 2014.
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ONE (HU)MAN TOILET
Model photos
SITE ANALYSIS
Above: Plan of the public toilet site Right: photography of thel site ( toilt site in highlighted in blue) 8
DRAWINGS 9
DRAWINGS
PROJECT BRIEF 1. Excursion to Paris to analyse the canal of St- Martin, the Paris biggest as oldest sewage system. Next to the moving bridge, le Pont la Grange aux Belles, a small space of approximately 1m*3 in space, I choose during the visit, was envisioned to install a one-person-toilet right in view of the water or bridge moving by ( dependent on the bridges situation). The small shelter is accessed by a 7 step-stair coming from the public trottoir. My personal affection of using already existent infrastructure and to deny the massive alteration of a site was essential for this project. The public toilet is meant to feel very personal, by the miniature size and a window not visible to any outsider. Due to the small cabin size, the user needs to crunch or to immediately sit down when entering the cabin. The architecture is in that way imposing and regulating the movement of the body by the usgae of the public toilet.
Section drawing
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Analysis Drawing for 3D model and model
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DIVERSE
Volume Drawing right: Model Photos below: movement sequence of selected still Images
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2. Zwischen is a interdisciplinary project to explore the space between to bodys in a 2m*3 square constrcution the studio build. Through the emotion of oppression the analysed the space in between these bdoies, thus froming spaces on their own. Architecture can thus translate emotional behaviour, as well as induce spatial relation by the inbetween. This was a research-side project for the toilet design. The aim was to explore spatialty on our own, when designing a ersponal toilet cabin whis is indeed, as we realised throguh all the studies, correlated to a small space of personal being.
Zwischen Analysis Drawing
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Project_02 ADP Design Studio BArch2 analogue digital production Supervisors: Wolfgang Tschapeller, Werner Skvara
HOW TO LIVE IN AN AIRHANDLER
PROJECT BRIEF Humanity failed to control global warming. Different than expected other gazes than CO2 become an issue and are endangering human life. Good air cannot be produced anymore by filtrating it by tissue. We need a machine that produces our ‘new air’. Thus the inhabitants create their symbiotic microclimate in modular and adaptable space. They use the produced air and water condensation from the leaves. In return the humans ‘feed’ the tree with their excrements and their exhaust the CO2. The responsive shell adapts the air quality within. O2 is caught from the outside: since the nitrogenized level inside becomes low with time and nitrogen stays high on the outside, the exchange is beneficial on both sides.
Architecture should be a tool for a better living. In this scenario, living conditions are reduced so people are restricted to their breathing machines which produce high-quality air. The people will use this living structure as a retreat to urban life. To connect to nature the inhabitant takes the mask connected to the inner space through with he can breathe in the surroundings of the tree. So he can pick the vegetables grown in the fields around, the fruits from the trees, and other nutrition. The inside space is covering all human basic needs, a retreat sleep space, a sanitary corner, and food storage. It is all combined in the single room pod. Several pods can be connected, each living pod having its own ‘breathing tree’. The tree is part of the whole machinery of the pod. The structure itself is light and easily transportable enables to combine humanity technical progress with natural desire. This may 14
be the reason why climate activists, ecologists, and environmentally conscious people come to live in these pods. It enables them to live off-grid in an endangered world. The mission behind these living structures is to raise awareness for human culture and the necessary connection to nature. The tree is being cared for, in this symbiotic living, the modern humans use nature as a machine to use for their behalf. It should enable people to rethink their views on the ecological system as well as their behavior, such as environmental impact. By realizing how important trees are, in using them as a single all rounder machine to survive in a human-hostile environment, humanity will be able to adapt. The living pod is there to realize what impact our symbiotic relationship to nature is.
mixed media collage
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COLLAGES
collage, Jean-François Millet, the Gleaners, 1857
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Collage from Christo & Jeanne Claude `wrapped trees`1998 and `another generosity` by nordic pavilion at the venice architecture vienale 2018
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MODEL Another escape into new age air handling The structure is planned to be foldable and easily transported to reach every terrain. The holding structure constitutes a chosen sufficiently sized and healthy tree on which the transparent plane is placed. With the help of diverse locking systems, the two circuits, the one of the living pod and the one of the treepod, can be connected. The large tubes, connecting the systems are essential for the right amount of air circulation and are also equipped with small fans, as well as pumps to transport water or air (depending on the specific circulation system). The living pod`s walls are self-inflatable and are equipped with an entrance slot and diverse drainage tubes (for sink-toilet water as well as fresh water supply).
