The Love Issue by MR H

Complimentary

DR.MARTENS LIvERpOOL 10 MANESTy’S LANE T_0151 708 4157

DRMARTENS.COM

Contents Like a cataclysmic alliance It grows, throws, evokes, envelopes The heart, just the start of the soul, We roll willingly into its grasp, “Yes! At last,” Etta knew better to wait, But fate or space or time, sublime emotion or less Decides what’s best...Still This rush, that surge, this urge to ignore what lies beneath, A diet of uncertainty, “To ﬂirty or not to ﬂirty?” That indeed is the question, And then we fall... By Chantel Coleman

Issue 3

Arts Style Travel Collective Collective Collective

11 - Collective HQ A few words from The Collective team

14 - Preview Check out our top recommendations for the art and culture events coming up in the coming weeks 17 - FACT As FACT turns 10 this year, The Collective uncovers the best of their 2013 programme of events 18 - Jake Bugg Our Features Editor chats to the newest name in folk music 20 - Glam! The Performance of Style We take a look at Tate Liverpool’s glamorous new exhibition 22 - Courtney Pine As the Liverpool Jazz Festival approaches we meet Britain’s own jazz legend 25 - DJ Olabean Meet the North West DJ who is currently developing young artists at Mode Training 27 - Collective Prediction This month we take a look at the vibrant creations by Liverpool based illustrator, Joe Murtagh

32 - Money Can Buy Me Love A selection of Valentine’s treats for your other half this February 14th 35 - Paloma Faith Our Editor talks touring and talent shows with the this talented singer-songwriter 38 - Fashion by S Collective’s Fashion Editor gives us her top style picks for Spring/Summer 2013 40 - Art in Print Discover Somerset House’s newest exhibition; Valentino: Master of Couture

54 - Kasbah Café & Bazaar A taste of Morocco in the heart of Liverpool 56 - The Lowry Hotel We visit this award winning Manchester Hotel 58 - Moroccan Retreats Our Editor visits the most luxurious hotels, resorts and riads that Morocco has to offer 68 - Kamer 01 We review this boutique bed and breakfast in the city of Amsterdam

47 - Dion’s Column Liverpool’s top hair stylist predicts the biggest men’s hair trends for 2013

Plus…

50 - Oh My Goodness Me The three day juice detox that’s fast becoming a celebrity favourite in Liverpool

70 - Social Pages A look at some of the most fabulous events we’ve been to so far this year

52 - Valentine’s Dining Be inspired by our pick of the best menus on offer this February 14th

74 - A Martini With… Suzy Gorman, the Business Development Executive at Ollie & Darsh

Disclaimer No part of this magazine may be reproduced without prior permission of the publisher (H of H publishing). Whilst every care is taken, the publisher can take no responsiblty for omissions or errors. All prices and details are correct at the time of going to print, the publisher can take no respsonsibilty for change thereafter.

Published by H of H Publishing Ltd.

Healthy, Confident & Brighter Smiles! A quick and easy way to make you look and feel better about yourself. We offer TEETH WHITENING and ‘Velvet’

HYGIENE & TEETH WHITENING

ANTI WRINKLE INJECTIONS, meaning you can visit our clinic in your lunch time and leave feeling like a new person.

‘VELVET’ ANTI WRINKLE INJECTIONS

An effortless youthful look is within everyone’s grasp at Ollie & Darsh®

Telephone: 0151 236 6578 suzy@ollieanddarsh.co.uk No.11 Dale Street, Liverpool L2 2SH.

www.ollieanddarsh.co.uk

The Collective

Collective HQ Welcome to the love issue - My gift to you this Valentine’s Day.

Lee Joseph Hagan

Editor “Who, being loved, is poor?” –Oscar Wilde

The editorial department have scoured the internet and browsed your favourite department stores in search of the perfect gift for your loved one, showcased across our Valentines product pages. I have even forced myself to over-indulge at many a ﬁne dining restaurant,

ensuring you – my darling reader – receive the very best recommendations. Not wanting any of you to feel guilty for my extra calories, I have roped in the detox experts at OMG to get me back in shape, just in time for London Fashion Week. Purely for your beneﬁt (of course), I have also travelled to Morocco, staying in the best hotels, resorts, and riads that the city of Marrakech has to offer, for the launch

Thank you, thank you, thank you to all the people who contribute to the magazine, especially our advertisers, who invest in The Collective for one reason only - to attract you, our arts, style and travel loving readers. Take Care, L. x

Siobhan Noble

Joanne Mottram

Fashion Editor

Features Editor

Spring/Summer is my favourite fashion season; I love the shift in trends as the weather gets brighter. For this issue, I have compiled a guide to the hottest trends for S/S 13.

I love all the amazing music features we have in this issue and it’s been so interesting working on them all. A particular highlight for me was interviewing the talented Jake Bugg about his UK tour.

“Love… the only label that never goes out of style” –Carrie Bradshaw

“And in the end the love you take, is equal to the love you make” –Paul McCartney

Viktorija Grigorjivate

Jmeel Allen

Photographer

Designer

I’ve loved shooting so many different portraits this month. I aim to shoot portraits that have the quality of a stop frame and a narrative that makes people stop and wonder what the rest of the story is.

As always, this issue was another joy to design, apart from the Marrakech travel section which had me staring somberly through my rainy window, pining for warmer climes.

“Love is the irresistible desire to be irresistibly desired” –Mark Twain

Contributors:

of our travel section. Paris beckons for the next issue, c’est la vie!

Writers - Alecia Marshall | Geniene Reese | Dion Padan | Chantel Coleman Front cover illustration - Kerry Jones for Lover Amelia, www.loveamelia.co.uk

“If you want to be loved, be loveable”–Ovid

+++++

‘ANDREW LLOYD WEBBER’S

SOARING MASTERPIECE ’ HEART FM

‘CAMERON MACKINTOSH’S

FLAWLESS NEW PHANTOM. 10/10 ’ BRISTOL POST

‘TAKE A DEEP BREATH AND

PREPARE TO BE DAZZLED’ THE SCOTSMAN

WED 20 FEB - SAT 9 MAR 0844 871 3017 * atgtickets.com/liverpool * *24hrs, transaction charges apply.

The Collective

Arts Collective

We preview, you pick Party time at FACT Jake Bugg Get Glam at Tate Liverpool British jazz legend, Courtney Pine Mode Trainingâ&#x20AC;&#x2122;s coolest teacher, DJ Olabean Collective Prediction: Joe Murtagh

The Collective

Preview Album

Film

Book

Show

What: Anna Who: The Courteeners When: 4 February 2013

What: Hitchcock Where: FACT Liverpool When: 8 February 2013

It’s been over two years since The Courteeners last album, but now the wait is over as ‘Anna’ is set to be released this February. The band have stirred together all they have experienced and channelled it all into this new fast paced album with a fiery and explosive nature. The pulsating ‘Money’ rides a sparkling glamrock beat, whilst elsewhere their new single ‘Lose Control’ is needle-sharp. With its addictive hook catapulting into a huge chorus of drums and melody, it is the perfect introduction to the new sound of the band’s third album.

Starring Anthony Hopkins, Helen Mirren and Scarlett Johansson, ‘Hitchcock’ explores a period in the life of the infamous filmmaker Alfred Hitchcock. With his best movies arguably behind him, Hitchcock is plagued with self doubt during the making of ‘Psycho’, the 1960s classic that almost wasn’t. Films about filmmakers can be risky, but director Sacha Gervasi pulls it off with his affectionate and incisive take on cinema’s master of suspense.

What: The Universe Versus Alex Woods Who: Gavin Extence When: 1 February 2013

What: Classical Spectacular Where: Echo Arena, Liverpool When: 16 March 2013

www.thecourteeners.com

www.fact.co.uk

Alex Woods hasn’t had the most conventional start in life, but when he meets the ill-tempered and reclusive widower, Mr Peterson, he makes an unlikely friend. Someone once told Alex that you only get one shot at life and you need to make the best choices possible. So when he is stopped at customs with 113 grams of marijuana, an urn full of ashes and an entire nation in uproar, he’s fairly sure he’s done the right thing. A tale of an unexpected friendship, an unlikely hero and improbable journey, Alex’s story treads the fine line between light and dark, laughter and tears. www.waterstones.com

After a two year break, the UK’s greatest classical show, Classical Spectacular, is returning to Liverpool this March. No other show presents such a magnificent combination of the very best in classical music and state of the art technology. Ranging from pure white light to electrifying multi-coloured laser displays, the special effects bring to life the scenes and mood evoked by each piece, changing the way you experience classical music forever. www.echoarena.com

The Collective

Art

Musical

Comedy

Exhibition

What: Erotic Art Exhibition Where: The Gallery Liverpool When: 22 February 2013

What: The Phantom of the Opera Where: The Liverpool Empire When: 20 February – 9 March 2013

What: A Rush of Laughter Where: The Lantern Theatre, Liverpool When: 3 March 2013

What: The Art of Pop Video Where: FACT, Liverpool When: 14 March – 26 May 2013

The Gallery Liverpool opens its doors for the third Erotic Art Exhibition, celebrating all that is exotically erotic in the arts. From perfectly upstanding sculptures to beautifully well-hung wall art and photography, the exhibition offers the discerning lover of art a lot to digest and appreciate. Works on show are by well known professionals in the world of erotic art, photography and sculpture, much of it available in Liverpool for the first time. www.thegalleryliverpool.co.uk

The Liverpool Empire Theatre is delighted to confirm that Cameron Mackintosh’s new production of Andrew Lloyd Webber’s ‘The Phantom of the Opera’ will return to Liverpool after 14 years. Staring Earl Carpenter as ‘The Phantom’, Katie Hall as ‘Christine’ and Simon Bailey as Raoul, this classic musical has an exciting new design and staging whilst retaining Maria Björnson’s amazing costumes. Be the first to surrender to the music of the night and fall in love with the Phantom in his new guise all over again. www.liverpoolempire.org.uk

A Rush of Laughter is back at The Lantern this March to celebrate its first birthday and an extra special line up has been pulled in to mark this momentous occasion. Kicking off the celebrations is last years, ‘Off the Rails Comedian of the Year’ finalist, Rich Wall whilst Chris Washington and Glenn Moore will be waiting in the wings with their party pieces at the ready. Carey Marx will be claiming the headliner spot blending his dark humour with a mischievous and gleeful delivery as he strives to find joy in even the most unexpected of places. www.thelanterntheater.co.uk

Celebrate The Art of Pop Video in the first exhibition of its kind in the UK. More than 100 video clips tell the story of the pop video, marking the medium’s substantial contribution to popular culture. Showcasing the music video as an artistic medium in its own right, the exhibition follows its history from the very beginnings in the 1920s to its most contemporary manifestations. Artists featured include Björk, Michael Jackson, Pet Shop Boys, Fred Astaire, Man Ray, Madonna, Daft Punk, Lady Gaga and Radiohead. www.fact.co.uk

The Art of Pop Video Exhibition at FACT 14 March - 26 May / FREE Entry 88 Wood Street, Liverpool, L1 4DQ fact.co.uk / 0151 707 4464

The Collective

Art Collective –Advertorial

Birthday Celebrations at FACT To celebrate turning ten this year, FACT reveals its programme launch for 2013

he Foundation for Art and Creative Technology, based on Wood Street in Liverpool’s bohemian Ropewalks area, has been a cornerstone within our city for ten years. Known for showcasing film, art, exhibitions and special events, FACT has held fourtyseven exhibitions since its inception, including major works commisioned for Liverpool’s Biennial.

