The lost rocks v 2

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Club MountaineeringClub Northumbrian NorthumbrianMountaineering A series of downloadable PDF guides to new bouldering venues , problems, highballs and routes in Northumberland, including: The Stell

Whiteheugh

Raven’s Crag

Caller Crag , Corby’s and Edlingham

Greensheen Hill

Parkside Wood

The Maiden Chambers Area

St Cuthbert’s Cave

The Bowden Area

The Wanneys Group

Beanly Moor and Hunterheugh

Blakey’s Bloc

Cockenheugh

Kyloe Out

Rothley

The Ravensheugh Area

Banno Crags

Titlington and the Turban

South Yardhope

Brady’s Crag

Coquet View

Shitlington

The Lost World

Lookwide

Howlerhirst

High Crag

NMC Northumbrian Mountaineering Club

The Lost Rocks A Bouldering Guide


...Northumberland Bouldering

Introduction... TECHNICAL NOTES

BOULDERING GRADES

The location of each crag is indicated by its Grid Reference.

It is true to say that there are only two grades, the problems and routes you can do, and those you can’t. To the keen boulderer however it soon becomes apparent that this can be sub divided into the problems you can do and your mates can’t, and vice versa! Grading boulder problems (and some routes) is an almost impossible task. The table below is a rough comparison of the common systems in use. Visitors to the County will probably find that, until they get used to the style of the problems and the intricacies of climbing on the County’s various Sandstones, the accuracy of the table will be questionable. Grades are an art rather than a science, and while FONT UK TECH V GRADE difficulty is central to bouldering, it is easily confused with qualiGRADE GRADE ty. The pursuit of which is an equally rewarding endeavour. 3 4c VB The various grading systems are well understood, and like grades are an ongoing source of debate regarding their respective merits. 4 5a In these PDF guides we have retained the Font grades introduced V0 in the last guidebook and their use is now established and un4+ 5b derstood.

Maps The County is covered by seven Ordnance Survey Explorer (1:25,000) maps. Sheets 339 (Kelso), 340 (Holy Island), OL16 (The Cheviot Hills), 332 (Alnwick and Amble), OL42 (Kielder Water), 325 (Morpeth) and OL43 (Hadrian’s Wall). The majority of the crags lie on sheets 340 and 332.

General On occasions the problems are referenced to routes that are not described in the climbing guide, or in the second edition bouldering guide. You may need these guides or to ask a local climber help you locate the problems.

Sit Starts Most problems are written up as standing starts off one mat only! Generally sit starts are added at the end of a description where they add either to the difficulty, or quality. Only rarely will a sit start be separately named.

Rules It has long been understood in Northumberland that if a twig is found on a ‘good’ foothold, then the foothold is out of bounds. The same applies to bedding planes , ledges and footholds in contact with the ground. Usually these are out of bounds. The previous guide wisely suggested that if you are wondering if the foothold is in, then it probably is not!

Further Information The NMC website has a variety of resources relating to climbing in the County. If you have this PDF you’ve probably found it already. Otherwise go to: www.thenmc.org.uk

Highballs

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The height of many crags in the County demands a highball approach. Mats can reduce the consequences when highballing goes wrong, but there comes a point when they look very small. Many of these ‘problems’ would have been considered small routes not long back, (though some in this new series are not so small) and occasionally are compounded with bad landings. Falling off them should not be treated casually. While highballs are self-evident, many shorter problems have bad landings and need careful padding and spotting. Be careful!

5+

New Problems Descriptions of new problems and routes should be sent to newroutes @thenmc.org.uk. A description, grade, date and name of first ascensionist should be included. A photo with a line marking the route would also help.

V1 5c

6a 6a+

V2 6a

V3

6b 6b+ 6c

V4 6b

V5

6c+ 7a

V6

Steve Blake

7a+

Dutch Courage

7b

Shitlington

7b+

V8

7c

V9

Greensheen Slopers Traverse

7c+

V10

Greensheen Hill

8a

Bob Smith

Photo: Alec Burns

6c

7a

8a+ 8b

V7

V11 V12

7b

V13

8b 8b+

V14

8c

V15

8c+

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Introduction...

...Northumberland Bouldering 3. Be gentle with brushwork, and minimal with your chalk. Climbing indoors, we can brush the holds to our hearts content; outdoors, the effect can be catastrophic.

