TPA Program: Terence Blanchard, Samara Joy

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Terence Blanchard Fire Shut Up In My Bones: Excerpts in Concert NOV 9 | MCCULLOUGH THEATRE

Samara Joy A Joyful Holiday Featuring The McLendon Family DEC 3 | BASS CONCERT HALL

PRESENTING SPONSORS



In this issue

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Terence Blanchard 8

Beyond the Performance

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hollywoodbackdrops.org is Now Live

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Take a Bow! Austin’s own Langston Lee Wins National Jimmy Award

“Terence Blanchard’s Met Opera debut Is a singular achievement and a shared success…magnetically powerful.” — NPR

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Samara Joy “The close precision and frothy power of her voice stand out immediately … so does the depth of her comfort within the jazz tradition. — The New York Times

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Welcome to Texas Performing Arts! Thank you for joining us! We’re thrilled to share our all-new 23/24 performing arts season showcasing extraordinary international theatre, dance, and music that you won’t find anywhere else. A select lineup of 14 curated performances, this season features some of the most exciting new creations from around the world including bold projects from both established and emerging performance-makers. We are delighted to welcome back iconic artists and companies who have not been to Austin in recent years, including world-renowned cellist Yo-Yo Ma and the celebrated Alvin Ailey American Dance Theater. This season also kicks off a new phase of the partnership between TPA and Fusebox to present more adventurous live performance in Austin — six cutting-edge events that you won’t want to miss will make their Texas premieres this fall through next spring. You can explore the complete lineup and see all that we have to offer at texasperformingarts.org. The 23/24 TPA season complements our always-popular Broadway in Austin series and our Texas Welcomes lineup of concerts and comedy. We invite you to get inspired and join us at TPA this season to experience the very best in new performance. Let’s start the show!

Photo by Robert Silver

Bob Bursey Executive & Artistic Director

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Beyond the Performance

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At Texas Performing Arts we make sure engagement with the arts extends beyond the stage, both here on campus and in the community. Through workshops, discussions, youth performances, and more, we strive for everyone to be able to feed their artistic spirit.

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UT students, area high school students, and community participants learned the moves to Hairspray's iconic number You Can't Stop the Beat, led by a touring company member.

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A group of summer campers from the Carver Museum toured Bass Concert Hall in June and learned about the work that goes on behind the scenes.

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Members of Latin Grammy-winning Flor de Toloache gathered with UT Mariachi Paredes students to play music and talk about how they got their start.

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Local elementary students enjoyed Chicago-based Manual Cinema's Leonardo! A Wonderful Show About a Terrible Monster — a unique performance that used hundreds of illustrated paper puppets, costumes, and a live soundtrack to bring Mo Willems' acclaimed books to life.

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This spring more than 1500 students (41 busloads!) were dazzled at a youth performance by Dance Theatre of Harlem in Bass Concert Hall. During this special presentation, company members took a moment to pose for a quick selfie.

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Photo by TK

Our 23/24 Season is in full swing with a diverse lineup of extraordinary international theatre, music, and dance — and myriad new opportunities to connect with our performances. We invite you to get inspired and join us at TPA, the place for art in Austin. Here are a few highlights of our campus and community activities from this year.

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Want to make a difference in the lives of students at TPA? Contact support@texasperformingarts.org or call 512.471.1195.

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Photo by TK

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Proud Sponsor

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hollywoodbackdrops.org is Now Live Thanks to TPA supporters Susan and Robert Morse this unique collection is now available worldwide in an easy-touse, mobile friendly website. Both visual gallery and teaching archive, this all-new online resource will amplify the legacy of largely forgotten visual artists and engage educators, researchers and cinephiles in new and exciting ways.

To support the Hollywood Backdrop Collection, please contact support@texasperformingarts.org or call 512.471.1195.

Photo by Sandy Carson

Texas Performing Arts is home to the most extensive educational collection of Hollywood motion picture backdrops in the world. Comprised of 68 backings, the Hollywood Backdrop Collection includes original works from iconic and celebrated films such as The Sound of Music (20th Century Fox 1965), Ben Hur (MGM 1959), and North by Northwest (MGM 1958). Generously donated to Texas Performing Arts by J.C. Backings and the Art Directors Guild Archives’ Backdrop Recovery Project, the collection is a living legacy of Hollywood's Golden Age.

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Photos by Tricia Baron

Texas Performing Arts' participation in the Jimmy Awards® is supported, in part, by Andrew & Mary Ann Heller; Marcia & Gary Nelson; Bettye Nowlin; and Marc & Carolyn Seriff. 12


Take a Bow! Austin’s own Langston Lee Wins National Jimmy Award In June the most talented teenagers from across the country took the stage at the Minskoff Theatre in New York City for the 14th National High School Musical Theatre Awards®, better known as the Jimmys. Among them, two Austinarea students, Langston Lee and Kyra Carr had the opportunity to compete on the Broadway stage with 94 other nominees. This annual awards event is a coast-tocoast celebration of outstanding student achievement recognizing individual artistry in vocal, dance, and acting performance. Both Langston and Kyra are winners of the 2023 Heller Awards for Young Artists for leading roles in their high school musicals. This was the first year that Heller winners could compete at the national level, thanks to a partnership with Texas Performing Arts, a member of the Broadway League. At the end of an unforgettable evening of show-stopping performances, the top honor of Best Performance by an Actor was awarded to Langston.