To celebrate turning ten this year FACT have compiled an exciting programme of events for the next twelve months. Below are just a few of the highlights you can expect.

The Art of Pop Video 14 March – 26 May This exhibition celebrates the music video in all its forms and invites visitors to discover its filmic predecessors, offering a sneaky glimpse of the future. The exhibition features over sixty music videos by artists and directors including Michel Gondry, Chris Cunningham, Christian Jankowski and Anton Corbijn. A film programme has also been curated in conjunction with TATE, containing both experimental and pop culture film. FACT have also collaborated with Sound City to launch an open call for budding film makers to create a music video for Liverpool band Outfit, which will be included in the exhibition.

Turning FACT Inside Out 13 June – 25 August This exhibition looks back at the past ten years of FACT, reflecting on the transformation of artistic practices and the changing dynamics between audience and gallery space. The public programme focuses on how FACT might develop in the current and future economic and digital landscape and the concept of cultural-led regeneration.

Hacky Birthday 23 February To celebrate ten years since the FACT building opened, they are inviting people to hack or creatively re-programme the building in a family fun day. Activities include traditional party games with a technological twist, a DJ set from Liverpool music legends, Clinic, a performance by a group of pupils from Holy Cross Catholic Primary School (who have worked with artist Ross Dalziel to compose and play a piece of music using their Nintendo DS’s), and a special birthday cake designed by children who have been inspired by their experiences in the building. For more information on FACT’s 2013 programme of events, visit www.fact.co.uk

The Collective

Jake Bugg Joanne Mottram chats with Jake Bugg, the singer-songwriter that is being hailed as ‘the antidote’ to plastic pop

Art Collective –Interview

n less than a year, Jake Bugg has watched as his debut album hit the top spot, toured America and is about to embark upon his biggest UK tour to date – all before he reaches his 19th birthday. This whirl wind of success is usually something that only reality TV stars get to experience, but Jake is far from a manufactured pop prince. In his own words, its his job “to keep that X Factor sh*t off the top of the charts”, and he’s managed to do just that, piping Leona Lewis to the post for number one album in October last year with his self-titled debut record.

It’s that same, somewhat familiar tale of a working class hero using music as a tool to propel himself into the industry, escaping a life of roaming

around a council estate. In Jake’s case, the area in question happens to be the Clifton area of Nottingham, one of the largest housing estates in Europe. Swapping a football for a guitar at the age of 12, Jake was taught to play by his uncle, and started writing songs by the time he reached 14. Citing Donovan, Johnny Cash, Jimi Hendrix and Don McLean as his main influences, Bugg dropped out of his music technology course at 16 and began playing local gigs. On a whim, he uploaded some of his stuff to BBC Introducing (a programme that supports unsigned musicians), and the rest, as they say, is history. He was asked to play the Introducing Stage at the Glastonbury Festival and from there secured a contract with Mercury Records,

The Collective

This sounds odd, but when success actually happens you’ve had it in your head for so many years it doesn’t actually feel that weird.

releasing his first single, Lightening Bolt and a number one album not long after. He has achieved in a year more than most artists manage in a whole career, with his mix of melancholic folk music and bluesy rock, awash with rasping melodies, Dylan-esque musings and autobiographical lyrics that resonate with his ever growing fan base. Add in a tour with Noel Gallagher’s High Flying Birds, followed by his own UK tour beginning this month, it’s a wonder that Jake had any time to fit in an interview for The Collective. Luckily for us, he did, and I couldn’t wait to find out more about his whirl-wind past year and what was next for this rising star.

That’s not the answer you’re looking for, but it’s true. The fact that so many people have liked it so quickly is the strange thing, but I can only put that down to those who started following me, liked what they heard, and told other people.

You have always said you wanted to play in the States, how did the reality differ from your dreams of it? It’s been a bit of a mad year to be honest. I did always hope I’d get the chance to play there, so just to do that was enough. But when you get there, you realise that people are actually wanting to come along to your shows and enjoy the songs. If you think about such a dramatic rise to success too much it would probably distract you actually, so you have to keep thinking about the next thing - the next song you’re going to write, how you’re going to move forward. It has been a brilliant year though - I can’t believe it’s happened. But it has, so you’ve got to live it rather than analyse it, I guess.

Did you receive any advice from Noel Gallagher when you went on tour with him? I learnt a lot from him about playing in front of big audiences - you see how life on the road works. He was a nice guy.

You talked recently about how making a number one album means you’ve actually achieved everything you wanted to. How difficult is that to deal with as an 18 year-old? Not that hard! When I was growing up this is what I wanted to do, and when you’re sitting in your bedroom as a teenager working out songs and practicing constantly, you dream of success all the time. This sounds odd, but when success actually happens, you’ve had it in your head for so many years that it doesn’t actually feel too weird. I don’t really know anything else, this is what I do, and it’s great that the music is connecting with people and that in some sense they can relate to it. Why has your music connected with so many people? I just write the tunes and if people enjoy them, that’s brilliant!

How do you look back on making your first record? It feels like it marks a specific time in my life. I’ll never forget the time leading up to the release because it did feel like I’d been working towards it since I was about 12. It was just incredibly exciting but in a weird way, quite natural.

Will you play any new songs on the tour? Well, it depends. Maybe, if I can learn the lyrics in time! Are you working towards new material already? Well, I’m going to be on tour for quite a long time. Writing songs is what I love best, and when I feel like I’ve got enough new ones together then we’ll record it. I’m not worried about it at all. It’s never difficult to find new inspiration. For me, I’d never been out of England before recording this album, but now I’ve seen different parts of the world, how different people live their lives and I’m looking forward to writing about it.You get little insights don’t you - little snippets of conversations in the street that feed into songs. It definitely won’t be an album about dressing rooms and airports! People want to hear a story - a great melody won’t connect if it has rubbish lyrics over it. It’s about being honest. Catch Jake during his UK tour at the O2 Academy Liverpool on 12 February 2013, for more information visit www.o2academyliverpool.co.uk

The Collective

Art Collective â&#x20AC;&#x201C;Feature

Glam! The Performance of Style

The Collective

The Collective takes a look at Tate Liverpool’s glamorous new exhibition

1– Mr and Mrs Clark and Percy © David Hockney 1970-71 Image courtesy of Tate 2– John McManus Roxette 1977 © Manchester School of Art. Courtesy North West Film Archive at Manchester Metropolitan University 3– David Bowie By Terry O’Neil 1974 - National Portrait Gallery =

lam is a visually flamboyant pop style that burst on to the scene in Britain between 1971 and 1975. The exhilarant, futuristic sounds, extreme fashion trends and glittering personalities that emerged during this era can trace their roots back to British art schools - for which Britain had more per capita than any other nation at the time. Unaffected by traditional class boundaries, they were a nurturing place for creativity.

Glam ruled record shops and art galleries, and despite being taken over by Punk, it still resonates today. With this in mind, the Glam era is set to be critically evaluated for the first time in an exciting new exhibition at Tate Liverpool, from 8th February to 12th May. Curated by Darren Pih, the exhibition moves beyond mere nostalgia for the era and uses the style as a prism to explore artistic developments in Europe and North America, bringing together over one hundred works by artists including Richard Hamilton, Sigmar Polke and Cindy Sherman. The exhibition re-defines art and performance in the 70s, exploring the migration of fine art ideas to the forefront of popular culture. The exhibition marries a combination of art, music and fashion, presenting key works such as David Hockney’s iconic painting Mr. and Mrs. Clark and Percy (1971). Also presented will be Marc Camille Chaimowicz’s Celebration? Realife (1972); a spectacular glitter strewn installation of mirrorballs, candles, flowers and the music of David Bowie. Glam! The Performance of Style will also examine glam culture in New York during the period, tracing the evolution of camp and androgyny and considering the infamous Andy Warhol as a key figure of the movement. Furthermore, eroticism and artifice will be explored, considering the use of materials which lend works a synthetic or trashy quality (think feathers, fur, vinyl and glitter), by artists such as Allan Jones. Combining historical and thematic elements, the exhibition will offer a refreshing new perspective on 1970s art and visual culture, underlining its continuing influence upon the contemporary imagination. The presentation will be augmented by a rich selection of contextual documents, photographs, and ephemera from the era.

Glam! The Performance of Style is running from 8th February – 12th May 2013 at Tate Liverpool, for more information visit www.tate.org.uk

The Collective

Art Collective –Interview

Courtney Pine As the Liverpool International Jazz Festival draws ever closer, Joanne Mottram chats to British jazz legend, Courtney Pine

I have since played on the main stage at Glastonbury twice. I have played in places where you are not supposed to see jazz

n the short time since its opening in 2010, The Capstone Theatre has established itself as Liverpool’s leading venue for cutting edge jazz and world music. This year, it is due to play host to a new International Jazz Festival running from the 28th February to 3rd March 2013. For four whole days, The Capstone plays host to a plethora of original and innovative instrumental sounds, from an array of high profile artists.

