LETTER FROM THE EDITOR

Dear reader,

As I am writing this letter to you, I feel compelled to reflect and explore the impact of A-Line Magazine, and more notably, its impact on my life. That is what REM does to you; it takes you on a trip towards dreamy horizons and propels one to a euphoric space of reflection. This exploration in ourselves, pressing societal issues, and the content we consume everyday is imperative for our future. Before we look at what lies ahead, I feel as though my past experiences with this organization need attention. Not only have I been able to work with inspiring young men and women these past six semesters, but I have also met a lifelong best friend, Mary Trantham. As I know my time here at A-Line is coming to a close, I am so pleased that my friendship with a dependable, intelligent, and driven woman is only just beginning! I also look back at my own progress; I was once a full staff writer, anxious to present my first published work to the world. Then, I navigated our website as Online Editor and was able to interact with gifted members from all teams. Finally, in the past year as Editor in Chief, I can’t help but feel a deep sense of gratitude for my writing team and editors. Chloe Pham and Zoey Frederick, my literal dream team, I have so much pride that you guys will continue to lead our written endeavors and incredibly talented group of writers.

I now encourage you, reader, to also reflect. Whether a freshman, senior, or well into adulthood, delve deeper into your actions, motivations, and passions – self-discovery is calling your name! REM certainly allows for a headspace of reflection, as this material examines the abstract, the obscure, and the surreal. Even more so, this print issue pushes one to uncover their dreams, whether that dream is geared toward a romantic relationship (p.83), a lifestyle (p.13), or a career (p.67). Through film analysis, we can gain a better understanding of present social issues, like the trials of womanhood (p.87), scientific racism (p.27), or suicidal ideation (p.55). While these topics may sound alarming, there is great comfort in other realms of this print issue – say dreamy portraits (p.51), surreal animation (p.35), and extraordinary fashion designs (p.59). In order to fully gain an out-of-body experience, an aspiration of REM, it requires both sides of the spectrum. Furthermore, the pages of this magazine subject us into a trope of time-travel, as we go back to the mind-bending 1960s (p.23), and then plunge ahead to the unknown with possible what-ifs regarding artificial intelligence (p.77). I commend our full staff and executive board on a collaborative project well done, and I hope this is the print issue of your dreams.

From a fellow dreamer and advocate of reflection,

Gretchen Evans Editor in Chief