Letter from Jory Hancock UA Presents is a tremendous cultural and educational asset to all of us in Southern Arizona and we are fortunate to be able to enjoy programming that is among the finest in the country. This is the first season curated by our new Programming Director Candace Feldman and it brings together the kind of dynamic and eclectic mix that our audiences have come to expect. From world renowned artists such as Itzhak Perlman to intriguing new voices such as Black Violin, there is much to experience. Also impressive is the integration between the outreach programs of the College of Fine Arts and UA Presents programming. For example, renowned cellist Matt Haimovitz will perform his Musical Feast in January, scheduled to take place during the Fred Fox School of Music’s Annual Cello Congress (an event that brings together over 100 young cellists from all over Arizona.) The internationally acclaimed Cavatino Duo will perform at Crowder Hall but will also work in the schools with the young guitarists in the Lead Guitar program. And UA Presents will host school matinees that will bring young audiences to live performances, including students from our CFA in Schools programs for Dance (StepUp) and Percussion (UpBeat). Many of these young students will be experiencing their first professional arts event. The partnership between UA Presents and the College of Fine Arts exists for the purpose of promoting the arts in our community, and the roles you play as arts patrons are integral to our success. We thank you for past, present and future support. And now, I invite you to explore this superb season. Jory Hancock Dean, UA College of Fine Arts
Letter from Candace L Feldman UA Presents has a reputation for presenting exemplary performers and world class events for Southern Arizona. As the Director of Programming, I am thrilled to have the opportunity to contribute to this legacy. With innovators like Mexico’s Troker to legends like Bernadette Peters and Dance Theatre of Harlem, I believe 2016-17 is a season that has something for everyone. UA Presents also takes pride in its tradition of including a variety of genres. This year is no exception, with jazz, blues, dance, classical, global music and contemporary musicians all taking the stage. A special treat for next season is the new series that invites families to Centennial Hall on Sunday afternoons. These three events are for audiences of all generations and have specially reduced prices to make it affordable for many. Of course, all of this is only made possible because of the outstanding donors, advisory board members and the UA Presents staff and volunteers who work collectively to create and promote outstanding cultural experiences that stretch from the campus and beyond. Everyone involved in UA Presents deeply cares about the impact the performing arts can have on a community and I am honored to have a role to play in this engagement. Candace L Feldman Director of Programming
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UA Presents Education Programs
UA Presents has a long tradition of enriching our community by providing world-class arts events. Our commitment to local arts education is also an integral part of our mission. We are proud to offer these Educational opportunities to the youth of southern Arizona to learn about the arts and inspire their own artistic discovery. CFA IN SCHOOLS An Outreach Program of UA Presents and the College of Fine Arts The College of Fine Arts in Schools program provides rigorous performing arts education to the young people who need it most. CFA in Schools offers free and low-cost performing arts classes to schools where students have reduced arts access. The Programs: STEP UP - Movement, dance and body awareness MUSIC FIRST - Fundamentals of music-making through singing UPBEAT - Connecting hand-drumming and language to teach music LEAD GUITAR - Classical guitar with a focus on ensemble playing UA PRESENTS STUDENT MATINEES School matinees serve K-12 schools throughout the greater Tucson Area, often offering students their first live performance experience. Study guides are provided to educators to assist them in integrating the matinee subject matter into the standard curricula before and after attending the performance. In 2016-17, UA Presents will host at least two school matinees, and expect to serve over 4,000 students. BEHIND THE SCENES Partnering with Arts Express and Broadway in Tucson, UA Presents offers the Behind the Scenes program, giving elementary, middle school and high school students the opportunity to explore their creativity, learn about what goes on behind the scenes and see a professional performance. The events include a two-hour workshop of a creative discipline, a Q&A with artists or production personnel and a ticket to the show. ARTISTS ON CAMPUS AND BEYOND Throughout the year, artists performing for UA Presents also undertake residencies, master classes and workshops for UA students and CFA in Schools program students.
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Spotlight
Chaka Khan Centennial Hall Friday, October 14, 2016, 8:00 p.m. This event takes place on the UA Family weekend.
From the moment she burst into the music scene in the 1970s as the 18-year-old lead singer of the band Rufus, Chaka Khan’s powerful voice and show-stopping stage presence set her apart from any other singer. She has the rare ability to sing in seven music genres, including R&B, pop, rock, gospel, country, world music and classical. Affectionately known around the world as Chaka, she is revered by millions of fans as well as her peers for her timeless, classic and unmatched signature music style and ability. She is also a songwriter, producer, author, philanthropist, entrepreneur, activist and painter.