The Festival culminates with a final concert by jazz legend Courtney Pine, who returns to The Capstone with his phenomenal House of Legends Tour. An inspirational icon to many young, aspiring musicians, Courtney is known extensively for his saxophone and clarinet mastery. Awarded an OBE in 2000 and a CBE in 2009, the jazz maestro launched The Capstone’s jazz programme back in 2010 with a sell-out performance and this concert promises to be something very special. I was lucky enough to catch Courtney for a quick chat ahead of his Liverpool performance and discover more about this talented musician. “It was the unique, individual sound of jazz. It wasn’t popular, but musicians were still doing it. It meant they had so much freedom with their music”, Courtney explained when I asked what it was about this particular genre that first captured his attention. “Growing up I liked everyone from Roy Wood in Wizard to Mott the Hoople. My parents are from Jamaica and the first sound I remember hearing was ska. I didn’t realise till later that they were jazz musicians.” “I played the recorder when I was nine and then in secondary school I started playing clarinet and saxophone, so I was trained in classical music. I left school at sixteen to be in a reggae band. Seeing real live musicians inspired me. I decided that I should really have a go

at this. My big sister got me involved in this reggae band and by the age of sixteen I was touring all over Europe”. Courtney’s hard work over the following years paid off and his debut album, Journey to the Urge Within, released in 1987, was the first serious jazz album ever to make the British Top 40, notching up sales to qualify for a silver disc. It was a remarkable achievement in British jazz history and established Courtney Pine as the leading figure on the British jazz scene and an inspiration to many young black musicians. In 1988, Pine cemented his success with the acclaimed, Destiny’s Song, produced by Delfeayo Marsalis. Again making its way into the British Top 40, the album burst into the American jazz charts, establishing the start of his international reputation. “My most magical moment was playing Wembley Stadium for the Free Nelson Mandela Concert”, Courtney remembers. “At that time people said you couldn’t play jazz to a large audience, but I was playing it to a world wide audience. I have since played on the main stage at Glastonbury twice. I have played in places where you are not supposed to see jazz”. Jazz is a genre of music I have never known too much about, so I was fascinated to hear from Courtney that it originates from the brothels of New Orleans, who hired pianists to create a seductive ambiance. The Madame of the house realised that the faster the pianist played, the quicker the punters would finish, and therefore they would earn more money in a night. The pianists began to change and extend their tunes, making their own variations. “This is how functional jazz was and over the years it’s developed into being a part of club culture, telling the truth to society, reflecting society”, Courtney says.“Jazz has always been there as this

The Collective

language for everybody who realises that this music is inspirational, it makes you think about other things. That’s why it doesn’t die out like a fad; it changes as our society changes”. Courtney is set to perform tracks from his new album House of Legends at The Capstone, which draws on the varied styles of Caribbean music - identifying them with historical events, figures and places. He opens the album with a soprano-sax ballad in memory of Stephen Lawrence and there are also tributes to executed rebel slave Samuel Sharpe and to Nelson Mandela. “It’s an album I have been working on for a long time and its all Caribbean based”, Courtney explains. “Usually jazz musicians would add Caribbean music as a side dish, a slight flavour to their set or album - maybe incuding just one track with a calypso beat or slight reggae influence. I decided after so many years to do a whole album. It

was a bold step to do a whole album of Caribbean based music, especially as I know how the jazz fraternity in the UK feel about Caribbean influence on jazz: they don’t like it. We got to working on the record and I couldn’t stop dancing to every single track. It’s the Jazzwise Album of the Year. It’s the album I thought everyone would really hate but they really like”. So is Courtney looking forward to playing in Liverpool once again? “This is my second time at The Capstone, we were the guinea pigs who played the second show there a few years ago. It is owned by musicians and I have nothing but good things to say about the space. I’m so happy to take this project there. I am a Liverpool supporter, Liverpool is my flavour. There are some wonderful players up there. It’s really hard because everything is all about London and the South. People need to know what’s happening up North”. Before our time together ended I had

to ask Courtney what advice he could give to budding musicians hoping to follow in his footsteps? “Get to as many concerts as possible”, he wisely says. “It’s so important to see live music. A record doesn’t reveal the true sound of an artist. Jazz music isn’t about playing something that was from before, it’s about the moment. To me, it’s the ultimate form of musical expression that we have. It may not be the most popular music in the world and some people find it hard to get into because it has such a huge legacy but the rewards can be huge. The limits of jazz, are the limits of your imagination” Liverpool’s newest music event, the Liverpool International Jazz Festival, is set to become an annual event with the Capstone Theatre at its very heart. An event not to be missed this year. For more information visit www.thecapstonetheatre.com

HAVE YOU EVER DREAMED OF WORKING IN THE MUSIC INDUSTRY? IF YES, NOW IS THE TIME TO TAKE YOUR FIRST STEP ARE YOU AGED BETWEEN 16 – 18? Opportunities Available MUSIC TECHNOLOGY PERFORMANCE SKILLS USING MUSIC DJING EVENTS MANAGEMENT CALL 0151 709 4640

Mode Training Ltd 308/309 Queens Dock Commercial Centre Norfolk Street, Liverpool L1 0BG

www.modetraining.co.uk

The Collective

DJ Olabean

Art Collective –Interview

We chat to the North West DJ who is currently developing young artists at Liverpool’s Mode Training

J Olabean is one of the most innovative and creative DJ’s to emerge from Liverpool. His talents have taken him from DJing and promoting club events, to music production and artist management. He has also hosted Liverpools Sony award wining premier Black Music show on Juice FM, Topnotch.

“I started off as a bedroom DJ”, says Ola. “I was doing a lot of mixes and bit of production from home. Then I met a guy called DJ Kolfi, who introduced me to DJ Mixing Championships, and convinced me to enter. I won the North West and Regional heats, then went on to the UK championships and became runner up to the UK champion. I realised it was something I really wanted to do, so kept entering competitions and from there was getting bookings in the UK and Europe”. Ola went on to make a name for himself in the

music industry as top RnB/ Hip Hop producer and song writer, with production credits for the likes of Destinys Child, Mariah Carey, Ashanti, Ja Rule and Atomic Kitten. Olabean is currently working and developing new artists, giving young people a start in the music industry through Mode Training in Liverpool. Mode provides apprenticeships and industry recognised training for students, businesses and schools, in subjects such as barbering and hairdressing, performance skills, management and customer services. Currently, Ola and his students are busy working towards the student event of the year, when Training Plus Merseyside joins forces with Mode for a hair show on the 19th of March at The Dome Grand Central Hall. Mode students who are currently studying performance skills and music technology will use the show as an

opportunity to demonstrate their musical brillince. Mode hairdressing and barbering students will also be creating a spectacular coiffure, with themes based upon Pirouette, Moulin Rouge, Burlesque and Cirque. “When I found out more about the college it got me thinking that this is something I would like to put more of my time into - developing young people that have talent and taking it to the next level”, explains Ola. “I plan to develop a mini record label with artists, producers, singers, writers and engineers all trained up in house and learning the whole process of producing and releasing something. I love meeting new people I can relate to. I come from the same place as all these young people. I can help them to avoid some of the problems I came across and can tell them my story.” For more information on Mode Training visit www.modetraining.co.uk

The Collective

Collective Predictionâ&#x20AC;&#x201C; Joe Murtagh This issue The Collective uncovers the Liverpool based illustrator whose collections are a mix of danger and vibrancy contemporary and eclectic mix of digital and traditional media, Liverpool illustrator, Joe Murtaghâ&#x20AC;&#x2122;s, boasts collections that are both striking and original, with strong influences from music, fashion and pop culture.

The artist uses strong colour to enhance his subjects and enjoys experimenting with digital software to produce eye-catching images. The outcome is a unique collection of images that purposefully avoid reproducing any similarities with his contemporaries. After spending some time teaching fine art, Joe returned to his first love - graphic design and illustration. He only creates images that excite him and uses his training as a fine artist to his advantage, with composition and colour balance of the utmost importance. Previously a figurative painter and sculptor, his work is still very much based on the human form and portraiture.

Target

In light of his work, Death Chic, which explores themes such as blood diamonds, subconscious emotions, celebrity and the violence of the media, we caught up with this talented artist to discuss his latest projects and future plans.

So, tell us about your creative background: were you interested in art from a young age? Yes. I used to watch cartoons with my Dad at a very young age and to impress him I used to draw the cartoon characters. He liked them and so did other family members. I got a buzz from their approval. From that moment I was hooked. When I was older, I enrolled upon an Art Foundation Course, always thinking that I would end up creating album and book covers, however, it was a Fine Art Module that encouraged me to explore my capabilities. Embarking on a Fine Art Degree, I concentrated on becoming a sculptor (stone carving and metal welding). Since graduating I have taught art at school and college levels. How did you become an illustrator? I think I’m an illustrative fine artist at heart, my first love is drawing. However, I’ve had many jobs in the art and design field: art teacher, fine art tutor, web designer, photo re-toucher and most recently, graphic designer. What influences your work? Everything I see and hear; every day life, people going about their business within the structure of society. I also love music

and fashion and am influenced by the fantasy element of them both. I used to buy Vogue magazine for inspiration, just looking at the adverts and photo shoots. What is your creative process in building imagery? I collect images that catch my eye. I used to have such a huge collection of magazine clippings and pages that I’d cut out and make collages with. Almost like doodling really, anything that looked good together. Now my artwork is very much about me looking at what’s going on around me, what’s in the media and how our lives are affected by outside forces. I use Adobe Illustrator and enjoy blending lots of layers together to build up a radiance of colour. Is there a meaning behind the use of such bright colours in your work? I use sugar coated colour to make things look vivid and to make the audience take notice. I love how colour plays with our expectations. What is the influence behind Death Chic? Death Chic seems to work as a short hand for my creations, even though I can’t explain what genre they fall into. Modern

Modern life is the influence, its extremes and how we are expected to play along with what we’re labelled as.

1– Dream 2– Diamonds are Forever 3– Lovers =

life is the influence, its extremes and how we are expected to play along with what we’re labelled as. In my artwork the skull/skeleton represents many things: guilt, taboo, mortality, life, conscience...One of my major influences is Buddhism and its attitudes towards life and death. It made me question what it is to be alive. I realised that modern life encourages a distance between what we are and what we are expected to be. You do portraits of celebrities, who would you most like to do next? The next famous portrait I do will be Alexander McQueen. Watch this space. What has been the proudest moment of your career so far? I’ve had many special times looking back. Winning sculpture commissions, sharing ideas and inspiring young and older people as an art teacher and tutor has meant a lot to me. However, I am still full of ambition and get a buzz from learning new techniques and surprising myself. So what’s next for you? My next project is a collaboration with Matt Ford, to be shown at Matt Ford Studio - hopefully for the forthcoming Liverpool Art Month. I will also be devising a new collection of Limited Edition fine art prints to be sold exclusively at www.mattfordstudio.com along side other brand new work from several artists. I’m looking forward to becoming less of a hermit! For more information on Joe’s work visit www.joemurtagh.co.uk

PAMPER SOMEONE SPECIAL FOR VALENTINES CHOOSE FROM AN EXTENSIVE RANGE OF TREATMENTS FROM LEADING SPA BRANDS

CALL 0151 724 4999 0151 722 4999

FREE VALENTINES GIFT AROMATHERAPY ASSOCIATES ROSE KISSES WHEN YOU BOOK A SPA TREATMENT BEFORE FEB 14

@TheHouseBeauty

RRP £19.99 WHILE STOCKS LAST

Style Collective

Give more than love this Valentine’s Day The one and only, Paloma Faith Siobhan put’s the ‘S’ in style Art in Print - Valentino: Master of Couture Creative Stylist, Dion Padan Oh My Goodness Me! Food for thought

The Collective

Diane Von Furstenberg Love Diane, 50ml, £44.50, www.harveynichols.com -

Aamaya Priyanka Love Heart Bracelet, £115, www.harveynichols.com -

Bottega Veneta Fragrance Coffret, 50ml, £64, Beauty Bazaar, Harvey Nichols at Liverpool ONE (size) -

