Talens catalogue 2012

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CATALOGUE

ENG

CATALOGUE

Art.no. 88750704


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Royal Talens

Foreign offices:

Postal address: P.O. Box 4 7300 AA Apeldoorn, the Netherlands

France Talens France S.A. Villepinte

Visiting address: Sophialaan 46 7311 PD Apeldoorn, the Netherlands Tel. no.: +31 55-5274700 Fax: +31 55-5215286 Email: info@talens.com Internet: www.royaltalens.com

Spain Talens EspaĂąa S.A. Barcelona

Commercial Register: no. 08006261

Germany Talens GmbH Emmerich

Switzerland Talens AG Dulliken

Japan Talens Japan Co. Ltd. 1-6-20 Morinomiya Chuo Chuo-ku Osaka 450 Tel.: +31 6 910 8825 Fax: +31 6 910 8836 China Hehua Talens Shanghai Fine Art Materials Trading Co., Ltd. No. 201 Shenxu 2 Road, Xinqiao Town, Songjiang District 201612 Shanghai China Tel.: +86 21 676 48 672 Fax: +86 21 676 48 729

General information Colophon: Design: Photography:

Production: Printed by:

BRP Communicatie, Apeldoorn, the Netherlands Fotopartners, Zwolle (cover); Gerhard Witteveen, Apeldoorn; Studio Fototaal, Apeldoorn, the Netherlands compulutions the catalog company, Wormerveer, the Netherlands Van Lijsebetten, Sint-Niklaas, Belgium

Š2010 Royal Talens, Apeldoorn, the Netherlands Subject to modifications

ROYAL TALENS

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Table of contents General information Table of contents Talens, ambitious and innovative

8

40

48 Table of contents

78

1 2 4

Rembrandt Oil colours Acrylic colours Water colours Soft pastels CarrĂŠ pastels

8 10 16 20 26 36

Pigments, the miracle that gives colour

38

Cobra Water mixable oil colour Auxiliaries

40 42 46

Van Gogh Oil colours Acrylic colours Water colours Pastels CarrĂŠ pastels Oil pastels Pencils Colour pencils Pastel pencils Water colour pencils Sketch pencils

48 50 56 61 66 67 68 70 71 73 74 76

Amsterdam Expert Series Standard Series Specialties Auxiliaries Accessoires Oil colours

78 80 83 87 88 93 94

ArtCreation Expression: Oil colours Acrylic colours Water colours Gouache Essentials acrylic colours Elements Eeasels Brushes/painting knives Grounds

96 98 98 100 102 104 106 108 108 111 114


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Talens display material

115

Talens – top essentials in fine art Auxiliaries Brushes Rembrandt brushes Van Gogh brushes Talens brushes Painting knives Easels Grounds Painting requirements Graphic products Gouache Extra Fine Quality Ecoline Various graphic products

116 118 130 131 139 145 147 148 154 159 166 167 172 174

Paint a future

176

Talens – colouring products for children Ecola School colours Blockprint Wasco Panda oil pastels Various products for children

179 180 181 181 182 183 184

Decorfin Universal satin Glass and Relief paint Porcelain and Contour paint Textile Patina and Antique Auxiliaries Brushes

186 188 190 191 192 193 194 196

Environment and safety

198

Colour Index / Pigments

200

Promotion material

201

Keywords

202

96

130

154

166


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ROYAL TALENS: AMBITIOUS AND INNOVATIVE Royal Talens is a household name in artists' materials. Across the world professional and hobby artists use the quality products of Royal Talens. Talens has built up its position as a product of choice by ceaselessly working upon improvements since its establishment in 1899. Ambitious and innovative, it always looks for the ultimate balance between craftsmanship and innovation; with as final goal, to encourage people's creative expression by providing them with the best possible materials and information.

For more than 100 years now Royal Talens has been supplying state-of-the-art artists’ materials. In 1899 Marten Talens founded the ‘Dutch Factory for Paints, Lacquers and Inks’ in Apeldoorn (the Netherlands). Commercial success and Talens’ innovative strength as well as the market growth led to an ever increasing production of oil colours in new products. In 1912 the factory expanded for the first time. Royal Talens’ reputation grew and reached far beyond the country's borders. The Rembrandt oil colours, known from the “Dutch farmer”, became a great success abroad. A sales office was set up in the United States to assist further brand expansion and sales.

Expansion possibilities In 1963 Royal Talens joined the Sikkens Group. Through a merger of Sikkens with the AKZO group in the mid 1970s Talens became a

full subsidiary of the AKZO group. Since 1991 Royal Talens has been part of Sakura Color Products Corporation, a fully privately owned company with its home base in Osaka, Japan. With 1500 personnel worldwide Sakura is a major player in the area of writing instruments and colouring materials. The Sakura connection provides a stable basis, which increases Royal Talens' effectiveness and enables further expansion.

Royal status In 2010 Royal Talens is a globally recognised and active player. The brand focus is very much on its continuity through further expansion, development of its products and improvement of its quality. These ambitions typify the brand: already back in 1949 Royal Talens acquired the ‘Royal’ designation, an honour of which Royal Talens is rightly proud.

Globally active, known worldwide Royal Talens has a strong and extensive network of international distributors. At present the brand has sales offices in the Netherlands, Belgium, France, Germany, Spain, Switzerland, China and Japan. The Talens companies in these countries employ over 300 people. The offices supply various sales channels, including fine art specialist shops, art and craft shops, department stores, hypermarkets and wholesalers. With offices as well as agents in more than 100 countries Royal Talens strives to supply its products to end users all over the world.


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Effective through knowledge of the market With its wide experience, large international knowledge network and own research facilities Royal Talens closely monitors market developments. There have been many changes in the needs and preferences of end users, as well as in the wishes of retailers. By responding quickly and alertly to the changing needs Royal Talens is able to endorse and expand its position in the market time and again. With its own production facilities at the head office in Apeldoorn and strategic partnerships in Chile, Poland and China, Royal Talens can produce quickly and effectively and respond to local situations. The result is a modern, effective company that develops popular products, geared towards the consumers' wishes and requirements.

Logistics expertise The logistics expertise of Royal Talens guarantees an excellent availability and speedy delivery of products, anywhere in the world. The distribution centre in Apeldoorn is the most modern one in the fine art industry and lies at the basis of the company's speedy service at low costs. With additional distribution centres in Spain, Switzerland and China and an excellent collaboration with internationally renowned distribution and transport organisations, Royal Talens ensures that its products are available everywhere in the world.

Single source of supply and service The balanced composition of the Royal Talens range ensures that retailers can buy all their artists' requirements from one source. In addition to the various products the range includes an

extensive package of supporting materials, such as point of sale brochures, display materials and communication aids including highly interactive web pages of both the brands and the parent organisation Royal Talens which guarantee excellent sales of the products.

Fine art - brands with a good reputation Royal Talens develops brands and products that stimulate people to paint and draw. This is only possible if we have a sound knowledge of the wishes and needs of these customers. Together the Royal Talens brands form a wide consistent product range of artists' and drawing accessories. Traditional and modern at the same time, they are suitable for both the professional artist and the beginner; and always offer good quality at an attractive price.


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Rembrandt - The Professional Choice Amsterdam - All Acrylics A legendary name for a range that is known for its superior and unparalleled quality. It has been developed through pure skill and artistic insight, and is based on the best raw materials. This allows Rembrandt products to boast unique characteristics such as maximum fineness, lightfastness and durability.

Those who paint with acrylic colours become inspired by Amsterdam of Royal Talens. Amsterdam, the acrylic brand par excellence, offers serious users everything they need. Whether it is an extensive palette of basic colours (Standard Series), a more advanced palette (Expert Series) or a complete range of auxiliaries. Amsterdam has it all.

Van Gogh - The Quality Brand Van Gogh provides a contemporary and wide range of painting and drawing products, especially developed for the serious hobby painter. High-quality products, with some extraordinarily pleasing properties, which help to make painting a true pleasure.

Cobra - Infinite Freedom The possibilities offered by Cobra water mixable oil colours are endless. This is ideal for artists who wish to express precisely how they feel through their work. They can experiment as never before, wherever and whenever they want. Without solvents such as turpentine and white spirits, which are no longer necessary.

ArtCreation - For the artist in you ArtCreation offers the possibility to express your creativity in a simple manner. The brand is aimed particularly at the starting hobby painter. For these users ArtCreation has a complete range of painting accessories at an attractive price, without compromising on the quality and the reliability. ArtCreation consists of three sub-brands: ArtCreation Expression for the starting artist, ArtCreation Essentials for more experienced artists and ArtCreation Elements for auxiliary products. ArtCreation opens the door to very pleasurable painting .


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Creative expression to share Royal Talens inspires. For more than 100 years now we have been stimulating creative expression worldwide; by developing high-quality brands and products that stimulate people to paint and draw. We use the worldwide recognition that our brands enjoy and our in-depth knowledge of the markets and their needs to facilitate and support professional and amateur artists throughout the world in producing new work. Royal Talens’ innovative character stimulates us to continue innovating.

Decorfin - Create Your World

Auxiliaries

Decorfin is a decoration paint suitable for a wide range of painting hobbies. Ideal for painting glass and ceramics for example, or for painting on wood, textiles, carton and paper. The Decorfin quality range challenges the consumer to discover his many possibilities.

A wide range of auxiliaries for almost all painting techniques. The auxiliaries include a wide selection of specialist varnishes and various auxiliaries to change the properties of artists' paints or to preserve the work.

Graphic products Talens auxiliaries and requirements Canvases Talens has a wide range of top quality grounds (cotton, linen, 3D, canvas boards and roll canvas).

High-quality products for designers, graphic artists and illustrators. An important line within this is Gouache Extra fine quality, top quality gouache with a selection of 65 colours. In addition, there are various sorts of ink and other specialist products. All these products can also be used for educational purposes.

Artists' easels Wherever you want to paint, Talens has a suitable wooden or metal artists' easel for every location: table-top easels, studio easels and field easels. The wooden artists' easels have been made from first-class impregnated beech wood.

Painting knives and brushes Painting knives with a wooden handle, for preparing and mixing paint or applying oil and acrylic colours. In addition, there is a wide selection of brushes, brush shapes and hair types, under the brand names Rembrandt, Van Gogh and Talens.

We encourage creative amateurs and professionals all over the world to push back their boundaries and to ‘rediscover’ themselves. We believe that creative expression is very important; a passion to share and to develop further. For you, for everyone. On the basis of this notion we would like to contribute to the success of your business and clients, by providing you a broad support with our Fine Art products.

Talens colouring products for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the colours and the materials can also be combined well. All products meet European toy safety standards.

Accessories Also included in the range are various types of painting requirements like charcoal, palettes and manikins.


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ROYAL TALENS

8 Mastering your inspiration Looking at the world behind the reality. Feeling how the elements adapt to a s i n g l e w i l l . Wo r k i n g w i t h c o l o u r s a n d t e c h n i q u e s t h a t g i v e s h a p e t o t h i s deepest of inspiration. That is art.

The Professional Choice


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THE CHOICE OF THE PROFESSIONAL ARTIST

A legendary name for a range that is known for i t s s u p e r i o r a n d u n p a ra l l e l e d q u a l i t y. I t h a s b e e n developed through pure skill and artistic insight, and is based on the best raw materials. This allows Rembrandt products to boast unique characteristics such as maximum fineness, l i g h t f a s t n e s s a n d d u ra b i l i t y. A g u a ra n t e e o f timeless and enduring artistic expression.


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Rembrandt and oil colour is a unique combination of superior quality and tradition in just one tube. A magnificent colour range of 120 colours. With an even distribution across the several colour ranges and a good balance between transparent and opaque colours.

Oil colour The properties of Rembrandt oil colours: • Sublime brilliance and intensely deep colours • Optimal colour strength due to the highest possible concentration of pigments and very fine grinding • Highest degree of lightfastness • Very pure colours and greatest durability of the paint coat


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0103...2 0105...2

REMBRANDT OIL COLOUR TUBE 40 ML

REMBRANDT OIL COLOUR TUBE 15 ML

Available in 120 colours

Available in 120 colours

0106...2

REMBRANDT OIL COLOUR TUBE 60 ML Available in 5 whites

0107...2

REMBRANDT OIL COLOUR TUBE 150 ML Available in 25 colours and 5 whites

Various auxiliaries are used when painting in oils. Talens offers a complete and professional range. Go to page 118 for a complete review.


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01822306

01820310

Contents: 6 tubes 15 ml Rembrandt oil colour

Contents: 10 tubes 15 ml Rembrandt oil colour

REMBRANDT OIL COLOUR S TARTER SET 01C306

REMBRANDT OIL COLOUR BASIC SET 01C310

01840004

REMBRANDT OIL COLOUR BOX TRADITIONAL Contents: 15 tubes 15 ml Rembrandt oil colour 1 tube 40 ml Rembrandt oil colour 1 bottle 75 ml Talens Painting medium 2 Rembrandt brushes: - series 201 no. 4, series 208 no. 10 (bleached Chinese hog bristle) tube with 3 sticks of charcoal double palette cup wooden palette colour mixing brochure ●


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01840003

REMBRANDT OIL COLOUR BOX PROFESSIONAL Contents: 13 tubes: -12 tubes 40 ml Rembrandt oil colour -1 tube 60 ml Rembrandt oil colour 2 bottles 75 ml auxiliaries: - Talens Odourless white spirit - Talens Painting medium 3 Rembrandt brushes: - series 200 no. 8, series 201 no. 4, series 208 no. 12 (bleached Chinese hog bristle); painting knife no. 3012 tube with 3 sticks charcoal double palette cup wooden palette colour mixing brochure ●

01840002

REMBRANDT OIL COLOUR BOX MAS TER Contents: 38 tubes: -24 tubes 15 ml Rembrandt oil colour -12 tubes 40 ml Rembrandt oil colour - 2 tubes 60 ml Rembrandt oil colour 3 bottles 75 ml auxiliaries: - Talens Odourless white spirit - Talens Painting medium - Talens Retouching varnish 4 Rembrandt brushes: - series 200 no. 10, series 208 no. 14 (bleached Chinese hog bristle) - series 290 no. 6, series 291 no. 4 (polyester fibres, selected filament) painting knife no. 3012 double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●


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01840001

REMBRANDT OIL COLOUR BOX EXCELLENT Contents: 41 tubes: - 19 tubes 15 ml - 18 tubes 40 ml - 3 tubes 60 ml - 1 tube 150 ml 6 bottles 75 ml auxiliaries: - Talens Painting medium - Talens Odourless white spirit - Talens Picture varnish glossy - Talens Picture varnish mat - Talens Retouching varnish - Talens Glazing medium 10 Rembrandt brushes: - series 200 no. 8, 12, 16 (bleached Chinese hog bristle) - series 208 no. 6, 10, 14 (bleached Chinese hog bristle) - series 240 no. 6 and 10 (pure red sable hair) - series 291 no. 4 and 8 (polyester fibres, selected filament) 3 palette knives (no. 3010, 3012, 3015) brushes mat 2 de luxe single palette cups and a double palette cup box with 25 sticks charcoal colour mixing brochure original hand-sprayed colour chart ●


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colour chart Rembrandt oil colour Zinc white

+++ 104 3 1 PW4

Zinc wh.(lins.oil)

Titanium white

Tit.white (lins.oil)

+++ 117 3 1 PW4

+++ 105 4 1 PW6/PW4

+++ 118 4 1 PW6/PW4

Mixed white

Transp.white

Cadmium lemon

+++ 103 4 1 PW6/PW4

+++ 119 1 1 PW6/PW4

+++ 207 4 4 PY35

Perm.lemon yellow

+++ 254 3 3 PY184

Cadmium yellow L

+++ 208 4 4 PY35

Perm.yellow L

Cadmium yellow M

Perm.yellow M

Cadm.yellow D

Perm.yellow D

Transp.yellow M

Stil de grain yellow

Aureoline

Transp. yellow green

+++ 283 3 3 PY154

+++ 271 4 4 PY35

+++ 284 3 3 PY154/PO43

+++ 210 4 4 PY35/PO20

+++ 285 3 3 PY154/PO43

+++ 272 1 3 PY128

+++ 251 1 3 PY110

+++ 242 2 4 PY150

+++ 281 1 3 PY129

Naples yellow green

Nick.titan.yellow L

Naples yellow L

Nick.titan.yellow D

Naples yellow D

Yellow ochre L

Naples yellow red

Cadmium orange

Perm. orange

+++ 282 4 2 PW6/PY42/PG17

+++ 279 4 2 PW6/PY184

+++ 228 4 1 PBr24

+++ 224 4 2 PW6/PO43/PBr24

+++ 211 4 4 PO20/PY35

+++ 266 3 3 PO73/PY154

Vermilion

Cadmium red L

Permanent red L

Cadmium red M

Transp.red M

Permanent red M

Scarlet

Cadmium red D

Permanent red D

+++ 311 3 3 PO73

+++ 303 4 4 PR108/PO20

+++ 370 3 3 PR255/PO73

+++ 314 4 4 PR108

+++ 317 1 3 PR207

+++ 377 3 3 PR255

+++ 334 3 3 PR149

+++ 306 4 4 PR108

+++ 371 3 3 PR254

Cadm.red purple

Perm.red purple

Perm.madder L

Perm.madder M

Perm.madder D

Burnt carmine

Carmine

Quinacridone rose

Perm. red violet

+++ 309 4 4 PR108

+++ 348 3 3 PR264/PW6

+++ 321 2 3 PR254/PR264/PV19

+++ 395 2 3 PR264/PV19

+++ 342 2 3 PR264

+++ 323 2 3 PR264/PB29

+++ 318 3 3 PR176

+++ 366 1 3 PV19

+++ 567 2 3 PR202

Perm.violet M

Cobalt violet

Perm. blue violet

Ultramarine violet

Ultramarine L

Ultramarine D

Cobalt blue L

Cobalt blue (ultram.)

Cobalt blue D

+++ 537 2 3 PV19

+++ 539 2 5 PV14

+++ 507 1 2 PV15

+++ 505 1 2 PB29

+++ 513 3 5 PB28

+++ 512 3 2 PB29/PB15

+++ 515 3 5 PB74

King’s blue

Sèvres blue

Cerulean blue

Mang.blue (phthalo)

Phthalo blue red

Prussian blue

Indanthrene blue

Indigo

+++ 517 4 3 PB28/PW6

+++ 530 4 3 PB15/PW6

+++ 534 2 5 PB35

+++ 582 3 3 PB15

+++ 583 1 3 PB15

+++ 585 2 3 PB60

+++ 533 2 2 PB15/PB29/PBk9

Ultramarine green

Cobalt turq.blue

Turquoise blue

Phthalo turq.blue

Perm.yellow green

Permanent green L

Emerald green

Permanent green D

+++ 683 1 3 PG24

+++ 586 3 5 PB36

+++ 522 4 3 PB15/PG7/PW6

+++ 565 1 3 PB15/PG7

+++ 633 3 3 PG7/PY154

+++ 618 3 3 PG7/PY154

+++ 615 4 2 PG36/PY154/PW6

+++ 619 3 3 PG7/PY154

Phthalo green yellow

Phthalo green blue

Viridian

Sèvres green

Cobalt green

Cobalt turq.green

Cinnabar green D

Sap green

Cinnabar green M

+++ 650 4 3 PG7/PW6

+++ 610 3 5 PG26

+++ 682 3 5 PG50

+++ 627 4 2 PG7/PY42/PR101

Chromium ox.green

Yellow ochre

Raw sienna

Gold ochre

Orange ochre

Light oxide red

+++ 234 2 1 PY42/PR101

+++ 231 4 1 PY42

+++ 232 4 1 PY42

+++ 339 4 1 PR101

+++ 681 1 3 PG36

+++ 222 4 2 +++ 280 4 2 +++ 223 4 2 PW6/PY154/PBr24 PW6/PY154/PBr24 PW6/PY154/PBr24

+++ 568 2 3 PV16

+++ 680 1 3 PG7

+++ 616 2 3 PG18

Cinnabar green L

Olive green

Green earth

+++ 626 4 2 PG7/PY154/PY42

+++ 620 1 2 PG7/PY110/PR264

Venetian red

Indian red

Phthalo blue green

+++ 576 1 3 PB15

+++ 508 1 2 PB27 Permanent green M

+++ 614 3 3 PG7/PY154

+++ 623 1 2 PG7/PY110

+++ 625 4 2 PG7/PY154/PY42

+++ 668 4 3 PG17

+++ 227 4 1 PY42

Caput mortuum violet

Brown ochre

Vandyke brown

Sepia

Transp.ox.yellow

Asphaltum

Transp.ox. orange

+++ 347 4 1 PR101

+++ 344 4 1 PR101/PB29/PR264

+++ 430 4 1 PR101/PBk11

+++ 403 3 1 PR101/PBk11

+++ 416 3 1 PY42/PR101/PBk11

+++ 265 1 3 PY42

+++ 414 1 1 PY110/PR264/PG7

+++ 273 1 3 PY42/PR101

Perm.madder brown

Transp.ox.red

Stil de grain brown

Transp. ox.brown

Burnt umber

Raw umber

Umber greenish

Warm grey

+++ 324 2 3 PR264/PR101/PV19

+++ 378 1 3 PR101

+++ 418 1 3 PY110/PR264/PG7

+++ 426 1 3 PR101

+++ 409 2 1 PR101/PBk11

+++ 408 2 1 PY42/PR101/PBk11

+++ 410 2 1 PY42/PBk11

+++ 718 4 1 PBk9/PR101/PW6

Cold grey

Payne’s grey

Ivory black

Lamp black

Oxide black

Silver

Pewter

Light gold

Deep gold

+++ 717 4 1 PBk9/PW6

+++ 708 3 1 PBk11/PB29/PV19

+++ 701 3 1 PBk9/PB29

+++ 702 4 1 PBk7

+++ 735 4 1 PBk11

+++ 800 3 3 PW6,15,20/PBk11

+++ 815 3 3 PW6,15,20/PR101/PBk11

+++ 802 3 3 PW6,20/PR101

+++ 803 3 3 PW6,20/PR101

Bronze

Copper

Pearl white

+++ 811 3 3 PW20/PR101

+++ 805 3 3 PW20/PR101

+++ 817 1 3 PW6,15,20

+++ 349 4 1 PR101 Burnt sienna

+++ 411 2 1 PR101

Explanations of the signs from left to right Example: Permanent red M

+++ 377 3 3 PR255

+++ 629 2 1 PY42/PB15

+++ 506 1 2 PB29

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 120 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions 0 = 0 - 10 years lightfast under museum conditions

opacity 1 = transparent (25 colours) 2 = semi-transparent (20 colours) 3 = semi-opaque (35 colours) 4 = opaque (40 colours) 377 = colour number 3 = price series

Letter behind the colour name: L = light , M = medium, D = deep

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.

= also available in tube of 150 ml PR255 = pigments used (see explanation on page 200)

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Acrylic colour Rembrandt acrylic colour is a high quality artists' paint that meets the strict requirements of today's artists. You can expect the very best from this paint. The properties: • Very strong and brilliant colours • Heavy-body paint for clear brush strokes • Highest degree of lightfastness • Durable and flexible paint film • Uniform drying time and degree of gloss • Alkali-resistant (fresh concrete)


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18820510

REMBRANDT ACRYLIC COLOUR BASIC SET 18C510 Contents: 10 tubes 40 ml

1805...2

REMBRANDT ACRYLIC COLOUR TUBE 40 ML Available in 75 colours

18840003

REMBRANDT ACRYLIC COLOUR BOX PROFESSIONAL Contents: 15 tubes 40 ml Rembrandt acrylic colour 2 bottles 75 ml auxiliaries: - Talens Acrylic medium mat - Talens Acrylic varnish glossy 3 Rembrandt brushes: - series 290 no. 12, series 291 no. 6, series 292 no. 8 (polyester fibres, selected filament) 1 painting knife no. 3012 double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●

18840004

REMBRANDT ACRYLIC COLOUR BOX TRADITIONAL Contents: 10 tubes 40 ml Rembrandt acrylic colour 1 bottle 75 ml Talens Acrylic medium glossy 2 Rembrandt brushes: - series 290 no. 8, 291 no. 6 (polyester fibres, selected filament) double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●


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18840002

REMBRANDT ACRYLIC COLOUR BOX MAS TER Contents: 20 tubes 40 ml Rembrandt acrylic colour 2 bottles 75 ml auxiliaries: - Talens Acrylic medium mat - Talens Acrylic varnish glossy 4 Rembrandt brushes: - series 208 no. 14 (bleached Chinese hog bristle ) - series 290 no. 12, series 291 no. 6, series 292 no. 8 (polyester fibres, selected filament) 2 palette knives (no. 3012 and 3015) double palette cup tube with 3 sticks charcoal wooden palette colour mixing brochure ●


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colour chart Rembrandt acrylic colour Titanium white

Zinc white

Cadmium lemon

Azo yellow lemon

Cadmium yellow L

Azo yellow L

Cadmium yellow M

Azo yellow M

Cadm.yellow D

+++ 105 4 1 PW6

+++ 104 2 1 PW7

+++ 207 4 3 PY35

++ 267 3 2 PY3

+++ 208 4 3 PY35

++ 268 3 2 PY3/PY74

+++ 271 4 3 PY35

+++ 269 3 2 PY74

+++ 210 4 3 PY35/PO20

Azo yellow D

Transp.yellow M

Nick.titan.yellow

Naples yellow D

Naples yellow red

Cadmium orange

Perm. orange

Cadmium red L

Naphthol red L

+++ 270 3 2 PY74/PO43

+++ 272 1 3 PY128

+++ 274 4 2 PY53

+++ 223 4 1 PW6/PBr24/PY154

+++ 224 4 1 PW6/PY42/PO43

+++ 211 4 3 PO20

+++ 266 3 3 PO43/PY74

+++ 303 4 3 PR108

++ 398 3 2 PR112/PO43

Cadmium red M

Naphthol red M

Cadmium red D

Carmine

Transp.red M

Quinacridone rose

Permanent madder

Perm.red violet

Perm. blue violet

+++ 314 4 3 PR108

+++ 396 3 2 PR254

+++ 306 4 3 PR108

++ 318 3 2 PR23

+++ 317 1 3 PR209

+++ 366 1 3 PV19

+++ 336 2 3 PR264

+++ 567 2 3 PR122/PV23

+++ 568 2 3 PV23/PR122

Ultramarine violet

Ultramarine

Cobalt blue

Phthalo blue

Pruss. blue (phthalo)

Cerulean blue

Brilliant blue

Mang.blue (phthalo)

Phthalo turq.blue

+++ 507 1 2 PV15

+++ 504 1 1 PB29

+++ 511 3 3 PB28

+++ 570 1 2 PB15

+++ 566 2 2 PB15/PBk11

+++ 534 3 3 PB35

+++ 564 4 2 PB15/PG7/PW6

+++ 582 1 1 PB15/PG7

+++ 565 1 2 PB15/PG7

Turquoise blue

Permanent green M

Permanent green L

Yellowish green

Emerald green

Permanent green D

Phthalo green

Olive green

Sap green

+++ 522 4 2 PB15/PG7/PW6

+++ 617 3 2 PG7/PY74

+++ 618 3 2 PG7/PY74

+++ 614 3 2 PG7/PY74

+++ 615 4 2 PG7/PY74/PW6

+++ 619 1 2 PG7/PY128

+++ 675 1 2 PG7

+++ 620 1 3 PG7/PY110/PV19

++ 623 1 1 PG8

Chromium ox.green

Yellow ochre light

Yellow ochre

Raw sienna

Burnt sienna

Light oxide red

Indian red

Mars violet

Transp. ox.yellow

+++ 668 4 2 PG17

+++ 228 4 2 PBr24

+++ 227 4 1 PY42

+++ 234 2 1 PY42

+++ 411 2 1 PR101

+++ 339 4 1 PR101

+++ 347 4 1 PR101

+++ 538 4 1 PR101

+++ 265 1 2 PY42

Transp. ox.orange

Transp. ox.red

Transp. ox.brown

Raw umber

Burnt umber

Vandyke brown

Payne’s grey

Oxide black

Ivory black

+++ 273 1 2 PY42/PR101

+++ 378 1 2 PR101

+++ 426 1 2 PR101/PG7

+++ 408 2 1 PY42/PBk11

+++ 409 2 1 PR101/PBk11

+++ 403 3 1 PBk11/PR101

+++ 708 3 1 PBk11/PB15/PV19

+++ 735 4 1 PBk11

+++ 701 4 1 PBk9

Lamp black

Silver

Light gold

Deep gold

Bronze

Copper

Pearl white

Pearl yellow

Pearl red

+++ 803 3 2 PW6/PW20/PR101

+++ 811 3 2 PW20/PR101

+++ 805 3 2 PW20/PR101

+++ 817 1 2 PW6/PW15/PW20

+++ 818 1 2 PW6/PW15/PW20

+++ 819 1 2 PW6/PW15/PW20

+++ 702 4 1 PBk7

+++ 800 3 2 +++ 802 3 2 PW6/PW15/PW20/PBk11 PW6/PW20/PR101

Pearl blue

Pearl violet

Pearl green

+++ 820 1 2 PW6/PW15/PW20

+++ 821 1 2 PW6/PW15/PW20

+++ 822 1 2 PW6/PW15/PW20

Explanations of the signs from left to right Example: Carmine

++ 318 3 2 PR23

Letter behind the colour name: L = light , M = medium, D = deep

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (70 colours) ++ = 25 - 100 years lightfast under museum conditions (5 colours) + = 10 - 25 years lightfast under museum conditions 0 = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303. 318 = colour number

opacity 1 = transparent (22 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (20 colours) 4 = opaque (24 colours) 2 = price series

PR23 = pigments used (see explanation on page 200)

ROYAL TALENS

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Pagina 20

CATALOGUS

ROYAL TALENS

20

Rembrandt water colour is the professional choice of water colourists. This is particularly because of the following exclusive benefits:

Water colour • The purest pigments and the purest quality of gum arabic • Maximum transparency • Colours remain constantly brilliant • Highest degree of lightfastness


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Pagina 21

ROYAL TALENS

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0586...1

REMBRANDT WATER COLOUR PAN Available in 80 colours

0504...0

REMBRANDT WATER COLOUR TUBE 20 ML Available in 40 colours

0510...1

REMBRANDT WATER COLOUR TUBE 5 ML Available in 80 colours

For each painting technique the right brush. Royal Talens offers a complete series of brushes in the Rembrandt range (page 131)


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Pagina 22

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05838611

REMBRANDT WATER COLOUR METAL BASIC SET PANS 05M8612

05808614

REMBRANDT WATER COLOUR POCKET BOX 05HP8612 12 PANS

Contents: 12 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 4 (round model, extra fine point, red sable hair)

Contents: 12 pans Rembrandt water colour Rembrandt reversible brush series 100 no. 4 (round model, extra fine point, red sable hair) removable lid with mixing palette

05838623

REMBRANDT WATER COLOUR DE LUXE SET 05M8624 PANS Contents: 24 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 6 (round model, extra fine point, red sable hair) ●

05838649

REMBRANDT WATER COLOUR DE LUXE SET 05M8648 PANS Contents: 48 pans Rembrandt water colour Rembrandt reversible brush series 110 no. 6 (round model, extra fine point, red sable hair) ●


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Pagina 23

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05840005

REMBRANDT WATER COLOUR BOX TRADITIONAL Contents: 12 tubes 5 ml Rembrandt water colour 1 Rembrandt brush series 110 no. 6 (pure red sable hair) porcelain mixing tray brochure ●

05840002

REMBRANDT WATER COLOUR BOX MAS TER 05840004

Contents: 42 pans Rembrandt water colour 2 bottles 75 ml auxiliaries: - Talens Liquid masking film - Talens Water colour varnish mat 4 Rembrandt brushes: - series 110 no. 4 and 12 (pure red sable hair), - series 132 no. 6 and series 136 no. 4 (petit gris pur, squirrel) porcelain mixing tray 3 sketch pencils, 2B kneadable eraser brushes mat sponge metal water bottle brochure

REMBRANDT WATER COLOUR BOX TRADITIONAL

Contents: 22 pans Rembrandt water colour 1 Rembrandt brush series 110 no. 4 (pure red sable hair) porcelain mixing tray brochure

05840003

REMBRANDT WATER COLOUR BOX PROFESSIONAL Contents: 28 pans Rembrandt water colour 1 bottle 75 ml Talens Liquid masking film 2 Rembrandt brushes series 110 no. 4 and 8 (pure red sable hair) porcelain mixing tray 2 sketch pencils, 2B kneadable eraser brochure ●


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Pagina 24

ROYAL TALENS

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50838612

EMPT Y METAL SET 50M8612 FOR 12 PANS

50838624

EMPT Y METAL SET 50M8624 FOR 24 PANS

50838648

EMPT Y METAL SET 50M8648 FOR 48 PANS

Empty sets For putting together one's personal choice of Rembrandt water colours with pans.