“An artist who is clearly passionate about her trade, her performance was lively, graceful, soothing, and ‘candy to the ears’.” – The Examiner
A Perspective Chaka Khan is a 10-time GRAMMY ® winner, a 22-time GRAMMY ® nominee, has 11 gold and platinum albums, 12 #1 hit singles worldwide and over 100 appearances on Billboard Charts.
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Classical Classical
The Cavatina Duo The Cavatina Duo Crowder Hall Friday, October Crowder Hall 21, 2016 8:00 p.m. Repetoire to be 24, announced Friday, October 2016 8:00 p.m.
“There’s more potential in the union of flute and guitar than is commonly realized and I, for one, look forward to hearing the Cavatina Duo playing music of this type as soon as possible.” – Fanfare
Eugenia Moliner, flute (Spain) and Denis Azabagic, guitar (Bosnia) have become one of the most impressive combinations of their kind in the world, as The Cavatina Duo has captivated audiences at major venues and festivals from Da Camera Society (Los Angeles) to the Aixen-Provence Summer Festival (France) to the National Concert Hall of Taipei (Taiwan) and beyond.
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“Performing with a tightness and expressiveness that is simply breathtaking, the Cavatina Duo have played on some of the most important stages internationally. As a guitarist, I got to know Denis’ playing after he won the Guitar Foundation of America competition, one of 24 international competitions he won as a young performer. Lead Guitar is honored to have Denis and Eugenia working with our guitar students in Arizona as part of their visit to UA Presents.” – Brad Richter, Director of Outreach, College of Fine Arts
Classical
Warsaw Philharmonic Orchestra Jacek Kaspszyk, Conductor Seong-Jin Cho, Piano Centennial Hall Wednesday, November 2, 2016, 7:30 p.m. Repertoire to be announced.
For over 100 years, the Warsaw Philharmonic has been one of Poland’s most distinguished musical institutions. The 2016-2017 season marks their 4th U.S. national and the first U.S. tour with Music and Artistic Director Jacek Kaspszyk, who was appointed in September 2013. The Warsaw Philharmonic Orchestra blends two worlds into one, combining the folk sensibilities of Polish music with the presentation of a classically-trained orchestra. With the fluidity and lightness of Kaspszyk’s direction and a cast of highly accomplished players, the company’s immersive experience is not to be missed. The performance will feature South Korean pianist Seong-Jin Cho, the 21-year-old winner of the prestigious 2015 Chopin International Piano Competition.
“[The Warsaw Philharmonic] was sensational, a highlight of the year… [they are] one of the best-kept secrets in the business.” — The Los Angeles Times
A Perspective The Chopin Piano Competition takes place in Warsaw, Poland and was initiated in 1927. It is held every 5 years and -is one of the few competitions devoted entirely to the works of a single composer, in this case Frederic Chopin.
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Classical
Matt Haimovitz A Moveable Feast Crowder Hall Saturday, January 14, 2017, 8:00 p.m. Repertoire to be announced.
“In his hands, Bach’s music turns into quotidian sound, a music fully part of the now.” – The New York Times
Cellist Matt Haimovitz inspires classical music lovers and new listeners by bringing his artistry to anywhere passionate music can be heard, bringing a fresh ear to familiar repertoire while initiating groundbreaking collaborations. He offers a brilliant musical variation on the concept of a moveable feast, performing each of the 6 Suites for Solo Cello by J.S. Bach, each with its own commissioned overture from one of today’s great composers. Three of the suites will be performed in the Crowder Hall concert while three will be performed on the previous day in a variety of locations in the community.
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“I first heard Matt Haimovitz when I was 15, and I fell in love with his Lalo Concerto recording. An incredible cellist, he breathes new life and energy into the incredibly diverse projects he takes on. Matt has not just broadened classical music, but also opened doors to how and where we listen, and think about, and approach music. It’s a great show to have here as it sets a wonderful standard for the Southwest’s highly accomplished cello students that attend the UA’s cello congress.” – Theodore Buchholz, Assistant Professor, Fred Fox School of Music
Classical
Itzhak Perlman Centennial Hall Wednesday, January 11, 2017, 7:30 p.m. Repertoire to be announced.