Money can buy me love -

Limited Edition Perrier Jouet Epoque Florale, £195, Harvey Nichols Pop Up Food Market at Liverpool ONE -

Vera Wang Lovestruck Floral Rush Eau De Parfum, 30ml, £35, www.harveynichols.com -

Mimi Holliday Bisou Bisou Satin and Lace Bra, £55, Lace Thong £37, www.harveynichols.com -

The Collective

Creed Aventus Eau de Parfum, 75ml, £152, Selfridges Exchange Square, Selfridges Trafford Centre and www.selfridges.com -

Chocolate Selection Box, 235g, £18.95, Harvey Nichols Pop Up Food Market at Liverpool ONE -

Tom Ford For Men Eau De Toilette, 50ml, Beauty Bazaar, Harvey Nichols at Liverpool ONE -

Spineless Classics Pride and Prejudice Art Print, £45, www.harveynichols.com -

Lulu Guinness Padded Lips Snake Clutch, £375, www.harveynichols.com -

Acqua Di Parma Colonia Essenza Eau De Cologne Gift Set, 100ml, £80, Selfridges Exchange Square, Selfridges Trafford Centre and www.selfridges.com -

Lomography Diana Love Letters Camera, £100, www.harveynichols.com -

The Collective

Paloma Faith Style Collective 窶的nterview

As she embarks on her UK tour which brings her to The Liverpool Empire this June, Lee Joseph Hagan chats to Paloma Faith about touring, talent shows and forgetting the words to a Chaka Khan classic窶ｦ

The Collective

With her retro styling, powerful voice and timeless vibe, Paloma Faith has became an accomplished singer, songwriter and performer since she burst onto the scene in 2009. Her debut album, Do You Want The Truth Or Something Beautiful, includes the hit singles, Stone Cold Sober and New York.

er unconventional take on pop infused jazz, peppered with the occasional dash of soul, has ensured her second album, Fall to Grace, has swept a breath of fresh air throughout the music industry; a major reinvention for the star thought to be another Amy Winehouse carbon-copy. Her latest album is a departure from her fun-filled cabaret image, delivering a host of heartbreaking love songs that include Picking Up The Pieces, 30 Minute Love Affair and a cover of INXS’, Never Tear Us Apart.

Also an accomplished actress, Paloma has appeared in the 2007 remake of St Trinians, Terry Gilliam’s The Imaginarium of Doctor Parnassus and numerous television shows. Not a bad career for an East London girl, whose pre-singing career included stints as a sales rep for Agent Provocateur and a magician’s assistant. Paloma is currently embarking upon her UK Tour and ahead of her Liverpool performance at The Empire Theatre this June, she found the time to catch up with The Collective. Hi Paloma! How is the tour going so far? It’s going really well, I’m enjoying myself! Sorry I’m late, our bus broke down! What is the best and worst part of touring (vehicle breakdowns aside)? (Laughs) Performing live and hearing the crowd sing my songs back to me is the best part. Missing my friends and family is the worst, but I’m getting used to that now. Are you excited to play at the Liverpool Empire Theatre in June? Very much! I’m quite excited generally about some of the smaller venues, because I think some

of the arenas are very daunting. I’ve got the best job in the world. Did you enjoy being apart of the Justice Collective collaboration? I was really happy to be asked, and so happy about its success. I’m not one to mince my words and I’m known for speaking out against our right wing government and media cover ups, so I was happy to do it. It took you five years to get your first album deal. What stopped you from giving up? I was always doing other things at the same time, I wasn’t trying to get a record deal as such, I was just doing what I liked doing. I wasn’t trying to get signed, I was just somebody who enjoyed writing songs and enjoyed singing them and so I continued to do that. The management I found two years before the record deal were more inclined towards the ‘holy grail’ of the record deal but I never thought like that. I did it because to me, there was nothing else I should be doing. How does that make you feel about talent shows, where contestants can reach fame quite quickly? For me, fame was never the end goal. Sometimes, quite often in fact, I struggle with a lot of things when it comes to fame. For me, success was the end goal, or as many people as possible hearing the music. I don’t think it’s a good idea to set fame as an ambition - I think that’s quite dangerous. I think those shows - if they are taken for what they actually are, a vocal talent contest - are fine. The problem is, people who do find success with them are not psychologically prepared for it. Because I’ve tread the boards for so long, I’m prepared for it. I know what its like to play for five people who are talking through your performance, or lots of people who are

The Collective

actually listening to you. I think all that stuff ’s important.You can be an over night success in those shows but often people get dropped as quickly as they’re picked up. Not a lot is done for the psychological preparation of those people. I feel quite sorry for them. So if things hadn’t worked out for you would you not have considered auditioning? I don’t think I’ve ever been confident enough to do anything like that; I still don’t think I’m that good a singer. For me the most important thing is what I’m saying - not my ability - so I don’t think that would be something I could have done. I also wouldn’t have been able to do the creative side of it in a show like that and I’m all about the creative side. I wouldn’t get through, I know that for sure! You studied theatre directing at Central Saint Martins College, would you say this has influenced your theatrical dress sense? It’s influenced everything! I play a massive role in designing the performances that I do. I work with the lighting people, I co-design the sets, I’m the one person who ties all those elements together. Who are your biggest musical influences? Etta James, Annie Lennox, Tina

Turner, Grace Jones…powerful women basically. So have you learnt the words to I’m Every Woman yet (I am of course referring to the moment when Paloma was invited to sing with Chaka Khan on stage at the NPG Festival, but was unsure of the lyrics)? (Laughs) No, I don’t think that opportunity is going to come up again! You’re also an actress, have the movie roles started coming in yet? No, not yet, but I hope they do! What would be your dream role to play? Someone that is the opposite of me and who I am and what I look like and how I behave. Something challenging! Who is your favourite actress? Christina Ricci, I love all her movies. What advice would you give to people wanting to make it in the music or acting industry? Take compliments and insults with a pinch of salt. Don’t miss Paloma Faith live at The Liverpool Empire Theatre on 2nd June 2013. For tickets visit www.atgtickets.com

The Collective

Style tips from our Fashion Editor– Siobhan Noble February is upon us and finally sale season is over. Our beloved high street says goodbye to the sale rail as we welcome S/S 13 collections to our stores. I for one, am beyond thrilled. Don’t get me wrong I love a good bargain, BUT if the white studded leggings were not top of your purchase list at full price, the chances are you don’t need them now!

– My top style tip will always be invest in great footwear. A shoe can make or break an outfit. This season I’m torn between two Choo’s, the Jimmy Choo Abel Court Shoes in Nude £335 and the Lance Sandals £450 both available from Cricket. S/S 13 is all about the stiletto, platforms have had their time to shine. It’s time we put the spotlight back onto the killer heel. -

Pair those killer heels with a chic pair of cigarette trousers for a touch of 50’s glamour. I’m loving these purse friendly Crepe Cigarette Trousers by Topshop £42. £42 Tuck in this bold Carven stage of life tee £130 from Cricket for an effortless and chic mix of designer and high street. -

The Collective

I’m also loving… River Island, Purple Dip Dye Jewelled Body Con Dress £35 -

Topshop Tie Dye Navajo Print Midi Dress £29 -

Topshop, Lace Crop Top £15 -

River Island, Red Textured Necklace Peplum Top £28 -

River Island Aztec Denim Shorts £30 -

Elizabeth & James, Avery blazer in pewter from Cricket £425 -

Accessorise with… -

YSL, arty ring in navy/rose gold £180 Cricket -

Accessorize, Sophia Jewel Statement Necklace £22 -

Benna, Letter Charm Bracelet in 9ct Gold £195 -

River Island, Gold Tone Snake Arm Cuff £10.00 -

Accessorize www.accessorize.com | Benna www.benna.co.uk | Cricket www.cricket-fashion.com River Island www.riverisland.com |Topshop www.topshop.com

The Collective

With fashion week fast approaching, The Collective thought it was only fitting that we dedicate this issueâ&#x20AC;&#x2122;s Art in Print to the Somerset House exhibition, Valentino: Master of Couture. Art and fashion are one and the same at Collective HQ which is why we chose this major exhibit that celebrates the life and work of the renowned Italian fashion designer, Valentino, showcasing his amazing creations.

Art in Print ver 130 exquisite haute couture designs worn by icons such as Jackie Kennedy Onassis, Grace Kelly, Sophia Loren and Gwyneth Paltrow will be on display in this exciting installation.

Divided into three sections, visitors start with a private view of Valentinoâ&#x20AC;&#x2122;s world through photographs from his personal archive. The exhibition then unfolds into a couture fashion show where roles are reversed and visitors are invited onto the catwalk to view a

staggering one hundred and thirty Valentino haute couture designs. The final section unpicks the painstaking processes of crafting couture, exemplified by the stunning wedding dress of Princess Marie Chantal of Greece. In addition a specially commissioned group of films allows behind-the scenes access to the Valentino atelier. Finally, visitors can discover more about the icon by exploring the Valentino Garavani Virtual Museum. For more information on visit www.somersethouse.org.uk

The Collective

1â&#x20AC;&#x201C; Valentino and Natalia Vodianova 2â&#x20AC;&#x201C; S/S Romantic evening gown grey silver

3â&#x20AC;&#x201C; S/S Ivory hand-painted evening gown 4â&#x20AC;&#x201C; Valentino and Natalia Vodianova

Valentino dress from SS 1969

EVENT HIGHLIGHTS

WWW.ECHOARENA.COM | BOX OFFICE: 0844 8000 400

CELEBRATING 25 YEARS

Classical Spectacular ®

With Special Guest

MUSIC • LIGHTS • LASERS • FIREWORKS 16 March £27.50 - £39.50 (Family Tickets Available)

8 March £36.00 - £40.00

10 April £35.00 - £85.00

5 May £35.00

15 May £35.00 - £55.00

Alicia Keys 18 May £39.50 - £45.00

LIKE US: WWW.FACEBOOK.COM/ECHOARENA | FOLLOW US: TWITTER.COM/ECHOARENA

...NOW THAT’S ENTERTAINMENT! All ticket purchases are subject to a ‘per ticket’ booking fee and a handling fee. Tickets are subject to availability.