Nurturing homegrown talent and guiding and supporting the next generation of artists is central to TPA's mission and we could not be happier for Langston, Kyra, and all of the nominees. Bravo!

Want to learn how you can support the Jimmy Awards® through TPA? Contact support@texasperformingarts.org or call 512.471.1195.

But the Jimmys is not only an awards event, it’s a once-in-lifetime opportunity for the students to learn what it takes to build a performing arts career through coaching sessions, training, and rehearsals led by some of Broadway’s most accomplished professionals. Austin's Langston Lee & Kyra Carr in NYC

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Nov 9, 2023

McCullough Theatre

Texas Performing Arts presents AUSTIN PREMIERE

Terence Blanchard Fire Shut Up In My Bones: Excerpts in Concert

Content Advisory: Fire Shut Up in My Bones addresses adult themes and contains some adult language. Supported, in part, by the O’Donnell Visiting Artist Endowment generously provided by the College of Fine Arts at the University of Texas at Austin. Media Sponsor: KUTX-FM 14 texasperformingarts.org


Featuring the E-Collective and Turtle Island Quartet With Nicholas Newton, baritone, and Adrienne Danrich, soprano Visuals by Andrew F. Scott

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ABOUT TERENCE BLANCHARD Terence Blanchard has been a consistent artistic force for making powerful musical statements concerning painful American tragedies – past and present. He stands tall as one of jazz’s most-esteemed trumpeters and defies expectations by creating a spectrum of artistic pursuits. A seven-time Grammy Winner and twice Oscar-nominated film composer, Blanchard becomes only the second African-American composer to be nominated twice in the original score category at the 2022 Academy Awards, duplicating Quincy Jones’ feat from 1967’s In Cold Blood and 1985’s The Color Purple. Blanchard is also heralded as a two-time opera composer whose Fire Shut Up in My Bones, is based on the memoir of celebrated writer and New York Times columnist Charles Blow. The Metropolitan Opera premiered Fire Shut Up in My Bones on September 27, 2021, to open their 2021-22 season in New York, making it the first opera composed by an AfricanAmerican composer to premiere at the Met. The recording of those performances just received a Grammy nomination for “Best Opera Recording.” The New York Times labeled Blanchard’s opera “inspiring,” “subtly powerful” and “a bold affecting adaptation of Charles Blow’s work.” Of the historical moment, Blanchard said, “I don’t want to be a token, but a turnkey.” Blanchard’s first opera, Champion also premiered to critical acclaim in 2013 and starred Denyce

Graves with a libretto from Pulitzer Prize Winner, Michael Cristofer. Champion will be coming to the Met in April 2023. But there is a center of gravity. It’s Blanchard’s beautiful, provocative, inspiring jazz recordings that undergird all these projects. The same holds true now as it did early in his career in 1994 when he told DownBeat: “Writing for film is fun, but nothing can beat being a jazz musician, playing a club, playing a concert.” From his expansive work composing the scores for over 20 Spike Lee projects over three decades, ranging from the documentary When the Levees Broke to the latest Lee film, Da 5 Bloods, Blanchard has interwoven beautiful melodies that created strong backdrops to human stories like Regina King’s One Night in Miami; Kasi Lemmons’ Eve’s Bayou and Harriet; George Lucas’ Red Tails; the critically acclaimed drama series Perry Mason; the National Geographic limited series Genius: Aretha; Apple TV’s docuseries They Call Me Magic (for which Blanchard received his second Emmy nomination) and in theaters now, Gina Prince Bythewood and Viola Davis’ The Woman King. In his thirtieth year as a recording leader, Blanchard delivers Absence, a collaboration with his longtime E-Collective band and the acclaimed Turtle Island Quartet which received Grammy nominations in November 2021 for Best Instrumental Jazz Album and Best Improvised Jazz Solo for Blanchard. Recorded in February 2020 just before the Covid-19 lockdowns, Absence started out as a project to show gratitude to

