A Christmas Carol

Twentieth Century (American Airlines); Constellations (Samuel Friedman Theatre); Big Fish (Neil Simon Theatre); The Big Knife (American Airlines Theatre). Aaron was named the USITT 2013 Rising Star of the Year award recipient sponsored by LDI/Live Design. www.aporterld.com David E. Smith◉ (Sound Designer) is director of the University of North Carolina School of the Arts theatre sound design program. David spent eight years designing sound with the Royal National Theatre in London, England. Triad Stage: Cat on a Hot Tin Roof, All’s Well That Ends Well, Brother Wolf, Snow Queen, Tennessee Playboy, Trouble in Mind, The Illusion, A Doll House, Dial ‘M’ for Murder, Masquerade, A Christmas Carol and The Glass Menagerie, among others. Regional: Arena Stage, North Shore Music Theatre, Trinity Repertory Theatre, Alliance Theatre, Cape Fear Regional Playhouse.

Local: Paper Lantern Theatre Company, Little Theatre of Winston-Salem. David was the recipient of the USA Creative Business Cup award in 2014 and was also was selected as a finalist in World Stage Design 2013.

Nicholas Hussong (Projections Designer) Nicholas previously served as Artistic Associate of Design at Triad Stage, where some design credits include Common Enemy, Underneath the Lintel, A Christmas Carol (2010-2015), The Mountaintop, The Sunset Limited, The Glass Menagerie, Providence Gap and The America Play. Based out of New York by way of Connecticut, Kansas, North Carolina, Illinois and Indiana, some of Nicholas’ work has been seen at the Nashville Symphony, Hartford Symphony, LaMaMa, Barrow Street Theatre, Sheen Center, PlayMakers Repertory Company, Joe’s Pub, Ars Nova, Yale Opera, Cantata Profana, and Heartbeat Opera. Select credits include, These Paper Bullets! (Atlantic Theatre Company, Geffen Playhouse, and Yale Repertory Theatre), Skeleton Crew (Atlantic Theatre Company), and Antigonick (Toronto). www.nickhussong.com Sara Ruth Tourek (Choreographer) has worked as a professional dancer, choreographer, and educator throughout the United States. She currently works as an Assistant Professor of Dance at Elon University, where for the past seven years she has choreographed numerous works for the dance department. Sara has also choreographed several shows at Greensboro’s Triad Stage and has been invited to present work as the featured local artist on the North Carolina Dance Festival Tour as well as the Greensboro Fringe Festival. She was the featured guest choreographer and teacher at Texas Tech and Northwest Florida State. Sara holds a Master of Fine Arts in Dance/Choreography from The University of North Carolina at Greensboro and a Bachelor of Fine Arts in Dance Technique from Ohio University. Sara has also served as the Lead Dance Instructor at Governor’s School West for the last seven years.

Robin Christian-McNair◉ (Accent Coach) Triad Stage: The Mystery of Irma Vep, A Christmas Carol (2015). Robin has recently come from New York City where she was teaching at the Actors Studio MFA program at Pace University and Tepper Semester (Syracuse University) and Co-chair of Voice and Speech and Artistic Council at HB Studio. Previous teaching experiences are Maggie Flanigan Acting Studio, ACTeen, and The Hagen Core and Summer Intensive Programs in The Hagen Institute at HB Studio, NYU Tisch School of the Arts, Fairleigh Dickinson University, Drew University, and at The Conservatory of Theatre Arts at Purchase College of New York. Her degree is from Rutgers, Mason Gross School of the Arts, where she received an MFA under the direction of William Esper.

Ms. Christian McNair is Linklater Voice designated, Feldenkrais certified, and has a speech and accent certification in Louis Colaianni’s “Joy of Phonetics”. She is a member of Actors Equity, SAG and VASTA, and is a professor at UNCSA. Terence Orleans Alexander (Stage Manager) Triad Stage: A Christmas Carol (2014-2015).

Broadway: Mary Poppins, Wicked, Newsies. Regional: Utah Shakespeare Festival (15 seasons); 10