The Seven Lamps of Architecture John Ruskin 1849

Page 183

;;;

THE LAMP OP OBEDIENCE.

new

invention of

colors, or

new modes

harmonies of

of music, the

The chords

of using them.

general

the

color,

169

principles of the

arrangement of sculptural masses, have been determined long ago, and, in all probability, cannot be added to any more than they can be

much more

are

may

Granting that they

altered.

be,

We

dual inventoi*s.

may have one Van new

as the introducer of a

and the use of that invention

who

be known

will

but he him-

some accidental bye-play or pursuit depend altogether on the popular

will

necessities or instincts of the period.

A man

Eyck,

style once in ten centuries,

self vvdll trace his invention to

of the kind.

such additions or alterations

the work of time and of multitudes than of indivi-

who has

the

Originality depends on nothing

gift, will

take up any style that

is

going, the style of his day, and will work in that, and be great in that,

and make everything that he does in it look it had just come down from heaven.

as fresh as

thought of

he

not take

will

liberties

if

every

do not say that

I

with his materials, or with his rules

I

:

do

not say that strange changes will not sometimes be wrought by his efforts,

or his fancies, in both.

tive, natural, facile,

sought

But those changes

though sometimes marvellous

after as things necessary to his dignity or to his

and those

liberties will

be hke the

liberties that

with the language, not a defiance of larity

;

its

but inevitable, uncalculated, and express

effort to

not.

will

of an art

is

hmitations

rules for the sake of singu-

consequences of an

brilliant

infi-action,

could

be times when, as I have above described, the

manifested in

:

independence

a gTeat speaker takes

what the language, without such

may

There

be instruc-

they will never be

;

its

changes, and in

its

so there are in the hfe of an insect

interest in the state of

;

life

refusal of ancient

and there

is

great

both the art and the insect at those periods

when, by their natural progress and constitutional power, such changes are about to be ^vl'ought. But as that would be both an uncomfortable and foolish caterpillar which, instead of being contented with a caterpillar's

always striving to turn

life

and feeding on

itself into

a chrysalis

an unhappy chrysalis which should

lie

;

awake

lessly in its cocoon, in efforts to turn itself

as that

was would be

and

roll rest-

caterpillar's food,

and

at night

prematurely into a moth

unhappy and unprosperous which, instead of supon the food, and contenting itself with the customs which have been enough for the support and guidance of other arts before it and like it, is struggling and fretting un ier the nutui'al so will that art be

porting

itself

S


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.