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A pre-WWII ‘What if?’ at heart of spy thriller

BY CATE MARQUIS

SPECIAL TO THE JEWISH LIGHT

We know the outcome after the 1938 Munich Agreement, which was signed after British and French leaders met with Hitler and agreed to let Germany take the mostly ethnically German Sudetenland region of Czechoslovakia, in a failed bid to head off World War II by appeasing Hitler, who claimed to have no further territorial ambitions. But what if British Prime Minister Neville Chamberlain knew about Hitler’s true, bigger plans for conquest?

That is the “what-if” premise of “Munich: The Edge of War,” a smart, entertaining and well-researched mix of history and ticking-clock spy thriller, starring George MacKay (star of the Oscar winning “1917”) as a young British diplomatic aide and Jeremy Irons as British Prime Minister Neville Chamberlain.

The story is set mostly around the 1938 Munich Conference, where the British and French prime ministers, Neville Chamberlain (Jeremy Irons) and Edouard Daladier (Stephane Boucher) are trying to hammer out an agreement they hope will prevent the war they fear will follow if Hitler invades Czechoslovakia, as he has announced. Two former friends, who attended Oxford together, but who now work for opposing governments, British Hugh Legat (MacKay) and German Paul von Hartmann (Jannis Niewohner), must reconnect and covertly work together to deliver a document to the British Prime Minister that reveals Hitler’s true plan for territorial expansion.

Niewohner’s von Hartmann is an anti-Hitler German who is part of a German plot to remove the Fuhrer, led by General Hans Oster. But the plot can’t move forward unless Hitler invades Czechoslovakia, exposing his intentions to the German people, who fear another war. When von Hartmann comes in possession of a document detailing Hitler’s plan for European conquest, he hatches a plan to get the document to the British Prime Minister through his former friend Legat, who is a minor diplomat with Chamberlain’s staff.

While the central story is fictional, there is a lot of real history here. There really was a German plot to remove Hitler from power, led by General Hans Oster, in 1938, and Niewohner’s character is partially inspired by the diplomat Adam von Trott zu Solz, who was part of that. But the film’s plot about getting secret information to Chamberlain is fictional.

In September 1938, after several attempts to negotiate with Hitler over plans to invade Czechoslovakia over the Sudetenland, British, French, Italian and German leaders met, without the Czechoslovakians, in another attempt to dissuade Hitler from invading Czechoslovakia, something the British and French feared would trigger a new world war. With assurances from Hitler that he had no other territorial ambitions, Chamberlain signed the 1938 Munich agreement that allow Germany to take the Sudetenland without an invasion. Chamberlain’s appeasement of Hitler was a critical turning point in the events leading to WWII, encouraging Hitler to put his plans for conquest in motion, and it sealed Chamberlain’s legacy with the stamp of appeasement.

George MacKay (above left), Jeremy Irons (above right), Sandra Huller and Jannis Niewohner (left) are shown in ‘Munich - The

Edge of War.’ PHOTOS: FREDERIC BATIER/NETFLIX

See FILM continued on opposite page

Five new series and a film offer something for all

BY NATE BLOOM

SPECIAL TO THE JEWISH LIGHT

I was asleep at the wheel last month when “American Auto,” an NBC sit-com about a Detroit-based auto company, “sneak previewed” its first two episodes. I just caught up with those episodes, which are free to view on Peacock and online. New episodes air Tuesdays at 8 p.m.

Basic plot: a car company, called Payne, is struggling and its new CEO (Ana Gasteyer) has no auto industry experience. The flaky Payne top execs don’t help her much. They include Wesley (JON BARINHOLTZ, 42), the airhead grandson of the company’s founder.

The series was created and written by JUSTIN SPITZER, 44. He’s best known for creating and writing the NBC “Superstore” series, which ran for six seasons. His wife, JENNA BANS, 47, is best known for creating and writing the NBC series “Good Girls,” which aired for four seasons.

“Pivoting,” a dramedy series, premiered on Jan. 9 (9 p.m. on Fox). Here’s the premise: three middle aged women, who are friends, are jarred by the sudden death of a mutual friend. They decide that that “life is short” and they have to take chances to shake up their lives. In other words, pivot from what they have been doing.

GINNIFER GOODWIN, 43, plays Jodie, one of the three friends. Her most memorable roles include playing the third wife of a polygamous renegade Mormon in “Big Love” on HBO (2006-2011); a romance-seeking young woman in the hit film “He’s Just Not That into You” (2010); and Snow White on the ABC series “Once Upon a Time” (2011-2018).

