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☞ Apolline ptf

Apolline ptf o Regular Italic Demi Demi Italic Bold Bold Italic

Apolline ptf b o Book Book Italic Demi Demi Italic ExtraBold ExtraBold Italic

Legal Copyright ©™ 1990-2011, Created by Jean Francois Porchez. Distributed exclusively by Typofonderie. All rights reserved.

Apolline Regular Apolline Italic Apolline Demi Apolline Demi Italic Apolline Bold Apolline Bold Italic Apolline Book Apolline Book Italic Apolline Demi Apolline Demi Italic Apolline ExtraBold Apolline ExtraBold Italic

□ Support

OpenType font families are compatible with Mac os and Windows platforms. Please consult our technical page for info concerning the language support, OpenType support, installation and use of these fonts. typofonderie.com/alphabets/technical/opentypesupport

■ Buy the family

Apolline is available in 2 separate packs. License include up to 8 cpus users. Prices start from € 210 by pack. ☞ Check offers available online.

Typofonderie

info@typofonderie.com t 33 (0) 146 542 692

1

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17 May 2011


Typofonderie ☞ Apolline ptf Large samples

bold book italic extrabold demi demi italic book demi book italic extrabold italic book regular

Bible polyglotte de Robert Estienne

Sans caractère

Imprimeur à Venise en 1470,

Nicolas Jenson Lyon, berceau de nos typographes

Humaniste Les Chateaux de la Loire

nombre d’or

les plus beaux livres

Incunables Un frontispice Qualitatif

Ligatures C’est la plus difficile des lettres

2

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☞ Apolline ptf

$£© ab cdfeg ikjl

3

Glyph set

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ& ABCDEFGHIJKLMNOPQRSTUVWXYZ& 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ ⁰¹²³⁴⁵⁶⁷⁸⁹+−=⁽⁾₀₁₂₃₄₅₆₇₈₉+−=₍₎ abcdefghijklmnopqrstuvwxyz 01234567890123456789 %‰½¼¾%‰ ∆Ω∂∫∑∏πμ¤−+×÷=≠±√^<>≤≥~≈�¬∞ℓ°℮ §¶†‡*\/⁄№ªº®©�™¿¿?¡¡!.,:;• “”’”‘’‚„…_|¦‹«»›·-–—()[]{}@‹«»›·-–—()[]{}@()[]{}@ `�´�ˆ�ˇ��˜�¨�¯�˘�˚�˝�˙�¸˛̦� àáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭįıijĵķĺľļłŀńňñ ņòóôõöōŏőøǿœŕřŗśŝšşșßťţŧùúûũüūŭůűųẁẃŵẅỳýŷÿźžż ŋðþàáâãäāăåǻąæǽćĉčċçďđèéêěëēĕėęĝğġģĥħìíîĩïīĭiįijĵķ ĺľļłŀńňñņòóôõöōŏőøǿœŕřŗssśŝšşșťţŧùúûũüūŭůű ųẁẃŵẅỳýŷÿźžżŋðþÀÁÂÃÄĀĂÅǺĄÆǼĆĈČĊÇĎĐÈÉ ÊĚËĒĔĖĘ��ĜĞĠĢĤĦÌÍÎĨÏĪĬİĮIJĴĶĹĽĻŁĿŃŇÑŅÒÓÔ ÕÖŌŎŐØǾŒŔŘŖSSŚŜŠŞȘŤŢŦÙÚÛŨÜŪŬŮŰŲ ẀẂŴẄỲÝŶŸŹŽŻŊÐÞ

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☞ Apolline ptf

$£© mnoprs 1234 5§6

4

Glyph set 2

�����fi�����fl��� ſ ��stsp çÇ B D E F H I J K L M N P R U V W X Y akqKQRadehilmnruz àáâãäāăåǻąķĶŔŘŖ àáâãäāăåǻąďđèéêěëēĕėę ĥħìíîĩïīĭįıĺľļłńňñņ ŕřŗtťţŧùúûũüūŭůűųźžż 1234567890 efghmuvwx ab×÷−±^+>< .,:; ijklcd *=nopqrs()[]{} K LM NO PQ RS TU VWXYZ A B C D E F G H I J yz

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☞ Apolline ptf OpenType features

standard all capitals feature all small caps feature standard superiors & ordinals standard ligatures minuscule tabular figures capital tabular figures capital figures minuscule figures standard superscript & subscript figures numerator & denominator figures standard fractions feature

5

abcdefghijklmnopqrstuvwxyz- – — »›)]}@¡¿ abcdefghijklmnopqrst- – — »›)]}@¡¿ abcdefghijklmnopqrstuvwxyz)]}@ abcdefghijklmnopqrstuvwxyz no No 1a 2o abcdefghijklmnopqrstuvwxyz No No 1a 2o fffbffbfhffhfiffifjffjfkffkflfflftfft fffbffbfhffhfiffifjffjfkffkflfflftfft 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 12345678900#€$¢£ƒ¥ %‰ 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890+−=() 1234567890 1234567890 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 0/00 1/2 2/3 3/5 5/6 6/7 7/8 8/9 0/0 ‰

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☞ Apolline ptf OpenType features 2

standard discretionary ligatures standard historical forms standard stylistic set 1 stylistic set 2 stylistic alternates (or ss1 + ss2) swashes or stylistic set 3 final form stylistic set 4 (little “swashies”) stylistic set 5 or swashes + contextual alt.