The Collective

Creative Stylist and owner of Hooka salons reveals his top tips on gents hair trends for this season e’ve been so busy in the salons lately with both ladies and gents wanting to look their best over the holiday season. I can’t believe how many of our female clients are going for the dip dye effect, that trend is massive and shows no sign of fading away just yet. Anyway, enough about the ladies. New Year means new you and lots of our male clients are ready for a change. I’ve been conducting tons of research and getting inspired by what’s been happening on the catwalks for men this Spring/Summer 2013. I was lucky enough to spend a week in New York recently, which gave me a chance to see how the gents of the Big Apple are styled and groomed. Men’s hair trends have been quite similar for a while now and there’s no sign of hairstyles changing too dramatically for this season either. What we will be seeing is a more versatile way for men to style their hair. Styles will still be kept quite clean and tidy around the edges and I predict we will see more prominent side partings this season. Hair in general is going to

be kept longer within the haircut to create a changeable style. To create a more formal look, the hair will be pushed or slicked back by using strong gels and pomade, resulting in a high shine glossy finish, or the hair will be blow dried with a sea salt spray to create volume and texture. This will help support the style as it’s styled in a controlled quiff with a medium shine product like American Crew Molding Clay. The advantage of having more length is that you can adapt your hairstyle to suit the occasion. The choice of products for men is bigger than ever. A product which has been selling by the truckload at Hooka is Super Dust by L’oreal which is a volumising powder. This gets sprinkled onto the hair and scalp and creates loads of texture and hold within the hair. This is perfect for really high quiffs, or if you have particularly fine hair which normally gets weighed down with too much product. For more information on Dion, including his blogs and videos, visit www.dionpadan.com

The Collective

There is no denying that when you look good, you feel good, but sometimes we need a little helping hand to achieve the results we desire. Fortunately, help is available in the form of Lip Doctor Aesthetics...

The Collective

Style Collective –Advertorial

Lip Doctor Aesthetics is a clinic based in Maghull, Liverpool and is owned and ran by Dr Fab and Lisa Equizi. Dr Fab was previously a General Practitioner and has over twelve years experience in aesthetic practice. The clinic specialises in a great number of treatments ranging from lip augmentation and dermal ﬁllers to more advanced procedures such as the ‘non-surgical nose job’ and the ‘virtual facelift’. Consultations are completely free of charge and there is no obligation to go ahead with any treatments. But once you do decide on a procedure our aim is to make

your experience with us as comfortable as possible, including using a combination of numbing cream and dental anesthetic injections before your treatment begins. We also ensure your satisfaction by booking you in for a complimentary check up appointment to assess if any ‘tweaks’ are required, giving our clients peace of mind so that they return time and time again.

Treatments Amalian LASHES

Botox Treatments

One of the latest products that we offer is Amalian LASHES, which is available exclusively to Lip Doctor Aesthetics. Now you can revitalize and improve the appearance of your lashes, making them look longer, darker and thicker.

Botulim Toxin is a puriﬁed protein produced by the clostridium botulinum bacterium. It is a non-surgical treatment that can temporarily reduce lines caused by over expression of certain muscles such as frown lines, between the brows and crows feet. During the treatment, very small amounts of Botulim Toxins are administered using a very tiny needle directly into the muscles. It works by blocking the signals from nerves into the injected muscles therefore reducing the activity of the muscles (temporary paralysis) that cause those lines to form.

The treatment is designed to nourish and boost your own lashes and is formulated without alcohol and preservatives – so it comes without the sting too. Amalian LASHES has been clinically reviewed by dermatologists and ophthalmologists and is non-allergenic, so there are no reports of ocular irritation or iris or eyelid hyper pigmentation. The treatment is easily applied with an eyeliner brush once a day, preferably in the evening. You’ll see full results – real and natural enhancement of your lashes – in just a few weeks

Lip Plumping and Shaping Lip plumping and shaping is achieved by injecting filler along the lip margin (vermillion border) and into the body of the lip until the desired shape and lip volume is attained. There are a variety of injection techniques that can be used, for example we can run filler behind the lips to enhance pout. Your lips will be entirely numbed first so you can rest assured that the procedure will be totally painless. Lips may be initially swollen or possibly bruised but this should subside within 48 hours. Your new pout lasts for six months (less if you smoke) but subsequent treatments may last for nine months to one year. We can also improve the appearance of gummy smiles using small quantities of botulinum toxin in the top lip. This will also help lip lines, although filling the lines is usually preferable.

Treatments take about 10 – 20 minutes and are usually painless. No recovery time is needed and you should begin to see an improvement within 3 – 4 days and the results usually last up to 4 months. Treatment with Botulim Toxin will not dramatically change your facial appearance or make you look totally expressionless. The muscle activity that causes the forehead frown lines is simply reduced, so you will still be able to frown or look surprised without the wrinkles and creases between your brows.

Dermal Fillers For deeper folds and facial contouring we use Radiesse or Ellanse. These are a longer lasting ﬁller (approx 18 months) and are ideal for such areas as nasolabial folds (nose to corner of mouth) and marionette lines (corner of mouth to chin). They can also be used to sculpt your cheekbones to give you a more deﬁned look, or for virtual face lifts and non-surgical nose jobs. For virtual face lifts Radiesse or Ellanse is used in volume areas along the jaw line in association with botox to give the effect of a lift. For a non-surgical nose job it can be used to even out an uneven bump, make an unsymmetrical nose look straighter or to lift the tip. All these treatments plus many more (including – face peels, dermal roller treatments, carboxy therapy and Dracula Facelifts) are available at Lip Doctor Aesthetics, so call for your free consultation today to get the look you desire.

Lip Doctor Aesthetics Ltd, 171-173 Liverpool Road South, Maghull, Merseyside L31 8AA

T: 0151 520 3070 E: lisa@lipdoctor.co.uk www.lipdoctor.co.uk

M: 07801 281504 / 07770 234000 E: fab@lipdoctor.co.uk

The Collective

Style Collective –Advertorial

Oh My Goodness Me Lee Joseph Hagan checks out the three day juice detox that’s fast becoming a celebrity favourite in Liverpool t’s that time of year again: our New Year’s resolutions to get in shape are still in the back of our minds, despite the fact that we have done no more than hit the gym twice at the start of January before giving up. However, thoughts of summer holidays are fast approaching, bringing with them the realisation of ditching our heavy jumpers and coats and donning something slightly more revealing and slightly less flattering.

What we need is a boost, something to lift us out of this winter slump and propel us into spring feeling healthier, replenished and revitalised. Luckily for us, the Oh My Goodness Me three day juice detox, is here to do just that. The creation of Kassi Roach, Oh My Goodness Me is a detox plan that consists of consuming only specially prepared natural juices for three days. Made from fresh local fruit and vegetables, four juices are delivered to your door each day within hours of being made, ensuring that you reap the maximum nutritional value of the ingredients. As well as the juices, you will receive a consultation before and after the three day course, evaluating your statistics and progress. I had a chat with Kassi prior to my course, to find out more about the detox programme that is fast becoming popular with celebrities such as Alex Gerrard and Sheree Murphy. If it’s good enough for the WAG’s, it’s good enough for me! Tell us how Oh My Goodness Me first got started? I had been in buying for over 10 years, working long hours, travelling to all corners of the world and doing what most girls would love to do – shop for a living. But in the end my heart wasn’t in it so I took a leap of faith. I took a career break with the support of my husband and family and took up the role of doting housewife. I’m a massive foody and I

love the whole experience of food and the happiness it brings. I’m also really into health and the effect food has on us. This eventually led to an interest in super foods, supplements and the health benefits of juicing. I started juice detoxing a while ago and a few friends and family asked me to help them do it. They told a few of their friends, a few celebrities tried it out and the rest, as they say, is history. How does the detox work and what are its benefits? Without getting too technical, the main benefit of detoxing is being able to give your body a break and rebalance yourself. Detoxing has a cleansing effect on your cells which helps keep your body working efficiently and effectively. Our body naturally detoxes, though many people overindulge with sugar, fatty foods and alcohol and this, combined with the fact that we are exposed to so many levels of toxins in our daily environment, means that our body can sometimes struggle to keep up. Our liver can become strained and the natural bacteria in our gut can become upset. As a result we experience symptoms such as lack of energy, fatigue, sluggishness, bloating, headaches and stress. Detoxing is a way of giving our body a break from this tiring work and allowing a good clear out of these toxins. The result is that you feel refreshed, rejuvenated and amazing. How is this different to other detox courses? I think the biggest difference is that we are offering a service and full supervision. We are not just boxing up juices and sending them out, we take time to get to know our clients whether its through consultations or simply when one of our team are dropping off our freshly juiced bottles. We want to know each and every client, when they are happy and feeling the amazing results. The OMG team are a happy bunch! What ingredients do the juices include? We combine a blend of fresh fruit and vegetables that

The Collective

are packed with vitamins, minerals, antioxidants and enzymes which are key to restoring and cleansing your system. This includes lemons, celery, beetroot and super berries such as blueberries and raspberries. Apart from the juices, what else can be consumed during your detox course? In order for the drinks to work their magic, we advise the customer to consume only the juices, water and hot water and lemon. Some herbal teas are fine too. The key to detox is flushing the cells, so drinking as much water as possible is imperative. What results can be expected after the three days? The biggest change people experience is an increase in energy, lack of cravings, and a general feeling of being lighter and brighter. People are revitalised, replenished and feel amazing. Clients also report clearer skin, brighter eyes, shiny hair and most lose weight and inches which is fantastic, as it gives a real confidence and mood boost. Do you plan to expand outside of the Liverpool area? Yes, we are carrying out a massive marketing and recruitment plan, building distribution points which will allow us to continue to create new products and create additional employment opportunities across the country. Very soon in Liverpool we will reach full capacity, so in order to keep up with demand weâ&#x20AC;&#x2122;re forging ahead with expansion plans. This will kickstart endless opportunities to experiment with new flavours and re-create old favourites. We are very excited about 2013. For more information on the Oh My Goodness juice detox programme, visit www.ohmygoodnessme.co.uk or email enquiries@ohmygoodnessme.co.uk

The Collective

Style Collective –Review

Marco Piere White Steakhouse Bar & Grill onveniently located in the city’s commercial district, Hotel Indigo Liverpool is a vibrant, 4* hotel with an energetic atmosphere. The glamorous boutique hotel is inspired by historical and cultural surroundings, with a multicoloured cotton strand motif running throughout the building to represent the cotton trading past of the area.

