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Project Arts Centre plays host to Ireland’s Meyer and Judy and I hooked up with them national irish Saturday 19 June national irish at the New Theatre &-"*/& 53"/4-"5*0/ most-travelled in the early ‘90s. We did a lot of shows with arts library Wednesday 16theatre June company from the*446&4 visual
visual arts library .631):˜4 -*55-& 12th to the 17th April, welcoming the Gare them, I was acting and Judy was directing. arts visual library The Beautiful Girl 806-% visual arts library St Lazare Players with their double bill of Then we moved away from Paris and we Madcap Theatre Company (&. 3&563/4 Beckett plays, The End and The Calmative. started doing our own work but under that
Nov 1st - Nov 6th
heads.� There was originally a group called Gare St themeexpectation text as weren’t theofmain You’ll find to play, in form, with no controlled. extravagant sets8pm awith fear and misuse. and to how social spaces are designed and ThursdayFor to Saturday, 12-6pm. to so we surething. how we were going http://henryandsunny.blogspot.com/ the₏18. End and the Calmative. more Oscar ticket Ifmonologue we had shot in color we would have had a lot upon of their Concha Buika Faith ■■Marianne ₏13.50, win this year is a reflection of people’s 16-27 March. Tickets cost ₏15 - ₏25 one night in French for two weeks. I think I lost about
gig Techno,
Lazare in Paris, setHall up by an American Bobby One Tree out as you’re going alongKirk through Bandrehears■Donal National Concert Endorsed Hill
details see www.projectartscentre.ie â– Philip Glass Grand within Canal Thea preciation for what’s happening the J JJ Smyths National film Concert Hall There is more â‚Ź25-35, 8pm â‚Ź39.20/41.50, 7.30 and Barnardos. industry. variety in Japane â– Big Time! D’Olier St, D2 Smithfield, D7 â‚Ź10, â‚Ź15-40, 8.30pm West African singer, Spanish A Mars a day...ster now. Our films aren’t falling into certain R&B with Frank Jez and DJ Blues, Ska The Bernard Shaw, 11 -9pm 12 Sth St, Ahmed Free Richmond St, Portobello, D2 categories.plays The new generation of film-m â– Scissor Sisters Master ofcal minimalism music. 11pm, â‚Ź5 quite keen to explore the â– outside market and Temper â– Lesley Garrett You Tube nights, hat partys... Olympia Theatre solo piano. ed Dancâ– Soup Bitchin’ make and do for grown ups! With ing an international audience into considerat National Concert Hall Whelan’s â‚Ź44.20, 7.30pm â– Muzik a DJ. Panti Bar, 7-8 Capel St, D1 making their films. In thatâ‚ŹTBC, respect8pm it’s a very â– Blondie â‚Ź25-55,writer/director 8pm It would be cheaper to stick Henry and Sunny, Dublin-based together twenty years after their original setting Gay student night The Button Factory, Curved St, kind of filmmaking to what we had in the 19 â– Mary Black Vicar Street with the Upstairs. Plus PĂĄdr scissors in your ears yourself. Fergal Rock’s ‘melancholic tale of true date love against â– The Temple Bar, D2 Rescheduled Panti Show Acoustic and they meet for the first time in a cafĂŠ in Moscow certainly is an interesting and encouraging ti â– Alice Jago Olympia â‚Ź49.20, 8pm RTE Concert Orchestra & Band. And less painful. all odds’, is Up-Beat a uniqueIndie, vision quite beautifully realâ– The Song Room New Wave, Bouncy Panti Bar, 7-8discuss Capel St, each D1 Theatre where they other’s lives. Japanese cinema. ized. Shot in high-contrast black and white, Henry Whelan’s â‚Ź34, 7.30pm Heart of Glass beginning to Electro Gay cabaret. The Globe, 11 Sth Great Georges exford and Sunny imagines a complicated relationship 11pm 10pm St, D2 Friday Van Diemens Redmondand O’T â– The â‚ŹTBC, 8pm Once you go So Black, never show cracks. Can you tell us about the â– programme w These plays are notname. related though are they? They Acted and directed by husband and18 wifeJune company at ayou certain point then,
