Design Portfolio

Page 1

2 0MASTERS OF ARCHITECTURE 1ARCHITECTUREPORTFOLIO TYLLERBLACKBURN 7




TABLEOFCONTENTS RESUME/BIO

1-2

STUDIO Dia Art Gallery

3-34

SUSTAINABLE

35-42

RENDERING

43-46

PRACTICE

47-50

Charelstown Ferry Terminal Brighams Boutique Bags Hydrotech

Sustainable Systems:Hydrotech Sustainable Materials+Assemblies Building+Health Building Envelope

BPL Workspace Addition Visual Thinking:Farnsworth House

Youth Build Boston



TYLLERBLACKBURN 26 LEYLAND STREET BOSTON MA 02125

412.608.7525

T.BLACKBURN1993@GMAIL.COM

EXPERIENCE

Leadership and Service

Youth Build Boston, Boston MA. - Lead Designer January 2017 - August 2017 • Creating lesson plans • Educating Youth • Generating designs and drawings for residential projects

Design Communications LTD, Boston MA. - Fabricator July 2016 - December 2016 • Very independent work enviroment • Expected to learn and execute quickly • Ability to be flexible with assignment

Hoyt Art Center, Pittsburgh PA. - Assistant Instructor Febuary 2015 - June 2015 • Responsible for executing lesson plans • Responsible for childrens saftey and education • Expected to maintain a positive attitude

Freelance Landscaping, Pittsburgh PA. - Landscaper January 2010 - Present • Excellent grasp of structural systems • Knowledge of various building techniques • Valuble teamwork skills

EDUCATION

The Boston Architectural College, Boston MA. - Masters of Architecture Candidate August 2015 - May 2018

Slippery Rock University, Pittsburgh PA. - Bachelors of Art (Art) September 2011 - May 2015

Osha 10 Certification, Boston MA. - Certified May 2017 1

Personal Skills • Accomplished interpersonal skills • Strong critical thinking • Excellent communication Skills • Hard worker/self motivated • Very patient • Eager learner • Great management/ coordination skills

Men of Distinction, Slippery Rock University - Member • Contribute to upholding values such as accountability, distinction, strength, and humility. • Help organize events • Support and attend events and meetings. Black Action Society, Slippery Rock University - Member • Support events that promote unity, multiculturalisim, positive learning, and work ethic. • Attend events and meetings concerning the status of black students on campus. NAACP, Slippery Rock University Treasurer and Vice President • Apply problem solving during major events. • Plan and budget events under tight timelines. • Make smart decisions on behalf of a group AIAS, Boston Architectural College - Member • Attend meetings and give input on issues relevant to the architectural world. • Bring minority viewpoints/issues to the forefront of disscussion • Attend and support events coordinated by AIAS. Lecture Series Committee, Boston Architectural College Member • Attend meetings and weigh in on lecturer selections. • Reach out to speakers and write invitations to the speakers. • Being professional in communication.

Traditional Skills • Techinical drafting

Software Skills • Adobe Creative Suite

• Perspective drawing

• AutoCad

• Diagraming

• SketchUP

• Communicative sketching

• Rhinoceros


2

My name is Tyller Blackburn I am a 24 year old designer from Pittsburgh PA. I moved to Boston in 2015 to study architecture at the Boston Architectural College. I previously graduated from Slippery Rock University with a bachelor’s of art in Art. While at Slippery Rock I specialized in sculpture which had a focus on building things. I used this to support my interest in architecture. Throughout my learning process I have realized that I have a strong interest in residential architecture. Although I have no problem with large scale commercial design and large scale private projects, my goal is to engage in urban communities as directly as possible. To me the most important thing about architecture is the people that use it. I would rather have a building that is able to be useful to a community for centuries than any prize or accolade. I have also been intrigued by sustainability and the idea that a building can be “smart� and adaptable. In my opinion the perfect design for me would be sustainable residential architecture. I have learned a lot while here in Boston and i plan to keep excelling in my studies to accomplish my goals.


DIA ART GALLERY

3


4


Site Map

Site Photo 5

DIA ART GALLERY This project is a conceptual project, located in the back bay area. Currently the space is a outdoor park for children. It is covered with turf and a jungle gym. The space is also surrounded by trees providing shade.The space sits on the corner of a relativelyinactive intersection, and is bordered by two buildings on the east and south sides of the

space. For this project I was tasked with creating a gallery space on the site. The gallery is suppoosed to relate to 3 art pieces of my choosing. The goal was to design the gallery in a way that it reflects the essence of each peice of art.


Site Map Zoomed

Site Photo 6

The 3 pieces I decided on were Tara Donovans “Styrofoam Cloud”, Cornelia Parker’s “Hanging Fire Suspected Arson”, and Walter De Maria’s “The Equal Series”. The spacial qualities I designed in the museum relate to each art pieces’ relationship with the human form. The Equal Series is on the subterranean floor because it exists on the floor.

The Styrofoam Cloud exists in the space above the human form so it is on the top cantilevered floor. The Hanging Fire Suspected Arson exists in the same space as the human form so it is on the ground level.


Model

Axon

Top Floor Model

Top Plan

Ground Floor Model

Ground Plan

Basement Floor Model

Basement Plan

7

Above you will see the models divided in a way that you can see the art work and how it corresponds to spaces. The models are also matched with the corresponding floor plans. When I was designing this building the conceptual idea I was pushing was this idea of earth, heaven, and hell. This concpt also heavily influenced the art pieces that I chose. The

top floor holds the Tara Donovan piece which is the only piece that light is a part of the art. The material on the top floor is also made from a translucent glass material giving the space a celestial experience from the inside and outside. The other floors are designed similarly.


Diagram 2 Diagram 1

Diagram 3 Diagram 4

Diagram 5 8

Diagram 1 - This is a light diagram about how the light travels throuhout all 3 spaces. Diagram 2 - This is a diagram that clearly divides each level. Diagram 3 - This illustrates the different materials.