standard

ornaments, stylistic set 6

6

ctstspTh ctstspTh s ſ

abcçdefghijklmn opqrstuvwxyzçqÇQ<R<K abcçdefghijklmn opqrstuvwxyzçqÇQ<R<K abcçdefghijklmn opqrstuvwxyzçqÇQ<R<K abcçdefghijklmn opqrstuvwxyzçqÇQ<R<K abcdefghijklmn opqrstuvwxyzçqÇQ<R<K abcçdefghijklmn opqrstuvwxyzçqÇQ<R<K abcçdefghijkmn opqrstuvwxyzcqCQ<R<K abcçdefghijklmn opqrstuvwxyzçqÇQRK abcdefghijklmnopqrsuvwxyz ABCDEFGHIJ KLMNOPQRSTUVWXYZ 1234567890 ×÷±−^+<> *=.,:; ()[]{} abcdefghijklmnopqrsuvwxyz ABCDEFGHIJ KLMNOPQRSTUVWXYZ 1234567890 ×÷±−^+<> *=.,:; ()[]{}

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☞ Apolline ptf Stylistic sets Standard

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific purpose, the designer should

a Stylistic Alternates, Stylistic set 1

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific purpose, the

ççÇ Stylistic Alternates, Stylistic set 1 + 2

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific purpose, the

Swashes or Stylistic set 3

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful

 Stylistic set 4

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a specific purpose, the designer should

Stylistic set 5 or Contextual alternates + Swashes

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work for a

Stylistic set 1 + Stylistic set 5

Stylistic set 6 or Ornaments

<I am very pleased that so many people like my typefaces and am happy to see the way they are used in most çases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comical, and I don’t like that. It ruins the sensitivity of the forms and makes all my careful work unrecognizable. I’d rather people use the faces as they are. If they don’t work <I am very pleased that so many people like my typefaces and am happy to see the way they are used in most cases. Once in a while I see them condensed so much that they look absolutely squished or extended so much that they look comiExtract from an interview of Carol Twombly by Jean François Porchez published in french. Étapes magazine, 1997.

7

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☞ Apolline ptf Tabular figures matching weights ↣ Tabular figures widths (in lining or oldstyle versions) are also compatible in theses weight combinations.

Regular

Italic

Book

Book Italic

Demi

Demi Italic

Bold

Bold Italic

ExtraBold

ExtraBold Italic

8

☞ typofonderie.com

12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥ 12345678900#€$¢£ƒ¥


☞ Apolline ptf Regular

ab c d efgh ijklmnop qrstuvwx yz 0123456789 abcdefghijklmnopqrstuvwxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

9

In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypogHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Thus we have created Ardoise, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apol-


☞ Apolline ptf Italic

ab c defg h ij k l mno p qrstuv wxyz 0123456789 abcd efghijk l mn opqrstuvw xyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

10

In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency


☞ Apolline ptf Book

ab c d efg hijk lm no p qrstuvwxyz 0123456789 abcdefghijk lmnopqrstu v wxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

11

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s


☞ Apolline ptf Book Italic

ab c d efghij klmno p qrstuv wxyz 0123456789 ab c defg hi jkl m n opqrstuv wxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

12

In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s working A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical


☞ Apolline ptf Demi

a b c de fghi j kl mn o p q rstuvwxyz 0123456789 abcdefghijklm nopqrstuvwxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

13

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tenA new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that


☞ Apolline ptf Demi Italic

a b cdefghijklmnop q rstuv wxyz 0123456789 ab c de fg hi j k lmnopqrstuv wxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

14

In recent years, a new tenHowever, most of the existing types were oldfashioned and not adapted to today’s workA new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant


☞ Apolline ptf Bold

ab cde fgh ijklm n o p q rstuvwxyz 0123456789 abcd efghi j k lmn opq rstuvwxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

15

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglectIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a disHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found


☞ Apolline ptf Bold Italic

ab cde fg hi jklm n o p qrstuv wxyz 0123456789 abc de fg hijklmnopqrstu v wxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

16

In recent years, a new tenHowever, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be found In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. TypograHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apol-


☞ Apolline ptf ExtraBold

ab cdefg hijk lm nop q rstuvwxyz 0123456789 ab cdefghij klmnopq rstuv wxyz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

17

In recent years, a new However, most of the existing types were old-fashioned and not adapted A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is comHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decoraIn recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinHowever, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had


☞ Apolline ptf ExtraBold Italic

ab cdefgh i jk l mnop qrstuv wxyz 0123456789 ab c d efghi jklmn opqrstuv wx yz &

40 pt

24 pt

18 pt

14 pt

12 pt with a selection of OpenType features

10 pt

8 pt – 6 pt

18

In recent years, a new However, most of the existing types were old-fashioned and not adapted to today’s A new typeface had to be In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… <In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. ☞ typofonderie.com

However, most of the existing types were old-fashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s taste. Therefore we have created Apolline, a modern and elegant typeface, both practical and robust… In recent years, a new tendency has become manifest in the decorative arts. While the simplicity of the lines has been preserved, the straightness is yielding and a distinguished elegance is coming into its own again. Typography has not been neglected in these developments, which have been expressed by an obvious reversion to certain styles. However, most of the existing types were oldfashioned and not adapted to today’s working methods, owing to their fragility. A new typeface had to be found with a design that corresponded to today’s


ApollinePTF full pdf specimen