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Photo by Cedric Angeles

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Wayne Shorter. “I knew that Wayne wasn’t feeling well at the time, so I wanted to honor him to let him know how much he has meant to me,” says Blanchard who today lives in Los Angeles as well as in his native New Orleans. “When you look at my own writing, you can see how much I’ve learned from Wayne. He mastered writing compositions starting with a simple melody and then juxtaposing it against the harmonies that come from a different place to make it come alive in a different light.” Regarding his consistent attachment to artistic works of conscience, Blanchard confesses, “You get to a certain age when you ask, ‘Who’s going to stand up and speak out for us?’ Then you look around and realize that the James Baldwins, Muhammad Alis and Dr. Kings are no longer here...and begin to understand that it falls on you. I’m not trying to say I’m here to try to correct the whole thing, I’m just trying to speak the truth.” In that regard, he cites unimpeachable inspirations. “Max Roach with his Freedom Now Suite, John Coltrane playing Alabama, even Louis Armstrong talking about what was going on with his people any time he was interviewed. Herbie Hancock & Wayne Shorter who live by their Buddhist philosophy and try to expand the conscience of their communities. I’m standing on all their shoulders. How dare I come through this life having had the blessing of meeting those men and not take away any of that? Like anybody else, I’d like to play feel good party music but sometimes my music is about the reality of where we are.” November 2022 texasperformingarts.org

ABOUT FIRE SHUT UP IN MY BONES Terence Blanchard’s opera Fire Shut Up in My Bones made history in 2021 as the first opera written by a Black composer to be staged at the Metropolitan Opera. Based on the acclaimed memoir by Charles M. Blow, this “opera in jazz,” as Blanchard describes it, tells the true coming-of-age story of a young man growing up in the face of great adversity and forging his personal identity. Now, Terence Blanchard brings us a new suite of music from the opera, performed by the celebrated trumpeter and his E-Collective, the Grammy Award-winning Turtle Island Quartet and vocalists Nicholas Newton and Adrienne Danrich. “Magnetically powerful” NPR “A watershed moment for American opera … A defiant, tender, and vital work of art” The Washington Post

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PROGRAM NOTES The evening will include instrumental works by Terence Blanchard, The E-Collective, and Turtle Island Quartet, who will open and close the suite. The music from Fire Shut Up In My Bones presented in this format, arranged by David Balakrishnan, is not intended to replace the original work, which is written for orchestra, jazz quartet, full cast and is fully staged with costumes, sets and choreography. These arrangements are intended to give the audience a glimpse of Blanchard’s work in a format that may offer insight to the original production. We suggest that you also see the opera in one of its staged productions to understand the context of this suite. Order and titles of works once the suite begins: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

Tears of Anger & Shame – Charles Don’t Be In Such A Rush – Billie & Charles Leave It In The Road – Billie Golden Button – Charles & Destiny Peculiar Grace – Destiny Peculiar Grace (Instrumental) There Was A Storm – Charles A Piece for Billie – Billie The Night Brings You – Charles & Greta Peculiar Grace Reprise – Charles

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Alvin Ailey American Dance Theater

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Abby Z & The New Utility

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Les Ballets Trockadero de Monte Carlo

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Dec 3, 2023

Bass Concert Hall

Texas Performing Arts presents

Samara Joy A Joyful Holiday Featuring The McLendon Family In this special holiday show, Samara Joy performs with three generations of her family on dreamy, gospel-infused interpretations of Christmas gems O Holy Night, The Christmas Song, Warm in December, and more.

Supported, in part, by the Topfer Endowment for Performing Arts Production and the Z. T. Scott Family Endowment for the Performing Arts. Media Sponsors: Austin PBS, KUTX-FM, Austin Chronicle 28 texasperformingarts.org


VOCALS Samara Joy, Antonio McLendon, Laurone McLendon, Tommy Niblack, T Lovey Rowe PIANO, B3 Shedrick Mitchell BASS Eric Wheeler DRUMS Charles Haynes

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ABOUT SAMARA JOY With her Grammy-Award winning and chart-topping album, Linger Awhile, 23-year-old Samara Joy makes her case to join the likes of Sarah, Ella, and Billie as the next mononymous jazz singing sensation recorded by the venerable Verve Records. Her voice, rich and velvety yet precociously refined, has already earned her fans like Anita Baker and Regina King and appearances on the Today Show, The Tonight Show with Jimmy Fallon, The Late Show with Stephen Colbert, CBS Mornings, Kelly Clarkson, Jennifer Hudson, and more, in addition to millions of likes on TikTok—cementing her status as perhaps the first Gen Z jazz singing star. The New York Times praised the “silky-voiced rising star” for “helping jazz take a youthful turn” while NPR’s All Things Considered named her a “classic jazz singer from a new generation.” In February 2023, Samara Joy took home two Grammys—Best Jazz Vocal Album and the auspicious Best New Artist award. Samara is still relatively new to jazz. Growing up in the Bronx, it was music of the past—the music of her parent’s childhoods, as she put it—that she listened to most. She treasures her musical lineage, which stretches back to her grandparents Elder Goldwire and Ruth McLendon, both of whom performed with Philadelphia gospel group the Savettes, and runs through her father, who is a singer, songwriter and producer who toured with gospel artist Andraé Crouch. “Sometimes I catch myself when I’m singing—I’m like, ‘Whoa, that was a dad moment’,”