Diagram 4 - This diagram illustrates the grid that the structural system is based on thoughout the structure. Diagram 5 - This is a diagram that illustrates where a visitors focus is throughout the building.


CHARLESTOWN FERRY TERMINAL

9


10


Site Map

Site Photo 12

CHARLESTOWN FERRY TERMINAL This is another conceptual project that is located on the corner of Commercial street and North Washington street. It is currently Prince Street Park which is a tennis court and green space next to a skating rink and the Charlestown Bridge. The goal of this project was to learn how analysis of site influences design.

Another thing that I was tasked to analyze was a precedent study that I was assigned. The precedent that I got was the 2002 Serpentine Pavillion by Toyo Ito. After studying that project and the site itself, I drew on that knowledge to design my Charlestown Ferry Terminal.


Site Map

Site Photo

11

The program we were given for the design was - Had to have a petty cab station - Had to have a outdoor space - Had to have a bike storage space - Had to have bathrooms on site - Had to have a a connection to the water Some of these thing the site already had so some of

the struggle was deciding what to keep and what to change. Overall I think I found a good balance and came up with a great design.


1

SOUTH SECTION 1/8” = 1’-0”

0”

3/8”

2/8”

1”

Model Photo

Section 1

1

Model Photo

NORTH SECTION 2 1/8” = 1’-0”

SOUTH SECTION 1/8” = 1’-0”

0”

0”

2/8”

3/8”

2/8”

3/8”

1”

1”

Section 2

WEST SECTION 3 WEST 1/8” =SECTION 1’-0” 3 1/8” = 1’-0”

Section 3

2/8”

0” 0”

2/8”

3/8”

1”

3/8”

1”

NORTH SECTION 2 1/8” = 1’-0”

EAST SECTION 4 EAST 1/8” =SECTION 1’-0” 4 1/8” = 1’-0”

0” 0”

2/8” 2/8”

3/8” 3/8”

0”

2/8”

3/8”

1”

1” 1”

Section 4 14

The design I came up with was an elevated linear design. This design was all about threshold and through this project I learned just how important threshold is in differentiating spaces. The thresholds that define the transitions into each space are changes in elevation. The way I introduce the visitor into each space is with some change in elevation. The two spaces I absolutely wanted the station to

have was a view space high enough to see the Ferry comming, and a leisure space outdoor as a sort of park area that separates you from the surroundings. The way I acomplished this was by raising the viewing area and depressing the outdoor space. This creates a boundary that isolates you in the space that I created.


Threshold Diagram 1

Threshold Diagram 2

Threshold Diagram 3

Compression Diagram 1

Compression Diagram 2

Compression Diagram 3 13

Another way I define space is with compression. My aim was to give a compression experience to the threshould spaces for two reasons. The first reason is so people wouldnt linger there and clog traffic. The second reason is to create intrest in the space that the threshold is leading to.


BRIGHAMS BOUTIQUE BAGS

15


16


Site Map

Site Photo 17

BRIGHAMS BOUTIQUE BAGS site and the Circle is important. Another thing that

This conceptual project is located across from The Stop and Shop parking lot at Brighams Circle. The site is currently a paid parking lot that is gated and sits on a very steep incline.the incline gives the site a few very unique qualities. One of those qualities is the fact that it overlooks all of the action that goes on in Brighams Circle. The Circle gets a lot of traffic and attention so the visual connection between the

proved to be very important to the process of my design is the tectonics of the surrounding buildings. The goal of the studio was to learn the importance of tectonics and how to create a tectonic language that reflects your design desicions and the fabric of the context the project is in.


Site Map Zoomed

Site Photo 18

Tectonics is the poetry in the way materials interact with each other as well as the way the stuctural system and the chosen materials work together to support the building. For me grasping this was challenging because previously I had only thought of design as a formal practice. Understanding how design and tectonics influence each other and even how formal design can express itself in the tectonics

of a bulding improved my design immensly.


Resident

Axon Circulation Diagram

Resident

Plan 1

Visitor

Visitor

Plan 2

Maker

Designer

Plan 3

19

I was tasked with creating a maker space on the site. The type of maker was up to me and I decided to create a boutique custom backpack shop. The reason I decided to create a backpack maker space is becuase I think backpack design and architecture are similar in the idea that we both design creative compartments for different things. Architects creat compartments for people whereas

backpack designers create compartments for a wide assortment of supplies. After grasping how tectonics work, I was able to create my own system based on my design. My design began as an exercise where I cut a bunch of triangles and simply put them together any way that they fit. Allowing for almost autonomus design.


Site Model Photo

Site Model Photo

Section 1

Section 2 20

As I continued to iterate my design I kept adding more rules to the process and tweak the spaces as neccesarry. This gave birth to a very unconventional form. Tectonically I designed this building using a 3 pronged wall system that acomplishes the job of structure, form, and program seemlessly througout the building. One thing I took from the fabric of brighams circle was the layering of wally systems

that almost every building seemed to be using. I wanted to incoperate that somehow so there is a layer for every sort of program in my design.


4th scale portion model photo

SUN DIAGRAM

4th scale portion model photo

COLLABORATION/ISOLATION SPACE VISABILITY AND PRIVACY

COLLABORATION/ISOLATION SPACE

21

The different wall assemblies differ in permeability. By permeability I am refering to sun, vision, and sound. The level of permeability and level change of each space work together to provide a unique experience for every level of privacy/intimacy.

In order to realize both the form and the wall assmblies I worked a lot in model form. It was very helpful for me to see these things physically come together for me to fully grasp my design. Because of how complex things eventually became clarity was very important.


