PORTFOLIO by Tiago Vieira

P O R T F O L I O TIAGO VIEIRA|2010

ENGLISH VERSION

E X E R C I S E S

ARCHITECTURE I | SHELTER Architect Nicolau Brand達o 2004|2005

Shelter Model

This work represents the first approach in the degree of architecture on the issue of Living. It was intended that starting from a place, a mesh, develop a shelter. In this work more than the solution is valued the work process and how drawing is used as a tool. The Shelter had as main characteristic the fact that the access is made through a spiral staircase around a tree. The first floor hosts all the living areas and service, at the top floor there is only one space, with a shorter height than the other compartment, where the user sleeps on the floor like in a camp, resulting from the fact that this is a temporary dwelling, a shelter in the middle of a forest.

Section

1st Floor Plan

Elevations

2nd Floor Plan

ARCHITECTURE II | PUBLIC SPACE LARGO DE S.VÍTOR | OPORTO Architect Luís Rodrigues 2005|2006

Model

This work was asked for an intervention of a public space in the area of S. Vitor in Oporto. To solve the problem of the sloping terrain it was created a platform at the highest level of the ground, creating a clear, wide and fluid space. With this platform the boundary of the square, is not restricted to the site, but has as its southern limit Vila Nova de Gaia skyline. This configuration allows to the people standing at the southern end of the platform, a field of view from the bridge of S.João until the Oporto riverside area. The square is intended to be a target of ownership and identification of the local population. The square is characterized by the simplification of forms.

Sections

Site Plan and Section

Plan

ARCHITECTURE III | HOUSING COMPLEX PARQUE DAS CAMĂ&#x2030;LIAS | OPORTO Architect Jorge Patricio 2006|2007

Block Model

The development and definition of a possible intervention on the site starts with an analysis, through photographs, drawings, sections and plans. After this step a proposal was developed. Several problems were identified, the existence of side gables of some buildings within the limits of the site, and the fact that the site is a result of the free space within a block, where all boundaries are the backs of surrounding buildings. In order to solve the side gables, two of the three buildings for housing are placed between them so that they cease to exist. The building facing the street Augusto Rosa is supported on the extremities resulting in a large span on the ground floor, creating a plaza, which is the main entrance of the block. The floor serves as an open plaza between the two blocks of housing with trade on

the ground floor around the square. On the eastern side there are two entrances to the block. One was treated as an introduction to the area that connects to a sports hall. At the other entrance there is a block of housing that solves the existing gables and is inserted into the visual axis connecting east and west from where it is possible to see all the extension of the site.

Study Photomontage

Site Elevation

N Elevation, Section and Plan - 1 Room Tipology

ARCHITECTURE IV | HOUSE FOR ARCHITECT RUA DA VITÓRIA | OPORTO Architect Michele Cannatà 2007|2008

Model

Architecture IV under the guidance of Architect Michele Cannatà characterized by the approach of various scales and also issues construction techniques. The first work was the elaboration of a house in the historic center of Oporto, for a young architect, including an atelier and two rooms to let. The second work was a kiosk, where more than the design was intended to dominate construction technical issues. The third work was a “multidisciplinary” building with various valences of cultural nature, developed in a conceptual form. The final work was a hotel, developed from a conceptual approach, covering a natural course of project development until the scale of detail.

Model

ARCHITECTURE IV | HOTEL CAIS CAPELO IVENS | V.N.GAIA Arch. Michele Cannatà 2008

viga de vierendel

placa de prodema chapa metálica

soalho de madeira granulado de cortiça sarrafo de madeira betão leve chapa colaborante gesso cartonado estrutura da parede lã de rocha tirante de suporte do tecto falso gesso cartonado

porta de entrada

chapa metálica placa de prodema mesa retráctil

gesso cartonado estrutura da parede lã de rocha estrutura da parede placa de prodema

cadeira retráctil

iluminação

Plan and Sections of a model hotel room

ARCHITECTURE V CAIS DO OURO

| SWIMMING POOL | OPORTO

Architect Jo達o Carreira 2008|2009

Model

Architecture V, is characterized by a single project development and aims to draw up a medium-sized building, from site analysis, concept proposal, project execution and conciliation with infrastructures. In this case the exercise objective is to develop an indoor pool on the banks of the Douro River in Oporto, offering opportunities of contact between the city and the river. The idea is to create an artificial morphology, rising from the river to the margin, like a rock formation that is characteristic of the Douro River, where disguised through pathways arises a swimming pool. The exercise is designed as a metaphor of the cave, a place of refuge and contact with the river, more than a building, a new space in the city.