The hotel’s crowning glory is undeniably the Marco Pierre White Steakhouse Bar & Grill, offering guests an affordable yet glamorous culinary experience. As the first British chef to be awarded with 3 Michelin stars, the Marco Pierre White name is synonymous with quality and finesse. The menu comprises of everything you would imagine from a traditional steakhouse but with the individuality you would expect from a Michelin star chef. In keeping with the stylish Hotel Indigo, the restaurant is chic, modern and spacious with white walls, sunny yellow seating and a relaxed atmosphere. This Valentine’s Day, the restaurant is offering a delicious three course romantic meal with a decadent array of starters, mains and deserts to ensure the perfect evening. At just £50 per person, guests also receive a single red rose and a box of chocolates as a special Valentine’s treat. The three course menu includes many mouth watering options, from smoked salmon terrine or pan fried scallops to start, to prime rib-eye steak with fondant potatoes or

With the most romantic day of the year just around the corner, The Collective checks out Marco Piere White’s impressive Valentine’s Day menu

grilled lamb cutlet with rosemary just for your main course. Afterwards, treat yourself with the selection of naughty deserts available such as a rich double chocolate fondant with black cherries or a traditional apple tart with apple and cider sorbet. To round off the perfect evening why not book a room at Hotel Indigo? Stay in one of the 151 colourfully stylish guest bedrooms at this glamorous boutique hotel. Rooms are complete with everything you need for a relaxing and romantic night, including oversized beds, spa inspired bathrooms and a selection of complimentary minibar items. The hotel also boasts a fitness studio which is perfect for burning off those calories from the night before. The gym is fully air conditioned and equipped with the latest kit from TechnoGym to monitor and motivate your fitness levels. Round off your entire stay with lunch the following day at Hotel Indigo Cotton Lounge. Using the best local ingredients, the Cotton Lounge offers local specialities and traditional favourites to really give you a flavour of the neighbourhood. Menu options include a great selection of tasty sandwiches, salads, burgers and pasta dishes. The perfect place for Valentine’s Day, Hotel Indigo offers a modern and unique stay in the heart of Liverpool. For more information and bookings visit www.hotelindigoliverpool.co.uk

The Collective

Style Collective –Review

The Living Room he Collective’s mission for issue three was to discover the perfect venues for a romantic Valentine’s dinner, and it should come as no surprise that our quest brought us to The Living Room. Located on Victoria Street, the newly refurbished Living Room has a reputation for fantastic cocktails, high quality food, friendly service and a great atmosphere. Everyone’s generic ‘living room’, over the years it has become an old friend to the people of Liverpool, never losing its appeal. It’s the place for working professionals to unwind of a weekday evening, yet still the only place to be (and be seen) on a Saturday night.

The menu features dishes with a host of world influences and includes a range of options from light, lunch time salads and sandwiches, to full course a la carte dining. The extensive wine and cocktail list features signature cocktails, premium wines and Laurent Perrier Champagnes that compliment the food perfectly.Visitors can also enjoy the soothing sound of the resident pianist on the legendary baby grand – the perfect accompaniment for a cocktail or two. Housed downstairs is the upbeat and stylish cocktail bar Mosquito and the Vampire Suite, a premier private members bar. My friend and I enjoyed an amazing apple and cranberry mojito at our table whilst we took a look at the menu. Although somewhat of a regular at The Living Room, I never fail to be impressed by the stylish décor and comfortable surroundings. Spacious and full of light, its requisite polished wood floors and candlelit tables ooze sophistication and class. There is plenty on the menu to catch my eye, especially the bread and nibbles section which contains delicious options to share with friends. The tapas board and Moroccan spiced houmous are two choices that I would normally be tempted by, but instead I went for the pan-fried garlic and herb mushrooms on toast. The garlic and herbs gave a strong

For delicious dishes, fabulous cocktails and a romantic atmosphere, look no further than The Living Room this Valentine’s Day

flavour to the mushrooms and I enjoyed every bite. My friend chose the roasted red pepper and tomato risotto, a vegetarian option that came with herb and garlic mascarpone and looked delicious. Although initially swayed by the Moroccan spiced lamb, I couldn’t refuse my old favourite, steak and chips. The 7oz fillet steak came with slow roasted tomatoes, rocket and chips and was cooked to perfection – medium rare, just how I like it. Across the table, my friend’s pan-fried sea bass with orange scented broccoli and lentil casserole looked amazing, and tasted even better when she let me sneak a bite. Although full to bursting at this point, greed took over and we managed to share the chocolate truffle cake with vanilla ice cream and crushed honey comb, which was sinfully rich and flavoursome. For Valentine’s Day this year, not only is The Living Room offering a three course a la carte meal for just £35 per person, plus live music from pianist and vocalist Emily Jackson, but they are also running an exciting competition. If you book and pay a deposit for a Valentine’s meal before the 7th February, you will automatically be entered into a free prize draw to win two VIP tickets for the Disarrono BAFTA Award screening in Central London. The prize includes Disarrono cocktails and canapés, a stay at a five star hotel and train travel to and from the capital. Ten runners up will also receive a year’s subscription to Lovefilm, so book today to be in with a chance of winning this fabulous prize. If class, flair and light entertainment is something you look from an evening, The Living Room is for you. With its delicious food and romantic atmosphere, it should defiantly be top of your list for an intimate meal for two this Valentine’s day. For more information and bookings visit www.thelivingroom.co.uk/liverpool

The Collective

Kasbah Café and Bazaar orocco is a country made famous for its ancient cuisine featuring a wide variety of spice, flavour and enticing aromas. Kasbah Café Bazaar brings Moroccan cooking to Liverpool serving a variety of delightful dishes, hearty tagines and Moroccan pastries. Sit back and enjoy the delicious delicacies whilst relaxing in authentic Moroccan surroundings with their spindly tables and chairs, traditional terracotta dishes, ornate mirrors and colourful throw pillows.

And its not just food that is on the menu here; as Kasbah is a café and a bazaar, the furniture here is for sale too. Whether it be the larger items such as the mirrors, hanaa lamps or pouffs or just the smaller trinkets such as candles, tea sets, tagines or even the music, its all on offer here for you to take a piece of Morocco home with you. Morocco cuisine is extremely diverse due to the mix of other cultures and nations throughout the centuries. The Kasbah menu boasts a fantastic choice of Moroccan tapas, soups and salads to start off your dining experience, which can then be followed by something from their charcoal grill option. The

Transport yourself to the exotic city of Marrakesh with this Moroccan café in the heart of Liverpool sumptuous lamb chops marinated in Moroccan spices is a definite must try. But the real star of the show has to be a traditional tagine; an earthenware dish with a conical lid allowing the steam to condense back into the food and enhance its flavour. With a choice of chicken, lamb, sea bass, mince meat or vegetables, all tagines are served with Moroccan bread or saffron rice. Or for something different, why not try Kasbah’s Moroccan Afternoon Tea? Served with traditional mint tea, it includes a selection of tasty pastries, tuna, cucumber and Moroccan chicken sandwiches and Moroccan Briouat (a savoury filo pastry roll). There may be no alcohol on sale, but in all honesty, the mood is the Kasbah is seductive enough without it. For an exotic experience without the flight, Kasbah Café Bazaar is the perfect destination. For more information visit www.kasbahcafebazaar.co.uk

Travel Collective

Kasbah: Morocco comes to Liverpool Manchesterâ&#x20AC;&#x2122;s most fashionable hotel Moroccan retreats Amsterdam uncovered

The Collective

The Lowry Hotel

ituated on the banks of the River Irwell in the recently developed Chapel Wharf area, The Lowry Hotel is the first five-star hotel in Greater Manchester. The epitome of a contemporary establishment, with a dramatically curved glass-fronted facade, The Lowry emits light and space like it’s going out of fashion. Synonymous with hotels under the Rocco Forte brand, The Lowry’s cutting-edge design seamlessly blends with an acute attention to detail and personal service unparalleled within Manchester.

The Collective takes time out of its busy schedule to check out this stylish and award-winning Manchester hotel. The things we do for you... Boasting over one-hundred rooms, six Superior Deluxe Suits and one Presidential Suit, each guest is welcomed by muted tones, dark woods and sleek furnishings. Comfortable and stylish, The Lowry equips every bedroom with the latest facilities for both business and leisure guests, including those hoping to combine the two. A soft bed, river view and walkin wardrobe (in my opinion, a necessity in any room), reinforces the effortless luxury that characterises this hotel.

Apparently, I was too easily pleased. Stepping into the glamorous Charles Forte Suite, I fully understood The Lowry’s awardwinning status. A spacious reception lounge offers the latest ‘in-room’ entertainment systems, complete with rotatable large screen television, iPod docking station and expensive DVD player. Moving into the elegant dining room, a baby grand piano stands suggestively in the corner, begging to be played - Pretty Woman, eat your heart out. A pantry with separate entrance allows a personally assigned butler and chef to

The Collective

meet your catering needs with ease, whilst a large double bathroom houses a feature bath; double walk-in, jet stream shower; Italian toiletries, toothpastes and candles; and fluffy bathrobes. This is a room for the elitist of cliental and trudging back to my own room; I could not help but feel jealous. However, the prospect of dinner was enough to lift my spirits. The Lowry places a heavy focus on delivering great food, in a great atmosphere. Renowned designers, Olga Polizzi and David Collins, are the creative force behind The River Bar and Restaurant, combining contemporary and classical design in a stunning, light filled oasis. The award-winning culinary team offer classic British dishes, using the finest local stock and seasonal ingredients – peppered with five-star flair. An impressive menu including duck breast, lobster tail and the traditional Lowry fish and chips would be enough to whet anyone’s appetite and I was far from disappointed with my choice - a tender loin of lamb, with fondant potatoes, spinach puree and delicious mint jus. Overlooking the River

Irwell, sipping my glass of post-dinner wine, I couldn’t help but feel a million miles away from the chaos of city life, continuing just beyond The Lowry doors. No trip to The Lowry would be complete without a look - and maybe a treatment or two – at their innovative, urban spa. Harmoniously combining the highest quality products with unmatched expertise in deliverance, The Lowry Spa transforms traditional beauty philosophies into indulgent treatments, naturally focusing upon the most exclusive selection the market has to offer. Accompanied by gym, relaxation rooms and sauna, The Lowry Spa is the perfect way to unwind after a long day of meetings, or a hard days shopping. A gem within the heart of Greater Manchester, The Lowry Hotel caters to business and leisure travellers alike. Whatever the reason for your visit, The Lowry ensures a quality of service that makes each guest’s stay an experience to remember. For more information and bookings vist www.thelowryhotel.com

The Collective

ES Saadi

Situated in the heart of Marrakech, The Es Saadi Hotel nestles seductively within the ever fashionable Hivernage area. Standing a mere 20 acres away from Morroco’s Menara Gardens, a vibrant oasis awaits those seeking to escape the desert heat or three generations this family run resort has been associated with luxury, class and a traditional Morrocan hospitality that lures guests back year after year.

Owner, Jean Bauchet, bought and developed the property in 1951, determined to create an exclusive holiday resort for the most sophisticated of cliental. Opening the famous Casino de Marrakech in 1952, Bauchet established a reputation for prestige immediately, further cemented by the grand unveiling of the The Es Saddi Hotel a few years later. ‘Es Saddi’ translates as ‘the happy one’: aptly named after the famous Saadian Kings, who, captivated by the beauty of Marrakech, decided upon it as their capital. A hotel that promises royalty within its very name makes a bold statement and the Es Saddi justifies its claim in each glittering square inch. Designed around an enormous 100-year-old eucalyptus tree, which rises majestically from the centre of a soothing hydrotherapy pool, the building strives for grandeur. With ninety spacious suits awaiting anticipating guests, all will be greeted by a view of the beautiful snow capped Atlas Mountains – an impressive twist to the conventionally desirable ‘sea view’. For those seeking a little more intimacy, ten oriental-themed villas beckon each offering an exotic private garden and personal pool – perfect for couples who do not want to be disturbed.