4th scale portion model photo

4th scale portion model photo

TRANSLUCENT PLASTIC

STEEL TUBE

GLASS

STEEL SCREEN

AXON MATERIAL DIAGRAM 22


HYDROTECH

23


24


Site Map

Site Photo 25

HYDROTECH This conceptual project is located across from Wonderland Station in Revere MA. Unlike my other projects this was a masterplanning project. The site is currently a big parking lot and a struggling salt marsh. I decided to propose a desalination plant on the site because the site is bordered by the Mass. Bay and the salt marsh. There is a lot of water around and I saw an opportunity to use that water

more effectively. The criteria for this project was that I had to have some connection to the water and the train station. The way I did this was by program and by circulation. The fact that it is desal plant and the fact that I am adding more water to the site makes a very strong connection to the water and the way that I designed the circulation connects it to the station.


Site Map Zoomed

Site Photo

Site Photo 26

One of the challenges of this project was being very intentional about my design moves. This was because one of the goals was to disturb the marsh as little as possible, and if I had to do something drastic I needed a very strong reason why. This became a road block for me but I was able to design a good comprimise that didnt affect the marsh too much but gave me the space Ineeded in my design.


KEY Desalination Plant 1--------- Water Lift Pump Station 2--------- Screen and Feed Pump Station 3-5-------DMPF and Backwash Treatment 6----------Reverse Osmosis Building 7-9-------Chemical Buildings 10-15----Solid Treatment Station 16-18----Potabilisation Sytem 19-20----Holding Tanks

19'

9'

Education

2

21--------Kids Lab 22--------Demonstration Building 23--------Lecture Hall

20 8 19

9

Recreation

Community Engagement 28--------Community Center 29--------Town Hall 30--------Commercial 31-33----Monitoring stations 34--------Green House 35--------Adult monitoring station 36-38----Storage and Facilities 39--------Residential

27 26 2

16 17

24--------Rec Center: Swimming Pools 25--------Rec Center: Kyaking 26--------Rec Center: Indoor family pool 27--------Rec Center: Weight Room

29

18 21

39

9'

28

9'

9'

22

7

19' 29' 39' 49' 59' 69' 19'

Master Plan 27

Creating a masterplan was extremely challenging for me because I had never worked on a scale this big. The idea of carrying a concept through a design over a entire region was mindboggling to me. Throughout the process I developed a conceptual idea that was strong enough to carry through the project.

The overarching concept was this idea of “spine�. The idea that there was a origination line through the site from which everything else builds off of. The spine becomes apparent in two ways the first being the very clear water spine that becomes the spine for the desal buildings. The second spine is the circulation spine that cuts through the site.


37

19'

9'

31

9'

9'

9'

9'

9'

9'

9'

9'

9'

9'

9'

9'

9' 9'

9'

Step 1 19'

29' 39' 49' 59' 69'

19'

32 19'

9'

33 10 11 13

12

9'

34

9'

9'

Step 2 19'

29' 39' 49' 59' 69'

19'

14 15

23

36 5

6

22

35

4

19'

1

3

9'

2

38

9' 9'

9'

Step 3 19'

29' 39' 49' 59' 69'

19'

24 19'

27 26 25 29 21

9'

9'

9' 9' 9'

9'

Step 4 19'

39

29' 39' 49' 59' 69'

19'

28

19'

9'

9' 9'

9'

Step 5 19'

29' 39' 49' 59' 69'

19'

19'

9'

9' 9'

9'

Step 6 19'

29' 39' 49' 59' 69'

19'

28

The steps I used to create the masterplan was very simple. The process just consisted of merging existing site conditions with desired conditions. Everything boils down to 6 steps and these steps all build off of each other you cant move on to the next step until the one before it is complete. The 3 concepts that were important were community, education, and desalinaion.

STEP 1 - Chosing the flow of water based on water sources. STEP 2 - chosing where the desal building would be based on the order of processes. STEP 3 - Chosing the shape of the buildings STEP 4 - Choosing where hills and valleys will be. STEP 5 - Choosing the topography. STEP 6 - Chosing the spines.


Transect

Outdoor

Indoor

Living space

Courtyard

Residential

Commercial 29

Commercial

Commercial - The Commercial Buildings are the front of the site they are the buildings that you see from the street that gets the most traffic.They are menat to be monolithic buildings to create a very opaque boundary and visual barrier creating privacy for the residential spaces behind it.

Circulation Living space

Residential

Residential - This typology was meant to be elevated to prevent flooding and create a sense of community. These ideas also influenced the arrangement of the residential buildings on the site.


Outdoor

Indoor

Courtyard

Green Roof Indoor Outdoor

Educational

Educational

Educational - These buildings are where the plant workers and the residents interact. The idea is that the plant workers use these buildings to hold community events and teach the residents about healthy ecosystems and hydrology.

Reverse Osmosis

Desalination

Desalination - These buildings are used for the plant itself. The primary goal of these buildings is to house the machines that clean the water.

30


Residential

Vegitation Buffer

Path

Vegitation Buffer

Education Building

Reverse Osmosis Building

Courtyard

Section D 20’

10’

30’

Recreational

Vegitation Buffer

Path/Road

Residential

Veg. Buf.

Path/Road/Path

Vegitation Buffer

Leisure

Veg. Buf. Water Walk

Water

Section A 20’

10’ Street/bike lane

30’ Commercial

Veg. Buf.

Path

Veg. Buf. Courtyard

Veg. Buf.

Path/Road

Residential

Leisure

Residential

Section B 10’

20’

30’

31

The sections were a pivitol point for me because they helpled me design in layers. I realized that the sequence of experience happens in layers not just an abrupt building. this also helped me strengthen the relationship of the typologies to each other. Another relationship that the sections helped me stregthen was the buildings relationship with the water, and the spine of circulation.

The section drawings also helped me see the role that vegitation can play in design. Vegitation can be a buffer or a threshold as well as a boundary. Designing in section became the main vehicle for my design.


Reverse Osmosis Building

Path

Veg. Buf.

Residential

Water Walk

Water

Veg. Buf.

