Volume Volume11, 14,No. No.1 7
September April 2008 2004 ISSUE ISSUE • 59
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Distinctly Diverse
ISSUE Submission Guidelines and Disclaimer 720 Franklin, Beaumont, TX 77701 ISSUE solicits and publishes the work of local authors. Poetry, short ficor e-mail: tion, scholarly works and opinion pieces may be submitted for review. All works artstudio@artstudio.org must be typed or submitted on a disk (using approved word processing software), or may be sent to TASI by e-mail. All works are subject for review by our editor, and may be rejected or edited on the basis of grammar, spelling or conAuthors must submit a daytime telephone number along with all submistent. sions. Pen names are acceptable, but authors must supply real names for veriThe opinions expressed in “Thoughtcrime� do not necessarily reflect the fication. All submitted works become property of TASI, and whether rejected or The piece consists of an automatic tennis serveaccepted, theareballs hit the wall and bounce randomly away as a exans have their “Twang,�opinions the disof TASI, its Board of Directors, ISSUE’s editorial staff, or donors to not returned to the author. ISSUE does not notify of rejection by machine that fires a series of balls (each labeled museum tinctive vocal style that distinTASI. Send typed works to: mail or telephone. guard chased after them. This viewing
DIFFERENT APPROACHES U NITE ‘TEXAS TWO DOZEN’ THE ARTS MAGAZINE OF THE ART STUDIO, INC.
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guishes them from people from other states. “Twang� also refers to the guitar sounds of Texas R&B and country. At the Art Museum of 5IF #MVFTNBO +PIOTPO Southeast Texas, “Twang� is a group show of contemporary "U UIF DSPTTSPBET * TUPPE Texas sculpture featuring work by 8POEFSJOH XIBU QBUI UP UBLF a dozen artists. 5IF MFGU SJHIU GPSXBSE PS CBDL Texas is both Western and 4BU UIFSF XJUI B IBSE EFDJTJPO UP NBLF Southern, cotton and cowboys, and .Z NPNNB XBT BMXBZT ESFBNJO a multitude of clashing cultures. If NZ EBEEZ SBNCMJO there is one thing that defines /PX IFSF * BN ESFBNJO Texas,PG SBNCMJO it is its indefinability. /PU LOPXJO XIFSF UP CFHJO “Twang,� like the state that links these artists, incorporates a )BSE UJNFT IBWF XFBUIFSFE NZ GBDF plethora of styles and forms. )BSE UJNFT DBMMPVTFE NZ IBOET Among the strongest pieces on display is “Love* KVTU XBOU UP CF GSFF Joey,� a study of friendship, loneliness and loss by "XBZ GSPN UIFTF EBNOFE MBOET Michael Powers.
“Joey�) against a wall on which is a large Argyle pattern that may or may not be a net. The machine is labeled “Playmate� and the balls are fired with monotonous regularity, with the gallery walls echoing a repetitive thud thud thud, like the Dada sound4UFBMJOH -PWF tracks of Kurt Schwitters. The “Joey� of the title refers to Joey 5IF DPWFSFE MPWFST MBZ Mussacchio, a childhood friend of the artist who is VOIFME VQPO UIFJS CFE now dead. FBDI MFUUJOH HP lifeless “Playmate� long for someone BMPOF Does BMPVE the XBSN CSFBUIT with whom to play? It seems to connect with the quintessentially American past-time — a simple * TUPMF JOUP UIFJS SPPN game of catch. UP UBLF GSPN UIFN Visitors to the opening witnessed the balls UIF OFBSOFTT PG bouncing off two walls and back into the machine, UIFJS TMFFQJOH MPWF completing a never-ending solitary game of catch. TheOPX pieceCFOFBUI NZ CSFBUI had a melancholy quality that reflected "OE both the loss of a childhood friend and of childhood * HJWF JU BMM UP ZPV itself. 6ODPWFS JU XJUI NF However, visitors at a later date may have seen BOE UPHFUIFS
0VU PG OPXIFSF UIF DBMM PG B IPVOE " TPVOE TP TBE NZ TPVM JU CMFE Among the works * MPPLFE BU UIF IPVOE featured in 8JUI IPMMPXFE FZFT NZ TPVM JU GFE “TWANG: Contemporary /FWFS IFBSE B NPBO MJLF UIBU Sculpture from i)FZ IPVOE XIFSF T ZPVS NBTUFS u Texas,� 0VU PG UIF GPH -VDJGFS TUFQQFE on display * UPPL B EFFQ CSFBUI NZ IFBSU CFBUJOH GBTUFS through Sept. 26 at the Art i8IBU ZPV IFBS JT DBMMFE UIF CMVFT u Museum of i" TPVOE TP EFFQ UIF TPVM JU NPWFT u Southeast Texas, are, clockwise i'SPN UIF HPE GFBSJOH NBO UP NZ QPDLFU JU TIJGUT u from left, i(JWF NF ZPVS TPVM “E.B.� by "OE ZPV XJMM QMBZ MJLF UIJT u Erick Swenson, “Museum Bench� "U UIF DSPTTSPBET * TUPPE by Chris Sauter, 8POEFSJOH XIJDI QBUI UP UBLF “Two Paintings .Z TPVM GPS UIF CMVFT on -FGU XJUI B EFDJTJPO UP NBLF a Rock� by Bill Davenport .BOZ ZFBST * WF QMBZFE and “Sell Me /FWFS IBE B TPVOE UP DBMM NJOF Something .Z TPVM JT UIF QSJDF * QBJE Brown� i%FWJM XIFSF EP * TJHO u by Franco Mondini-Ruiz. * XFOU UP 3PTFEBMF .Z HVJUBS CZ NZ TJEF * XFOU BOE NBEF JU CJH * IBE B SFDLMFTT SJEF
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APRIL 2005
emphasized a sense of “play,� with the machine, like a rambunctious child, teasing its reluctant “playmate.� The same piece, but two games and, therefore, two different pieces. * EP OPU XJTI UP QBSUJDJQBUF Even though the “Playmate� is inanimate, JO BMM UIJT QFUUZ WJPMFODF Powers hasCVU * DBO UFMM ZPV MPVE BOE HSFBU created a performance piece reminiscent of the 1960sUPHFUIFS XF DBO TUPQ JU Fluxus group, whose creations existed in the reactions of the viewer. Powers*G XF HJWF JO plays with our emotions and delicately balances the the joys of childhood with the loss of BOE KVTU EPOhU DBSF innocence. XF XJMM OPU FWFS Another piece that demands viewer participaHFU BOZXIFSF tion is Justin Kidd’s “In and Out Box.� Consisting of a crudely constructed mailbox 5IF LFZ UP TUPQQJOH hanging onUIF WJPMFOU TJUVBUJPO the wall, visitors to the exhibit are invited to “mail� a postcard from the Czech Republic JT UP KPJO UPHFUIFS UISPVHIPVU PVS OBUJPO
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MAKING AN EXHIBITION OF THEMSELVES PAGE 7
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INSIDE: LISA REINAUER: JUDGE AND JURY, HOT PIG, AND MORE 6QPO UIJT NPSOJOH FBSMZ B OPSUI TLZ GSPXOFE EBSL )JT DIJMMFE XJOE CMFX MFBWFT PO $SFQF .ZSUMFT .PJTU NPUJPOT PG UIFJS IBOET * USBOTMBUF UIFJS MBOHVBHF i)FSF JT /PWFNCFS #PEZ PG B MBTU BVUVNO TPOH u (FPSHF 8FOU[