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16:30

Pagina 25

colour chart Rembrandt water colour Chinese white

Transp. titanium white

Cadmium lemon

+++ 207 2 3 PY35

Perm.lemon yellow

Cadmium yellow L

+++ 254 2 2 PY184

+++ 208 2 3 PY35

Azo yellow L

Cadmium yellow M

Azo yellow M

Cadm.yellow D

+++ 268 2 PY154

+++ 271 2 3 PY35

+++ 269 2 PY154/PO62

+++ 210 2 3 PY35/PO20

+++ 108 2 1 PW4

+++ 112 1 PW6

Azo yellow D

Aureoline

Indian yellow

Gamboge

Naples yellow D

Naples yellow red

Cadmium orange

Perm. orange

Vermilion

+++ 270 2 PY154/PO43

+++ 242 3 PY150

+++ 244 2 PY154/PO48

+++ 238 2 PY150/PO48

+++ 223 2 1 PBr24/PY53/PW6

+++ 224 2 1 PY42/PO43/PW6

+++ 211 2 3 PO20/PY35

+++ 266 2 PO73/PY154

+++ 311 2 PR255/PY154

Cadmium red L

Permanent red L

Cadmium red M

Permanent red M

Cadmium red D

Permanent red D

Permanent madder L

Madder deep

Alizarin crimson

+++ 303 2 3 PR108/PO20

+++ 370 2 PR255/PY154

+++ 314 2 3 PR108

+++ 377 2 PR255

Permanent madder

Carmine

Quinacridone rose

Permanent red violet

+++ 336 2 PR264/PV19

+++ 318 2 PR264/PV19

French ultramarine

Ultramarine D

Cobalt blue (ultram.)

+++ 503 2 G PB29

+++ 506 1 G PB29

Indanthrene blue

Indigo

+++ 306 2 3 PR108

+++ 371 2 PR254

+++ 321 2 PR254/PV19

Perm.madder purple

Cobalt violet

Mauve

+++ 325 2 PR264/PV19

+++ 539 2 3 G PV14

+++ 532 2 PV19/PB15

Cobalt blue

Cerulean blue

Cerulean bl.(phthalo)

Phthalo blue red

+++ 512 1 PB29/PW6

+++ 511 2 3 G PB28

+++ 534 2 3 G PB35

+++ 535 2 PB15/PW6

Turquoise blue

Bluish green

Perm.yellow green

+++ 640 2 PG7/PB15

+++ 366 2 PV19

+++ 567 2 PV19

+ 331 2 PR83 Perm. blue violet

Phthalo blue green

Permanent green

Emerald green

Cobalt green

Viridian

+++ 633 2 PY154/PG7

+++ 662 2 PG7/PY154

+++ 615 2 PG36

+++ 610 2 3 G PG19

+++ 616 2 G PG18

Chromium ox.green

Yellow ochre

Gold ochre

+++ 668 2 2 PG17

+++ 227 1 PY43/PY42

+++ 231 1 PY43 Burnt umber

Phthalo green

Hooker green D

Hooker green L

Sap green

Olive green

Green earth

+++ 675 2 PG7

+++ 645 2 PG7/PY150

+++ 644 2 PG7/PY150

+++ 623 2 PY150/PG7

+++ 620 2 PG7/PY150/PV19

+++ 629 1 G PG23

Transp.ox.yellow

Raw sienna

Burnt sienna

Transp.ox.red

Perm.madder brown

Light oxide red

Venetian red

Indian red

+++ 265 2 PY42

+++ 234 1 G PY43

+++ 378 2 PR101

+++ 324 2 PR264/PR101

+++ 339 2 1 PR101

+++ 349 2 1 PR101

+++ 347 2 1 PR101/PR264

Raw umber

Transp. ox. brown

Sepia

Vandyke brown

Payne’s grey

Neutral tint

Ivory black

Lamp black

+++ 426 2 PR101

+++ 416 1 PBk7/PR101

+++ 403 2 1 PR101/PBk7

+++ 708 2 1 PBk6/PB15

+++ 715 2 1 PBk6/PV19

+++ 701 2 1 G PBk6

+++ 702 2 1 PBk6/PBk9

Example:

Cadmium yellow M

+++ 271 2 3 PY35 PY35 = pigments used (see explanation on page 200)

Prussian blue

+++ 576 2 PB15

+++ 522 2 PB15/PG7

Explanations of the signs from left to right

+++ 507 2 G PV15

+++ 583 2 PB15

+++ 533 2 1 PB15/PBk6

+++ 408 1 PBr7

Ultramarine violet

+++ 568 2 PV19/PB15

+++ 585 2 PB60

+++ 411 1 PBr7

+ 326 2 PR83

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (78 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions (2 colours) 0 = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

+++ 508 1 PB27

+++ 409 1 PBr7

Opacity 2 = semi-transparent (26 colours) 3 = price series = also available in tube of 20 ml â—† = colour with high adhesion (11 colours) G = Granulating colours (11 colours which give a light grainy effect) are indicated with a G

271 = colour number

Transparency Most Rembrandt water colour tones are very transparent because of the use of pure gum arabic and the pigments chosen. A few colours are slighty less transparent because of the specific pigment used, such as cadmium colours.

Nevertheless, since water colours are usually heavily diluted, this will be scarcely visible. These less transparent colours are marked with a 2 .

ROYAL TALENS

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26_Talens_cat 2011_UK

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16:32

Pagina 26

CATALOGUS

ROYAL TALENS

26

Rembrandt soft pastels owe their quality to the close collaboration with professional artists, combined with traditional expertise and more than a century of experience in the manufacture of pastels. Each colour is made according to a unique formula, and the necessary raw materials go through very strict controls for each new batch.

Soft pastels The properties: • World-wide most used soft pastels • Characteristic softness for excellent colour release • Very high colouring power and brilliant colour tones • Manufactured with the purest pigments and finest quality kaolin


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Pagina 27

ROYAL TALENS

27

3199....

REMBRANDT SOFT PAS TELS Available in 203 colours

31823133

REMBRANDT SOFT PAS TELS GENERAL SELECTION DE LUXE SET 300C60.5 Contents: 60 half pastels

31823108

REMBRANDT SOFT PAS TELS S TARTER SET 300C15.5 Contents: 15 half pastels

31823145

REMBRANDT SOFT PAS TELS GENERAL SELECTION PROFESSIONAL SET 300C90.5 Contents: 90 half pastels

31823116

REMBRANDT SOFT PAS TELS BASIC SET 300C30.5 Contents: 30 half pastels


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Pagina 28

ROYAL TALENS

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31823017

REMBRANDT SOFT PAS TELS GENERAL SELECTION S TARTER SET 300C15 Contents: 15 whole pastels

31823047

REMBRANDT SOFT PAS TELS GENERAL SELECTION TRADITIONAL SET 300C45 Contents: 45 whole pastels

31823031

31823160

Contents: 30 whole pastels

Contents: 60 whole / 60 half pastels

REMBRANDT SOFT PAS TELS GENERAL SELECTION BASIC SET 300C30

REMBRANDT SOFT PAS TELS GENERAL SELECTION MAS TER SET 300C60/60.5


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Pagina 29

ROYAL TALENS

29

31812015

REMBRANDT SOFT PAS TELS GENERAL SELECTION S TARTER BOX 300H15 Contents: 15 whole pastels

31823033

REMBRANDT SOFT PAS TELS PORTRAIT SELECTION BASIC SET 300C30P Contents: 30 whole pastels

31812115

REMBRANDT SOFT PAS TELS GENERAL SELECTION BASIC BOX 300H30.5 Contents: 30 half pastels

31823093

REMBRANDT SOFT PAS TELS PORTRAIT SELECTION PROFESSIONAL SET 300C90P Contents: 90 whole pastels


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16:42

Pagina 30

ROYAL TALENS

30

31812145

31812160

REMBRANDT SOFT PAS TELS PORTRAIT SELECTION TRADITIONAL BOX 300H45P

REMBRANDT SOFT PAS TELS PORTRAIT SELECTION DE LUXE BOX 300H60P

Contents: 45 whole pastels

Contents: 60 whole pastels

31812190

31823092

Contents: 90 whole pastels

Contents: 90 whole pastels

REMBRANDT SOFT PAS TELS PORTRAIT SELECTION PROFESSIONAL BOX 300H90P

REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION PROFESSIONAL SET 300C90L


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Pagina 31

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31

31812045

REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION TRADITIONAL BOX 300H45L Contents: 45 whole pastels 31823032

REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION BASIC SET 300C30L Contents: 30 whole pastels

31812060

REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION DE LUXE BOX 300H60L Contents: 60 whole pastel

31812090

REMBRANDT SOFT PAS TELS LANDSCAPE SELECTION PROFESSIONAL BOX 300H90L Contents: 90 whole pastels


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Pagina 32

ROYAL TALENS

32

31812150

REMBRANDT SOFT PAS TELS GENERAL SELECTION MAS TER BOX H150 145 colours Rembrandt soft pastels with extra white and black make this pastel box a complete and wonderful collection of 150 pastels, from which every pastellist can find the right colours for any subject.

31813225

REMBRANDT SOFT PAS TELS EXCELLENT BOX H225 Total general selection. All 203 colours available in a prestigious wooden box, which is supplemented with a number of commonly used colours to bring the total selection to 225 pastels.


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Pagina 33

ROYAL TALENS

33

50812150

REMBRANDT EMPT Y PAS TEL BOX 300H150E For 150 whole pastels Measurements: 49.5 x 31.0 x 8.5 cm (l x w x h)

50812060

REMBRANDT EMPT Y PAS TEL BOX 300H60E For 60 whole pastels Measurements: 32.3 x 22.9 x 6.1 cm (l x w x h)

Empty wooden pastel boxes For composing a more personal choice of Rembrandt soft pastels.

90840060

REMBRANDT EMPT Y PAS TEL BOX H60 WITH SIEVE For 60 whole pastels With sieve for keeping the pastels clean Measurements: 39.7 x 30.7 x 3.7 cm (l x w x h)


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16:53

Pagina 34

ROYAL TALENS

34

colour chart Rembrandt soft pastels 100 White PW6

205 Lemon yellow PY184/PY138

201 Light yellow PY184/PY83

202 Deep yellow PY139

236 Light orange PY139/PY42

235 Orange PO43

370 Perm.red L PR254/PO67

372 Perm.red PR254/PY83

371 Perm.red D PR254/PR264

+++ 100,5

+++ 205,3

+++ 201,3

++ 202,3

+++ 236,3

++ 235,3

++ 370,3

+++ 372,3

+++ 371,3

101 White supersoft PW6

+++ 205,5

+++ 201,5

++ 202,5

++ 236,5

++ 235,5

++ 370,5

+++ 372,5

+++ 371,5

+++ 101,5

+++ 205,8

+++ 201,7

++ 202,7

++ 236,7

++ 235,8

++ 370,7

++ 372,8

+++ 371,7

+++ 205,9

++ 201,8

+++ 202,9

++ 236,8

++ 235,9

++ 370,9

++ 372,9

++ 371,8

+++ 202,12

++ 236,9

++ 372,10

++ 371,9

+++ 205,12

318 Carmine PR176/PR254

331 Madder D PR254/PR12

397 Perm.rose PV19

545 Red violet PR202

536 Violet PV19/PB29

548 Blue violet PV16/PB29

506 Ultramarine D PB29/PB27

505 Ultramarine L PB29

508 Prussian blue PB27/PB29

+++ 318,3

+++ 331,3

++ 397,3

++ 545,3

++ 536,3

+++ 548,3

+++ 506,3

+++ 505,3

+++ 508,3

+++ 318,5

+++ 331,5

++ 397,5

++ 545,5

++ 536,5

+++ 548,5

+++ 506,5

+++ 505,5

+++ 508,5

++ 318,7

++ 331,7

++ 397,7

++ 545,7

+++ 536,7

+++ 548,7

+++ 506,7

+++ 505,7

+++ 508,7

++ 318,8

++ 331,8

++ 397,9

++ 545,8

+++ 536,9

+++ 548,8

+++ 506,9

+++ 505,8

+++ 508,8

++ 318,9

++ 331,9

++ 397,10

+++ 505,9

+++ 505,10

570 Phthalo blue PB15

522 Turquoise blue PG7/PB15

640 Blue green PB27/PG36

++ 570,3

++ 522,3

+++ 640,3

627 Cinnabar gr. D 619 Perm.green D 675 Phthalo green 618 Perm.green L 626 Cinnabar gr. L 633 Perm. yellow gr. PY184/PY74/PB27 PY184/PY42/PB15 PY3/PG36 PG17/PY42 PY184/PY83/PB27 PY83/PY184/PG36

+++ 627,3

++ 619,3

+++ 675,3

+++ 618,3

+++ 626,3 +++ 633,3

++ 570,5

++ 522,5

+++ 640,5

+++ 627,5

++ 619,5

+++ 675,5

++ 618,5

++ 626,5 +++ 633,5

++ 570,7

++ 522,8

+++ 640,7

+++ 627,7

++ 619,7

+++ 675,8

++ 618,8

++ 626,7 +++ 633,7

++ 570,9

++ 522,10

+++ 640,9

+++ 627,8

+++ 619,9

++ 618,9

++ 626,9 +++ 633,9

+++ 627,9

+++ 627,10

++ 626,10


35_Talens_cat 2011_UK

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16:57

Pagina 35

colour chart Rembrandt soft pastels 620 Olive green PY139/PG7

227 Yellow ochre PY42

234 Raw sienna PY42/PR101

231 Gold ochre PY42/PR101

339 Light oxide red PR101

408 Raw umber PY42/PR101

411 Burnt sienna PR101/PBr7

343 Cap. mort. red PR101

347 Indian red PR101/PB29

+++ 620,3

+++ 227,3

+++ 234,3

+++ 231,3

+++ 339,3

+++ 408,3

+++ 411,3

+++ 343,3

+++ 347,3

+++ 620,5

+++ 227,5

+++ 234,5

+++ 231,5

+++ 339,5

+++ 408,5

+++ 411,5

+++ 343,5

+++ 347,5

++ 620,7

+++ 227,7

+++ 234,7

+++ 231,7

+++ 339,7

+++ 408,7

+++ 411,7

+++ 343,7

+++ 347,7

++ 620,8

+++ 227,9

+++ 234,8

+++ 231,8

+++ 339,8

+++ 408,9

+++ 411,8

+++ 343,8

+++ 347,9

++ 620,10

+++ 227,10

+++ 234,9

+++ 231,9

+++ 339,9

+++ 408,10

+++ 411,9

+++ 343,9

+++ 234,10

+++ 231,10

+++ 339,10

+++ 411,10

538 Mars violet PR101

409 Burnt umber PR101/PBr7

704 Grey PY42/PBk7/PR101

727 Blue grey PB29/PBk6/PB27

707 Mouse grey PB29/PV16/PBk6

709 Green grey PG17/PBk6

700 Black PBk7/PBk11

+++ 538,3

+++ 409,3

+++ 704,3

+++ 727,3

+++ 707,3

+++ 709,3

+++ 700,5

+++ 538,5

+++ 409,5

+++ 704,5

+++ 727,5

+++ 707,5

+++ 709,5

+++ 538,7

+++ 409,7

+++ 704,7

+++ 727,7

+++ 707,7

+++ 709,7

+++ 538,8

+++ 409,8

+++ 704,8

+++ 727,8

+++ 707,8

+++ 709,8

+++ 538,9

+++ 409,9

+++ 704,9

+++ 727,9

+++ 707,9

+++ 709,9

+++ 538,10

+++ 409,10

+++ 704,10

+++ 727,10

+++ 707,10

+++ 709,10

Explanations of the signs from left to right Example: 205 Lemon yellow PY184/PY138

+++ 205,3

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (142 colours) ++ = 25 - 100 years lightfast under museum conditions (60 colours) + = 10 - 25 years lightfast under museum conditions (1 colours) ยบ = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.

205,3 = colour number and tone ,3 = mixture with black ,5 = full shade ,7 t/m ,12 = mixture with an increasing amount of white PY184/PY138 = pigments used (see explanation on page 200)

ROYAL TALENS

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Pagina 36

ROYAL TALENS

36

The centuries-old tradition of using natural materials such as chalk, china clay and coloured earth is honoured by Rembrandt carré pastels. The carré pastels are an exclusive range of eighteen traditional colours, namely earth colours, greys, white and black. The raw materials are the same as those for Rembrandt soft pastels, but applied in another ratio. This makes carré pastels less soft and ideal for sketching. The Rembrandt carré pastels have a number of important features:

Carré pastels • A high colour release and tinting strength • The highest possible colourfastness • A good adhesion on practically all types of paper • Washable


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Pagina 37

ROYAL TALENS

37

34820008

REMBRANDT CARRÉ PAS TELS SET 34C8 Contents: 6 Carré pastels

34820013

REMBRANDT CARRÉ PAS TELS SET 34C13 Contents: 12 Carré pastels

34820018

REMBRANDT CARRÉ PAS TELS SET 34C18 Contents: 18 Carré pastels, complete range


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12:25

Pagina 38

ROYAL TALENS

38

THE MIRACLE THAT GIVES COLOUR

Pigments

Pigment forms an important basis for colour. These days the pigments that are used come almost solely from laboratories. Perhaps not quite so romantic, but in many cases better for the environment, one’s health, wallet and the quality of the colour. An antholog y.

What are pigments exactly?

Purpura snails

The Latin word ‘pigmentum’ means ‘paint’. Before a pigment becomes paint a binder such as oil or Gum Arabic needs to be added. A pigment is powdery and, in contrast to a dye, is not soluble in the fluid binder with which it is mixed. Pigments are dispersed; upon mixing with a binder they remain as small granules. The finer the dispersion of the pigments, the more intense the colour. There are both natural and synthetic pigments. Natural pigments may have an organic origin; they are for example extracted from plants such as madder, woad and gooseberry. Or from animals, for example Indian yellow (from cows’ urine), carmine red/cochineal (the cochineal insect) and purple (the purpura snail) Other pigments are obtained as minerals, and as such are inorganic: these include earth pigments, Venetian Red, ochre, azurite and ultramarine.

For 4 grams of the purple dye, or Tyrian pink, slaves in ancient times had to dive to the bottom of the sea and collect 30,000 purpura snails. Those few grams could colour a pound of paint; the dye therefore was considerably powerful. And extraordinarily expensive. Although these days a better synthetic variant is available, the status of such a scarce colour is still clear, for example in its use in the purple robes of the pope and bishops.

Personal palette Rembrandt mixed his paint himself, as did all his contemporary painters of the 17th century or the Golden Age. He used some ten pigments: white lead, bone black, Kassel earth, umber, yellow ochre, lead tin yellow, vermilion, madder, smalt and azurite. Paint from tubes is a 19th century invention. If Rembrandt had had our pigments, his paintings would have looked quite different today. These days it is possible to give all colour ranges the highest degree of lightfastness; the colours retain their properties, also after years and years.

Valuable stone These days Afghan fighters finance their weaponry with the same ultramarine that Titian used in the 16th century. It was once the most expensive pigment in the world; today the pigment would cost approximately € 7500 per kilo ($4473 per lb.). The name of this intense blue, which is extracted from the semi-precious stone Lapis Lazuli, means ‘from beyond the sea’. Despite a good synthetic replacement the original is still highly sought-after. Incomprehensible, because there are synthetic variants that are much better, and which are used by Royal Talens.

Zeeland red is back Since the 15th century until the beginning of the 20th century, the madder plant (Rubia tinctorum) had been grown, mainly in the Dutch province of Zeeland, to form the basis for the red colour madder or alizarin. The discovery of a synthetic variant put a stop to this. This is until an entrepreneur from Zeeland recently started to again sell the environmentally-friendly variant of the redder than red pigment: soon we will be able to enjoy fields of madder once more! The paint industry, by the way, will not use madder, as the better synthetic variants are simply much more lightfast.

Would you like to know more? Visit the Talens web site; a source of inspiration as well as information: www.royaltalens.com. For further information about pigments, click on ‘technical’.

Inside information

Don Nederhand, technical adviser of Royal Talens, about the use of pigments: “These days there are so many pigments! In the 1950s and 1960s a new one was added almost every day; now mainly long-lasting pigments are looked for. We closely monitor, for example, the developments in the car industry, which requires optimal durability, as do we. Do you remember those faded red cars of twenty years ago? That is now inconceivable. Much has been improved; not only in terms of quality, but also in the size of the range. There is now so much choice. But, you know, there is always something to wish for. A cheaper and opaque alternative for the cadmiums – the basis for yellow, orange and red tints – would be nice. The cheaper variants are always less opaque and less lightfast. The good ones are not only very expensive, but also less opaque. We continue in our pursuit of improvements.”


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12:26

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39_Talens_cat 2011_UK

PIGMENTS


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11:53

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Setting down what you truly feel. Saying what you really want to say. Experimenting as never before - wherever you want. Discover the boundless possibilities of Cobra water mixable oil colour. And get the best out of yourself.

water mixable oil colour


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12:49

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From now on give your inspiration full rein with Cobra: the new water mixable oil colour from Royal Talens that produces wonderful and long-lasting results without having to use solvents such as turpentine or white spirits. A material with unlimited possibilities for the ambitious artist. www.cobra.royaltalens.com


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A well balanced range Cobra is an Artists’ quality water mixable oil paint with a particularly high pigment content. Only the very best pigments and oil are used for this. During the grinding process the paint is pulverized in the triple-roll mill until the fineness of an Artists’ quality has been achieved. An important feature of Cobra is the particularly rich range of colours. Based on years of knowledge and experience Royal Talens has put together a complete and high-quality range of water mixable oil colours and auxiliaries.

water mixable oil colour The range consists of 70 intense transparent, semi-transparent, semi-opaque and opaque colours. They all have the highest degree of lightfastness (+++) and under museum conditions remain unchanged for at least 100 years. The range includes 32 mono-pigmented colours (colours in which only one pigment is used, so that when mixing attractive pure colours are created). There are also ten colours based on highly exclusive pigments – such as the cadmiums, cobalts and chromium oxides – and an exceptionally transparent oxide red or yellow.


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43

2107...0

COBRA WATER MIXABLE OIL COLOUR TUBE 150 ML Available in 30 colours

2105...0

COBRA WATER MIXABLE OIL COLOUR TUBE 40 ML Available in 70 colours

For working outside with Cobra water mixable oil colour Talens offers a series of field easels of varnished metal or of beech wood impregnated with oil. Go to page 149 for the complete review.


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Pagina 44

44 21820510 ROYAL TALENS

COBRA WATER MIXABLE OIL COLOUR VALUE PACK Contents: 10 tubes 40 ml Cobra water mixable oil colour

21820505

COBRA WATER MIXABLE OIL COLOUR S TARTER SET Contents: 5 tubes 40 ml Cobra water mixable oil colour

21820511

COBRA WATER MIXABLE OIL COLOUR GIFT SET Contents: 10 tubes 40 ml Cobra water mixable oil colour Cobra painting medium 75 ml Cobra brushes flat, polyester no. 4 and 10 Palette cup double ●


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colour chart Cobra water mixable oil colour Zinc white

Titanium white

+++ 104 3 1 PW7

+++ 105 4 1 PW6

Titanium buff

Cadmium lemon

Perm.lemon yellow

+++ 291 4 3 PW7/PY42/PBk9

+++ 207 4 4 PY35

+++ 254 3 2 PY184

Perm.yell.medium

Indian yellow

Naples yellow lt

Napels yellow dp

+++ 284 3 2 PY154

+++ 244 1 3 PY110

+++ 222 4 3 PW7/PY154/PBr24

+++ 223 4 3 PW7/PY154/PBr24

Vermilion

Cadmium red lt

Pyrrole red lt

Transp.red medium

Cadm.red medium

+++ 311 3 2 PO43

+++ 303 4 4 PR108

+++ 340 3 3 PR254/PO43

+++ 317 1 3 PR207

+++ 314 4 4 PR108

Madder lake

Primary magenta

Persian rose

Perm.red violet lt

Perm.red violet

+++ 577 4 3 PR202/PW7

+++ 389 2 2 PR264

+++ 369 1 3 PV19

Ultramarine

Cobalt blue

+++ 504 1 2 PB29

+++ 511 3 4 PB28

+++ 330 4 2 PW7/PR202 Cobalt blue (ultram.)

+++ 512 3 3 PB29/PB15

Perm.yellow dp

Primary yellow

Transp.yell.medium

+++ 275 3 2 PY184/PY154

+++ 272 1 3 PY128

Cadmium yellow dp

Cadmium orange

+++ 210 4 4 PY35/PO20

+++ 211 4 4 PO20

+++ 266 3 2 PY154/PO43

+++ 224 4 3 PW7/PO43/PBr24

Pyrrole red

Pyrrole red deep

Cadmium red deep

Carmine

+++ 315 3 3 PR254

+++ 345 3 3 PR254/PR264

+++ 306 4 4 PR108

+++ 318 3 3 PR176

Violet

Perm.blue violet

Blue violet

Grey blue

+++ 567 2 3 PV23/PR122

+++ 536 4 3 PW7/PR122/PV23

+++ 568 2 3 PV23/PR122

+++ 548 4 3 PW7/PB29/PV23

+++ 562 4 2 PW7/PB29/PBk9

King’s blue

Prussian blue

Cerulean blue

Cerulean blue (phthalo)

Phthalo blue

Primary cyan

+++ 517 4 3 PW7/PB29

+++ 508 1 3 PB27

+++ 534 3 4 PB35

+++ 535 4 2 PB15/PW7

+++ 570 1 3 PB15

+++ 572 4 2 PB15/PW7

Emerald green

Phthalo green

Permanent green dp

+++ 615 4 2 PW7/PG7/PY154

+++ 675 1 3 PG7

+++ 285 3 2 PY154/PO43

Yellowish green

Permanent green lt

+++ 522 4 3 PW7/PB15/PG7

+++ 565 1 3 PB15/PG7

+++ 617 3 3 PG7/PY154

+++ 618 3 3 PG7/PY154

Chromium oxide green

Yellow ochre

Raw sienna

Light oxide red

Burnt sienna

Transp. oxide red

+++ 234 2 2 PY42/PBk11

+++ 339 4 2 PR101

+++ 411 2 2 PR101

Lamp black

Vandyke brown

Payne’s grey

Ivory black

+++ 403 3 2 PR101/PBk11

+++ 708 3 2 PBk9/PB15/PV19

+++ 701 4 1 PBk9

Explanations of the signs from left to right Example: Primary yellow

+++ 275 3 2 PY184/PY154

+++ 271 4 4 PY35 Naples yellow red

Phthalo turq.blue

+++ 227 4 2 PY42

+++ 283 3 2 PY154

Cadm.yellow medium

Permanent orange

Turquoise blue

+++ 668 4 4 PG17

Perm.yellow lt

+++ 702 3 1 PBk9/PB29

Sap green

Olive green

+++ 623 1 3 PG7/PY110

+++ 620 1 3 PG7/PY110/PR264

Transp. oxide yellow

Raw umber

Burnt umber

+++ 378 1 3 PR101

+++ 265 1 3 PY42

+++ 408 2 3 PY42/PBk11

+++ 409 2 2 PR101/PBk11

Silver

Light gold

Deep gold

+++ 800 3 3 PW6/15/20/PBk11

+++ 802 3 3 PW6/20/PR101

+++ 803 3 3 PW6/20/PR101

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 70 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions

opacity 1 = transparent (13 colours) 2 = semi-transparent (7 colours) 3 = semi-opaque (24 colours) 4 = opaque (26 colours) 275 = colour number 2 = price series

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.

+++ 619 3 3 PG7/PY154

= also available in tube of 150 ml PY184/PY154 = pigments used (see explanation on page 200)

ROYAL TALENS

45


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Mediums affect the properties of the paint and are often indispensable for a durable build-up of your painting.

COBRA PAINTING PAS TE 087 Purpose: Increasing the transparency, while retaining the viscosity. Composition: Vegetable oils and thickening agents.

COBRA PAINTING MEDIUM 091

Qualities: Increases the transparency Degree of gloss is retained No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly

Purpose: Increasing the flow and/or transparency, makes the paint fatter. Composition: Vegetable oils, synthetic resins and water.

Qualities: Increases the gloss and transparency Makes the brush-stroke run slightly No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly

COBRA GLAZING MEDIUM 092 Purpose: Increasing the flow and/or transparency, makes the paint fatter. Composition: Vegetable oils, synthetic resins and water. Qualities: Makes the brush-stroke run slightly Increases the gloss and transparency No influence on dr ying time of the paint Increases the durability of the paint film Can be thinned with water Yellows slightly ●

Mediums Working with Cobra is even more fun and easy with those mediums and varnishes that are especially geared to water mixable oil paint techniques. The auxiliaries are carefully geared towards the specific requirements of this technique. Also important, the mediums are solvent-free so they do not produce any irritating odours.


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Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odourless white spirit Qualities: Gives a silky sheen Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●

COBRA VARNISH GLOSSY 102 Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, odourless white spirit Qualities: Gives a high gloss Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●

COBRA VARNISH MATT 103

Purpose: Permanent protection of an oil painting (final varnish). Composition: Synthetic resin, matting agents (silicas), odourless white spirit

Qualities: Gives a matt gloss Apply when the paint layer is completely dr y (at least 6 months) Does not yellow Dries within a few hours Dr y varnish layers can be removed with white spirit Extremely flammable ●

Varnishes Cobra auxiliaries Painting medium Glazing medium Painting paste Varnish glossy Varnish satin Varnish matt

Product code 091 092 087 102 118 103

75 ml 24281091 24281092

250 ml 24301091 24301092

60 ml

200 ml

24061087

24081087

400 ml

95163102 95163118 95163103

ROYAL TALENS

COBRA VARNISH SATIN 118


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The Quality Brand Quality, that’s what you choose. That is why you use Van Gogh paint, so you can focus completely on your creativity and the painting process. Thanks to the lively and intense colours you can do anything in your paintings. Your inspiration determines the direction and the paint is your instrument. Van Gogh is therefore the ideal brand for the serious artist for whom quality is important.


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16:23

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49_Talens_cat 2011_UK


50_Talens_cat 2011_UK

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10:08

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Painting with Van Gogh is a true pleasure. The buttery oil colours of Van Gogh give a wonderful result with oil techniques. With a choice from a wide and balanced range of colours. In addition to the bright colours, Van Gogh stands for the certainty of good oil colours. The fineness, tinting strength, the high level of pigmentation and the durability contribute to an ultimate expression of your inspiration. Van Gogh oil colours are available in a wide range of 66 colours in different tubes, sets and selection boxes.