pm between an unemployed clown and his high-profile he Mighty Live music8No Guests Whelan’s Jago bomb. Bomb in and the good go back have chosen these particular films? two stone in weight! It was tough but fascinating. stranger to the dark daunting, seasoned aren’t sequels? team, Conor Lovett and Judy Hegarty it made sense to differentiate ourselves and mber â– who 8.30pm, Free Noize Mofo + One By One + DJ love interest inhabit very different worldsâ– that als if you needâ– anything it’s been Tickets: â‚Ź15 /FouĂŠrÊ’s 12 (concs) / 10sees (group) â– Mary Black Pearl Jam National ConcertoH sense obviously. We else. try toAnd promote a deeper understanding Then a year on a different special project forâ‚ŹTBC, the 8pm thespian Olwenoff latest is her take No, they are ago bothI worked completely characters Rounding The Abbey’s By Popular Demand Pallas Contemporary Projects something of a to Andrews Lane Theatre, Andrews Jenny Lovett, The End has role been described asthe the tragically threaten to keep them apart, despite their T formalise our own company. We already Astage show based on the words, life and works of the our experience of working with Beckett that society and culture. A lot of the8pm films’ theme Island All-Day â– Popical Olympia Theatre The O2 â‚Ź20, They just can’t get enough. European presidency in France. I was put together as the sole survivor of Sodome, a city which cenfrom completely different plays. The only link is that season, which saw the welcome (Terminus) and not hiddenperfect gem best in Dublin’s artistic landscape, secreted â– First Taste D2 Bar, 21-22 Wellington faun efforts. Lane, introduction to Beckett – we talked Fitzsimons had used thatand namedid so an weadaptation became Gare St that aim. We ‘Achill have five for great Irish poet, withboth aTemple French director turies before enjoys a utopian existence of joy, excess you really don’t need compliment to put anything else Pop Sophie Delila â– Harcourt â‚Ź34, 7.30pm â‚Ź59.80/65.70, 6.30pm in films October’ so welcome (The Sea Farer) return tocommercial the Abbey they share anExtravaganza author we and a location. The in play from the larger tourist haunts and Student night with live bands, Quay, Bar, D2 Crawdaddy, away Old St This latest short from Rock assembles an ac C^^S` 4]e\Sa Ab t, D1 and I hope that I piece have selected a good combi to the star of the one-man shows, Conor Lazare Players, Ireland. French of two of Roddy Doyle’s books – Paula Spencer and orgies until terror deals one fatal and devastating Achilles â– Whelan’s Whelan’s Black ops Grunge’s not dead and Peacock stages of some of its most talked-about up there. That won’t apply to every of Eoin. theIndie Electro Free, 9pm 1.30am Station, DTomas 2 entities Mac that complished populate cityand centre. isn’t contributed stands on –its own feet however, so audiences wouldn’t team that hasWhich undoubtedly that people will enjoy. The press responses to imag and The Woman Who Walked into Doors. I grabbed blow. In herit’s solo in the premiere Lovett. shows, is Little Gem, the winning debut Whelan’s 8pm â‚ŹFREE, 9.30pm, â‚Ź5 orworld â‚Ź8 for two people A party playing allperformance to â‚Ź8, say that inaccessible, in award fact in the fish bowl C new weekly have to be 3pm familiar with Chekhov to enjoy writing but it’s a kindthem of anhave aesthetic that to the film’s positive reception on the festival necessarily circuit.BS[^ZS 0O` been very positive. We have Pony that experience because I thought it was a fantastic of a play by acclaimed Frenchman Laurent GaudĂŠ, with flyer â– less new and advance musicactor/writer inHere The from Elaine Murphy. since its The Bionic Rats of Parisien Dublin city, it’she just past the little plastic diver, Turin Brakes Trainsfor us over the â– Zodiac Session â– Ever â– The You have quite alaunch, strongfeaturing affiliation â‚Ź7, with 8pm chanteuse. Up the Compilation ute discusses the film’s depiction of a love the play. 2cPZW\ we’ve found has formed M animation Miyazaki who is quite w opportunity and now, more and more, I want to work FouĂŠrĂŠ rises the settled ashes encased in to or costumes. Lobby BarReunion The Turk’s Head, Parliament St &Yeh much-raved-about appearance as part ofasalt, the Fringe In Little Gem the role ofest Amber provedfrom the most tucked awayfrom between Stoneybatter and Smithfield. Whelan’s Whelan’s Bruxelles Upstairs. escalier. Land Lovers, Deadlies, ordinary, and how they stumbled across lead actor First things first, can you tell us little bit Beckett’s work. Is there any reason for this tre, Sth from Spirited Away and Howl’s Moving Cas years.toBut, you like, in the lasttobig 10 years with this inbetweeness.