Alter Ego sample by Tapspace

Pat Jacobs

Alter Ego for solo snare drum with audio soundscape

Alter Ego by Pat Jacobs ÂŠ 2014 Tapspace Publications, LLC (ASCAP). Portland, OR. All rights reserved. International copyright secured. Printed in USA. www.tapspace.com Notice of Liability: Any duplication, adaptation, or arrangement of this composition requires the written consent of the copyright owner. No part of this composition may be photocopied or reproduced in any way without permission. Unauthorized uses are an infringement of the U.S. Copyright Act and are punishable by law. TSPCS-59

Program Notes Alter Ego, 1st place winner of the Percussive Arts Society 40th Annual Composition Contest, is a unique take on performing with an audio recording. The audio soundscape itself consists purely of recorded sounds from an actual snare drum. No synthesizers, sound effects, or other instruments – snare drum only! Sounds include scraping and shaking snare wires, striking the detached rim, dropping a snare down the stairs, and singing into the head. These sounds are stretched, warped, distorted, de-tuned, and mangled to create a fresh and energetic soundscape. One could think of the soundscape as a distorted reflection of the soloist – an evil twin perhaps. This alter ego echoes, mocks, and often battles with the soloist throughout the composition. This conflicting interplay between the soloist and soundscape makes for an immersive and high energy performance.

3 3 > ‰ fj ‰ fj 42 ‰ f

Performance Notes

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r l r l

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¯¯¯¯¯ 44

Rehearsal A to B: The performer Listen to the soundscape for tempo, but >>3slowly > “steals” notes from the soundscape. 3 3 3 should3 sound 3 > > also mimic the sound of the accompaniment 60 possible. > soundscape snare part as much as It itself j j j 3 j 3‰ as j 32if the ¿ ¿ ¿ ° Œ 4 3 j Œ O O O O O O O O O ‰ ‰  f f f Ó materialized∑ onto the4drum. ‰ Œ Œ ∑ 4 Œf 4 /fff ‰ ‰ fff Œ fff ‰ ‰ fff f f f is being 4 4 f f‰ ff ff ‰ ff ff‰ f 4 f

rim

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Measure 60: The notes in parentheses are to be muted with the player’s / Ó left >. 3 > ¢ . > > > > hand to stop the ringing of the drum. Note: The soundscape j mute w/ l-hand Ór l r l r l f f fR fl 4rhythm occurs f f f f f Œ f f f f f f f f f f f f f f f f f f 42 ‰ f Œ 4 ∑ during the muted notes. f

continues

. 3. >. 3 f f f f 42 f f ‰ Œ 44

¿¿¿‰ ‰ ¿¿¿Œ

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∑

> > ffffffff f f f f

continues

l r r

r r l r

mute w/ l-hand

r r

-. -. -. > > > > > Rehearsal H: For the scraping section, turn the snare drum upside down the stand so the snare wires are facing 4 ffon f f f f f f>f> f> f f f fffff f f f f f f f f f f ff Œ upward. A snare drum with metal wires will sound best. > > >¢>/> 4 > > > 3

f f f 43 O ™

L r r r

ffff f

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> 5 > 5 3 ffffffjffffffj 4 f

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∑

Audio Playback Options On the accompanying CD-ROM, you’ll find the source audio files used to accompany this piece. To best synchronize the complexity of the performed snare drum part to the nuance of the audio (which is also rhythmically complex), a click track is recommended*. There are two versions of the audio accompaniment included on the CD-ROM. Which version you use should depend on the components you have available in your audio system. The recommended approach is the stereo version which comes with two tracks of stereo audio (accompaniment and click track). The stereo version would require you to play back the two audio tracks from a multitrack software program (e.g., Apple Logic, Steinberg Cubase, MOTU Digital Performer, Ableton Live, etc.), with the accompaniment being routed to the audience/PA speakers and the click track being routed to the performer via a common 4-channel audio interface. Using the stereo version will allow for the audience to fully experience the effects of the panning and stereo image. Alternately, the mono version is included in cases where the equipment resources aren’t available to route multiple tracks of audio. In this version, there’s simply one stereo audio file in which the click track is panned all the way to the left channel for the performer to monitor. The PA speakers should be set up so they only receive the right channel of audio. This channel can be configured to play back through two speakers; however, it will still be a single (mono) audio signal. * After rehearsing with the click track, you may find it unneccesary to perform with it. If so, simply position the house speakers on stage in such a way that you can monitor from them while performing.

