CULTURE | VISUAL ARTS
Margot Casstevens at work on Flesh, her new show.
Beauty in Decay
MIKE McCALL PHOTOS
Margot Casstevens’ art can be enjoyed for just a little while BY LEAH SOTTILE
E
verything is temporary. Everything. That’s often the takeaway of Margot Casstevens’ work. In her December 2011 show “Seed Folk,” her sculptures — casts of bodies and hands
DREAM
— were interwoven with living clumps of green grass. In another show, she made her work out of rice paper — publicly dissolving it at the end of the month in water to prove how temporary it
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40 INLANDER SEPTEMBER 26, 2013