Site Plan and River View

Model

1 | 1' 2 1

2 | 2' 2

3 | 3' 2 3 | 3' 2

4 | 4' 2 4 | 4' 2

Roof Plan N

1 | 1' 2 1

2 | 2' 2

1 | 1' 1

1 | 1'3 1

N 3 | 3' 4

3 | 3' 4

4 | 4' 4

1 | 1' 1

1 | 1'3 1

Entrance Plan

Longitudinal Sections

Transverse Sections

Bathhouse Detail | Roof Plan, Sectin and Plan

GRADUATION PROJECT GIUSEPPE TERRAGNI’S “DANTEUM” EXTENSION ROMAN FORUM | ROME Architect João Carreira 2009

DANTEUM sections

For the Giuseppe Terragni’s “Danteum” extension a mandatory prerequisite for the development of the work is: “the maximum of expression is to be obtained with the minimum of rhetoric, the maximum of emotion with the minimum of decorative or symbolic adjectives.” This was the basis of Terragni in the development of the project and it should be maintained to its extension. The extension follows the same rules of the “Danteum”. The Danteum consists of a rectangle of gold where the long side is equal to the short side of the “Basilica of Maxentius” and with the same angle to the “Via dei Fori Imperiali”, the extension is divided in two spaces connected by a path. The first space is a rectangle of gold where the long side is equal to the short side of the “Danteum” with the same angle on the “Via Cavour”. The second space also a rectangle of

gold is on the opposite side of the “Via dei Fori Imperiali”, where the long side is equal to the short side of the first room. This second room will not repeat the same angle on the “Via dei Fori Imperiali”, instead aligns itself parallel to the “Foro di Cesare”. This breaks the rule of the composition and serves to mark the end of the golden rectangle decomposition exercise, thereby closing an assembly formed by the Basilica of Maxentius, the Danteum, the first and the second spaces. This geometric definition of the spaces creates a sense of unity between the two sides of the “Via dei Fori Imperiali”. This gesture is essential to restructure the forum complex. In this work is intended that the ruins become “Forums” again and lose the character of museum. So the spaces represent the meaning on which they were built, not reproducing the space but its essence.

Connecting all the ruins so that the “Via dei Fori Imperiali” cease to be an obstacle and become an element of the set. The access to the first room is made between “Danteum” loose wall and its entrance, this pathway appears as a new road, a new route that has the “Danteum” as “pórtico”, developing in the same direction of the “Via dei Fori Imperiali”, going underground approaching the ruins through a staircase equal to the “Danteum” exit. Following this route, the passage to the first space is not done directly. There is a gallery that purports to represent the existing galleries in the “Foro della Pace”. The gallery lighting is done through openings into the room and through skylights. Its form intends to represent a “column of light”, giving emphasis to emptiness. This idea of “column of light” is intended to represent the intangible nature of memory, something we can identify but which is not palpable, is fickle, uncontrollable and always different. At the moment we entered the room we found several ruins, fragments of memory. The space is limited by the ruin of the wall that divided the “Foro di Nerva” of the “Foro della Pace” where there is a conserved passage in its entirety. This will be the entry in all the forums. From the moment you pass through this door we are led by a path in weathering steel, to another passage to the ruin of the “Foro di Augusto”. At this point the route turns into a wall where there is an opening that directs our gaze to the Forum of Trajan reinforcing this axis. From here we are led through a horizontal blade to a passage of a tunnel, through Via dei Fori Imperiali, which leads us to a passage for another ruin, reconstructing a very important connection of the “Foro di Augusto” and “Foro di Cesare”. In the end of this tunnel is

the

second space of the extension. This space is bounded by a plane of weathering steel in the floor and a wall, that is the culmination of the blade that has brought us here. This space represent pause, there is a passage to the “Foro di Nerva”, and on the other side, a connection to the “Foro di Cesare” and the “Foro Romano”. An important feature is the unity and continuity of any intervention, for this reason a single material is used in all elements other than ruins, the weathering steel. The choice of this material is mainly due to the fact that the patina is controlled and immediate, allowing the integration of new elements in contact with the ruins. In conclusion, the project results in a journey marked by three different spots of different character, a path that results in unity and restructuring the Roman Forum. Reference points are created that allow a different position on the ruins, creating a new memory of this place.

