Dubrovnik's Cruise Ship Tourism - a blessing in disguise

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Dubrovnik’S cruise Ship Tourism a blessing in disguise Proposal for an urban strategy with architectural interventions developed for the city of Dubrovnik, Croatia

Contact Sybille Paulsen

I email: sybillepaulsen@aol.com

I phone: +49 (0) 176 60 96 75 71

Katharina Riedel

I email: katharina.riedel@gmail.com

I phone: +49 (0) 171 15 51 70 6


02


PREFACE

Dubrovnik, the pearl of the Adriatic, is a fascinating city because of its rich cultural heritage, its history, its location and its people. It attracts many international tourists, especially cruise ship tourists due to the location at the Mediterranean Sea. The cruise industry is the fastest growing sector in the tourism industry. Consequently the city will have to adjust to the circumstances it brings along, namely the concentration of ships and passengers during the summer season which also results in a congested road network. The emerging seasonality leads to extreme fluctuations ranging between congestion and emptiness; or between a vivid cultural scene and a seasonal decline of public activities. Another critical realm is the city’s identity which focuses on the historic city core which limits Dubrovnik’s identity to the image of the Old Town and restrains its other neighbourhoods to develop their potential.

This accelerating development brings new challenges for a sustainable city development and asks for solutions how to manage the cruise ship tourism in Dubrovnik. Our project investigates possibilities to integrate cruise ship tourism in Dubrovnik’s urban development, since it is of crucial importance for the balance of the city and the everyday life of its citizens. Furthermore we propose to use the cruise ship tourism as a generator for urban development processes with all its positive and negative effects.

Our urban strategy combines a renewed overall public mobility network alongside acupunctural architectural interventions. Placed strategically throughout the city the interventions trigger urban processes which lead to a slow and therefore genuine urban development. Newly introduced alternative means of transportation link the interventions in order to increase the impact and create a more sustainable infrastructure, matched to the needs of tourists and inhabitants likewise. We state that by intensifying certain zones with new public spaces and sociocultural programms the pressure of the overly congested areas are relieved and in turn improves the city structure as a whole. The overall aim of the project is to strengthen local communities by emphasising the uniqueness of their neighbourhoods. A more diverse picture of Dubrovnik will be created while manifold local identities emerge. We propose an inventive and authentic solution for the city of Dubrovnik which is also applicable for cities from similar historical and cultural backgrounds dealing with the same issues. Additionally, the often encountered paradox of having a strong identity in a global context, but lacking identifiability on a local level is addressed.

Enjoy your reading,

Sybille Paulsen & Katharina Riedel


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TABLE OF CONTENTS

Introduction

Dubrovnik’s urban setting Impact of cruise ship tourism

07 08

Urban Strategy

The intensified Dubrovnik The intensified mobility system

10 12

Architectural Interventions

Gruz - Terminal Srdj - Libertas Museum MoMA - Art in residence Pile - Old Town Pier Lapad - Beach terrace

14 16 18 20 22

Evaluation

24 Intensification and diversification The extended mobility system handles the cruise ship 31 shuttle traffic

05


06


introduction

Dubrovnik’s urban settings

The city of Dubrovnik is taken as an example on how urban acupuncture can be used to revitalise neglected neighbourhoods and create new public spaces for social interaction. Dubrovnik’s public spaces and its further urban development are widely seen as challenging, notably since the Europan 11 competition, where the city sought solutions for new ways to explore urban life and to confine the omnipresent traffic facilities. Our project proposes an urban strategy addressing the most critical realms of the city: the mobility network, seasonality and the city’s identity. It discusses the regularly congested mobility network, as well as its prevailing seasonality due to cruise ship tourism, which leads to extreme seasonal fluctuations ranging between congestion and emptiness. Furthermore our thesis treats of the predominant focus on the historic city core which limits Dubrovnik’s identity to the image of the Old Town and restrains other neighbourhoods to develop their potential. On this basis the city loses its balance which impairs the quality of life. In order to restore this balance the cultural public life, which is already exemplary during the summer season, has to thrive throughout the entire year without recession, to enhance social interaction between the citizens instead of restricting them. The perception of the city needs to be broadened in order to explore the city‘s full potential. The overall aim of the project is to strengthen local communities by emphasising the uniqueness of their neighbourhoods. A more diverse picture of Dubrovnik will be created while manifold local identities emerge. Our developed urban strategy combines a renewed overall public mobility network alongside acupunctural architectural interventions, implemented in defined micro-urban zones. Placed strategically the interventions trigger urban processes which lead to a genuine urban development. We state that by intensifying certain zones with new public spaces and sociocultural programmes the pressure of the overly congested areas are relieved and in turn improves the city structure as a whole.