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REPRESENTATION
3D model - whole cycle The roots and the soil take up human waste and used water. As expel, the leaves produce oxygen necessary for human breathing. A unique shorttime microclimate is created and calls out for attentive users to live consciously in our natural environment. Trees are natural air-handling devices that need to be protected actively.
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AIR COMPOSITION 78% N2 21% O2 0,9% Ar 0,04% CO2 water vapor
Airflow cycle
O2
inner cycle of fresh breahting air
air composition 78% N2 21% O2 0.9 % Ar 0.04 % CO2 water vapor
Air pollution is based on SO2, nitrogen oxide (in huge amounts toxic for humans), particulate matter, NO2 ( creating Ozon, a natural prection shield for UV)
outside activies are enjoyed with the breahting mask connected to the living pod
CO2
person collecting for in the toxic surroundings wearing a fresh air mask connected to
The roots take up human waste and used water. As expell the leaves produce oxygen necessary for human breathing. A unique short time microclimate is created and calls out for attentive users to live consciously in our natural environment. Trees are natural air handling devices who need to be protected actively. The symbiotic livestyle of the camping community represents the cycle of life on many different levels.
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DRAWINGS inner cycle - living machinery The water cycle is produced by the condensated water of the tree and is collected + filtered in the inflatable water tank attached to the tree trunk. The electronic cycle is the automatisated regeneration of energy with solar cells covering the outer skin of the living pod. Air is regulated by senosr measuring the air quality and letting freshly produced air of the tree through the pores inside the cell.
Likewise natural breathing, O2 is entering the pod first ( with a developped vacuum technique).
outer cycle - breathing skin the natural air is richly saturated on SO2 and NO, causing causing dry cough and a harmed wellbeing, this air will only we conatined inside the selfinflatable walls of the living pod height: 3,5 m / 3m ( inside) length: 6,7m / 5m (inside)
Drawing: representation of the foldable tree cover. 22
BArch_02 2019 symbiosis
How to live in an air handler? Studio ADP Alice Hoffmann
age air handling
view
breathing tubes
air pipe
tree coverage
translucend membrane
32,5 m 32,5 m
sketch of camper with backpack
breathing skin
outer cycle
The outside air is rich on SO2 and NO causing dry cough and harmed well being, it is used to blow the pneumatic structure
6,7 m 5 m
3 m
holding strucutre for the water tank
holding structure
pneumatic living strucutre
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living pod
perspective view
3,5 m
Project_03 CMT Design Studio BArch construction material technology Supervisors: Michelle Howard, Christian Fröhlich
BURNING DOWN THE HOUSE
On Architecture and Energy „... tells of a primitive tribe that has just come across a clearing in the wood where it plans to spend the night (...). There are fallen branches and some wood in the clearing. The tribe has a dilemma: whether to use the wood to build a small shelter or as firewood for a bonfire. An entire theory of architecture is encapsulated in this simple question. (...) Construction is nourished by flows, combustion by deposits. (...) Only an obstinate fetishism for icons or an object-oriented, hieratic conception of architecture can deny the bonfire by the status of ab ovo architecture so easily assigned to the hut. What is house but a hearth?“ Louis FernàndesGaliano, `fire and memory. On architecture and energy`transl. Gina Cariño, MIT Press, 2000, p. 7 f.
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Wienerbruck, Lower Austria: bonfire construction and combustion
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PROJECT BRIEF 1. Wildfire 2018082101 One of the fires with the biggest media coverage was the fire at the roped climbing route on the Mountain which is the background of Hallstatt. The wildfire ignited under during the extremely dry and hot period of the summer of 2018. On the 21st of August a climber probably lit a cigarette and threw it on the hot ground which was sparsely covered with dry moss. It became very large and took days to extinguish needing numerous Firefighters and Helicopters which scooped water from the Hallstatt lake. The mark of the burned area is still visible, some burned trunks persist on the rocks, while others have fallen when boulders collapsed. The Hallstatt wildfire is typical of the areas of high risk which constitute the fragile ecosystems which are becoming more common the more we destroy our environs.