Vegitation Buffer

Leisure

Bike Lane/Road/Bike Lane

Vegitation Buffer Hillside

Section C 20’

10’

30’

Section E 10’

20’

30’

32


33

Ultimately I think my total design does a good job of communicating community, education, and desalination. I also think I did a great job of bringing those three concepts together on one site and allowing my concept of spine to organize them.


34


7 4 5 6

Stream that runs through the site and collects rain water to be reused.

Pitched roof Allows water to runoff Elevated to prevent flooding

23

A basement below the frost line is not possible due to elevation.

Landscape has mounds near the water to promote rain water to runoff into it to be cleanded and reused.

Mostly concrete structure. Stores solar gain in winter months

1 50% of site open vegetated space

Elevati 2

2

10’

3

Redeveloped Brownfield

opposite side

15 8 9 10 11

Section A 10’

20’

30’

N

12

13

Most energy consumption is centralized in the plan

Trees for shading Views to nature Outdoor shading Small Skylights to reduce need for daytime energy

Inhabitable Terrace Organized floor plan so winter sun penetrates day used spaces Large overhangs on south side to prevent overheating

18 Section

South facing windows Bike storage against wall

Section

19

Operable windows AIr lock to maintain air quality and temperature

Pane 1 Argon Gas Pane 2

14

16

17

20 PLAN 1ST FLOOR 7.5’

Low-E Double Pane Glass windows on south facing windows

15’

PLAN 3RD FLOOR 7.5’

15’

30’

30’

22

PLAN 2ND FLOOR 7.5’

Green roof for Evaporative cooling

15’

PLAN ROOF 7.5’

30’

15’

30’

21

Section

Sustainability Diagram 35

HYDROTECH

This project was about evaluating the sustainability of a project I had done. The project I chose was The Hydrotech Project because it was the most recent project I had worked on. This allowed me to change my design while considering things I had never thought of before. Alot of the things I changed in my design didnt actually requre “redesign” it just required specification.

This ultimately resulted in me specifying materials and getting more in depth on some decisions I had previously made.

Reflective ceiling allows light to bounce and diffuse throughout the building increasing the distance away from the window that daylight ca be effective.


Elevation 20’ 10’

30’ 24

High Window to wall ratio.

Site Map Zoomed

37

KEY Desalination Plant 1--------- Water Lift Pump Station 2--------- Screen and Feed Pump Station 3-5-------DMPF and Backwash Treatment 6----------Reverse Osmosis Building 7-9-------Chemical Buildings 10-15----Solid Treatment Station 16-18----Potabilisation Sytem 19-20----Holding Tanks

31 19'

32

33 9'

10 11 13

Education

20 8 19

22

Reflective ceiling allows light to bounce and diffuse throughout the building increasing the distance away from the window that daylight can be effective.

Community Engagement 28--------Community Center 29--------Town Hall 30--------Commercial 31-33----Monitoring stations 34--------Green House 35--------Adult monitoring station 36-38----Storage and Facilities 39--------Residential

29

18

2

38

9'

9'

21 39

9'

28

9'

9'

1

3

27 26 25

16 17

24--------Rec Center: Swimming Pools 25--------Rec Center: Kyaking 26--------Rec Center: Indoor family pool 27--------Rec Center: Weight Room

4

24

9

Recreation

36 5

6

22

7

34

14 15

23

21--------Kids Lab 22--------Demonstration Building 23--------Lecture Hall

35 12

19' 29' 39' 49' 59' 69' 19'

Master Plan 36


LEED v4 for BD+C: New Construction and Major Renovation Project Checklist Y

?

N Credit

15 0

Project Name: Date: 1

Integrative Process

0 Location and Transportation

6

Prereq

Storage and Collection of Recyclables

Required

Credit

Sensitive Land Protection

1

Y

Prereq

Construction and Demolition Waste Management Planning

Required

4

Credit

Building Life-Cycle Impact Reduction Building Product Disclosure and Optimization - Environmental Product Declarations Building Product Disclosure and Optimization - Sourcing of Raw Materials

5

Building Product Disclosure and Optimization - Material Ingredients Construction and Demolition Waste Management

