of printed ephemera collected for teaching purposes, this includes celebratory cards, posters, bookplates, printers samples books and examples of graphic work; all of which represent developments in printing and design during the 19th and 20th Centuries, the posters in particular span this period. The collection also contains items collected from other organisations. Of note are boxes of Christmas cards, late 1880s-early 1900s, and calendars printed by Royle Publishing, in the late 1900s. Phillip Knightley Archive Phillip Knightley is a journalist, reporter and previously a special correspondent for the Sunday Times (1965-85). Included in the Archive is correspondence underpinning his books First Casualty, the Vestey Affair and his memoir A Hack’s Progress. Robert Fenton Collection Fenton (1891-1989) was a letterpress printer and teacher .The collection covers his early years when studying at the Aldenham Institute and working for the National Institute for the Blind to his work as a lecturer at the London School of Printing [now London College of Communication]. It includes: material relating to his lessons such as annotations on diaries; and metal type samples. This collection reflects the development of printing and its techniques, and the history of the college where Fenton worked for nearly 40 years. Stanley Kubrick Archive Kubrick (1928–1999) was a photographer and filmmaker. The archive spans the entire of Kubrick’s career from his time as a photographer for Look Magazine to his final film Eyes Wide Shut. The main concentration is of records created during the making of his films. The archive also includes records created posthumously by the Kubrick Estate relating to projects such as the creation of boxed sets of Kubrick’s films, and material relating to the development and pre-production of the unfinished projects Aryan Papers, Napoleon and AI Artificial Intelligence among other prospective projects. The film production material includes records created during the Development, Pre-production, Production, Post-production, Distribution and Marketing of all Kubrick’s feature films, such as draft and completed scripts, research materials including books, magazines and location photographs; set plans, production documents such as call sheets, shooting schedules, continuity reports and continuity polaroids; correspondence, props, costumes, poster designs, posters, film and video material, sound tapes and records, publicity such as press cuttings and magazines; awards and nominations, drawings and artwork and many photographs documenting the making and marketing of the films. The collection is of interest to a range of research disciplines including: costume and set design, photography, model making, screen writing, cinematography, filmmakers and advertising.
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