INTERVENTION

Evidence through Process

Evidence through Process

1. Interview: exemplifies how the war challenged the livelihood of the streets, though now provides opportunities for the regeneration of social activity within residential boundaries.

A local alleyway resident suggested “if the fence was seethrough I could watch my kids play whilst doing housework.”

Evidence through Process

1. Interview:

A local alleyway resident suggested “if the fence was seethrough I could watch my kids play whilst doing housework.” fabric curtains and perfectly placed lighting, the Kim Son Shadow Dancers emerge. Combining with the local Sovanna Phum Arts Association and their artists, illuminated shadows educate its users on Phnom Penh’s devastating past, and the undeniable hope for a better future. The space provides the community with a streetscape that encourages social, cultural and educational activity. resolutions for easy construction and removal of event.

- The effect of the fabric curtains on the walkway below during the day.

- The ability to use this intervention intervention in other sites.

Design Process:

Design Process:

Kim Son Shadow Dancers

2. Transparency challenges: Privacy and security are lost when the concept of transparency is applied

2. Transparency challenges: Privacy and security are lost when the concept of transparency is applied

1. Interview: A local alleyway resident suggested “if the fence was seethrough I could watch my kids play whilst doing housework.”

4. Site Research

The Kim Son alleyway was once home to the Kim Son Chinese Theatre House before the Khmer Rouge devastation