Overlap of the ancient and the current roman forum

DANTEUM’s original model

DANTEUM’s fotomontage

3D image of the intervention | street level plan

3D image of the intervention | ruins level plan

3D image of the intervention | section

Model

CA VO UR VI A

-01.9 0

TORRE DI CONTI -09. 00

-09.0 0

-00.9 0

-01.1 0

-00 .90

-0 8.70

-08.7 0

DANTEUM -08 .70

FORUM DE AUGUSTO

-0 9.00

-08. 70

ENTR ADA NAS RUIN AS D O FO RUM

-09 .00 FÓ RUM DE A UGUS TO

FÓRUM DE NERVA -09.0 0 -02 .40

-00 .90

VIA DEI FORI IMPERIALI

-01 .10

-0 0.90 -00 .90

-08.9 9

-09 .00

FÓRUM DE NERVA

-09 .00

FÓRUM DA PAZ

-09. 00

FÓRUM DE CÉSAR

BASILICA DE CONSTANTINO

-02.0 0

BASILICA EMILIA CURIA

Site Plan

Model

TEMPLO DE ANTONINO E FAUSTINA

FÓRUM DA PAZ DANTEUM

FÓRUM DE NERVA TORRE DI CONTI VIA

CA VO

VIA D EI

FO R I I MPER IAL I

PA RE DE

BE TA O

PA VI ME N RE VE ST I

FÓRUM DA PAZ

RUINA DO MURO ENTRE O FORUM DE NERVA E FORUM DA PAZ

RUINAS FORUM DA PAZ

FÓRUM DE CÉSAR TO

EM AÇ O

AÇ O

CO RT EN

FÓRUM DE NERVA PA VI ME N

RUINA DO TEMPLO FORUM DE NERVA

AÇ O

LA JE DE BE TA O RE VE RUINA DO MURO ENTRE O FORUM DE AUGUSTO ST ID E O FORUM DE NERVA A

CO RT EN

RUINA DO MURO ENTRE O FORUM DE NERVA E FORUM DA PAZ

AÇ O

CO RT EN

FÓRUM DE AUGUSTO

RUINA DO TEMPLO FORUM DE AUGUSTO

Axonometric view

FÓRUM DA PAZ DANTEUM

ENTRADA NAS RUINAS DO FORUM

ESCADA DE BETÃO REVESTIDA EM AÇO CORTEN

FÓRUM DE NERVA

GUARDA EM AÇO CORTEN

VIA

TECTO EM AÇO CORTEN

CAVO

VIA

PA VI ME NT O

AÇ O

DEI FOR I

IM PER IA

FÓRUM DE CÉSAR

PAVIMENTO EM AÇO CORTEN PAREDE DE BETAO REVESTIDA EM AÇO CORTEN

CO RT EN

RUINAS FORUM DA PAZ

FÓRUM DA PAZ RUINA DO MURO ENTRE O FORUM DE NERVA E FORUM DA PAZ

FÓRUM DE NERVA PA VI ME N

RUINA DO TEMPLO FORUM DE NERVA

LAJE DE BETAO REVESTIDA EM AÇO CORTEN TO

AÇ O

CO RT EN

RUINA DO MURO ENTRE O FORUM DE AUGUSTO E O FORUM DE NERVA

FÓRUM DE AUGUSTO

Axonometric view

OU R CA V -01.90

RUINA DO TEMPLO FORUM DE AUGUSTO

VI A

B' DO

TORRE DI CONTI

FÓRUM DA PAZ -08.70 -09.00

RUINAS DE COLUNAS DO FORUM DE AUGUSTO

-00.90 RUINA DO TEMPLO FORUM DE NERVA

-01.10

-00.90

DO -08.70

RUINAS FORUM DA PAZ PAVIMENTO EM AÇO CORTEN RUINA DO MURO ENTRE O FORUM DE NERVA E FORUM DA PAZ

PAREDE EM AÇO CORTEN

B DANTEUM

-00.00

-08.70 -09.00

ENTRADA NAS RUINAS DO FORUM PAVIME NTO EM AÇO CO -08.70 RTEN

-09.00

FÓRUM DE AUGUSTO

FÓRUM DE NERVA -08.70

-09.00 -02.40

RUINA DO MURO ENTRE O FORUM DE AUGUSTO E O FORUM DE NERVA

-00.90

PASSEIO EM ASFALTO

VIA DEI FORI IMPERIALI -01.10

ARRUAMENTO EM CUBO DE GRANITO

PASSEIO EM ASFALTO

-00.90

-08.99 RUINAS DE COLUNAS FORUM DE CÉSAR

-09.00

FÓRUM DA PAZ

FÓRUM DE NERVA E

PAVIMENTO CORTEN

AÇO

FÓRUM DE CÉSAR D'