Samara quips. Eventually, she did follow in the family tradition, singing in church and then with the jazz band at Fordham High School for the Arts, with whom she won Best Vocalist at JALC’s Essentially Ellington competition. That led to her enrolling in SUNY Purchase’s jazz studies program, where she fell deeply in love with the music. Though she’s young, she relishes the process of digging through the music’s history. “I think maybe people connect with the fact that I’m not faking it, that I already feel embedded in it,” Samara says. “Maybe I’m able to reach people in person and on social media because it’s real.” The gatekeepers of the jazz world tend to agree: in 2019, she won the Sarah Vaughan International Jazz Vocal Competition, and she’s since performed with legends like Christian McBride and Bill Charlap. Legendary late pianist Barry Harris was a particularly important influence and mentor. “You inspired me as well as many others with this fire for teaching and playing that couldn’t be dimmed by anything or anyone,” Samara writes in Linger Awhile’s liner notes, dedicating the project in part to Harris’ memory. On Linger Awhile, which was produced by Matt Pierson and recorded by Chris Allen at Sear Sound in NYC, Samara is accompanied by esteemed veterans: her former professors, guitarist Pasquale Grasso and drummer Kenny Washington, form the core of the band, which also includes bassist David Wong and pianist Ben Paterson. With ease and a preternatural assurance, Samara swings right alongside them through understated

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yet powerful renditions of this creative collection of standards. There are burnished, gleaming versions of chestnuts in Misty, Linger Awhile, and Someone to Watch Over Me, transporting listeners to some romantic, longlost supper club. Those familiar tunes are listed alongside some more unusual, if equally vintage selections: Sweet Pumpkin, a Ronnell Bright tune performed by the likes of Blue Mitchell and Gloria Lynne, and Can’t Get Out of This Mood, which Samara uncovered on a collection of Sarah Vaughan rarities, add a lilting, upbeat

bent to the album’s selections. “When I heard the lyrics, I was like, ‘OK, this is positive—it’s not as much about heartbreak,” Samara says of Mood. “I liked the way I felt after hearing her singing it, and hopefully I can create the same feeling for people when they hear that song.” Samara aims for the opposite on a spine-tingling version of Guess Who I Saw Today, originally popularized by Nancy Wilson. This gently grieving rendition showcases the young singer’s exceptional control and range, as well as her refined, distinctive style.

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Marrying Samara’s interest in classic standards as well as cratedigging is her take on the iconic Thelonious Monk tune Round Midnight—instead of the traditional lyrics, Samara sings those written by Jon Hendricks, which she had only heard in a vintage TV performance by Carmen McRae. “Those lyrics haven’t been recorded that much—so even though it’s a song that a lot of people know, this is a different take on it,” Samara says. It’s the only song on the album that includes a horn section, including trumpeter Terell Stafford, trombonist Donavan Austin, and finally tenor saxophonist Kendric McCallister, who is responsible for the arrangement, a transformation of Cootie Williams’ original. A concept that will likely be foreign to Samara’s TikTok following is that of vocalese, a jazz technique showcased across Linger Awhile. Nostalgia (The Day I Knew) was the product of a jazz transcription class she took with trumpet master Jon Faddis at SUNY Purchase, in which she took down Fats Navarro’s solo from the original 1947 recording and wrote her own lyrics to that melody—inspired, she quips, by the teen romance novels she was reading. She went through the same process with I’m Confessin’, combining that song’s original lyrics with her own, set to Lester Young’s 1952 solo. Especially for a contemporary listener, hearing how seamlessly Samara transforms these instrumental lines into breezy lyrics is astounding. Also included on Linger Awhile is Social Call, co-written by vocalese pioneer Hendricks and Gigi Gryce — a fitting, beautiful tribute to those who paved the texasperformingarts.org

way for Samara’s exploration of this often-overlooked subgenre. This holiday season, Samara will release her first collection of holiday music, A Joyful Holiday EP. The six-song collection of seasonal favorites is an extension of her latest album Linger Awhile and features a similar cast of jazz musicians—Pasquale Grasso on guitar, David Wong on bass, and Kenny Washington on drums—plus Sullivan Fortner on piano. The tracklist includes previously-released singles O Holy Night (performed with multiple generations of her family) and Warm in December, in addition to a new recording of Stevie Wonder’s Twinkle Twinkle Little Me and both a studio and live version of The Christmas Song. The holiday EP is just one more step for the ascendant, twotime Grammy-winning vocalist, who has spent the past several months touring all over the world on increasingly larger stages— still shocked to be performing in front of thousands who hang on every word. “I’m still very much a student, even though I’ve graduated,” Samara says. “So, this is only the beginning… there is much, much more to come.”

