S U
S U
S O E
S A N
architecture
PORTFOLIO
THE MUSEUM OF PHOTOGRAPHY MEMPHIS, TN
CRYSTAL BRIDGE SATELLITE MUSEUM FAYETTEVILLE, AR
THE WEAVING OF
ROME, ITALY
BUS STATION
PROTOTYPE
FAYETTEVILLE, AR
ADDITIONAL WORKS FURNITURE MAKING SKETCHES
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THE MUSEUM OF PHOTOGRAPHY
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FORTH YEAR : COMPREHENSIVE STUDIO MEMPHIS, TN RO
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The design is achieved by determining the form by means of environmental factors. And the form is wrapped by the site, forming the connection between Beale Street and the trail and the inner courtyard for multipurpose use. The wrapping site structure allows people to walk and have social space from Beale Street to the trail without going up the steep hill.
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Museum of photography in Memphis, TN is designed as a monumental building to pay tribute to William Eggleston who was born local. The site is located in the interaction of Beale Street, which has rich programs of exhibitions, nightlife and cultural exchange, and the trail along the Tennesse River.
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pos s to b ible co e n the ale str nectio eet n trail and BEA LE S TRE ET
SITE CONDITION ANALYSIS
EXHAUST AIR
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GEOTHERMAL HEAT PUMP
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WATER FILTERATION
CISTINE
SOLAR ENERGY
GR E WA Y TE R
RAINWATER COLLECTION
M A I L WIL N TO S E L EGG
M A I L WIL N TO S E L EGG
FORM
SITE WRAPPING THE FORM
CONNECTION TO THE SITE
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2 2 5
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RECEPTION AREA WAITING AREA CAFE KITCHEN LOADING STORAGE MACHANICAL ROOM MUSEUM STORE COAT HANGING ROOM
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EVENT SPACE STORAGE LOBBY PHOTOJOURNALISM GALLERY
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ARCHIEVE/ LAB LOBBY COURTYARD OUTDOOR EVENT SPACE EVENT SPACE/ SOCIAL STAIR PHOTOJOURNALISM GALLERY PHOTOGRAPHY GALLERY
The organization of this building is almost symmetrical in plan responding to the formality of the form. However, in section, the language of slopes from the exterior is carried in interior spaces. This helps to create the expansion and compression spacial sequences throughout the museum.
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1. 39 in x 77 in PV panels 2. Zinc coping parapet 3. EPDM roof insulation 4. Water barrier 5. 4” metal deck 6. W 18 Beam 7. W 36 Beam 8. 6“ Light Gauge Metal framing 9. 2” Wood Floorng 10. Bracing 11. 18”HVAC duct 12. 2” C Channel 13. Soffit 14. 6” C Channel 15. 1” Structural Insulaed Sheathing (SIS) 16. Wood Block 17. customized store front window 18. 6” Curtain Wall 19. Grille 20. Wood Block 21. W 12 Beam
22. Floor Construction 2“ Wood Deck 4” Metal deck W 36 Suspended Ceiling Clips 2“ C Channel Gypsum Panel / Acoustic Panel 23. Wall Construction 1.15” Zinc Metal Panel Clips Z Horizontal Grid Vertical Grid Water Proofing Membrane 1“ Structural Insulated Sheathing Insulated 6” Light Gauge Metal Framing Cavity 3“ Light Gauge Metal Framing Gypsum Panel 24. Wood deck 25. Concrete Deck 26. Gravel 27. Rigid Insulation 28. Water Proofing Membrane 29. 4” footing drain
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PARAPET PARAPET
METAL PANEL CONNECTION IN CANTILEVER
METAL PANEL CONNECTION IN CANTILEVER
METAL PANEL CONTINUITY IN THE CANTILEVER
METAL PANEL CONTINUITY IN THE CANTILEVER ( NORTH )
CANTILEVER EDGE ( NORTH ) CANTILEVER EDGE ( NORTH )
CRYSTAL BRIDGE MUSEUM SATELLITE THIRD YEAR SPRING STUDIO FAYETTEVILLE, AR
The Crystal Bridges Museum Satellite facility in Fayetteville, AR is primarily for temporary art exhibitis while facilitating artists’ apartment, studios as an additional way of supporting local artists. To celebrate the idea of arts in the city, the programs all related to arts are elevated and have continuous facade. Moreover, the exterior addresses the orientation of the building, with a deep porch facing south, and a screen that helps control sunlight on the east and west sides, while offering texture to the north façade.