2

16

Y

0

0 Materials and Resources

LEED for Neighborhood Development Location

16

Credit

2

Credit

High Priority Site

2

5

Credit

Surrounding Density and Diverse Uses

5

Credit

5

Credit

Access to Quality Transit

5

Credit

1

Credit

Bicycle Facilities

1

1

Credit

Reduced Parking Footprint

1

1

Credit

Green Vehicles

1

10 0

0 Sustainable Sites

10

Credit

2

16 Y

Credit

0

13

0 Indoor Environmental Quality

2 2 2

16

Prereq

Minimum Indoor Air Quality Performance

Required Required

Prereq

Construction Activity Pollution Prevention

Required

Y

Prereq

Environmental Tobacco Smoke Control

1

Credit

Site Assessment

1

2

Credit

Enhanced Indoor Air Quality Strategies

2

Credit

Site Development - Protect or Restore Habitat

2

3

Credit

Low-Emitting Materials

3

1

Credit

Open Space

1

1

Credit

1

3

Credit

Rainwater Management

3

2

Credit

Construction Indoor Air Quality Management Plan Indoor Air Quality Assessment

2

Credit

Heat Island Reduction

2

1

Credit

Thermal Comfort

1

1

Credit

Light Pollution Reduction

1

2

Credit

Interior Lighting

2

3

Credit

Daylight

3

1

Credit

Quality Views

1

1

Credit

Acoustic Performance

1

Y

11 0 Y

0 Water Efficiency Prereq

Outdoor Water Use Reduction

11

Required

Y

Prereq

Indoor Water Use Reduction

Required

Y

Prereq

Required

2

Credit

Building-Level Water Metering Outdoor Water Use Reduction

6

Credit

Indoor Water Use Reduction

6

2

Credit

Cooling Tower Water Use

2

Credit

Water Metering

1

26 0

2

1

0 Energy and Atmosphere

0

0

0

0

33

6

Credit

Innovation

Credit

LEED Accredited Professional

5

Regional Priority: Specific Credit

Credit

Regional Priority: Specific Credit

1 1

Credit

Regional Priority: Specific Credit

Y

Prereq

Minimum Energy Performance

Required

Credit

Regional Priority: Specific Credit

Y

Prereq

Building-Level Energy Metering

Required

Y

Prereq

Fundamental Refrigerant Management

Required

6

Credit

Enhanced Commissioning

6

15

Credit

Optimize Energy Performance

18

1

Credit

Advanced Energy Metering

1

Credit

Demand Response

2

3

Credit

Renewable Energy Production

3

1

Credit

Enhanced Refrigerant Management

1

Credit

Green Power and Carbon Offsets

2

4

Credit

Required

0

1

0 Regional Priority

Fundamental Commissioning and Verification

84

2

0 Innovation

Prereq

Y

2

1

1

0 TOTALS

Possible Points:

Certified: 40 to 49 points, Silver: 50 to 59 points, Gold: 60 to 79 points, Platinum: 80 to 110

110

Green Space Marsh Land

19'

19'

Concrete 9'

9'

9'

9'

9'

9' 9'

9'

Greenfield

29' 39' 49' 59' 69'

Brownfield Greyfield

9'

9'

19'

19'

9'

9'

Total area 11.4 mil sq. ft Greenfield 4 mil sq. ft Brownfield 90k sq. ft Greyfield 7.3 mil sq. ft 35% Greenfield 0.62% Brownfield 64.38% Greyfield

Type of Field Diagram

19' 29' 39' 49' 59' 69' 19'

Permeability Diagram

37

The design ened up being theoretically LEED Platinum. Working toward this force me to think about things like water efficency and ground permeability. I found it very difficult to apply most of these sustainable strategies to an entire site because when people speak on these strategies they refer to them at a building scale not at the scale that I was working at.

One thing in particular that was difficult to grasp was the daylighting. The idea of daylighting a site was a little difficult to grasp but I reached a comprimise that allowed me to orient my buildings in a way that they all recieve maximum hours of daylight.


19'

19'

9'

9'

9'

9'

9'

9' 9'

9'

9'

9' 9'

9'

19'

19'

29' 39' 49' 59' 69'

29' 39' 49' 59' 69' 19'

19'

30%- Remny Marsh 70% -Mass Bay

Flooding 50 Years

30%- Remny Marsh 70% -Mass Bay

Flooding 100 Years 19'

19'

9'

9'

9'

9'

9'

9' 9'

9'

9'

9' 9'

9'

19'

19'

29' 39' 49' 59' 69'

29' 39' 49' 59' 69' 19'

19'

30%- Remny Marsh 70% -Mass Bay

Flooding 150 Years

30%- Remny Marsh 70% -Mass Bay

Flooding 200 Years Sun Path

19'

19'

9'

9'

Azimuth:72 Elevation: 0 Time: 6:00 AM

Average 12 Hours of daylight per day 9'

9' 9'

9' 19'

9'

9'

W

Azimuth:290 Elevation: 0 9' Time: 8:00 PM

Azimuth:118 Elevation: 45 Time: 10:00 AM

9' 9'

9'

E

19'

29' 39' 49' 59' 69'

29' 39' 49' 59' 69' 19'

Residential vs Commercial Diagram

Sun Path Diagram

Azimuth:250 Elevation: 38 Time: 4:00 PM

Azimuth:190 Elevation: 60 Time: 1:00 PM

19'

S

38


Sendai Mediatheque Steel

Material Diagram 39

SENDAI MEDIATHEQUE This project was a case study project about the sustainability and capacity of materials. The case study I chose was Toyo Ito’s Sendai Mediatheque. This diagram shows the structural system and how that affects both the program and the experience of the the space. The material I chose to focus on was steel because most of the building is steel and glass. The steel also does most of the work in the

building, it contributes to the affect, the aesthetics, and the structure of the building.


40


41

33 WOODVILLE STREET For this project I was tasked with evaluating a real built project that we worked on and had access to. I decided to go with a project on 31-33 Woodville street. I had worked very minimally on this project but it was a project that we had just finished at Youth Build Boston, so I had access to the information. At the end of the project I was supposed to change the design in a way that made the building envelope

more efficent and sustainable. The two things I decided to change were the design of the windows and the design of the wall assembly. Previously the windows were flush with the face of the wall and were regular windows. I changed the windows to recessed high effiency, Low E windows. This helps with heat retention and keeping the window from seeing much moisture.


Detail Page 1

Detail Page 2

Detail Page 3

Detail Page 4

Operable Window diagrams

Heat retention

Pane 1 Argon Gas Pane 2 Low-E Double Pane Glass windows on south facing windows

Moisture path

Vented Wall Diagram

Path of moisture

X X X X X

Proposed Detail 1

Proposed Detail 2 42

I changed the wall to a vented wall system this helps the moisture that gets into the wall system evaporate and increases the efficiency of the wall system.


Perspective 1

Perspective 2 43

BPL WORKSPACE

This project was designed as a supplementary space to the Boston Public Library in Copley Square. It is on top of the garage on the west side of the library. The project was more about rendering than design itself. The actual design of the space was also important but the goal of the exercise was to increase the level of visual communication.

Perspective 3

This visual communication took shape in many ways; renderings, diagrams, perspectives, axonx, etc. This project allowed me to make all of that communication stronger and clearer.


INSIDE DARK

OUTSIDE LIGHT

Big Idea Diagram

Axon Assembly Diagram 44

The project was an open workspace for students to be able to work 24/7. There was also to be a leisure space on the outside of the building that was used for leisure. The big idea for the entire project was for something massive and heavy to hold something light and elegant. This is communicated in the techtonics and in the program itself.