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JUN 18 | BASS CONCERT HALL

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Texas Performing Arts Staff Bob Bursey

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Executive and Artistic Director

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Staging and Rigging Supervisor

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PROGRAMS & EVENTS

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Associate Director, Business Operations

Leigh Remeny Business Operations Manager DEVELOPMENT

Anna Langdell Director of Development

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Lead Fabricator

David Tolin Project Manager, Fabrication MARKETING & COMMUNICATIONS

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EDUCATION & ENGAGEMENT

Marketing Specialist, Digital Media

Tim Rogers Director of Education and Engagement

Brenda Simms Education Program Manager

Aubrey Felty Emerging Arts Professional, Education and Engagement FABRICATION & ACADEMIC PRODUCTION

Jeff Grapko Director of Fabrication and Academic Production

Brady Dyer Associate Director, Communications

Romina Jara Associate Director, Marketing

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Mika O’Dwyer Emerging Arts Professional, Event Management TICKETING & GUEST EXPERIENCE

Blake McDonald Director of Guest Experience

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Associate Director, Ticketing

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Sarah Cantu Lighting Supervisor

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Texas Performing Arts is also proud to acknowledge the hundreds of part-time and volunteer staff who play a critical role in presenting our annual season of world-class performing arts events to the Austin community.

House Managers Dina Black Virginia Bosman Margaret Byron Nancy Carrales Sheri Dildy Janine Dos Remedios Tony C Garcia Sam Hallam Leslie Hawkins Carlos Hernandez-Heine Olga Kasma-Carnes

Charlotte Klein Tamara Klindt Sharon Kojzarek Eric Lee Lara Miller Mad Poarch Kimberly Reaves Jessica Reed Lee Rodgers Mary Ruiz Simon Salinas

Micah Sall Gracie Sanders Hasina Shah Andrea R Stanfill Castro Debra Thomas Kristine Tydlacka Leah Waheed Marty Watson Tonya Woods Sally Zukonik

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Student Employees Sophia Alikakos Alina Almaraz Cassandra Amaya Samia Arni Leah Austin Arash Baghipour Elizabeth Banda Dina Barrish Georgia Beckham Nahla Beltran Zoe Bihan Hayley Carbajal Christian Carmona Mathaly Carranza Demian Chavez Audrey Clay Bridgette Clifford Adam Coronado Maria Dalton Kaila Delafance Christina Dove Griffin Drake Amanda Earp Gabriela Escamilla Laine Farber Carla Garcia Indigo Giles texasperformingarts.org

Gabriel Gomez-Reyes Anna Graber Noah Graham Joshua Hale Samuel Hallam Catherine Heeman Faith Hilchey Madison Jackson Joe Jaxson Victoria Jefferson Bindi Kaplan Abigail Lantis Austin Livingston Theary Lloyd Austin Luchak Josh Martin Gilbert Martinez Jonah Maughan Krista Mcleod Joyce Medina Samantha Moles Genevieve MonterrosoSyevens Braden Newlun Lanna Nguyen Katelyn Nguyen Insha Noorani

Benjamin Nunn Ngozi Onya Sereniti Patterson Vaishnavi Penta Leila Rabah Zackary Reed Bryce Riggle Natalia Rodenzo Hayley “Lee” Rodgers Lorena Rogers Elyse Rosario Victoria Salazar Monse Sandoval-Maherbe Nitsan Scharf Hasina Shah Matthew Smith Ashlyn Stansell Nguyen Tang Julia Thompson Michelle Upham Isabel Velasquez Lyric Villarreal Rylee Vines Cassidy Wen Julia Yelvington

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Leadership Board The Texas Performing Arts Leadership Board is a group of volunteer leaders in the arts, business, and philanthropy. The Board is dedicated to expanding Texas Performing Arts’ world-class programming, positioning the organization as an international leader in the performing arts, and strengthening the bond between the performing arts and the communities we serve.

Board Members

Brian Haley, Chair Kristin Alexander Carly Christopher Jaime Davila Tamara Dorrance Debbie Dupré Dennis Eakin Deborah Green Mike Herman Steve Houston

Steve Kahng Nancy & Angus Littlejohn Chris Mattsson Lauren Reid Marc Seriff Lisa B. Thompson Natasa & Michael Valocchi

Major Donors Texas Performing Arts is a nonprofit supported by generous patrons and donors. We extend a special thank you to the following major supporters:* $100,000+

Anonymous Kristin and Joshua Alexander Carly & Clayton Christopher William & Anita Cochran Jaime Davila Kandace & Dennis Eakin Deborah Green Caroline & Brian Haley Abbey & Mike Herman

Mimi & Steve Houston Maria & Steve Kahng Nancy & Angus Littlejohn Julia Marsden Chris Mattsson Susan & Robert Morse Carolyn & Marc Seriff The Tocker Foundation Natasa & Michael Valocchi

$50,000–99,999

Carolyn Rice Bartlett Charitable Foundation Isabella Cunningham $10,000–49,999 Mary Ann & Andrew Heller Marcia & Gary Nelson Bettye Nowlin Laura & David Starks

Special gratitude to donors who have established endowments at Texas Performing Arts to provide long-term funding for mission-driven projects and programs:

