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BOOKS, CD RACKS AND FILMS
Awards Flow for Two Hours in the Dark Two Hours in the Dark is a little story that is attracting big audiences. This short film conveys the essence of Frank Capra at a time when immersion in randomly kind universes populated by caring strangers, loving families and loyal friends – Capraesque universes – might be considered naïve. Yet, 21st century audiences seem unable to get enough. Since its first screening as a workin-progress at the 14th annual Cucalorus Film Festival in November 2008, Hackler’s “little story” has garnered a cascade of accolades: the Jury Award for Best Short at the Charleston International Film Festival, the Judges’ Choice Award at the Alabama International Film Festival, the Fiction Juried Screening Award from the University Film and Video Association, Best Narrative from the Light Factory 2010 Filmmakers Showcase, Best Spiritual Film at the Breckenridge Festival of Film
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and most recently, Best of Fest Award at the Route 66 International Film Festival. New acceptances to the Napa Sonoma Wine Country Film Festival and the prestigious Rhode Island International Film Festival (RIIFF) bring more honors. RIIFF is considered one of the top 12 film festivals in the U.S. and is a qualifying festival for the Academy Award for “Best Short Film.” “It's about one of the greatest filmmakers ever, and this little story that changed everything” “The film's about someone going through a personal crisis, and I think most people can relate to that, having gone through something similiar themselves, or knowing someone who has.” — Chip Hackler, assistant professor of film studies
“I loved your film in every way.” — Jerry Ziesmer, first assistant director for the films Apocalypse Now and Jerry Maguire and Winner of the Director's Guild of America's Frank Capra Award
The Songs of Hollywood by Philip Furia, professor of creative writing, and Laurie Patterson, assistant professor of computer science (Oxford University Press, 2010)
“If you love attractive songs and movies that sing and dance, this book is a must. But, be prepared to rent all the films you missed or will want to see again after reading the authors’ appetizing descriptions!” — Lyricist Sheldon Harnick Fiddler on the Roof, She Loves Me, Fiorello!
After years of research, writing and editing and watching almost 2,000 musical films, Philip Furia and Laurie Patterson present a fascinating book of film study. Praised for its academic value as well as its readability, Furia and Patterson trace the use of music and dance from Hollywood’s The Jazz Singer, in 1927, to the decline of film musicals in the mid-to-late 20th century. Furia and Patterson leave us eager to watch these national treasures again, and, as they say, keep “the closest thing we have to a vital repertoire of classical music” playing.