KCRep is a team of local artisans, administrative professionals, technicians, and creatives working together to bring you stories rooted in our community; theatre created by and for Kansas Citians. We connect artists and audiences in a welcoming environment that fosters wonder, curiosity, and understanding.
You’re invited to come take a seat, lean forward, and experience the magic of theatre at KCRep!
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Welcome to Copaken Stage
for KCRep's 2025 production of Nathan Louis Jackson's
for KCRep's 2025 production of Nathan Jackson's
PHOTOGRAPHY
You may take photographs inside the theatre before and after performances only. If you post a photo of the set on social media, please add the following credits to your post:
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Scenic Design: EDWARD E. HAYNES, JR.
Lighting Design: MICHELLE HARVEY
Note: Videotaping, photography or other video or audio recording of and during this production is strictly prohibited.
Note: Videotaping, photography or other video or audio of and during prohibited
Please remember to turn off all cell phones or any other devices that could make noise and distract audience members around you.
Please remember off all distract you.
thank you to our hospitality partners!
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VALUES INCLUSION, DIVERSITY, EQUITY,
CRep is engaged in a deliberate, strategic, and heart-expanding process of educating and involving our board and staff in the important work of Inclusion, Diversity, Equity and Anti-Racism (IDEA). An all-volunteer committee of staff and board members work to create a more inclusive company culture by identifying barriers and suggesting changes in practice and policy at KCRep.
One of the ways we practice our IDEA values is through a Land Acknowledgment: a formal statement that recognizes and respects Indigenous Peoples as traditional stewards of this land. To recognize the land is an expression of gratitude and appreciation to those whose territory you reside on, a way of showing awareness of Indigenous presence and land rights in everyday life.
EQUITY, AND ANTI-RACISM (IDEA) IN ALL WE DO.
Our Land Acknowledgment
You’ll hear our current land acknowledgment read before the production. This acknowledgment is ever evolving; scan the code above to read it in its latest form. We began developing our land acknowledgment after producing the world premiere of Native American playwright Larissa FastHorse’s What Would Crazy Horse Do in 2017 on our Copaken Stage. As part of our commitment to learning the stories of the people who are native to our area, we are currently working to bring more Indigenous voices to our stages. We have partnered with The Great Plains Theatre Commons (GPCT), Tofte Lakes Center, and Tulsa Artists Fellowship to create the Four Directions Playwright Residency for early career Native playwrights. Last fall, we staged
a reading of Representatives for Those at Peace, a new play by our first Four Directions recipient playwright, Madeline Easley. Additionally, we created the American Crossroads Residency program to highlight local stories and have commissioned Cherokee playwright Mary Kathryn Nagle to write an OriginKC: World Premiere play centered around Indigenous experiences in Kansas City. These residencies are multiyear investments in increasing the number of plays written by Indigenous playwrights that are available to be produced.
Get Involved
Learn more about these programs and the rest of our IDEA initiatives by scanning the QR code above to visit kcrep.org/inclusion — we have compiled a list of local and national resources there that you can use to get involved and further your own learning.
Image: (L-R) Jen Olivares DeLanna Studi, Jennifer Bobiwash, and Jennifer Attocknie in KCRep’s 2023 staged reading of REPRESENTATIVES FOR THOSE AT PEACE. Photo: Don Ipock
JA Z Z
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SOME ENCHANTED EVENING
Starring
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Showcasing
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Visit the Eisenhower Presidential Library and Museum to experience Ike and Mamie’s story in their own words.
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HISTORY
CRep enters it’s 61st season as source of inspiration to thousands of our nation’s best artists and to millions of Americans in Kansas City and beyond. Missouri Repertory Theatre was founded in 1964 by Dr. Patricia A. McIlrath, who is among a select few pioneers of the regional theater movement who believed that theater could change the world and could change our town. Kansas City’s citizens continue to benefit from Dr. Mac’s passionate commitment to artistic excellence, innovation, education, and community transformation. Under her direction, KC’s theatre fans enjoyed many memorable shows, including an unforgettable 1983 production of The Life and Adventures of Nicholas Nickleby. Dr. Mac’s vision for providing professional experience to early career artists continues today through our partnership with UMKC.
Following Dr. Mac’s retirement in 1985, George Keathley was appointed as Artistic Director. During his tenure, and through his partnership with Executive Director James D. Costin, MRT was established as the pinnacle of artistic achievement for local theatre artists, creating a legacy of excellence through work in the civic community and with legendary MRT productions such as Dracula and Richard III.
In 2000, Peter Altman joined MRT as Artistic Director for a seven-year tenure. His vision included laying the groundwork to promote the city more aggressively as a center for nationally recognized theatre artists, and he spearheaded changing the theatre’s name to Kansas City Repertory Theatre in 2006 to help achieve this goal. He also helped create KCRep’s second permanent performance venue, Copaken
Stage, in Kansas City’s downtown Power & Light District.
Eric Rosen was hired as Producing Artistic Director in 2007. During his tenure, he was instrumental in cultivating a national reputation and brand for KCRep and the city as a destination for reimagined classics such as Into the Woods and Evita, and critically acclaimed new works, including Clay, Venice, and Between the Lines
In 2013, KCRep returned to the co-CEO structure when Rosen was partnered with Executive Director Angela Lee Gieras. Together, they led the company through a successful campaign for, and renovation of Spencer Theatre, crafted a five-year, $5 million campaign that increased investment in audiences, new works, and education, and rebranded the organization.
In 2019, director, producer, and educator Stuart Carden joined KCRep as its fifth Artistic Director. Deeply committed to centering KCRep in this region, Stuart believes the arts play a crucial role in strengthening communities. With an eye towards creating transformative theater experiences for all, Stuart brought KCRep productions to the grounds of the World War I Museum and Memorial, the Nelson-Atkins Museum of Art, and Roanoke Park. Further expanding our reach, in 2022 Stuart launched KCRep for All, our expansive community tour that takes KCRep to community centers, libraries, and other public spaces all over the region. He strives to provide greater access to our art form and to reflect the passions, curiosities, and stories of the diverse communities that make KC such a vibrant city.
Visit KCRep.org for more info and a list of all KCRep productions.
Stuart Carden
Dr. Mac
Peter Altman
Eric Rosen
James D. Costin (left) & George Keathley
Angela Lee Gieras
CONTACT US | QUESTIONS
Box Office: 816.235.2700
Email: tickets@kcrep.org
SINGLE & SEASON TICKETS
Visit KCRep.org
Call 816.235.2700
Ask about Season Ticket Holder benefits!
BOX OFFICE HOURS
KCRep’s Box Office is open Monday thru Friday, 10am-4pm, and until curtain time on performance days.
ACCESS
Both of KCRep’s theatres — Spencer Theatre and Copaken Stage — are ADA accessible and parking spaces are readily available. Infrared hearing systems and large-print and Braille programs are available free of charge at the lobby coat check counter in both of our theatres. One performance of each show is interpreted in American Sign Language.
Please visit our website at KCRep.org for dates. Live Audio Description may be requested in advance of a production. Please contact the Box Office to learn more.
LATE SEATING
When possible, latecomers will be seated toward the back of the house, at the discretion of KCRep’s House Management staff.
CELL PHONES & CAMERAS
Please turn off all cell phones/ electronic devices during the performance. For the safety of the actors and in accordance with the
GENERAL INFO
rules of Actors’ Equity Association, the use of all cameras and recording devices in the theatre during the performance is strictly prohibited.
VOLUNTEER AT KCREP
Volunteers are the backbone of KCRep, providing valuable services such as ushering and helping with special events. Please call 816.235.2780 if you are interested in joining our volunteer team.
THE MORE THE MERRIER!
Discounts are available for groups of nine or more, and many additional perks are offered, including private party spaces, assistance planning your special group event, and prime seating in the theatre. To schedule an event or for more information, please call Group Sales at 816.235.5771 or email us at tickets@kcrep.org.
EDUCATORS
Are you a teacher interested in bringing your class to a student matinee performance or participating in a custom-designed classroom workshop created around your curriculum? Call Melinda McCrary at 816.235.2707 or email her at mccrarym@kcrep.org for more info.
MAKE A GIFT TODAY!
KCRep is a non-profit 501(c)(3) organization, which means we rely on the generosity of our fans and friends. If you are inspired by what you see on stage today, please consider making a donation by calling 816.235.5420 or online at KCRep.org/Support
There
BOARD of DIRECTORS
(Listing as of January 17, 2025)
CHAIR
Andrew Kaplan** VICE-CHAIR
Melea McRae**
TREASURER
Mary Cook Jorgenson**
COMMITTEE
CHAIRS Development
Ashlei Holznecht** Endowment
Laura E. Tucker McCubbin** Executive
Andrew Kaplan** Finance
Mary Cook Jorgenson** Governance
Ivan R. Batlle**
Judge Jon R. Gray (Ret.)** Human Resources & Compensation
Kerri S. Reisdorff**
IDEA Committee
Stewart S. Myers** Shawna Roath**
ADVISORY DIRECTORS
Donald J. Hall (1928-2024)
Irvine O. Hockaday, Jr.
John B. Francis (1917-2004)
William C. Nelson (1937-2014)
DIRECTORS
C. Mauli Agrawal, Ph.D.*
Becky Blades
Dr. Jennifer Collier
Bunni Copaken**
Courtney Crappell*
David W. Frantze **
Douglas N. Ghertner
Brett Gray
Laura Hall**
Scott Hall**
Hayley E. Hanson
Shannon Johnson
John H. (Topper) Johntz, Jr.**
Honorary Vice Chair
LaMonica Madden
David R. Morris
Robyn Murphy
Patricia O’Connor
Richard Singleton III
Hillary Stamper
Benjamin Stone, M.D.