â€? relay her2008, account ofgo theslightly event. A piece 7pm, Freeby â– Thursdays findexperience that a lot of the timehad when I go into a Gate, Temple Bar, D1 CafĂŠ your En Seine in it has played to sold out audiences inof Ed- Essex the“I new Dublin a significant difficult cast.if“This play has aseems really Uhlman (Performed by@â‚Ź23, Daniel Reardon /Has Y If Fred you’re willing to offprovocative road with There beelderly a strongFree, sense9pm of fragility in 9^gZXiZY Wn Paulo Braganca. 8pm â‚ŹTBC, 8pm Groom and (honestly) much Have you worked with Brian Friel’s plays in the past? about the two plays coming up in Project other than admiration for his work? was a huge hit in Japan. It quite a deceptiv It effect was theatre inonParis a producing? year ago FouĂŠrĂŠon first work, Sodome, My Love, into English Dance, Jump and Skii torecognise Reggae CafĂŠ En Seine, 39snaring Dawson St.,by D2 I almost don’t thewhen characters stage. we’ve because done three plays other inburgh, London and New York, its scribe what you’re fanbase, the Kay roleby is particularly so muchwriters. fun,concerning andWe to is the city centre strolling, take atranslated lookey-loo in this month, work, Adapted for the stage by GdcVc L^abdi Chris Brown Sami Moukaddem â– â– The worst a It across Upstairs. The lighttoatbethe end at a younger Weekliygrammar acousticof sb much more. Upstairs. Yes, my Brian Friel play was in admiration. 1966, as aWith kid in CM aimed audience stumbled GaudÊ’s Printed on the some FouĂŠrĂŠ herself, notartists only poses questions about thebrakes hu- outside Arts Centre – The End and The Calmative? would be We’d â– and SkaI first DJs and dancing until 2.30am. Unplugged @some The Purty wouldn’t meet them in200% my everyday life. serious accolades ranging the Fishamble our work isabout a script. response to both physiget them toThe listen toPortuguese what aappears 19by year old has to of say where Australian Pat Foster and Jen Berean architecture, does all this relate back to tha did the Good Thief Conor MacPherwork to do with costumes and props so our choice cast it. Two plumbers turned up at our The concept of clowns asfrom the latest casualtiesthe of Typically the gger) Ronan Wilmot) Vicar Street JJ Smyths Toyota Prius. of the tunnel. Abbey The Loves of Cass McGuire. However, always expect Miyazaki to deliver a deeper m random publication, the title (Sodome, ma douce in man condition but magnifies mankind’s inherent need Free, 10pm Cocktail promotions. The Purty Kitchen, 34/35 East Little Gem, I think, the audience members recognise MY Writing award theto 2009 Carol Tambor structures of a given environment, sothings on that and to really care aboutdoor it,built you really need someone They’re short written bywith Samuel bigtofans Beckett, question. What’s haveNew opened a
new exhibition coincide their anxiety’? shootof in black andno white simplified producer Orla’s one daysurface to re-fit her bathrecession isstories a to unique one. What made you settle cal on andbesocial son, we did Swallow by Michael Harding, The New Theatre May ■Hilda ₏56, 8.30pm ₏10, 8pmof interest than the suggests. A Stranger of Min ofsoon the greatest acting experiences I particularly have ever French) intrigued her. Immediately she set about findto destroy all that he residency. fears. 8pm, Free for a woman who only one Essex St, Temple Bar, D2 themselves more in the characters, if In response to the level shown in last year’s Best of Edinburgh. Not bad as as we landed Dublin we quickly started strong in the role.� , - ! .