SUSTAINABILITY The quality and durability of Sandstone in Northumberland varies significantly both on and between crags. Iron hard rock with a case hardened patina can coexist with a super soft cheesy substance soft enough to be shaped by hand. Sadly there is much evidence that the tough patina when worn away reveals a soft inner that rapidly erodes. There are many examples, but Vienna at Bowden Doors is probably the most famous example, which in its current deplorable state is a much easier and sad shadow of the original .

4. Poor footwork also impacts, so clean your shoes before you begin an attempt. Modern shoes allow a huge amount of force to be exerted through the feet, eg twisting on smears has a grinding effect that speeds up erosion. Be aware, use good footwork and tread lightly. 5. Don’t use the problems for training. Running laps may look cool, but do it indoors on plastic, not on the rock. 6. Take your junk home, don’t light fires, don’t leave gates open. If you must, learn how to shit in the woods. Do not be generally antisocial.

Over the last thirty years the popularity of Rock Climbing and Bouldering has accelerated and there is much similar evidence of our impact on the crags. Routes and problems on Sandstone, especially on fragile and well-used Sandstone, are a finite resource and need careful and sensitive protection if they are to survive. It is worth repeating that you should not climb on sandstone when there is any evidence of dampness. The rock becomes significantly weaker losing its bonding when damp, and is susceptible to accelerated erosion and breakage. Once a break occurs, or the outer patina is penetrated, then the effects of erosion are exponential.

David Murray On Barnaby Rudge The Good Book Section, The Stell. Alec Burns collection

Vienna Bowden Doors

Many magnificent routes in Northumberland have escaped significant damage, principally because the habit of top roping hard routes has not been adopted as readily as elsewhere. Bouldering however, is a particularly intensive game which can see a team cycling through repeated attempts on a problem, brushing and ragging between each effort. The impact of this can be seen on relatively recent problems on which holds are already bleaching out, and this is on rock thought of as hard. We are the stewards of these places. There are many things we can do to minimise our direct impact on them: 1. Everyone should acknowledge and understand the fragility of the medium and learn to walk away if there is any suggestion of dampness and the rock is not in condition. 2. Set yourself a realistic number of attempts at a problem, if you can’t do it, leave it until you can do it without beating it into submission. We need to have enough humility to understand that the rock’s needs are more important than our egos. Learn to walk away and come back when you’re capable.

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...Northumberland Bouldering

Introduction... The Lost Rocks is the name given to a collection of blocks found on the South side of the Coquet, opposite the Cragside Estate. They are possibly the most unusual collection of boulders in the County, having been subject to some unusual engineering by Victorian railway engineers whose aim was to ensure none of the boulders would tumble down the slope onto the railway line, or worse, a train.

Crag Overview

The Stell o

1t

4 63

N

ick w n Al

B

Ship Rock

Many of the boulders are supported by masonry abutments and one has both masonry and two railway ties securing it! The slope is littered with boulders and many small craglets and rocks are hidden in the woodland below the boulders described here. This guide details the problems done so far . Further down the railway line in a cutting, whilst the rock is good it is very dirty and rarely dry. One problem has been done at the right hand end. It is doubtful if it’s further development is worthwhile.

Gimmerknowe B 6341

to Thro pton

Rothbury

Location Data

Road open 2016

Rothbury

Lat Long: Eastern Blocs, 55.298949 –1.888335

Several other boulders are visible on the slope above Wagtail Farm . A number of problems have been done here, but they are not on access land and the rock is not of the quality of the Eastern Blocks.

The

Garleigh

Simonside Group

Rock s

B6342 to Scots Gap/Rothley

The best approach for the main blocks is to drive down Wagtail Rd (see opposite) and park at the end of Mill Lane. There is plenty of space — Please do not block the lane it is used by large farm vehicles. Follow the railway line East. Just after the second bridge (about five minutes from the car) a track goes up and right through some saplings. Follow this and step over the fence. Follow a feint trail up and right for about 50m to a tree with an unusual boss on the trunk. Skirt left around this and the boulder above, then go straight up for 20m or so . The first pinnacle will be visible on the left.

Crag Detail

The crag is in a fine position overlooking the Coquet, It is North facing and catches a breeze. The rock is good, but need traffic . It is an excellent spot for a summer evening. The crag is on Access Land and the approach track is a Public Footpath. The crag was found and largely developed by Steve Blake, with contributions by Martin Waugh, Alec Burns and Bob Smith.