Goodwin, who grew up in Memphis, is the daughter of a non-Jewish father and a Jewish mother. She was raised both Jewish and Unitarian (with more exposure to Judaism). In 2013, she said that she had left religion behind her 10 years before, but she had recently made a choice to embrace Judaism. Premiering on Jan. 20 is “Single Drunk Female,” a comedy/drama series (Freeform channel/app, 10 p.m.). SOPHIA BLACK-D’ELIA, 29, stars as Samantha Fink, an irreverent alcoholic who gets into trouble. She avoids jail by moving in with her smothering mother (played by ’80s “brat pack” star ALLY SHEEDY, 59). Both actresses have non-Jewish fathers and Jewish mothers. Black-D’Elia calls herself Jewish and Sheedy has always been secular.

“As We See It” is an American series based on “On the Spectrum,” an internationally acclaimed Israeli series. All eight, first season “As We See It” episodes will begin streaming on Amazon Prime on Jan. 21. The Amazon series, like the Israeli series, centers on three young-ish, autistic persons who live in a hostel for adults with autism. The hostel staff tries to transition these folks into independent living.

RICK GLASSMAN, 37, an American comedian, who has Asperger’s syndrome (a form of autism), plays one of the three main characters in the Amazon series. “As We See It” was created by JASON KATIMS, 61, a veteran show-writer/producer. He is the father of an autistic child.

“The Gilded Age” premieres on HBO on Jan. 24. This “prestige” series was created by, and written by Julian Fellowes, the Brit who created and wrote “Downton Abbey.” It follows the clash, in the 1880s, between the old money New York City elite and rich

newcomers. There are no Jewish characters in the first season. However, MORGAN SPECTOR, 41, whose father is Jewish, has a juicy part as George Russell, a classic “new money” robber baron. I suspect in future seasons wealthy Jewish characters will brush up against the old guard. This was the case in later seasons of “Downton Abbey.” “Cyrano,” a musical based on the famous play “Cyrano De Bergerac,” played one theater in Los Angeles last month to be Oscar-eligible. It will open in a limited number of theaters on Jan. 21 or 28 and may “expand” in following weeks. The musical “Cyrano” was first an off-Broadway show (2018). It got good, if not stellar reviews. Peter Dinklage (Tyrion in “Game of Thrones”) stars as Cyrano. The music for the stage and film versions was composed by twin brothers Ginnifer Goodwin AARON and BRYCE DESSNER, 45. They are members of The National, a popular rock band. The brothers are “Jewishlyinvolved.” While in college, Aaron worked at a Holocaust archive. When The National played Poland, he arranged an Auschwitz tour for the band and its crew.

Rick Glassman

Here’s some collected wisdom, and you can quote me

BY AMY FENSTER BROWN

It’s time for a mid-January check-in. How are you doing on your New Year’s resolutions? I have a perfect track record for the first time in my life. That’s because my 2022 resolution was to no longer make New Year’s resolutions. I outsmarted the system!

All that pressure to promise to do something bums me out. It would be great to just try my best most of the time and accept imperfection, to allow myself some days off from trying and to strive for progress over perfection.

It sounds like I’ve spent some time in the self-help section of the library. Maybe I have. In addition, I have a couple of close friends who are therapists, a few others who are in therapy and the friends who are therapists also in therapy. They’re like the Holy Grail for me. I grab pearls of wisdom from them any time I can.

In a move that is meant to be a compliment but probably comes off as super weird, I type their quotes in the notes app on my phone. They see me do it. I often ask them to repeat what they said, ask them to talk about where they came up with it or what it means to them, and then I think about it.

“Wait, Amy! This isn’t very funny,” you say. “You’re supposed to write about funny stuff!”

Yes, I am. But mixed into my well of jokes are some gems of information that fill the noncomedic crevices of my soul.

I’m sure these aren’t all original thoughts and quotes. I’m sure they’ve been passed along from friend to therapist and back again. I don’t care, I’m just glad they landed in my notes app.

FILM

CONTINUED FROM OPPOSITE PAGE

“When you act like an ostrich and bury your head in the sand, you end up leaving your backside exposed.”

I love this one. When you ignore something that’s happening and avoid dealing with it, another issue is very likely to sneak up on you. I know this quote is meant to remind us to deal with the issues head on and that when you choose not to, don’t be surprised when some other issue surprises you.

“Sometimes you find yourself in the middle of nowhere. And sometimes in the middle of nowhere you find yourself.”

This was from some picture book of sloths doing yoga that one girl in my mahjong group gave another girl in my mahjong group. Cute. Sloths are really having a moment right now. The one in this book does tough yoga poses and spews quotes about life. It managed to accomplish a lot in an ironic twist of fate, because sloths are known for being sluggish, slow and adorable. If those traits are what it took to get a book published, I’d be a best-selling author. 20/20, but it sounds so much more meaningful. Like you could justify your mess-up even more by realizing there are new facts you didn’t have when you did whatever that dumb thing was that you’ve been kicking yourself for. It’s a good quote to remember to end all that self-kicking.

“We don’t have crappy desks like this in my home.”

This was my response to my fifth-grade teacher when she said, “Amy, get your feet off the desk. Do you do this to the furniture in your own home?” Not a big lesson to learn here, I just wanted to throw in something funny to break up all of this deep introspection.