international studio This sense of fragility in the work is intended level. I also think it looks much morewhile atmospheric. room.last Sheyear, textedwe meinteresting saying one of them bedirector named y Beckett from kind of ■DJ Dexy interesting about what we’ve done, thatand idea they’re asYthe basis forthe yoursame film?7N CY and then did andreaming adaptation of film from awould young World Premiere. Live acoustic set with Gavin Ute Lemper Thursday 24 ■The Whelan’s Bruiser Brown Gordon Lebanase jazz guitarist ingwas a copy of the text, read inwalking one sitting and “For me, the Sodome of this play represents aLegend state toof Luke had playing Casimir init another Friel playdecided called IFT you see it all in one of the suburban theatres like the Fmakes //0 ) * * - # 1) " . *.# event the Japanese Film Festival has broadened its■the wrote itwell because she couldn’t benative arsed walking the city, through around, As a perfect writer and an actress is she the uphim any Y Already established in Melhighlight inherent lack stability within t It goes back to that almost Farside-like idea of for part. * .! of Henry and asked ifof he’d IT actually wrote thetheir script while I was doing a researching F I ! "
#$$% N period as when Beckett wrote First Love, we have in our repertoire, 3 or 4 Beckett 7G:C96C eat Georges CMY S E Uchida. It is his first film, shot on a low budg Edwards ■Fitzsimons Bar, 21-22 Wellington Choicecuts presents: The R H without delay to put the piece into production. FouÊrÊ of consciousness which we have completely lost any E Arguably Ireland’s greatest living playwright, Brian Kelly Nov 8th Nov 27th Grand Canal Theatre Herman Melville’s Moby Dick. The same Aristocrats. We took that play to London and then ₏TBC, 8pm T look popular. T Civic in Tallaght.� horizons, now taking in three locations across the the library. R
! " # ! $ $ % !" talking to locals and digging through images. juicy roles for herself to bring to life on stage? bourne, Foster employ vocabulary of fabric of urban space, that in-built anxiety. Th A Berean Tand robbing the clowns of their color and distinctive be interested. He was really surprised because he’d masters in DIT. At one the stage I was 7:=6C working a call Temple Bar, - -* * -! or the Sis 2 Bath ( ) . ) Avenue, Dublin 4. 2to. - initially 7pm, Free turned before Quay, D2 Beatdown uses no /- ( *# famous actors. The brilliance of this
$ % & ' L80 which a started piece we also did In inNew plays, 10 of the last 11 Beckett things is Attempting wary ofAstranslations since “Every act translation connection When the last survivor ofrecently. the ofFactory A11pm Friel January, and celebrate his A the latest in a long, long line of Irish writers York, which it allnot sorts ofof awards. This â– years Stevie The Button â‚Ź38/41, 7.30pm Disappointingly an @ country before making a welcome return to Dublin “I last writing the piece ascity a vehicle to getearned a grasp on the workings of the “I’m playing with it. You write aact piece and you National College of Art &actually Design D8Epm aesthetic would have applied toof each of & architectural design to appraise how we underconstant trying tofew achieve this Wonder stability h S traits. made a # feature film in Portugal a centre and aPygmalion, lot oftothe people working there with Home K N I 0 1 * - ' % - -! "
A Energetic blend of dancefloor South William St, clever script and unusual structure. It has a g M National College of Art & Design is an act of interpretation. [GaudĂŠ] writes with amazSodome speaks to us, she is speaking to the descen2 E finding their voice in monologue form I wonder fact, as a theatre company we have done we’ve done have been prose works. It’s an milestone birthday the Gate Theatre are presentin the latter half of November. Festival programmer & for myself,â€? she tells me when I meet her for tea in isn’t my first time playing Andrey however, we took city and alsoImelda its significant history. WeNational were lucky think whether can see in rendering it or famous Kennedy Monday 21 June â– Brian The O2 spaces even â‚Ź15, 7.30pm May tribute act. IN stand andâ‚Ź15 utilize built environs. In preparing the affect, social National College of Art &earlier. Design College of Art &about Design Tickets: /were 10 to be interpreted. Afterplay is aadverse bityourself of amount aas gem, and 100 Thomas Street He hadyou aagreat career a want relatively W(concs) meO involved in arts and looked like they ) - ( ( - 2 * % , -! * 2 * ( those three pieces, minimal of e, Jody Four â– Space ‘N’ fillers Dublin 2 theher Vedaof the which Ibetter don’t to say too much about. I E show, schedule whether