Lost

Wagtail

N

Rothbury South of River

Rd Mi

ll L a

ne

P Wagtail Farm

Parking Locations South Parking Lat Long: 55.294341 –1.895431 South Parking GR: NU 06737 00026

Crag Location Data Crag Lat Long: (East Blocks) 55.299152 –1.879795 (West Blocks) 55.298189 –1.887189

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The First Bloc…

...Lost Rocks

The Bondage Block…

...Lost Rocks A cursory glance down the slope will reveal a lot of small walls and overhangs. Sadly those that are in the trees tend to be very lichenous and damp. The diligent explorer may find a gem though… The next block is at the same level at the first pinnacle and about 40m further West. Identified by the masonary abutments and railway ties. This is the Bondage Bloc. (It’s all tied up ;-))

2 1 1. Nose Dive Wall. 6c. SB. Sit Start. The innocuous East side of the first pinnacle is trickier than it looks. Left hand on the arête until the sloping finger jugs up and right are reached. Span right and exit out over the apex of the wall.

2. The Leaning Wall. 5. SB. The leaning West wall is climbed to a juggy exit. Very pleasant.

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4

Steve Blake The Gimp’s Worst Error Steve Blake collection

Dirty and usually damp, the cutting is about 500m further down the path from the second bridge. It dries only occasionally. The rock is good but dirty. The obvious central crack (left of this problem) is unclimbed.

7

3.

Sunrise Wall. 6a+. SB. Standing Start. Climb the centre of the wall trending right at the top via an obvious hold.

4.

The Gimp’s Worst Error. 6b+ SB. Sit Start at the base of the overhung arête. Use an undercut to reach up and over the beer pump to the top.

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The Matterhorn…

...Lost Rocks

The Open Project Wall…

… Lost Rocks Dan Varian on

The Matterhorn is 20m below and slightly left of the Bondage Block

Star Power 8b+ Mark Savage Photography

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6

5. The right arête. Standing Start 6a. SB.

A further 50m left of the Matterhorn at the same level as the Bondage Block is the barrel shaped Open Project Wall. The right hand edge has one problem. There are however two very hard, short sit starts to be done on the barrel wall. Both are open projects….

Martin Waugh Open Project. Steve Blake Collection.

7. The Mandolin. 6c. SB. Sit Start . Pull up the right edge of the wall on painful holds to a heathery exit.

6. Wall and Rib. 6a.+ SB. Standing Start. Pull up the left side of the wall until the top edge is reached . Follow this to its apex and pull over.

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10


The Chopping Block…

...Lost Rocks

The Liposuction Rock…

...Lost Rocks 9

10 11

12

10

14 13

9

The Liposuction Rock

10

11

This is above the Chopping Block. Lots of fun to be had here! With several sit starts and a long lip traverse with variations.

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9. Alec’s Pull. 6b. AB. Sit Start. Pull onto and up the slab. (The short and long lip traverses 11 and 12, start in the same place. 6c and 7a respectively)

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Steve Blake Ape Index

The Chopping Block Another 30m left of the Open Project Block are two more boulders supported by some fine masonry. Only one problem has been established on the left hand of the two 8. Ape Index . 7a+ SB. Sit Start. Start on the left and span right to clamp the block. Compress and heel hook up to a left exit

11

Steve Blake Collection

10.

Left Slab.

6b+. SB. Sit Start. Use the obvious ripples to pull onto the slab.

11.

The Short Lip Traverse. 6c. SB. Start as for 9 follow the lip left to the exit shown.

12.

The Long Lip Traverse. 7a. MW. Start as for 9, but follow the lip to it’s extreme end.

13. Martin’s Roof. 7a+. MW. Sit Start on the holds at the back of the roof. Pull out to a small fingerhold on the lip. Pull this and finish direct. Bob Smith 14. Steve’s Alternative. 7a+? SB. Sit Start as for 13. But span rightwards to the horizontal spike. . The Dawn Steve AlecBlake BurnsCollection

Martin Waugh

The Long Lip Traverse 7a

Martin’s Roof 7a+

Photo: Steve Blake

Photo: Alec Burns

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The Thing…

...Lost Rocks

The Far Block…

...Lost Rocks The Far Block

‘The Thing’ is between the Chopping Block and Liposuction Rock. 14.

The last of the large rocks on the ridge has two problems on it.

The Thing. 6b+ SB.

Unusual. Sit Start in the hole, pull up the leaning wall to finish directly up the centre.

15 . The Lone Wolf. 6c+. SB. Sit Start the scooped wall, once reached palm up the upper edge. 16. Peter Puller. 6a+. SB. Sit Start. The wall to the right via the ramp/rail.

15

16 The last problem (currently) is on a block below the Far Block. No. 17. 6a Standing Start. Pull up to and onto the rib.

19 Bob Smith Dawn Bob Smith Collection

17

13

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