Street level plan

B' RUINA DO TEMPLO FORUM DE AUGUSTO

A RUINA DO LIMITE FORUM DA PAZ

-07.33

FÓRUM DA PAZ -08.70 -09.00

RUINAS DE COLUNAS DO FORUM DE AUGUSTO

RUINA DO FO D E ESCADA R UM DA PA S Z

RUINA DO TEMPLO FORUM DE NERVA

DO PAREDE DE BETAO REVESTIDA -08.70 AÇO CORTEN RUINA FORUM DAA PAZ PAVIMENTO EM AÇO CORTEN RUINA DO MURO ENTRE O FORUM DE NERVA EN-07.33 E FORUM DA PAZ RT O PAVIMENTO EM AÇO CORTEN C O AÇ -09.00 DE PA M RA

PAREDE EM AÇO CORTEN

-08.70

PAVIME NTO EM AÇO -08.70 CORTEN

FÓRUM DE AUGUSTO

B A'

FÓRUM DE NERVA

-09.00

-08.70

RUINA DO MURO ENTRE O FORUM DE AUGUSTO E O FORUM DE NERVA

C' LIGAÇÃO ENTRE O FORUM DE AUGUSTO DE FORUM DE CÉSAR EM TÚNEL PELA VIA DEI FORI IMPERIALI

RUINA DO MURO ENTRE O FORUM DE AUGUSTO E O FORUM DE CÉSAR

-08.99 RUINAS DE COLUNAS FORUM DE CÉSAR

-09.00

FÓRUM DE NERVA E

PAVIMENTO CORTEN

FÓRUM DE CÉSAR D'

Ruins level plan

AÇO

FÓRUM DA PAZ E'

TORRE DI CONTI 23.10

16.20

FÓRUM DE AUGUSTO

FÓRUM DE NERVA

FÓRUM DA PAZ

DANTEUM

VIA ENTRADA CAVOUR NAS RUINAS -00.00 DO FORUM -00.90

-00.90 -01.90

-05.50

RUINAS FORUM DA PAZ PAVIMENTO EM AÇO CORTEN

-09.00

PAVIMENTO EM AÇO -07.34 CORTEN

-07.33 -08.70

DANTEUM 16.20

FÓRUM DA PAZ

-00.00 ENTRADA NAS RUINAS DO FORUM VIA -00.90 CAVOUR

FÓRUM DE NERVA

FÓRUM DE AUGUSTO -00.90 -02.40

-07.34

-07.33 -09.00

PASSAGEM PARA FORUM DE CÉSAR

-08.70

TORRE DI CONTI 23,10

16.20

FÓRUM DE AUGUSTO

FÓRUM DE NERVA FÓRUM DA PAZ

VIA CAVOUR

DANTEUM

ENTRADA NAS RUINAS DO-00.00 FORUM -00.90

-01.90

-05.50

PAREDE EM AÇO CORTEN

RUINAS FORUM DA PAZ PAVIMENTO EM AÇO CORTEN

-09.00

-07.33 -08.70

DANTEUM 16.20

08.10

01.80

PAREDE DE BETAO REVESTIDA A AÇO CORTEN VIA DEI FORI IMPERIALI -00.90

FÓRUM DE AUGUSTO

FÓRUM DE CÉSAR

-02.40

-08.70

-09.00

RUINA DO MURO ENTRE O F ORUM D E AUGU STO -08.99 E O F ORUM DE NERVA

PAVIMENTO EM AÇO CORTEN

TORRE DI CONTI 23,10

16.20

01.80

VIA DEI FORI IMPERIALI

-00.90

FÓRUM DE CÉSAR -08.99

Sections

-09.00

FÓRUM DE NERVA

ENTRADA NAS RUINAS DO00.00 FORUM

FÓRUM DA PAZ

DANTEUM

3D image of the intervention | Entrance

3D image of the intervention | Path to the “pátio”

3D image of the intervention | “Pátio”

COMPETITIONS

BAHAMAS DESIGN CHALLENGE MULTI-GENERATIONAL HOME | BAHAMAS Tiago Vieira and Filipa Figueira 2009