Alex and Dee Massad Endowment Fund Arts Education Endowment Joann and Gaylord Jentz Endowment for Student Engagement Kathy Panoff Texas Performing Arts Student Engagement Endowment Nancy Lee and Perry R. Bass Concert Hall Endowment William & Anita Cochran Endowment for Performing Arts Access & Education Phillip Auth Endowed Dance Fund for Texas Performing Arts PAC Fund for the Creation of New American Art Performing Arts Center Endowment for Performing Excellence Robert L. Tocker Endowed Excellence Fund for Student Volunteerism Topfer Endowment for Performing Arts Production Z. T. Scott Family Endowment for the Performing Arts 40

*Gifts pledged or received as of August 17, 2023


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Texas Inner Circle Members Texas Performing Arts gratefully acknowledges the financial support of our members. Each year, members help fund robust education and engagement initiatives, affordable student tickets, and critical student employment opportunities that make Texas Performing Arts so much more than what you see on our stages.

Donations made as of Aug 15, 2023 We regret that limited space does not allow us to list every member. For information on ways to give, please visit texasperformingarts.org/ membership, call the membership office at 512.232.8567, or email us at support@texasperformingarts.org.

*Corporate Circle members

BENEFACTOR’S CIRCLE $10,000+

Malu Alvarez Virginia and Gilbert Burciaga Heather Crenshaw Petkovsek Lynne Dobson and Greg Woodridge

PRODUCER’S CIRCLE $3,000–9,999

Anonymous Kayla Christie Joanne Guariglia Drs. Lynn Azuma and Brian Hall Christie Barany Deepika and Somdipta Basu Roy Debra Bawcom Kelli and John Carlton Lee Carnes Edwina P. Carrington ChemCentric* Suzanne and Bill Childs Colleen Clark Sue and Kevin Cloud John Coers Elizabeth Curtis Barbara Ellis and Alex McAlmon Soriya Estes and Kelli House Jim Ferguson and Art Sansone Jane Flieller Frost Bank* Phil and Lisa Gilbert Shawn Smith Gleason and Brian Gleason Radena and Brian Hampton Lisa Harris Gladys M. Heavilin Mary Ann and Andrew Heller Mellie and Tom Hogan Janis and Joe Pinnelli Gary C. Johnson Melissa and Chris Knox Cathy and James Kratz Gretchen and Lance Kroesch Dr. and Mrs. Thomas Loftus Peggy Manning Julia Marsden Glenn, Jennifer, Waylon, and Wyatt Muniz Jacqueline and Shawn O’Farrell Wayne Orchid Javier Prado and Family Debbie and Jim Ramsey Gina and Don Reese Linda and Robert Rosenbusch Sanchez Law* Niki and Prahar Shah Syd Sharples Dan and Sylvia Sharplin Robyn and Bret Siers Jaime Silver Barry and Laura Smith Carole Tower and Matthew St. Louis

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Shari and Eric Stein Renee Butler and Kay Stowell Louann and Larry Temple Bill and Claudia Wilson Carol Walsh-Knutson and Kelley Knutson Dr. Mary G. Yancy Annie Zucker and Michael Regester DIRECTOR’S CIRCLE $1,500–2,999 Mandy and Heather Andress Bonnie L. Bain Carolyn R. Bartlett Cynthia and Jim Bast Becky Beaver Dr. Steven A. Beebe Kyndel Bennett Grizelda and Tim Black Tahra and Michael Boatright Andrew Bowman Joann and Scot Brew Michelle Brocklesby Kara and Shelby Brown Kim and Thomas Reed Brown Danielle Bundy Sam Caire Shellie and Martin Campos Carol and Shannon Casey Raquel and TJ Chandler Farrah Chelstrom Anita and William Cochran Tracy Coffin Beth and Walter Compton Cathy and Rick Coneway Karen and Bill Cox Monica and Carl De Leon Niccolo and Natasha De Masi Joan Dentler Kathleen Dignan Dana and Ken Dockser Jared Ellis K Susan Farias Ken Fess Nanci L. Fisher Jennifer Floyd Pamela and David Frager Sandra Freed Alicia Furst Robert Gardner Nancy Gary and Ruth Cude Eva Garza-nyer Cheryl and R. James George, Jr. Dr. Lisa Go and Dr. Lucas Wong Susan and Barry Goodman Mohit Goyal Karen and Rowland Greenwade Sven Griffin texasperformingarts.org

