Figure 8.13 In this scene set in the kitchen, director Uzeda explains how the DP “placed a cold light with a CTO (orange) gel, the resulting video in the camera (along with some color balance imprecisions on the 5D Mark II settings), was a completely green kitchen, so we had to fix that in post (note that the white/beige wall on the background turned purple because of this subtraction of green, which by the way, I think looks interesting),” Uzeda says. (Still fromCasulo ©2009. Used with permission.)
Because Uzeda wanted to transfer the digital film to a 35 mm film print, he had no option but to conform the 30P to 24P. “The pulldown process was done using two different methods,” he notes, “which