ing poetic simplicity. What was difficult was to maindants people who eliminated people. So it L 100 Thomas Street T what it is about this mode of theatre that makes it
T Shinji Yamada has compiled a reflective of the The Abbey. “I had an audition and I was too lazy enough to be taken on a fantastically insightful tour somebody else would be off in the ! ing three of his greatest works in succession: Faith Afterplay to Australia early this year with Francesca ! O their residency The Problem with Stability, fragile. Our work suggests that this lack of8pm sta National Concert Hall ! % 2 ") - 2 - - # 3( 4! *-) *5 â‚Ź65.70-96.25, Tribute 10Georges Samuel Beckett prose pieces, pieces that interesting distinction but about I100 think there aStreet !"# Were you being satirical the entertainment although has been preformed awas few times inDavid Ireland, singer over there, signed towant Byrne’s 100 Thomas were better to other jobs.innocent My writing often Thomas Reunion is the story of hop intense and devoROsuited wer Dublin 8thatisStreet Open Monday toitfado Friday from 8am, lunch U Free, 11pm Hip The George, SthBGreat scenery if youJapalike. It’sof kind of developed film you will toas see twice! Kamikaze 0 aEbeen tain this simplicity because thereplaywrights? are certain things touches on a and whole load of issues like ethnic cleansing 5has so attractive todoing emerging Y imagination and forward thinking that has made to go to get new monologue. I Best had this idea for a Annis Dublin 8 L by aand local historian that really helped us to start to role. There’s always the question about whether I’d their process ideally positioned between should be understood as a key factor in how w N Healer, Afterplay The Yalta Game. known now I’m it with Frances Barber. P!NK â– Butch Walker Wednesday 23 June â– â‚Ź30-39.50, 8pm industry? Soul icon record label and toured around America. He went O involves taking something familiar and putting it in many Friel fans will still not be overly familiar with it. Dublin 84347 $ $ % & weren’tbut actually written for the stage. The in hisand prose writing of01the Dublin 8work between two young men growing up in “the soft, 9pm, free T: 636 nk, and the St, D2 tion beautiful coming-of-age story about teenage you cantradition say very directly ininform French that and genocide, primarily for me it represents a state aesthetic. When you’re doing the work
$ % & ' “I was talking to Abisimply Spillane about it, whose nese cinema an institution, affording Irish script. The youngest character came from that. Then understand the layers of history that Dublin. beour able to audiences have enough distance from theenvirons. piece to Stoneybatter’s PCP and the IFSC-based Fire Station shape the built T: 01 636 4347 served from 12. Supper Monday through for the classic Philadelphia Here I Come and DancI think it’s gentle satire. We’re not taking pot-shots to London to pursue a music career but it didn’t a slightly different context. I think that’s where the The Gandhis ■RDS Whelan’s Abomination to the human $ % & ' ■Performance and dance. Retro Eamonn Barrett T:01 01 636 4347