Julie Towner
Michelle Webb
Sara E. Welch
Tina Youngblood
DISTINGUISHED DIRECTORS
Debby Ballard
Irvin V. Belzer
Bill Blessing
SECRETARY
Chris Hernandez**
Scott Boswell
Rob Bratcher
Ann King Dickinson (1944-2024)
Courtney Goddard
Deanna Graves
Greg Graves
Nancy P. Hatch
Mike Lochmann
George Shadid
Myra Siegel
Jo Ann Sullivan
Bert Trucksess
Abigail Wendel
DIRECTOR EMERITI
Emily Ballentine
Thomas R. Brous (1943-2023)
William L. Bruning
Linda Cozad
Barbara Fay
Robert Firnhaber (1935-2024)
Mark S. Gilman
J. Gordon Kingsley
Jeannette Nichols (1925-2024)
Marvin W. Ozley
Sally Rheinfrank
Sally West
*Ex-officio, UMKC **Executive Committee
ARTISTIC DIRECTOR'S NOTE
City’s most talented and most loved playwrights and artists.
As we gather in this space, we are reminded of the power of storytelling to connect us to our roots, our families, and to each other. Broke-ology is a testament to that power. In it, Nathan captured the heart and soul of a family struggling with love, loss, and the ties that bind, bringing to life the complexities of what it means to navigate hardship with grace, humor, and unwavering resilience.
Nathan was not just a brilliant writer, but a voice for our community— a voice that spoke with authenticity, wise wit, and an understanding of the human condition that touched everyone who encountered him and his writing. His passing just over
with this production, we invite you to experience the intimacy, the laughter, the sorrow, and the hope that he so effortlessly wove into the fabric of Brokeology. This play is more than a story; it is a living tribute to a man whose words have left an indelible mark on the world and on all of us who had the privilege to know him, whether through his work or in life.
Thank you for joining us in this celebration of Nathan Louis Jackson’s extraordinary talent and this rich and rewarding story set right across the river in Kansas City, Kansas. We are honored to bring his vision to life once more on KCRep stages where his journey as a playwright began.
Stuart Carden
At Kansas City Repertory Theatre, we believe in the power of performance — and in the power of giving .
Join our Legacy Society and ensure that future generations experience transformative theatre at Kansas City Repertory Theatre. Make a planned gift by including us in your will, revocable living trust, or name KCRep as a beneficiary on an IRA, 401(k), life insurance policy, or donor advised fund!
As a member, you will receive invitations to special events and inclusion in our Legacy Society listing. Create a lasting impact for future theatre lovers!
If you’ve already included the theatre in your plans – THANK YOU! Contact Carrie Lenahan at lenahanc@kcrep.org or call 816.235.5420 to be recognized. See a listing of current Legacy Society members on page 77 of this program.
Amari Lewis in KCRep’s 2024 production of LITTLE SHOP OF HORRORS.
Photo: Don Ipock
Stuart Carden, Artistic Director
by NATHAN LOUIS JACKSON presents
BROKE-OLOGY
scenic design
EDWARD E. HAYNES, JR.
sound design
JOSHUA NGUYEN
casting ANDI MEYER
costume design
JESSICA TEAIRA CRAWFORD
associate director/ dramaturg
MELONNIE WALKER
production stage manager ALEX MURPHY*
directed by
lighting design MICHELLE HARVEY
assistant director
TERRACE WYATT, JR.
assistant stage manager ADDISON PRICE*
FRANCOIS BATTISTE
COPAKEN FAMILY FUND
supporting sponsors
ADDITIONAL SUPPORT PROVIDED BY HERB & BONNIE BUCHBINDER
The World Premiere of BROKE-OLOGY was produced by the Williamstown Theatre Festival, Nicholas Martin, Artistic Director, on July 9, 2008. Originally produced in New York City by Lincoln Center Theatre in 2009. "Broke-ology" is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service imprint. (www.dramatists.com).
William King ................................................................................... MELVIN ABSTON*
Ennis King ............................................................................. ROBERT COPPAGE III*
Malcolm King RAFFEAL SEARS*
Sonia King .....................................................................................
TEONNA WESLEY*
UNDERSTUDIES
ASHLEY BOWEN for Sonia King
CAMERON FERGUSON* for William King
VAUGHAN W. HARRISON for Malcolm King
SHANE ST. JAMES for Ennis King
Understudies never substitute for the listed performers unless a specific announcement is made at the time of the appearance.
*Denotes Members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
PLACE
The King household in Kansas City, Kansas.
TIME
In the 1980s and the summer of 2009.
Financial assistance for this project has been provided by the Missouri Arts Council, a state agency. This project is supported in part by an award from the National Endowment for the Arts BROKE-OLOGY will be performed with one 15-minute intermission.
This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.
The Director is a member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY, a national theatrical labor union.
The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Local USA-829 IATSE.
Kansas City Repertory Theatre is the professional theatre in residence at UMKC.
Along with the nationwide theatre community, we were shocked and saddened by the loss of our friend, Nathan Louis Jackson, in 2023. To celebrate his legacy, we are proud to revisit Broke-ology, a long-time favorite of KCRep audiences, fifteen years after it was first produced on our Copaken Stage. A playwright and screenwriter, Nathan was born and raised in Kansas City, Kansas, and his plays were influenced by his Midwest upbringing.
NATHAN LOUIS JACKSON
DEC 4 , 1978 - AUG 22 , 2023
KCRep was fortunate to have had Nathan with us for six years as
an Andrew W. Mellon Foundation Artist-in-Residence. Between 2010 and 2018, we produced four of his plays (including two world premieres) at Copaken Stage: Broke-ology, When I Come to Die, Sticky Traps, and Brother Toad. He was also a featured storyteller appearing in our first ever Ghost Light: A Haunted Night of Songs and Stories from KC's Cultural Crossroads in 2020. His artistry left lasting impressions on our audiences, and his generosity of spirit, tenacious work-ethic, and passion for storytelling cemented deep and treasured friendships among many in the KCRep community. Read on to learn more about Nathan's life and legacy in the following excerpts from the article, Kansas City playwright Nathan Louis Jackson, who got to 'the real stuff,' dies at 44, by C. J. Janovy, KCUR's Director of Content - Journalism, published on the KCUR website on August 26, 2023.
NATHAN LOUIS JACKSON'S work often showcased his love for his hometown. Having lived and worked on both coasts, Nathan’s "heart belonged in Kansas City," his family said in the statement. "Nathan was especially passionate about bar-b-que and his Kansas City Chiefs. Jackson was a devoted supporter of the arts community within Kansas City." Jackson graduated from Washington High School, Kansas City, Kansas Community College, and Kansas State University. He then earned a Master of Fine Arts in playwriting at the Juilliard School in New York City. His plays were performed at the Lincoln Center Theater and other prestigious venues.
[In addition to being the Andrew W. Mellon Foundation Playwright in Residence at KCRep for six years,] Jackson also spent time in Los Angeles. His television credits include Netflix's "Luke Cage" and "13 Reasons Why," NBC's
“Southland," and Showtime's “Shameless,” among others. Jackson twice won the Lorraine Hansberry Playwriting Award, was the recipient of the Mark Twain Comedy Playwriting Award, and was awarded the Kennedy Center’s Gold Medallion.
One of his goals was to increase diversity in the theater, a mission reinforced by his experience in New York. Jackson knew one way to bring theater to all audiences was to get into communities. "And we’re talking about communities who have been silent, people haven’t listened to them," he said.
KCUR reporters witnessed Jackson's work with students at the Paseo Academy of Fine and Performing Arts and Central Academy of Excellence. At Central, Jackson was participating in a collaboration between KCUR and the Kansas City Public School District for an investigative project called The Argument. KCUR and its partners were exploring the motives behind Kansas City’s homicides.
"Nathan was working on staging his play at KCRep, Brother Toad," said KCUR's Laura Ziegler. "The play was about a black teenager who survives a shooting in which the teen's friend is killed."
Jackson visited the school every other week for the semester, working with kids on shaping their narratives. "[He] nurtured these young people as if they were his own kids," Ziegler said. "He listened, demonstrated technique, edited their words and directed them on stage as they performed their stories for classmates, their families and friends. It was an unforgettable experience for all of us," she said. "It’s a matter of coming in, being honest with them, opening up the room to say, 'Hey, let me tell you my story, let me be vulnerable for a minute,' because there’s a vulnerability in telling your story," Jackson told Ziegler. "I like to ask things that get them to dig deep: What’s your first memory growing up? Are you scared of anything? Hey, do you dream? How do you feel when you go home? What’s your home life like? And then once they start talking, we get to the real stuff."
Jackson told Ziegler he wanted to give students "a safe place where they’re not going to be made to feel lame or stupid." Once they understood they were in such an environment, he said, "I want to tell them it's OK to stand out:
Your mind is in a different place from everyone else.' All of us artists have been in that world and we may be a little weird, but that weirdness is going to take us to another level. It’s cool to be weird; weird is awesome. If there’s anything I want these kids to learn, it's that I want them to want to be the one who stands out, the one who people say: 'There’s something up with that guy.'"
Jackson's family statement said he would be "remembered by his loved ones for his warmth and kindness, and his phone calls. He did not believe in text messaging, preferring to speak voice-to-voice whenever possible." Jackson is survived by his wife, Megan Mascorro-Jackson, two children, Amaya and Savion Jackson, his mother, Bessie Jackson, and siblings Ebony Maddox and Wardell Jackson.
Images: (Page 35) Nathan Louis Jackson. Photo: T. Charles Erickson. | (Pages 36 & 37) Nathan Louis Jackson works with high school students at Central Academy of Excellence on a collaborative project with KCUR. Photos: Laura Ziegler / KCUR 89.3
Q: You have a long history with Broke-ology, from being a young actor performing the role of Ennis, to now directing it two times. What does this play mean to you personally?