Aerial View

The project starts from a strong idea, the maintenance of the natural local environment, in a way that the natural characteristics get greater importance. When we start from this idea of intervention in the site, the adopted attitude is the manipulation of the morphology of the terrain, the natural and architectonic elements, in order to obtain the desired morphology. Although the natural character of the site is an important element to maintain our objective is not to camouflage or conceal the house, so the several volumes are designed with very rigid and geometric rules. The five volumes match the proportion of a golden section rectangle, subdivided in five proportional parts; this proportion is repeated in several elements of the project and the plans organization. The conceptual idea of the project is the creation of a “cave”

where the house is sheltered, creating three distinct spaces but with a very strong relationship, the inside, the sheltered exterior space and the complete outside space. The relationships between these three spaces create different feelings, when a person walks by the different parts of the house, and gives a great variety of atmospheres and different opportunities of living the space. It is the growing of multiple architectonic experiences with the application of primary architectural elements, volumes, surfaces and light. The constructive system is a concrete structure, because aside the great technical efficiency it possesses a tectonic aesthetic, essential to the project. The white concrete elements should be kept visible, reinforcing the idea of “cave”, and elements sculpted from the site creating the forms. The “type”

outside wall of the volumes is made of an exterior wall of white concrete, the bath insulation and another concrete wall on the inside. Creating a similar language in the inner spaces and the exterior but sheltered spaces, so that this last is experienced as interior and livable areas. To ensure a continuity of the elements, the floor is always wood. As the volumes are sheltered, they never suffer from excessive sun light projection, so the temperature is never higher than the natural shadow temperature. This allows using a system of natural ventilation throw the opening of the windows.

Entrance View

Aerial View

COMPETITION PANELS

Exterior Views

S-1 2,5m

5,5m

8,5m

5,5m

2,5m

8,5m

2,5m 8,5m 2,5m

2,5m

SCALE 1/300(cm)

(cm)

S-1

8,5m

Home Gym

8,5m

5,5m

2,5m

North Elevation 2,5m DW

S-2

8,5m

Section 1

2,5m Storage

Guest Apartment

S-1

Storage

Ground Floor Plan

Level 2,5m

West Elevation First Floor Plan

Level 5,5m

8,5m

GUEST HOUSE & GYM THIS VOLUME CONTAINS THE GUEST HOUSE DETACHED FROM THE MAIN HOUSE, BUT UNDER THE SAME "ROOF", THIS CREATES AT THE SAME TIME THE DESIRED INDEPENDANCE OF THE ROOMS, BUT IT'S STILL RELATED TO THE REST OF THE VOLUMES. THE BEDROOMS ARE LOCATED IN THE FIRST FLOOR AND THE SEA VIEW IS ALLWAYS PRESENT. THE SMALL LIVING AREA IS ORIENTED TO THE INSIDE COURTS. IN THE GROUND FLOOR THERE IS THE MAIN STORAGE AREAS AND THE GYM. THE WINDOWS OF THE GYM RETRACT TOTALLY TO THE GROUND, THIS CREATES THE SENSATION OF OUTSIDE INSIDE THE ROOM, AND ALLOW TO FEEL THE SEA BREEZE WHILE WORKING OUT. TO REINFORCE THIS FELLING THE WALL ON THE OPOSITE SIDE OF THE WINDOWS IS TOTALLY COVERED WITH MIRROR.

2,5m

8,5m

South Elevation

8,5m 5,5m

2,5m

Section 2 2,5m

East Elevation

SCALE 1/100(cm)

(cm)

"...the several volumes are designed with very rigid and geometric rule. The five volumes match the proportion of golden section rectangle, subdivided in five proportiona parts..."

"...a strong idea, the maintenance of the natural local environment, in a way that the natural characterist get greater importance. when we start from this idea of intervention, the adopted attitude is manipulation of the morphology of the terrain, the natural and architectonic elements..."

S-2

Game Room

Master Room

8,5m

Bedroom Bedroom

Living Room

5,5m

2,5

North Fa

2,5m

8,5m

Section S-1

S-1

2,5

West Fac

8,5m

Storage

Walk in Closet

Bedroom

library

S-2

Home Cinema

Ground Floor Plan

First Floor

Level 2,5m

Level 5,5m

MAIN HOUSE THE MAIN VOLUME OF THE HOUSE, IS IN THE CENTER OF THE COMPOSITION, AND REUNITE ALL THE COMMON LEISURE PLACES ON THE GROUND FLOOR. THE GROUND FLOOR IS DIVIDED IN THREE RECREATION AREAS, A CINEMA ROOM, A PLAY ROOM AND THE LIVING ROOM. TO ARTICULATE THIS DIFFERENT AREAS, IS CREATED A SPIRAL STAIRE THAT VISUALY DIVIDE THE AREA. IN THE FIRST FLOOR ARE THE MASTER BEDROOM AND THE THREE BEDROOMS. THE MASTER BEDRROM IS ORGANIZED AS A SMALL INDEPENDETEN HOUSE, LIKE THE OWNER PERSONAL WORLD, WHERE ALMOST ALL THE HOUSE AREA IS VISIBLE, INCLUDING THE MAIN ENTRANCE.