Drawing: Streetmap of Hallstatt Photo: coal piece 26
Lahn, Hallstatt 13.64““ 47.55““ Height of occurence 760 metres slope of terrain 58 degrees exposition of terrain south type of fire wildfire nr. of firestations 7 nr. firefifghters 100 injuries number 0 Distance view of the fire Krone.at
Lahn, Hallstatt
201808210
1 3 . 6 4 ”” 4 7 . 5 5 ”” Height of occurrence Slope of Terrain Exposition of Terrain Type of Fire Area Burned Date of fire Fire Stations Involved Firefighters Involved Helicopters Involved Injuries number
760 Metres 58 Degrees South Wildfire 5 Hectares 08/21/2018 7 100 5 0
The Vegetation and Distribution Mainly common spruce and beech, a mixed forest persiting on a steep rocky surface. Other vegetation consists in moss and small plants inhabitings the stone`s cracks.
The Fire and Probable Causes
2. Fragile systems Our earth is our ground. We stand on it. We live on it; we grow our existence upon it. It is the cocktail of our future. The earth remembers. That memory is incorporated in our DNA. The ashes of all that vanished resides in it, invisible to our eyes. I want to make it visible. I want to define each part and also preserve the delicate equilibrium between them. Each component is dependent on the other. In taking one part away and the rest cannot survive and the whole will collapse. If we start to comprehend our soil, we might understand our part. The system in which we actively create a landscape. See this landscape as it changes under our pressure.
Photo: visit of Hallstatt in october 2019, one year after the wildfire breakout the scar is still visible. Small Photo during the wildfire, Krone.at
One of the fires with the biggest media coverage was the fire at the roped climbing route on the Mountain which is the background of Hallstatt. The wildfire ignited under during the extremely dry and hot period of the summer of 2018. On the 21st of August a climber probably lit a cigarette and threw it on the hot ground which was sparsely covered with dry moss. It became very large and took days to extinguish needing numerous Firefighters and Helicopters which scooped water from the Hallstatt lake. The mark of the burned area is still visible, some burned trunks persist on the rocks, while others have fallen when boulders collapsed. The Hallstatt wildfire is typical of the areas of high risk which constitute the fragile ecosystems which are becoming more common the more we destroy our environs.
Terrain map of the burned area
Intervention ways of the firefighters
A Case Study of an Austrian Forest Wildfire
Student:
Alice Hoffmann
CMT Studio WS 2019-20 | Burning Down The House: Construction and Combustion
Instructors:
Michelle Howard and Christian Fröhlich
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RESEARCH Lahn, Echernwand
Lahn, Echernwand, OO
Site plan overlapped with an altitude section thorugh the burning site and the average yearly tempeature
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84,4 %
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10
79,1 %
1039 975 900 825 750 675 600 514
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The anthropogene fire has been detected immediately. The Helicopters managed to take the water out of the Hallstatt lake to extinguish the fireplace. In reaction to the lasting hottnes and dryness in that year, the stones at the front exploded when in contact with the cold water, thus the wildfire broke out.
Out of this interesting condition of the step root, stone and greens landscape, I developped a model to represent this fragile, yet stable, natural system.
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MODEL
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Three pieces of limestone balance on thin 4 legs, inlcuding all the main material of the analysed site: moss, earth, wood, charcoal, dead wood. Each of the pieces are balancing the other. If one would be removed a piece,W the whole structure would collapse.
REPRESENTATION fragile systems - from ground to architecture fragile systems - from ground to plan of the wildfire ecosphere
plan of the wildfire ecosphere
architecture scale 1:
burnedarea area burned
protectionforest forest protective
endangered village of Hallstatt endagered zone of Hallstatt
7.000 people visit Hallstatt in average per day. About 1 millon visitors About 7.0were 00 visitors are counted during counted on average in the year 2018
Hallstatt per day.
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section through the mountain fragile systems - from ground to architecture section through the mountain scale 1:600
mountain top
1039mm 1039
burned area maximal
highest point
height
origin fire origin ofoffire
760 m
760m burned area minimal height
minimal point protection forest
protective forest
village height village height
514m 514 m
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derStandart.at 34
making the inivisble visible Site comparison to a study example in the city of Vienna. The Rotundenpalast, built for the Vienna world fair in 1873. It burned down in 1937. For a long time, the Rotunda has been the largest cupola ever build with approximately 108 m in diameter. The rotunda was a poorly planed steel and wood construction due to its representative function, however, the population of Vienna appreciated the beautiful building a lot for different purposes. 27.000 people fitted inside the Rotunda and 7.25 million visitors have been counted during the world fair. Nowadays the Rotunda vanished from the Viennese memory.