French and Morrocan gourmet cuisine is available across the eight restaurants and ten bars on site, delighting even the most cultivated of taste buds, whilst a short walk brings guests to the glamorous Casino de Marrakech – the perfect excuse to wear that outfit, squeezed in at the last moment, ‘just in case’. However, perhaps the most impressive aspect of this resort is the 3,000 meter square spa. Spanning unapologetically over three floors, the spa houses a swimming pool, shaded terrace, solarium and full organic restaurant. Offering a range of exceptional wellness programmes, guests can tailor each experience to satisfy individual preference. If this doesn’t excite you, perhaps the addition of a veritable beauty Mecca ‘The Dior Institut’ - will attract your attention. Christian Dior himself had a long standing love affair with Morocco, so it is no coincidence that the second Dior Institut (the first located in Paris), resides within the Es Saadi resort. Offering face and body treatments, the pristine white, minimalist décor quietly resembles the classic quilted motif of the icon Dior compact. An alluring oasis within the intense hustle and bustle of Marrakech, The Es Saddi Hotel offers guest a taste of luxury that will no doubt leave them hungry for more. For more information and bookings vist www.essaadi.com

The Collective

There is something about Meryanne…

Parisian lawyer with a passion for design and architecture, Meryanne Loum-Martin is one very clever woman. Stimulated by the colours, shapes and grace of Islamic design, Meryanne’s first project was to design a home for her mother in the Marrakech Palm grove. Falling in love with the city, which awakened and inspired a creativity she had only suspected existed, Meryanne made the bold decision not only to move to the country, but to begin a new career. Looking out across the nine landscaped acres that surround the Jnane Tamsna resort, I thank God that she did.

Designing both its architecture and interiors, Meryanne opened the doors of her very first boutique hotel in 2001 and the Jnane Tamsna was born. An elegant offering of architecture, hospitality and tranquillity, the resort resonates with Meryanne’s passion for Marrakech - infecting even the most sceptical of guests. The Jnane Tamsna offers the choice of twenty-four ensuite bedrooms, spread across three separate properties: Jnane House, Jnane Moussafir and Jnane Villa. Jnane House combines the architecture and layout of the traditional ‘ryad’ (courtyard house) with the spaciousness of a country home, whilst the Moussafir suites are inspired by a variety of Islamic art and design from Western Africa to Northern India. Jnane Villa, the most recent addition to the trio and my personal favourite, equips guests with a private Mediterranean garden, tranquil pool and log fire – a necessary luxury to evade the surprisingly cool evenings.

After years of extensive personal research to uncover the very best of Marrakech, designer and hotelier, Meryanne Loum-Martin, began the craze for transforming run down riad’s into contemporary boutique hotels The gardens surrounding the estate are truly spectacular, the creation of Meryanne’s husband, Gary Martin. Martin’s apparently traditional attitudes towards landscaping seem a million miles away from the conventional suburban garden. Standing in a natural paradise of olive groves, lemon trees and ornamental flower beds, there is no place I would rather be. However, for those looking for a little more than relaxation, the five swimming pools and clay tennis court are enough to wear you out. Cuisine is the highlight of this resort and all ingredients are fresh, organic and sourced from the Jnane gardens – a nice touch (and a tasty one!). Dishes are Moroccan specialities with the classic Meryanne twist, combining North African cuisine with the lightness of contemporary Mediterranean cookery. Opting to partake in an authentic Moroccan cookery lesson with house chef, Bahija, is an experience I would highly recommend. Eating a traditional lamb tagine whilst basking in the tranquillity of the pool side restaurant, admiring your own culinary prowess (I practically cooked it myself...), is a feeling that stays with you long after the flight home. Meryanne Loum – Martin clearly has the Midas touch and remains at the heart of Jnane Tamsna. Falling in love with her is as easy as falling in love with her resort. Warm, charismatic and elegant: three words that describe both the woman and her resort. For more information and bookings vist www.jnane.com

Standing in a natural paradise of olive groves, lemon trees and ornamental flower beds, there is no place I would rather be.

The Collective

AnaYela uilding brimming with character, AnaYelaâ&#x20AC;&#x2122;s 2007 renovation was careful to retain every last detail of its original Moroccan history. Using only traditional Moroccan craftsmanship, one-hundred artisans completed the restoration completely by hand; without the help of a single electrical tool. Impressed? You should be. Owner, Bernd Kolb, and his designer,Yannick Hervy, where similarly involved: designing and creating every piece of furniture and ornamentation within the building â&#x20AC;&#x201C; an artistic haven. However, it is the tale of sixteen-year old girl,Yela, that truly generates the hotels magical atmosphere.

During the renovation, a secret room was uncovered, occupied by an intimate journal, completed in authentic Arabic calligraphy. Written the night before her wedding, this captivating teenager recounts the story of how she met her true love: looking out at the city one night from a roof terrace, sitting uncomfortably on an old carpet. Climbing up to kiss her, the carpet beneath them came to life and flew them across the city of Marrakech.

An intimate, three- hundred -year-old palace in the heart of Medina, AnaYela awakens the imagination. Aptly placed within its historic location, the building tells a story that is sure to capture your heart

The Collective

Life in urban Morocan houses centres upon the roofless inner courtyard and it’s no surprise that AnaYela inserts this traditional design into the heart of its building.

The inspiration behind the hotel’s name, a renowned calligrapher has hammered the story in sliver upon the vast doors scattered around the premises, reading chronologically like the pages of a book. It is this conscious determination to retain its historic beauty that makes a stay at AnaYela a truly spectacular experience. Containing just three double rooms and two suites, guests are assured a luxuriously intimate and exclusive experience - greatly aided by the addition of brickbuilt bath for two and inclusive in-room massage. A hushed sanctuary of Berber-style natural colours - emitting the glare of jewel-bright limes and heavy dark wood – it is an effort to leave your room, though the promise of an open-air living room, situated just a few meters away, aroused my curiosity. Life in urban Moroccan houses centres upon the roofless inner courtyard and it’s no surprise that AnaYela inserts this traditional design into the heart of its building. Underneath the open sky, silver lanterns glow companionably with the stars, white

hand-stitched pouffes line the floors, and taste seeps from every wall. Accompanied by a heated swimming pool, the magic of AnaYela is hard to describe. To complete your experience, a trip to the top of the hotels terrace tower is essential. Named by locals as the ‘Flying Carpet’, the tower takes guests to one of the highest points in the Medina, where stunning views of Marrakech and the Atlas Mountains prove a sight to behold. The romantic spot were Yela met her lover, it is rumoured that those who know the magic words can too fly over the roofs of the Red City – a beautiful thought whilst standing under the stars. Sadly, I did not experience a flying carpet ride but I was not disappointed for long. The magic of AnaYela is infectious – carpet or not – and the hotel exudes history and legend, with each guest a part its fairytale. Perfect for creative trips and romantic getaways, AnaYela is sure to awaken the imagination of anyone who enters its doors. For more information and bookings vist www.anayela.com

The Collective

oibheann Hopkins first encountered Marrakech whilst shooting a fashion piece for a UK magazine. Captivated by the city’s beauty, Aoibheann put down her camera and allowed a new inspiration to wash over her. Determined to create the ultimate boutique hotel in Marrakech, the photographer turned designer spent two difficult years achieving her ambition. The result? The Maison MK, of course.

Chic in the Souks A romantic, sophisticated house in the middle of the Marrakech Medina, The Maison MK describes itself as a ‘home away from home’

A sumptuous combination of silks and velvets, colours and textures - each room within The Maison MK truly has the ‘wow-factor’, with their stunning, chic designs. Rich fabrics (specially imported from around the world) drape the walls with splashes of vibrant colour, replicating the vivacity of Marrakech. An in-room mobile phone stands on a bedside table, filled with important numbers that anticipate your every need, whilst a pre-programmed iPod awaits your musical choice. For that extra special visit, the Master Suite awaits. Twice as large as the other rooms, glittering chandeliers emanate a soft glow over your very own, personal throne. The Suite includes a complimentary rose petal bath,

manicure, pedicure and bottle of the best sparkling wine. However, the jewel of this fabulous hotel’s crown is the exceptional Morrocan/French fusion restaurant Gastro Mk. Under the watchful eye of Head Chef, Andrew West, the restaurant boasts a seven-course tasting menu that combines Moroccan heritage with modern French cuisine. Joining the team in September, West’s previous employment includes a three year stint at the prestigious Claridges, working closely with high profile chef, Gordon Ramsey. Inspired by intense flavours and different dining experiences, West’s impressive C.V and demonstrated ability is already a major part of the hotel’s appeal. Fit to burst, there is no better place to relax than The Maison’s sunken lounges, brimming with cushions in exotic fabrics and vibrant colours. A feast for the senses, the location is the perfect dessert after a filling dinner. Candles and glowing wall panels create a soothing atmosphere, preparing guests for an evening of undisturbed slumber. Luxurious, yet comfortable; traditional, yet modern; fashionable, yet sophisticated – The Maison MK caters to every guest’s need. A stimulating place to work, play and rest, The Maison invites you to step into its oasis and share in its wonder. For more information and bookings vist www.maisonmk.com

The Collective

Les Jardins de la MĂŠdina Behind the high walls of Les Jardins de la Medina lies the history of one of the most authentic riadâ&#x20AC;&#x2122;s in Marrakech â&#x20AC;&#x201C; once dedicated to the recreation of noble families

The Collective

former Prince’s Palace, Les Jardins de la Medina has been transformed into a charming boutique hotel, offering a harmonious balance between past and present. Surrounded by the high walls of a traditional riad, Les Jardins de la Medina boasts modern comforts without compromising the traditional nineteenth century architecture, proudly standing as a persistent reminder of the hotels history. Comfortable and intimate, thirty-six suites nestle themselves among the centuries-old olive trees and exquisite gardens, providing an escape for couples and families alike.