Cheri Gross Juan M. Guerrero, M.D. Jeremy Harrell Sarah Harris Jennifer and Randall Harris Gunnar Hellekson Sheri Henriksen Anne and Thomas Hilbert Melissa and Rick Gorskie David Honeycutt Jody Hooten Michael Hostick Amy and Jeffrey Hubert Jeanine Hudson Rob Ignatowski and Daniel Pacheco Linda and James Jarvis Victoria Johnson Helen Johnston Dr. Peniel Joseph Maxx Judd and Donn Gauger K Friese & Associates* Elizabeth Kalamaha-Wynn and Michael Wynn Lynn Katz and Scott Hinz William Kellogg Heather King Betsy and Matt Kirksey Margaret Denena and Cliff Knowles Sheila Kothmann Loree and Burney LaChance Matthew Lara Donna, Calvin and Callie Lee Ellen and Richard Leyh Dracos Locario Jennifer and Christian Loew Katherine Maddox Casey Blass and Lee Manford Salman Manzur Art Markman Leslie and Charles Martinez Richard McCathron Molly McDonald Alexandra and Tom McKeone Ford McTee Christine Messina Melissa Moloney and Chris Walk John and Brenda Mosher Meri Nelson Scott Neuendorf Jeff Neumann Milam Newby Linda Nguyen and Jorge Garcia Cathy Oliver OroSolutions* Vicki Osherow Terri Pascoe Connie and Samuel Pate Michele and Roy Peck Robert Perez Shari Pflueger

Machelle Pharr Liz and Jon Phelan Suzanne Pickens and Douglas Hoitenga Luis Ramirez Sara and Dick Rathgeber Richie & Gueringer P.C.* Bob Roberts Susan and Cesar Rodriguez Chuck Ross and Brian Hencey Jaime Rubenstein Steve Schaffer Susan Schaffer Teresa Schaffer Nina and Frank Seely Vijay Sitaram Lorri Stevenson Bruce Stuckman Joan and Peter Swartz Caroline Tang Caroline, Olivia, and John Taylor Heather and Jeffrey Tramonte Erin Vander Leest and Tom Pyle Daniel and Sara-Jane Watson Angie Watson Leslie and Bryan Weston Susan and Chris Wilson with Bonita Grumme Jacqueline Wittmuss Melinda Young Micka and Richard Ziehr CENTER STAGE $600–1,499

Anonymous (5) Austin Seal Co. Margaret Abbott Cynthia Abel Amy Adame Dwain Aidala Mark Aitala Sujata Ajmera Lauren Aldredge Jake Aleman Emily Allen and Ron Altizer Terry Amacher Page and Neal Amador Brian Amato Libby Amato Joe Annis Laura Arabie Cecelia Arvallo Evan Atkinson Tony Aventa Donna and Manuel Ayala Catherine Bachik The Ballon Family Jana and Barry Bandera Elisa and Scott Barnes Armando Basualdo Anne Bawden Travis and George Baxter-Holder Joshua Becker April Berman Carolyn and Jon Bible Nawaf Bitar Kevin Black and William Basinger 43


Denis Blake Stephanie and Michael Blanck Robert Bracewell Brook and Gerald Broesche Christy and William K. Browning Esther Ray Burns Annie Burridge Robert Bush Robert Butchofsky Kelly Canavan Geri Candow Ms. Susie Capozza Carolyn Stone Productions, LLC* Cheryl Carswell Kristen and Luis Casaubon Shane Chambers Beth Chelton Amy Clemmons and Mark Clarke Sharon Cohan Sarah Compton Sherri Cook-rousey Jeanette Cortinas Jessica Cullen Elaine Daigle Gail and Mark Dankis Wilma Dankovich Lorraine and John Davis Lisa and Paul Delacruz Lucy Ditmore Kristin Doles Susan and David Donaldson Christa Dove Kevin Dowling Bethany Dudley Glenn and Britta Dukes Maria Dwyer Jeffrey Dwyer Brian Dziuk Susan and David Eckelkamp Michael L. Edwards Kelsey Elliott Tim Elliott Sheila Ellwood Julia Evans Rebecca D. Ewing Whitney Falcon Travis Farris Jane W. Fountain Drs. April and Donald Fox Christopher Frampton Vivian and James Froncek Rob Fuller Sara J. Gaetjens Katina and Matthew Gase Maragaret Gessner and Andrew Alpar Breanna and James Giannoules Sharon and Richard Gibbons Sean Gibbons Nancy and Glenn Gilkey Laura and John Gill Don Gladden Becky and Craig Griffin Jana and John Grimes Dr. Suchitra Gururaj and Joe Carey Maria Gutierrez and Peter Nutson Elizabeth Gutierrez Jane Hall Cindy and John Hanly Amy and Peter Hannan Jane Hatter Lynda Haynes Denise Hemphill John Hernandez James Hester