One of the design intentions is to create a mixed used with circulation without interfering with one another. From the main entrances on Dickson Street and Block Avenue, visitors ascend into the gallery spaces, with the potential for access to the artists’ studios and eventually a large porch that faces south and looks towards downtown. The apartments have their own entry, with direct access to the courtyard as well as connections up to the studios.
NORTH FACADE
WEST FACADE
SOUTH FACADE
EAST FACADE
CIRCULATION DIAGRAM
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LOBBY
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CAFE
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KITCHEN COURTYARD LAUNDRY APARTMENTS
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BUSINESS ROOM
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APARTMENT LOBBY
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GARAGE
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MUSEUM BOOKSTORE
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MAIN ENTRANCE
SPACIAL SEQUENCE SKETCHES
FOREST DESIGN BUILT STUDIO FAYETTEVILLE, AR
In this design built studio, we were to design and build a bus station prototype that can be fabricated with metal, be marketable and to be below $ 5000. The main idea behind The Forest is to create an abstraction of trees that lifts the canopy to protect (the bus station) from the elements. The structure,simple tree modules, is laser-cut from 2 ( 4’x8’) steel sheets and constructed by sliding two sheets and stitch welting. It can also be mixed and matched with different metal trunk and branches sizes for variation. Moreover, all the branches can be used as a structure member to support the seatings, the cantiliver, and to stablize the whole project. Forest was chosen as the final three out of 11 prototypes.
POLYGAL SHELL FRAME Along with the other two final prototypes, Forest was overbudged. So, as a class, we started designing from scretch using metal as a structural frame, and wood as the cladding / box.
TREE MODULES
In the first 10 weeks, each student developed his/her own prototype and consulted several times with metal fabricators. Morever, we have to fabricate metal and build 1:1 scale of the most complex part of our prototype.
metal sheet welded onto the 2� x 2� tube, followed by bolting
THE TEMPLE For the rest of the 4 weeks, we designed and built this prototype “The Temple�. From the past weeks, we learned that metal was expensive. So, we developed a design with basic metal structural frame with the wood box. We redesigned a new prototype in a week, developed shop drawings in another week, and built the prototype in two weeks.