Oil colour Van Gogh oil colour: high quality Strong and intense colours Easy to mix and use High pigment level Uniform degree of gloss and thickness of the various colours Good to excellent lightfastness for colour retention over time ●


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0204...3

VAN GOGH OIL COLOUR TUBE 20 ML Available in 66 colours

0205...3

VAN GOGH OIL COLOUR TUBE 40 ML Available in 66 colours

0206...3

VAN GOGH OIL COLOUR TUBE 60 ML Available in 66 colours

0208...3

VAN GOGH OIL COLOUR TUBE 200 ML Available in 55 colours


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ROYAL TALENS

02821406

VAN GOGH OIL COLOUR S TARTER SET 02C406 Contents: 6 tubes 20 ml

02820410

VAN GOGH OIL COLOUR BASIC SET 02C410 Contents: 10 tubes 20 ml

02820415

VAN GOGH OIL COLOUR COMBISET 10X20 ML Contents: 10 tubes 20 ml 1 bottle painting medium 75 ml 2 Van Gogh brushes series 210 no. 8 (Gussow model, hog bristle) and series 211 no. 4 (round model, hog bristle) double palette cup ●


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10:11

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02840510

VAN GOGH OIL COLOUR BASIC BOX Contents: 10 tubes 40 ml 2 bottles Talens auxiliaries 75 ml: - Painting medium - Odourless white spirit 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) double palette cup wooden palette cleaning cloth ●

02840100

VAN GOGH OIL COLOUR BOX INSPIRATION Contents: 14 tubes Van Gogh oil colour 40 ml 2 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium 2 Van Gogh brushes - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 6 (round model, hog bristle) painting knife no. 3014 double palette cup wooden palette cleaning cloth colour mixing brochure ●


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02843426

VAN GOGH OIL COLOUR BOX EXPERT Contents: 26 tubes Van Gogh oil colour: - 24 tubes 20 ml - 2 tubes 60 ml Zinc and Titanium white (linseed oil) 3 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium - Painting varnish glossy 3 Van Gogh brushes: - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 04 (round model, hog bristle) - series 294 no. 12 (Gussow model, polyester fibre) painting knife no. 3014 double palette cup tube with 3 sticks charcoal wooden palette cleaning cloth colour mixing brochure ●

02843425

VAN GOGH OIL COLOUR BOX SUPERIOR Contents: 34 tubes Van Gogh oil colour: - 32 tubes 20 ml - 2 tubes 60 ml zinc and titanium white (linseed oil) 4 bottles Talens auxiliaries 75 ml: - Odourless white spirit - Painting medium - Retouching varnish - Painting varnish glossy 1 tube 60 ml Talens Painting paste 5 Van Gogh brushes: - series 210 no. 10 (Gussow model, hog bristle) - series 211 no. 6 (round model, hog bristle) - series 232 no. 8 (model cat tongue, ox hair) - series 235 no. 4 (round model, ox hair) - series 294 no. 12 (Gussow model, polyester fibre) painting knife no. 3014 double palette cup tube with 3 sticks charcoal wooden palette cleaning cloth colour mixing brochure ●


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14:10

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colour chart Van Gogh oil colour Zinc white

+++ 104 3 1 PW4 Azo yellow D

Titanium white

Titan. white (lins.oil)

+++ 105 4 1 PW6/PW4

+++ 118 4 1 PW6/PW4

++ 267 3 1 PY3/PW6

+++ 208 4 2 PY35

++ 268 3 1 PY3/PY74/PW6

+++ 271 4 2 PY35

Naples yellow L

Naples yellow D

Naples yellow red

Cadmium orange

Indian yellow

++ 270 3 1 PY74/PO43/PW6 Cadmium red L

+++ 244 1 2 PY110 Azo red M

Azo yellow lemon

+++ 222 4 1 +++ 223 4 1 PW6/PY154/PBr24 PW6/PY154/PBr24

Cadmium yellow L

+++ 224 4 1 PW6/PO43/PBr24

Azo yellow L

+++ 211 4 2 PO20

Cadm.yellow M

Azo yellow M

Cadm.yellow D

++ 269 3 1 PY74/PW6

+++ 210 4 2 PY35/PO20

Azo orange

Azo red L

Vermilion

++ 276 3 1 PO43/PY3

++ 312 3 1 PO34

Cadmium red M

Permanent red

Azo red D

Cadmium red D

Quinacridone rose

Madderlake L

Carmine

++ 327 1 1 PR83/PV19

++ 318 2 2 PR83/PR57:1

Cobalt blue ultram.

Sèvres blue

+++ 303 4 2 PR108

++ 393 3 1 PO34/PR57:1

+++ 314 4 2 PR108

+++ 372 3 2 PR254

++ 313 3 1 PO34/PR57:1

+++ 306 4 2 PR108

+++ 366 1 1 PV19

Alizarin crimson

Madder lake D

Mars violet

Perm.red violet

Violet

Ultramarine

Cobalt blue

++ 326 1 1 PR83

++ 331 1 1 PR83

+++ 538 4 2 PR101

+++ 567 2 2 PV23/PR122

++ 536 2 1 PV23/PV19

+++ 504 1 1 PB29

+++ 511 3 2 PB28

Phthalo blue

Prussian blue

Turquoise blue

Phthalo turq.blue

+++ 522 4 1 PW6/PB15/PG7

+++ 565 1 2 PB15/PG7

Fir green

+++ 623 1 1 PG7/PY110 Burnt sienna

Cerulean blue

Cerulean bl.(phthalo)

+++ 534 3 2 PB35

+++ 535 4 1 PB15/PW6

Permanent green D

Phthalo green

+++ 570 1 1 PB15 Viridian

++ 619 3 2 PB15/PY74

+++ 675 1 1 PG7

Raw sienna

Transp.ox.yellow

Transp.ox.red

+++ 265 1 2 PY42

+++ 378 1 2 PR101

Ivory black

Lamp black

+++ 701 4 1 PBk9

+++ 702 3 1 PBk9/PB29

+++ 234 2 1 PY43 Payne grey

+++ 708 3 2 PBk9/PB15/PV19

Explanations of the signs from left to right Example: Azo yellow lemon

++ 267 3 1 PY3/PW6 Letter behind the colour name: L = light , M = medium, D = deep

++ 311 3 2 PO34/PR57:1

+++ 616 2 2 PG7/PY43

++ 508 1 1 PB27 Sap green

+++ 411 2 1 PBr7

+++ 512 2 1 PB29

+++ 530 4 1 PB15/PW6

Yellow green

Perm.green M

Emerald green

++ 617 3 1 PG7/PY74

++ 614 3 1 PG7/PY3

Chromium ox.green

Green earth

Olive green

Yellow ochre

+++ 654 4 2 PG7/PY43

+++ 668 4 2 PG17

+++ 629 2 1 PY43/PBr7/PB15

+++ 620 1 2 PG7/PY128

+++ 227 4 1 PY42

Light oxide red

Indian red

Raw umber

Burnt umber

+++ 408 2 1 PBr7

+++ 409 2 1 PBr7

+++ 339 4 1 PR101

+++ 347 4 2 PR101

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (47 colours) ++ = 25 - 100 years lightfast under museum conditions (19 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions

Transparency/opacity 1 = transparent (14 colours) 2 = semi-transparent (10 colours) 3 = semi-opaque (15 colours) 4 = opaque (9 colours)

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

1 = price series

267 = colour number

++ 615 4 1 PW6/PB15/PY3

Vandyke brown

+++ 403 3 1 PBr7/PBk9

= also available in tube of 200 ml PY3/PW6 = pigments used (see explanation on page 200)

ROYAL TALENS

55


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Van Gogh acrylic colours are a durable acrylic paint with high-quality pigments that can be used pure or thinned with water. Due to the short drying time it is possible to paint layer over layer quickly. Van Gogh acrylic colours are a versatile range with a rich palette of 40 colours. The paints are available in aluminium tubes and various sets and selection boxes. Van Gogh acrylic colours do justice to your creations.

Acrylic colour Van Gogh acrylic colours: Top quality Strong and intense colours High pigment content Heavy-body paint for clear brush-stroke Good to excellent lightfastness so that the colour is retained over time ●


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2205...0

VAN GOGH ACRYLIC COLOUR TUBE 40 ML Available in 40 colours

2207...0

VAN GOGH ACRYLIC COLOUR TUBE 150 ML Available in titanium white (105) and oxide black (735)


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22820511

VAN GOGH ACRYLIC COLOUR S TARTER SET 5X40 ML Contents: 5 tubes 40 ml

22820510

VAN GOGH ACRYLIC COLOUR BASIC SET 10X40 ML Contents: 10 tubes 40 ml

22820506

VAN GOGH ACRYLIC COLOUR COMBISET 10X40 ML Contents: 10 tubes 40 ml 1 bottle acrylic medium glossy 75 ml 2 Van Gogh brushes series 294 no. 10 and no. 4 (Gussow model, selected filament) double palette cup ●


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22840513

VAN GOGH ACRYLIC COLOUR BOX BASIC Contents: 10 tubes 40 ml 2 bottles Talens auxiliaries 75 ml: - Acrylic medium glossy - Acrylic varnish glossy 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) double palette cup wooden palette cleaning cloth ●

22840100

VAN GOGH ACRYLIC COLOUR BOX INSPIRATION Contents: 14 tubes 40 ml Van Gogh acrylic colour 2 bottles Talens auxiliaries 75 ml: - Acrylic medium glossy - Acrylic varnish glossy 2 Van Gogh brushes - series 294 no. 10 (Gussow model, polyester fibre) - series 295 no. 6 (round model, polyester fibre) painting knife no. 3014 double palette cup wooden palette cleaning cloth colour mixing brochure ●


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colour chart Van Gogh acrylic colour Titanium white

Azo yellow lemon

Azo yellow L

Azo yellow M

Azo yellow D

Naples yellow D

Naples yellow red

Azo orange

Vermilion

++ 267 3 PY3

++ 268 3 PY3/PY74

+++ 269 3 PY74

+++ 270 3 PY74/PO43

+++ 223 4 PW6/PY42/PY154

+++ 224 4 PW6/PY42/PO43

++ 276 3 PO34/PY74

++ 311 3 PO34

Naphthol red L

Naphthol red M

Carmine

Carmine D

Quinacridone rose

Perm. madder

Perm. red violet

Perm. blue violet

Ultramarine

++ 398 3 PR112/PO34

++ 396 3 PR112

++ 318 3 PR23

++ 322 2 PR12/PV19

+++ 366 1 PV19

+++ 336 2 PR264

+++ 567 2 PR122/PV23

+++ 568 2 PV23/PR122

+++ 504 1 PB29

Cobalt blue (ultram.)

Phthalo blue

Prussian bl.(phthalo)

Brilliant blue

Turquoise blue

Permanent green L

Permanent green M

Emerald green

Permanent green D

+++ 512 3 PB29/PB15

+++ 570 1 PB15

+++ 566 2 PB15/PBk11

+++ 564 4 PB15/PG7/PW6

+++ 522 4 PB15/PG7/PW6

+++ 618 3 PG7/PY74

+++ 614 3 PG7/PY74

+++ 615 4 PG7/PY74/PW6

+++ 619 1 PG7/PY128

Phthalo green

Sap green

Chromium ox.green

Yellow ochre L

Yellow ochre

Raw sienna

Burnt sienna

Light oxide red

Raw umber

+++ 675 1 PG7

++ 623 1 PG8

+++ 668 4 PG17

+++ 228 4 PBr24

+++ 227 4 PY42

+++ 234 2 PY42

+++ 411 2 PR101

+++ 339 4 PR101

+++ 408 2 PY42/PBk11

Burnt umber

Vandyke brown

Payne grey

Oxide black

+++ 409 2 PR101/PBk11

+++ 403 3 PBk11/PR101

+++ 708 3 PBk11/PB15/PV19

+++ 105 4 PW6

Explanations of the signs from left to right Example: Titanium white

+++ 105 4 PW6 Letter behind the colour name: L = light , M = medium, D = deep

+++ 735 4 PBk11

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (31 colours) ++ = 25 - 100 years lightfast under museum conditions (9 colours) + = 10 - 25 years lightfast under museum conditions ยบ = 0 - 10 years lightfast under museum conditions

Transparency/opacity 1 = transparent (6 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (14 colours) 4 = opaque (11 colours) 105 = colour number

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

Van Gogh acrylic colours can be used on all sorts of grounds providing they are grease-free and sufficiently absorbent. Talens offers a wide range of canvas stretchers (cotton, linen) of various types (stapled, nailed and 3D). Go to page 154 for the complete overview.

= also available in tube of 200 ml PW6 = pigments used (see explanation on page 200)


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Van Gogh water colour is a transparent paint with intense colours. All colours have the highest degree of lightfastness. The paint is easy to use. The purity allows the colours to be mixed easily and to be washed to create the finest of nuances. Lively colours are the result! The wide range of 40 colours is available in tubes and pans. There is also a wide choice of sets that are handy to take with you. Always ready for use.

Water colour Van Gogh water colour: high quality Easy colour transfer Strong and highly transparent colours Uniform viscosity of the various colours All colours are highly lightfast, even when thinned a great deal ●


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2086...0

VAN GOGH WATER COLOUR PAN Available in 40 colours 2001...0

VAN GOGH WATER COLOUR TUBE 10 ML Available in 40 colours

20820110

VAN GOGH WATER COLOUR BASIC SET 20C110 Contents: 10 tubes 10 ml

20808612

VAN GOGH WATER COLOUR POCKET BOX 20HP8612 Contents: 12 pans brush series 191 no. 6 (pointed model, round, selected filament) sponge ●

20800112

VAN GOGH WATER COLOUR PLAS TIC SET 20HP112 Contents: 12 tubes 10 ml brush series 191 no. 6 (pointed model, round, selected filament) sponge ●


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ROYAL TALENS

20808624

VAN GOGH WATER COLOUR PLAS TIC SET 20HP8624 Contents: 24 pans brush series 191 no. 6 (pointed model, round, selected filament) sponge ●

20808618

VAN GOGH WATER COLOUR PLAS TIC SET 20HP8618 Contents: 18 pans 2 tubes 10 ml Chinese white and Payne’s grey brush series 191 no. 6 (pointed model, round, selected filament) sponge ●

20838612

VAN GOGH WATER COLOUR METAL SET 20M8612 Contents: 12 pans reversible brush series 191 no. 3 (pointed model, round, selected filament) ●

20838624

VAN GOGH WATER COLOUR METAL SET 20M8624 Contents: 24 pans brush series 191 no. 6 (pointed model, round, selected filament) ●


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20848624

VAN GOGH WATER COLOUR BOX PANS GWC H8624 Contents: 24 Van Gogh water colour pans 2 Van Gogh brushes: - series 191 no. 4 (pointed model, round, polyester fibre) - series 171 no. 8 (round model, red sable hair) mixing palette ●

20840112

VAN GOGH WATER COLOUR BOX TUBES GWC H112 Contents: 12 tubes Van Gogh water colour 10 ml 2 Van Gogh brushes: - series 191 no. 4 (pointed model, round, selected filament) - series 171 no. 8 (round model, red sable hair) mixing palette ●


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colour chart Van Gogh water colour Chinese white

Perm.lemon yellow

Azo yellow L

Azo yellow M

Gamboge

Azo yellow D

Naples yellow red

Permanent orange

Vermilion

+++ 108 PW4

+++ 254 PY184

+++ 268 PY154

+++ 269 PY154/PO62

+++ 238 PY154/PR101

+++ 270 PY154/PO43

+++ 224 PY42/PO43

+++ 266 PY154/PO73

+++ 311 PR254/PY154

Permanent red L

Permanent red D

Madder lake L

Madder lake D

Quinacridone rose

Perm. red violet

Perm. blue violet

Ultramarine D

Cobalt bl. (ultram.)

+++ 370 PR254

+++ 371 PR254/PV19

+++ 327 PR264/PR254

+++ 331 PR264

+++ 366 PV19

+++ 567 PV19

+++ 568 PV19/PB29

+++ 506 PB29

+++ 512 PB29/PW6

Cerulean bl. (phthalo)

Phthalo blue

Prussian blue

Indigo

Perm. yellow green

Hooker green L

Hooker green D

Permanent green

Viridian

+++ 535 PB15/PW6

+++ 570 PB15

+++ 508 PB27

+++ 533 PB15/PBk6

+++ 633 PY154/PG7

+++ 644 PG7/PY154

+++ 645 PG7/PY154

+++ 662 PG7/PY154

+++ 616 PG7

Phthalo green

Sap green

Olive green

Yellow ochre

Raw sienna

Raw umber

Burnt sienna

Light oxide red

Burnt umber

+++ 675 PG7

+++ 623 PY129/PG7

+++ 620 PG7/PY154

+++ 227 PY42

+++ 234 PY42

+++ 408 PY42/PR101

+++ 411 PR101/PBk11

+++ 339 PR101

+++ 409 PR101/PBk6

Sepia

Vandyke brown

Payne grey

Ivory black

+++ 416 PBk7/PR101

+++ 403 PBk6/PR101

+++ 708 PBk6/PV19

+++ 701 PBk6/PBk9

Explanations of the signs from left to right Example: Azo yellow M

+++ 269 PY154/PO62 Letter behind the colour name: L = light , M = medium, D = deep

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (alle 40 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions ยบ = 0 - 10 years lightfast under museum conditions The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

For each painting technique the right brush. Talens offers a complete series of brushes in the Van Gogh range. Go to page 139 for a complete review.

PY154/PO62 = pigments used (see explanation on page 200)

ROYAL TALENS

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Pastels Van Gogh pastels come in two sorts: oil pastels and carrĂŠ pastels. Van Gogh oil pastels are made of pigment with fats and waxes as binding agent; available both separately and in assortment sets. Van Gogh carrĂŠ pastels fall under the dry pastels category. They are square in shape and are made of pigment and various types of clay; only available in assortment sets. Due to the various combinations of binding agents each type of pastel has its own look and applications.


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Carré pastels Van Gogh carré pastels have a handy square shape, are sturdy and less brittle. Dry sturdy pastels for all-round drawing Due to their square form suitable for both rough and detailed work Excellent washabilty Can also be used with water for water colour effects Good lightfastness for colour retention also in the long term ●

90820012

90820024

Contents: 12 carré pastels

Contents: 24 carré pastels

VAN GOGH CARRÉ PAS TELS S TARTER SET 90C12

VAN GOGH CARRÉ PAS TELS BASIC SET 90C24

90820048

VAN GOGH CARRÉ PAS TELS SET 48 COLOURS 90C48 Contents: 48 carré pastels

ROYAL TALENS

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Oil pastels Van Gogh oil pastels are characterised by their brilliant colours and softness, allowing them to easily transfer their colour and making them pleasant to work with. ●

Striking tinting strength and easy colour transfer Based on pure pigments, mineral oils and waxes Remarkably soft and do not give off dust Suitable for various grounds

9586...0

VAN GOGH OIL PAS TEL Available in 60 colours.

95860012

VAN GOGH OIL PAS TELS S TARTER SET 95C12 Contents: 12 Van Gogh oil pastels

95860024

VAN GOGH OIL PAS TELS BASIC SET 95C24 Contents: 24 Van Gogh oil pastels

95860061

VAN GOGH OIL PAS TELS SET 60 COLOURS 95C60 Contents: 60 Van Gogh oil pastels


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colour chart Van Gogh oil pastels White

Colourless

Lemon yellow

Light yellow

Light yellow

Yellow

Yellow

Deep yellow

Deep yellow

+++ 100.5 PW6

120.5 PW18

+++ 205.5 PY3

+++ 201.5 PY1

+++ 201.9 PY3/PY42

+++ 200.5 PY55

++ 200.9 PY1/PY42

+++ 202.5 PY3/PY152

+++ 202.9 PY3/PO43

Orange

Light orange

Vermilion

Scarlet

Scarlet

Scarlet

Carmine

Carmine

Deep rose

+++ 235.5 PY139/PO43

++ 236.5 PY55/PO13

+++ 311.5 PO13/PR9

+++ 334.5 PR170/PR112

+++ 334.7 PR112/PR168

++ 334.9 PO43/PR168

+++ 318.5 PV19/PB29

+++ 318.7 PV19/PR112

+++ 362.5 PV19

Violet

Blue violet

Blue violet

Red violet

Red violet

Ultramarine

Ultramarine

Ultramarine violet

Cerulean blue

+++ 536.5 PR122/PB29

+++ 548.5 PR122/PB29

+++ 548.7 PR122/PB29

+++ 545.7 PR101/PR122

++ 545.9 PV19/PR112

+++ 504.5 PB29

+++ 504.9 PB29

+++ 507.5 PV23/PB29

+++ 535.5 PB15/PG7

Cerulean blue

Phthalo blue

Phthalo blue

Prussian blue

Turquoise blue

Turquoise blue

Green yellow

Green yellow

Perm.green medium

+++ 535.7 PB15/PG7

+++ 570.3 PB27/PBk7

+++ 570.5 PB15/PB29

+++ 508.5 PB27

+++ 522.5 PB15/PG7

+++ 522.9 PB15/PG7

+++ 243.5 PY1/PY3/PB15

+++ 243.9 PY3/PB15:3

+++ 614.5 PY3/PB15:3

Perm.green medium

Viridian

Phthalo green

Sap green

Fir green

Yellow ochre

Yellow ochre

Raw sienna

Gold ochre

+++ 614.7 PY3/PG7

+++ 616.3 PB15/PG7

+++ 675.5 PY3/PG7

+++ 623.5 PY42/PR101/PBk7

+++ 654.5 PY42/PG7/PBk7

+++ 227.5 PY42

+++ 227.7 PY3/PY42

+++ 234.5 PY42/PO43

++ 231.5 PY42/PY55/PR101

Raw umber

Burnt sienna

Indian red

Burnt umber

Vandyke brown

Sepia

Silver

Light gold

Deep gold

+++ 408.5 PY42/PR101/PBk7

+++ 411.5 PR101

+++ 347.5 PV19/PR101

+++ 409.5 PY42/PR101/PBk7

+++ 403.5 PR101/PBk7

+++ 416.5 PR101/PBk7

+++ 800.5 PM1

+++ 802.5 PM1/PY42/PY55/PR101

+++ 803.5 PM1/PY42/PY55/PR101

Cold grey

Green grey

Warm grey

Warm grey

Black

Pearlescent white

+++ 717.7 PBk7/PW6

+++ 709.5 PY42/PB15/PBk7/PW6

+++ 718.5 PY42/PBk7/PW6

+++ 718.8 PY42/PBk7/PW6

+++ 700.5 PBk7

° 830.5 PW6/PW15/PW20

Explanations of the signs from left to right Example: Light yellow

+++ 201.5 PY1

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (53 colours) ++ = 25 - 100 years lightfast under museum conditions (5 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions (1 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

201,5 ,3 ,5 ,7/,8/,9

= colour number and tone = mixing shade with black = full shade = mixing shade with an increasing amount of white

PY1

= pigments used (see explanation on page 200)

ROYAL TALENS

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Under the Van Gogh brand a series of pencils is available: colour pencils, water colour pencils, pastel pencils and graphic sketch pencils. These pencils are unique due to their guaranteed lightfastness. Royal Talens has combined its expertise in the use of pigments in artists' colours with the specific properties of pencils. The result is a complete range of fine art pencils in various metal sets and selection boxes with the following properties:

Pencils ●

Excellent colour transfer and colour intensity Colours are retained due to the use of lightfast pigments Easy to use Made with care from wood cultivated in an ecological manner


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97730012

VAN GOGH COLOUR PENCILS S TARTER SET GCP M12 Contents: 12 colour pencils

97730024

VAN GOGH COLOUR PENCILS BASIC SET GCP M24 Contents: 24 colour pencils

Colour pencils sets ●

Guaranteed lightfastness Good colour release Choice of various metal sets and a selection box

97730036

VAN GOGH COLOUR PENCILS SET GCP M36 Contents: 36 colour pencils


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97730065

VAN GOGH COLOUR PENCILS COMPLETE SET GCP M60 Contents: 60 colour pencils

97730064

VAN GOGH COLOUR PENCILS BOX GCP H60 Contents: 60 Van Gogh colour pencils (complete range) kneadable eraser sharpener ●


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97750049

VAN GOGH PAS TEL PENCILS BOX GPP H45 Contents: 45 Van Gogh pastel pencils (complete range) 6 Van Gogh Special sketch pencils stump kneadable eraser sharpener ●

97750012

VAN GOGH PAS TEL PENCILS S TARTER SET GPP M12 Contents: 12 pastel pencils

Pastel pencils sets ●

Guaranteed lightfast Extremely soft pastel pencils Choice of various metal sets and a selection box

97750024

VAN GOGH PAS TEL PENCILS BASIC SET GPP M24 Contents: 24 pastel pencils


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97740012

VAN GOGH WATER COLOUR PENCILS S TARTER SET GWCP M12 Contents: 12 water colour pencils

97740024

VAN GOGH WATER COLOUR PENCILS BASIC SET GWCP M24 Contents: 24 water colour pencils

Water colour pencils sets ●

Guaranteed lightfast Good colour release and perfectly water-soluble Choice of various metal sets and a selection box

97740036

VAN GOGH WATER COLOUR PENCILS SET GWCP M36 Contents: 36 water colour pencils


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97740065

VAN GOGH WATER COLOUR PENCILS SET GWCP M60 Contents: 60 water colour pencils (complete range)

97740064

VAN GOGH WATER COLOUR PENCILS BOX H60 Contents: 60 Van Gogh water colour pencils (complete range) Van Gogh brush series 191 no. 8 (pointed model, round, selected filament) kneadable eraser sharpener ●


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97760013

VAN GOGH SKETCH PENCILS SET GSP M12S Contents: 12 special sketch pencils

97760024

VAN GOGH SKETCH PENCILS SET GSP M24 Contents: 24 graphic and special sketch pencils

Sketch pencils sets ●

Guaranteed lightfastness Good colour release Choice of various metal sets 97760012

VAN GOGH SKETCH PENCILS SET GSP M12G Contents: 12 graphic sketch pencils


12-11-2010

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77

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11:59

Pagina 78


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ROYAL

TAL EN S

79

Those who paint with acrylic colours become inspired by Amsterdam of Royal Talens. Amsterdam, the acrylic brand par excellence, offers serious users everything they need. Whether it is an extensive palette of basic colours, a more advanced palette or a complete range of auxiliaries. Amsterdam has it all.

A MST ERDA M

T H O S E W H O PA I N T W I T H AC RY L I C C O LO U R S B E C O M E INSPIRED BY AMSTERDAM


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Extra fine quality The strong facets of you and the Amsterdam Expert Series. When you work with acrylic colours there comes a time when you expect more of yourself and of your paint. Then there is the Amsterdam Expert Series. A carefully selected acrylic paint, the result of pure craftsmanship and made of the best ingredients.

Expert Series Inspiring properties • Heavy-body paint, suitable for working with brush as well as painting knife • High degree of the purest pigments which guarantees strong and intense colours • The highest degree of lightfastness (+++), the original colour remains unchanged for at least 100 years (under museum conditions)

• A group of colours with authentic, very exclusive pigments • Many colours are mono-pigmented, thereby producing the purest colours when mixed • Exceptionally durable and flexible paint film due to the basis of 100% acrylic resin • Uniform degree of gloss, therefore no undesired differences in gloss


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1911...0

AMS TERDAM EXPERT SERIES TUBE 75 ML Available in 70 colours

1915...0

AMS TERDAM EXPERT SERIES TUBE 150 ML Available in 70 colours

1974...0

AMS TERDAM EXPERT SERIES BOTTLE 400 ML Available in 40 colours


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colour chart Amsterdam Expert Series Titanium white

Zinc white

Titanium buff

Titanium buff deep

Naples yellow red light

Perm.lemon yellow L

Cadmium yellow lemon

Perm. lemon yellow

Cadm. yellow lt

+++ 105 4 1 PW6

+++ 104 2 1 PW7

+++ 291 4 2 PW6/PY42/PBk11

+++ 290 4 2 PW6/ PY42/PBk11

+++ 292 4 2 PW6/ PY42/PV19

+++ 217 3 2 PY184/PW6

+++ 207 4 4 PY35

+++ 254 3 3 PY184

+++ 208 4 4 PY35

Cadmium yellow M

Permanent yellow M

Transp.yellow medium

Aureoline

Cadmium yellow D

Perm. yellow deep

Transparant orange

Permanent orange

Cadmium orange

+++ 271 4 4 PY35

+++ 284 3 2 PY74

+++ 272 1 3 PY128

+++ 242 3 3 PY74/PO73/PW6

+++ 210 44 PY35/PO20

+++ 285 3 3 PY74/PO43

+++ 218 1 3 PY128/PR209

+++ 266 3 3 PO73/PY74

+++ 211 4 4 PO20

Vermilion

Cadmium red light

Cadm. red medium

Pyrrole red

Transp.red medium

Cadmium red deep

Pyrrole red deep

Quinacridone rose

Carmine

+++ 311 3 3 PO73

+++ 303 4 4 PR108

+++ 314 4 4 PR108

+++ 315 3 3 PR254

+++ 317 1 3 PR209

+++ 306 4 4 PR108

+++ 345 3 3 PR254/PR264

+++ 366 1 3 PV19

+++ 318 2 3 PR264

Permanent madder

Carmine deep

Quina rose dp opaq.

Quina rose lt opaq.

Permanent red violet

Mauve

Perm.red viol. opaque

Perm.violet opaque

Perm.blue viol.opaque

+++ 336 2 3 PR264/PV23

+++ 322 2 3 PR264/PV23

+++ 363 4 2 PV19/PW6

+++ 346 4 2 PV19/PW6

+++ 567 2 3 PR122/PV23

+++ 532 4 2 PV19/PV23/PW6

+++ 590 4 3 PV19/PV23/PW6

+++589 4 3 PV19/PV23/PW6

+++ 581 4 3 PV23/PV19/PW6

Perm. blue violet

Ultramarine

Cobalt blue dp. (ultram.)

Cobaltblue lt (ultram.)

Indigo

Cobalt blue

King’s blue

Phthalo blue

Indanthr. blue phth.

+++ 568 2 3 PV23/PR122

+++ 504 1 3 PB29

+++ 518 3 2 PB29/PB15

+++ 516 4 2 PB29/PW6

+++ 533 2 2 PB29/PBk7

+++ 511 3 4 PB28

+++ 517 4 2 PB29/PB15/PW6

+++ 570 1 3 PB15

+++ 521 4 2 PB15/PB29/PW6

Prussian blue (phth.)

Sèvres blue

Sky blue

Turquoise blue

Phthalo turq.blue

Turquoise green

Permanent green deep

Perm.green light

Yellow green

+++ 566 2 3 PB15/PBk11

+++ 530 4 3 PB15/PG7/PW6

+++ 527 4 2 PW6/ PB15

+++ 522 4 2 PB15/ PG7/PW6

+++ 565 1 3 PB15/PG7

+++ 661 4 2 PG7/PB15/PW6

+++ 619 3 3 PG7/PY74

+++ 618 4 2 PG7/PY74

+++ 617 3 3 PG7/PY74

Green yellow light

Olive green

Chromium ox.green

Sap green

Light oxide red

Burnt sienna

Yellow ochre

Raw sienna

Transp. ox.yellow

+++ 219 3 2 PY184/PW6

+++ 620 2 3 PG7/PR101

+++ 668 4 3 PG17

+++ 623 2 2 PG7/PY42/PR101

+++ 339 4 3 PR101

+++ 411 2 2 PR101

+++ 227 4 2 PY42

+++ 234 2 3 PY42

+++ 265 1 3 PY42

Transparant ox.brown

Raw umber

Burnt umber

Vandyke brown

Payne grey

Oxide black

Ivory black

+++ 426 1 3 PR101/PG7

+++ 408 2 2 PY42/PBk11

+++ 409 2 2 PR101/PBk11

+++ 403 3 2 PBk11/ PR101

+++ 708 4 2 PB29/PBk7/PV19/PW6

+++ 735 4 1 PBk11

+++ 701 4 1 PBk9

Explanations of the signs from left to right Example: King’s blue

+++ 517 4 2 PB29/PB15/PW6

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (all 70 colours) ++ = 25 - 100 years lightfast under museum conditions + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions

transparency/opacity 1 = transparent (9 colours) 2 = semi-transparent (14 colours) 3 = semi-opaque (15 colours) 4 = opaque (32 colours) 517 = colour number 2 = price series

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

PB29/PB15/PW6 = pigments used (see explanation on page 200) = available in bottle 400 ml


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A wide selection of colours Amsterdam Standard Series offers everything an acrylic painter needs. An excellent-quality acrylic paint and an enormous range of colours.