Grammy and Emmy-winning violin virtuoso Itzhak Perlman is a true legend, lauded with a superstar status rarely bestowed upon classical musicians. Beloved for his charm, humanity and talent, Perlman is treasured by audiences worldwide who respond not only to his remarkable artistry, but also the irrepressible joy of making music, which he communicates at every performance. With glowing live reviews spanning the length of his career, as well as sold-out performances around the world, Perlman is one of classical music’s modern greats.
“Wearing both a performer’s and conductor’s hat Sunday afternoon to an adoring audience at Jones Hall, Perlman showcased his virtuosity as the world’s greatest violinist.” – Houston Press
A Perspective “As a violinist who is still growing up listening to Itzahak Perlman, I can say he has had a profound impact on the classical music world and me. I watched him on Sesame Street, in concert with my hometown orchestra and then even shared the stage with him in Tucson two years ago. His artistry, sound, ease of playing and musicianship continue to be inspiring.” – Lauren Roth, Assistant Professor, Fred Fox School of Music
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Classical
The Academy of St. Martin in the Fields Inon Barnatan, Piano Centennial Hall Tuesday, March 28, 2017 7:30 p.m. Repertoire to be announced. “They play with a sharp attack, a rhythmic punch and a new joy in living.” – The Times, London, April 2012
The Academy of St. Martin in the Fields is one of the world’s premier chamber orchestras, renowned for its polished and refined sound and rooted in outstanding musicianship. Formed by Sir Neville Marriner in 1958 from a group of leading London musicians, and working without a conductor, the Academy gave its first performance in its namesake church on November 13, 1959. Originally directed by Sir Neville from the leader’s chair, the collegiate spirit and flexibility of the original small, conductor-less ensemble remains an Academy hallmark. Celebrated for the unique approach, probing intellect and consummate artistry he brings to a broad range of repertoire, Israeli pianist Inon Barnatan and currently serves as the first artist-in-association of the New York Philharmonic.
A Perspective 8
One of the most recorded chamber orchestras in the world, with over 500 sessions, the orchestra has played on the soundtracks to the Oscar–winning films Amadeus and The English Patient.
Classical Classical
Black Violin Itzhak Perlman Fox Theatre Centennial Hall Thursday, April 11, 13,2017, 2017,7:30 7:30p.m. p.m Wednesday, January Repertoire to be announced.
Wilner ‘Wil B’ Baptiste (viola) and Kevin ‘Kev Marcus’ Sylvester (violin) are Black Violin, a South Florida duo who fuse classical music chops with hip-hop influences, pitting their virtuosic string-play against grooveand-beat-driven production and bringing another dimension of drama to compositions. With a loose approach to their instruments and the ability to spool out “freestyled” elements in their live set, Black Violin represents a facet of classical music that is approachable above all else. “Techniques are not forced,” says Baptiste. “We allow it to flow. We aren’t trying to come up with a crazy concept.”
“They can make a classical music lover appreciate hip-hop, and viceversa.” – Bradenton Herald
A Perspective “Black Violin is transforming classical music into a modern concept. This vehicle of contemporary, edgy classical is a pathway to reach out and invite younger audiences that may not have an entry way into classical music. It’s exciting to me, how artists like this can cultivate a new audience of arts appreciators.” – Candace L Feldman, Director of Programming, UA Presents
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Dance
Twyla Tharp Centennial Hall Sunday, October 9, 2016, 7:00 p.m.
“These [works] are unmistakably the work of a master. There is so much in them: so much variety, so much life.” – The New York Times
Twyla Tharp has pushed the boundaries and changed the face of American Dance for 50 years. In a lifetime of more than 160 works, the legendary dancer and choreographer has created 129 dances, twelve television specials, six movies, four full-length ballets and four Broadway shows. She celebrates her 50th year in business with a new company of 12 dancers and a new set of works that showcases her signature style – bold, brash and painstakingly precise. “Modern dance is not less,” she has said, “modern dance is more.”
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“Working with Twyla was one of the most challenging, rewarding and fulfilling experiences in my life. Twyla’s choreography is one of a kind: innovative, energetic and full of life. Her distinct style and phrasing make a lasting impression on the audience and her humor and intelligence shine through in each step. And the best thing about Twyla is that she is never boring.” – Tamara Dyke-Compton, Assistant Professor, Dance, UA School of Dance (and former Tharp dancer)
Dance
Photo: Ed Flores
UA Dance Premium Blend Centennial Hall November 2016, days and times to be announced Stevie Eller Dance Theatre
Last season, the UA Dance Ensemble treated you to the masterworks of José Limón, Jerome Robbins, and Ohad Naharin. And, the Ensemble was invited to perform at the Joyce Theatre in NYC. That engagement, along with thirteen previous international trips, and prior performances at the Joyce and the Kennedy Center in D.C., illustrate the quality of UA Dance. Join us for Premium Blend as we bring back the work of faculty and Balanchine masterpieces. We’ll treat you to a visit by the effervescent Edward Villella!