T:on 636 4347 the two shows are aknow very good introduction to forces being byfeatured anversa.� actor stage. serene, bluish hills of Swabia,� and the sinister and Japanese fashion subcultures. Shall We D you can’t say inpresented English, and vice of consciousness that we nothing ' ( ) own debut Punk Girls three actors deliveryou don’t necessarily stop and ask questions the opportunity to appreciate cinematic I had this idea for the granny’s character. I started Sohow yes, the city has affected the work we dounique it justice.� Studios, allowing to experience a about�. crossmenial section 9gV^dX]i I]ZVigZ &)i]! &*i] &+i] DXidWZg '%&% L at anybody. I think fact that they’re surrounded out so he came toto Ireland to do idea of having clownsa working jobs where Lunasa he has also translated number of And different iscertainly it63.20, doing thethe same part with romanod@ncad.ie iof ■Guateque 50s,ing 60s,at 70s Party 4 Dame Lane, D2 vthem ■Tir na not nÓg Little Secr ■Our Whelan’s ₏58.30, 8pm ₏15,two 8pm race. Have fans work of Chekhov warmed theconfused play orbathroom dis- the
e D2 to be with Hollywood re-m FouĂŠrĂŠ refers to a phobia or disinterest of Irish theatre Born in the West Ireland of Breton parents, FouĂŠrÊ’s S Beckett’s prose. The End has been described p ing monologues, and we agreed that it’s just a matSaturday from 6pm. output of one of the world’s largest and oldest film thinking about how I was going to bring them romanod@ncad.ie have produced. “I do miss acting though. I have a small part in aany that end both their friendship and their childhood. avisually of theplays city, and the seismic-shifts that recent trends Sobrother. have come across buildings or infr *& + ,
n butRunner. then you Whelan’s look andyou say ‘gosh, we’ve by over-the-top characters who are Followed motivatedby by installation withback his The moment he walked they stand-out came from. The clowns romanod@ncad.ie Free before 10pm, after Biagiving Bar, 28-30 Lwr St, D2 Electro Indie i Chekhov’s into English, them aStephens new lease different actors? s romanod@ncad.ie 7dd`^c\ lll#YgV^dX]i#^Z " %& --* '+'' http://nival.ncad.ie Whelan’s â‚ŹTBC, 8pm h “Funhouse Summer CarMincing credited it? 30, 5 after 9pm, become a modern classic in Japan. Departur in exploring European playwrights and the creative fluency in French affords her the freedom to splash g terAs ofagetting the piece upmakes and getting it out there. If uitand industries. together in a play how came to romantic comedy called Happy is company, you use very little set dressbyDublin Christopher Ricks, an international of boom and bust have Ininthe midst ofwrite allwe structure inAfter Dublin that youHe think could benefi http://nival.ncad.ie fame money the clowns more sympaawreaked. in I knew that Paulo wasEver perfect forwhich the role. are symbolic of artists aIactor way. When started Located just steps away from 10pm with student ID Domingo Sanchez and friends Free, 10pm r that’s doing this the whole time’. But no, it’s of â‚Ź8/â‚Ź4 life.about Totally spoke to esteemed Niall http://nival.ncad.ie It’s great because itand keeps one fresh. They’re both o http://nival.ncad.ie Zodiac Sessions â– the cinating filmin, about Japanese death rites. It ha Wellout Ibeen have only ever done itto in Australia where there â‚Ź15, 8pm â‚ŹTBC, 8pm Upstairs. Bellajane. nivalâ€?, ifwork Pat Sharp the neclectic waves currently setting the stage ofand places like Paris in mother. a sea offro-ing, endless literary possibilities, asWith opyou dosay something really simple, with no set changes, () ** ' +++# ! ( ) # Is it fair to your also experiments with the in January and its nice just walk get your e' this to-ing and Artsdesk caught up with the () ** + ,,,# ! ( ) # from a few cracked windows? T thetic. Their natural instinct is to entertain and completely empathized with Henry as he was also shooting the film last year the whole global financial play an mix ing or even effects. Was this a decision that scholar, as the perfect introduction to Becku r with Vicar St and The Tivoli Theatre, eof Buggy about his in Afterplay, and his history wonderful actors and both of them are friends, sIrish more widely because of its Oscar w aget statement about ‘nothingness’ or anyEVk^a^dc I]ZVigZ ,i]! -i] .i] DXidWZg '%&% was anot very warm response to it. Friel hasavailable translated Lost Colours â– it’s and Germany alight. “There seems to be so little posed tosuss therole majority actors who are confined Bruxelles d Influential duo crucially never Aasome favourite phrase twins turned up, this might beup Christmas Fairy Tells All a just three actors who can literally set shop in The 1950s is often regarded as the golden age of When I finally finished writing it I was too old to ar built form in the aftermath of design, where users script, dressed up and off you go.