White-wooden-chair: The Discovery and Meaning of Interaction/experience
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Visual Sampling Method is invented by Assoc. Prof. Hasnul Jamal Saidon and Liew Ting Chuang since 2008, under Tuanku Fauziah Museum & Gallery (MGTF), Universiti Sains Malaysia. CurrentlyVisual Sampling Method (VSM) 3.0 is developing and potentially it has the means to unveil curatorial frame work, exhibition design and thematic study of an exhibition. VSM 3.0 is expanded from its previous versions such as; VSM 1.0 was used experimentally with fine art collection by a prominent private collector. VSM 2.0 is an improved version and was used experimentally in Syed Ahmad Jamal (SAJ)’s retrospective (2009) to generate statistic data of SAJ’s institutional collection. Grafix In Reality (2010) by a group of Penang emerging artists called the Third-Eyes adapted VSM 2.0 to summarise their artworks into barcode-like patterns. Instead of reading in essay form, the patterns provided artworks information through info-graphic. ii
Read Hasnul’s Under-deconstruction: Contemporary Art in Malaysia After 1990, in Susurmasa, National Art Gallery, 2008, pp 256. Hasnul stated in his essay, In Malaysia, the term ‘issues based art’ (IBA) has been coined to explain artworks with more pronounced political and social concerns. Cited from chapter on ‘Issues based art’ in Syed Ahmad Jamal (ed), The Encyclopedia of Malaysia: Crafts and The Visual Arts, Didier Millet, Singapore, 2007, pp. 118-119. iii
Quoted from Facebook’s closed group, entitled What the Hack? (WTH). A group of artists/art students from Malaysian Art scene forming a platform for meaningful intellectual discourse. (accessed on 7 November 2010)
Bibliography: Books: 1. W. Chan Kim, Renee Mauborge, 刘华才 (translated). 蓝海策略 (Blue Ocean Strategy). September: 天下遠 見出版股份有限公司 (Global Views Publisher), 2007. 2. Derrida, Jacques. "The Truth in Painting, Parergon I. Lemmata." In The Nature of Art: An Anthology, Second Edition, by Thomas E. Wartenberg, 271 - 285. USA: Wadsworth, 2007. 3. Frank, Patrick. "Postwar Modern Movements in the West." In Prebles' Artforms Ninth Edition, by Patrick Frank, 441-442. New Jersey: Pearson Education, 2009. 4. Hasnul Jamal, Saidon. Takung. Kuala Lumpur: National Art Gallery of Malaysia, 2006. 5. Sabapathy, T.K. "Piyadasa in Conversation with T.K. Sabapathy." In Piyadasa - An Overview, 1962 2000, by T.K. Sabapathy, 122. Kuala Lumpur: National Art Gallery, 2001 6. 陈鼓应. 老子注释及评介 (Lao Zi's notes and comments). Hong Kong: Chung Hwa Book Co., 2003.
Journals: 1. Giles, Herbert A. "The Old Drunkard's Arbour, Soong Dynasty." 正方翻译论坛. September 23, 2007. http://www.zftrans.com/bbs/read.php?tid=14267 (accessed December 1, 2010). 2. Hasnul Jamal Saidon, Liew Ting Chuang. "Visual Sampling Method (VSM) (unpublish research)." Universiti Sains Malaysia: Muzium & Galeri Tuanku Fauziah, 2008 - ? 3. Sperry, Roger W. Roger W. Sperry's Published Works. New York, August 9, 1975.
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