“I could feel everything they were trying to portray: sadness, fear, happiness, excitement. It rushed through their bodies and it reached out into the audience.” – 401 Reviews, Premium Blend 2015
A Perspective
The UA Dance Ensemble has traveled to 14 international engagements in Asia, Europe, South America and Mexico. The 2014 Zoom Tens rating for UA Dance lists the UA School of Dance as the top program at any public university, and the fourth-ranked program in the country after including three conservatories in NYC – Juilliard, Tisch Conservatory, and Alvin Ailey. Offering Ballet, Modern and Jazz, and repertoire from masters such as Martha Graham, George Balanchine, José Limónand others, the diverse content of the performances, along with the state of the art venue that is the Stevie Eller Dance Theatre, has become the Ensemble’s trademark.
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Dance
Dance Theatre of Harlem Centennial Hall Friday, February 17, 2017, 8:00 p.m. “[They present] an airborne, undulating work, unfolding like a constant wave of motion, with curving, sensual arms; tilting balances; and crisp footwork.” – The New York Times
Renowned for its thrilling performances, the repertoire ranges from treasured classics to neo-classical works and cutting edge contemporary work. The 14 racially diverse artists in Dance Theatre of Harlem use the language of ballet to celebrate African American culture as they bring new life to the art form of classical ballet. Now in its fourth decade, the company has grown into a multi-cultural dance institution with an extraordinary legacy of providing opportunities for creative expression and artistic excellence that continues to set standards in the performing arts. Dance Theatre of Harlem has achieved unprecedented success, bringing innovative and bold new forms of artistic expression to audiences in New York City, across the country and around the world.
A Perspective
“While still paying their allegiance to many of the great classical masterworks, Dance Theatre of Harlem is now a racially diverse group of artists. Despite downsizing to facilitate to touring, the company has actually expanded their range, venturing into exciting neo-classical and contemporary repertory.”
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– Melissa Lowe , Professor, Undergraduate Advisor, Director Academic Student Services for Dance, School of Dance
Dance
Steppin’ Out Live
An Intimate Evening with Ben Vereen Stevie Eller Dance Theatre Four performances Friday, March 31 – Sunday, April 2, 2017
Steppin’ Out Live with Ben Vereen has been dazzling audiences around the world! The show highlights this Tony Award winning performer’s unique artistry, combining a tribute to Broadway and Frank Sinatra. Featuring hit songs such as “Defying Gravity,” “Stand By Me” and “My Way,” you’ll be on a contemporary yet timeless journey filled with song and dance, stories of his life, a great deal of humor and multiple standing ovations.
“A true song and dance man who never lets up. He wins you over with his sheer energy, good will and showbiz know-how.” – The New York Times
A Perspective Ben performed at the opening of the Stevie Eller Dance Theatre and holds an honorary degree from the University of Arizona. The annual Southern Arizona High School Musical Awards are also named in his honor. Never one to be idle, look for him to star as Dr. Everett Scott in the TV adaptation of the ‘70s musical “Rocky Horror Picture Show,” airing on FOX this Fall.
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Family
VOCALOSITY Centennial Hall Sunday, November 20, 2016, 3:00 p.m.
“…looking at the teasers and rehearsal videos available on their YouTube channel, one can expect to face vocal pyrotechnics on all levels.” – The Voice Box
VOCALOSITY is the all-new live concert event from the creative mind of artistic producer Deke Sharon (Pitch Perfect, The Sing-Off) that takes a cappella to a whole new level. This fast-paced production features 12 dynamic voices singing music ranging from tenth century Gregorian chant and classic choral, to barber shop quartet and bouncing doo-wop. Combine that with movement and choreography from Sean Curran (STOMP original cast member) and you have an exhilarating evening of song unlike anything you’ve ever seen or heard, live on stage.
