Andy Moses - A 30 Year Survey

Page 150

Making the works entails a kind of wrangling of chaos. More than a painterly technique, his composition resembles an orchestration of observed natural phenomena: gravity, viscosity, hydrodynamics. He manipulates thickness instead of brushwork, motion instead of gesture, to replicate both natural and transformational processes, forcing idea and matter into a conscious collaboration. Such is the texture of the new visual language Moses is evolving; reaching toward an essential way in which to convey the thrilling, vertiginous simultaneity of those moments in nature when the convergence of abstract aesthetic and emotional possibilities approaches the sublime.

Shana Nys Dambrot

R.A.D. 1502, 2016, acrylic on polycarbonate mounted on parabolic vertical concave wood panel, 55 x 77 x 7 inches

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