Standard Series The characteristics: • A very high level of lightfastness, thanks to the use of pure and non-fading pigments. Even after several decades the works of art retain their original colour • An exceptionally durable paint film (the binding agent consists of 100% acrylic resin), for an everlasting result • Alkali resistant, and consequently suitable for wall paintings

Ease of use • The paint can be thinned easily with water • Short drying time: thin films of paint dry within half an hour • The specific preparation method makes the paint practically odourless


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1709...2

AMS TERDAM S TANDARD SERIES TUBE 120 ML Available in 70 colours

1772...2

AMS TERDAM S TANDARD SERIES BOTTLE 500 ML Available in 50 colours

1712...0

AMS TERDAM S TANDARD SERIES TUBE 250 ML Available in 70 colours 1771...2

AMS TERDAM S TANDARD SERIES BOTTLE 1000 ML Available in 40 colours


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17790905

AMS TERDAM S TANDARD SERIES PRIMARY SET 17800905

AMS TERDAM S TANDARD SERIES SET + 3 DOSING NOZZLES

Contents: 5 x 120 ml tubes: titanium white, primar y yellow, primar y magenta, primar y cyan, oxide black

Contents: 5 x 120 ml tubes and three dosing nozzles titanium white, primar y yellow, primar y magenta, primar y cyan, oxide black

17790904

AMS TERDAM S TANDARD SERIES MIXING SET Contents: 5 x 120 ml tubes: titanium white, azo yellow light, naphtol red medium, ultramarine, oxide black.


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colour chart Amsterdam Standard Series Zinc white

+++ 104 2 PW7

Titanium white

+++ 105 4 PW6

Nick.titan.yellow

+++ 274 4 PY53

Green yellow

+++ 243 3 PY74/PG7

Azo orange

++ 276 3 PO34/ PY74

Vermilion

++ 311 3 PO34/ PY74

Perm.red purple

Quinacridone rose

+++ 348 2 PV19

+++ 366 3 PV19

Perm. blue violet

Utramarine violet

Titanium buff L

+++ 289 4 PW6/PY42 Azo yellow lemon

++ 267 3 PY3 Naphthol red L

++ 398 3 PR112/ PY74

Titanium buff D

+++ 290 4 PW6/ PR101/ PBk11 Primary yellow

++ 275 3 PY3/ PY74 Naphthol red M

++ 396 3 PR112

Venetian rose

Persian rose

++ 316 4 PW6/ PR112/ PY42

+++ 330 4 PW6/ PV19/PR101

Utramarine violet L

Grey blue

+++ 568 2 PV23/ PV19

+++ 507 4 PV15/ PW6

+++ 519 4 PW6/ PB29

+++ 562 4 PW6/ PB15/ PBk7

King’s blue

Brilliant blue

Sky blue light

Prussian blue (phth.)

+++ 564 4 PB15/PG7/PW6

+++ 551 4 PW6/ PB15/ PG7

Emerald green

Perm. green deep

+++ 517 4 PW6/ PB15 Perm. green light

+++ 618 3 PG7/ PY74 Burnt sienna

+++ 411 2 PR101

+++ 615 4 PG7/ PY74/ PW6 Burnt umber

+++ 409 3 PR101/ PBk11

Explanations of the signs from left to right Example: Gold yellow

++ 253 4 PY74/PO34/PW6 Letter behind the colour name: L = light , M = medium, D = deep

+++ 619 2 PG7/ PY74 Vandyke brown

+++ 403 3 PBk11/ PR101

+++ 566 2 PB15/ PBk7

Naples yellow L

Naples yellow green

Naples yellow D

Naples yellow red L

Naples yellow red

+++ 222 4 PW6/ PY42

+++ 282 4 PW6/ PY42/ PG7

+++ 223 4 PW6/PBr24/PY154

+++ 292 4 PW6/PY42/PR101

+++ 224 4 PW6/PBr24/PO73

Azo yellow L

Transp.yellow M

Azo yellow M

Azo yellow deep

Gold yellow

+++ 268 3 PY74 Transp.red M

+++ 317 1 PR209 Light rose

+++ 361 4 PV19/PW6 Utramarine

+++ 504 1 PB29 Green blue

+++ 557 1 PB15/ PG7

Olive green light

Olive green deep

+++ 621 3 PG7/ PY74/ PY42

+++ 622 4 PG7/ PY42/ PR101

Warm grey

Neutral grey

+++ 718 4 PW6/ PBk11/ PR101

+++ 710 4 PW6/ PBk7/ PY42

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (57 colours) ++ = 25 - 100 years lightfast under museum conditions (13 colours) + = 10 - 25 years lightfast under museum conditions º = 0 - 10 years lightfast under museum conditions

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

+++ 272 1 PY128

++ 269 3 PY74

Pyrrole red

Naphthol red D

+++ 315 3 PR254

++ 399 3 PR112/PR23

++ 270 3 PY74/PO34 Carmine

++ 318 3 PR23

++ 253 4 PY74/PO34/PW6 Primary magenta

+++ 369 1 PV19

Quinacridone rose L

Perm. red violet L

Perm. red violet

Caput mort. violet

+++ 385 4 PV19/PW6

+++ 577 4 PR122/PW6

+++ 567 1 PV19/PV23

+++ 344 3 PV19/PBk7/PW6

Primary cyan

Phthalo blue

Cobalt blue (ultram.)

+++ 512 3 PB29

+++ 572 2 PB15/PW6

Turquoise blue

Turquoise green

+++ 522 4 PB15/PG7/PW6

+++ 661 4 PW6/PG7/PB15

Sap green

Yellow ochre

++ 623 1 PG8

+++ 227 4 PY42

Lamp black

+++ 702 4 PBk7

+++ 570 1 PB15 Yellow green

Mangan. bl. phthalo

+++ 582 2 PB15/PG7 Brilliant green

+++ 617 3 PG7/PY74

+++ 605 3 PG7/PY74

Gold ochre

Raw sienna

+++ 231 3 PR101/PY74

+++ 234 4 PY42

Oxide black

+++ 735 4 PBk11

transparency/opacity 1 = transparent (8 colours) 2 = semi-transparent (9 colours) 3 = semi-opaque (22 colours) 4 = opaque (31 colours) 253 = colour number

PY74/PO34/PW6 = pigments used (see explanation on page 200) available in tube 120 ml available in tube 250 ml available in bottle 500 ml available in bottle 1000 ml


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1709...2

AMS TERDAM S TANDARD SERIES SPECIALTIES TUBE 120 ML Available in 10 colours

Discover the possibilities of the metallic and fluorescent colours of Amsterdam Specialties – also in combination with the other 70 colours of the Amsterdam Standard Series. Range of 10 special colours • 6 metallics: silver, light gold, deep gold, copper, bronze and pewter • 4 fluorescent colours (reflex colours): reflex yellow, reflex orange, reflex rose and reflex green • The Specialties range offers the acrylic painter the possibility to realise new striking effects • Special colours of a reliable, good-quality brand • The Specialties can be combined perfectly with the other 70 colours of the Amsterdam Standard Series • Also easy to use with the Amsterdam dosing nozzle • The complete range is available in 120 ml tube • The 3 metallics silver, light gold and deep gold are also available in 500 ml bottle

1772...2

AMS TERDAM S TANDARD SERIES SPECIALTIES BOTTLE 500 ML Available in 3 colours

Standard Series Specialties Reflex yellow

Reflex orange

º256 2

Explanations of the signs from left to right Example: Light gold

º257 2

Reflex rose

º384 2

Reflex green

º672 2

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (6 colours) º = 0 - 10 years lightfast under museum conditions (4 colours)

Silver

Light gold

Deep gold

Copper

Bronze

Pewter

+++800 3 PW6/PW15/PW20/PBk11

+++802 3 PW6/PW20/PR101

+++803 3 PW6/PW20/PR101

+++805 3 PW6/PW20/PR101

+++811 3 PW20/PR101

+++815 3 PW6/PW15/PW20/PBk11

transparency/Opacity 2 = semi-transparent (4 colours) 3 = semi-opaque (6 colours)

PW6/PW20/PR1016 = pigments used (see explanation on page 200) available in tube 120 ml

802 = colour number available in bottle 500 ml

+++802 3 PW6/PW20/PR101

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303


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Auxiliaries Besides a wide range of colours Amsterdam All Acrylics also offers a wide range of auxiliaries for achieving special effects. Mediums Acrylic medium gloss Acrylic medium matt Gel medium gloss Gel medium matt Heavy gel medium gloss Heavy gel medium matt Extra heavy gel medium gloss Extra heavy gel medium matt Acrylic thickening medium

Product code 012 117 094 080 015 020 021 022 040

75 ml 24282... 24282...

250 ml 24302... 24302... 24122... 24122... 24122... 24122... 24122... 24122... 24122...

1000 ml 24322... 24192... 24192... 24192... 24192... 24192... 24192...


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AMS TERDAM ACRYLIC MEDIUM GLOSSY 012

AMS TERDAM ACRYLIC MEDIUM MATT 117

Purpose: Thinning acr ylic colours and retaining the durability of the paint film Composition: Acr ylic resin dispersion

Purpose: Thinning acr ylic colours and reducing the degree of gloss while retaining the durability of the paint film Composition: Acr ylic resin dispersion, matting agent (silica)

Qualities: Milky white product, dries to a colourless and transparent finish Increases the degree of gloss Does not affect the dr ying time Increases the flexibility of the paint film Can be thinned with water Waterproof when dr y Suitable for glazing technique with acr ylic colours Apply at temperatures above 10 ºC, do not freeze

Qualities: Milky white product, dries to a colourless and transparent finish Gives a satin gloss Does not affect the dr ying time Increases the flexibility of the paint film Can be thinned with water Waterproof when dr y Suitable for glazing techniques with acr ylic colours Apply at temperatures above 10 ºC, do not freeze

● ● ● ● ● ● ● ●

● ● ● ● ● ● ● ●

AMS TERDAM GEL MEDIUM GLOSSY 094

AMS TERDAM GEL MEDIUM MATT 080

Purpose: Increasing the gloss and transparency of acrylic colours while retaining the viscosity. Gluing all sorts of materials Composition: Acrylic resin dispersion, thickening compounds

Purpose: Reducing the gloss and increasing the transparency of acrylic colours whilst retaining the viscosity. Gluing all sorts of materials Composition: Acrylic resin dispersion, thickening compounds, matting agent (silica)

Qualities: Milky white product, dries to a colourless and transparent finish Apply at temperatures above 10 ºC, do not freeze

Qualities: Milky white product, dries to a colourless and transparent finish Apply at temperatures above 10 ºC, do not freeze

● ●

Mediums AMS TERDAM ACRYLIC THICKENING MEDIUM 040 Purpose: Increasing the viscosity and brush stroke of acr ylic colours without affecting the intensity and opaqueness of the paint Composition: Acr ylate thickener in water Qualities: Add in ver y small quantities Mix ver y well with a painting knife Reduces the gloss Only use in combination with acr ylic colours, not suitable for gluing materials Apply at temperatures above 10 ºC, do not freeze ●


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AMS TERDAM HEAVY GEL MEDIUM GLOSSY 015

AMS TERDAM HEAVY GEL MEDIUM MATT 020

Purpose: Increasing the viscosity, gloss and transparency of acr ylic colours Composition: Acr ylic resin dispersion, thickening compounds

Purpose: Increasing the viscosity and transparency of acr ylic colours, reducing the gloss Composition: Acr ylic resin dispersion, thickening compounds, matting agent (silica)

Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours thicker Increases the brush stroke Enables the application in one stroke of extremely thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●

Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours pasty Increases the brush stroke Enables the application in one stroke of extremely thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●

AMS TERDAM EXTRA HEAVY GEL MEDIUM GLOSSY 021

AMS TERDAM EXTRA HEAVY GEL MEDIUM MATT 022

Purpose: Increasing the viscosity, gloss and transparency of acr ylic colours Composition: Acr ylic resin dispersion, thickening compounds

Purpose: Increasing the viscosity and transparency of acr ylic colours, reducing the gloss Composition: Acr ylic resin dispersion, thickening compounds, matting agent (silica)

Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours ver y thick Increases the brush stroke considerably Makes it possible to apply ver y thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●

Qualities: Milky white product, dries to a colourless and transparent finish Makes acr ylic colours ver y thick Increases the brush stroke considerably Makes it possible to apply ver y thick layers of acr ylic colour Also suitable for gluing all kinds of materials Apply at temperatures above 10 ºC, do not freeze ●


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91 Product code 013 070 005 Product code 003

75 ml 24282... 24282...

1000 ml

24192... 1000 ml 24192...

250 ml 24122...

AMS TERDAM ACRYLIC RETARDER 070 Purpose: Delaying dr ying of acr ylic colours Composition: Slowly evaporating polyhydric alcohol Qualities: Increases the dr ying time for acr ylic colours by maximum 20% Completely evaporates from the acr ylic paint Use sparingly (the thinned acr ylic paint may not contain more than 5% Acr ylic retarder) Can be thinned with water ●

AMS TERDAM ACRYLIC REMOVER 013 Purpose: Removing dried acr ylic paint from brushes Composition: Solvent of natural origin Qualities: Completely biodegradable Soak hair bundle of brush with dried paint remnants for ± 1 hour Wash off cleaned materials with water and soap and then rinse Not suitable for removing dried layers of varnish; can damage the acr ylic paint Can cause irritation ●

AMS TERDAM ACRYLIC BINDER 005 Purpose: Making acrylic colours, durable gluing of various materials during collage techniques and reducing the absorption of absorbent grounds (presizing) Composition: Acr ylic resin dispersion Qualities: Dries quickly and produces an elastic, water-resistant, colourless and transparent film Alkali-resistant, suitable for walls Adheres on all grease-free and dust-free, somewhat absorbent grounds Can be painted over with acr ylic colours and Gesso Clean utensils with water Apply at temperatures above 10 ºC Do not freeze ●

Auxiliaries - miscellaneous AMS TERDAM MODELING PAS TE 1003 Purpose: Making relief grounds Composition: Synthetic dispersion, thickening agents, titanium dioxide Qualities: Can be overpainted with oil or acr ylic colours Dries in a few hours, depending on the layer thickness Can be mixed with acr ylic colours, Gel medium and Acr ylic mediums Can be thinned with water Waterproof and non-yellowing Clean utensils with water Apply at temperatures above 10 ºC, do not freeze ●

ROYAL TALENS

Auxiliaries - miscellaneous Acrylic remover Acrylic retarder Acrylic binder Primers Modeling paste


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Varnishes Varnishes Acrylic varnish gloss Acrylic varnish matt

Product code 114 115

75 ml 24282... 24282...

AMS TERDAM ACRYLIC VARNISH GLOSSY 114 Purpose: Durable protection of acr ylic colour paintings (final varnish) Composition: Acrylic resin, white spirit, turpentine-oil acrylate resin Qualities: Apply after the paint film has completely dried (with normal film thickness of 4 to 5 days) Dr y within a few hours Does not yellow Mixing with Acr ylic varnish matt 115 decreases the degree of gloss Can be thinned with white spirit, clean brushes with white spirit Dr y varnish layers can be removed with white spirit Flammable (in spray can extremely flammable) ●

AMS TERDAM ACRYLIC VARNISH MATT 115 Purpose: Durable protection of an oil painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine-oil, matting agents (silicas) Qualities: Apply when paint film has completely dried (with normal film thickness 4 to 5 days) With a brush apply in one layer and in one direction Dries in a few hours Does not yellow Gives a matt appearance Mixing with Acr ylic varnish gloss 114 increases the degree of gloss Can be thinned with white spirit, clean brushes with white spirit Dr y layers of varnish can be removed with white spirit Shake well before use Flammable (in spray can: extremely flammable) ●

250 ml 24302... 24302...

1000 ml 24322... 24322...

400 ml 95162013 95162014


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Accessories

90673550

AMS TERDAM TEAR-OFF PALETTE ●

91841709

AMS TERDAM DOSING NOZZLES This makes it ver y easy to paint straight from the tube. The dosing nozzle can be easily sealed and fits onto the 75 ml, 120 ml and 150 ml tubes. Contents: 5 nozzles

35 x 50 cm Always a clean palette 30 sheet special paper (85 grams) with a smooth surface for easy mixing Suitable oil colour, acr ylic colour, water colour and gouache

ROYAL TALENS

93


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Oil colour • Well-balanced basic range of oil colours in large packaging • Good to very good degree of lightfastness through use of quality pigments • All 35 colours have a uniform degree of gloss and drying time


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2618...0

AMS TERDAM OIL COLOURS CAN 500 ML 2608...1

Available in 28 colours (with the exception of the 7 colours indicated with •)

AMS TERDAM OIL COLOURS TUBE 200 ML Available in 35 colours

colour chart Amsterdam oil colour Zinc white

Titanium white

Titanium white

Azo yellow lemon

Azo yellow L

Azo yellow M

Azo yellow D

Azo orange

Naples yellow D

+++ 104 3 PW4

+++ 105 4 PW6/PW4

+++ 118 3 PW6/PW4

++ 267 3 PY3

++ 268 3 PY3/PY74

++ 269 3 PY74

++ 270 3 PY74/PO43

++ 276 3 PO67/PY3

+++ 223 4 PW6/PY154/PBr24

Naples yellow red

Azo red L

Azo red M

Azo red D

Madder lake D

Quinacridone rose

Violet

Ultramarine

Cobalt blue (ultram.)

+++ 224 4 PW6/PBr24/PO43

++ 312 3 PO34

++ 393 3 PO34/PR57:1

++ 313 3 PO34/PR57:1

++ 331 1 PR83

+++ 366 1 PV19

++ 536 2 PV23/PV19

+++ 504 1 PB29

+++ 512 2 PB29

Cerulean bl.phthalo

Phthalo blue

Prussian blue

Turquoise blue

Yellow green

Permanent green M

Emerald green

Phthalo green

Sap green

++ 508 1 PB27

+++ 522 4 PW6/PB15/PG7

++ 617 3 PG7/PY74

++ 614 3 PG7/PY3

++ 615 4 PW6/PY3/PG7

+++ 675 2 PG7

Burnt sienna

Burnt umber

Ivory black

+++ 411 2 PBr7

+++ 409 2 PG7

+++ 701 4 PBk9

+++ 535 4 PB15/PW6

+++ 570 1 PB15

Green earth

Yellow ochre

Raw sienna

Raw umber

Light oxide red

+++ 629 2 PY43/PBr24/PB15

+++ 227 4 PY42

+++ 234 2 PY43

+++ 408 2 PBr7

+++ 339 4 PR101

Explanations of the signs from left to right Example: Azo yellow lemon

++ 267 3 PY3 Letter behind the colour name: L = light , M = medium, D = deep

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (20 colours) ++ = 25-100 years lightfast under museum conditions (15 colours)

transparency/opacity 1 = transparent (6 colours) 2 = semi-transparent (8 colours) 3 = semi-opaque (11 colours) 4 = opaque (10 colours)

The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

267 = colour number

++ 623 1 PG8

PY3 = pigments used (see explanation on page 200)


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Pagina 96


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EXPRESS YOURSELF WITH THE GREATEST OF EASE

Whether experienced or not, an artist wants good materials for the best possible price. ArtCreation is a concept that has been specially developed for the artist who is looking for value for money. The ArtCreation brand consists of three sub-brands. ArtCreation Expression for the starting artist or gift items for beginners. Experienced artists can opt for ArtCreation Essentials. ArtCreation Elements provide supporting products.


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ArtCreation Expression is ideal for beginners. The range consists of various sets with several ranges of colours and a step-by-step plan that is simple to follow. All you need is a set and a few extra auxiliaries to get started. This makes ArtCreation Expression a challenge to work with and an inspirational gift to receive. ArtCreation Expression is available in oil colour, acrylic colour, water colour and gouache. Oil paint is a traditional paint that has been used since the 15th century. It is a versatile paint with which you can paint both in thin and very thick layers. Oil colour is characterized by, for example, its intense colour that does not get either darker or lighter when drying.

Oil colour

9010108M 9010108M

ARTCREATION EXPRESSION OIL COLOUR SET 8 X 12 ML

ARTCREATION EXPRESSION OIL COLOUR SET HANGING 8 X 12 ML


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9010112M

ARTCREATION EXPRESSION OIL COLOUR SET 12 X 12 ML

9020112M

ARTCREATION EXPRESSION OIL COLOUR SET HANGING 12 X 12 ML

9010124M

ARTCREATION EXPRESSION OIL COLOUR SET 24 X 12 ML 9020124M

ARTCREATION EXPRESSION OIL COLOUR SET HANGING 24 X 12 ML

9010113M

ARTCREATION EXPRESSION OIL COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes oil colour, table easel, stretched canvas 24 x 30 cm, 2 brushes, tear-off palette


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9021708M

ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 8 X 12 ML

9011708M

ARTCREATION EXPRESSION ACRYLIC COLOUR SET 8 X 12 ML

9021712M 9011712M

ARTCREATION EXPRESSION ACRYLIC COLOUR SET 12 X 12 ML

ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 12 X 12 ML

Acrylic colour Acrylic colours are a modern and versatile paint that can be used in various ways. The colours are easy to mix and you can use them on many different grounds such as artists' canvas and paper. Plaster, board, wood, stone and cement provide good grounds as well.


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9011724M

ARTCREATION EXPRESSION ACRYLIC COLOUR SET 24 X 12 ML

9021724M

ARTCREATION EXPRESSION ACRYLIC COLOUR SET HANGING 24 X 12 ML

9011713M

ARTCREATION EXPRESSION ACRYLIC COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes acrylic colour, table easel, stretched canvas 24 x 30 cm, 2 brushes, tear-off palette


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9022008M

ARTCREATION EXPRESSION WATER COLOUR SET HANGING 8 X 12 ML

9012008M

ARTCREATION EXPRESSION WATER COLOUR SET 8 X 12 ML

9012012M

ARTCREATION EXPRESSION WATER COLOUR SET 12 X 12 ML

9022012M

ARTCREATION EXPRESSION WATER COLOUR SET HANGING 12 X 12 ML

Water colour Water colour is a transparent paint that is applied thinned with water. The more water you use, the lighter the colour of the paint. As a result many transparent layers can be applied on top of one another.


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9012024M

ARTCREATION EXPRESSION WATER COLOUR SET 24 X 12 ML

9012013M

ARTCREATION EXPRESSION WATER COLOUR COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes water colour, A4 paper pad, 2 brushes, mixing tray, pencil, kneadable eraser

9022024M

ARTCREATION EXPRESSION WATER COLOUR SET HANGING 24 X 12 ML


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9021608M

ARTCREATION EXPRESSION GOUACHE SET HANGING 8 X 12 ML

9011608M

ARTCREATION EXPRESSION GOUACHE SET 8 X 12 ML

9011612M

ARTCREATION EXPRESSION GOUACHE SET 12 X 12 ML

9021612M

ARTCREATION EXPRESSION GOUACHE SET HANGING 12 X 12 ML

Gouache Gouache is an opaque paint that is thinned with water, with which you can paint matt sections without leaving stripes. Because this paint dries within several minutes, it is highly practical to use. The paint can be used on many grounds, such as paper, carton and wood. Gouache is known for its colour intensity.


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9011624M

ARTCREATION EXPRESSION GOUACHE SET 24 X 12 ML

9011613M

ARTCREATION EXPRESSION GOUACHE COMBISET 12 X 12 ML Contents: 12 x 12 ml tubes gouache, paper pad A4, 2 brushes, mixing tray, pencil, kneadable eraser

9021624M

ARTCREATION EXPRESSION GOUACHE SET HANGING 24 X 12 ML


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ArtCreation Essentials is especially for the experienced artist and provides a trusted quality acrylic colour at a good price. It consists of a range of 38 colours and is available in generous packaging. ArtCreation Essentials is a reliable quality acrylic paint which is 100% based on acrylic resin. The paint is pasty, has a silky sheen when dry and can be painted over quickly. ArtCreation Essentials can be used both straight from the tube and thinned with water. The paint is waterproof when dry. Due to its adhesive properties this paint allows you to work on any somewhat absorbent ground that is free of grease and dust, such as canvas and paper, as well as plaster, board, wood, stone and cement.

Acrylic colour

3511...M

ARTCREATION ESSENTIALS ACRYLIC COLOUR TUBE 75 ML Available in 38 colours

3574...M

ARTCREATION ESSENTIALS ACRYLIC COLOUR BOTTLE 750 ML Available in 18 colours


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3582806M

ARTCREATION ESSENTIALS ACRYLIC COLOUR SET 6 X TUBE 75 ML

3582812M

ARTCREATION ESSENTIALS ACRYLIC COLOUR SET 12 X TUBE 75 ML

colour chart ArtCreation Essentials acrylic Titanium white

Titanium buff deep

Naples yellow deep

Naples yellow red light

Greenish yellow

Azo yellow lemon

Primary yellow

Azo yellow deep

Azo orange

105 +++ 4 PW6

290 +++ 4 PY42, PBk11, PW6

223 +++ 4 PY42, PW6

292 +++ 4 PY42, PR101, PW6

243 +++ 3 PY3, PG7

267 +++ 3 PY3

275 ++ 3 PY1, PY3

270 ++ 3 PY1, PO34

276 ++ 3 PO34, PY3

Naphthol red light

Naphthol red medium

Carmine

Primary magenta

Perm. red violet light

Permanent red violet

Permanent blue violet

Greyish blue

Ultramarine

398 + 3 PR21, PY1

396 ° 3 PR21

318 ° 3 PR21, PR13

369 +++ 3 PV19

577 +++ 3 PR122, PW6

567 +++ 3 PR122, PB29

568 +++ 3 PV23

562 +++ 4 PB29, PBk11

504 +++ 2 PB29

Cobalt blue (ultram.)

Primary cyan

Phthalo blue

Brilliant blue

Turquoise green

Yellowish green

Permanent green light

Emerald green

Permanent green deep

512 +++ 3 PB29, PW6

572 +++ 3 PB15

570 +++ 2 PB15

564 +++ 3 PB15, PG7, PW6

661 +++ 3 PG7, PB15, PW6

617 +++ 3 PY3, PG7

618 ++ 3 PY1, PY3, PG7

615 +++ 3 PG7, PY3

619 +++ 3 PG7, PY1

Viridian

Sap green

Yellow ochre

Raw sienna

Burnt sienna

Burnt umber

Vandyke brown

Neutral grey

Ivory black

616 +++ 2 PG7

623 +++ 3 PG7, PY3, PY42

227 +++ 3 PY42

403 +++ 4 PR101, PBk11, PY42

710 +++ 4 PY42, PBk11, PW6

701 +++ 4 PBk11

Silver

Gold

800 +++ 3 PW6, PW15, PW20, PBk11

801 +++ 3 PW6, PW20, PY42

Explanations of the signs from left to right Example: Azo yellow lemon

267 +++ 3 PY3

234 +++ 3 411 +++ 4 409 +++ 4 PY42, PR101, PBk11 PR101, PY42, PBk11 PR101, PBk11, PY42

Degree of lightfastness +++ = 100 years completely lightfast under museum conditions (31 colours) ++ = 25 - 100 years lightfast under museum conditions (4 colours) + = 10 - 25 years lightfast under museum conditions (1 colour) º = 0 - 10 years lightfast under museum conditions (2 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303.

Transparency/opacity 1 = transparent 2 = semi-transparent (3 colours) 3 = semi-opaque (25 colours) 4 = opaque (10 colours) 267 = colour number

PY3 = pigments used (see explanation on page 200)

= also available in bottle of 750 ml


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ArtCreation Elements offers auxiliary products that are useful for every artist, for example stretched canvases, brushes, palette knives and artists’ easels.

Easels Outside or inside, in your own studio or hobby room, ArtCreation Elements has the right artists’ easels for you. The range consists of table easels, studio easels and field easels, in beechwood and pinewood.


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9105001M

ARTCREATION ELEMENTS TABLE EASEL MIRA Foldable pinewood table easel (bookend model), practical to use and easy to store. ●

ground surface maximum canvas height total height weight

23 x 35 cm 25.5 cm 30 cm 0.5 kg 9105011M

ARTCREATION ELEMENTS MINI TABLE EASEL ELARA Practical, foldable beechwood tripod table easel. ●

9105010M

ARTCREATION ELEMENTS MINI TABLE EASEL LEDA

ground width maximum canvas height total height weight

19 cm 32 cm 36 cm 0.3 kg

Very compact beechwood table easel with slanted struts. Suitable for working on smaller canvases. Equipped with a canvas clamp for extra canvas stability. ●

ground surface maximum canvas height total height weight

14.5 x 15 cm 31 cm 41 cm 0.4 kg

9105015M

9105014M

Solid beechwood box easel. The drawer has a wooden inner tray with compartments for an organized and tidy storage of your materials. The foldable support makes the easel easy to carry.

Solid pinewood table easel. For optimal work this easel has a centre pole with a canvas carrier that can be adjusted in height and angle. Thanks to the foldable base the easel is easy to store.

ARTCREATION ELEMENTS TABLE BOX EASEL CALLIS TO

ground surface maximum canvas height total height weight

30 x 37.5 cm 30 cm 34 cm 2.1 kg

ARTCREATION ELEMENTS TABLE EASEL ARIANE

ground surface maximum canvas height total height weight

34 x 28 cm 60 cm 80 - 104 cm 1.1 kg


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110 9105021M

9105055M

Solid beechwood tripod studio easel. The canvas carrier can be adjusted for an optimal working height, and is fitted with a canvas clamp for extra canvas stability. Easy to fold.

Solid pinewood tripod studio easel. The canvas carrier can be adjusted for an optimal working height, and is fitted with a canvas clamp for extra canvas stability. Easy to fold.

ARTCREATION ELEMENTS TRIPOD S TUDIO EASEL CORONA

ground width maximum canvas height total height weight

65 cm 128 cm 176 - 240 cm 5.2 kg

ARTCREATION ELEMENTS TRIPOD S TUDIO EASEL ISABELLE

ground width maximum canvas height total height weight

58 cm 140 cm 170 cm 3 kg

9105018M

ARTCREATION ELEMENTS FIELD BOX EASEL AURORE Solid beechwood field box easel with wooden palettes. The drawer has a wooden inner tray with compartments for an organized and tidy storage of your materials. Equipped with a canvas clamp and carrier with an adjustable height for an optimal work situation. Very compact and easy to carry. ●

ground width maximum canvas height total height weight

66 cm 78 cm 144 - 178 cm 5.6 kg

9105019M

ARTCREATION ELEMENTS FIELD EASEL UMBRA Solid beechwood field easel with various adjustment possibilities, allowing it to be used both vertically and horizontally. Very compact and easy to carry.

ground width maximum canvas height total height weight

78 cm 65 cm 128 - 182 cm 1.7 kg


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ArtCreation Elements has a wide range of quality brushes for different types of paint and techniques. The brushes vary in size, hair type and shape; depending on the type of paint you use, your painting technique and your personal preference. Hog bristle A sturdy type of hair which is used for thicker paints. The hair is strong and resilient and leaves a brush stroke. Technique: oil colour, acrylic colour and gouache Ox hair A strong and durable soft hair type that is suitable for all types of paint, and particularly if you don’t want to see a brush stroke or if you use the paint thinned. Technique: oil colour, acrylic colour and gouache. Filament (polyester) A synthetic fibre, very strong and resilient and good moisture absorption. Technique: oil colour, acrylic colour, water colour and gouache. Red sable hair / polyester A combination of red sable hair and synthetic fibre (polyester). Highly resilient and can absorb a lot of moisture and paint. When wet has a very sharp point. Technique: water colour

Brush shape Brushes are available in various shapes:

- With a flat brush, the ‘Gussow model’, you paint larger sections and small, flat brush strokes.