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“If you love a cappella music, better yet, if you are a fan of the Pitch Perfect movies, you will love VOCALOSITY. Their debut record just came out this past January and featured covers from The Beatles, Bruno Mars and Michael Jackson. And to make it even more fun, they will choose a local a capella group to open the show.” – Mario Di Vetta, Marketing Director, UA Presents
Family
Peking Acrobats Centennial Hall Sunday, February 12, 2017 3:00 p.m.
Embracing 2,000 year old athletic disciplines, the Peking Acrobats are ambassadors of China’s folk arts and acrobatics. Carefully selected from the country’s top acrobatic schools, these gymnasts, jugglers, cyclists and tumblers have entranced the world for almost 50 years with their grace and precision, offering a performance that will mystify all ages. Utilizing contortion, balancing acts and a variety of feats of strength and poise, Peking Acrobats puts on a show that audiences of all ages will love. After all, wonderment and appreciation know no age boundaries.
“Standing ovations must be a routine response, because after performers’ bodies hurtle through space and balance the unbalanceable, it seems no trouble at all for those in the audience to spring to their feet.” – The Los Angeles Times
A Perspective
Tradition demands that each generation of acrobats add its own improvements and embellishments to the art. Generations of families carry on this highly acclaimed and popular tradition. Children begin training at a young age, and adhere to a rigorous training schedule that they follow for the rest of their lives. An acrobat can be considered the Chinese equivalent of an American opera star.
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Family
Recycled Percussion Centennial Hall Sunday, April 9, 2017, 3:00 p.m.
“Entertainment at its highest level.” – MTV With dizzying rhythms and full-out songs performed from nothing more than common household items and trash, Recycled Percussion takes the wild approach of genre mainstays like The Blue Man Group and brings it to a new generation. Their junk rock music became a national phenomenon week after week during their smash hit performances on “America’s Got Talent” in 2009. Playing more than 4,000 shows and 400 corporate events in over 15 countries, the group has also done guest appearances on “Carson Daly,” “The Today Show,” “China’s Got Talent” and the Latin Grammy Awards.
A Perspective 16
Justin Spencer formed Recycled Percussion in 1995 for a high school talent show. He was looking for a way to be as creative as possible and took the idea of playing buckets, which was introduced to him in the subways of New York City.
Spotlight
Bernadette Peters Centennial Hall Saturday, January 21, 2017 8:00 p.m.
Throughout her illustrious career, actress Bernadette Peters has dazzled audiences and critics with her performances on stage and television, in concert, and on recordings. Peters has lit up the silver screen in 17 films throughout her distinguished career, receiving a Golden Globe Award for her memorable performance in Pennies From Heaven. In addition to numerous Grammy Award-winning Broadway cast albums, including Gypsy and Annie Get Your Gun, Peters has recorded six solo albums. One of Broadway’s brightest stars, Peters received both the Tony Award and Drama Desk Award for her critically acclaimed performance in Andrew Lloyd Webber’s hit musical Song and Dance.
“There are singers and there are actresses; there are entertainers and there are stars. And then, there is Bernadette Peters.” – The Los Angeles Times
A Perspective
“There is, quite simply, no one quite like Bernadette Peters. With a voice that has redefined Broadway musicals and electrified audiences around the world, she is the ultimate star in her field. She is the quintessential interpreter of the music of Steven Sondheim, but she hasn’t stopped there! This is a performer not to be missed.” – Julia Pernet, Artistic Advisory Committee Chair, Tucson Desert Song Festival
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Global Sounds
Estampas Porteñas: “Deseos” Centennial Hall Friday, November 18, 2016, 8:00 p.m.
“…beyond nostalgia, Soler has also injected new choreographic material into the production, with dances that reflect the speed of contemporary urban tango, yet retain the precision and polish of its golden age.” – The Guardian
The Buenos Aires Tango Company, Estampas Porteñas present their newest production, “Deseos...Stories of Longing and Desire told through Argentine Tango and Music.” “Deseos” is a celebration of the greatest artistic elements of Argentina including the indomitable tango, the athletic malambo of the gauchos, and musical styles from the melancholic to celebratory. This new creation by distinguished artistic director Carolina Soler features a company of 25, including dancers, musicians and singers, who bring exhilarating storytelling to the stage, revealing the heart and soul of Argentina.
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The tango is a partner dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay, and soon spread to the rest of the world. It became popular throughout society, as theatres spread it from the suburbs to the working class slums, which were packed with hundreds of thousands of European immigrants.