A:Broke-ology, at its core, celebrates family at their most critical juncture, leaning in and lifting up each other letting love and laughter lead the way.
I suppose, with any great story, its meaning will take on different resonance at different periods based, in large part, on one’s age and life experience. Initially, when I read Broke-ology I felt an instant kinship with both brothers. Identifying with how they bounced off of one another and maneuvered through their respective journeys. Having grown up with two older brothers, I was well-versed in both the sibling synergy and conflict dynamics. An insight that provided me a unique window into Ennis’ and Malcolm's relationship.
Q & A with FRANCOIS BATTISTE
Interview by JANA LILES Director of Marketing & Communications
I was also struck with how William navigates a debilitating illness that renders him incapable of working a job that gives him purpose and providing for his sons. When William gingerly comes downstairs, at the top of the play, donning a pirate patch covering up his eye which shifted placement while he slept, took me directly back to my childhood. Once, when I was about six years old, I came downstairs to see my mother preparing breakfast with sunglasses on. When I asked her why she was wearing sunglasses indoors, she took them off and revealed that her eye had drifted overnight on its own. The look of perplexity and fear was etched on my Mother’s face. Being a child, it was hard to process. I recall feeling helpless, sad, and as though I'd seen something I shouldn’t've. Unbeknownst to me, my Mother, like William, had been diagnosed with multiple sclerosis. Nathan captured that moment so delicately.
As time has passed, and as I’ve matured, the play now lands a deeper existential blow. In accordance with absorbing life’s many challenges, like processing death, Broke-ology asks the question of “how exactly do we traverse the inevitable concern of providing an aging parent with the medical, psychological, and physical care they need, and deserve?”
Photo: Doug Cupid
It’s a complicated, emotional issue, involving many factors, that currently my brother and I find ourselves entrenched in.
Q: The play addresses issues of economic hardship and familial responsibility. How do you bring these themes to life in a way that resonates with today’s audience, especially considering the play takes place in Kansas City, Kansas — a place many audiences members will be very familiar with?
A: This is a universal story told through a very specific lens. I believe that Nathan’s writing captures economic anxieties with such precision that my job is to provide a pathway for the actors to lean into both the humor, and the stresses of struggle. The more specific, the more universal. Encouraging them to excavate the psychological burdens that come with witnessing the degradation of your once thriving community, or the emotional pull that comes from despising your job while simultaneously carrying the obligation of providing for your significant other and newborn child, or the seemingly impossible task of financially supporting an ailing parent that may (or may not) be better served in an assisted living facility where the cost of care is astronomical, and the care itself seems highly questionable. These are issues that many grapple with no matter the demographic or socio-economic background.
Q: What have you learned, as a director and artist, from working on this production?
A: This play was pivotal to my development both as an actor, and director in ways still being revealed.
I feel Broke-ology is fundamentally a love story. A husband and wife (even in passing) that are deeply in love and devoted to one another. Siblings that share an unbreakable bond and tremendous respect for each other. Love for their neighborhood, their culture, and community from which they’ve sprung. Love of one’s vocation that has given their life meaning and has both creatively and practically sustained them. Identifying love, and its myriad ripple effects, has been the galvanizing navigational element that infuses my approach as director in story telling, even when considering various design elements that help amplify the story and deliver the production.
Q: Lastly, you had a close friendship with playwright Nathan Louis Jackson. What do you hope audiences learn about him and his legacy through this work?
A: Audiences will undoubtedly feel Nathan’s sense of humor, his heart, his intellect, his love for family, and passion for bar-b-que, and dominoes! Nate was the kind of brother that found humor in any situation. He could write about centaurs and cornbread in the same sentence and make it make sense! He absolutely loved his hometown, and yet wasn’t afraid to spread his wings and conquer distant lands. He possessed a confidence that allowed him to walk with giants and not lose the common touch. He was a master at using humor both as a diffusing mechanism and as a tool to broaden perspective. His ability to keep our mouths open with laughter while simultaneously delivering a gut-punch of truth is a characteristic richly embedded in his writing.
BROKE-OLOGY CAST
(In Alphabetical Order)
MELVIN ABSTON*
William King
RAFFEAL SEARS*
Malcolm King
ROBERT COPPAGE III*
Ennis King
Sonia King
UNDERSTUDIES
Sonia King U/S
William King U/S
Malcolm King U/S
Ennis King U/S
* Denotes Members of Actors’ Equity Association, the Union of Professional Actors & Stage Managers in the United States.
TEONNA WESLEY*
ASHLEY BOWEN
CAMERON FERGUSON*
VAUGHAN W. HARRISON
SHANE ST. JAMES
CAST
MELVIN ABSTON
(William King) (He/Him)
KCRep: debut. Broadway: Purlie Victorious, Death of a Salesman, Skittles Commercial The Broadway Musical and Sister Act The Musical. National Tours: The Little Mermaid, Sister Act the Musical, Joseph and the Amazing Technicolor Dreamcoat and The Lion King. Regional: Brokeology (B Street Theatre); ABCD (Barrington Stage Company); Toni Stone, Spunk (Roundabout Theatre); The Color Purple (Drury Lane); Animal Farm (Baltimore Center Stage/Milwaukee Rep); All The Way (ZACH Theatre); Memphis (La Jolla Playhouse/5th Avenue Theatre); Let Me Live, The Amen Corner (Goodman Theatre). Film/ TV: Law & Order: SVU, Blue Bloods, Gotham, Weeds, Awake, Raising Hope, Grey’s Anatomy, ER, Early Edition, Solace and Chastity Bites. Awards: Winner: Austin Critics Table Award-Best Supporting Actor for All The Way; Central Texas Excellence in Theatre Award-Best Supporting Actor for All The Way; 5th Ave Theatre Subscriber Choice AwardOutstanding Male Actor in a Featured Role for The Little Mermaid; BTAA-Best
Featured Actor in a Musical for The Color Purple. Member, SAG/AFTRA. AEA Member
ROBERT COPPAGE III
(Ennis King) (He/Him)
KCRep: Peter Pan & Wendy. Local: Toni Stone (Unicorn Theatre); Grapes of Wrath (Arts Asylum); We Shall Not Be Moved (The Coterie); A Raisin in the Sun, Two Trains Running (KC Melting Pot Theatre); Fair Ball (Theatre for Young America); Trouble In Mind (Kansas City Actors Theatre). Film: The Devil Comes to Kansas City (Tubi), Deadlock (Tubi), The Unseen (Amazon Prime), Winterset (TBA), Rise & Shine (TBA). Television: Love at First Bite (HSTV), Family Feud (CBS). Instagram: @robertecoppageiii, tribeuniversity.org
AEA Member
RAFFEAL SEARS
(Malcolm King) (He/Him)
KCRep: debut. Local: Alexander and the Terrible, No Good, Very Bad Day (The Coterie). Regional: Twelfth Night (Yale Repertory Theatre); Amazing the Change (Atlantic Theater Company); A Christmas Carol (St. Louis Rep); The African Company Presents Richard III, Twelfth Night (Great River Shakespeare Festival); A Midsummer Night’s Dream, Cymbeline (Illinois Shakespeare Festival); Dontrell, Who
Kissed the Sea, The Grapes of Wrath (University of Illinois at Urbana-Champaign).
Voiceover: Grand Theft Auto: The Ballad of Gay Tony (Rockstar Games). Television: Chicago Fire (NBC). Awards: Shozo Sato: Excellence in Performance Award
Recipient. Education: MFA, University of Illinois at Urbana-Champaign; BS, Belmont University.
Instagram: @raffeal.sears, raffealsears.com
AEA Member
TEONNA WESLEY (Sonia King) (She/Her)
KCRep: the ripple, the wave that carried me home (Understudy/Janice), The Royale, for colored girls who have considered suicide/when the rainbow is enuf, A Christmas Carol. Local: Honky!, The Colored Museum (The Black Repertory Theatre of Kansas City); Tomorrow Inshallah (The Living Room Theatre); Regional: Steel Magnolias, Cinderella, The Royale, Mountain Octopus (Creede Repertory Theatre). Education: New York Conservatory for Dramatic Arts. @Tefamous AEA Member
UNDERSTUDIES
ASHLEY BOWEN (Sonia King Understudy) (She/They)
KCRep: A Christmas Carol, Cyrano
broke-ology
de Bergerac u/s. Local: Not I, Fixing King John, The 39 Steps, Thinner than Water (UMKC Theatre). Regional: War of the Roses- Part II: Curses & Queens, The Tempest (Advice to the Players); Romeo & Juliet, A Midsummer Night’s Dream (Hoosier Shakespeare Festival); Tamale Season (workshop at KC Public Theatre); As You Like It, Imbroglio, The African Company Presents Richard III, Twelfth Night, Romeo & Juliet, Romeo & Juliet podcast, The Tempest u/s (Great River Shakespeare Festival); The Session u/s (KC Melting Pot); The Battlefields of Clara Barton (workshop at Zach Theatre). Playwriting: Smile, You’re on Camera (staged reading at KC Public Theatre). Education: BA in Government, BA in Theatre & Dance with an emphasis in Performer’s Process, University of Texas at Austin; MFA in Acting & Directing, University of MissouriKansas City. Instagram: @teao3 ashbowen.com
CAMERON FEGUSON (William King Understudy) (He/Him) KCRep: debut. Regional: All the Rage, Oscar and Felix (Playhouse West). International: The Wizarding World of Harry Potter (Universal Studios Japan). TV/Film: The Bold and the Beautiful (CBS).
Education: MBA, MS Marketing and MA Arts Administration, University of Cincinnati; BM in Vocal Arts, University of Southern California. Upcoming: Turandot (Lyric Opera of Kansas City).