- A round brush is suitable for more detailed work.

- A cat tongue model combines the characteristics of flat and round pointed brushes; the hair has been fitted in a flat ferrule, but is longer is the middle. Cat tongue models are therefore suitable for both larger sections and smaller details.

- A flat one-stroke liner has a long hair bundle for applying flat and wide brush strokes and for painting and wetting large surfaces.

Brushes 9099215M

9099213M

This ArtCreation Elements brushes set of hog bristle is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes:

This ArtCreation Elements brushes set of hog bristle is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes:

Round – 6 Cat tongue – 10, 14 Flat – 10,14

Flat – 4, 8, 16

ARTCREATION ELEMENTS BRUSHES SET HOG BRIS TLE

ARTCREATION ELEMENTS BRUSHES SET HOG BRIS TLE

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9099225M

ARTCREATION ELEMENTS BRUSHES SET OX HAIR This ArtCreation Elements brushes set of ox hair is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: 9099223M Round – 6 Cat tongue – 10, 14 Flat – 10,14

ARTCREATION ELEMENTS BRUSHES SET OX HAIR This ArtCreation Elements brushes set of ox hair is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Flat – 4, 8, 16

9099235M

ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Round – 6 Cat tongue – 10, 14 Flat – 10,14

9099233M

ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for oil colour, acrylic colour and gouache and contains the following types and sizes: Flat – 4, 8, 16


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9099123M

ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for water colour and contains the following types and sizes: Round – 4, 6, 8

9099133M

ARTCREATION ELEMENTS BRUSHES SET POLYES TER This ArtCreation Elements brushes set of polyester is suitable for water colour and contains the following types and sizes: Round – 6, 8 Flat liner brush – 5/8”

9099113M

ARTCREATION ELEMENTS BRUSHES SET RED SABLE HAIR/POLYES TER This ArtCreation Elements brushes set of red sable hair and polyester is suitable for water colour and contains the following types and sizes: Round – 4, 6, 8

Painting knives Due to the flexible and resilient steel blade these ArtCreation Elements palette knives are suitable for mixing colours as well as for expressive, structured work with oil and acrylic colours.

9146990M

ARTCREATION ELEMENTS SET OF THREE PAINTING KNIVES Set consisting of three ArtCreation Elements painting knives in various shapes and sizes.


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Grounds ArtCreation Elements offers a range of universally prepared canvases that are suitable for both oil and acrylic colours. The canvas has been stretched on a stable wooden frame to avoid warping and bending. With larger sizes diagonal and cross laths give the frame extra rigidity. The wooden components in these canvases are FSC-certified. The canvases are available in various sizes and come in two versions: standard (2 cm thick) and extra thick (3D, 4 cm thick).

ARTCREATION ELEMENTS S TRETCHED CANVAS COTTON

ARTCREATION ELEMENTS STRETCHED CANVASES 3D COTTON

Size 10 x 10 cm 13 x 18 cm 18 x 24 cm 20 x 20 cm 20 x 100 cm 24 x 30 cm 30 x 30 cm 30 x 40 cm 30 x 50 cm 30 x 100 cm 40 x 40 cm 40 x 50 cm 40 x 100 cm 50 x 50 cm 50 x 60 cm 50 x 70 cm 50 x 100 cm 60 x 60 cm 60 x 80 cm 60 x 100 cm 60 x 120 cm 80 x 80 cm 80 x 100 cm 80 x 120 cm 100 x 100 cm

Size 10 x 10 cm 20 x 20 cm 20 x 50 cm 30 x 30 cm 30 x 40 cm 30 x 60 cm 40 x 40 cm 40 x 50 cm 40 x 80 cm 50 x 50 cm 50 x 60 cm 60 x 60 cm 60 x 80 cm 80 x 80 cm 100 x 100 cm

Article no. 9575101M 9575131M 9575182M 9575202M 9575200M 9575243M 9575303M 9575304M 9575305M 9575300M 9575404M 9575405M 9575400M 9575505M 9575506M 9575507M 9575500M 9575606M 9575608M 9575600M 9575602M 9575808M 9575800M 9575802M 9575000M

Article no. 9576101M 9576202M 9576205M 9576303M 9576304M 9576306M 9576404M 9576405M 9576408M 9576505M 9576506M 9576606M 9576608M 9576808M 9576000M


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Our display materials are very important in our communication with the end user. Modern consumers are critical. They are familiar with multimedia, aware of the latest developments and are looking for clear information on products. In addition, a customer wants to be inspired and excited by an attractive visual presentation of the Royal Talens product range. As a retailer you benefit from solutions that can save space: practical presentation materials that are easy to stock.

ROYAL TALENS

TALENS DISPLAY MATERIALS Royal Talens has anticipated these developments through its ready-touse display solutions that provide optimal flexibility. The visual presentation goes further than just the display: there are for example attractive headers, flyer dispensers, colour charts and colour number strips. Here is an example of various display solutions developed by Talens. Please feel free to contact us for further information.

DISPLAY MATERIALS


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TOP ESSENTIALS IN FINE ART Auxiliaries and requirements Talens supplies a large variety of auxiliaries and requirements for all painting techniques.

Artists' easels Wherever you want to paint, Talens has a suitable wooden or metal artists' easel for every location: table-top easels, studio easels and field easels. The wooden artists' easels have been made from first-class impregnated beech wood.

Auxiliaries Canvases Talens has a wide range of top quality grounds (cotton, linen, 3D, canvas boards and roll canvas).

A wide range of auxiliaries for almost all painting techniques. The auxiliaries include a wide selection of specialist varnishes and various auxiliaries to change the properties of artists' paints or to preserve the work.


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L TTAAL LE EN N S S R ROOYY AA L

117 117

Graphic products High-quality products for designers, graphic artists and illustrators. An important line within this is Gouache Extra fine quality, top quality gouache with a selection of 65 colours. In addition, there are various sorts of ink and other specialist products. All these products can also be used for educational purposes.

Painting knives and brushes Painting knives with a wooden handle, for preparing and mixing paint or applying oil and acrylic colours. In addition, there is a wide

selection of brushes, brush shapes and hair types, under the brand names Rembrandt, Van Gogh and Talens.

Colouring products for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the materials can also be combined well. All products meet European toy safety standards.

Accessories Also included in the range are various accessories like charcoal, palettes and manikins.


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Auxiliaries Talens supplies a large and very complete range of auxiliaries, essential for practically every painting technique. These auxiliaries are divided into mediums and varnishes. The auxiliaries are accurately geared to the specific requirements of each technique. They ensure a good technical composition and conservation of the work or change the properties of the artists' paint.


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Primers for oil colour

TALENS GESSO PRIMER 1001 Purpose: Making a universal preparator y coat on various absorbent grounds Composition: Acr ylic resin dispersion, titanium dioxide ●

Provides good adhesion for oil colours, acr ylic colours, gouache, etc. Suitable for absorbent grounds that are free of dust and grease, such as artists’ canvas, wood, plywood, hardboard, cardboard and paper Suitable as preparation for murals on (alkaline) grounds such as fresh concrete, stucco and bricks Ver y absorbent grounds must first be treated with Amsterdam Acr ylic binder Can be coloured with acr ylic colour Thinnable with water Dries within a few hours, after 24 hour it can be painted over with oil colour Apply at temperatures above 10°C, do not freeze Clean utensils with water

Available in buckets of: 1 l. (art. no. 24192001) 5 l. (art. no. 24652001) 10 l. (art. no. 24641001)

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Solvents for oil colour Solvents for oil colour Rectified turpentine White spirit Odourless white spirit

Product no. 032 090 089

75 ml 24280032 24280090 24280089

250 ml 24300032 24300090 24300089

1000 ml 24320032

TALENS RECTIFIED TURPENTINE 032 Purpose: Thinning oil colour and cleaning brushes and other art materials Composition: Portuguese gum turpentine (distillate from resinous balsam of the pine tree)

TALENS WHITE SPIRIT 090 ●

Makes oil paint leaner (use in lower layers) Allows brush stroke to run Suitable for removing (dr y) varnish coats Suitable for dissolving (natural) resins Also for thinning mediums and varnishes for oil colour Flammable

Purpose: Thinning oil colour and cleaning brushes and other artists’ materials Composition: Mineral oil distillate ●

TALENS ODOURLESS WHITE SPIRIT 089 Purpose: Thinning oil colour and cleaning brushes and other artists’ materials Composition: Mineral oil distillate with the minimum possible content of harmful constituents Characteristics: Odourless Dr ying time somewhat longer than Talens white spirit (090) Ver y pure, 100% evaporation; disappears completely from the paint film Makes oil paint leaner (use in lower coats) Not suitable for removing dr y varnish coats ●

Ver y pure, 100% evaporation; disappears completely from the paint film Makes oil paint leaner (use in lower layers) Suitable for removing (dr y) varnish coats Suitable for dissolving synthetic resins Also for thinning mediums and varnishes for oil colour Flammable


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Oils Oils for oil colour Bleached linseed oil Boiled linseed oil Purified linseed oil Poppy oil Stand oil

Product no. 025 026 027 028 031

75 ml 24280025 24280026 24280027 24280028 24280031

250 ml 24300025 24300026 24300027

TALENS BLEACHED LINSEED OIL 025 Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil ●

TALENS PURIFIED LINSEED 027

Purpose: For the artist to make his own paint and painting medium Composition: Linseed oil

Increases the gloss and the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows less yellowing in dark conditions than Purified linseed oil; the yellowing largely disappears in daylight Can be thinned with white spirit or turpentine

Increases the gloss and the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows strong yellowing in dark conditions, which largely disappears in daylight Can be thinned with white spirit or turpentine

TALENS POPPY OIL 028 Purpose: For the artist to make his own paint and painting medium Composition: Poppy oil ●

Virtually non-yellowing, making it ideal for light colours Smaller risk of wrinkling than with linseed oil Dries more slowly than linseed oil Gives a less durable paint film than linseed oil Only use in the final coat Can be thinned with white spirit or turpentine

TALENS BOILED LINSEED OIL 026

TALENS S TAND OIL 031

Purpose: For the artist to make his own medium and as an ingredient for a paint formula Composition: Linseed oil, siccatives

Purpose: For the artist to make his own (glazing) medium and as an ingredient for a paint formula Composition: Linseed stand oil

Increases the gloss and reduces the dr ying time of the paint film Increases the risk of the paint film wrinkling Shows strong yellowing in dark conditions, which largely disappears in daylight Not to be used as medium in lower layers Can be thinned with white spirit or turpentine Is darker in colour than the other linseed oils

Greatly increases the gloss and the dr ying time Slightly yellowing (between poppy seed and linseed oil) Can be thinned with white spirit or turpentine Traditional glazing medium Not to be used in lower coats when mixed with paint

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Mediums Mediums for oil colour Painting medium Painting medium quick-drying Alkyd medium Glazing medium Venetian turpentine Painting paste

Product no. 083 084 007 086 019 096

60 ml

75 ml 24280083 24280084 24280007 24280086 24280019

250 ml 24300083 24300084

1000 ml 24320083 24320084

24300086 24300019

24060096

TALENS PAINTING MEDIUM QUICK-DRYING 084

TALENS PAINTING MEDIUM 083 Purpose: Increasing the flow and/or transparency of oil colour, and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit

Purpose: Increasing the flow and/or transparency of oil colour, shortening the dr ying time and making the paint fatter Composition: Vegetable oils, synthetic resins, white spirit, siccatives ●

No influence on the dr ying time of the paint Increases the durability and elasticity of the paint film Makes the brush stroke run slightly, depending on the amount added Increases gloss Does not yellow Can be thinned with white spirit or turpentine Flammable

Increases the durability and elasticity of the paint film Makes the brush stroke run, depending on the amount added Increases gloss Does not yellow Can be thinned with white spirit or turpentine Flammable

TALENS ALKYD MEDIUM 007

TALENS GLAZING MEDIUM 086

Purpose: Increasing the flow and/or transparency of oil colour, making the paint fatter, decreasing the dr ying time Composition: Alkyd resin, white spirit

Purpose: Increasing the flow and transparency of glazing layers in oil colour Composition: Vegetable oils, synthetic resins, white spirit ●

Increases the durability and elasticity of the paint film Makes the brush stroke run, depending on the amount added Hardly influences the degree of gloss Slightly yellowing Can be thinned with white spirit or turpentine Suitable as glazing medium Flammable

No influence on the dr ying time of the paint film Brush stroke runs Increases the gloss Does not yellow Increases the durability and elasticity of the paint film Can be thinned with white spirit or turpentine Flammable


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TALENS VENETIAN TURPENTINE 019 Purpose: Increasing the flow and transparency of glazing layers in oil colour Composition: Natural balsam, turpentine oil ●

Traditional glazing medium Increases the dr ying time of the paint film Increases the durability of the paint film Makes the brush stroke run, depending on the amount added Increases the gloss Slightly yellowing Can be thinned with white spirit or turpentine Flammable

TALENS PAINTING PAS TE 096 Purpose: Preventing the wrinkling of thick paint layers, increasing the amount of paint, decreasing the tinting strength and increasing the transparency of oil colour while retaining the viscosity Composition: Vegetable oils, synthetic resins, thickening mediums, white spirit ●

Increases the durability of the paint film Slightly reduces the gloss of oil colour Reduces the dr ying time of the paint film Does not yellow Can be thinned with white spirit or turpentine Flammable

Varnishes for oil colour ●

Apply sparingly Does not affect the further dr ying time of the paint film As temporar y protective varnish do not apply until after 2-3 months Dries in a few hours Does not yellow Can be thinned with white spirit Clean brushes with white spirit Highly flammable (in spray can: extremely flammable)

TALENS RETOUCHING VARNISH 004 Purpose: Reviving sunken-in (matt) areas and providing temporar y protection (temporar y final varnish) of oil paintings not entirely dr y Composition: Synthetic resin, white spirit

Varnishes for oil colour Retouching varnish Picture varnish glossy Picture varnish matt Acrylic varnish glossy Acrylic varnish mat Dammar varnish glossy Dammar varnish matt

Product no. 004 002 003 114 115 081 082

75 ml 24280004 24280002 24280003 24280114 24280115 24280081 24280082

250 ml 24300004 24300002 24300003

24300081 24300082

1000 ml 24320004 24320002 24320003

400 ml 95160004 95160002 95160003 95160013 95160014


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TALENS PICTURE VARNISH MATT 003 TALENS PICTURE VARNISH GLOSSY 002 Purpose: Durable protection of an oil painting (final varnish) Composition bottle: Synthetic resin, turpentine oil, white spirit Composition spray can: Synthetic resin, white spirit Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours Does not yellow Gives a high gloss The gloss can be decreased by mixing with Picture varnish matt 003 Can be thinned with white spirit or turpentine Clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine Flammable (in spray can: extremely flammable)

Purpose: Durable protection of an oil painting (final varnish) Composition bottle: Synthetic resin, turpentine oil, waxes Composition spray can: Synthetic resin, white spirit, silica ●

Apply when paint film has completely dried (approx. 1 year with normal layer thickness) When applying with a brush do so in one layer and in one direction Dries in a few hours Does not yellow Varnish in bottle gives a satin gloss, varnish in spray can is matter The degree of gloss is increased when mixed with Picture varnish gloss 002 Can be thinned with turpentine Clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine If the contents become cloudy place bottle in warm water Flammable (in spray can: extremely flammable)

TALENS ACRYLIC VARNISH MATT 115 Purpose: Durable protection of an oil painting or acr ylic painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine oil, matting agents (silicas)

TALENS ACRYLIC VARNISH GLOSSY 114 Purpose: Durable protection of an oil painting or acr ylic painting (final varnish) Composition: Acr ylic resin, white spirit, turpentine oil

Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acr ylic paint after 4 to 5 days) Dries in a few hours Does not yellow More flexible than Picture varnish gloss 002 Gives less gloss than Picture varnish gloss 002 Mixing with Acr ylic varnish matt 115 reduces the degree of gloss Dr y varnish coats can be removed with white spirit or turpentine Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine Flammable (in spray can: extremely flammable)

Apply when paint film has completely dried (with normal layer thickness for oil colour after approx. 1 year, for acr ylic paint after 4 to 5 days) When applying with a brush do so in one layer and in one direction Do not use on strongly absorbent grounds Does not yellow More flexible than Picture varnish matt 003 Produces a matter look than Picture varnish matt 003 Mixing with Acr ylic varnish glossy 114 increases the degree of gloss Can be thinned with white spirit or turpentine, clean brushes with white spirit or turpentine Dr y varnish coats can be removed with white spirit or turpentine Shake well before use Flammable (in spray can: extremely flammable)


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TALENS DAMMAR VARNISH GLOSSY 081

TALENS DAMMAR VARNISH MATT 082

Purpose: Protecting an oil painting Composition: Dammar resin, turpentine oil

Purpose: Protecting an oil painting Composition: Dammar resin, turpentine oil, matting agents (wax and silica)

Traditional final varnish Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours May show signs of ageing after some time such as yellowing and crackling Gives a high gloss Mixing with Dammar varnish matt 082 reduces the degree of gloss Can be thinned with turpentine, clean brushes with white spirit or turpentine Dr y varnish coats can be removed with turpentine Highly flammable

Traditional final varnish Apply when paint film has completely dried (approx. 1 year with normal layer thickness) Dries in a few hours May show signs of ageing after some time such as yellowing and crackling Gives a satin gloss Apply in one layer and in one direction Mixing with Dammar varnish glossy 081 increases the degree of gloss Can be thinned with turpentine, clean brushes with turpentine or white spirit Dr y varnish coats can be removed with turpentine Shake well before use Highly flammable

Auxiliaries for oil colour - miscellaneous Auxiliaries for oil colour - miscell. Siccative Courtrai (pale) Siccative Harlem (dark) Underpainting white Casein Tempera binder

Product no. 030 085 101 103

75 ml 24280030 24280085

60 ml

150 ml

03071101 24060103

TALENS SICCATIVE COURTRAI (PALE) 030

TALENS SICCATIVE HARLEM (DARK) 085

Purpose: Reducing the dr ying time of oil colours Composition: Metal compounds, white spirit

Purpose: Reducing the dr ying time of oil colours Composition: Metal compounds, resins, oil, white spirit

Reduces the elasticity and durability of the paint film; therefore use ver y sparingly (add maximum 2%) Can be thinned with white spirit Flammable

Reduces the elasticity and durability of the paint film, therefore use ver y sparingly (add maximum 10%) Can be thinned with white spirit Flammable


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TALENS UNDERPAINTING WHITE 101

TALENS CASEIN TEMPERA BINDER 103

Purpose: Making quick dr ying relief grounds for oil colour Composition: Alkyd resin, vegetable oils, titanium dioxide, white spirit

Purpose: Making a water mixable casein tempera paint in combination with oil colours Composition: Casein solution, thickening and matting agents, emulsifier

Hand-dr y, depending on the layer thickness, within three days Gives a satin gloss when dr y Can be mixed and overpainted with oil colours Also suitable as quick-dr ying mixing white in oil paint techniques Can be thinned with white spirit or turpentine Flammable Clean utensils with white spirit

TALENS GUM ARABIC 008 Purpose: Changing the consistency of gouache, making the paint less thixotropic Composition: Gum arabic dissolved in water ●

Makes gouache more transparent Increases the gloss Increases the elasticity of gouache and thereby reduces the risk of crackling in thicker paint layers

Mix 1 part of binder to a maximum of 1 part of oil colour Gives a satin gloss when dr y Dries quickly to a virtually waterproof finish Highly suitable for making underpaintings with oil painting techniques


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Varnishes for water colour and gouache Water colour varnish Water colour varnish matt Protecting Spray Gouache varnish Gouache varnish glossy Gouache varnish matt

Product no. 050 680 Product no. 074 107

75 ml 24280050

250 ml 24300050

75 ml 24280074 24280107

250 ml 24300074 24300107

150 ml

400 ml

95160680 1000 ml 24320074

95161680

TALENS PROTECTING SPRAY 680 TALENS WATER COLOUR VARNISH MATT 050 Purpose: Making the painting less susceptible to moisture Composition: Colourless, non-yellowing acr ylic resin, white spirit, matting agents (silica)

Purpose: Protecting works carried out in, for example, gouache, water colour and inks Composition: Colourless, non-yellowing acrylic resin, dissolved in, amongst others, white spirit ●

Dries in a few hours Little influence on the degree of gloss Does not yellow Water resistant when dr y, making the painting less susceptible to moisture Ready for use, do not thin Apply in one layer and in one direction Not suitable for extremely absorbent grounds Shake before use Clean brushes with white spirit Highly flammable

Short dr ying time Layer thickness determines the degree of gloss (a thick layer gives a higher gloss) Makes matt paint layers more transparent and colours deeper Does not yellow Water resistant when dr y, making the painting less susceptible to moisture Store in a cool and dr y place Extremely flammable

TALENS GOUACHE VARNISH MATT 107 TALENS GOUACHE VARNISH GLOSSY 074 Purpose: Protecting gouache paintings Composition: Colourless synthetic resin dissolved in, amongst others, white spirit

Purpose: Protecting gouache paintings Composition: Colourless synthetic resin dissolved in, amongst others, white spirit, matting agents (silicas) ●

Dries water-resistant in a few hours, making the painting less susceptible to moisture Increases gloss Mixing with Gouache varnish matt 107 reduces the degree of gloss Makes colours darker and somewhat more transparent Does not yellow Can be thinned with white spirit, clean brushes with white spirit Highly flammable

Dries water-resistant in a few hours, making the painting less susceptible to moisture Scarcely changes degree of gloss or opacity of gouache Mixing with Gouache varnish glossy 074 increases the degree of gloss Causes hardly any colour changes Does not yellow Ready for use, do not thin Apply in one layer and in one direction Not suitable for extremely absorbent grounds Shake before use Clean brushes with white spirit Highly flammable

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Various auxiliaries for water colour and gouache Various auxiliaries for water colour and gouache Ox gall Liquid masking film

Product no. 051 052

75 ml 24280051 24280052

250 ml 24300051

TALENS OX G ALL 051

TALENS LIQUID MASKING FILM 052

Purpose: Prevents beading and improves the adhesion of water-based paints on somewhat hydrophobic grounds Composition: (synthetic) surfactant, water

Purpose: Temporar y masking of sections in a water colour painting Composition: Dispersion of natural rubber in water

Can be added to the paint Use sparingly to avoid strong absorption of the paint Can also be used directly in order to degrease grounds other than paper with, for example, a cloth. Residues are then removed with a clean damp cloth or sponge

Prevents adhesion of water colour to areas of the painting that are treated with Liquid masking film Dries in 10 minutes Once dr y remove with the fingertips or an eraser within a few days Becomes more difficult to remove after some time Can cause discolouration on cellulosic paper Can also be used for water-based inks

Varnish for oil pastels

TALENS VARNISH FOR OIL PAS TELS 060 Purpose: Making work in oil pastel and wax crayon smudge-proof Composition: Synthetic dispersion in water with built-in surfactants ●

Dries within one hour to a colourless, transparent and waterproof finish Gives a satin gloss Has hardly any effect on the colours Can be thinned with water Shake before use Available in 75 ml bottle, article no. 24280060


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Fixatives for pastels Fixatives for pastels Pastel fixative Fixative for charcoal Concentrated fixative

Product no. 061 063 064

75 ml 24280061 24280063

1000 ml 24320061 24320063

150 ml

400 ml

95160006

95160016

TALENS PAS TEL FIXATIVE 061

TALENS CHARCOAL FIXATIVE 063

Purpose: Improving the adhesion of the particles of pastels to the surface Composition: Colourless resins, ethanol, acetone

Purpose: Improving the adhesion of charcoal, chalk and graphite particles to the surface Composition: Colourless resins, ethanol, acetone

Preferably apply in each pastel layer Use sparingly Apply using a fixative atomiser at approx. 40 cm distance Quick-dr ying Non-yellowing Highly flammable

Use sparingly Apply using a fixative atomiser at approx. 40 cm distance Makes colours darker and more transparent Quick-dr ying Non-yellowing Highly flammable

TALENS CONCENTRATED FIXATIVE 064 Purpose: Improving the adhesion of particles of pastels, charcoal, chalk and graphite to the surface Composition: Colourless resins, ethanol ●

In combination with pastel use preferably in ever y layer Use sparingly Quick-dr ying Non-yellowing More concentrated than Fixative for pastel 061 Retouches the so-called ‘blooming’ (white veil formation) in colour pencil drawings Extremely flammable

ROYAL TALENS

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For almost every technique and painting type Talens supplies you with a suitable brush and painting knife.

Brushes and painting knives

Brushes • Complete and varied range of brushes under the brand names of Rembrandt and Van Gogh • Wide choice of various hair types and brush shapes for all types of paints and painting techniques

Pa i n t i n g k n i v e s • For expressive, well-structured work with oil and acrylic colours • Flexible and resilient steel blades, with handles made of polished solid wood • Palette knife for preparing and mixing paint


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131

Hair : Form: Ferrule: Handle:

100% Russian Kolinsky red sable round, pointed seamless, gold-plated brass short, black, lacquered, length:160-205 mm

ROYAL TALENS

Rembrandt series 100 Technique: Water colour

Characteristics: ver y resilient hair bundleoptimal water absorption

No. 909100.. Ø <->

000 97 1 6

00 98 1.2 7.5

0 99 1.4 9

1 01 1.7 10.5

2 02 2.1 12.5

No. 909100.. Ø <->

8 08 4.9 22

9 09 5.6 24

10 10 6.5 26

11 11 7.3 28

12 12 8.2 30

3 03 2.5 14

4 04 2.9 16

5 05 3.6 18

6 06 4 19.5

7 07 4.5 21

Rembrandt series 107 Technique: Water colour Hair : Form: Ferrule: Handle:

No. 909107.. Ø <->

petit gris pur and red sable round, sharply pointed seamless, gold-plated brass Short, black, lacquered, length: 165-240 mm

8 08 5.4 25-16

Characteristics: remarkable resilience can hold a large amount of water for both large surfaces as well as ver y fine details

10 10 6.5 27-18

Brush data length of handle given includes the length of the ferrule Ø: diameter of the hair bundle in mm (measured at the point where the hair bundle comes out of the ferrule) <->: length of the hair bundle in mm (measured from the point where the hair bundle comes out of the ferrule up to the point of the brush)

Brushes • A large choice of hair types of the highest quality • Perfect setting of the hair bundle • Made with traditional craftsmanship and the greatest care

• Top quality water colour brushes of pure red Kolinsky sable hair • Very soft petit gris pur water colour brushes with excellent water absorption • Fan brushes of 100% badger hair for making colour transitions in oil paint • Top quality bleached Chinese hog brisle for oil colours • Unique quality polyester fibre for acrylic paints


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132

Rembrandt series 110 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:

100% red sable round, sharp point seamless, gold-plated brass short, black lacquered, length: 175-250 mm

Characteristics: resilient hair bundle can hold a large amount of water for both large surfaces as well as ver y fine details

No. 909110.. Ø <->

000 97 1 6

00 98 1 7

0 99 1 8

1 01 1.2 9

2 02 1.7 10.5

3 03 2.1 12.5

4 04 2.5 14.5

5 05 2.9 16.5

No. 909110.. Ø <->

8 08 4.5 21

9 09 4.6 22

10 10 4.9 23

12 12 5.6 25

14 14 6.5 28

16 16 7.3 30

20 20 9.2 33

24 24 10.5 38

6 06 3.6 18.5

90911033

REMBRANDT WATER COLOUR BRUSHES SET SERIES 110 (NO. 2-4-8)

Rembrandt series 114 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:

petit gris pur (squirrel) round, pointed seamless, gold-plated brass short, black lacquered, length: 160 - 200 mm

No. 909114.. Ø <->

0 99 1.2 7

2 02 1.7 10

4 04 2.5 14

6 06 3.6 18

Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details ●

8 08 4.9 22

10 10 6.5 25

12 12 8.2 32

Rembrandt series 132 Technique: Water colour Hair : Form: Ferrule: Handle:

petit gris pur (squirrel) oval seamless, nickel-plated brass short, black lacquered, length: 190 - 205 mm

No. 909132.. Ø <->

2 02 26.5 11.5

4 04 32 16.5

6 06 37 21.5

Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes

7 07 4.0 20


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Pagina 133

133

Hair : Form: Ferrule: Handle: length:

petit gris pur (squirrel) round, pointed transparent swan's feather shaft, bound with brass wire (French setting) natural wood, white lacquered, 160 - 175 mm

No. 909135.. Ø <->

2 02 8 27

4 04 10 31

ROYAL TALENS

Rembrandt series 135 Technique: Water colour

Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details

6 06 12 34

Rembrandt series 136 Technique: Water colour

Characteristics: ver y soft hair bundle can hold a large amount of water suitable for making washes and for painting details the specific hair bundle (sword shaped) gives fanciful touches ●

Hair : Form: Ferrule: Handle:

petit gris pur (squirrel) sword model, sharp point seamless, nickel-plated brass short, black lacquered, length: 160 - 190 mm

No. 909136.. Ø <->

2 02 7.5 25-35

4 04 9.5 25-37

6 06 11.5 25-40

Rembrandt series 200 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle: length:

bleached Chinese hog bristle (Chunking) Gussow seamless, nickel-plated brass natural wood, white lacquered, 285 - 310 mm

No. 909200.. Ø <->

2 02 3.9 8

4 04 5.6 10

6 06 6.9 12

Characteristics: high quality interlocked hair bundle that retains its shape flexible hair bundle, resistant to wear can contain a lot of thick paint for distinct touches

8 08 8.2 14

10 10 11.1 16

12 12 13.4 18

14 14 16.6 22

16 16 19.8 24

18 18 23.3 26

20 20 24.7 28

24 24 27.5 33


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134

Rembrandt series 201 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

Characteristics: high quality interlocked hair bundle that retains its shape flexible hair bundle, resistant to wear*can contain a lot of thick paint for regular round touches

bleached Chinese hog bristle (Chunking) round seamless, nickel-plated brass white lacquered, length: 290 - 310 mm

No. 909201.. Ø <->

2 02 1.9 10

4 04 2.6 14

6 06 3.8 16

8 08 4.9 20

10 10 6.1 23

12 12 7.2 26

14 14 8.5 31

16 16 9.7 35

18 18 11.3 38

20 20 13.3 41

18 18 18.8 27

20 20 22.2 29

24 24 15.3 43

Rembrandt series 208 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

Characteristics: flexible hair bundle, resistant to wear can contain a lot of thick paint for painting rounded touches

bleached Chinese hog bristle (Chunking) filbert (cat's tongue) seamless, nickel-plated brass white lacquered, length: 285 - 305 mm

No. 909208.. Ø <->

2 02 3.0 8

4 04 4.1 10

6 06 6.2 12

Rembrandt series 209 Technique: Oil, Acr ylic, Gouache

8 08 8.2 14

10 10 9.8 16

bleached Chinese hog bristle (Chunking) chiselled seamless, nickel-plated brass white lacquered, length: 290 - 320 mm

No. 909209.. Ø <->

12 12 13.6 30

24 24 26 45

36 36 36 56

14 14 14.2 21

16 16 16.4 24

Characteristics: flexible hair bundle, resistant to wear can contain a lot of thick paint extra thick hair bundle for mixing wet-in-wet the colours on the canvas gives a ver y fanciful touch

Hair : Form: Ferrule: Handle:

12 12 10.8 18

24 24 28.0 35


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135

Rembrandt series 240 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

pure red sable Gussow seamless, nickel-plated brass long, black lacquered; length: 280 - 300 mm

No. 909240.. Ø <->

0 99 2.0 5

1 01 2.8 5.5

2 02 3.6 7

No. 909240.. Ø <->

18 18 16.7 18

20 20 17.4 19

24 24 19.8 21

4 04 4.9 9

Characteristics: remarkably resilient hair bundle for ver y sharp and edged touches particularly suitable for painting the finest details and for glazing techniques