Making the invisble visible - Rotundenpalast built in 1873
84 m
108 m
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27.000 people fitted in the Rotunda 7.25 million visitors counted during the whole worldfair
Project_04 ESC Design Studio BArch ecology sustainability cultural heritage Supervisors: Michelle Howard, Antje Lehn
BURNING
DOWN THE HOUSE II : REKINDLING PARADISE
The word `paradise, which is Persian in origin, refers to the enclosed garden ans, consequently, the ideal city. . Surviving descriptions consistently emphasize the gardens`exquisite beauty, their abundance of trees, water, plants and animals. The city and the garden were cultivated with equal care, employing great feats of engineering to enclose and irrigate, provide shelter, sustenance 36
and places of respite from the blazing heat. Water was used as a cooling agent by creating air currents through alternating sun and shadow, with the air passing over moving or spraying water (....). Paradise was built on extremely sensitively constructed wall and hydraulic systems (...). Similarly, in northern climates in the 1600s, fruit walls such as the peach orchards of Montreuil allowed people to taste the fruit and experience the paradise stewarded HITZE. Michelle Howard
Poppy flower investigation and wax model experiments Investigivative drawing
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RESEARCH
greenland coniferous forest meadow water bassin temple
Hiran Minar in the indus river system of Pakistan
cultural heritage site: Hiran Minar 38
Hiran Minar (Minaret regarding Antelope) is situated at a 9 km Distance to Sheikhupura. It is a traditional Mughal garden site, build by the Mughal emperor Jahangir as a monument for his pet deer Mansraj. The site was a preferred hunting spot as well as a relaxation space for all Muslim rulers in their time. The about 230 x 275 m big pool serves as a water catchment reservoir, drinking spot for the wild animals, and leisure pool. The water is hatched from periodic heavy rainfalls in the fertile region of Pakistan, Punjab, and is stored by the four water tanks situated at the corners of the pool. The water of the subsurface water collection system, supplying the tanks, is obtained by the Aik rivulet, a river branch of the Ravi river. The overall dense situation of the Indu river system guarantees the water collection on a big scale, commonly used in this area. The site itself is outstanding, and still today popular leisure park, by its outstanding appearance next to the cultural agriculture landscape all over Pakistan. The former paradise is still keeping up with its highly functional infrastructure concerning water networks as well as preserving a long-vanished ecosystem, the Pakistan bush- and forestland.
Hiran Minar site overlapped with the garden site in the althangrund scale 1:500
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SITE ANALYSIS yearly water cycle of vienna - rethinking water managment in postmodern times
Geoarchitecture - regaining territory
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conceptual map of the althangrund
discovering detail and exploring the space in 2/3D
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SITE ANALYSIS Ground analysis
Anschüttung ( Schlacke mit Ziegelstein) Anschüttung( Schluff mit Ziegelbrocken)
Bulk (slag and brick) Bulk(clay with brick pieces)
Feinsand (gering schluffig braun) Grobkies ( sandig, steinig <70, graubraun)
Grundwasser
Fine sand ( minor clay, brown) Gravel (sandy, stoney <70, gey-brown) Ground water
Kies (sandig, steinig <130, graubraun)
Gravel ( sandy, stoney <130, gey-brown)
site photos
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Water catchement & natural floodplain
The Althangrund projected on possible water managment during a flood
water original water shore of the danube dry ground site
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PROJECT BRIEF This project expresses a desire for paradise, and a questioning of what that paradise could be in todays world. It also broaches questions of when and what is accessible to whom. The site currently rendered inhospitable, will change through the channelling of water from surrounding sources. In a place between the natural and artificial, the garden will grow via stages of existence, from field of wildflowers arising from ploughed soil to a lightly cared for wilderness. Water, the driving force for this change is here the most invasive gardener. In my investigations I want to face the challenges the architect finds himself towards colonizing an already set microclimate. However, as a city that is build to become denser with every inch, is considered to be usefull. We could ask the question, how usefull could be uselessness? On this discussion, the project in itself may seem like an apparent contradiction, nevertheless no paradise can survive without any affection and care.
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growing and flooded paradise
The pardise garden and the different shapes of waterflows. The one on the right shows the final decision: a natural shaped meander river, everchanging in shape through different rainperiods. A reference to this `design`is the renaturalisation of the river Aire near Geneva by Atelier Descombes Rampini.