Affiliations: SAG-AFTRA, AGMA. AEA Member
VAUGHAN W. HARRISON
(Malcolm King Understudy) (He/Him) KCRep: debut. KCRep: debut. Local: Hip Hop Cinderella, Thoughts of a Colored Man, Blues in The Night (Black Rep KC); Sweeney Todd, Secret Garden (Music Theater Heritage); Parade (Metropolitan Ensemble Theater). Awards: The Kansas City Pitch – Best Debut for Parade. Upcoming: Thoughts of a Colored Man Reprisal (Black Rep KC). Instagram: @ImagineerVaughan
SHANE ST. JAMES
(Ennis King Understudy) (He/ Him) KCRep: debut. Local: Christmas Ain’t A Drag (The Black Box Kansas City); The Disappointments (Kansas City Public Theatre); Joseph…Dreamcoat (Theatre Atchison Pro); Porgy and Bess, It’s A Wonderful Life: Radio, Gypsy (Music Theater Heritage); Beautiful: Carole King, Rocky: The Musical (MTKC Pro), Oliver!, Judgement at Nuremberg (Metropolitan
Ensemble Theatre); Ragtime: Concert (The Barn Players); Bright Star, Sweeney Todd (STG); Kinky Boots, The Addams Family (The White Theatre); Clue: On Stage (Encore Theatre); Disney Descendants (TTIP); and more. TV/Commerical: Rally House (Rally House, Inc.); T-Mobile (Panay Films, Inc.); 2023 NFL Draft Featured Documentary (NFL Productions). Affiliations: Moxie Talent Agency (KC); TalentPlus (StL). @stshanejames
CREATIVE TEAM
NATHAN LOUIS JACKSON
(Playwright) Nathan Louis Jackson was an alum of Kansas City Kansas Community College and Kansas State University. He received the Lila Acheson Wallace fellowship and did his graduate work at The Juilliard School. His plays include Broke-ology (Kansas City Repertory Theatre, Williamstown Theatre Festival and Lincoln Center), When I Come to Die (Kansas City Repertory Theatre, Lincoln Center), Sticky Traps, Brother Toad (Kansas City Repertory Theatre), The Mancherios, and The Last Black Play. Jackson received commissions from Lincoln Center, The Roundabout
Theater Company, and Manhattan Theatre Club. At Kansas State University, he was actively involved with the Ebony Theatre (as a director and as president) and participated in The Kennedy Center Summer Playwriting Intensive. Jackson twice won the Lorraine Hansberry Playwriting Award, was the recipient of the Mark Twain Comedy Playwriting Award, and was awarded the Kennedy Center’s Gold Medallion. Jackson wrote for television as well, with credits for Southland (NBC), Shameless (Showtime), Luke Cage (Netflix), and 13 Reasons Why (Netflix), and for the film, Genius: Aretha. Nathan was an Andrew W. Mellon Foundation Artistin-Residence at Kansas City Repertory Theatre for six years. Learn more about him in the feature article on Page 35 of this program.
FRANCOIS BATTISTE
(Director) (He/Him) Other Directing Credits include: Broke-ology (B-Street Theater Company), Hospice (Illinois State University). Acting Credits: Broadway: Bronx Bombers (Circle in the Square), Prelude to a Kiss (Roundabout), Magic/ Bird (Longacre) directed by Tommy Kail. OffBroadway: The Merchant of Venice w/ Al Pacino, and The Winter’s Tale w/
Jesse Tyler Furgeson in Shakespeare in the Park. Francois won the OBIE Award for his performance in The Good Negro at the Public Theater. World premiere of Broke-ology w/ Wendell Pierce (Lincoln Center), Head of Passes w/ Phylicia Rashad (Mark Taper), Dominique Morriseu’s Paradise Blue (Signature Theater), and Detroit ’67 (The Public). Francois received the 2023 Best Leading Actor AUDELCO award for Walter Lee Younger in A Raisin in the Sun at The Public Theater, where he appeared alongside his then ten-year-old son, Toussaint F. Battiste, who was making his stage debut as Travis Younger. Raisin’ received the 2023 Lucille Lortel Award for Best Revival, and was directed by the TONY-nominated director Robert O’ Hara. Last season he originated the role of Colonel Jock Martin in the World Premiere of Here We Are, Stephen Sondheim’s final musical, written by David Ives, Directed by Joe Mantello. Malcolm X in the London premiere of One Night in Miami at the Donmar Warehouse, (Olivier nomination). Broadway National Tour: TONY-Award winning production of August Wilson’s Jitney. TV: The
Caine Mutiny Court-Martial (Showtime); NBC’s Law & Order Organized Crime, and SVU; ABC’s 10 Days in the Valley, Godfather of Harlem (MGM+), New Amsterdam (NBC), Station 19 (ABC), EVIL (CBS), The Family (ABC), The Normal Heart (HBO), Person of Interest (CBS), Are We There Yet? (TBS), and The Good Wife (CBS). Training: Juilliard, BADA at Oxford University, and Illinois State University (ISU College of Fine Art Hall of Fame).
EDWARD E. HAYNES, JR. (Scenic Design) (He/Him) KCRep: debut. Regional: Several projects at The Muny Opera, The Pasadena Playhouse, Laguna Playhouse, La Jolla Playhouse, Geffen Playhouse, Oregon Shakespeare Festival, Mark Taper Forum, Ebony Repertory Theatre Co., South Coast Rep, Kirk Douglas Theatre, Berkeley Rep, East West Players, Hollywood Bowl, Marin Theatre Co., TheatreWorks, Intiman Theatre, Trinity Rep, Pittsburg City Theater, Alley Theatre, Alliance Theatre, and more. Televison: Spring Break (MTV, 2011-2012), Hip Hop Harry, The Tony Rock Project, and Culture Clash. edhaynes.carbonmade.com
broke-ology
JESSICA TEAIRA CRAWFORD
(Costume Design) (She/Her)
KCRep: debut. Regional: Pippin (SU Drama), Pippin (Weston Playhouse), The Fairy Queen (Manhattan School of Music), Singing In The Rain, Hair (Weston Playhouse), Hamlet (The Public Theater). Associate Design: El Nino, Champion (The Metropolitan Opera), Love Love Love (Studio Theater), Rigoletto (The Atlanta Opera), The Skin Of Our Teeth (Lincoln Center -Broadway). Television: Power (S4), November (The Shed). Education: Syracuse University 2017. Upcoming: Princess Ida (Manhattan School of Music). Instagram: @Jessibaxx, jessicatcrawford.com.
MICHELLE HARVEY
(Lighting Design) (She/Her)
KCRep: Stillwater, Fire in Dreamland, Lot’s Wife, What Would Crazy Horse Do?, Unreliable. Local: The Glass Menagerie (Musical Theatre Heritage). Regional: ShakesFear, Our Town (Nebraska Repertory Theatre); Dance Nation, POTUS (Bluebarn Theatre); The Wilds (Unreal Collaboration); Limitless (Mirage Theatre, Las Vegas); Presto (The Show Co.); The Marriage of Figaro, The Magic Flute, The Merry Widow (Show-Me
Opera). Lighting Director/ Supervisor: Coal+Ice (Kennedy Center), Rose. Rabbit. Lie. (Cosmopolitan, Las Vegas). Upcoming: Carousel (Musical Theatre Heritage); The Wild Party (Bluebarn Theatre). Education: MFA, University of Nevada-Las Vegas; BFA, University of Nebraska-Lincoln. michelleharveyld.com
JOSHUA NGUYEN
(Sound Design) (He/They)
KCRep: debut. (Sound Regional: Dracula: A Comedy of Terrors (Dallas Theater Center). Associate Designer: Diary of a Tap Dancer (American Repertory Theater); Clue, Disney’s The Little Mermaid, The Rocky Horror Show (Dallas Theater Center); In the Heights (Cleveland Playhouse); Side by Side by Sondheim (Repertory Theater of St. Louis). Education: BFA, Baylor University. Affiliations: TSDCA, CAATA. Instagram: @jashngooyen joshuanguyen.net
MELONNIE WALKER
(Associate Director/ Dramaturg) (She/Her)
KCRep: Freedom Rider, Fences. Local: The Colored Museum, Memphis, Ma Rainey’s Black Bottom,How I Learned What I Learned (The Black Repertory Theater of Kansas City); Eclipsed (Unicorn Theatre); Caroline,
or Change (Spinning Tree Theatre); Radio Golf, Funnyhouse of a Negro, King Hedley II, For Colored Girls, A Raisin in the Sun,Two Trains Running, The Piano Lesson, Fairview, The Amen Corner, Is God Is, Who’s Afraid of Virginia Woolf, Seven Guitars (KC Melting Pot Theatre). Education: MA Theatre History, UMKC. Upcoming: Fences (KC Melting Pot Theatre).
Affiliations: Literary Managers and Dramaturgs of the Americas
TERRACE WYATT, JR.