6 06 6.6 10.5

8 08 8.5 11.5

10 10 10.2 13.5

12 12 11.5 15

14 14 13.7 16

16 16 15.1 17

Rembrandt series 241 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

Characteristics: remarkably resilient hair bundle particularly suitable for painting the finest details and for glazing techniques

pure red sable round, pointed seamless, nickel-plated brass long, black lacquered, length: 290 - 315 mm

No. 909241.. Ø <->

0 99 1.0 7

1 01 1.0 8

2 02 1.2 9

No. 909241.. Ø <->

18 18 4.6 22

20 20 4.9 23

24 24 5.6 25

4 04 1.7 10

6 06 2.1 12

8 08 2.5 14.5

10 10 2.9 16.5

12 12 3.6 18.5

14 14 4.0 20

16 16 4.5 21

Rembrandt series 245 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

pure red sable filbert (cat's tongue) seamless, nickel-plated brass long, black lacquered, length: 285 - 300 mm

No. 909245.. Ø <->

2 02 3.5 8

4 04 5.1 10

6 06 6.6 12

8 08 8.2 14

Characteristics: remarkably resilient hair bundle for sharp touches with pointed accents particularly suitable for painting the finest details and for glazing techniques

10 10 10.2 16

12 12 11.2 18

14 14 13.5 21

16 16 15.0 22

18 18 16.6 23

20 20 17.4 24

24 24 19.8 25


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Pagina 136

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136

Rembrandt series 280 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

bleached Chinese hog bristle (Chunking) fan-shaped flat, seamless, nickel-plated brass long, white lacquered, length: 310 - 350 mm

No. 909280.. Ø <->

2 02 7.5 25-30

4 04 9.5 27-34

6 06 11 35-42

8 08 13 37-44

Characteristics: flexible hair bundle resistant to wear for painting gradual colour transitions ●

10 10 15 40-48

Rembrandt series 282 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

badger fan-shaped seamless, nickel-plated brass long, black lacquered, length: 305 - 345 mm

No. 909282.. Ø <->

2 02 7.5 25-30

4 04 9.5 28-33

6 06 11 32-40

8 08 13 37-44

Characteristics: ver y soft hair bundle, resistant to wear for painting gradual colour transitions not suitable for watermixable colours

10 10 15 42-50

Rembrandt series 290 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:

deep polyester (selected filament) Gussow seamless, nickel-plated brass long, black lacquered, length: 280 - 320 mm

No. 909290.. Ø <->

90929033

2 02 5.9 8

4 04 6.2 9

6 06 7 11.5

8 08 10 13.5

Characteristics: resilient hair bundle, resistant to wear suitable for using the paint thickly, for details and glazing techniques gives a ver y sharp touch

10 10 11 14.5

12 12 12.4 16

REMBRANDT OIL AND ACRYLIC BRUSHES SET SERIES 290 (NO. 4-8-12)

14 14 14.5 19

16 16 16 21

18 18 19.5 23

20 20 21 24

24 24 25 29


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137

Rembrandt series 291 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

deep polyester (selected filament) round round, seamless nickel-plated brass long, black lacquered, length: 290 - 310 mm

No. 909291.. Ø <->

2 02 3.1 14

4 04 3.6 16.5

6 06 4.6 18

8 08 5.5 21.5

Characteristics: resilient hair bundle, resistant to wear suitable for using the paint thickly, for details and glazing techniques for painting fine details ●

10 10 6.5 25

12 12 7.1 28

14 14 8.1 31

16 16 9.2 34

18 18 10 36

20 20 10.6 38

24 24 11.8 41

20 20 10.6 34

24 24 11.8 39

90929133

REMBRANDT OIL AND ACRYLIC BRUSHES SET SERIES 291 (NO. 4-8-12)

Rembrandt series 292 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

deep polyester (selected filament) filbert (cat's tongue) seamless, nickel-plated brass long, black lacquered, length: 285 - 365 mm

No. 909292.. Ø <->

2 02 3.1 12.5

4 04 3.6 15.5

6 06 4.6 17.5

8 08 5.5 20.5

Characteristics: resilient hair bundle, resistant to wear suitable for both thick and thin types of paint gives a pointed and sharp touch

10 10 6.5 22.5

12 12 7.1 24

14 14 8.1 26

16 16 9.2 28.5

18 18 10.0 31

Rembrandt series 307 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

No. 909307.. Ø <->

light brown ox hair round, one-stroke liner with straight end seamless, nickel-plated brass long, black lacquered; length: 275 - 280 mm

4 04 1.7 60

8 08 2.5 60

12 12 3.6 60

Characteristics: long hair bundle, resistant to wear can contain a lot of thin paint for painting long continuous lines and for spontaneously "drawing-like" painting work


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Pagina 138

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138

Rembrandt series 310 Technique: Water colour, Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

red sable round, liner with pointed end seamless, nickel-plated brass long, black lacquered, length: 280 -295 mm

No. 909310.. Ø <->

2 02 1.2 22

4 04 1.7 24

6 06 2.1 26

Characteristics: resilient hair bundle, resistant to wear ver y sharp point highly suitable for "drawing-like" painting work ●

8 08 2.5 28

10 10 2.9 30

12 12 3.6 32

Rembrandt series 380 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle: length:

black ox hair flat, so-called spalter turned-back stainless steel short and flat, black lacquered; 190 - 230 mm

The size in inches indicates the width of the hair bundle

No. 909380.. Ø <->

1" 10 25.5 28

3" 30 74 40

Characteristics: hair bundle resistant to wear can contain a lot of moisture for painting large surfaces using all kinds of techniques (provided the paint has been sufficiently thinned) also suitable for thin varnishes


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Pagina 139

ROYAL TALENS

139

Van Gogh series 120 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle: length:

light brown ox hair round, pointed seamless, nickel-plated short, deep blue lacquered, 155 - 200 mm

No. 909120.. Ø <->

1 01 1.2 9.0

2 02 1.6 10.5

No. 909120.. Ø <->

11 11 7.5 30

12 12 8.5 32

Characteristics: Flexible hair bundle, resistant to wear For water-soluble paints like water colour, gouache and Ecoline ●

3 03 2.2 12.5

4 04 2.8 14.5

5 05 3.3 16.5

6 06 3.8 19

7 07 4.5 22

8 08 5.0 24

Van Gogh series 130 Technique: Water colour Hair : Form: Ferrule: Handle:

pure black goat round, pointed imitation swan's feather shaft, bound with brass wire (French natural wood, unlacquered, length: 160 - 175 mm

No. 909130.. Ø <->

2 02 8 26

4 04 10 32

Characteristics: Ver y soft goat hair in a rich bundle Can hold a large amount of water For making washes

6 06 12 37

Brushes • Manufactured with great care and craftsmanship • A choice of various hair types of the finest quality • A complete range with the right brush for each painting technique

9 09 5.7 26

10 10 6.5 28


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Pagina 140

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140

Van Gogh series 171 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:

Characteristics: Flexible hair bundle with a ver y fine point Can hold a large amount of water Also suitable for fine painting work in oil and acr ylic colour

red sable hair round, pointed seamless, nickel-plated short, deep blue lacquered, length: 170 - 205 mm

No. 909171.. Ø <->

000 97 1.1 6

00 98 1.1 7

0 99 1.1 8

1 01 1.3 10

No. 909171.. Ø <->

8 08 4.8 23

9 09 5.4 24

10 10 6.1 25

12 12 7.8 29

2 02 1.6 11

3 03 2.0 13

4 04 2.15 16

5 05 2.65 18

6 06 3.15 19

7 07 4.0 22

90917133

VAN GOGH WATER COLOUR BRUSHES SET SERIES 171 (NO. 2-4-8)

Van Gogh series 191 Technique: Water colour, Gouache Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Round, pointed seamless, nickel-plated short, deep blue lacquered, length 155-200 mm

Characteristics: flexible hair bundle resistant to wear can contain a large amount of water also suitable for fine painting work in oil and acr ylic colour

No. 909191.. Ø <->

000 97 1.1 5.5

0 99 1.3 7

1 01 1.7 9

2 02 1.9 11

3 03 2.4 14

4 04 2.75 16

5 05 3.3 18

6 06 3.6 19

7 07 4.3 21

No. 909191.. Ø <->

9 09 5.6 23

10 10 6.1 25

12 12 7.4 31

14 14 8.0 33

16 16 9.0 35

18 18 9.6 36

20 20 10.3 37

22 22 11.2 38

24 24 12 39

90919133

VAN GOGH WATER COLOUR BRUSHES SET SERIES 191 (NO. 4-8-12)

8 08 5.0 22


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Pagina 141

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141

Van Gogh series 210 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

white bleached Chinese hog bristle Gussow seamless, nickel-plated long, deep blue lacquered, length: 270-295 mm

No. 909210.. Ø <->

2 02 3.2 7

4 04 4.5 9

6 06 6.8 11

8 08 8.9 12

Characteristics: Flexible hair bundle Suitable for thicker types of paint For a straight and sharp touch ●

10 10 10.4 13.5

12 12 11.1 15

14 14 15 17

16 16 17.1 19

18 18 19.2 21

20 20 23 23

24 24 28 27

18 18 12 34

20 20 13 37

24 24 17 41

90921033

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 210 (NO. 4-8-12)

Van Gogh series 211 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

white bleached Chinese hog bristle Round seamless, nickel-plated long, deep blue lacquered, length 260 - 275 mm

No. 909211.. Ø <->

90921133

2 02 2 16

4 04 2.5 18

6 06 3.5 20

8 08 4.2 22

Characteristics: flexible hair bundle suitable for thicker types of paint for a regular, round touch

10 10 5.5 24

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 211 (NO. 4-8-12)

12 12 6.5 26

14 14 8 28

16 16 10 31


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Pagina 142

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142

Van Gogh series 232 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

light brown ox hair Cat's tongue seamless, nickel-plated long, deep blue lacquered, length 285 - 305 mm

No. 909232.. Ø <->

2 02 2 16

4 04 2.5 18

6 06 3.5 20

8 08 4.2 22

Characteristics: resilient hair bundle, resistant to wear gives a pointed and straight touch

10 10 5.5 24

12 12 6.5 26

14 14 8 28

16 16 10 31

18 18 12 34

20 20 13 37

24 24 17 41

18 18 19.2 21

20 20 23 22

24 24 28 26

18 18 5.7 26

20 20 6.5 28

24 24 8.2 32

90923233

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 232 (NO. 4-8-12)

Van Gogh series 234 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

light brown ox hair Gussow, long seamless, nickel-plated long, deep blue lacquered, length 285 - 310 mm

No. 909234.. Ø <->

2 02 3.2 6

4 04 4.5 8.5

6 06 6.8 10

8 08 8.9 11.5

Characteristics: resilient hair bundle, resistant to wear for painting sharp touches ●

10 10 10.4 13

12 12 11.1 15

14 14 15 17

16 16 17.1 19

90923463

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 234 (NR. 4, 8, 12)

Van Gogh series 235 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

light brown ox hair Round seamless, nickel-plated long, deep blue lacquered, length 280 - 300 mm

No. 909235.. Ø <->

90923533

2 02 1.2 9

4 04 1.7 10.5

6 06 2.1 12.5

8 08 2.5 14.5

Characteristics: resilient hair bundle, resistant to wear for painting details

10 10 2.9 16.5

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 235 (NO. 4-8-12)

12 12 3.6 19

14 14 4.5 22

16 16 4.9 24


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Pagina 143

ROYAL TALENS

143

Van Gogh series 294 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Gussow seamless, nickel-plated long, deep blue lacquered, length 280 - 300 mm

No. 909294.. Ø <->

2 02 3.1 7

4 04 4.1 9

6 06 5.1 10

8 08 7.2 12

Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint and for varnishing small surfaces

10 10 8.2 14

12 12 10 15

14 14 12.7 16

16 16 14.6 18

18 18 15.8 19

20 20 17 20

24 24 22 24

20 20 6.4 25

24 24 7.4 31

20 20 17.7 27

24 24 24.0 36

Van Gogh series 295 Technique: Oil, Acr ylic Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Round seamless, nickel-plated long, deep blue lacquered, length 275 - 290 mm

No. 909295.. Ø <->

2 02 1.7 9

4 04 1.85 11

6 06 2.4 14

8 08 2.75 16

Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint also for painting details ●

10 10 3.3 18

12 12 3.6 19

14 14 4.3 21

16 16 5 22

18 18 6.1 23

90929333

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 294 (NO. 8-12) / 295 (NO. 6)

Van Gogh series 296 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Cat's tongue seamless, nickel-plated long, deep blue lacquered, length 280 - 305 mm

No. 909296.. Ø <->

90929633

2 02 4 9

4 04 5 10

6 06 6 12

8 08 7.4 13

Characteristics: flexible hair bundle, resistant to wear suitable for both thick and thin types of paint gives a pointed and sharp touch

10 10 8.6 16

VAN GOGH OIL AND ACRYLIC BRUSHES SET SERIES 296 (NO. 4-8-12)

12 12 10 18

14 14 11 20

16 16 13.3 22

18 18 16.2 25


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Pagina 144

ROYAL TALENS

144

Van Gogh series 305 Technique: Water colour, Gouache, Varnish

Characteristics: flexible hair bundle, resistant to wear for long and sharp touches can hold a lot of thinned paint and varnish for painting large uniform surfaces and for drawing figures and letters as well as for varnishing ●

Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Flat seamless, nickel-plated short, deep blue lacquered, length 190 - 210 mm

The size in inches indicates the width of the hair bundle

No. 909305.. Ø <->

5/8" 05 17 28

7/8" 07 23 31

1/4" 11 30 35

Van Gogh series 362 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:

bleached Chinese hog bristle (Chunking) Flat, spalter turned-back aluminium short, deep blue lacquered, length 175 - 190 mm

Characteristics: flexible hair bundle, resistant to wear for applying broad underpaintings and for varnishing ●

The size in inches indicates the width of the hair bundle

No. 909362.. Ø <->

2" 20 51 40

3" 30 75 45

Van Gogh series 370 Technique: Oil, Acr ylic, Gouache, Varnish Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (selected filament) Flat, spalter turned-back aluminium short, deep blue lacquered, length 180 - 195 mm

The size in inches indicates the width of the hair bundle

No. 909370.. Ø <->

2" 20 51 40

Characteristics: ver y flexible and fairly soft hair bundle, resistant to wear for applying primers also for broad underpaintings and for varnishing


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Pagina 145

145

Hair : Form: Ferrule: Handle:

No. 909150.. Ø <->

pony/goat round round, aluminium short, red lacquered, length: 160 - 190 mm

1 01 1.2 9

2 02 1.6 11

5 05 2.8 17

ROYAL TALENS

Talens series 150 Technique: Water colour, Gouache, Ecoline

Characteristics: for thin types of paint, like water colour and Ecoline ●

7 07 3.8 21

10 10 5.6 25

11 11 6.5 28

13 13 7.5 33

14 14 8.3 35

90915033

TALENS WATER COLOUR BRUSH SET SERIES 150 (NO. 4, 8, 12)

Talens series 220 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

No. 909220.. Ø <->

hog bristle Gussow model seamless, polished aluminium long, green lacquered, length: 280 - 300 mm

2 02 3.7 7

6 06 6.5 11

10 10 10.8 14

14 14 15.2 17

Characteristics: versatile and sturdy brush with good paint absorption gives a straight touch

16 16 17.5 19

18 18 20.0 21

20 20 22.5 23

24 24 29 27

90922033

TALENS BRUSHES SET FOR OIL AND ACRYLIC COLOUR SERIES 220 (NO. 4, 8, 10)

90922333

TALENS BRUSHES SET FOR OIL AND ACRYLIC COLOUR SERIES 220/221/222 (NO. 8)

Brushes Talens series 221 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

No. 909221.. Ø 17.0 <->

hog bristle round seamless, polished aluminium long, blue lacquered, length: 260 - 275 mm

Characteristics: versatile strong brush with good paint absorption for an even and round touch

2 02 2.1

4 04 2.5

6 06 3.6

8 08 4.5

10 10 5.6

12 12 6.5

14 14 8.0

16 16 9.8

18 18 12.0

20 20 13.2

24 24

16

18

20

22

24

26

28

31

34

37

41


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Pagina 146

ROYAL TALENS

146 Talens series 222 Technique: Oil, Acr ylic, Gouache Hair : Form: Ferrule: Handle:

No. 909222.. Ø <->

hog bristle Lyons model (flat with rounded end) seamless, polished aluminium long, yellow lacquered, length: 260 - 275 mm

2 02 3.2 16

4 04 4.3 18

6 06 6.2 20

8 08 9.5 22

Characteristics: a strong brush for various types of paint good paint absorption ●

10 10 10.6 24

12 12 11.8 26

14 14 14.0 28

16 16 16.5 31

18 18 18.2 34

20 20 22 37

Talens series 350 Technique: Gouache Hair : Form: Ferrule: Handle:

No. 909350.. Ø <->

hog bristle round (stencilling model) aluminium short, orange lacquered, length: 150 - 220 mm

2 02 5.5 14

4 04 8 17

6 06 10 19

8 08 12 21

Characteristics: for stencilling with Ecola, School colours and acr ylic colours ●

10 10 13 24

12 12 15.5 27

Talens series 360 Technique: Oil, Acr ylic, Gouache, Primer, Varnish Hair : Form: Ferrule: Handle: length:

hog bristle flat, so-called spalter tin short, plain wood, unlacquered, 145 - 190 mm

Characteristics: for painting, priming and varnishing large surfaces

The size in inches indicates the width of the hair bundle No. 909360.. Ø <->

90750002

/" 05 12 30

1 2

TALENS GLUE BRUSH NO. 2

1" 10 24 30

1 1/ 2" 12 37 32

2" 20 50 33

3" 30 74 36

24 24 28 41


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Pagina 147

ROYAL TALENS

147

Painting knives • For expressive, well-structured work with oil and acrylic colours • Flexible and resilient steel blades, with handles made of polished solid wood • Palette knife for preparing and mixing paint No.

Article number

Length knife

Width knife

Total length

3004

91463004

70 mm

22 mm

225 mm

3005

91463005

87 mm

29 mm

242 mm

3007

91463007

83 mm

17 mm

238 mm

3008

91463008

75 mm

16 mm

230 mm

3009

91463009

85 mm

12 mm

240 mm

3010

91463010

60 mm

29 mm

215 mm

3011

91463011

55 mm

19 mm

210 mm

3012

91463012

55 mm

18 mm

210 mm

3013

91463013

65 mm

14 mm

220 mm

3014

91463014

57 mm

16 mm

212 mm

3015

91463015

46 mm

12 mm

201 mm

3016

91463016

27 mm

12 mm

182 mm

3017

91463017

78 mm

23 mm

233 mm

3018

91463018

62 mm

13 mm

217 mm

3019

91463019

70 mm

20 mm

225 mm

3021

91463021

71 mm

10 mm

226 mm

3022

91463022

68 mm

18 mm

223 mm

3023

91463023

29 mm

11 mm

184 mm

3025

91463025

50 mm

15 mm

205 mm

3026

91463026

54 mm

28 mm

209 mm

3027

91463027

36 mm

22 mm

191 mm

4017

91464017

154 mm

214 mm

264 mm


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ROYAL TALENS

148

Easels Painting outside or inside, in the studio or in the hobby room. For every location Talens has the right artists' easel. The wooden artists' easels of Talens are all made of high-quality impregnated beech wood. There is a wide choice of table easels, studio easels and field easels.


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Studio easels

91055250

TALENS S TUDIO EASEL 250 BARCELONA Ground surface: 68 x 76 cm Max. canvas height: 150 cm Total height: 220 - 325 cm Weight: 27.8 kg Ver y durable and solid studio easel in oiled beech wood Extra wide 68 cm bottom canvas ledge Foldable foot Large knobs for easy adjustment Continuously variable in height through a swivel mechanism. Large double tray with 2 drawers for artists’ materials. 4 large castors, 2 of which with brake. Can be tightened with 2 clamping screws. Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on. Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible. ●

91055251

TALENS EXTENDED CENTRE POLE EASEL BARCELONA For canvases up to 200 cm in height Weight: 2.7 kg ●

ROYAL TALENS

149


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Pagina 150

150

ROYAL TALENS

91055246

TALENS S TUDIO EASEL 246 VENICE 91055249

TALENS S TUDIO EASEL 249 MONACO Ground surface: 60 x 66 cm Max. canvas height: 170 cm Total height: 235 - 305 cm Weight: 18 kg Robust studio easel in oiled beech wood Adjustable in height using a metal rail Double tray for artists’ materials. Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on. Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible. Large knobs for easy adjustment. Easy to move thanks to castors. Can be tightened with 2 clamping screws. ●

Ground surface: 55 x 59 cm Max. canvas height: 141 cm Total height: 166 - 297 cm Weight: 11 kg Ver y stable studio easel in oiled beech wood Extra wide 53 cm bottom canvas ledge Foldable foot Increased working height to 147 cm (eye level) Can be tilted using ver y stable piano hinge Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible Adjustable height using metal rail Large knobs for easy adjustment ●

91055248

TALENS S TUDIO EASEL 248 MADRID Ground surface: 57 x 59 cm Max. canvas height: 143 cm Total height: 172 - 295 cm Weight: 12 kg Solid and stable studio easel in oiled beech wood Adjustable foot Increased working height to 143 cm (eye level) Double tray for artists’ materials Adjustable height using metal rail Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible Large knobs for easy adjustment ●


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Pagina 151

91055256

TALENS S TUDIO EASEL 256 CHICAGO Ground surface: 71 cm Max. canvas height: 118 cm Total height: 184 - 234 cm Weight: 12 kg Ver y sturdy tripod design studio easel in oiled beech wood Ver y stable and robust with an extra heavy frame Adjustable height using metal rail Adjustable working angle by lengthening back leg Extensive adjustment possibilities as crossbar and bottom canvas ledge can be adjusted independently (also suitable for smaller rooms) Double tray for artists’ materials Canvas ledge and canvas clamp have pins, with which the canvas can be secured in such a way that all edges can be painted on Loose bar on the bottom canvas ledge makes the bottom edge of the work more accessible ●

91055245

TALENS S TUDIO EASEL 245 LONDON Ground surface: 60 x 68 cm Max. canvas height: 125 cm Total height: 151 - 229 cm Weight: 11.5 kg Solid and stable studio easel in oiled beech wood Bottom canvas ledge and canvas clamp adjustable in height Extra large 51 x 69 cm drawing board, which can also be removed and used separately Can be tilted to horizontal position, making it also suitable for water colouring Large knobs for easy adjustment Fully folding for great compactness Suitable for 3D canvases

91055258

TALENS S TUDIO EASEL 258 NEW YORK 91055259

TALENS S TUDIO EASEL 259 WASHINGTON Ground surface: 66 cm Max. canvas height: 127 cm Total height: 180 - 267 cm Weight: 7 kg Compact tripod design studio easel in oiled beech wood Stable design with extra wide frame Increased working height to 130 cm Adjustable height using metal rail Double tray for artists’ materials Adjustable crossbar to avoid disturbing incidence of light Folding Suitable for 3D canvases ●

Ground surface: 62 cm Max. canvas height: 128 cm Total height: 172 - 259 cm Weight: 6.5 kg Compact tripod design studio easel in oiled beech wood Stable design with extra wide frame Increased working height to 130 cm Wide bottom canvas ledge of 54 cm Adjustable height using metal rail Folding Suitable for 3D canvases ●

ROYAL TALENS

151


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Pagina 152

152

ROYAL TALENS

91055016

TALENS TABLE EASEL 016 MALLORCA Ground surface: 32 x 37 cm Max. canvas height: 73 cm Total height: 94 - 124 cm Weight: 2.5 kg Oiled beech wood In height adjustable crossbar to a working height of 44 cm Foldable footrest Adjustable canvas clamp Suitable for 3D canvases

91055014

TALENS TABLE EASEL 014 IBIZA Ground surface: 28 x 32 cm Max. canvas height: 59 cm Total height: 75 - 103 cm Weight: 1.8 kg Oiled beech wood In height adjustable crossbar to a working height of 39 cm Foldable footrest Adjustable canvas clamp Suitable for 3D canvases

91055209

91055152

Ground surface: 31 x 39 cm Max. canvas height: 65 cm Total height: 43 - 75 cm Weight: 500 g Table easel of oiled beech wood Fully folding Height adjustable canvas clamp

Ground surface: 35 x 45 cm Max. canvas height: 59 cm Total height: 39 - 69 cm Weight: 1.3 kg Sturdy table easel of oiled beech wood Foldable Height adjustable canvas clamp

TALENS TABLE EASEL 209 ELBA

TALENS TABLE EASEL 152 SICILY

Table easels

91055263

TALENS TABLE EASEL 263 ROTTERDAM Size of the box: 31 x 41 x 7 cm Max. canvas height: 67 cm Weight: 3.6 kg Luxurious box easel in oiled beech wood Wooden palette and leather handle Metal inner trays that can be removed Canvas ledge and canvas clamp that can be adjusted in height ●


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Pagina 153

ROYAL TALENS

153

91055261

TALENS FIELD EASEL 261 REMBRANDT Size of the box: 32 x 48 x 11 cm Ground surface area (folded out): 74 x 100 cm Max. canvas height: 86 cm Weight: 6 kg Luxurious field easel and artists’ box in one, compact and ver y practical Supplied with wooden palette and leather carr ying strap With metal inner tray that can be removed Equipped with canvas ledge and canvas clamp that can be adjusted in height Adjustable legs with non-slip caps ●

91050034

TALENS FIELD EASEL 034 DANUBE Length (folded): 84 cm Ground surface area (folded out): 90 x 100 cm Max. canvas height: 130 cm Weight: 2.5 kg Black varnished metal field easel Easy to clean For working horizontally (water colouring) as well as vertically With extra canvas ledges for working with larger canvases Telescopic adjustable legs with non-slip caps ●

Field easels 91055239

TALENS FIELD EASEL 239 MISSISSIPPI Length (folded): 93 cm Ground surface area (folded out): 82 x 82 cm Max. canvas height: 110 cm Weight: 4 kg Robust field easel for greater stability For working horizontally (water colouring) as well as vertically Equipped with leather belt for holding together legs when folded in Adjustable legs with non-slip caps ●


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Pagina 154

ROYAL TALENS

154

Grounds Talens supplies a wide range of high quality grounds: ●

Canvas stretchers of excellent quality in both cotton and linen. Universally prepared and suitable for various artists' paints. Canvas boards made of universally prepared cotton stretched on MDF board. Roll canvas in various prepared types of textile, both finely and coarsely woven.


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Pagina 155

155

Universally primed canvas with a medium structure Professional quality Easily withstands ageing Ver y low water sensitivity Tautly stretched on a plain pinewood canvas frame Stapled at the rear, allowing the sides to be easily painted Complete with beechwood wedges for re-tensioning the canvas Nailed on the sides Diagonal and cross laths provide extra sturdiness for the larger sizes Available in several sizes

Size (cm)

20 x 20 24 x 30 30 x 30 30 x 40 30 x 60 30 x 90 40 x 40 40 x 50 40 x 60 40 x 80 40 x 120 50 x 50 50 x 60 50 x 70 50 x 100 50 x 150 60 x 60 60 x 70 60 x 80 60 x 90 60 x 120 70 x 70 70 x 100 80 x 80 80 x 100 80 x 120 90 x 90 100 x 100 100 x 120 100 x 140 100 x 150 100 x 160

Art. no.

Lath thickness (cm)

Frame structure

95622020 95622430 95623030 95623040 95623060 95623090 95624040 95624050 95624060 95624080 95624020 95605050 95625060 95625070 95625000 95625051 95626060 95626070 95626080 95626090 95626020 95607070 95627000 95628080 95628000 95628020 95629090 95620000 95620020 95620040 95620050 95620061

2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x3,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2,5x6,5 2,5x6,5 2,5x6,5

0 0 0 0 I I 0 0 I I I 0 I I I + I I I I + I + + + + + + + + + ++

Explanation of frame structure Symbol 0 I + ++

Explanation no diagonal lath diagonal lath cross lath 2 cross laths

ROYAL TALENS

S TRETCHED CANVAS, LINEN, NAILED


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Pagina 156

156

ROYAL TALENS

TALENS S TRETCHED CANVAS COTTON ●

Universally primed canvas with a medium structure Tautly stretched on a plain pinewood canvas stretcher (thickness 21 mm) Complete with beechwood wedges for re-tensioning the canvas Nailed on the back, so sides can be painted Diagonal and cross laths provide extra sturdiness for the larger sizes

Size (cm)

Art. no.

10 x 10 13 x 18 18 x 24 20 x 20 20 x 50 20 x 40 20 x 80 20 x 100 20 x 120 24 x 30 25 x 35 30 x 30 30 x 40 30 x 60 30 x 80 30 x 90 30 x 100 30 x 120 40 x 40 40 x 50 40 x 60 40 x 80 40 x 100 40 x 120 40 x 160 50 x 50

95711010 95711318 95711824 95712020 95712050 95712040 95712080 95712000 95712021 95712430 95712535 95713030 95713040 95713060 95713080 95713090 95713000 95713020 95714040 95714050 95714060 95714080 95714000 95714020 95714061 95715050

Lath thickness (cm) 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2x3,5 2x3,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2x4,5 2x3,5 2x3,5 2x3,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x3,5

Frame structure 0 0 0 0 0 0 I I I 0 0 0 0 I I I I I 0 0 I I I I I 0

Size (cm)

Art. no.

50 x 60 50 x 70 50 x 100 50 x 120 60 x 60 60 x 70 60 x 80 60 x 90 60 x 120 60 x 140 70 x 70 70 x 80 70 x 90 70 x 100 70 x 120 80 x 80 80 x 100 80 x 120 90 x 90 100 x 100 100 x 120 100 x 140 100 x 150 100 x 160 120 x 140

95715060 95715070 95715000 95715000 95716060 95716070 95716080 95716090 95716020 95716040 95717070 95717080 95717090 95717000 95717020 95718080 95718000 95718020 95719090 95710000 95710020 95710040 95710050 95710060 95712041

Lath thickness (cm) 2x3,5 2x4,5 2x4,5 2x4,5 2x3,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2x4,5 2,5x6,5 2,5x6,5 2,5x6,5 2,5x6,5

Frame structure I I I I I I I I + + I + + + + + + + + + + + + ++ +

Explanation of frame structure Symbol 0 I + ++

Explanation no diagonal lath diagonal lath cross lath 2 cross laths


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Pagina 157

157 TALENS S TRETCHED CANVAS 3D COTTON ●

Extra thick sides that can be painted (40 mm) Gives an extra dimension to your work Universally prepared cotton canvas with a fine structure Tautly stretched on a plain pinewood frame Complete with beechwood wedges for re-tensioning the canvas Diagonal and cross laths provide extra sturdiness for the larger sizes

Size (cm)

Art. no.

20 x 20 20 x 50 24 x 30 30 x 30 30 x 40 30 x 80 40 x 40 40 x 50 40 x 60 50 x 50 50 x 60 50 x 70 50 x 100

95692020 95692050 95692430 95693030 95693040 95693080 95694040 95694050 95694060 95695050 95695060 95695070 95695000

Lath thickness (cm) 4x3 4x3 4x3 4x3 4x3 4x4 4x3 4x3 4x3 4x3 4x3 4x4 4x4

Frame structure 0 0 0 0 0 I 0 0 I 0 I I I

ROYAL TALENS

Size (cm)

Art. no.