Global Sounds
Danú:
A Christmas Gathering Centennial Hall Wednesday, December 7, 2016 7:30 p.m. Repertoire to be announced.
Hailing from historic County Waterford, Danú is one of the leading traditional Irish ensembles of today. Their standing-room-only concerts are true events, featuring high-energy performances and a glorious mix of ancient Irish music and new repertoire.
“…a vibrant mix of virtuosity, energy and empathy.” – The Washington Post
Danú’s virtuosi players on flute, tin whistle, fiddle, button accordion, bouzouki, and vocals (Irish and English) stun audiences with their blend of classic Irish music and contemporary influences for a unique Celticinspired holiday show.
A Perspective Celtic scholars agree that Danú is the name of a deity that ranked high in the Celtic Pantheon dating from the earliest history of the Celtic peoples. The consensus seems to be that Danú was most likely the Celtic Mother Goddess. A mystical figure shrouded behind the curtain of lost knowledge that died with the last Druid.
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Global Sounds
Troker & The Grey Automobile Fox Theatre Thursday, March 23, 2017, 7:30 p.m.
“Jazz, rock, funk, psychedelia and even kitsch are all living and partying together in a full, exotic mansion thanks to the magic of these six musicians.” – The Huffington Post
Troker’s six musicians hail from different parts of Mexico but share the goal of creating mesmerizing rhythms influenced by jazz, funk, rock, DJ scratching and the tradition of mariachi horns. The band has created an original score that is played in accompaniment to the 1919 Mexican silent film Grey Automobile. The variety of influences they draw from translates to a riotous live show and sound that transcends language and genre.
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The Grey Automobile is considered one of the most important cinematic works in silent film history. First seen in 1919, it tells the tale of police and the real-life Grey Automobile Gang. The film stars Juan Manuel Cabrera, the actual detective who apprehended the gang, playing himself.
Global Sounds
Martha Redbone’s BONEHILL Fox Theatre Thursday, March 2, 2017, 7:30 p.m.
Martha Redbone’s music flows equally from her own unique, awardwinning blend of Native American elements with funk and her deep roots in Appalachian folk and Piedmont blues. In BONEHILL – The Concert, a new musical work for theater, the 12 member cast (six actor/singers and six musicians) become the characters from four generations of a family living on a mountaintop in Appalachia. In telling their stories they take the audience on an epic, unexpected American exploration of family, history, and identity for a stage show that transcends racial lines and is told in an Americana style unlike any other.
“Poised to be Americana’s next superstar.” – The Village Voice
A Perspective An inspiration to her, Martha has always wanted to meet Dolly Parton, having admired her for her writing, voice and tenacity in the music industry. She counts Parton’s “I Will Always Love You” as one of her favorite songs of all time.
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Jazz & Blues
Boney James Fox Theatre Thursday, November 10, 2016, 7:30 p.m.
“Saxophonist Boney James is on top of the hip heap these days.” – Jazz Times
Boney James, the four-time Grammy nominated, multi-platinum selling saxophonist from New York, brings his love for vintage soul music and a muscular, roots-based style of traditional smooth jazz along with his mastery of modern pop styles. In 2009 Billboard magazine named James the No. 3 Billboard Contemporary Jazz Artist of the Decade (trailing just Kenny G and Norah Jones). Boney continues to travel the world as a performing musician and has attracted large crowds worldwide.
A Perspective 22
The multi-platinum selling sax-man was born James Oppenheim, but was nicknamed “Boney” in his mid–20’s when a meager touring per diem saw him growing thinner.
Jazz & Blues
Kamasi Washington Fox Theatre Thursday, January 12, 2017, 7:30 p.m.
A concert with saxophonist Kamasi Washington offers serious jazz chops and a party spirit. Expect a melding of straight-ahead jazz, free jazz, fusion, soul jazz, funk, R&B, soul and gospel combined with the gigantic, imposing tone from his tenor sax. Having collaborated with the contemporary likes of Kendrick Lamar and Flying Lotus, the Los Angeles native blurs the boundaries between the generational divide of jazz, welcoming new and old purveyors alike while paying homage to the artists that paved the way.
“You could make the argument that if jazz is on the cusp of a renaissance, Kamasi Washington is its leader.” – Esquire Magazine
A Perspective “I remember the first time I saw Kamasi Washington. It was as if a wave of music history, washed over me within the first five minutes of his set. I knew then I was experiencing a breakout artist, a musician of our time and a space of energy that was welcoming to any lover of music.” – Candace L Feldman, Director of Programming, UA Presents
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Jazz & Blues
Manhattan Transfer/Take 6 Centennial Hall Tuesday, February 14, 2017, 7:30 p.m.