Perspective Drawing

Plan and Elevation (NOT MY WORK) 45

FARNSWORTH HOUSE CASE STUDY This project was a study on the Farnsworth House The second Part of this project was digitally adding by Mies Van De Rohe. I needed to research and diagram information I found about the house. The main piece for this project was visual representation and honing techinacl skill. This involved composing a construction drawing by hand.

context and life to the image we had hand drawn.


Hybrid Perspective Drawing

Photo 46


TRULL STREET CONDOMINIUM 24 Trull Street Boston, MA 02125

27 Centre St. Roxbury, MA 02119

N

(617) 445-8887 www.youthbuildboston.org

Construction Supervisor:

Joseph Diaz CS License Number: HIC License Number:

INDEX OF DRAWINGS CS00 CS01

COVER SHEET PROJECT DESIGN GOALS

LP100 LP101 LP102 LP103

VICINITY PLAN LOT WIDTH MEASUREMENTS DIMENSIONAL SETBACKS SITE IMPROVEMENT PLAN

A100 A101 A102 A200 A201 A202 A300

FIRST FLOOR PLAN SECOND FLOOR PLAN THIRD FLOOR PLAN BUILDING ELEVATION BUILDING ELEVATION BUILDING ELEVATION BUILDING SECTION

Office: (617) 445-8887 Cell: (617) 592-8259

PERMIT SUBMISSIONS:

No. Description 001 xxx

Date dd/mm/yy

BOSTON SATELLITE MAP NEIGHBORHOOD AREA MAP Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

Cover Sheet Project number Date Drawn by Checked by

1701 13/02/2017 AH AH

CS001 NONE

Scale

27 Centre St. Roxbury, MA 02119

ET

27 Centre St. Roxbury, MA 02119

RE

(617) 445-8887 www.youthbuildboston.org

L UL

Construction Supervisor:

ST

TR

Joseph Diaz CS License Number: HIC License Number:

(617) 445-8887 www.youthbuildboston.org

Construction Supervisor:

Joseph Diaz CS License Number: HIC License Number:

'-4"

29

Office: (617) 445-8887 Cell: (617) 592-8259

property line

Office: (617) 445-8887 Cell: (617) 592-8259

PROPOSED NEW BUILDING

S TO HOR M

EXISTING ADJACENT BUILDING

PL

WA

RE

ST

RE

96

'-1

UL

ET

1"

6

M SID EA N E D LO IR T EC LIN TIO ES N O

45'-3" +/-

F

AR

1

PERMIT SUBMISSIONS:

No. Description 001 xxx

Date dd/mm/yy

12

BUILDING MASS AND PROFILE

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

NONE

24 TRULL STREET This is a project I worked on as a part of Youth Build Boston’s Designery. The Designery is a divison of YBB that specializes in working with youth, teaching them valuable architectural skills. At the Designery I worked with Students ranging from ages 14-18 years old. The Idea is to provide students that have an intrest in architecture with an opportunity to be exposed to it and to explore it.

LOT WIDTH MEASUREMENT 1 WARE STREET AS LOT FRONTAGE

Lot Width Measurement Project number Date Drawn by Checked by

TH

CS002 Scale

1

R NO

1701 13/02/2017 AH AH

T

Checked by

EC

Drawn by

Date dd/mm/yy

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

PL OJ

Date

No. Description 001 xxx

PR

Project number

PERMIT SUBMISSIONS:

PL

N

Design Goals

47

'-1"

DIC

DESIGN STRATEGY THE PRIMARY DESIGN STRATEGY IS TO MIRROR THE ADJACENT BUILDING ON 26 TRULL STREET. CURRENTLY THERE IS HALF A GABLE MASS ON 26 TRULL STREET. OUR PROJECT WILL CONNECT WITH THIS EXISTING MASS, COMPLETE THE GABLE AND EXTEND TOWARDS WARE STREET FOR ADDITIONAL SQUARE FOOTAGE. OUR BUILDING WILL BE A 2 FAMILY BUILDING, WITH 1378 SQ.FT. PER UNIT OVER THREE FLOORS. EACH UNIT WILL HAVE 3 BEDROOMS, 2.5 BATHS, IN-UNIT LAUNDRY, MECHANICAL CLOSET, AND A 2 HR. FIRE RATED PARTY WALL DIVIDING THE TWO UNITS. THERE WILL BE NO BASEMENT.

99

T EA ES N TD DIR IS EC TAN TIO C E N P LIN ER E PEN

1701 13/02/2017 AH AH

LP101 Scale

1

8"

= 1'-0"

At the Designery I also worked on Small scale residental projects. The one I was most involved with was the 24 Trull st. Project. This project was designed as a 2 family project. The site however has a special condition in that it is to be abbuting the current house which currently is only half of a house.


27 Centre St. Roxbury, MA 02119 (617) 445-8887

LE LENDA

www.youthbuildboston.org

ZONING ANALYSIS

T

STREE

PROJECT ADDRESS NEIGHBORHOOD ZONING AREA CODE ZONING ARTICLE BUILDING USE TYPE (FROM TABLE A) TWO FAMILY DETACHED

G

24 TRULL STREET DORCHESTER 3F-5000 65

Construction Supervisor:

Joseph Diaz CS License Number: HIC License Number:

ALLOWED

GROSS FLOOR AREA TOTAL LOT AREA FLOOR AREA RATIO

GL

EN

D BI LU M CO

OFF STREET PARKING REQUIRED/DWELLING UNIT OFF STREET PARKING REQUIRED/TOTAL

U

TR

EV

UE

ET

2****

PERMIT SUBMISSIONS:

WA

RE

26

RE

20'-0"***

0

6

24

ST

11'-3" *

22

ET

RE

LL

1 2

NO CHANGE NO CHANGE NO CHANGE 0.5 NO CHANGE (match existing)