‘The pool’, resides quietly within the tranquil gardens of the hotel, changing colour each evening to create an atmosphere that cannot be replicated

Accommodation ranges from ‘Superior Rooms’, complete with terrace or balcony; to ‘Sultana Rooms’, where a few steps lead to your private pergola and solarium terrace. Whatever your preference, personal touches are added to all rooms upon arrival and I was delighted with the complimentary pastries, fruit, wine and flowers that welcomed me after a long flight. If inclined, guests can request a favourite scent to be sprayed onto their pillow each evening (Chanel No.5 anyone?), as Les Jardins de la Medina strives to treat its guests like the royalty of its past. The restaurant and bar are arranged contentedly in the former reception hall of the original riad, sheltered by high ceilings of carved cedar. Breakfast is presented in a buffet style – served inside and out – with a variety of Moroccan and Continental recipes to suit every taste, whilst dinner boasts an impressive fusion menu of both

traditional French and Moroccan dishes. However, it is the spa that proves Les Jardins de le Medina’s main attraction, with treatments created by ‘Les Sens de Marrakech’. All treatments combine the recognised properties of Argan Oil, Barbary fig and honey, as well as ingredients’ from many other aromatic and medicinal plants. Opting for a tradition hammam massage (which promises to relax muscles and release purifying toxins), and a body exfoliation (performed with a deliciously scented black- soap scrub), I felt revitalised, rejuvenated and ready for my complimentary glass of champagne and another evening at the pool. ‘The pool’, resides quietly within the tranquil gardens of the hotel, changing colour each evening to create an atmosphere that cannot be replicated – the perfect end to a day of hard-core pampering. The Medina’s grounds also include three solariums, countless terraces and an outdoor fitness centre, for those who are truly dedicated. A member of the prestigious Châteaux & Hôtels Collection, it is impossible not to fall for the attentive charms of Les Jardins de le Medina. A marriage of serenity and exclusivity, the Medina proves you don’t have to be heir to the throne to be treated like royalty. For more information and bookings vist www.lesjardinsdelamedina.com

The Collective

Kamer 01 msterdam continues to be one of Europe’s most popular tourist destinations and it’s not difficult to see why. The city is beautiful, the locals are friendly and most importantly, there is plenty to see and do. The coffee shops and red light district are just one addition to a city steeped in culture; whether it’s the arts you’re into, or shopping and partying – as the old cliché goesthere really is something for everyone.

Staying in TripAdvisor’s number one bed and breakfast botique, Kamer 01, it was easy to see its appeal. Literally meaning, ‘Room 1’, the hotel is situated on the bend of the Singel Canal, with the building dating back to 1585. Despite many renovations over the years, there are still noticeably original features, including spiral staircases and wooden ceiling beams. This intimate bed and breakfast boasts two guest rooms: the second floor Red Room and the Blue Room a level above, nestling in the intimate attic of the building. Opting for the Red Room, I discovered the comfiest king-sized bed I’ve ever slept in; marble bathroom with rain fall shower and L’occitane toiletries; sitting area with large, flat screen TV; and my very own, Apple Mac - just in case the city attractions failed to entertain. Receiving a warm welcome from hosts, Peter and Wolter, who showed us around the fabulous surroundings with an evident enthusiasm for the hotel, Peter encouraged us to help ourselves to drinks and snacks from the kitchen at any time – a nice touch. Once settled into the Red Room, with its beautiful

Geniene Reese uncovers this boutique bed & breakfast in the heart of Amsterdam views of the canal, I was tempted to forgo plans to explore the city and instead relax by the window and watch the fabulous sunset. However, thrown into the first night, we were whisked off to Superclub: one of Amsterdam’s most exclusive clubs. Both an unusual dining experience and a lively night club, every night is different here, as DJs and performers entertain you whilst you feast in the spacious white warehouse with beds lining the walls. An interesting venue; I would defiantly recommend a visit. Needless to say, the morning after we did not attend breakfast. We headed out to eat instead and explored the markets, museums, coffee shops and the infamous red light district. An early night was the order of the day, as we were determined not to miss the breakfast on our final morning. We knew from the menu that breakfast was to be five courses, which sounded pretty spectacular – and it did not disappoint. Kamer 01 serves only organic products from farmers and producers close to Amsterdam. Eating the finest gourmet food, whilst enjoying panoramic views of the Singel Canal, was certainly worth waking up early for. With its unrivalled hospitality, intimate feel and great location, I would highly recommend the Kamer 01 for an enjoyable stay in the city of Amsterdam. For more information and bookings vist www.kamer01.nl

Kamer 01 is situated in the bend of the Singel Canal and the building dates back to 1585.

The Collective

Collectiveâ&#x20AC;&#x201C; Social

The Andrew Collinge Hairdressing Awards 2013

Andrew Collinge with judges

Sarah Collinge & Peter Collinge

Michelle Trow & Andrew Collinge

The Collective

The Andrew Collinge Awards for 2013 recently took place at the Liverpool Hilton. The spectacular evening also saw the final of the prestigious Andrew Collinge Creative Stylist Award. Leading figures within the hairdressing industry where invited to judge the 12 creative award finalists. The judges included hairdressing icon and 3 times British Hairdresser of the Year,

Anthony Mascolo. TIGI’s Global Creative Director, Nick Irwin. TIGI’s Global Technical Director, Christel Lundqvist and Editor-in-Chief of Hairdressers Journal International, Jayne Lewis-Orr. The winner of the Andrew Collinge Creative Stylist Award was Michelle Trow from the Andrew Collinge salon in Selfridges, Trafford, Manchester. Michelle’s prize is an all expenses paid

Esco Williams

Liz Collinge, Jayne Lewis Orr & Christel Lundqvist

photographic shoot for entry into this year’s British Hairdressing Awards. The Salon of the Year Award went to the Andrew Collinge Castle Street salon, Liverpool. After the awards ceremony the party began with MOBO winner Esco Williams taking to the stage.

The Collective

Collectiveâ&#x20AC;&#x201C; Social

The Collective

Philip Armstrong Fashion Show at Harvey Nichols, Birmingham

Harvey Nichols Birmingham invited their VIP customers to an exclusive Philip Armstrong fashion show attended by the designers themselves. Designing duo Philip Armstrong and Tony Burke are famous for dressing some of the biggest celebrity names including Lady Gaga and Jennifer Lopez. The evening was a champagne fuelled affair with canapĂŠs and a private shopping evening following the show, which featured the Resort 12/13 collection. The after party was held at the glamorous Marco Pierre White Champagne Bar in The Cube.

The Collective

A Martini with… Style Collective –Interview

Suzy Gorman, the Business Development Executive of Ollie & Darsh, the cosmetic dentist like no other in Liverpool Can you tell me a bit about yourself and your role at Ollie & Darsh? My role is that of a Business Development Executive, my overall function is to manage Ollie and Darsh and help us grow and develop. Having an M.B.A means I offer the clinic a combination of strategic marketing and sales skills. I can be involved in anything from developing new systems and protocols to the creation of marketing strategies, generation of sales leads, or negotiating and closing deals. I am often the first person our clients meet, and always try to maintain positive relationships with everyone. Occasionally, partnership opportunities arise which may create more business so with my role as Business Development Executive I will negotiate the terms of the business-to-business partnership in a way that is most favourable to Ollie and Darsh. How long have you been a part of the company for? Sudarsh, Daz and myself started the serious building work and the design of the clinic in August 2008 and I was instrumental right from the beginning; so just over four years. With my experience, I had a good understanding of the equipment and surgery layout and we worked together with our designer to create an outstanding clinic in the city. What is it about Ollie & Darsh that makes it different from other dentists? It is very much about the relationships we build. My depth of knowledge, experience and meticulous attention to detail is central to all our work and distinguishes us as a dental clinic, one which our clients unreservedly trust and rely on. From the stunning glass stairway and comfy leather sofas to the sumptuous wallpaper, clever lighting and faint aroma of Jo Malone candles, Ollie and Darsh takes away the traditional stigmas of coming to see the dentist. The look, approach and ambience of Ollie and Darsh are perfectly suited to the local clientele; we are situated in the business centre of the city, catering for busy professionals. We do things differently here, we offer traditional dentistry, including preventative membership packages which focus on the long term care of our clients. What types of services do Ollie & Darsh offer? We provide a range of treatment options for our clients. These can range from simple, general dentistry procedures like check-ups, hygiene, white fillings, dentures, etc, to complex treatments that can involve orthodontic treatments like Invisalign® and 6 Month Smiles®. We also offer teeth replacement options such as implants. With the advancement in CADCAM technology we can now provide all ceramic crowns and inlays in a single visit, scanning,

designing and creating the result in house. One of the most fantastic treatments we offer is supporting patients who can’t cope with their dentures any longer, or have left themselves in poor conditions where the options are limited. We provide the Same Day Smile ® implant treatment, also know as the All-on-4™. In your opinion, how important is the perfect smile? Some people may consider having regular check-ups and hygiene their idea of a perfect smile whilst others may consider having really white, straight teeth as the perfect smile. Some even consider a small imperfection in their smile to be beautiful. A perfect smile is very individual and one size does not fit all, otherwise we would end up with smiles which all look the same and our motto is ‘Where individual Smile’s Matter’. Most people hate the experience of the dreaded dentist’s chair. How does the Ollie & Darsh experience differ? From that very first contact, whether it is via telephone, email, or the web, our methods of communication are always understanding and very reassuring. We know that not many people like coming to see their dentist, which is why we offer a ‘true’ free consultation. This is always with myself and held in ‘Suzy’s Suite’, which is a very private, confidential area of the clinic. It is a time spent listening very carefully and very discreetly to a client’s smile goals. We discuss our treatment options and the benefits and features attached to the treatments. I offer as much information as they need to help them have the confidence to move forward and to be able to make a more informed decision. Clients can often comment that they feel like a family member or part of an exclusive club and that’s exactly how we want them to feel. What is your favourite aspect of your job? This is probably something you have heard a lot of the time, but I truly love everything about my job. My favourite parts of my role include the ability and freedom I am given to work independently with complete trust from Daz and Sudarsh. Ollie and Darsh is such a strong example of what can be achieved by thinking outside of the dental box. Most importantly, every day I am amazed and very grateful for the excellent reputation of quality dental care we have achieved within the City of Liverpool and the rate at which it continues to grow. For more information on Ollie & Darsh visit www.ollieanddarsh.co.uk

This consultation will be a free, no obligation, half hour consultation to discuss your likely legal requirements in the first 2 years of trading. This consultation may take place face

to face with one of our specialist solicitors, over the telephone or by other electronic means and the report will include a fixed fee quote for each action area identified.

Following the consultation we will prepare a report which will identify issues which require further action using a simple step plan as follows:

Free initial consultation whether in person, telephone or other electronic means.

Client can select the fixed fee start-up package or simply select which tasks we are to undertake.

Client supplied with report & fee estimates.

. .

For more information about our Business Services please call Donal Bannon

0151 236 8871 or email djb@morecrofts.co.uk Visit us at

www.morecrofts.co.uk

or pop in to your nearest office:

Liverpool City Centre No 1 Tithebarn 1-5 Tithebarn Street Liverpool L2 2NZ

Crosby 2 Crown Buildings Liverpool Road, Crosby Liverpool L23 5SR

Woolton 7 Church Road Woolton Liverpool L25 5JE

Wirral 30 Hamilton Square Birkenhead Wirral CH41 6AZ

Tel: 0151 236 8871

Tel: 0151 924 9234

Tel: 0151 428 1911

Tel: 0151 666 2210

Morecrofts LLP offers legal advice on a broad range of services for individuals and businesses LLP No. OC333433

45 Castle Street, Liverpool Salons throughout the North West 0151 227 2366 andrewcollinge.com andrewcollinge.com