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Trinity’s Easter drama The King hit the high notes and explored the depths of human emotions as it showcased Christ’s life and sacrifice in all its glory. By Sharon Lim
As the 12 disciples bantered in tune to jazzy riffs, accompanied by stylish choreography performed ably by a 97-strong dance cast, the scenes contrasted with that of a beaten and bruised Jesus struggling under the weight of the cross, trailed by a loud, agitated mob. This was more than apt as the highs and lows of this year’s Easter musical, The King, which was staged over two days on April 21 and 22, mirrored the eventful life of Christ. With a fresh, creative interpretation yet preserving the essence of Jesus’ time on Earth from His birth to the crucifixion, the musical colorfully and vividly fleshed out the miracles and sacrifices Christ made, which a rapt audience happily lapped up.
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The musical, which was first written and performed by Trinity in 2003, had evolved to include a bigger cast and grander setting to when it was performed at Trinity@Adam. No less than 186 cast and crew members – Trinitarians with a flair for the dramatic – took part, and together with skilled craftsmen helped build the exceptionally huge set that fit the stage in the Sanctuary at Paya Lebar. And their hard work paid off. As many responded to the altar call given by Pastor Sabrina at the end of the services, others were moved to tears as they left church that day knowing that they encountered a living God who loves them and died for their sins. In the end, more than 185 people gave their lives to Christ via the musical. Praise God!