Stereo Version Track 1: click + soundscape (monitored by the performer) Track 2: soundscape only (sent to the house speakers to be heard by the audience)

Mono Version One track only: click + soundscape • click in left channel • soundscape in right channel Performer monitors both channels in headphones. Audience only hears right channel (routed to two speakers).

Level: Advanced Approx. playing time: 8’20”

1st place winner of the Percussive Arts Society 40th Annual Composition Contest

Alter Ego

for solo snare drum with audio soundscape

Pat Jacobs

q = 122

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approx. 14 seconds of ambient soundscape

Soundscape

ppp

°/ S.D.

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Alter Ego – Jacobs 21

°/

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°/

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q = 162

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approx.15 seconds of ambient soundscape

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r r Lr L r l r r Lr L r l

turn snares off

°/

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∑

D 52

°/

(2:17)

j f f ‰ f f

f f

‰ fj f

j f f ‰ f 43 f

j f f ‰ f 44 >¿ >¿ >¿ ‰ >¿ >¿ >¿ >¿ >¿ >¿

(snares off)

> > j ¢/ fff Œ f

∑

3 4

∑

>>> 4 ¿¿¿ Œ 4 rim

‰ >¿ >¿ >¿ >¿ >¿ >¿ ‰ >¿ >¿ w

w w

edge

∑

Œ Fæ™

æ wæ

TSPCS-59

Alter Ego – Jacobs 3 3 3 > O O O O O O O O O f ‰ fj ‰ fj 42 ‰ f

°/

¢/ Ó

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mute w/LH

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∑

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°/

4 4

(2:38)

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continues

Œ f

fff ‰ ‰ fff Œ 44

f 68

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fff ‰ ‰ fff Œ

∑

rim

R l

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4 4

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∑

cross-

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mf 75

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∑

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Œ f

∑

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r r r

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∑

r l

hit while muffled

f f f f Fm p

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4 4

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continues

snares on

r r

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>>> Œ fff Œ

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rim

TSPCS-59

>3 > > ‰ ≈ff f Œ

(2:57)

L r r r

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°/

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mute w/LH

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°/

l r r

> j j  ‰ f ff

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r press and let bounce

f f f f Fm r

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2 4Œ

æ fæ

4 4

Alter Ego – Jacobs 97

°/

4 4

j 3 4 ‰ ‚ ‚

∑

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‰

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j ‰ ‚ 87 ‚

j ‰ ‚ ‚™

3 > 4 O

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‰

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∑

cross-

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l r r

L r r r r

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l r

mf 104

°/

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7 8 Œ

4 4

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∑

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~~ 1 ~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 ~~~~~~~~~~~~~~~~~~~~~~ 4 ~

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gradually move to edge

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L r r r

edge

æ fæ

4 4

G (3:33)

111

°/

4 ffffffffffffff‰ 4

- > ffff ffffffffffffŒ

center

4f ¢/ 4 116

°/

‰ ff ffffŒ

> ffffffff ffffffffff‰

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ff f≈ff

j ‰ f f f f f ≈ f ™ 45

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‰

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5 ¢/ 4 Œ

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120

°/

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r O Œ

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r r l r r l r r l

f f f f f f f f f f f f 43 Ó

f f f f f f 44

>>> 5 3 4 f ff f f f f

4 4

TSPCS-59

Alter Ego – Jacobs 125

°/

4 Ó 4

>>> 5 4 fff f f f f ¢/ 4

ffffff Ó

>>> 5 3 fff f f f f 4

molto accel.

f f f f f f f f f f f f 43 Ó

ffffff Ó

>>> 5 fff f f f f

ffffff Ó

>>> 5 fff f f f f

f f f f f f 22

ffffff Ó

>>> 5 fff f f f f

2 2

h = 162

°/

> > > > > > > > > > > 2 FY Ó Ó Ó O O O O O O O O O O O O O O O FY f¿ f¿ 2 ∑ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

U ∑

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U ∑



æ wæ

>ææ 2w 2 / ¢ fp

H 138



silence!

(4:10)

approx.14 seconds of ambient soundscape

°/

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

4 4

pick up snare or place it upside down for access to the bottom metal snare wires

U ∑

¢/ I

q = 65

> °/ 44 O

4 ¢/ 4

∑

¯¯¯¯¯¯¯¯¯¯

(4:32)

>. j f

‰ Œ

> O

f scrape the snare wires lengthwise

> 2 4 O

2 4

∑

4 4

∑

4f 4

. > f Œ

> O

∑

w/guitar pick or back of brush

145

°/

~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~ ~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~ ~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~ ~~ ~~~ ~~~ ~~~ ~~~~~~~~ ~~ ~~ ~~~ ~~~ ~~~ ~~ ~~~~ ~~ ~~~ ~~~~~ ~~~ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ~~~~~~~~ ~~~ ~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~ ~~~ ~~ ~~~ ~~~~~~~~~~~~~~~~~ O ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ long scrape