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REPRESENTATION The site projected in time 1. The current and deserted MONDLANDSCHAFT site. 2. The garden after five years, pioneer flowers as the poppy flower and the birch start to take over the land. At this stage, visitors can appreciate a mesmerizing MOHNLANDSCHAFT. (Collage showed on this page.) 3. In the third stage the actual garden is managed, different trees, flowers, ornamental grasses, vegetables, and animals, etc. inhabit the garden. The site is well-groomed and the park becomes a pleasant attraction for the city inhabitants. (See garden plan.) 4. A decade later the garden is abandoned and gains on jungle features, the site seems wild and inaccessible. However, the soil is fertilized and the own microclimate can sustain a healthy sustainable ecology.
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1. Mondlandschaft
2. Mohnlandschaft
3. Garden
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4. Wilderness
Spalier mauer
Trocke nm
auerw erk
DRAWINGS preservated tree next to the compost
walled garden beginning
stonewall
wetland
nursery
chickenshed
Section and Masterplan of the Garden The garden is fully surrounded by protective walls which perform simultaneously a rich ecosphere for the garden itself. On the wall facing south, some fruit trees and benches for relaxation are managed. The water fluxes in the river are regulated by the water availability in the collecting tank. The compost, for recreating healthy soil for the site, is located right behind the tank, next to the street to be reachable for municipalities. The garden should in the end regulate itself and become a sustainable retreat for the nearby residents.
water distribution system
land island
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Project_05
Due to the current pandemic situation, we worked using intermedial techniques and presented it on our website online. This project is a groupwork, jointly responsibles are David Degasper and Elias Moreno Martinez
HTC Design Studio BArch5 history theory criticism Supervisors: Aristide Antonas, Eva Sommeregger
https://deserttheory.wixsite.com/unifinished self-self
DESERT THEORY
`Geographers say there are two kinds of islands. This is valuable information for the imagination because it confirms what the imagination already knew. (...) They are separated from a continent, born of disarticulation, erosion, fracture; they survive the absorption of what once contained them. [...] An island doesn‘t stop being deserted simply because it is inhabited. [...]Far from compromising it, humans bring the desertedness to its perfection and highest point. In certain conditions which attach them to the very movement of things, humans do not put an end to deser-
tedness, they make it sacred. Those people who come to the island indeed occupy and populate it; but in reality, were they sufficiently separate, sufficiently creative, they would give the island only a dynamic image of itself, a consciousness of the movement which produced the island, such that through them the island would in the end become conscious of itself as deserted and unpeopled. The island would be only the dream of humans, and humans, the pure consciousness of the island.`Gilles Deleuze; Desert Islands and Other Texts. 1953-1974; Semoitext(e); Los Angeles; 2004 [2002]; pp. 9-14 50
AI generated landscape with glitches of the human island, mixed media
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REPRESENTATION
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left: collage, the fragmented body reforming out of the orifinal frame of the primeval hut ( Charles Eisen, Laugiers Essai sur l‘architecture) above: filmstill of the final performance, all videos are listed on the homepage right: AI generated island
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pictures above: film stills of final performance
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PROJECT BRIEF The debate of artificial intelligence, mass digitalisation and the role of the body are all centered by where you draw the line to differ them from each other. The body is in fact a massive corresponding(-corelating) output of material. We imagine where else these human borders could be defined. The body is real in an expanded space, it is just not visible to the human eye: thus, the definition to the human body should find itself redefined. The story goes from the individual, captivated by pure flesh, passively working as a part of a bigger machine or system. In this procedure, his appearance starts to modify itself due to glitches in the system: the central point of our thesis. The glitch is the unpredictable moment opening common definitions, allowing itself, in a space of endless new potentialities, to rediscover itself. What could be the output of such a modified human then? In a post-anthropocentric view, the body merges with the landscape becoming a single piece of nature as the lines that once separated them are not visible anymore (to the eye at least). The human is mingling himself into different states of consciousness, through the eyes of media, his own body and the real world around him. As Deleuze is starting a Dialogue in his philosophies we answer to his ontological questions in a mere emotional approach, since the observers (all human for the moment being) could not bear to see their own skin be torn apart. 55
3D scan of a body at the mountaintop
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left: collage, body breaking out below: fillm still of `machine`, AI generated face
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left: drawing, glitch body below: mixed media, glitch hand link to the BOOKLET
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Where do
you
draw the boundaries of the
very self.
inside start Where does the
differencies meet and the outside end, and most important where do these
after all?
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,
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PROJECT 06 in SUMMER 2021
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