* article 65-42.4 front wall of building not parallel to front lot line ** article 65-42.5 special provisions for corner lots *** article 65-42.11 rear yards of certain shallow lots **** article 65-41.5.d 50% of provided space shall be 7 1 2" x 18'

20

ST

PROPOSED

TOTAL LOT AREA MINIMUM 5000 sq.ft. 5552 sq.ft. LOT WIDTH MINIMUM 50'-0" 96'-11" 99'-1" LOT FRONTAGE MINIMUM (ware st. as lot frontage) 50'-0" FLOOR AREA RATIO MAXIMUM 0.5 BUILDING HEIGHT MAXIMUM 2 1 2 STORIES 35'-0" USABLE OPEN SPACE MINIMUM TOTAL 11'-3" * FRONT YARD MINIMUM DEPTH n/a ** SIDE YARD MINIMUM WIDTH 20'-0"*** REAR YARD MINIMUM DEPTH

A

RO A

ET

25

LL

REQUIRED EXISTING 5000 sq.ft. NA

LOT AREA MINIMUM (up to 2 dwelling units) ADDITIONAL AREA FOR EACH ADDITIONAL DWELLING UNIT

23

BE

2776 sq.ft. 5552 sq.ft. 0.50

ANY OTHER DWELLING (TWO FAMILY)

ST

RE

27

Office: (617) 445-8887 Cell: (617) 592-8259

No. Description 001 xxx

ST

8

Date dd/mm/yy

RE

3

ET

5

ET STRE

ET RE ST

NA

NS TR

EE

EVUE

Y LE AN

T

N

BELL

ST

1

7

RO

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

VICINITY PLAN

Vicinity Plan Project number Date Drawn by Checked by

1701 13/02/2017 AH AH

LP100 Scale

ET

27 Centre St. Roxbury, MA 02119

'-4"

CS License Number: HIC License Number:

RE

L

L RU

ST

(617) 445-8887

L

L RU

Joseph Diaz

29

ET

ST

(617) 445-8887 www.youthbuildboston.org

Construction Supervisor:

CS License Number: HIC License Number: Office: (617) 445-8887 Cell: (617) 592-8259

29

'-3"

11

'-4" pa y

wa

th

WA

RE

99

WA

'-1"

RE

PL '

10

'-1"

BU

ILDA

BL

ET

E

PEDESTRIAN ENTRY

BO

UN

DA

RY

0'-1

0"

VEHICULAR ENTRY

y

wa

th

pa

11

15

'

'-3"

53

'-8"

ET

PL

RE

11

ST

RE

99

ST

= 1'-0"

Joseph Diaz

T

Office: (617) 445-8887 Cell: (617) 592-8259

64"

27 Centre St. Roxbury, MA 02119

RE

www.youthbuildboston.org

Construction Supervisor:

T

1

pa

8'

th

wa

y

PERMIT SUBMISSIONS:

BUILDABLE AREA

No. Description 001 xxx

Date dd/mm/yy

25

PERMIT SUBMISSIONS:

'

y

wa

th

No. Description 001 xxx

pa

Date dd/mm/yy

PL

32

'-11

"

20

'

PL

GRASS AREA

BUFFER AREA

P1

BU

ILDA

BL

E

10

'

DA

RY

N PL

"

N

1

8"

= 1'-0"

SITE USE PLAN building footprint parking option 1

Site Use Plan - Site Improvements

Date Drawn by Checked by

H RT

Scale

1

Project number

1701 13/02/2017 AH AH

NO

LP102

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

PL

T EC OJ PR

Checked by

H

RT NO

Drawn by

1701 13/02/2017 AH AH

" 8'-6

Site Use Plan Dimensional Set Backs and Buildable Area Project number Date

T

buildable area

EC

SITE USE PLAN

OJ PR

1

P2

8'-6

BO

UN

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

LP103 Scale

1

8"

= 1'-0"

48

One of the contiditions of the site were that we had to visually match the front face of the existing house to maintain a continuity of aesthetics. This combined with the setback and zoning conditions made for a difficult time designing but we were able to overcome those challenges one by one to come up with a great design.


27 Centre St. Roxbury, MA 02119 (617) 445-8887 www.youthbuildboston.org

L

UL

TR

property line

Joseph Diaz CS License Number: HIC License Number: Office: (617) 445-8887 Cell: (617) 592-8259

ST

WA

RE

ST

RE

a

ET

b 27 Centre St. Roxbury, MA 02119 (617) 445-8887

N

www.youthbuildboston.org

c

OJ PR

adjacent building

EC

1

T NO

adjacent building

ET

RE

Construction Supervisor:

1 A300

Construction Supervisor:

Joseph Diaz

H RT

KEYPLAN

CS License Number: HIC License Number: Office: (617) 445-8887 Cell: (617) 592-8259

up

up

mech. w/d

mech. w/d

PROPOSED NEW BUILDING

roof ridge

EXISTING ADJACENT BUILDING

kitchen

kitchen side entry

side entry 4" clapboard siding

living / dining area

dn

1 2

bath

1 2

6" trim board

living / dining area

bath

8" corner board

dn third floor PERMIT SUBMISSIONS:

PERMIT SUBMISSIONS:

cl

No. Description 001 xxx

entry

Date dd/mm/yy

6" clapboard siding 12" water table board

entry

6

second floor

No. Description 001 xxx

45'-3" +/-

cl

Date dd/mm/yy

12

covered porch

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

dn

ELEVATION

first floor

1 A300

1

1701 13/02/2017 CB CB, AH

Project number Date

Department of Neighborhood Development 24 Trull Street 27 Centre St. Roxbury, Boston, MA 02119Ma 02125

FIRST FLOOR

Drawn by Checked by

A200

(617) 445-8887

www.youthbuildboston.org

A

FIRST FLOOR PLAN

ELEVATION

1

Scale

4"

= 1'-0"