â€? y pair to out what they had in store for us‌ Well there does appear to be newer â– DJ Alan Healy ett’s work. 8.30pm â– Global Zoo consciously provide humour. There’s real generosity involved in trying to resurrect his career. So we signed him up to securedeve meltdown had just started so ideal it seemed silly not ions forthe pre-theatre dinner e was made or is it designed to It’s very funny but it’s got Enquiries Contact 01-6643648 Purty with by Friel’s works. very important to get on with your co-stars because are delighted that we managed it fo v crossover and that is something that I would like to be to aNicola more restricting paddling pool of scripts and e number of Chekhov’s plays so he knows the material Ivan Ilic â– Whelan’s Free, 9pm got off the horse. around the country thing like that. When the words are strong less nightmarish. your living room, people are more likely to take a Lindsay cinema but the selected show playD2Amber and n too young or story Lorraine often 35 ‘read’ and reconfigure theirJapanese environShe finds writing quite lonely. “Your cast on create in that certainly have suffered both p Buskers, Temple Bar, Hogans, Sth Gt Georges D2which what theySt, do, isown in direct opposition tofilms otheryou have and as soon as we ments posted about him our are blog we from to 7dd`^c\ lll#eVk^a^dci]ZVigZ#^Z " %& '(& '.'. comment on itsbuttoitplay wasKay asnacks love were gher andwedrinks 4/35 East val. I think all fiverespect films good representat naturally you to spend aof lot‘nothingness’ ofher time together. part ofrisk rectifyingâ€?. now focus is â‚ŹTBC, on theatre work. Was itaswell. always intention to exploit tie inhave withFor the ideathough, that underbelly andthis characters inside outdon’t and knew how to on you.â€? National Hall Weekliy acoustic showcase such imagination and 8pm innovation. Dobond you think that and the last thing IProductions wanted, afterwe spending so long ments? and the production have this bond, and economic What can we expect from your new show? enough then you need to put anything planning and the recent downturn. Lindsay-Hepworth â– Chart Pop, Current Indie and Groovalizacion bringing theirmore selfish The LITTLE Big PartyConcert characters’ values. started getting comments from his Portuguese fans. making and that’s what decided to concentrate D2 diversity and capabilities of Japanese cinema her next few weeks at the Project Centre performher heritage this Can you usproduced a in bit of regard? the background of the one
Itwork also new writers with aJapanese much greater m-10pm them. modern cinemaTo may have intopart ahuge writing the thing, wasfor toCrt, be inPallas itplay? myself, so I infectious percolates so much ofArts Beckett’s work? Yes, our specifically focuses upon how weUpstairs. there is He a little you that’s looking on,We’ve waving 65s for Burma Green Day Mullins â– of â– Keith â– provides â‚Ź12, 1.05pm lose colour Wetell have allend. new works theD1 Rock Music and tropical selection Ri-Ra, Dame new empty buildings withbeen vacant space& 8^k^X I]ZVigZ '+i] " (%i] DXidWZg '%&% has adistract following over there. verypublic inbloody the Nov 29th -on Dec 4th upentered that will from them. m ing what may seem like one small step on the trodden “It was something that happened organically. I wish Brunch on sundays 11 am 4 pm Well the play has borrowed two characters taken Afterplay was written in 2002, why do you think the vehicle to present their voice. “You can tell so much !" # $