“This group still does some things that no one else in its field can touch.” – New York Times on Take 6 “They wear a ferocious musical intelligence and erudition on their elegant sleeves.” – London Jazz Times on Manhattan Transfer
This unique double bill brings together two of the most acclaimed and award-winning contemporary vocal groups. Between them, the two groups offer a range of styles that covers nearly every genre of popular music; from jazz to swing, from gospel to R&B. The Manhattan Transfer, lauded for its pop success throughout the ‘70s and ‘80s, has been a staple of contemporary vocal performance for over 40 years. Take 6, the most awarded a capella group ever, has been burning up stages for over three decades. Coming together for one night only, this event is certain to be a hallmark of the UA presents 2016-17 season.
A Perspective 24
Manhattan Transfer’s name comes from John Dos Passos’ 1925 novel Manhattan Transfer and refers to the group’s New York City origins. Take 6 is an American a cappella gospel music sextet formed in 1980 on the campus of Oakwood College in Huntsville, Alabama. Between both groups, they have been awarded 20 Grammy Awards throughout their respective careers.
Jazz & Blues
Bettye LaVette Fox Theatre Wednesday, February 8, 2017, 7:30 p.m.
A part of the 1960s Detroit R&B and soul movement, LaVette has remained a staple and mainstay in the soul/funk/R&B community since cutting her first record at 16. Her 2015 record Worthy received a Grammy nomination for Best Blues Album of The Year. Often referred to as a godmother of soul, LaVette’s towering, anthemic vocals are equally suited to the clubs she got her start in or the arenas she has played at with legends like Paul McCartney and Jon Bon Jovi. Such a list of collaborations is proof alone that LaVette’s sound is as versatile and timeless as they come.
“Whatever she sings acquires the fierce, confessional intensity of someone who barely lived to tell the tale.” – The New York Times
A Perspective In December 2008 at the Kennedy Center Honors, LaVette delivered a rendition of 1973’s “Love, Reign o’er Me” in tribute to Roger Daltrey and Pete Townshend of The Who, who were among the year’s honorees. The performance was widely considered one of the event’s highlights.
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Introducing
Candace L Feldman, UA Presents’ new director of programming, has served as the Producing Director for 651
ARTS, a non-profit arts organization based in Brooklyn, New York, dedicated to performance from the African Diaspora. The daughter of a Zimbabwean Father and Hawaiian mother, Feldman received her B.S. in Theatre with an emphasis on Directing from Kansas State University. Raised in Kansas City, she describes herself “as a city girl with a Midwest heart, which means that I love getting to know my neighbors, the lady at the bank, the guy at the grocery store – everybody is important to me.” That same ethos extends to her approach to the creative community and Tucson as a whole. “That’s how I feel about art, culture, humanities. Everybody’s experience is valuable.” Feldman is co-founder of Next Generation National Arts Network, a nationwide movement to create stability, legacy and cultural equity in arts administration. She has worked with CBS’ Entertainment & Diversity department and continues to serve on grant panels, facilitate workshops on leadership & succession, diversity, equity, producing, and activism in the performing arts. In 2010 Feldman founded the international arts program, Project MaP, in Gaborone, Botswana, in partnership primarily with the Maru-a-Pula International School and in association with SOS Children’s Village. She has produced, Women’s Rights = Human Rights? ( JACK, Brooklyn); In the Continuum (The Juilliard School, NYC); associate produced Eti! East Africa Speaks (NYC) in association with Theatre Without Borders, 651 ARTS & SUNDANCE; directed Brokeology (Theater Alliance, DC); The Last Black Play (Kennedy Center, DC) and many original scripts. Feldman is also a 2014 American Express Leadership Academy recipient and was awarded the Joey-Lee Garman Award for Social Justice, Society of Stage Directors and Choreographers Fellowship, and a Kennedy Center Gold Medallion Award for Excellence in Theatre.