2,5m 8,5m

East Facad 5,5m

8,5m

2,5m

Section

South Fac

SCALE 1/100(cm)

(cm)

Employees Bedroom

8,5m

5,5m

2,5m

Employees Bedroom

Kitchen

S-2

5,5m

Laundry

Dinning Room

Lounge Terrace

North Elevation

Office

West Elevation

SC S3

5,5m

2,5m

S-1

2,5m

S-1

storage

First Floor Plan

Level 5,5 m (Dining Room)

Ground Floor Plan Level 2,5 m (office)

South Elevation

East Elevation

S-2

Ground Floor Plan Level 2,5 m (Dining Room)

S-2

Ground Floor Plan

5,5m

2,5m

S2 S-1

West Elevation

North Elevation S-1

Level 2,5 m

First Floor Plan

Level 5,5 m

8,5m

8,5m 5,5m

5,5m

2,5m

Section 1

Section 2

East Elevation

South Elevation SERVICES VOLUME

DINING ROOM VOLUME

THIS VOLUME CONTAINS THE KITCHEN SO IT'S PLACED BETWEEN THE MAIN VOLUME AND THE DINING ROOM VOLUME, ARTICULATING THE SPACE AND ALLOWING EASY ACCESS FROM BOTH. THE ORGANISATION IS DIVIDED IN TWO FLOORS, THE GROUND FLOOR IS TOTALLY OPENED TO THE EXTERIOR AND CONTAINS THE KITCHEN AND THE LAUNDRY, AND THE FIRST FLOOR IS MORE PRIVATE AND IS DIVIDED IN TOW APARTMENTS FOR THE EMPLOYEES.

THIS VOLUME IS DESIGNED TO CREATE THIS VOLUME IS DESINGNED AS A LIGHT A CLOSE AND CONFORT ATMOSFHERE ELEMENT, A SPACE APART FROM THE WHILE EATING. REST OF THE HOUSE, ALMOST ON THE THE VOLUME IS TOTALLY OPENED TO OCEAN. ALL THE WINDOWS OF THE THE SEA BY THREE WINDOWS THAT VOLUME RETRACT TO THE GROUND RETRACT TO THE GROUND, AND CREATE THE SENSATION OF REINFORCING THE RELACION WHITH BEEING OUTSIDE WHITH JUST A ROOF PROTECTING THE PERSON BELLOW. THE OCEAN. ON THE OTHER SIDE OF THE ROOM THERE IS A STAIR LEADING TO A LOUNGE TERRACE.

8,5m

5,5m

OFFICE VOLUME

5,5m

West Elevation

North Elevation 2,5m

2,5m

Section 1

2,5m

Section 2 5,5m

5,5m

Section 3 2,5m

South Elevation N

SCALE 1/100(cm)

(cm)

2,5m

East Elevation

3D MODELING AND RENDERING

Architecture III | Housing Complex | Exterior views

Architecture III | Housing Complex | Interior views

Architecture IV | House for Architect

Kiosk | Photomontage

Architecture V | Swimming Pool | Interior views

Graduarion Project | “Danteum” | Section with Photomontage

Graduation Project | “Danteum” | Photomontage and Project view

’THE JOURNEY’ Museum of Light|Aldeia da Luz

Roman Art Museum|Rafael Moneo

Museum Raínha Sofia|Jean Nouvel

Caixa Fórum|Herzog & DeMeuron

ÉVORA|MÉRIDA

Cromeleque|Almendres

MADRID

El Mirador|MVRDV

Villa Adriana|Tivoli

ROME

Fórum Romano

RONCHAMP|BASEL 09

Notre Dame du Haut|Ronchamp|Le Corbusier

Signal Box|Basel|Herzog & DeMeuron

LusitĂ˘nia Bridge|Santiago Calatrava

Housing Complex | Aires Mateus

Quinta da Malagueira | Ă lvaro Siza

San Fermin School|Campo Baeza

Housing Villaverde|David Chipperfield

Housing Pradolongo| Wiel Arets

Ara Pacis|Richard Meier

Parco della Musica|Renzo Piano