60 x 60 60 x 70 60 x 80 70 x 70 70 x 100 80 x 80 80 x 120 90 x 90 100 x 100 100 x 120 100 x 150 100 x 160

95696060 95696070 95696080 95697070 95697000 95698080 95698020 95699090 95690000 95690020 95690050 95690060

Lath thickness (cm) 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4 4x4

Canvas boards TALENS CANVAS BOARDS ●

Universally prepared cotton canvas, glued and folded over an MDF board Sturdy and retains its shape For consumers shrink-wrapped per piece

Art. no. 93250912 93251824 93252020 93252430 93252535 93253030 93253040 93253846 93254040 93254050 93254060 93255050 93255060 93255070 93256060 *) covered with sturdy paper

Size 9 x 12* 18 x 24 20 x 20 24 x 30 25 x 35 30 x 30 30 x 40 38 x 46 40 x 40 40 x 50 40 x 60 50 x 50 50 x 60 50 x 70 60 x 60

Frame structure I I I I + + + + + + + +


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Pagina 158

ROYAL TALENS

158

Artists’ canvas on roll ●

Professional quality canvas on roll Available in cotton, linen, polyester and cotton/rayon Available in 12 qualities: 9 types universally prepared 3 types prepared with oil Available in various weaves, from extra fine to coarse Roll width up to 2.10m

Art. no.

Ref.

Size

Type

Weight (g/m2)

Warp (threads/cm2)

Weft (threads/cm2)

Texture

Priming

95504101

CS

1,60 x 10 m

100% cotton

300

21,5

19

fine

universally primed

95503101

C1

2,10 x 10 m

100% cotton

260

22

22

fine

universally primed

95503102

C2

2,10 x 10 m

100% cotton

370

22

14

medium

universally primed

95503103

CR

2,10 x 10 m

70% cotton / 30% rayon

360

13,5

11

medium

universally primed

95504001

LS

1,50 x 10 m

100% linen

360

12,5

12,5

medium

universally primed

95503001

L1

2,10 x 10 m

100% linen

350

13

13

fine

universally primed

95503002

L2

2,08 x 10 m

100% linen

320

11

9

medium

universally primed

95503003

L3

2,10 x 10 m

100% linen

440

10

10

coarse

universally primed

95505001

L4

2,10 x 10 m

100% linen

390

11

14

fine

primed for oil paint

95505002

L5

2,10 x 10 m

100% linen

460

17

14,5

medium

primed for oil paint

95505003

L6

2,10 x 10 m

100% linen

470

10

10,5

coarse

primed for oil paint

95503201

P1

2,10 x 10 m

100% polyester

250

16

15

fine

universally primed


14-11-2010

11:18

Pagina 159

159

ROYAL TALENS

159_Talens_cat 2011_UK

Painting accessories Talens offers a number of essential accessories for every painter. The assortment ranges from palettes in several kinds to manikins and charcoal


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Pagina 160

ROYAL TALENS

160

Portfolios • Sturdy light grey cardboard folders • For protecting, transporting and storing drawings • With three inward-folding flaps • Available in five sizes

TALENS PORTFOLIOS Size 23 x 32 cm 32 x 45 cm 46 x 65 cm 52 x 73 cm 64 x 88 cm

Packed per 20 20 10 10 10

Art.no. 92111004 92111003 92111002 92111005 92111001

Palette cups • Round metal cups for painting auxiliaries • Can easily be attached to the palette with a clip • Resistant to thinners in oil colours

92500000

TALENS SINGLE PALETTE CUP

92500002

TALENS DOUBLE PALETTE CUP


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Pagina 161

ROYAL TALENS

161

Metal palettes • Metal palettes, compact size, with mixing compartments • Easy to clean • Suitable for acrylic, water colour, gouache • Also for working with Decorfin decoration colours

90650013

TALENS METAL PALETTE, RECTANGULAR With 13 mixing compartments Size: 10,6 x 20 cm Packed per : 12

90650012

TALENS METAL PALETTE, OVAL With 12 mixing compartments Size: 12,6 x 18,5 cm Packed per : 12

Wooden palettes

TALENS WOODEN PALETTE, OVAL ●

TALENS WOODEN PALETTE, RECTANGULAR

Sturdy wooden palettes impregnated with oil Only to be used with oil colours Packed per : piece

Size 16 x 25 cm 21 x 30 cm 25 x 35 cm

Thickness 3 mm 3 mm 3 mm

Art.no. 90651625 90652130 90652535

Sturdy wooden palettes impregnated with oil Only to be used with oil colours Packed per : piece

Size 16 x 25 cm 21 x 30 cm 25 x 35 cm

Thickness 3 mm 3 mm 3 mm

Art.no. 90652516 90653021 90653525


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Pagina 162

ROYAL TALENS

162

Mixing trays • Handy mixing trays in various styles and sizes • For mixing water thinnable paints such as acrylic, water colour and gouache, as well as for Decorfin decoration colours • Can be easily cleaned • Not suitable for solvent-based paints such as white spirit

91840213

TALENS MIXING TRAY SET (21/3) Set consisting of 3 round dishes with round and flat bottoms Diameters: 4.4 cm, 5 cm and 5.7 cm respectively Packed per : 10

91840066

TALENS MIXING TRAY COMPACT (66P) A rectangular mixing tray with 5 round and 5 rectangular compartments Size: 10,5 x 19,5 cm Packed per : piece

91840231

TALENS PAINT TRAY, ROUND (23/1P) A round dish that can be easily stacked Diameter : 6 cm Packed per : 10


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Pagina 163

ROYAL TALENS

163

Manikins • Excellent aid for painting human figures • Available in plain varnished or unvarnished wood • Very easy to adjust • The manikin can be mounted on the supplied metal stand.

93400018

MANIKIN MAN, PLAIN WOOD, HEIGHT 40 CM 93400002

MANIKIN MAN, PLAIN WOOD, HEIGHT 30 CM

93400019

MANIKIN MAN, PLAIN WOOD, HEIGHT 40 CM

93400003

MANIKIN FEMALE, PLAIN WOOD, HEIGHT 30 CM

93400016

MANIKIN MAN, SEGMENTED TORSO, PLAIN WOOD, HEIGHT 30 CM

93400020

93400017

93400021

MANIKIN FEMALE, SEGMENTED TORSO, PLAIN WOOD, HEIGHT 30 CM

MANIKIN MAN, VARNISHED WOOD, HEIGHT 30 CM MANIKIN MAN, VARNISHED WOOD, HEIGHT 30 CM


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Pagina 164

ROYAL TALENS

164

Tear-off palettes • Always a clean palette • 36 sheets of special paper (85 g) with a very smooth surface allowing excellent mixing • Suitable for oil, acrylic, water colour and gouache • Available in sizes 22 x 30 cm and 25 x 35 cm

90672230

TALENS TEAR-OFF PALETTE 22 X 30 CM 90672535

TALENS TEAR-OFF PALETTE 25 X 35 CM

Charcoal • Artists' quality charcoal made of specially selected willow twigs • The sticks easily release their full, rich and dense colour • Available in three thicknesses

96000020

TALENS THIN CHARCOAL, 30 S TICKS ●

For working in detail Diameter : 3 – 4 mm Packed per : box with 30 sticks

96000003

TALENS CHARCOAL TUBE WITH 3 S TICKS ●

For working in detail Diameter : 3 – 4 mm

96000050

TALENS THICK CHARCOAL, 20 S TICKS ●

Ver y suitable for coarse work Diameter : 7 – 12 mm Packed per : box with 20 sticks 96000030

TALENS MEDIUM CHARCOAL, 25 S TICKS ●

For coarser sketches Diameter : 5 – 6 mm Packed per : box with 25 sticks


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Pagina 165

Kneadable eraser

96000100

TALENS KNEADABLE ERASER Grey kneadable eraser for absorbing removing pastel, graphite and charcoal particles Can be used many times until the eraser is completely saturated The erasers are wrapped in cellophane Packed per : counter box with 20 pieces

Accessories – miscellaneous

91201003

TALENS FIXATIVE ATOMIZER To be used in combination with bottles of Pastel fixative or Fixative for charcoal For fixing (parts) of pastel, (colour) pencil and charcoal drawings Packed per : 10

91630553

TALENS TALENS MODEL POWDER BUCKET 250 GRAM After mixing with water gives a versatile modelling paste Once dr y can be processed like wood For combined techniques with acr ylic colour Also for hobby, decoration and model construction applications Packed per : bucket of 250 gram

ROYAL TALENS

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Graphic art products High-quality products for designers, graphic artists and illustrators. An important line is Gouache Extra Fine Quality, a top quality gouache with a choice of 65 colours. In addition, there are various types of inks and other special products. All these products can also be used for educational purposes.


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0804...2

TALENS GOUACHE EXTRA FINE QUALIT Y TUBE 20 ML Available in 60 colours

0806...2

TALENS GOUACHE EXTRA FINE QUALIT Y TUBE 60 ML Available in white (100) and black intenso (703)

0816...2

TALENS GOUACHE EXTRA FINE QUALIT Y BOTTLE 16 ML Available in 50 colours (indicated by X in the colour chart)

0824...2

TALENS GOUACHE EXTRA FINE QUALIT Y BOTTLE 50 ML Available in 45 colours (indicated by X in the colour chart, except the reflex colours)

Gouache Extra Fine Quality Gouache, under the name Gouache Extra Fine Quality, is an opaque paint with a high pigment load that completely obscures the ground. The opacity of the paint is obtained by using opaque fillings. Gouache is often used by designers and illustrators and for educational purposes.

• Top quality gouache colour for artists, designers and illustrators as well as for education • High pigmentation resulting in powerful colours • Dries within a few minutes to a uniform, velvety, matt and opaque appearance • Large choice of 65 intense colours


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168

08791609

TALENS GOUACHE EXTRA FINE QUALIT Y SET WITH PRIMARY COLOURS Contents: 6 bottles 16 ml

08791608

TALENS GOUACHE EXTRA FINE QUALIT Y SET 08ZP1606 Contents: 6 bottles 16 ml

08791612

TALENS GOUACHE EXTRA FINE QUALIT Y SET 08ZP1610 Contents: 10 bottles 16 ml


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169

08820407

TALENS GOUACHE EXTRA FINE QUALIT Y MIXING SET 08C405 Contents: 5 tubes 20 ml

08820408

TALENS GOUACHE EXTRA FINE QUALIT Y MIXING SET 08C408 Contents: 8 tubes 20 ml

08850411

TALENS GOUACHE EXTRA FINE QUALIT Y BASIC SET 08PS410 Contents: 10 tubes 20 ml


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170

08801613

TALENS GOUACHE EXTRA FINE QUALIT Y PLAS TIC CASSETTE 08HP1612 Contents: 12 bottles 16 ml and mixing bowl 08801609

TALENS GOUACHE EXTRA FINE QUALIT Y PLAS TIC CASSETTE 08HP1608 Contents: 8 bottles 16 ml, 1 mixing slab and 2 mixing bowls

08840409

TALENS GOUACHE EXTRA FINE QUALIT Y ARTIS TS’ BOX DES10 Contents: 10 tubes 20 ml 2 bottles 75 ml auxiliaries: - Gouache varnish glossy - Gum arabic Brushes: series 220 no. 4 and no. 10, Gussow model, hog bristle and series 191 no. 6, selected filament ●


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colour chart Gouache Extra Fine Quality White

Opaque white extra

Naples yellow

Lemon yellow (P)

Light yellow

Yellow

Deep yellow

Light orange

Orange

+++ 100 PW6/PW5

+++ 106 PW6/PW5

+++ 255 PW6/PY139/PY184

++ 205 PY3

++ 201 PY74/PY3

+++ 200 PY74/PO67

+++ 202 X PY74/PO67

+++ 236 PY74/PO67

° 235 PR4/PY74

Flesh tint

Vermilion

Light red

Scarlet

Deep red

Carmine

Bordeaux

Perm.rose (mag.) (P)

Rose

+++ 374 X PW6/PY42/PO43

+ 311 PR4

++ 301 PR112

++ 334 PR112/PV19

++ 302 PR112/PV19

+ 318 PR112/PR23

+ 375 PR23

+++ 397 PV19/PR122

+++ 357 PV19

Deep rose

Red violet

Lilac

Violet

Blue violet

Ultramarine lt

Ultramarine dp

Cobaltbl.(ultram.)

Orient blue

++ 362 PV19/PR23

+++ 545 PV19/PB29

+++ 556 PV23/PV19/PW6

+++ 536 PV23/PV19

+++ 548 PV23/PB15/PB29

+++ 505 PB29

+++ 506 PB29

+++ 512 PB29/PB15

++ 524 PB15

Light bl.(cyan) (P)

Azure blue

Turquoise blue

Green yellow

Light green

Green

Emerald green

Cerulean bl. (phthalo) Prussian bl. (phthalo)

+++ 535 PB15

+++ 566 PB15

+++ 501 PB15

+++ 526 PB15/PG7

++ 522 PB15/PG7/PW5

++ 243 PY3/PG7

+++ 601 PY74/PG7

++ 600 PY74/PG7

++ 615 PY3/PG7

Deep green

Viridian

Turquoise green

Fir green

Olive green

Yellow ochre

Raw sienna

Raw umber

Light brown

++ 602 PY3/PG7

+++ 616 PG7

++ 661 PG7/PB15

+++ 654 PY74/PG7/PBk7

+++ 620 PG7/PBr7/PY74

+++ 227 PY42

+++ 234 PY42

+++ 408 PBk6/PY42/PO67

+++ 401 PY42

Deep brown

Light oxide red

Burnt sienna

Havana brown

Burnt umber

Sepia

Cold grey

Warm grey

Black intenso

+++ 402 PBr7/PO67

+++ 339 PR101/PO67

+++ 411 PR101

+ 427 PR83:1/PBk7/PBr7

+++ 409 PBr7/PBk11

+++ 416 PBr7/PBk11

+++ 717 PBk6

+++ 718 PBk6/PBr7

+++ 703 PBk9

Silver

Light gold

Deep gold

Copper

Bronze

+++ 800 PW6/PW15/PW20

+++ 802 PW6/PW15/PW20

+++ 803 PW6/PW15/PW20

+++ 805 PW6/PW15/PW20

+++ 811 PW6/PW15/PW20

Reflex yellow

Reflex orange

Reflex red

Reflex rose

Reflex green

° 256

° 257

° 383

° 384

° 672

Neutral black

+++ 737 PBk9 Metal colours

Reflex colours

Explanations of the signs from left to right Example: Lemon yellow (P)

++ 205 PY3

degree of lightfastness +++ = 100 years completely lightfast under museum conditions (42 colours) ++ = 25 - 100 years lightfast under museum conditions (13 colours) + = 10 - 25 years lightfast under museum conditions (4 colours) 0 = 0 - 10 years lightfast under museum conditions (6 colours) The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303

(P) = primary colour 205 = colour number

PY3 = pigments used (see explanation on page 200)

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1125...0

ECOLINE BOTTLE 30 ML Available in 48 colours

1172...0

1171...0

Available in 23 colours

Available in 23 colours

ECOLINE BOTTLE 490 ML

ECOLINE BOTTLE 990 ML

Ecoline liquid water colour • Ready to use liquid water colour for diverse creative applications both at home and at school • Available in 46 brilliant colours and 2 opaque colours (White and Gold) • The colour range includes the three primary colours Lemon yellow (205), Magenta (337) and Sky blue cyan (578) • Excellent adhesion to water colour and drawing paper and board • To retain colours the drawings should be kept in a drawing portfolio


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11802506

ECOLINE SET 11TP2506 Contents: 6 bottles 30 ml

11802510

ECOLINE SET 11TP2510 Contents: 10 bottles 30 ml

11822508

ECOLINE SET 11C2508 Contents: 8 bottles 30 ml

colour chart Ecoline White

Pastel yellow

Lemon yellow

Chartreuse

Sand yellow

Light yellow

Deep yellow

Light orange

Deep orange

100 X

226

205 X

233

259

201 X

202 X

236 X

237

Pastel red

Vermilion

Scarlet

Carmine

Pastel rose

Light rose

Magenta

Red violet

Pastel violet

381

311 X

334 X

318 X

390

361

337 X

545 X

579

Blue violet

Ultramarine violet

Pastel blue

Sky blue (cyan)

Ultramarine light

Prussian blue

Ultramarine deep

Turquoise blue

Blue green

548 X

507

580

578 X

505

508 X

506 X

522 X

640

Fir green

Spring green

Pastel green

Light green

Green

Deep green

Grass green

Bronze green

Forest green

654

665

666

601 X

600 X

602 X

676

657

656

Yellow ochre

Gold ochre

Saffron yellow

Burnt sienna

Red brown

Deep ochre

Sepia

Cold grey

Warm grey

227 X

231

245

411 X

422

407

416 X

717 X

718

Deep grey

Black

Gold X also available in 490 ml and 990 ml bottle

706

700 X

801


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Drawing ink • For refined and exacting drawing work • Available in 18 clear and transparent colours and 2 opaque (white and black) • Can be thinned with water, waterproof once dry • Can be applied with brush, drawing-pen, technical drawing-pen and airbrush • To retain colours the drawings should be kept in a drawing portfolio

4335...0

4372...0

TALENS DRAWING INK BOTTLE 11 ML, WITH DRAWING-PEN FILLER

TALENS DRAWING INK BOTTLE 490 ML Available in 10 colours

Available in 20 colours

colour chart Drawing ink White

Yellow

Orange

Vermilion

Scarlet

Brick red

Carmine

Violet

Prussian blue

100 X

200 X

235 X

311 X

334

352

318

536

508

Ultramarine

Cobalt blue

Indigo

Light green

Deep green

Raw sienna

Burnt sienna

Brown

Sepia

504 X

511

533

601

602 X

234 X

411 X

400

416 X

Neutral tint

Black

715

700 X

X also available in bottle 490 ml

Rubbercement • A special adhesive for temporary mounting, developed for graphic artists, designers and draftsmen • Fast-drying, completely transparent and acid-free • Waterproof once dry • Any remnants of glue can be rubbed off with fingers • Not suitable for permanent mounting or photos 95306500

TALENS RUBBERCEMENT TUBE 55 ML


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175

Indian ink • Trusted drawing ink for drawing, calligraphy and airbrush work • Based on highly lightfast pigment and shellac • Gives an attractive deep black result through a maximum pigment concentration • Can be thinned with water; waterproof once dry • Suitable for many sorts of grounds such as (technical) drawing paper, board, polyester film and tracing paper • Applied using, for example, a drawing pen and water colour brush

44357000

TALENS INDIAN INK BOTTLE 11 ML BLACK

44257000

TALENS INDIAN INK BOTTLE 30 ML BLACK

44727000

TALENS INDIAN INK BOTTLE 490 ML BLACK

44717000

TALENS INDIAN INK BOTTLE 990 ML BLACK

Opaque moist colour • A highly opaque paint for masking and for retouching dust marks and scratches on films • Based on a highly opaque iron oxide pigment and gum arabic • When dry the paint film is very flexible and does not crack • It is best to use fine brushes such as red sable water colour brushes

13240000

TALENS OPAQUE MOIS T COLOUR BOTTLE 50 ML

13730000

TALENS OPAQUE MOIS T COLOUR BOTTLE 250 ML


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Let children in poor areas paint their dreams and make them come true. Hetty van der Linden makes this happen, with Royal Talens as an essential partner. An uplifting story about a woman who dreams as well as acts:

PAINT A FUTURE! Paint a Future

Future dreams

“Actually I never knew what to make of art. Then one day I drove past a roundabout with some piece of vague art in the middle and thought: they could probably build at least one hundred houses in a third-world country for the price of that. Wealth is distributed so unfairly around the world.” Hetty van der Linden has been a successful artist for decades now, but it was only a few years ago that she discovered how art can provide a service. There seems to be a way to use art to do something about that inequality.

It all started four years ago with an invitation for a painters’ week in an artists’ colony in Croatia which supports two orphanages. “I thought that it would be nice to make a painting together with the children. I gave them all paint and a brush and told them that it was a magic wand that would make their dreams come true. Close your eyes, I said, and imagine what you want the most. Paint what you see. I then incorporated their paintings into a work that I donated to the orphanage. I also made quite a few silk screens of it and decided to give the proceeds to the children. I wanted to make their dreams come true. I was immediately gripped by that idea and it has not let go of me since. And so Paint a Future was born. Now this occupies my time almost day and night. It gives such hope to see that

children with so many negative experiences can still have such positive dreams for the future. Children from the streets paint houses, children in orphanages paint families, and there are also those children who want to float in space as an astronaut or defend their people as a lawyer.”

Hands off! Meanwhile more than a hundred artists from 40 countries work for children in ten countries: Croatia, Bosnia, Bulgaria, Moldavia, Morocco, Madagascar, Argentina, Brazil, Tunisia and Chile and since 2010 Peru. “Once or twice per year we come together as a group somewhere in the world to incorporate the dreams of children into our paintings by making works of art out of the


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children's wishes. In May 2010 this was in Florianopolis, a “bounty” island off the coast of Brazil. A good friend of Hetty’s owns a luxury resort where the artists involved can stay free of charge in order to make their works of art for children from all over the world. For ten days they work on 100 new works of art. Every artist chooses two children's drawings which they then integrate organically into a new work of art. And it can get serious: “Hands off, that is my child,” is often heard; a good example of the passion and healthy ‘-rivalry’ among the artists. Prior to the work week Hetty first visited Peru where together with children from Taray, a village that was wiped off the map through flooding and with children from the enormous slums of Lima she painted their dreams. Afterwards she travelled on to Brazil, where ten artists came together on Florianopolis in the resorts of Quinta do Bucanero and Ihla do Papagaio in order to transform these children's dreams on paper into works of art. These works of art were displayed in the Historical Museum of Florianopolis and Porto Alegre and in the “usina do gazometro” of Porto Alegre.

By and for children Realising dreams is more than a fulltime job. “I work on this literally both day and night. Turning the dreams into reality costs a great deal of time, but there are artists and friends throughout the world that lend a helping hand. Painting with children on the streets, in slums or for example in orphanages is something I often do alone and that takes up a lot of time. But the reward that you get the moment a dream comes true is many times greater.”

Last year, for example, the proceeds of three paintings were used to build a school in Nosy-Varika on Madagascar. But that has not solved the greatest problem. Hetty: “There is a great deal of malnourishment on the African island, whilst a child can be helped for just 20 cents per day.” And so she travelled with the Paint a Future mobile gallery to Madrid, where she visited a school where a friend of hers is a teacher. Using Talens Decorfin paint, the students painted earthenware plates, which were sold for 12 Euros each.


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ROYAL TALENS

www.paintafuture.org www.youtube.com/user/paintafuture hetty@paintafuture.org [Photography] Titus Tiel Groenestege Ria Nieswaag Felix Grande Philippe Arruda Renato Sehn

For each plate sold a child on Madagascar could eat for two months. She then travelled to a school in Navacerrada north of Madrid where she painted mugs with schoolchildren. These were sold in the town for 7 Euros, precisely the amount that is necessary for buying a vaccinated chicken. Through these activities Hetty has managed to provide the entire village of Beloha on Madagascar with laying hens and roosters, as well as continuity in the food supply. Both activities in Spain were a resounding success: realised by children for children.

Child Artist Buyer The Paint a Future project is still growing, in part thanks to its many sponsors and donors. Art is proving to be an efficacious way of combating poverty and inequality. “Everyone working on the project does this completely selflessly. The artists make the works of art for the children. If someone helps to realise the dream of the child by donating to Paint a Future he or she gets in return a wonderful work of art in addition to a major tax exemption as Paint a Future is recognised as an ANBI institution

for general benefit. And that includes everyone, both businesses and private individuals. The money we receive from these donations is used directly for the benefit of the children. I do not have high overhead costs and never have to sleep in hotels, as I can always stay with artist friends of mine. The help therefore goes directly from child to artist, to donor and directly back to the child.” Hetty would not be able to realize all this without sponsors. “My support from the very beginning has been Royal Talens; from day one they vouched for me. Wherever I go I am guaranteed of material; Talens ensures that there is material such as paper, canvas and paint where I need it. That help is invaluable. We all have something to contribute. As an artist you usually don’t have money, but you do have talent. I find it satisfying that in this way I can give something in return: give children a better world.”


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179

ROYAL TALENS

179_Talens_cat 2011_UK

Colouring materials for children Colour materials for drawing and painting specially developed for children to use at home and at school. Products such as Panda, Wasco and Ecola, which can be used creatively in many techniques. They can be used separately, and the colours and the materials can also be combined well. All products meet European toy safety standards.


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Ecola poster colour • Intensely-coloured gouache available in 18 colours including the 3 basic mixing colours Lemon yellow (205), Tyrian rose magenta (359) and Light blue cyan (501) • Intense colours so economical in use • Available in glass bottle of 16 ml and larger plastic squeeze bottles, especially for educational purposes • Water-thinnable, so brushes can easily be cleaned with water afterwards

0916...0

ECOLA BOTTLE 16 ML Available in 12 colours Indicated with X in the colour chart 0973...0

ECOLA PLAS TIC BOTTLE 250 ML Available in 18 colours 0972...0

ECOLA PLAS TIC BOTTLE 500 ML Available in 18 colours 0971...0

ECOLA PLAS TIC BOTTLE 1000 ML Available in 18 colours

09791606

ECOLA SET PRIMARY COLOURS Contents: 6 bottles 16 ml

09791609

ECOLA SET 09ZP1606 Contents: 6 bottles 16 ml

09791610

ECOLA SET 09ZP1610 Contents: 10 bottles 16 ml White

Lemon yellow

Yellow

Deep yellow

Orange

Flesh tint

Scarlet

Carmine

Tyrian rose (magenta)

100 X

205 X

200 X

202

235

374

334 X

318 X

359 X

Violet

Prussian blue

Deep blue

Light blue

Light green

Deep green

Yellow ochre

Brown

Black

536

508

502 X

501 X

601

602 X

227 X

400 X

700 X


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School colour Poster paint in 14 popular colours, perfectly intermixable • Dries quickly to a splendid and matt appearance • Packed in practical squeeze bottles of 1 litre • Water-thinnable, so brushes can be easily cleaned with water afterwards 3671...0

SCHOOL COLOUR BOTTLE 1000 ML

colour chart School colours

Available in 14 colours

White

Yellow

Orange

Light red

Deep red

Rose

Flesh tint

100

200

235

301

302

357

374

Purple

Light blue

Deep blue

Light green

Deep green

Brown

Black

573

501

502

601

602

400

700

Blockprint • Quick-drying and well-covering paint for stencilling and stamping techniques • Available in 9 lightfast, intermixable colours • Water-thinnable; utensils can be cleaned with water and soap after use

15727000

BLOCKPRINT PLAS TIC BOTTLE 500 ML BLACK Only available in Black (700)

1504...0

BLOCKPRINT TUBE 20 ML

1573...0

BLOCKPRINT PLAS TIC BOTTLE 250 ML

Available in 9 colours

Available in 9 colours

colour chart Blockprint White

Yellow

Vermilion

Carmine

Deep blue

Light blue

Deep green

Brown

Black

+++ 100

++ 200

++ 311

++ 318

+++ 502

+++ 501

+++ 602

+++ 400

+++ 700

degree of lightfastness The lightfastness of all these colours has been tested in accordance with ASTM Standards D4303 +++ = 100 years completely lightfast under museum conditions (6 colours) ++ = 25 - 100 years lightfast under museum conditions (3 colours) + = 10-25 years lightfast under museum conditions 0 = 0-10 years lightfast under museum conditions


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Wasco wax crayons • Widely used by children at school and at home • Can be perfectly combined with other products such as Ecoline (in the so-called “repelling technique”) • Use Wasco opaque black for the popular graffito technique (scratching) • Wasco is ideal for drawing on paper, board, wood, textile and stone

95721113

WASCO SET 1010C12 Contents: 12 sticks and a scratcher for the scratching technique

95721107

WASCO SET 1010C6 Contents: 6 sticks

95721145

WASCO SET 1010/144, LARGE PACK FOR EDUCATIONAL USE Contents: 144 sticks (12 sticks of all 12 colours)

Opaque black • Deep black paint, water-based, specially made for the scratching technique • Gives optimum adhesion to a ground painted with Wasco or Panda • After drying an image can be scratched onto the Opaque black layer, allowing the underlying colours to emerge

34240700

OPAQUE BLACK BOTTLE 50 ML


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Panda oil pastels • Soft oil pastels, for school and home • Can be excellently combined in techniques with gouache, poster colour, water colour and in the so-called “repelling technique” with Ecoline • Suitable for various grounds such as paper, board, wood, drawing foil, cellophane, unglazed earthenware, fabrics and stone • Use Wasco opaque black for the popular graffito technique (scratching) • Available in 3 assortment sets 95830012

PANDA OIL PAS TELS SET 400C12 Contents: 12 oil pastels

95830144

PANDA OIL PAS TELS 400C144, LARGE PACK FOR EDUCATIONAL USE Contents: 144 oil pastels (12 oil pastels per colour)

95830024

PANDA OIL PAS TELS SET 400C24 Contents: 24 oil pastels

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Transparent water colour • Transparent water colours in pans with a 3-cm diameter • The square pans with a raised edge prevent colours from running over into one another • Very suitable for use at home and in schools • Available in 2 assortment sets

95930012

TRANSPARANT WATER COLOURS SET 31MP12 Contents: 12 pans and a tube of Transparent mixing

95930024

TRANSPARANT WATER COLOURS SET 31MP24 Contents: 24 pans and a tube of Transparent mixing white


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Opaque water colour • Gives full and opaque shades • Colours can perfectly be mixed • The square pans with a raised edge prevent colours from running over into one another • Very suitable for use at home and in schools • Available in 3 assortment sets

95500012

OPAQUE WATER COLOURS SET 975TP12 Transparent plastic box with 12 pans (cannot be replaced)

95920024

OPAQUE WATER COLOURS SET 30MP24 Contents: 24 pans and a tube of Mixing white

95920012

OPAQUE WATER COLOURS SET 30MP12 Contents: 12 pans and a tube of Mixing white

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Create your world

Decorfin is a decoration paint suitable for a wide range of painting hobbies. Ideal for painting glass and ceramics for example, or for painting on wood, textiles, c a r t o n a n d p a p e r. T h e D e c o r f i n q u a l i t y ra n g e c h a l l e n g e s the consumer to discover his many possibilities.


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2916...1

DECORFIN UNIVERSAL SATIN BOTTLE 16 ML Available in 62 colours

2924...1

DECORFIN UNIVERSAL SATIN BOTTLE 50 ML Available in 62 colours

29821608

DECORFIN UNIVERSAL SATIN SET 29C1608 Contents: 6 bottles 16 ml 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●

Universal Satin • Universal water-thinnable decoration colours with satin gloss • Water-based, once dry waterproof • of a wide range of 62 intense and lightfast colours • Suitable for many grounds, such as wood, board, paper, plaster, earthenware, stone, clay and metal • Also suitable for painting toys • Brushes can simply be cleaned with water after use

Decorfin Universal Satin should be used at temperatures above 10 °C. Store at temperatures above freezing.


