by Geoff Shelton Photos by David Barron
If you can’t imagine an Elysian future where future where diverse cultures and ideas, as well as human and celestial energies have found harmony, then take some time to listen to the music of Ibeyi. Born and raised in Paris, with stints in Cuba, Ibeyi is 23-year-old fraternal twins Lisa Kaindé and Naomi Diaz. In Santeria, the Afro-Cuban, Yoruban religion they practice, Ibeyi are divine twins who bring joy to their followers. The word comes from the Lacumí pidgin dialect of the West African Yoruba language that arrived in Cuba with the slave trade starting in the 16th century. It is a name reflective of not only their literal reality, but also the importance of tradition, spiritual belief, and family that runs deep through their musical history.
The sisters weave musical traditions of Europe, West Africa, Latin America, and the US into a sacred blanket of sounds that is at once spiritual and danceable. We spoke with the twins through email about their goals for their sound: “We want our music to be 100 percent us,” they emphasized. “When we’re making and recording our songs, we live in between two cultures and four languages. We have family all over the world, and we both listen to different things. So, Ibeyi is a mix of all our influences. It’s about finding the balance between electronic sounds and organic sounds. The old Yoruban chants and the music we love today. Between Europe and the Caribbean. Between both our desires and inspirations.” The drums are to thank for this musical pair. At age 18, their mother,
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Maya Dagnino, a French-Venezuelan singer and composer began to study conga and learn the batá chants of Yoruban music prevalent in Cuba. This musical path led Dagnino from France to that island nation and thus to the man who would become the father of her children. He was the late Miguel “Angá” Diaz, a world-renowned, Grammy-winning, Cuban percussionist who gained huge recognition as part of the Buena Vista Social Club. “Our earliest memories of the drums are of the batás and congas that our father had at home,” they reminisce. “There are pictures of us around those drums throughout our early years. Everybody thinks the drumming and the love for Yoruba chants were only inherited from our father, but it was actually because of [our parents] that we got in touch with that part of our Afro-Cuban culture.” Both sisters began studying music at the conservatory at age seven. “Lisa was studying classical piano, and I was studying classical percussion, marimba, and snare drums,” says Naomi. “My sister, mother, and grandmother told me that the day after my father died, at some point, I sat on one of his cajones [at age 11], and for the first time of my life, I started playing it. They told me that nobody moved
and [they just] stared at me for a while. They felt it seemed as if our dad had been there with me. But sadly, I don’t remember anything.” Meanwhile at age 14, Lisa’s first song came to her through the advice of their mother. “I felt miserable, because Naomi was at a party, and I was not invited,” Lisa explains. “I did many things I would usually do, like finishing my homework, reading, making rings and necklaces with beads. Luckily, I had no computer at the time, because after doing all that, I still went to see my mom to tell her I was really bored and frustrated. She answered that I should write a song. I discovered then that finding melodies and eventually putting words on top of these melodies made me very happy. It became my way to create some beauty out of anything that I felt, witnessed, or thought. It became my way to feel alive and useful. Nothing compares to the joy of making a song.” With the encouragement of their mother, Lisa would continue to write songs throughout her teenage years. At 17, the twins started talking about making a band. “I met my teacher, the great Peruvian cajon master, Miguel Ballumbrosio,” says Naomi. “I started to love the cajon as my own instrument. When Lisa was asked to do an EP, I told her she couldn’t possibly do it without me.” When a YouTube video of the duo performing their song “Mama Says” came to the attention of Richard Russell, head of label XL Recordings, he quickly sought them out and brought them to London to record. Around this same time, Ibeyi faced another tragedy when their older sister Yanira passed away due to a brain aneurysm. The culmination of this artistic success mixed with personal loss resulted in the career-launching sounds and lyrics that made up their eponymous debut LP. Upon their arrival at SXSW 2015, they were one of the most buzzed about groups of the festival where they not only lived up to but surpassed all of the hype surrounding them.