WOOD METAL OTHERS
shop drawings
designing testing
metal fabricatio C.N.C
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finishes metal assembly coating wood painting
wood assembly roofting
1 1/2"
COLUMN CONNECTION COLUMN CONNECTION
3"
JOIST BRACKET, WELD TO CHANNEL, ALIGN TO EDGE
STANDARD ANGLE AT 8" LONG, WELDED TO CHANNEL AND BOLTED TO TOP PLATE, SIZE DETERMINED BY ALT. DESIGN
1' - 3"
2 1/2"
STEEL BOX FRAME
1' - 0"
METAL FRAME 8"X4" STEEL PLATE WELDED TO COLUMN, 1/4" THICKNESS
2 1/2"
7"
1' - 0"
6 1/4"
1/2" BOLT HOLE, ENSURE THEY MATCH HOLES IN FLITCH PLATES
11 1/4"
4" DIAMETER STEEL COLUMN
MATCH ELEV. HEIGHTS
BEAM SECTION 3" = 1'-0"
*NOTE: MATCH TOP PLATE HOLES WITH HOLES IN BOTTOM FLANGE OF BEAM
STEEL CHANNEL WELDED STEEL ANGLE TO BEAM
1/2" CONDUIT, PENETRATED THROUGH CHANNEL INTO PIPE COLUMN ( X 2 ) AT ALTERNATIVE CORNERS
4" DIAMETER STEEL COLUMN
METAL FRAME + WOOD STRUCTURE
STEEL TOP PLATE WELDED TO COLUMN
8"X8" STEEL PLATE AT 1/4" THICKNESS, WELDED TO COLUMN AND BOLTED TO FOOTING
4" DIAMETER STEEL COLUMN 14G STEEL BOX WITH 4 STEEL RIBS WELDED TO COLUMN (MATCH ELEVATION ON BOTH SIDES)
1/4"
COLUMN ELEVATION 3/4" = 1'-0"
5"
JOIST BRACKET
7' - 11 3/4"
7' - 11 3/4"
9' - 10 3/4"
10' - 2 3/4"
2
1
3/16" BOLTS CENTERED ON BRACKET
2"X6" STEEL CHANNEL BEAM, 15' LONG
3/16" BOLTS CENTERED ON BRACKET
2 1/2"
11"
2 A105
5 5/8"
3
TOP OF COLUMN AXON
C1 STRUCTURE + SHELTER
PIAZZA CREATED BY THE GRIDLINES
PIAZZA CREATED BY THE GRIDLINES
PIAZZA CREATED BY THE GRIDLINES
THE WEAVING OF FORTH YEAR : STUDY ABROAD ROME, ITALY
The new masterplan is to revitalize the dying urban space in E.U.R due to the large scale of buildings, inaccessibility to pedestrian ways and busy traffic roads in the middle of the plan. With regards to the origin design of E.U.R , the idea of the main horizontal strip is developed throughout this master plan. The boundary of the piazza is defined by the boundaries of buildings and spaces like in the ancient roman piazza. The urban edge is defined by extending the buildings, and some unused roads are narrowed in order to create more space for public. The horizontal strip is elevated to connect buildings with another buildings on site, and to connect with other neighborhoods.
WEAVING THE PADESTRIAN LAYER, PIAZZA AND THE STRIPS
HORIZONTAL STRIP AND THE BUILDING GRIDLINES
ELEVATED PATHWAY ( FIRST FLOOR PLAN ) These pathways to connect one building from another and to the site are weaved in order to develope a mee point / niche public space on the elevated pathway. The pathway also lifts the enclosed facade of the existing building, creating a public and private facade wthin the buildngs.
GROUND FLOOR PLAN The structure of the elevated pathway are extensions of the grid guildline from the existing building. The openings in the pathway enables the sunlight to come into the underground pathway. All the vendors from the sidewalk can actually move into this space, creating more organized public vendor markets in the area.
PROFESSIONAL WORKS COMPLETED IN JANUARY 2017 YANGON, MYANMAR
I worked through schematic to most of design development stage for my parents’ house. After this, I collaborated with a contractor and a local licensed architect to continue working for this house. During summer, I would do site visit until the house is completed in January 2017. The concept of the house is to seperate private spaces into two volumes _ spaces for parents and for their childrens. And each volumnes is connected by the bridge, which can overlook the public volume such as living space, lobby and dining area.
THE WHICHchair WAY IS WHICH CHAIR WHICH The concept of this chair is to be able to sit in two ways : rocking chair position and standard chair position. It is also designed to be cost effective and to be easy to mass produce with one sheet of 4’ x 4’ birch plywood.
WHCIH WAY IS WHICH chair
the WHCIH WAY IS WHICH chair 5’ x 5’ plywood CNC
18”
6” 36
713 4
10”
18”
5’ x 5’ plywood CNC
SKETCHES| ROME | SPRING 2017 1. bramante’s cloister 2. Pantheon 3. Villa Farnese 4. Rome Bath 5. Piazza del Popolo