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colour chart - Decorfin Universal Satin White

Broken white

Ivory

Sand

Naples yellow

Bright yellow

Sun yellow

Biarritz

Honey

100

122

107

261

255

287

241

260

225

Provence yellow

Gold yellow

Apricot

Orange

Red

Bright red

Antique red

Bordeaux

Fuchsia

206

253

258

235

300

387

391

375

350

Oriental red

Aubergine

Lilac

Purple

Blue violet

Violet

Stone blue

Soft blue

Ice blue

360

353

556

376

548

536

531

528

523

Cobalt blue

Sky blue

Vivid blue

Bright blue

Mediterran. blue

Antique blue

Turquoise green

Grey green

Bottle green

511

527

588

587

529

563

603

663

684

Bright green

Vivid green

Fir green

Moss green

Antique green

Olive green deep

Apple green

Spring green

Lime

687

688

654

653

646

689

655

665

649

Olive green

Yellow ochre

Skin colour

Terra

Sienna

Deep brown

Havana brown

Chestnut

Light oxide red

620

227

380

432

434

402

427

433

339

Stone grey

Black

Cold grey

Soft grey

Silver

Gold

Antique gold

Copper

742

700

717

744

800

801

814

805

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14:23

Pagina 190

ROYAL TALENS

190

Glass • Durable glass paint, solvent-based, in a choice of 20 lightfast colours • Suitable for decorating glass, plexiglass and other transparent objects • Gives a crystal-clear result • Not suitable for humid rooms • Can be thinned with white spirit; brushes can be cleaned after use with white spirit • Flammable 1216...1

DECORFIN GLASS BOTTLE 16 ML Available in 20 colours

12821608

DECORFIN GLASS SET 12C1608 Contents: 5 bottles 16 ml 1 tube of 20 ml Relief paint gold 801 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●

1224...1

DECORFIN GLASS BOTTLE 50 ML

Available in 20 colours

colour chart Decorfin Glass Transparent white

White opaque

Etched glass

Yellow

Orange

Red

Fuchsia

Violet

Blue violet

119

126

125

200

235

300

350

536

548

Blue

Light blue

Turquoise

Light green

Green

Olive green

Brown

Light brown

Red brown

603

601

600

620

400

401

422

500

501

Black

grey

700

704

Relief paint • Decoration paint, water-based, for effects in relief on paper, wood, glass and transparent plastic • Gives, in combination with Decorfin Glass, a splendid stained glass effect • Choice of 15 colours (including 7 metallic colours) • In tube with dosing nozzle for drawing both fine and somewhat thicker lines • Not suitable for humid rooms

3804...0

DECORFIN RELIEF PAINT TUBE 20 ML Available in 15 colours

White

Colourless

Deep red

Deep blue

Deep green

Red brown

Black

Lead grey

Silver

100

120

302

502

602

422

700

736

800

Gold

Light gold

Antique gold

Copper

Bronze

Pewter

801

802

814

805

811

815


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Pagina 191

Porcelain • Water-based ceramic paint for painting heat-proof grounds, such as ceramics, porcelain, earthenware and metal • A wide choice of 36 lightfast colours (18 transparent and 18 opaque colours) • After hardening in the oven at 150 °C during 45 minutes the painted objects are dishwasher safe • Brushes used can be cleaned with water • Decorfin Porcelain should be used at temperatures above 10 °C. • Store at temperatures above freezing.

2816...1

DECORFIN PORCELAIN BOTTLE 16 ML Available in 36 colours

28821608

DECORFIN PORCELAIN SET 28C1608 Contents: 5 bottles 16 ml 1 tube Contour paint gold 801 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 manual ●

2824...1

DECORFIN PORCELAIN BOTTLE 50 ML

Available in 36 colours

colour chart Decorfin Porcelain White

Matt colourless

Glossy colourless

White opaque

Broken white opaque

Bright yellow

Bright yellow opaque

Gold yellow opaque

Gold yellow

100

123

124

126

127

287

288

262

253

Orange opaque

Orange

Bright red

Bright red opaque

Bordeaux

Fuchsia opaque

Blue violet

Purple

Sky blue

263

235

387

388

375

341

548

376

527

Sky bl. opaque

Soft bl. opaque

Mediterranean blue

Turquoise opaque

Bright green

Bright green opaque

Spring green

Olive green opaque

Fir green

541

543

529

685

687

690

665

686

654

Terra opaque

Sienna opaque

Terra

Deep brown

Black

Black opaque

Silver opaque

Gold opaque

Copper opaque

437

438

432

402

700

746

807

808

809

Contour paint • Decoration paint for drawing fines lines and text on earthenware, glass and metal • After hardening in the oven at 150 °C during 45 minutes the painted objects are dishwasher safe • After drying the surfaces within the lines can be painted with Decorfin Porcelain • In tube with dosing nozzle for drawing fines lines and text

colour chart Decorfin Contour Paint White

Colourless

Black

Silver

Gold

100

120

700

800

801

3904...0

DECORFIN CONTOUR PAINT TUBE 20 ML Available in 5 colours

ROYAL TALENS

191


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Pagina 192

ROYAL TALENS

192 • Water-based textile paint for painting washed cotton, linen and mixed fibres • Choice of 40 lightfast colours (30 transparent and 10 opaque colours) • After drying the painting can be fixed with an iron • Painted fabrics can be washed at a maximum of 60 °C • Even after frequent washing the colours remain fresh and the fabrics still feel soft

0716...1

DECORFIN TEXTILE BOTTLE 16 ML Available in 40 colours

Decorfin Textile should be used at temperatures above 10 °C. Store at temperatures above freezing.

0724...1

DECORFIN TEXTILE BOTTLE 50 ML Available in 40 colours 07821608

DECORFIN TEXTILE SET 07C1608 Contents: • 6 bottles 16 ml • 2 Decorfin brushes: - series 61 no. 2 - series 61 no. 8 • manual

Textile colour chart Decorfin Textile White

White opaque

Provence yellow

Gold yellow

Gold yellow opaque

Orange

Orange opaque

Bright red

Bright red opaque

100

126

206

253

262

235

263

387

388

Oriental red

Fuchsia

Bordeaux

Purple

Blue violet

Blue violet opaque

Sky blue

Sky bl. opaque

Cobalt blue

360

350

375

376

548

549

527

541

511

Turquoise

Turquoise opaque

Spring green

Spring green opaque

Olive green

Bottle green

Terra

Terra opaque

Skin colour

603

685

665

667

620

684

432

437

380

Honey

Yellow ochre

Sienna

Havana brown

Black

Black opaque

Silver

Gold

Antique gold

225

227

434

427

700

746

800

801

814

Reflex yellow

Reflex orange

Reflex rose

Reflex green

256

257

384

672


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Pagina 193

193

ROYAL TALENS

Patina • Paint for patinating objects (giving an antique look) • Based on oil paint • Choice of 6 special antique colours • Brushes used can be cleaned with white spirit • Attention: contains linseed oil (see remark about self-combustion on page 199) 24242...

DECORFIN PATINA BOTTLE 50 ML Available in 6 colours

colour chart Decorfin Patina Antique white

Antique red

Antique blue

Antique brown

Antique green

Antique black

121

391

563

431

646

711

Antique Colour • Versatile decoration paint, solvent-based, in a range of 7 quick-drying metal colours • Gives a metal effect which cannot be distinguished from real metal • Suitable for many grounds and decoration objects, such as mirror and painting frames, glass, stone, metal and wood • Can be easily applied evenly with a brush • Can be thinned, if need be, with acetone • Highly flammable 3724...1

DECORFIN ANTIQUE COLOUR BOTTLE 50 ML Available in 7 colours

colour chart Decorfin Antique Colour Silver

Copper

Bronze

Brass

Green gold

Antique gold

Pewter

800

805

811

812

813

814

815


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ROYAL TALENS

194

Primer • Opaque white primer, water-based • Prevents the paint from being absorbed too strongly by the ground • Suitable for various absorbing grounds like wood, stone and unglazed earthenware

24242098

DECORFIN PRIMER BOTTLE 50 ML

Mediums Decorfin Glass medium • Makes Decorfin Glass less concentrated • Enhances transparency • Also suitable as varnish for protecting decorations • Flammable

24162293

DECORFIN GLASS MEDIUM BOTTLE 16 ML

24242293

DECORFIN GLASS MEDIUM BOTTLE 50 ML

Decorfin Crackle medium • Quick-drying water-based medium for creating crackle effects with the help of Decorfin Universal satin • Suitable for various grounds and objects, made of wood, stone, glass and earthenware • The best results can be obtained in combination with Decorfin Universal satin • Brushes used can be cleaned with water

24242095

DECORFIN CRACKLE MEDIUM BOTTLE 50 ML


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Varnishes Decorfin Varnish glossy • Quick-drying water-based varnish • Gives painted objects an even high gloss • Protects against dust, moisture and dirt • Highly suitable for utensils

24242099

DECORFIN VARNISH GLOSSY (WATER-BASED) BOTTLE 50 ML

Decorfin Varnish satin • Water-based, quick-drying varnish • Gives painted objects an even silk-sheen • Protects against dust, moisture and dirt • Highly suitable for utensils 24242118

DECORFIN VARNISH SATIN (WATER-BASED) BOTTLE 50 ML

Decorfin Multi varnish • Non-yellowing varnish, solvent-based • Gives painted objects an even high gloss • Very suitable for 3D and decoupage techniques • Brushes should be cleaned afterwards with white spirit • Not suitable for utensils • Highly flammable

24242097

DECORFIN MULTI VARNISH BOTTLE 50 ML

ROYAL TALENS

195


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ROYAL TALENS

196

Decorfin series 61 Hair : Form:i Ferrule: Handle:

gold-coloured polyester fibres (filament) round, pointed seamless, aluminium plain wood, lacquered

Characteristics: painting details Packed per : 6

No. 905610..

0 00

2 20

4 40

6 60

8 80

6 60

8 80

Decorfin series 62 Hair : Form: Ferrule: Handle:

red sable round, pointed seamless, nickel-plated brass plain wood, lacquered

Characteristics: painting details Packed per : 6

No. 905620..

0 00

2 20

4 40

Decorfin series 63 Hair : Form: Ferrule: Handle:

bleached hog bristle flat seamless, aluminium plain wood, lacquered

Characteristics: painting large surfaces Packed per : 6

No. 905630..

8 80

14 40

18 80

Brushes • A complete range of brushes for all Decorfin decoration paints • For fine and detailed work as well as for large surfaces • Plain wooden lacquered handles • Choice of several hair types such as polyester fibres, red sable hair and hog bristle


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Pagina 197

Decorfin series 64 Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (filament) flat seamless, aluminium plain wood, lacquered

Characteristics: painting large surfaces Packed per : 6

No. 905640..

2 20

4 40

8 80

Decorfin series 65 Hair : Form: Ferrule: Handle:

bleached hog bristle round, stomp seamless, aluminium plain wood, lacquered

Characteristics: for stencillin Packed per : 6

No. 905650..

4 40

8 80

12 20

Decorfin series 66 Hair : Form: Ferrule: Handle:

bleached hog bristle flat, spalter nickel plated tin plain wood, lacquered

Characteristics: for painting (larger) surfaces, varnishing The size in inches indicates the width of the hair bundle (1 inch – 2.54 cm) Packed per : 6

No. 905660..

1� 10

2� 20

Decorfin series 67 Hair : Form: Ferrule: Handle:

gold-coloured polyester fibres (filament) round, one-stroke liner seamless, aluminium plain wood, lacquered

Characteristics: drawing lines Packed per : 6

No. 905670..

4 40

6 60

ROYAL TALENS

197


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Pagina 198

ROYAL TALENS

198 PRODUCT DEVELOPMENT

NEW EU RULES

In the manufacture of its products Royal Talens limits the use of hazardous raw materials as much as possible. Due to continuous product development, with new insights into the harmfulness of raw materials, Royal Talens applies harmless alternatives as much as possible. If it is not possible or if it is undesirable to replace a certain hazardous substance, then it is often inevitable that the relevant products are given a safety label. In this way the user is informed on how to work with the product safely.

In the next few years the hazard labels are going to change. This is as a result of the new European CLP Directive. CLP stands for Classification Labelling and Packaging and sets out the rules for the classification and labelling of hazardous substances and mixtures. Through this directive the worldwide system for classification and labelling, the GHS (Globally Harmonised System) developed by the United Nations, will be implemented by law.

EU SAFELY LABEL Based on the EU Substances and Preparations guideline and the resulting (European) national legislation, all hazardous substances have to be supplied with a safety label. Depending on the physical and chemical properties there are a number of hazard classifications, for example: Flammable, Highly flammable, Harmful, Irritant, Poisonous or Dangerous for the Environment. Depending on the relevant danger classification the safety label comprises Risk sentences (R-sentences), Safety sentences (S-sentences) and usually one or more safety symbols. The following symbols are used in the European safety classifications:

The most striking change is the new hazard symbols. These will replace the current symbols. Below are a number of the new symbols. Flammable (replaces current flame symbol)

Causes irritation, sensitizing and harmful (replaces the St.Andrew’s cross)

or

(e.g. inhalation hazard of certain solvents)

Flame symbol This symbol is used on products that are classified as "Flammable"(F) or "Highly flammable" (F+). St. Andrew’s cross This symbol is used on products that are classified as "Harmful"(Xn) or "Irritant"(Xi).

Dangerous for the environment This symbol is used on products that are classified as environmentally harmful (N). This classification means that they are toxic to organisms living in the water or can in the long term have harmful effects on the aquatic environment.

Hazardous for the aquatic environment (replaces the environmental hazard symbol)

SAFET Y INFORMATION SHEETS The safety label on the packaging is not the only to inform users of the properties of the product. A manufacturer is obliged to supply a Safety Information Sheet for products that contain hazardous components. These sheets contain information for the user explaining how to use the product safely. Royal Talens has these sheets in various languages, both for products that contain hazardous substances as well as for products that do not contain hazardous substances. The Safety Data sheets can be downloaded via our website www.royaltalens.com.

Health, safety and environment As a modern and self-respecting organisation Royal Talens attaches great importance to a sound approach of the health, safety and environmental aspects of its activities. Royal Talens, therefore, considers respecting the importance of health, safety and the environment as part of its social responsibility. This means that in the organisation’s decision making process regarding its activities, the health and safety of its workers and users of Royal Talens products, as well as the protection of the environment, play an increasing role.


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Pagina 199

COLOUR MATERIAL FOR CHILDREN

United States (USA)

Within the EU, colour materials for children (for example poster colours) fall under the legislation for toys. This legislation sets out the requirements the products have to meet if they are intended to be used by children up to the age of 14. The following symbols are related to this:

A regulation that applies solely to the United States and not to Europe is that colouring materials for artists have to be screened according to the ASTM norm D4236. This norm has been included in American legislation and describes the way a product is assessed to determine whether it poses a danger to health. The packaging of such products should be supplied with a Conformance Statement which indicates that the product meets this norm. In relation to this Royal Talens is a member of the Art & Creative Materials Institute (ACMI). As part of the certification programme of this institute, the Royal Talens products are examined by a toxicologist in accordance with the above ASTM norm. As quality mark the products have one of the following ACMI seals. The Conformance Statement is added below these seals.

This compulsory symbol This compulsory symbol (a so-called CE Marking) indicates that the product meets the health and safety guidelines as set down in the European guidelines. This symbol is used on products that despite meeting the criteria may still be hazardous to very young children. The nature of the danger is also indicated (for example the danger of swallowing small parts). The text "Not suitable for children under 3 years of age" can also replace this symbol.

AP-seal Products with the AP seal (Approved Product) seal are certified as being non-hazardous.

OTHER SYMBOLS Apart from the above symbols, other symbols can be found on the packaging. These may be legally prescribed symbols as well as symbols that have been mutually agreed upon by certain branches of industry.

Reversed Epsilon This symbol can be found on spray cans. It indicates that the products meet the legal requirements within the EU. Shake before use Producten die na verloop van tijd kunnen resulteren in Products that may no longer be a homogenous mixture after a period of time should be shaken before use. This symbol is used for products for which this is necessary. Green point This symbol is now used in many European countries. It indicates that a financial contribution is given to the organisation that collects and processes the packaging in that particular country. Material Identification Symbol This symbol can mostly be found on plastic packaging materials. This symbol refers to the used material, it can be applied in the separation of waste. The figure in the symbol indicates the code of the material. For example 04 = PE-LD and 05 = PP. Below the symbol the name of the material is also mentioned.

Spontaneous combustion Cloths and other absorbent materials that contain amounts of, for example, linseed oil, can spontaneously combust when they get overheated. The following warning is used for products that have an increased risk of causing spontaneous combustion: Materials such as cloths, tissues and clothing contaminated with this product can spontaneously combust within a few hours. To reduce the risk of fire, all contaminated materials should be dampened with water (and soap) and disposed of in a sealable (metal) container or jar. At the end of the day contaminated materials should always be removed from the workplace and stored outside.

CL-seal Products with the CL seal (Cautionary Labelling) seal come with a warning. This product can be used safely if the safety recommendations are followed. Environment and safety for the user: tips Exercise the necessary caution when working with auxiliaries, particularly varnishes. Many varnishes are solvent-based, which are generally flammable. Work therefore in a well-ventilated space, due to the risk of fire as well as in consideration of your health. Use white spirit and turpentine oil sparingly and in an environmentallyconscious way. Flushing them down the sink is harmful to the environment and also not necessary. Clean the brushes in a jar with some turpentine or white spirit in it. Screw the lid onto the jar to prevent evaporation. Allow the pigment particles to sink to the bottom. After a while the pigment will have sunk to the bottom and the turpentine or white spirit can be decanted into a clean jar and reused. If brushes are soaked temporarily in turpentine or white spirit, take a piece of aluminium cooking foil, stick the end of the brush through it and stretch the foil over the jar. If necessary use an elastic band to seal the pot more effectively. Avoid that solvents come in contact with skin and do not breathe vapors.

ROYAL TALENS

199


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Pagina 200

ROYAL TALENS

200 NAME

PIGMENT

White pigments PW4 PW5

(PW = Pigments White) Zinc oxide Coprecipitate of zinc sulphide and barium sulphate Titanium dioxide Titanium dioxide and tin oxide coated mica Zinc sulphide

PW6 PW6/PW15/PW20 PW7 Yellow pigments PY1 PY3 PY35 PY40 PY42 PY43 PY53

NUMBER 77947 77115 77891 77891 / 77861/ 77019 77975

PY55 PY74 PY83 PY110 PY128 PY129 PY138 PY139 PY150 PY152 PY154 PY184

(PY = Pigments Yellow) Monoazo Monoazo Cadmium zinc sulphide Potassium cobaltinitrite Hydrated synthetic iron oxide Hydrated natural iron oxide Nickel / antimony / titanium oxides Disazo Monoazo Disazo (diarylide) Isoindolinone Disazo (diarylide) Azomethine Quinophtalone Isoindolinone Monoazo Disazo Benzimidazolone Bismuth vanadate

Orange pigments PO13 PO20 PO34 PO43 PO48 PO62 PO67 PO73

(PO = Pigments Orange) Disazo Cadmium sulfo-selenide Disazo Perinone Quinacridone Benzimidazolone Pyrazoloquinazolone Diketopyrrolopyrrole

21110 77202 21115 71105 73900 / 73920 11775 12915 561170

Red pigments PR4 PR9 PR12 PR13 PR21 PR23 PR57:1 PR83 PR101 PR108 PR112 PR122 PR149 PR168 PR170

(PR = Pigments Red) Monoazo (naphthol) Monoazo Monoazo (naphthol) Monoazo (naphthol) Monoazo (naphthol) Monoazo (naphthol) Monoazo Anthraquinone Synthetic iron oxide Cadmium sulfo-selenide Monoazo (naphthol) Quinacridone Perylene Anthanthrone Monoazo

12085 12460 12385 12395 12300 12355 15850:1 58000:1 77491 77202 12370 73915 71137 59300 12475

11680 11710 77205 77357 77492 77492 77788 21096 11741 21108 56280 20037 48042 56300 56298 12764 21111 11781 771740

NAME

PIGMENT

Red pigments PR176 PR179 PR202 PR207

(PR = Pigments Red) continuation Monoazo (benzimidazolone) Perylene Quinacridone Quinacridone

PR209 PR254 PR255 PR257 PR264

Quinacridone Diketopyrrolopyrrole Diketopyrrolopyrrole Heterocyclic Ni-complex Diketopyrrolopyrrole

12515 71130 73907 73900 / 73906 73905 56110 561050 562700 561300

Brown pigments PBr6 PBr7 PBr24 PBr25

(PB = Pigments Brown) Synthetic iron oxide Calcined natural iron oxide Antimony / chromium/ titanium oxide Benzimidazolone

77491 77491 77310 12510

Violet pigments PV14 PV15 PV16 PV19 PV23

(PV = Pigments Violet) Cobalt phosphate Polysulphide of sodium alumino silicate Manganese ammonium pyrophosphate Quinacridone Dioxazine

77360 77007 77742 73900 51319

Blue pigments PB15 PB27 PB28 PB29 PB35 PB36 PB60 PB74

(PB = Pigments Blue) Phthalocyanine Ferric ferrocyanide Cobaltous aluminate Polysulphide of sodium aluminosilicate Cobaltous stannate Cobaltous/ chromium/ alumino oxide Indanthrone Cobalt zinc silicate

74160 77510 77346 77007 77368 77343 69800 77366

Green pigments PG7 PG8 PG17 PG18 PG19 PG23 PG26 PG36 PG50

(PG = Pigments Green) Phthalocyanine Nitroso Chromium sesquioxide Hydrated chromium sesquioxide Oxides of cobalt and zinc Natural green earth Cobaltchromite Phthalocyanine Cobalt titanate (Cobaltous / nickel / zinc / titanium alumino oxide)

Black pigments PBk6 PBk7 PBk9

NUMBER

PBk10 PBk11

(PB = Pigments Black) Carbon (Carbon black) Carbon (Carbon black) Bone black (mixture of calciumphosphate and carbon) Crystallized carbon (Graphite) Synthetic iron oxide

Metal pigments PM1

(PM = Pigments Metal) Aluminium

74260 10006 77288 77289 77335 77009 77344 74265 77377 77266 77266 77267 77265 77499 77000

Colour Index / Pigments On this page you will find a guide to the ‘Colour Index’. This index, drawn up by the Society of Dyers and Colourists, classifies pigments in a clear way. In the first column you will find the abbreviated name of the pigment as given on Talens products. In the case of inorganic pigments the second column gives the full chemical name. In the case of organic pigments the chemical class is given. Names in brackets refer to fuller or alternative names by which the pigment is known. The last column gives the Colour Index number, by which the pigment is also known.

For professional grades of paint we list the pigments used. The pigment is indicated by letters and figures according to the Colour Index. The Colour Index is an international system which allows one to check which pigments are used in a particular colour and what the properties of that pigment are. The letters stand for a particular colour, the figures give the specific type of pigment. For example: PW6 = Pigment White, 6 = Titanium dioxide. The following pigment designations are currently used: PW = Pigment White PB = Pigment Blue PO = Pigment Orange

PR = Pigment Red PY = Pigment Yellow PV = Pigment Violet

PG = Pigment Green PBr = Pigment Brown PBk = Pigment Black


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Pagina 201

PROMOTIONAL MATERIAL Talens has promotional material for practically all of its products, often in the form of brochures and original colour charts. These colour charts are made on the basis of genuine colour samples (painted or sprayed by hand). All brochures are packaged in units of 25, whereas the colour charts are packaged individually. Ask your supplier for a complete overview and the terms of delivery. A complete overview (pdf) is available that shows all the promotional materials, as well as packaging and posters. Please ask your sales consultant for more information. LEAFLETS Item no.

Title

88010114 88070024 88130014 88410014 88590014 88390014 88390024 88020214 88210014 88220014 88590114 88030214 88080614 88080714 88190024 88150014 88140214 88140314 88150084

Fine art products Rembrandt oil colours Rembrandt acrylic colours Rembrandt water colours Rembrandt soft/carré pastels Rembrandt brushes Cobra, brochure Cobra, leaflet Van Gogh oil colours, brochure Van Gogh water colours, brochure Van Gogh acrylic colours, brochure Van Gogh brushes Amsterdam oil colours Amsterdam acrylic colours, Specialties Amsterdam acrylic colours, Standard Series Amsterdam acrylic colours, Expert Series Amsterdam auxiliaries, brochure A5 Painting easels, brochure, A4 Painting easels, leaflet Talens auxiliaries, brochure A5

88700044 88700024 88280014 88330014 88700150

Decorfin Decorfin Universal satin Decorfin Textile Decorfin Porcelain Decorfin Glass/Relief paint Decorfin Tips & ideas, brochures A5, international

8870014M 8870054M

ArtCreation ArtCreation Elements/Expression, brochure ArtCreation Elements/Essentials, brochure

Item no.

Title

88230014 88800150 88708144 88800154

Diversen Gouache Extra Fine, brochure Colour mixing, brochure, international Fun with painting, brochure Colour, brochure A5

ORIGINAL COLOUR CHARTS Item no.

8835130M

Title Fine art products Rembrandt oil colours Rembrandt acrylic colours Rembrandt water colours Rembrandt pastels – laminated Cobra water mixable oil colour Van Gogh oil colours Van Gogh water colours Van Gogh acrylic colours Van Gogh oil pastels Amsterdam oil colours Amsterdam Acrylic Standard Series, laminated Amsterdam Acrylic Standard Series, folded Amsterdam Acrylic Standard Series, samples on canvas, for display Amsterdam Acrylic Expert Series, laminated Amsterdam Acrylic Expert Series, folded Amsterdam Acrylic Expert Series, samples on canvas, for display ArtCreation Essentials, gelamineerd

88230030 88190130

School and graphical products Gouache Extra Fine Quality Ecoline

88010130 88070470 88130030 88410030 88390030 88020030 88210030 88220030 88950030 88030030 88080130 88080230 88080530 88190230 88190330 88190430

Promotional material PACKAGED PER:

ARTICLE NUMBER + COLOUR NUMBER

Many products are not supplied individually but in trading units of 3, 5 or 6 (particularly small tubes or bottles). The trading unit therefore consists of a number of units of the same product.

Some article numbers in this catalogue also contain 2, 3 or 4 dots with the figures. In place of these dots the colour number should be read.

IMPORTANT: The bar code on the trading unit is a unique code that only applies to that particular unit (and so is not the same as the code on the individual tube or bottle). This ‘trading unit bar code’ should only be used for logistical purposes; with a single scan of this code the content of the trading unit can be checked in or out.

For example, Ultramarine of Van Gogh Acrylic Colours: the article number for this tube is 2204 . . . 0 , and the colour number of Ultramarine is 504. The full article number for this product is therefore: 22045040

ROYAL TALENS

201


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ROYAL TALENS

202 A Acrylic binder, amsterdam Acrylic colours Amsterdam Expert Series Amsterdam Standard Series ArtCreation Essentials ArtCreation Expression Rembrandt Van Gogh Acrylic medium, Amsterdam Acrylic remover, Amsterdam Acrylic retarder, Amsterdam Acrylic varnish, Amsterdam Acrylic varnish, Talens Alkyd medium, Talens Amsterdam Acrylic colour Auxiliaries Expert Series Oil colour Specialties Standard Series Antique colour, Decorfin Artists’ canvas on roll, Talens ArtCreation Acrylic colour Brushes Easels Elements Essentials acrylic colour Expression Gouache Grounds Oil colour Painting knives Water colour B Binder, Amsterdam acrylic Binder, Talens Casein tempera Blockprint water colour Boards, Canvas Box easels, ArtCreation Box easels, Talens Brushes ArtCreation Elements Decorfin Rembrandt Talens Van Gogh C Canvas boards, Talens Canvas on roll, Talens Canvas, ArtCreation stretched Canvas, Talens stretched Carré pastels, Rembrandt Carré pastels, Van Gogh Casein tempera binder, Talens Charcoal, Talens Charcoal fixative, Talens Cleaning solvents, Talens -

91 80 83 106 100 16 56 89 91 91 92 124 122 80 88 80 94 87 83 193 158 104 111 108 108 106 98 104 114 98 113 102 91 126 181 157 109 152 111 196 131 145 139 144 145 114 154 36 67 126 164 129 120

Decorfin (continuation) Relief Paint Textile Universal satin Varnishes Dosing nozzle, Amsterdam Drawing folders, Talens Drawing ink, Talens -

190 192 188 195 93 160 174

E Easels, ArtCreation Elements Easels, Talens Ecola (poster colour) Ecoline liquid water colour Elements, ArtCreation Eraser, Talens kneadable Essentials acrylic colour, ArtCreation Expert Series, Amsterdam Expression, ArtCreation Extra heavy gel mediums, Amsterdam -

108 148 180 172 108 165 106 80 98 90

F Field easels, ArtCreation Elements Field easels, Talens Fixative for charcoal, Talens Fixative for pastels, Talens Fixative, Talens Concentrated Fixative atomizer, Talens -

110 148 129 129 129 165

G Gel mediums, Amsterdam Gesso primer, Talens Glass, Decorfin Glazing medium, Cobra Glazing medium, Talens Gogh, Van Acrylic colour Brushes Carré pastels Colour pencils Oil colour Oil pastels Pastels Sketch pencils Water colour Water colour pencils Gouache Extra Fine Quality Gouache, ArtCreation Expression Gouache varnish, Talens Grounds, ArtCreation Elements Grounds, Talens Gum arabic, Talens H Heavy gel mediums, Amsterdam K Kneadable eraser, Talens Knives, ArtCreation Elements painting Knives, Talens painting -

89 119 190 46 122 56 139 67 70 50 68 66 76 61 74 167 104 127 114 154 126 90 165 113 147

Keywords Cobra Glazing medium Painting medium Painting paste Varnishes Water mixable oil colour Crackle medium, Decorfin D Dammar varnish, Talens Decorfin Antique colour Brushes Contour paint Crackle medium Glass Medium for Glass Patina Porcelain Primer

46 46 46 47 42 194 125 193 196 191 194 190 194 193 191 194

L Linseed oils, Talens Liquid masking film, Talens Liquid water colours, Ecoline M Manikins, Talens Masking film, Talens Liquid Medium for glass, Decorfin Medium(s) for Acrylic colour Cobra water mixable oil colour Decorfin Glass Oil colour Mixing trays, Talens Modeling paste, Amsterdam Modelpowder, Talens Moist colour, Talens Opaque -

121 128 172 163 128 194 89 46 194 122 162 91 165 175


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O Oil colours Amsterdam ArtCreation Expression Cobra water mixable Rembrandt Van Gogh Oil pastels, Panda Oil pastels, Van Gogh Oils, Talens Linseed Opaque black, Talens Opaque moist colour, Talens Ox gall, Talens P Painting knives, ArtCreation Elements Painting knives, Talens Painting paste, Cobra Painting paste, Talens Palette cups, Talens Palette knife, Talens Palettes, Talens Panda oil pastels Pastel fixative, Talens Pastels Rembrandt Carré Rembrandt SoftVan Gogh Carré Van Gogh Oil Patina, Decorfin Picture varnish, Amsterdam Picture varnish, Talens Pocket box, Rembrandt Pocket box, Van Gogh Poppy oil, Talens Primer, Gesso Protecting Spray, Talens R Relief paint, Decorfin Rembrandt Acrylic colour Brushes Carré pastels Oil colour Soft pastels Water colour Retarder, Amsterdam acrylic Retouching varnish, Talens Roll, Talens canvas on Rubbercement, Talens -

95 98 40 10 50 183 68 121 182 175 128 113 147 46 123 160 147 161 183 129 36 26 67 68 193 92 124 22 62 121 119 127

190 16 125 36 10 26 22 91 123 158 174

S School colours, Talens Siccatives, Talens Soft pastels, Rembrandt Solvents, Talens Specialties, Amsterdam Spirit, Talens Odourless white Spirit, Talens White Stand oil, Talens Standard Series, Amsterdam Stretched canvas, ArtCreation Elements Stretched canvas, Talens Studio easels, ArtCreation Elements Studio easels, Talens -

181 126 26 120 87 120 120 121 83 114 154 108 148

T Table-top easels, ArtCreation Elements Table-top easels, Talens Tear-off palette, Amsterdam Tear-off palettes, Talens Tempera Binder, Talens Casein Textile, Decorfin Thinners, Talens Transparent water colours, pans Trays, Talens Mixing Turpentine, Talens Venetian -

109 152 93 164 126 192 122 184 162 123

U Underpainting white, Talens Universal satin, Decorfin -

126 188

V Van Gogh, see Gogh, Van Varnish(es) for Acrylic colour Cobra Decorfin Gouache Oil colour Oil pastel Water colour Venetian turpentine, Talens -

92 47 194 127 124 128 127 123

W Wasco wax crayons Water colour varnish, Talens Water colours ArtCreation Expression Rembrandt Talens opaque, pans Talens transparent, pans Van Gogh White spirit, Talens -

182 127 102 20 184 184 61 120

ROYAL TALENS

203


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Š2010 Royal Talens, Apeldoorn, the Netherlands


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CATALOGUE

ENG

CATALOGUE

Art.no. 88750704


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