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Centennial Hall 1020 E University Blvd, centhall.org For nearly 100 years, The University of Arizona has played a leadership role in Tucson’s cultural life and Centennial Hall has been the focal point of this activity for nearly 80 years. This 2,524 seat theatre is the primary venue for UA Presents. Recommended parking for the venue is in Tyndall Garage, two blocks west of the hall. Parking on Saturday and Sunday is usually free; a parking pass may be purchased for weekday shows when you order tickets. For UA Presents events, there is a free shuttle on CatTran buses between Tyndall Garage and Centennial Hall. The service also returns patrons to the Tyndall Garage after the performance. Garage information: UA Parking and Transportation Services, (520) 626-7275.
Crowder Hall 1017 Olive Rd., Fred Fox School of Music Bldg. Rm. 130, music.arizona.edu Chamber music and classical recitals are presented in this 543-seat hall in the UA’s Fred Fox School of Music. Parking is located one block away in the Park Avenue garage on the NE corner of Park Ave and Speedway Blvd. Parking on weekends is usually free; on weekdays you may pay before the show at the cashier booth to avoid standing in line after the show. There is a golf cart shuttle service that runs from the garage to the hall. Garage info: UA Parking and Transportation Services, (520) 626-7275.
Steve Eller Dance Theatre 1737 E. University Blvd., dance.arizona.edu One of 15 buildings on the list of Arizona’s architectural wonders, this award-winning, state of the art facility houses a 290-seat theatre on the east side of the UA campus. Parking is located one block south on Cherry Ave. in the Cherry Avenue Garage. Parking on weekends is usually free; on weekdays you may pay before the show at the cashier booth to avoid standing in line after the show. Garage info: UA Parking and Transportation Services, (520) 626-7275.
Fox Tucson Theatre 17 W Congress St., foxtucson.com This Southwestern Art Deco-style theatre and movie house, now fully restored, is an ideal venue for jazz and blues. The 1,160-seat theatre is located downtown on Congress Street between Church Avenue and Stone Avenue. Visit downtowntucson.org/get-around/parking for parking information.
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Season at a glance Twyla Tharp 50th Anniversary Tour @ Centennial Hall Sunday, October 9, 2016, 7 PM
Bernadette Peters @ Centennial Hall Saturday, January 21, 2017, 8 PM
Season Opening Event: Chaka Khan @ Centennial Hall Friday, October 14, 2016, 8 PM
Bettye LaVette @ Fox Theatre Wednesday, February 8, 2017, 7:30 PM
Cavatina Duo: Eugenia Moliner & Denis Asabagic @ Crowder Hall Friday, October 21, 2016, 8 PM
Peking Acrobats @ Centennial Hall Sunday, February 12, 2017, 3 PM
Premium Blend UA School of Dance @ Stevie Eller Dance Theatre November, 2016, dates and times to be announced
Manhattan Transfer & Take 6 @ Centennial Hall Tuesday, February 14, 2017, 7:30 PM
Warsaw Philharmonic Orchestra @ Centennial Hall Wednesday, November 2, 2016, 7:30 PM
Dance Theatre of Harlem @ Centennial Hall Friday, February 17, 2017, 8 PM
Boney James @ Fox Theatre Thursday, November 10, 2016, 7:30 PM
Martha Redbone’s BONEHILL @ Fox Theatre Thursday, March 2, 2017, 7:30 PM
Estampas Porteñas – DESEOS @ Centennial Hall Friday, November 18, 2016, 8 PM
Troker & The Grey Automobile @ Fox Theatre Thursday, March 23, 2017, 7:30 PM
VOCALOSITY @ Centennial Hall Sunday, November 20, 2016, 3 PM
Academy of St. Martin in the Fields @ Centennial Hall Tuesday, March 28, 2016, 7:30 PM
Danú: Féile Na Nollag @ Centennial Hall Wednesday, December 7, 2016, 7:30 PM
Steppin’ Out Live: An Intimate Night with Ben Vereen @ Stevie Eller Dance Theatre Friday- Sunday, March 31 - April 2, 2017
Itzhak Perlman @ Centennial Hall Wednesday, January 11, 2017, 7:30 PM Kamasi Washington @ Fox Theatre Thursday, January 12, 2017, 7:30 PM
Recycled Percussion @ Centennial Hall Sunday, April 9, 2017, 3 PM Black Violin @ Fox Theatre Thursday, April 13, 2017, 7:30 PM
Matt Haimovitz: A Moveable Feast @ Crowder Hall Saturday, January 14, 2017, 8 PM
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Printed material to promote the season to all UA Presents patrons will acknowledge the generous support of sponsors. For information about sponsorship, contact Lisa Comella, 520-626-1512 or email lisacomella@email.arizona.edu