(Assistant Director) (He/Him)
KCRep: A Christmas Carol (2014 & 2015), The Royale, Peter Pan & Wendy. Local: Finding Nemo TYA (The Coterie Theatre), Horse Power: Tom Bass’ American Story, The Lightning Thief: The Percy Jackson Musical, Charlie and the Chocolate Factory (The Coterie Theatre); The Grapes of Wrath (The Arts Asylum); Boxed (Whim Productions); Is God Is (KC Melting Pot Theatre); Dreamgirls (New Theatre & Restaurant); A Raisin in the Sun (The Black Repertory Theatre of Kansas City); Smart People (Kansas City Actors Theatre); Toni Stone (The Unicorn Theatre); Titanic: The Musical (Music Theatre Heritage); Something Rotten! (The White Theatre at the J), and many more. Film: Wide Awake
Films, Bark Productions, Tech N9ne’s Fatha Fig Ya (FoodFor Thought). Awards: Winner: KC Fringe 2024 – Best of Venue for Black Man, Missouri. Nomination: BroadwayWorld KC –Best Play for Black Man, Missouri. Upcoming: Fences (KC Melting Pot Theatre)
Instagram: @terracewyatt. jr / @terr.studios
Facebook: Terrace Wyatt, Jr. / Terr. Studios
ANDI MEYER (Casting) (She/Her) Based in Osage/Kikapoo/Kansa/ Sioux/Otoe Missouria ancestral territory (Kansas City), Andi is an awardwinning Kanaka Maoli/ Asian American theatre maker/activist, arts educator, and parent. She is the Producing Artistic Director of Tradewind Arts, a boutique arts organization devoted to illuminating, motivating, and amplifying the voice of Native Hawaiian, Oceanic, and Asian American artists. Andi was a 2017-18 Charlotte Street Foundation (CSF) Studio Resident. Her work has been recognized with support from ArtsKC, TCG, Asian Arts Initiative, The Kauffman Foundation, Charlotte Street Foundation, JOCO libraries, InterUrban ArtHouse, and the Dramatists Guild Fund,
as well as two NEA award winning projects in partnership with The Coterie Theatre including Hana’s Suitcase and Justice at War. Andi’s directorial credits include Edith Can Shoot Things and Hit Them for Tradewind Arts; Justice at War at The Coterie; and Nomad Motel and Poor Clare at The Unicorn. She has appeared in productions at The Unicorn Theatre, The New Theatre, The Coterie, The Kansas City Repertory Theatre, Disney’s Spirit of Aloha, with voice and on-camera clients including Hallmark, H&R Block, Sprint, and McDonald’s. AEA Member
ALEX MURPHY
(Production Stage Manager) (He/They). KCRep: Lady Day at Emerson's Bar & Grill, The Adventures of Tom Sawyer, Death of a Salesman, The Tallest Tree in the Forest, The Who and the What, The Santaland Diaries, Angels in America, Sticky Traps. Local: Rudolph the Red-Nosed Reindeer: The Musical, Justice at War (Coterie Theatre); Death and the Maiden, A Moon for the Misbegotten, Blithe Spirit, Skylight, Sea Marks, A Lie of the Mind, And Then There Were None, The Realistic Joneses, My Old Lady, I’m Not Rappaort, At Home at the Zoo, The Gin Game (Kansas
City Actors Theatre). Regional: The Prom (First National Tour); The Harder They Come, Romeo and Bernadette, Two’s a Crowd (Off-Broadway); Gem of the Ocean, The Scarlet Letter, Two Sisters and a Piano, Wine in the Wilderness (Two River Theater); American Prophet (Arena Stage); A Christmas Carol: A Ghost Story, Still Ready (Actors Theatre of Louisville); How I Learned What I Learned, An Iliad (Pennsylvania Shakespeare Festival). Education: MFA, University of Missouri–Kansas City. AEA Member
ADDISON PRICE
(Assistant Stage Manager) (She/Her) (KCRep: A Christmas Carol (ASM), Twelfth Night (ASM), Lady Day at Emerson’s Bar and Grill, Little Shop of Horrors, What the Constitution Means to Me, The Ripple The Wave that Carried Me Home, A Christmas Carol (Production Assistant), Nina Simone: Four Women, Peter Pan and Wendy (Run Crew), Ghost Light (Event Coordinator) Local: Trouble in Mind, Gaslight, Grand Horizons (ASM, Kansas City Actors Theatre) Alice’s Wonderland (Production Assistant/Deck Manager, The Coterie). Education: BA in Theatre, Kansas State University.
BROADWAY LICENSING GLOBAL
(Licensor) Broadway
Licensing Global and its family of imprints (Broadway Licensing, Dramatists Play Service, Playscripts, and Stageworks) is the global leader in theatrical licensing and distribution. The iconic works represented epitomize the greatest collection of authors, composers, lyricists, and underlying rights holders across the globe including Stephen King, Alan Menken,
Arthur Miller, Lynn Nottage, Elvis Presley, Paula Vogel, Tennessee Williams, the Beatles, the Bee-Gees, and Harry Potter Theatrical Productions. At Broadway Licensing Global, we value diversity and believe our differences are what make us special. We continuously strive to be a culture of belonging for all team members, with the aim to create an environment where everyone can bring their authentic selves to work. As a global company, we recognize the importance
of protecting our planet and fostering a sustainable future for the arts and entertainment industry. Our mission is to lead the way in promoting eco-conscious practices while continuing to inspire creativity and innovation. We are dedicated to reducing our environmental footprint and are committed to the responsible management of resources, ensuring that the magic of theater remains sustainable for generations to come.
by kate hamill
based on the novel by jane austen directed by meredith m c donough
LEADERSHIP
Stuart Carden (He/Him) is in his fifth season as Artistic Director of KCRep. An arts leader, director, deviser, producer, educator and new play specialist, Stuart has worked across the United States building new plays, ensemble generated projects, reimagined classics, multidisciplinary performance, and actor-musician driven theatrical storytelling. Including creating theatrical experiences with The Old Globe, Lyric Opera of Chicago, The Goodman Theatre, Lookingglass Theatre, Actors Theatre of Louisville, The Second City, New
STUART CARDEN
Artistic Director
Victory Theatre, Williamstown Theatre Festival, Silk Road Rising, Victory Gardens, People’s Light, Northlight Theatre, The Repertory Theatre of St. Louis, ArtsEmerson, The Wallis Annenberg Center, Philadelphia Theatre Company, Chicago Children’s Theatre, Virgin Voyages and PigPen Theatre Co. He is a member of the Society for Stage Directors and Choreographers and represented by Beth Blickers and the Agency for Performing Arts. Stuart is married to public art curator Neysa PageLieberman and dad to eleven-yearold twins, Dashiell and Griffin.
Scan the QR code to learn more about their story. Needs Met. Lives Transformed. Hope Lives Here.
Fewer Treatments. Better Outcomes.
The future of cancer care is here. The AdventHealth Cancer Institute will be the first and only health care provider in Kansas City to perform MRI-Guided Radiation. This advanced therapy allows us to see tumors as we treat them, resulting in pinpoint precision, fewer treatments, reduced side effects and better outcomes.
STUDENTS
“I was very amazed by the performance — the play was very cool and funny. The person who was playing the plant had amazing vocals and the other actors also did a great job. “
— Middle school student, Little Shop of Horrors
“It is wonderful to have live theater opportunities such as this one. The debate at the end of the play was extraordinary, and I thoroughly enjoyed it. Thank you for the overall experience.”
— High School Student, What the Constitution Means to Me
Kicking off our 2023/24 season last summer with enthusiasm, creativity and buckets of strong talent was our 7th Summer Youth Theatre Ensemble, a free program for high schoolers. Young artists put their hearts and minds together over the four weeks (20 days!) devising, writing, moving, discussing, exploring, and collaborating to create their own original play, Here/After. The piece, both moving and hilarious, traveled to an afterlife during which characters worked to make a pitch to return to life on earth. Selfunderstanding was key and the revelations were meaningful. Led by teaching artists Raz, Sam, Em and Auryona, their final show was exceptional, joyfully-built, and a wonderful way to cap off our signature summer depth program.
Across our season we hosted over 7,500 young people — 2nd graders through college students, and their chaperones — from all over the region to our productions
STUDENTS & EDUCATION
“My students LOVED Nina! It definitely provoked a lot of great conversations once we got back to school. ”
— High School Teacher
Nina Simone: Four Women
“SYTE lets us be free and open with our thoughts and feelings. Together, we put those thoughts and feelings into a play that’s enjoyable for us and the audience. We’re all also able to connect pretty fast because of our similar interests and ideas.”
— SYTE High School Student
at a morning matinee. Close to 40% of those young people saw the play via our STARS program which offers fully free or discounted tickets. At each performance, the building shakes at the curtain calls as young people passionately applaud the stories which are now theirs forever.
Theatre director Kenny Leon said, “I’m looking for the day when every child in America can have a little piece of theatre in their daily educational lives.” This is a simple wish; a clear and joyful one towards which we work all season. Help us keep our education/ engagement work flying high! Smart, growing and vital to today’s community.
To learn more about our programs, at the theatre or at your site, or how to support them, reach out to Melinda, Director of Education, at mccrarym@kcrep.org.
Photo Credits (clockwise from top left) Melinda McCrary, Teonna Wesley, Melinda McCrary, Don Ipock, Tionna Wesley, Don Ipock.
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Jeffrey Adams
Season Opener with pianist Behzod Abduraimov in collaboration with Park University ICM SEPT. 20, 2024
Ingrid Stölzel: A Musical Portrait OCT. 12, 2024
Thanksgiving with NAVO NOV. 30, 2024
NAVO Chamber Orchestra with pianist Steven Spooner and violinist Véronique Mathieu
FEB. 22, 2025
The Art of Cello with Daniel Veis MAR. 22, 2025
Frontier String Quartet APR. 2025
Season Finale Fest with violinist Maria Ioudenitch MAY 7, 9, 11, 2025 TENTH ANNIVERSARY SEASON 2024 - 2025
THEATRE FOR ALL —
FROM OUR STAGES TO OUR COMMUNITIES,
KCRep supporters are at the heart of all that we do.
Any way you support KCRep — with a production sponsorship, a scholarship gift through our STARS (Support the ARTs in Schools) program, or an operating gift — you make world-class productions, Student Matinees, Summer Theatre Camp, the KCRep For All Community Tour, and much more available to everyone in Kansas City.
In gratitude of your support, KCRep offers a variety of donor benefits, including sponsor recognition and exclusive events. Explore donor benefits for each giving level at kcrep.org/donor-sponsorshipbenefits.