¢/

~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~~~~~~~~

TSPCS-59

‰™

O R

‰

turn drum over to normal position

∑

>f >f >f J

Alter Ego – Jacobs

J (5:08)

151

°/

∑ with brushes on head

on rim

> 4 Œ Œ 4 4 ¢/ R

æ $æ

slow

fast

. . ¿. ¿. ¿ ¿ ¿. ¿. ¿. ¿.

ppp cresc.

slow

. . ¿. ¿. ¿ ¿ ¿. ¿. ¿. ¿.

∑

44

slow

3 3 ‰ fj f f f ‰ fj 43 ¿ ¿ ¿ ‰ ‰ ¿ ¿ ¿ Œ

j f f ‰ f f f f

> > f fj f Œ

∑

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¢ / fff ‰ ‰ fff Œ

Œ f

fff ‰ ‰ fff Œ

L r

>. f

3 4

fff Œ

∑

rim

continues

Œ f

ffff f

ffffffff ffffffffŒ

-. >>> f f f f fff f ff Ó

12 Œ 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑ ∑

∑

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> 5 fff f f f

L r r r

r r

¿¿¿

¿ ¿¿ ¿

¿¿¿

f f f fO fO f fO 44 ‰ J Œ

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mp Erratic rim clicks in random rhythm. Make each hit sound a little different by hitting different parts of the rim with different parts of the stick.

176

Œ cross-stick 3

°/

>>3> 3 ¿¿¿‰ Œ 4

∑

-. > > 4 ff f f f f f f f. f f f f f f f f f 4 f f

¿¿¿‰ ‰ ¿¿¿Œ

(5:47)

¿¿¿‰ ‰ ¿¿¿Œ

U ææ $ stir brushes

> > 3 j  ‰ 4 4 44 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

> > > > f¿ f¿ f¿ f¿

∑ K

171

æ $æ

with sticks

165

°/

U w

. . ¿. ¿. ¿ ¿ ¿. ¿. ¿. ¿.

fast

approx. 6 seconds

snares off

ææ $ ¢/

°/

æ 4æ

ææ 4 4444 4 3

q = 162

°/

molto rit.

> > f f f f f f f f f f f f f f 43

>. f f ¢/ f

∑

-. > - >3 4 f f f f f ff f f f f fj f fj f f f f f f f 4 R r r r r

l r r

14 Ó 4 ∑¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ∑

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2 4

∑ 5

¿¿ mp

¿ ¿

¿¿¿

> 3 ffff

¿¿

¿ ¿

L r r r

> 3 3 f f 4 fO f fO f fO f 44 3

turn snares on

4 Ó

4 4 TSPCS-59

Alter Ego – Jacobs

(6:11)

180

°/

4 4

‰ fff

∑

snares on

> > - 4 f f f f f fj f f fj f f f f f f f f f f f ¢/ 4 R r r r r

r r

‰

j ‚ ‚

185

°/

3 4 fO fO fO f f fO f

> ‰ fffff

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‰ ‚j ‚

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‚

¿¿¿

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¿ 3 4

mp 3 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 3 6 Ó™ f f f f f f 44 f f O O O O 4

