How I Learned to Drive Program

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A R T I S T I C S TA F F ple (The Public Theater); Stay, Massacre (Rattlestick); The Other Thing (Second Stage Theatre); The Dance and the Railroad, Appropriate (Signature Theatre); Lascivious Something (Women’s Project). Regional: Tom Sawyer (Actors Theatre of Louisville); Party People (Berkeley Rep); American Buffalo (Centerstage); The Tempest, Deferred Action (Dallas Theater Center); Whipping Man, Snow Falling on Cedars (Hartford Stage); Ma Rainey’s Black Bottom, A Raisin in the Sun (Huntington Theatre ); Ruined (La Jolla Playhouse); Ruined, Party People (Oregon Shakespeare Festival); End Days (People’s Light); Romeo and Juliet (Shakespeare Theatre Company); The Glass Menagerie (Trinity Rep); These Paper Bullets! (Yale Rep). Film: Fall to Rise. brokenchord.us

Thom Jones (Voice & Dialect Coach). Head of Voice for Brown University/ Trinity Repertory M.F.A. Program. Theatre: The Public Theater, Trinity Repertory Company (15 seasons), Yale Repertory Theatre, Delaware Theatre Company, Huntington Theatre, Actors’ Theatre of Louisville, Cleveland Play House, Syracuse Stage, McCarter Theatre Center, Long Wharf Theatre and Alabama Shakespeare Festival. Film/TV: various productions with Nicole Kidman (Academy Award/Golden Globe nomination), Steven Spielberg, Alan Rickman, Vanessa Redgrave, Robin Williams, Sandra Bullock, Emma Watson, Miles Teller, Aaron Eckhart, Katey Segal, Ciaran Hinds, Sienna Miller, Ben Mendelsohn, Brendan Gleeson, Melissa Leo, among others.

Caite Hevner (Projection Designer). At Cleveland Play House: My Mother Has 4 Noses (New Ground Theatre Festival). Broadway: In Transit. New York: Ars Nova, Cherry Lane Theatre, The Civilians, The Duke on 42nd Street, HERE Arts Center, Juilliard, La MaMa, Lynn Redgrave Theater, Roundabout Underground, Soho Playhouse, Studio 42. Regional: Alley Theatre, Alliance Theatre, Arena Stage, Barrington Stage Company, Bristol Riverside Theatre, Dallas Theater Center, Guthrie Theater, Marin Theatre Company, Northern Stage, Pasadena Playhouse, People’s Light, Playmakers Repertory Company, Round House Theater, Seattle 5 th Avenue, Theater J, Williamstown Theatre Festival. Member of Wingspace Theatrical Design. www.caitedesign.com

Laura Jane Collins (Stage Manager) returns for her seventh season with Syracuse Stage and will stage manage three productions: Great Expectations, Disgraced, and How I Learned to Drive. She spends the majority of her time in Central New York with Syracuse Stage and the Hangar Theatre in Ithaca. Regional credits include: The Christians, Stupid F***ing Bird, Steve Martin’s The Underpants, In the Next Room, or the vibrator play, The Piano Lesson, Chinglish, Scorched, Good People, Two Trains Running, Moby Dick, Red, The Boys Next Door, and No Child… (Syracuse Stage); Third, The Hound of the Baskervilles, God of Carnage, Around the World in 80 Days, 4000 Miles, Last of the Red Hot Lovers, and Lend Me a Tenor (Hangar Theatre). New York credits include: Hillary: A Modern Greek Tragedy with 35


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