empty Stradun during winter season

the pearl of the Adriatic - Dubrovnik’s Old Town dominates the city’s identity

OLD TOWN

a holistic view - interventions on the whole city scale rebalance the urban system

crowded Old Town during summer season

congested streets in front of the Old Town

introduction 07


introduction

Impact of cruise ship tourism Dubrovnik

In our opinion the strong focus on the historic Old Town is obstructive for Dubrovnik’s urban development. On the one hand, this iconic perception is based on the tourists’ demand, for whom the Old Town poses as the main attraction. On the other hand, it is the centre of public life for the citizens, where most of the cultural events take place. This concentration seriously affects the city’s mobility. The additional traffic in the summery peak season exceeds the capacity of the infrastructure and leads to congestions. In that aspect the cohesion with cruise ship tourism is evident, whereby up to 10.000 day tourists arrive simultaneously. Those high numbers cause enormous logistics to transport the masses with shuttle busses to the Old Town. Another impact and typical by-product of this particular mass tourism is the strong seasonality. The city offers a from wide range of cultural activities for visitors and inhabitants from June to September. In the off-season tourism and happenings decline and the city’s public life becomes more or less desolated. Those aforementioned circumstances lead to extreme fluctuations, which affect the physical as well as the sociocultural structures of the city. Dubrovnik oscillates between congestion and emptiness.