“Embrace the mess. That’s where the good stuff lives.”

This is probably supposed to remind us to enjoy the process and not just the outcome, to enjoy the journey and not just the destination, and also to remember that the mess is usually where you find your keys.

“In life you make decisions. And if they don’t work out you just make a new decision.”

I heard some actor say this on a podcast. He made it sound so easy, to be able to simply change your focus or direction when your original plan didn’t go the way you hoped it would.

“Take a risk, jump off the cliff and figure it out on the way down.”

Said by a different actor on a different podcast. These actors really spit out some philosophical words. I don’t know whether they truly mean it or they’re, well, acting. The message is great, if you can actually figure it out before you splat … literally and figuratively.

“When you’re looking through your rearview mirror, you have new facts to consider.” This is a new way of saying hindsight is

Monthly columnist Amy Fenster Brown is married to Jeff and has two teenage sons, Davis and Leo. She volunteers for several Jewish not-for-profi t groups. Fenster Brown is an Emmy Award-winning TV news writer and counts time with family and friends, talking and eating peanut butter among her hobbies. DUETTE® HONEYCOMB SHADES WITH DUOLITE®

“When the going gets tough, your mom gets tougher.”

My son’s third-grade teacher totally knows what this quote means based on that time she didn’t think before she spoke to my child in an aggressive way and was greeted by me the next morning saying the exact same sentence back to her and asking her how it made her feel. Don’t mess with moms. Just don’t.

“Good things are hidden in the quiet moments.”

It’s so true that when you ask people a question and listen to their answers and then stay quiet for a couple of seconds after they’re finished, they most likely will say a bit more and you will hear something terrific, important and/or insightful. Or their story will continue to go nowhere while you listen politely and realize the good thing in the quiet moments is when someone is actually OK just being quiet.

“If a ship veers off course by even 1 degree it will end up in an entirely different place than it was supposed to go.”

I take this two ways. If you go off direction even the tiniest bit, you could find yourself in an exciting unplanned adventure, and that could be cool. Or if you go off direction even the tiniest bit, you could end up nowhere close to what you planned and worked for, and that could really suck. Sounds like a glass half empty vs. glass half full scenario.

And finally, a quote from my husband, Jeff Brown, who likes to keep things simple, factual and in perspective.

“They know me at the bank, and they know me at Lion’s Choice … two great places to be known.”

This is a handsome, polished production, partly filmed on location in Munich, well-acted and well-directed, that builds good thriller tension while looking beneath the surface of the action. Based on Robert Harris’ novel “Munich,” Christian Schwochow directs from a screenplay by Ben Power.

We know what happened at Munich in 1938 so the real focus is on what happens to the two young diplomats, former classmates at Oxford. A big theme in the film is how Paul von Hartmann transformed from a Hitler supporter to a fervent opponent willing to risk everything to remove him from power.

At the beginning of the film, set in Oxford in 1932, we meet the three friends, Hugh, Paul and his German girlfriend Lena (Liv Lisa Fries) at a celebration. Paul drunkenly praises Hitler, enamored of his promotion of German national pride, and gets a scolding from Lena, who calls Hitler’s Nazis “thugs and racists.” But Paul waves that off, choosing instead to be dazzled by his own dreams of a proud “new Germany.” Later, we learn Lena is Jewish, which will force hard truths on Paul.

While George MacKay gets top billing and delivers his usual fine performance, his tight-lipped character is less the focus than his German former classmate. Niewohner’s Paul von Hartmann undergoes such a radical change of heart, a key theme of the film, and Niewohner gives an excellent high-octane performance in his transformation.

The fine cast all deliver in this film. Jeremy Irons gives a strong and surprisingly sympathetic performance as Chamberlin, the British Prime Minister. Ulrich Matthes is chilling as Adolf Hitler, particularly so in his scenes with Niewohner, where he alternates between instilling fear and attempting to charm. Sandra Huller, who was so wonderful in “Toni Erdmann,” is perfect as von Hartmann’s married lover and fellow conspirator Helen Winter, while August Diehl is intimidating as Nazi officer Franz Sauer, the head of Hitler’s personal security team, who is a bullying former schoolmate of von Hartmann.

As Paul and Hugh try to bridge the gap to get the German’s damning information to the British Prime Minister, a ticking-clock urgency drives in this fine British film, but the film is deepened by both its real history and the personal journeys of the two young men. “Munich: The Edge of War” does a good job of balancing thriller entertainment with its historical basis, and is aided greatly in that by a very strong cast, both British and German, and its thoughtful approach.

“Munich - The Edge of War” debuts for streaming on Netflix starting Friday, Jan. 21, and at Landmark’s Plaza Frontenac Cinema. The film is in English and German with English subtitles. Serving The Best Authentic Peking And Szechuan Cuisine Since 1978

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