2024-2025 Signature Series:
Fri. Oct. 11th, 7pm UNFORGETTABLE
ft. Sachal Vascandani
Sat., Nov. 16th, 7pm BRIGHT SIZE LIFE
ft. Rod Fleeman
Tues., Dec. 10th, 7pm A CHARLIE BROWN CHRISTMAS
Selections from Charlie
Sat., March 1st, 7pm ALWAYS & FOREVER
ft. Brenna Whitaker Visit KCJO.org for ticket information
ft. Lucy and Bram Wijnands
Sat., April 5th, 7pm LEVEL UP!
Selections from Classic Video
Sat., May 31st, 7pm GLAMOUR OF OLD HOLLYWOOD
2024-2025 Concerts Including Works of Brahms, Parry, Rachmaninoff, Holst and many others along with American spirituals and gospels 2025 performance of Bach's immortal MASS IN B MINOR with chamber orchestra and soloists
PARK UNIVERSITY INTERNATIONAL CENTER FOR MUSIC
When Stanislav loudenitch first started the Park International Center for Music, he began with a simple concept. Find exceptional music teachers, and give them the time, tools, focus, and dedication needed to transform exceptional students into masters themselves. An internationally-recognized Van Cliburn gold medalist, Ioudenitch assembled a team that shared his world-class skills and his passion for teaching. Other outstanding programs have great master instructors. But no other American conservatory lets those masters devote the time to their students like they do at Park ICM.
Come experience the birth of our international stars. Visit ICM.PARK.EDU for our concert schedule today.
Stanislav loudenitch Artistic Director /Piano Studio
Ben Sayevich Violin Studio
Daniel Veis Cello Studio
Peter Chun Viola Studio
2024/25 SEASON UNDERWRITERS
ANNUAL SUPPORTERS
Kansas City Repertory
Theatre is grateful for the charitable contributions of the many donors who help make our productions, community outreach programs, and youth education programs possible. The following list represents annual and event support as of DECEMBER 19, 2024.
CONTRIBUTORS
$50,000+
Copaken Family Foundation
The Hearst Foundations
R & C Charitable Foundation
Victor E. and Caroline E. Schutte Foundation 1959, John Aisenbrey, John Davis, and David W. Frantze
Trustees *
Richard J. Stern Foundation for the Arts - Commerce Bank, Trustee *
$25,000 - $49,999
Anonymous(2)
E. Kemper Carter and Anna Curry Carter Community Memorial Trust, UMB Bank, n.a., Trustee
Ellen & Irv Hockaday *
Linda & Topper Johntz *
Enid and Crosby Kemper
Charitable Foundation, UMB Bank, n.a., Trustee
Miller Nichols
Charitable Foundation *
Pemberton Family
Charitable Foundation
$10,000 - $24,999
American Century Investments Foundation
Anonymous
Lynn Badaracco & Dwight Quiring
Ivan & Karla Batlle *
Kissick Construction / Pete B. Browne & Julie Walker Browne
Herb & Bonnie Buchbinder
Donor Advisory Fund *
Burns & McDonnell *
Louetta M. Cowden FoundationBank of America, Trustee
The DeBruce Foundation
Ann King Dickinson
Brad & Linda Finkle
Francis Family Foundation, discretionary of David and Janis Francis *
Dave & Geri Frantze
Arvin Gottlieb
Charitable Foundation *
The H&R Block Foundation
H&R Block *
Nancy P. & Robert W. Hatch *
Health Forward Foundation
Judy O. Kirk Charitable Fund
Frank & Margaret G. McGee Fund
Jessica & Matt Ralston
J. B. Reynolds Foundation *
JoMarie Scaglia
Marny & John Sherman
The Sosland Foundation *
Jo Ann & William D. Sullivan *
UMB Financial Corporation
US Bank *
Sara E. Welch *
Sally & Robert West *
Wylie Foundation
$5,000 - $9,999
Dana Abraham & Chuck McCann
Anonymous
Chris & Sharon Baxter
Marcia H. Bailey *
Becky Blades
Anne & Bill Blessing *
Blue Cross & Blue Shield of Kansas City
The Breidenthal-Snyder Foundation
Kay & John Callison *
Virginia & Charles Clark *
Ron & Kim Coker
Melanie Coleman & Todd Gafney
Commerce Bank
Country Club Bank
Rick & Barbie Dierks *
Steve & Cathy Doyal
Jane & Charles Eldredge
Evergy
FCI Advisors/Midwest Trust First Business Bank
Angela & John Gieras
Graceland University/ Kristi Hettrick & Alan Waterman
Deanna & Greg Graves
Judge Jon R. Gray (Ret.) & Dr. Valerie E. Chow
Greater Kansas City Chamber of Commerce
Sharon & Donald F. Greenwood, Jr.
Carla Griffin
Laura & David Hall *
Hayley E. Hanson & Todd McGuire
JE Dunn Construction Company
Mary & Mark Jorgenson
Andrew & Sheryl Kaplan
Kornitzer Capital Management, Inc.
KPMG, LLP *
Robb Krumlauf & Leanne Wiedemann
Mike & Candis Lochmann *
William J. & Frances Lynn * McCownGordon Construction Co.
Renita Mollman
Scott A. Moore
Neighborhood Tourist Development Fund
Barbara and Bill Nelson Foundation *
Graham & Margot Nelson
Meggan Newland, M.D. & Jon Henry
Ogletree Deakins
Oppenstein Brothers Foundation -
Commerce Bank, Trustee
Debra & Allen Parmet
Diane & John R. Phillips
Polsinelli PC
Jami & Fred Pryor
Seaboard Corporation
Stark Wolkoff Foundation, UMB Bank, n.a., Trustee
Stinson LLP *
Drs. Jessica & Benjamin Stone
Donna Thomason
Bert & Sue Trucksess *
Jayhawk Primary Care at The University of Kansas Health System
VanTrust Real Estate
Thomas & Sally Wood Family Foundation
$2,500 - $4,999
James & Mary Jennifer Amato
American Century Investments (matching gift)
Anonymous *
Anonymous
Jeff Anthony & Susann Ogg
Dick & Emily Ballentine *
G. Kenneth and Ann Baum
Philanthropic FundAnn Kaufmann Baum *
Jamey Bertram
BlueScope *
Darin Brickman
James Butler
Bryan & Justina Canzoneri
Centric Projects
Craig Coen & Jeffrey Bellamy
James & Ellen Copaken
Harper Rebecca Coulson
Crux KC LLC
Tom & Margaret Cummings *
Joel DeBoer
Melanie & Mike Fenske
Kenneth & Vanessa Ferguson
Paul & Stacey Fischer
Douglas & Ann Ghertner *
Scott & Suzy Hall
Shirley & Barnett C. Helzberg, Jr.
Chris Hernandez & Paul Monteil
Shawn & Melissa Hickey
Ryan Holmes
Edward & Camille Honesty
Joan Horan
Coleen & Chris Hotop
Patrick Hughes, MD
Steven Irwin
Laurie & Chuck Jarrett
Scott & Kelly Jeffcote
Nancy L. Kain *
Carol & Fred Logan
Beth & Gregg Lombardi
R. A. Long Foundation
Lauren E. Tucker McCubbin & Gabe McCubbin
Pamela Miller & Michael Cummings
* Shooting Stars — Donors of 10 or more consecutive years
CONTRIBUTORS
$2,500 - $4,999
(continued)
David R. Morris
Paul John Odum
John & Shari Olander
Joseph Podrebarac
Hillary Stamper
Mark & Dette Swanson
Julie Stotlar-Towner
Ratana & Oscar Tshibanda
Veracity Consulting, Inc
Nancy J. Viets *
Susan & Jason Waldron
Brenda & Brett Williams
George & Beverley Wilson
$1,500 - $2,499
Anonymous
Ken & Sharon Bowman
Jon & Shelley Copaken
Donald J. Hall *
Ashlei & Charles
Holznecht
The Ingram Family Foundation *
Joy & Jerry Kaplan *
Bridgette & Jason Kling
Brandon & Melissa McManamy
Sharon & Michael Milens *
Marshall Miller
Stewart & Debbie Myers
Matt Nordhus
Rick & Tanya Ratliff
Lisa & Charles Schellhorn *
Joe & Susan Sims
Juliette & Ian Singer
Richard Singleton III
$1,000 - $1,499
Lisa & Scott Adams
Anonymous
Sherrie Bell
Terry & Bill Biggins
Marion and Henry Bloch
Family Foundation
William L. Bruning
Gerald & Judy Bukowski
Timothy & Jessie Burkhalter
Jennifer Collier
Denise Dowd & Jill Burton
Christie & Timothy Geier-Pratt
Brett Gerstenberger
Stephen & Patricia Gound
Family Foundation
Michael & Kathryn Harvel
Marc & Nina Hollabaugh
Shannon & Brent Johnson
Kim Jones
Doug Kallenberger & Lynn Blixrud
Mr. & Mrs. William S. Kanter
Brian Kaufman
Regina & Bill Kort
Meg Winslow Maffitt
McQuaid Brothers
Network for Good
Sara & David O'Connell/ What Matters 2 Us Fund *
John & Kendal Orlowski
Janet & Jack Podoll
William & Stacy Pratt
Joe & Lainey Puglisi
Damon & Shawna Roath
Holly Streeter-Schaefer & Ken Schaefer
Lindsey Patterson Smith
Brad & Gisele Sprong
Deb & Paul Turpin
Lynne & Carl Weilert
Kathryn Welch & John Wright
Molly & Steve Wendland
Audrey & Thomas Wiegmann
C. Stephen Metzler &
Brian D. Williams Fund *
Jon Wright
Christine Yannitelli & Dennis Manske *
$500 - $999
Joel & Elizabeth Allen
Debby & Gary Ballard
Ken Barnes & Abby Mocek
Robert H. & Kathleen M. Bender *
Joan and Bert Berkley Blue
Heron Foundation *
Cathi & David Brain
Bob & Karen Brush *
Robert Butcher & Madelyn Rudd
James & Linda Cole
Cindy & Richard Croskell
Kit & Jay Culver *
Deborah Dibal
Omar Farias
Sandi & Ed Fried
Al Geritz & Dick Leeson
Dr. James & Christine
Morgan Glenski
Chris Glissman *
Keith Goering &
Mary Ann Dvorcheck *
Brett Gray
Anita Toby Grow
Dennis & Donna Haines *
Cathi & Thomas Halberstadt
Amy & Nate Harris
Joan L. Hartung
Leslie & Martin Herst
Blair & Lyn Hosford *
Carol & Dennis Hudson
Melissa Jaramillo
John & Elaine Jepson *
Arlen & Patricia Johnson
Clayton & Anne Johnston
Buddy & Carolyn Jones
Stacy King
Willie & Sandra Lawrence
Ashley & Phil Mason
Patricia Ann Miles
Patricia E. Cleary Miller, Ph.D.