% period to rival that decade? Is it meeting the standards left it in Paul Meade’s hands.â€? understand ideas of ‘use’ and ‘misuse’ inthat terms of the piece goodbye.â€? 10pm including Indie music night with DJ insolo piano show over the past month whilst we have been attached. National Concert Hall Marlay Park Lunchtime recital may be regarded as misfor"Eat heartily and give the house a good name". Can you tell us a bit about the background I suppose our philosophy in regard You had an interesting, diverse group of people lucky all the way through. Hopefully the next few Preview Mon 29th Nov /only Matinee Sat 4th Dec boardsmore 7dd`^c\ lll#X^k^Xi]ZVigZ#^Z "%& )+' ,),, Gavin The Japanese Film Festival takes place in Cin of the stage but is also, more significantly, aWe that Idifferent had done so earlier. I’vestudios. twice performed ofinteraction aDub, story and goFriel anywhere. forget that from two Chekhov plays. play Andrey Gate chose such a modern play celebrate his set bytoPeople the likes of Kurosawa and Ozu? is Gem is Station ayou simple story, based on three the public’s built environments. eggs benedict, french toast with bacon and much Cumbia, Samba, Reggae, Brendan residence at Why the Fire The show will Afterplay playing alongside Faith Healer and Yalta onboard forwith the film. How did they all become Thursday 17 June will be theâ‚Ź61.80, same! 5pm â‚Ź20-45, 8pm did chose aIConroy monochrome color scheme? ofand Chopin. tune... ants ofLittle Gare St Lazarre, Ireland how you would beactor to ‘travel light’. First of all, you’re @8 pm, Matinee @ 3 pm on November 20-22the giant leap of faith for the future of theatre in Ireland. in French – once was in 1986 when my first very solo Gare St. Lazare park up atTheatre the9th Project it’s just one speaking because they are preI think that we have entered intoLittle a new phase and that generations ofthe women from Murphy’s native Balkan, Latininterested and Oriental Sound 11pm, Free â– Mud from Two Sisters, and other character isa unified Sonya are really in how public space is designed Gem runs at The Peacock from work? consist of a We sculpture and wall-based works thatmary are The Problem with Game in The Gate Theatre, from the - 19th
involved? wanted the film to have style so life’s more, includes a free bloody or mimosa!! Featuring Christy Moore, I hope you have thesee time ofStability runs in Pallas Con For more, www.accesscinema.ie and Judy ended up incommissioned the driving seat ofpreview) it?Writers presenting a play in a theatre so you’ll start show went to Avignon and we aA transTickets: /chronicles 12 (concs) / in 10 (groups and
sented with all these amazing images going through 9pm, Free Thefrom Twisted Pepper, 54₏15 Middle the value of Japanese film has changed. Departures’ Artane. It a year their lives. simple with a certain in-built anxiety, an anxiety predicated 19 January-27 February. Tickets priced between between the 12th and 17th of April Uncle Vanya. Friel has brought these characters an abstracted response to images and texts relating alwaysThe likeidea to have their most recent work 30₏15 January until 13 Mar ! "
# More informationporary of auditioning people didn’t really appeal on the Projects film is tofrom bewith found at everything had to have the same palette throughout. September ■Mary Black RTE National Symphony The Hep Cat Club ■■Keith Donald and Eamon your life Sodome, my love runs atasthe Project Arts Centre fromfind ! "
lation of itin into French so■form, IMr. didTale! itaone night in English, # their heads.� There was originally group called Gare St with the text the main thing. You’ll Abbey St, A D2 Jones & Salt cautionary Christmas play, monologue with no extravagant sets upon a fear and expectation of misuse. and ₏18. to how social spaces are designed and controlled. Thursday to Saturday, 12-6pm. to me so we weren’t sure how we were going to http://henryandsunny.blogspot.com/ the End and the Calmative. For more ticket If we had shot in color we would have had a lot of >V]\S &# & % & 78 Thomas Street, Dublin 8 // Tel: 01 4738807 // www.justofffrancis.ie www.totallydublin.ie 36 TOTALLY DUBLIN 16-27 March. oneDancehall night in French for two I think54 I lost about ■Bass, Dubstep, The weeks. Twisted Pepper, Middle DJ Jim KennyTickets cost ₏15 - ₏25
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