Construction Supervisor:

1701 DateJoseph Diaz 13/02/2017 Drawn by AH CS License Number: Checked by HIC License Number: AH Project number

T

E RE

A100

27 Centre St. Roxbury, MA 02119 (617) 445-8887

= 1'-0"

RT H

1

roof ridge

www.youthbuildboston.org

UNIT 1

c NO

up

ET

asphalt shingles

T

4"

RE

N EC

Scale

ST

b

OJ

1

RE

a

PR

ATIONS

adjacent building

ST

U

TR

Office: (617) 445-8887 Cell: (617) 592-8259

adjacent building

LL

WA

UNIT 2

1 A300

Construction Supervisor:

Joseph Diaz CS License Number: HIC License Number:

KEYPLAN

Office: (617) 445-8887 Cell: (617) 592-8259

up

bedroom 3

bedroom 3 4" clapboard siding 6" trim board 8" corner board

cl

cl

third floor

cl

cl

asphalt shingles

hall

hall

6" clapboard siding PERMIT SUBMISSIONS:

dn

12" water table board

dn

bedroom 2

full bath

No. Description 001 xxx

Date dd/mm/yy

PERMIT SUBMISSIONS:

bedroom 2

No. Description 001 xxx

Date dd/mm/yy

second floor

full bath Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

first floor

ELEVATION

1701 13/02/2017 CB CB, AH

Project number Date

B

27 Centre St. Roxbury, MA 02119

1 A300

(617) 445-8887

Drawn by Checked by

ELEVATION

A201

Department of Neighborhood

1

www.youthbuildboston.org Development

24 Trull Street Boston, Ma

SECOND FLOOR

02125 Construction Supervisor:

SECOND FLOOR PLAN CS License Number:

1 A300

Drawn by Checked by

4"

= 1'-0"

RE

a

ET

27 Centre St. Roxbury, MA 02119 (617) 445-8887 www.youthbuildboston.org

N

c

H

RT

PROPOSED NEW BUILDING

NO

EXISTING ADJACENT BUILDING

T

4"

ST

b

EC

storage

RE

Construction Supervisor:

OJ

1

Scale

R ST

WA

PR

A101

adjacent building

L

UL

TR

property line

1701 13/02/2017 AH AH

Date

T

EE

HIC License Number:

Office: (617) 445-8887 Project number Cell: (617) 592-8259

1

Scale

Joseph Diaz

Joseph Diaz

1

KEYPLAN

CS License Number: HIC License Number: Office: (617) 445-8887 Cell: (617) 592-8259

roof ridge

= 1'-0"

storage

4" clapboard siding

cl

6" trim board

cl

8" corner board third floor

hall

hall

dn

dn bedroom 1

PERMIT SUBMISSIONS:

PERMIT SUBMISSIONS:

bedroom 1

No. Description 001 xxx

12" water table board

Date dd/mm/yy

12

full bath

No. Description 001 xxx

Date dd/mm/yy

6" clapboard siding

6

second floor

full bath Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

ELEVATION

first floor

Project number Date Drawn by Checked by

1 A300

1

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

THIRD FLOOR

C

1701 13/02/2017 CB CB, AH

A202 ELEVATION Scale

1

4"

THIRD FLOOR PLAN Project number Date Drawn by Checked by

1701 13/02/2017 AH AH

A102

49 Scale

What we ended up doing was just doing a mirrored floor plan for the two units. The units are divided by a wall that also acts as a plumbing wall for both units. In the beginning the two units were only going to be 2 stories but then we realized that the height neccesary to match the existing conditions could accomodate 3 stories. We saw this as an opportunity to add an extra bedroom and bathroom.

1

4"

= 1'-0"

Another thing that changed how we designed was the fact taht the site sits on a pretty drastic hill. This affected where our ground level would be and our floor to floor heights.

= 1'-0"


property line

EXISTING ADJACENT BUILDING

27 Centre St. Roxbury, MA 02119 (617) 445-8887

PROPOSED NEW BUILDING

www.youthbuildboston.org

roof ridge Construction Supervisor:

Joseph Diaz CS License Number: HIC License Number: Office: (617) 445-8887 Cell: (617) 592-8259

storage

full bath

third floor

PERMIT SUBMISSIONS:

full bath

1 2

bath

cl

entry

second floor

No. Description 001 xxx

Date dd/mm/yy

first floor Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

BUILDING SECTION Project number Date Drawn by Checked by

1

1701 13/02/2017 CB CB, AH

A300

BUILDING SECTION

Scale

27 Centre St. Roxbury, MA 02119

1

4"

= 1'-0"

27 Centre St. Roxbury, MA 02119

(617) 445-8887

(617) 445-8887

www.youthbuildboston.org

www.youthbuildboston.org

Construction Supervisor:

Construction Supervisor:

Joseph Diaz

Joseph Diaz

CS License Number: HIC License Number:

CS License Number: HIC License Number:

Office: (617) 445-8887 Cell: (617) 592-8259

Office: (617) 445-8887 Cell: (617) 592-8259

PERMIT SUBMISSIONS:

No. Description 001 xxx

PERMIT SUBMISSIONS:

Date dd/mm/yy

No. Description 001 xxx

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

Department of Neighborhood Development 24 Trull Street Boston, Ma 02125

Rendering

A 

Project number Date Drawn by Checked by

Rendering

1701 13/02/2017 TB TB, AH

B 

Project number Date Drawn by Checked by

A300 Scale

1

Date dd/mm/yy

4"

= 1'-0"

1701 13/02/2017 TB TB, AH

A300 Scale

1

4"

= 1'-0"

50

After we finishied designing the the scheme itself we moved on to elevation aesthetics.This phase was all about deciding what material we would clad the building in and what color it would be. There was a struggle between shingle and clapboard which was our desired aesthetic. In an effort to match the existing I suggested we go with shigle siding and make our distiction in the color we use.


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