Brad Heyse Chris Holden Marjorie and David Hunter John C. Jackson Kathleen and Jim Jardine Kristin Jarrett Christina Johnsen Kathleen Johnson Anita and Ralph Jones Suzannah Jones Jonathan Joshua Katie Kauachi Kristen Khazzoun Susanna and Michael Khazhinsky Hugh King Mrs. Jan Houston Knox Gail and Jeff Kodosky Stacey Kotson Aileen Krassner Kiehl and Michael Kiehl Carrie Kroll John Kump Kathy Kuras Ferne Kyba Amelia Larkin Dr. Jeffrey Lazar Kristin Lemons Jeanette and Donn LeVie Stacy Libby Jenny and Luis Lidsky Cindy Lo Brian MacKinlay Gayle and Scott Madole Richard Maier Lenée and Dick Marshall Drs. Victor Martinez and Christopher Rose Michelle Mason Dr. and Mrs. Lawrence Masullo Elizabeth and Donald Maynard Chris McClung Katharine McCormick Denise McCullough JodyAnn McIntosh Jen Meigs Robert Messing Frances Ellen and Paul Metzger Lynn Meyer and Rick Clemens Pauline and Alfred Meyerson Janet Mitchell Annabel and Tony Mize Paul Montague James W. Moritz Sarah Morris Motal Family Denise Margo Moy Barbara Muntz Michelle and Eric Natinsky Rachel Naugle Philip Neff Brian Neidig Diane and John Newberry Laura, Bryan & Sophie Newell Ms. Margaret Ann Massey Nilson and Brian Nilson Forrest Novy Lori Nunan Shaw Debbie Olander Eric and Allison Olson Dan and Deborah O’Neil Tanya Ortega and William O’Donnell Augustine Park Linda Parker Kelly Payne Robert Pender Karen and Wes Peoples

Rich Perrone Adele and Brian Peterman RJ and Terra Peters Tami Pharr Samantha Porter Carla and Steve Portnoy John Potthoff Kate and Scott Powers Anant Praba Liza, Ed and Hannah Prendergast Eric Rabbanian Gary Rae Meghan Railey Lisa and Curtis Randa Tracy Rawl Marquette Maresh Reddam Elinor and Edwin Reese Dawn and Thomas Rich Martin Ritchey Jeanine and Dan Roadhouse Tracy Romano Alyssa Russell Corey Ryan Summer Rydel Susan E. Salch Julie and Richard Schechter Christine and Anthony Sementelli Rashid Shamsie Bradley Sheldon Robert Shimanek III Erin Silvertooth Linda Simonson Christen Simpson Allen Small Steven Smith Raymond Smith Hank Smith Kimberly and David Soloman Toni and Ted Spalding Randy Sparks Logan Spence Nancy Spong Lisa and Rick Stipe Stephanie and Paul Stone Pamela Stryker Scott Studer Katherine and Matthew Sturich Geeta and David Suggs Anna and Suresh Sundarababu Dona and Ali Tabrizi Karen Taheri Dwight Tejano Bri Thatcher and Andy Modrovich Mackenzie and Burwell Thompson Letty Tomlinson Stacy and Michael Toomey Alice Toungate Gregory Tran Claudia and Luis Trejo Lee A. Warbinton Kenneth R. Webb Chrissie Welty Marie and Phil Wendell J’Lynn Wheeler Kathleen White Caro Wilbanks Michael Wilen Mr. and Mrs. Mark J. Williams James Williams Ann and Eric Wilson Thomas Wilson Cecilia Wood Kevin Wood Jeannette and Mitch Young Lena Yoo and Gerry Cardinal III

44 texasperformingarts.org


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THE 23/24 SEASON IS SIMPLY THE BEST! THE LINCOLN CENTER THEATER PRODUCTION

OCT 3 – 8, 2023

NOV 14 – 19, 2023

DEC 5 – 10, 2023

FEB 6 – 11, 2024

MAR 13 – 31, 2024

THE TINA TURNER MUSICAL

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JAN 9 – 14, 2024

APR 23 – 28, 2024

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JOIN OUR eCLUB FOR PRESALE ACCESS

BroadwayInAustin.com | TexasPerformingArts.org Due to the nature of live entertainment; dates, times, performers, and prices are subject to change. All patrons, regardless of age, must have a ticket. There is an eight (8) ticket limit per account, billing address or credit card. Orders that exceed this limit will be cancelled without notice, including multiple orders with the same account, billing address or credit card. No refunds or exchanges. Presented by Texas Performing Arts. Broadway Across America provides production services for Texas Performing Arts. Sales tax exempt 48 pursuant to Texas Tax Code Section 151.3101 (a)(3).



Corporate Support The 2023–24 Texas Performing Arts Season is made possible by our Corporate Sponsors.

PRESENTING SPONSORS

For information on Corporate Sponsorship

Contact Amy Burgar, Associate Director, Development 512.471.1195 | aburgar@texasperformingarts.org As an educational institution committed to the free exchange of ideas, Texas Performing Arts is proud to present a rich array of performing arts for the Austin and Central Texas community. Sponsorship of Texas Performing Arts does not imply endorsement of artists or their performance content by sponsors or their representatives.

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An Encore for Generations Supporters like you believe Texas Performing Arts has the power to create joy, transcend differences and change lives. Thank you for helping us become one of the nation’s highest-impact live arts organizations. Did you know there are money-wise ways to plan for your future and support your passions? By making a gift to Texas Performing Arts through your will, trust or estate plan, you can ensure vibrant performing arts programming continues for generations — all while meeting your financial and family goals.

learn more about gift and estate planning at utexas.planmygift.org/tpa-encore.

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Call 800-687-4602 or email giftplan@austin.utexas.edu for more information.



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