cross-

3 ¢/ 4

-stick> 3 - > 3 j j f f 6 f 6 f f f f f fj 6 fj 6 f f f fj 6

∑

190

°/

4 4

∑

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∑

> > 3 f f f f f f f f 46 6

> 3 > - >5 4 f f ff ffff Œ fj f Œ fj f f f f f ‰ fj fj ¿ ¿ ¢/ 4 r

> f f f f f f f ffffffffffffffff 3

203

3 fO ™™ f ™ fO ™™ f ™ 4 8 4

∑

¿¿ ¿

> > > > > f f f f f f f f f f f f f f f f 38

∑

> >3 3- > 4 fffff f f ‰ f f ≈ff 3 4 8

∑

4 4

~~~~~~~~~~~~~~~~~>~~~>~~~~~~~~~~~~ >r >~~~~>~~~~~~~~~~~~~~~>f~~~~~~~~ ~~~>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > > >¿ ~~~ ~~~f~~~~~~~~~>œ~~~~~~>r ^ o œ >f >f~~~>f~~~>~~~ f >f >¿ >‚ >‚ >f >f >f >¿ >¿ >¿~~~~~~~~~~~ f f >‹ ~~~ ~~~~ > f ¿ >~~~¿ ~~~ ~~~~ O O * f >f ¿ >fÓ f O. O f f~~~~~~~~~~~ f f ~~~~ ~~~~ ~~~~ f ff R ~~~ æ æ ~~~~ ~~~~ ~~~~ ? ‹ ~~~~~~~~~~~ æ ff ~~~~ f B.D. > >>> >>> >>> >>>

fff f f

fff

fff f f f f

>>> æ æ fff f f f f f f f f

fff f f

∏

TSPCS-59

3 fO ™™ f ™ fO ™™ f ™ 4 8 4

∑

>>> o > ^j . . ~~~~~~~~~~~~~~~~~~~> > > ~~~~~~~~~~~~~~ ~~~>~~~~~~~~ > ~~~~~~~~~~~~~~>~~~~>~~~~>~~~ > >æ > ~~~~~ > ~~~~~~~~~~~~~~~~~~ >r~~~~~~~~~~~~~ >¿ ~~~~ ≈ ¿r > Œ fæ f >¿ > >¿  >œ ~~~~~ o ~~~~~~~~~~~~~~ æ ~~~~ f f ~~~~ ~~~~ ~~~ ~~~~~ ~~~~ f f > > ~~~~ ~~~~ ~~~~~ ~~~~ O ¿ f > f f O f ~~~~~ ~~~O~~~~~~~~ Ãf f O ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ Ã ~~~~~~~~~~~~~~~~~~~~~~Ó~~~~~¿~~~~ f f f f f O fÓ f O O Ã ~~~~~ Ã^ R ‹f O ~~~~~ > f f f > > >

¢/

4 4

rhythms at tempo ff Play but at approximate times.

°/

q = 122

4 >YY 4

>æ 4 wæ ¢/ 4

¿¿ ¿

(6:36)

197

°/

f fO f fO f

j f

>>> fff f f

>>> fff

> ‹f >

>>> fff

> ‹f >

7 4

M 207

°/

Alter Ego – Jacobs (6:54)

(continued)

7 4 ‚f > mp

‚ Œ

‚ Ó

‚

‚ Ó

‚

‚ Œ

‚f >

‚ Œ

‚ Ó

‚

‚ Ó

‚

‚ Œ

f mf

∑

- -- --- - ----- 7 f ff f f f f f f f f fæ f f f f f ff f f f f fæ f f fæ ff f f f f f f f f f fæ f f f f f ff f f f f fæ f f fæ f f f f f f f f f ≈ f fæ f f f f ff f f f f f fæ f f fæ ¢/ 4 mp

210

°/

r fŒ

‰™

‰

j f

‰

‰™

r fŒ

‰

ffÓ

- --- - --- -- -- r æ æ æ æ æ æ æ æ æ fff f f f f f ≈ f f f f f f f fff f f f f f f f f fff f f f f f f ≈ f f f f f f fff ≈ f f f f f f f fff ≈ f f f f f f f f f f f fff ‰ f f f f f f / ¢ 213

°/

‰

j f ‰

j f

ff‰

j f

‰

r ff

‰™

‰

j f ‰

ff‰

--fff ‰

æj f f

- -- -- --- æ æ æj æ æ f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f f ≈ ≈ ‰ ≈ ≈ ‰ ‰ ≈ ‰ ¢/ 216

°/

‰

fff ™ ff

æ f‰

j --æj f f f f ff ‰ f ff ‰

--j f f f ff f ™ f f fŒ ‰ ≈ ≈ ¢/ 220

°/

‰

--f f f ‰ ≈ ffff fæ ffff ‰

j ff‰ ‰ fæ ‰ fff

j ≈f ™ Œ

æ ff ≈ f f ff ‰

‰

≈ff f

‰

fff

ff‰

æj f ff‰

-- j r æ f f f ™ f ≈ f f ‰ ™ f f f f ‰ f f ‰ ‰ fæ

------æ æ æ æj æ fff f f ff f ≈ ffff f f ff ‰ f ff f f f f ff ≈ ffff fæ fffff f f ff ≈ f f ff f

--j --j æ fff ‰ f ‰ f fff ‰ ‰ f Œ f

ff‰ Œ

j ≈f ™ Œ

f Œ

dim.

----------FINE æ æ æ æ æ æ æ æ ffffffff f ≈ ffff f f ffff f ff f f f f fffffff fæ fffff f f ffff f ff f f f f ffffffff f ≈ ffff f f ffff f ff f ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

--fff ‰ Œ ¢/

Œ f

Ó™

j ≈f ™ Œ

Ó™

U ∑ TSPCS-59