The Milligan Family
Mark & Janette Morgan
Sheryll & Thomas Myers
Carl & Pam Nitsche / Nitsche DAF
Mark & Lynne O'Connell
Jane & Charles Olsen
Patrick O'Rourke
Scott & Robin Page
Jeff & Angela Place
George & Wendy Powell *
Kerri Reisdorff
Mark & Janice
Schonwetter
James & Kathy Sear *
Lindsay & Matt Severns
George & Lisa Shadid *
Stan & Linda Shipman
Myra & Lester Siegel, Jr. *
Angela Andresen Smart
Carol Sokolenko
Nicolas Stefanescu
Kitty Steffens
Sterneck Capital Foundation
Charles Sun
Swift Construction, Inc./CEI Electrical & Mechanical
Jason & Libby Thomas
Robert & Cindy Thompson
William & Nancy Topper *
Rev. Paul Turner *
Two West Advisors
Leeann & Mark Van Dyne
Barbara McMahon & Dennis Varble
Michael & Miranda
Wagner
Michelle & Cornell Webb
Richard Wetzel
Diane & Roy Whitley *
Teddi Wolff
Debra S. Wood
$250 - $499
Anonymous
Ellen & John Aisenbrey *
Kathy Anderson
Anonymous
Nancy Artzer
Diane & Steve Azorsky
Edward & Linda Balzano
Barr Charitable Giving Fund
Jolynn Bartolotta
Brian & Jessica Best
Stewart
Ken & Jill Biesma
Amy Black
Fred & Cindy Bodker
Sue & George Brandt
Cindie & Bob Buchanan
Patrick & Thaylia
Smith Conway
Sarah & Clayton Cook *
Betty Ann Cortelyou
Don & Pat Dagenais
Dominique Davison
Denton Family Fund
Cheryl DeShon
Amy & Jared Dirks
Mike & Elizabeth
Disilvestro
David Douglass
Durkee Family Foundation
*Cindy & David
Edgington
Janann B. Eldredge
EPR Properties
Nancy Eslinger
Margaret Fishback
Chris & Julia Frantze
Jeff & Mary Fromm
Scott Giffen
Ronald & Susan Goldsmith
Philanthropic Fund *
Matt Gowen
Allen & Gail Gutovitz
Charitable Fund *
John & Bernice Hamra
Foundation
Eileen Hand
Grant & Claire Harrison
Richard & Julie Hellman *
Bill & Irma Lou Hirsch *
Sarah Hoestje
Mary & Eric Honour
Jennifer & Jason
Ingraham *
Nathan & Megan Jackson
Jay & Ann Kinnamon
Chad A. Kirby
Marli Klumb
Patricia Konopka
George Krebs
Jane & Bruce Kunz
Erika Kuster
Eric & Emily Larson
Elizabeth R. Lesan & Katsuyoshi Nishimoto
Troy Lillebo & Brian Ellison *
Sam Logan
Felicia & Venne Londre
Timothy J. Marchesi & John D. Lawrence / DeMarche
Laurie McCormack
Helen & Joel Miller
Virginia Miller
Koi Morford
David Nelson & Angela Turpin
Alexander Ong
Rudolph Pabon
Julie Polkinghorn
Maggie Presson *
Tom & Cynthia Ryan
Richard & Erin Sack
Linda S. Stevens
Phyllis Stevens
Ann & Daniel Sweeney
Chris & Brooke Sweeney
Kurtis L. Thiel
William & Elizabeth
Thomas, Jr.
Russ & Maralee Thompson
Mark Thornhill & Maria Donigan
Linda S. Trout
Eileen and Tom Weir
Ms. Barbara Wells
Anne & Keith Wiedenkeller
Vanessa Williams
Terri & Blake Williamson
Mr. Stephen & Martha Williamson
Elizabeth Hartley Winetroub
Dr. & Mrs. John S. Yungmeyer
$100 - $249
Kristina & Matt Aberle
Amanda Akers-Vornholt & Wayne Vornhold
Mollie Alexander & Frank
Hogan *
Kathryn & Chris Allen
Pat & Lauren Amey
Marilyn & Chris Anderson
Joseph Archias
Anonymous (2) Arvest Bank
Aimee Asbury & Richard S. Starks II
Barbara & Richard Atlas *
Sonny Aust & Lauren Aust-Yen
Linda & Erik Avery
Bob & Bridget Bagby
Laura & Nate Baldwin
John Ballard
Katherine & Larry Barnhart
Bradley & Wendy Barth
Heather Bath
Andrea & Will Becker
Kimberly Benjamin
Nathan & Margaret Benjamin
Jeffrey J. Bentley
Cindy & Ted Berard
Linda Birkenmeier
Charles R. Bise Jr.
Linda & Bruce Blazek
John & Marge Bott
Larry Braddy
Kathleen Bradford
Ms. Katherine Breen
William Moran
Liz & Warren Lewis
Debra & John Mahoney
Jerry & Meghan Carpenter
Arden & Mary Ann Carr *
Brittany & Michael Remmert
Robert Riccardi
Charles & Deb Brook
David Brown
Tom & Cherie Brown
CONTRIBUTORS
$100 - $249
(continued)
Matthew Brumleve
Stephen Butland
Janet Buttery
Melonee Cain
Stuart Carden & Neysa Page-Lieberman
Frank Carroll
Greg & Ann Carlson
Karen Cartlidge
Kenda Caskey
Jessica & Jason Chanos
Lupe & Greg Clouse
Meredith Collins
Martha Comment
Joe Constantino
Robert Cook
Larry Cork
Jody & Bill Craig
Robert & Nicolette
Croskell
Kymberli Cutler
Edmund P. & Donna J.
Cytacki
John G. Daniel
Cara David
Robert Denzel
Dennis L. Dobson
Brad Douglas
Tim & Trisha Drape
Barry & Marilyn Dryer
Family of Eric & Katie Dufur
Susan & Jared Ebel
Kristen Ellis Johnson
David M. Emerick
Dr. Kristin M. Easley
Barbara Fay
Sandy Feaker
Iman Fennell
Susan Fershee
Patricia Fitzpatrick
Whitney Skye Flaska
Mick & Denise Fletcher
Rocco & Karen Florio
Dr. Alan & Cathy Foster
Dianne & R. Dennis Fowler
Kelly & Michael Fowler
Mark & Sandi Fowler *
Randy Fowler
Alberzine & Abby Freeman
Sondra Gale
Sidonie Garrett
Ellen Gatz
Brag Gee
Pam & Dr. Fred Geer *
Sharon Glass
Courtney Goddard
Ismael Gonzalez
Max & Harriet Gordon
Christine Granger
Doreen & Norman Greczyn
C.W. & Nancy Green
Don Grodecki &
Cheryl Ricke
Heather M Gudgel
Rex & Jody Gunn
Rupal Christine Gupta
Beth & Chris Hafner
Kristen & Tyler Harrelson
Kristen Harris
John Hart & Katelyn Peter
Chris Hess
Kristi Hettrick
Zach Hickman
Lisa Hickok
Richard & Merri-Ann
Higgason
Paget & Tom Higgins
Mr. Brad & Dr. Amy Hogan
Bruce & Cindy Hogle
Edward Honestly
Edwin & Mary Hood
Dick & Rose Marie Huber
Leslie & Mark Huffhines *
Amanda Humiston
Mary Hungerford
Justin & Rita Huntington
Joan & Steve Israelite
Pat & Lance Jessee
Charles Johnson
Ellen Johnson
Gary Neal Johnson & Lynne Beachner
Karen Johnson & Angus Stoddart
Joyce Jonasson
Colby Jones
Katherine Jorgenson & Marc Harman
Sarilee Kahn
Paul & Connie Kamps
Kauffman Foundation
Matching Gifts
Jessica Keal
Olivia H Keller
Annie & Alan Keneipp
Joan & Chris Kennedy
Lesley Ketzel
Jenn Killpack
Susan King-Kostelac & Martin Kostelac
Elise Kirchhofer
Arthur & Carol Faucher
Kowalski
Patrice Krampff
John & Patricia Kurtz
Jennifer Lane
Hannah Lanier
Kathy & Craig Laursen
Carrie & Patrick Lenahan
Eloise Lenahan
David & Susan Leonard
Gayle Levy & Whitney Terrell
Virginia Lieberman
Jana & Curtis Liles
Mark & Karen Long
Marilyn & Bruce Lowrey
Sharon Lynch & Jane Nichols
LaMonica & Christopher
Madden
Sue & Dev Malik
Natalie A Manchon
Tom Mardikes
Richard & Lydia Marien
Carol Marks
Tiffany Marr
Robert & Heather
Maynard
P. Alan McDermott *
Tim McMulin & Emilee Rose
Gerald & Jean McNamara *
Melea McRae
Mr. & Mrs. Bob Merrigan
Julia & Dennis Meyer
Kathlene Keck Meyer
Kim Meyer
Alan & Judy Michelson
Kelsea Miller
William Sr. & Melanie Miller
Laurie Mitchell & Rob Beeson
Janice & Phillip Montgomery
Marti Moore & John Kinsey
Patricia A. Moore
Susan Morrissey
Heather & Tom Morrow
Gretchen Muir
Judy & Carl Mullins
Bailey Mae Munson
Robyn Murphy
Doris Negaard
Brent Never
Kathryn & Stephen Nichols
Jane J. Olson
Bonita & Thomas Oothoudt
Amy M. Abels & John Owen
Dr. Christina Marie Pacheco
Jenny Palmer
James Parrott
Mr. & Mrs. Dahya K. Patel
John Pearson
Wanda R. Perkins
Kathy Peters
Candice Petersonmoon
Sheilah Philip
Dr. Andrea Picciotto
Mary Ann Pinkerton
Allison & Kevin Pinkowski
Rob & Joy Preacher
Lena Price
Angela Rabin
Don & Phyllis Ranum
Kelly Rawlings
Betsy Rayl
Dr. Carl B. Reed &
Melody A. Miller
Kevin Regan & Cathy Francis
Greg & Rebecca Reid
Libby Rivers
Pat Roane
Charles & Cristine
Roberts *
Kathy A Robertson
Julie Robinson
Melinda Rocha
Lindsey Rood-Clifford & Chris Clifford
Paula & Jack Rowe
Martha Russell
Anton & Barbara Schaefer *
Mary Schindler
Chris Schlenker
Donald & Martha Schlosser
Jack & Errett Schmid
Janet W. Sears
Michelle Self-Loveland
Darren Sextro & John Rensenhouse
Kavya Shankar
Janardana Sharma
Gail E. Shaw
The Sheppard Family
Phil & Lurae Shreves
Kurt Rasmussen &
Cheryl L. Simmons
Janet & Andrew Simonsen
Cuthbert & Severns
Simpkins
Rik Siro and Teresa Woody
Thomas & Mitzi Slover
Anita Louise Smith
Michelle Smith
Vicki & Thomas Smith
Kristin Smithson
* Shooting Stars — Donors of 10 or more consecutive years
Larry & Jean Snider
Nicholle Soendker
Whitney Sojka
Diana Spare
Jonathan Specht
Karlie Speicher *
Betty Ann Springer
Kath Stanley
Nancy Steinacker
Mr. & Mrs. Rodger Stelter
Dr. Joy Stevenson
Linda Stinnet
Steven & Sandra Stites
Jeffrey Stitt
Annelies Stoecklin
Kim & Randal Stout
Rebecca Stowe
Tom Strumillo
Mark Stuecheli
Bridget Sturr
Brandi Tabor
Juliann & Mark Tapko
James H Taylor
Starr Terrell
James Thomas & Kathy Burke-Thomas
Kristina Thompson
Heidi Thummel
Lauren & Nick Tobaben
Adam Todd
Diana & Tim Toman
Ann Trask
Cliff & Leslie Van Blarcom *
Linda Vande Garde
Kevin Vanderweide
Todd Vorachek
Gayla & Jon Voss
Wayne & Debora
Wainwright
Christine Waldschmidt
David & Leanna Walters
Kathleen L Warfel
Christal Watson
Vicki Webber
Dr. Audrey V Wegst
Susie Weis
Charles & Linda Wells
Regina Wells
Ronda & Bill White
Julie & Louis Williams
Amy Winger
Geri Wise
John R. Wise
Karen Woodbury
Michael Wright &
Christa Cavanaugh *
Damon & Patricia Yurchak
Cathy Zitnik
Thank you to all of those who support KCRep with charitable donations via funds at the Greater Kansas City Community Foundation, Jewish Community Foundation of Greater Kansas City, and United Way of Greater Kansas City, as well as other donor advised fund entities and programs.
The following list represents sponsors as of January 17, 2024.
CELEBRATION
($25,000)
Mark Edelman Theater Fund at the Jewish
Community Foundation of Greater Kansas City
Kissick Construction Company/ Pete Browne & Julie Walker Browne
The McDonnell Foundation OVATION
($15,000)
Ellen & Irv Hockaday
Linda & Topper Johntz
SPOTLIGHT
($10,000)
Harper & Rebecca Coulson
The DeBruce FoundationPaul & Linda DeBruce
H&R Block
Muriel McBrien Kauffman
Family Foundation
Marny & John Sherman
UMB Financial Corporation
ENCORE
($5,000)
Anonymous
Ivan & Karla Batlle
Becky Blades & Cary Phillips
Anne & Bill Blessing
Blue Cross & Blue Shield of Kansas City
Wendy & Grant Burcham
Commerce Bank
CommunityAmerica
Credit Union
Bunni & Paul Copaken
Evergy
FCI Advisors/Midwest Trust
First Business Bank
Judge Jon R. Gray (Ret.) & Dr. Valerie E. Chow
Laura & David Hall
J.E. Dunn Construction Co.
Mary & Mark Jorgenson
Greater Kansas City Chamber of Commerce
KPMG
McCownGordon Construction
Bill & Barbara Nelson
Family in memory of Bill Nelson
Debra & Allen Parmet
Matt & Jessica Ralston
Richard J. Stern Foundation for the ArtsCommerce Bank, Trustee
Hillary Stamper/ Veracity Consulting, Inc.
Stinson LLP
Sara Welch
MARCH 29, 2025
Tickets & Tables ON SALE NOW! Visit kcrep.org/event/gala for more information about becoming a sponsor, or contact the Development team at
or 816.235.6106.
GIFTS IN HONOR & MEMORY
In Honor of A CHRISTMAS CAROL CAST & CREW from Barr Charitable Giving Fund
In Honor of EMILY BALLENTINE from Patty Ramsour
In Honor of DAVID B. BROWNE from John Hogan & Amy Browne-Hogan
In Memory of VICKI S. CATLIN from Nathan Schecter MD Trust
In Honor of my Dear Friends PAUL & BUNNI COPAKEN from G. Kenneth & Ann Baum Philanthropic Fund –Ann Kauffman Baum
In Memory of ROBERT FIRNHABER from Buddy & Carolyn Jones
In Memory of ANN KING DICKINSON from Heather Paxton
Mary Ann Pinkerton
Whitney Sojka
Bert & Sue Trucksess
In Honor of ANGELA LEE GIERAS from Jerry & Meghan Carpenter
Pamela Miller & Michael Cummings
Robb Krumlauf & Leanne Wiedemann
Angela Andresen Smart
Richard Wetzel
In Honor of DOROTHEA & NATHAN JAGODA from The Jagoda Family Foundation
In Memory of LEE JONES from Buddy & Carolyn Jones
In Memory of RITA & GILBERT KAHN from Sarilee Kahn
In Memory of JENNIFER MARTIN from Ellen Wagner
In Honor of COURTNEY O'NEILL Set Designer for Little Shop of Horrors
In Honor of BRAD SPRONG from Pamela Miller & Michael Cummings
In Honor of ABBY & RYAN STURM from Kimberley Bray
In Memory of JANE UHLRICH from Barbara Wells
MAKE AN IMPACT WITH CHARITABLE GIFT PLANNING
Partner with KCRep in producing extraordinary live theatre vital for all, and potentially save on your taxes, through charitable gift planning. Examples include: donor advised funds, bequests, trusts, gifts of stock, IRAs, and more. Your financial advisor can help determine the best options for you! For more information, contact Carrie Lenahan at lenahanc@kcrep.org or call 816.235.5420.
LEAVE A LEGACY
THANK YOU to the following members of our Legacy Society and their families. Generous commitments through estate planning ensure that KCRep will continue to thrive for the next 60 years and beyond. To read more about joining our Legacy Society, see page 29.
Anonymous (2)
~ Dr. & Mrs. Keith W. Ashcraft
~ William W. Baker Trust
Anne & Bill Blessing
~ Mrs. W. Coleman Branton
Mary Lou & ~ Tom Brous
Cindie Buchanan
Jerry & Meghan Carpenter
Nathan Schechter MD Trust
in memory of Vicki S. Catlin ~
~ Richard R. Cawthorn
~ Ann King Dickinson
~ Estate of Joseph F. Finch
Pam & Dr. Fred Geer
Courtney Goddard
~ Elizabeth Irwin Gordon
Nancy P. & Robert W. Hatch
Ellen & Irv Hockaday
Linda & Topper Johntz
Mary & Mark Jorgenson
~ Helen Louise Kassebaum Trust
Dr. & Mrs. J. Gordon Kingsley
~ Lothar P. Krause
Rev. Susan Langhauser
Lindsay Meyer & ~ Corey Brunk
Pamela Miller & Michael Cummings
~ Dr. Mary Jo Rahatz
George & Lisa Shadid
~ Dr. Nathan & Ruth G. Shechter
Brad Voelker
Hal vonBohnhoff
~ Betty Widmier
~ In Memoriam
ONE OF A KIND.
The performance you expect.
At FNBO, we make it easy for you to shine. Face-toface or behind the scenes, we’re here to help you earn, save and do more.
For me, it’s not just...
‘I’m the doctor and you’re the patient.’ We’re partners.”
- Raed Al-Rajabi, MD Physician Medicine Clinical Oncology
I don’t know any other way to treat my cancer patients than to become their partner. To be available to them whenever they need me. And that’s not just when they’re sitting across from me at an appointment. Cancer is a unique journey. And for me and all of my team, the only way to undertake it is together.
To schedule an appointment, call 913-588-1227 or visit KUCancerCenter.org to learn more.