Venedig

Genua

Marseilles

Montpellier

Monaco

Split

Dubrovnik

Barcelona

Istanbul

Rom

Bari

Thessaloniki

Neapel

Valencia

Alicante

Malaga

Algier

Izmir

Athen

Palermo

Gibraltar

Antalya

Rhodos

Tunis

Tel Aviv

Jerusalem

Tripolis

Benghazi

Mayor cruise destinations: #1 Caribbean #2 Mediterranean #3 Alaska

OFF–SEASON

for individual holiday travels

OFF–SEASON

cruise ship tourists

10.875

PEAK–SEASON

9.215 8.751 8.792

8.711

4.691

4.438

952 680

799

298

153

99

april

Libertas Film Festival

march

44

952 44

44

799 44

799

799

february

Carnival Festival

Chamber Musik Festival

44

44 44

44

44

44

44

44

44

44

44

44

january

Festival of St. Blaise

december

44

44

44

44

44

44

44

44

44

442

44

november

1.968

2.994 2.021 2.315

2.663

2.646 2.646

2.646

2.646

2.646

1.778

2.646

2.646

3615

3.728

3.896 2.646

1.870

1.148

1.986 1.574

1.090 638

58

525

3.019

2.839

3.477

3.769 2.507

1.572

october

2.646

4.990

4.681

5.000 passengers 4.481 4.696

4.564

4.345 2.652

2.508

2.423 1.869 248

78

594

842

september

5.396

5.958 5.500 5.062

5.489

5.582 4.112 3.385

3.903 2.950 3.026

2.549

3.004

2.695 2.315

6.092

6.636 6.634 6.317

6.581 6.001 4.345

5.048 3.774

3.538 333

6.891

7.109

7.114

7.292 6.721

6.568 4.681 4.174

Maraton lada

7.156

7.905

8.012

8.338

8.550

8.639

8.654

8.776 8.654 4.762

3.757

3.563 2.994 2.697

3.030 102

44

44

august

Summer Festival

july

Theater Festival

4.681

4.681 2.193

1.869

1.742

954

947 128

88

775

3.909 4.147

4.642

3.805

2.994

3.757 2.994 1.869

1.869

2.315 2.501

794 44

255

212

44

7.490

6.038 4.783

4.583

5.276

5.429

5.711

5.384

3.007

3.239

2.073 2.114

2.167

2.626

2.635

3.206 503

608

1.488 794

Wine and Jazz Festival

8.772

8.734

6.917

7.074

6.692 6.180 5.476

5.282

5.282 3.646 3.757

3.859

2.549 2.543

2.531 2.464 1.836 945

260 42

Shakespeare Festival

7.722

7.702

8.002

8.511

8.734

8.750

8.434 8.654

8.377 8.654

8.834 7.276

6.658

6.658

6.004

6.488

6.160

5.908

5.854

5.730

4.936 4.400 3.757

4.936

4.691

3.436 1.975 819

710

253

9.624

9.293

9.624

10.000 passengers

9.215 8.654

7.270

june

46% 11% 6%

cruise ship itineraries in the context of the Mediterranean Sea

PEAK–SEASON

may

Suez

Kairo

08 introduction

RECURRING EVENTS & HOLIDAYS

extreme seasonal fluctuations

Easter

New Year's Day Epiphany

Christmas Eve

All Saints' Day

Independence Day

Assumption Feast

Victory Day

v Anti–Facism Day Statehood Day

Corpus Christi

Labour Day

LINDO SEASON

*source: 2010 - Dubrovnik Port Authority


Cruise ship tourists

DUBROVNIK

GRUZ

OLD TOWN

cruise ships / year

cruise ships / year

cruise ships / year

705

526

179

passengers / year

passengers / year

passengers / year

871.635

611.756

259.879

Experience I 7 cities in 7 days Duration of shore leave I 4 -7 hours $$$ I tourists spend little money but cruise ships pay harbour dues

*source: 2010 - Statistic Yearbook of the Republic of Croatia

PROSPECTS

AVERAGE STAY : 7h

24%

0.5 h

0.5 h

increase - booked cruises

time spent on the ship

time spent in the harbour

1.3 Mio

1.5 h

4.5 h

increase - expected visitors

time spent commuting

time spent in the Old Town

GRUZ

OLD TOWN

Split // Ston

Cavtat // Airport

Highway E 65

179 cruise ships / year 259.879 passengers / year

526 cruise ships / year 611.756 passengers / year

Gruz

Old Town

overstrained infrastructure system due to shuttle traffic between the harbour in Gruz and the Old Town

introduction 09


URBAN STRATEGY

Mobility: creating alternative connections

Orchastrating the Masses A strategy of deconcentration was developed as an answer to the state of extreme concentration in the mobility and identity issue of the city. The seasonally congested road network is relieved by an additional public transport network which connects the city in a new way. An additional cable car links the two parts of the city via the mountain Srdj and a water taxi line connects Dubrovnik via the sea side. Both new means of transportation offer an additional alternative choice to get around in the city. The aim of the new mobility network is to orchestrate and deconcentrate the masses, hence a strategy of deconcentration, as well as creating a sustainable and easily accessible public transportation system.

Gruz Old Town

existing connection between Gruz and the Old Town

new public transport system

EXISTING TENSE SITUATION l Existing connections

by bus /car / foot

OLD TOWN 15 min

GRUZ

during peak season

OLD 45 min TOWN

GRUZ

NEW RELIEVED SITUATION l Existing connections

via bus /car / foot

OLD

GRUZ

15 minTOWN

during peak season

OLD 40 min TOWN

OLD

GRUZ

45 min TOWN

ll New connection via the mountain

by cable car

NEU

GRUZ

3 min

18 min

lll New connection via the water

OLD TOWN 21 min

by water taxi

NEU

GRUZ

10 min

10 urban strategy

25 min

32 min

OLD TOWN

OLD 70 min TOWN


URBAN STRATEGY

Identity: enhancing potential subcenters

Architectural Acupuncture Here the paradox that Dubrovnik has a very strong identity in a global context but is lacking identifiability on a local level is addressed. To equalize this phenomena of a concentrated identity the development of potential subcenters outside of the Old Town is stimulated. The research focuses on public spaces of interaction, where tourists and inhabitants already encounter each other. Moreover the specific characters of these zones were analysed to strengthen the local identity of the places. Architectural acupuncture is stimulating the urban development process by placing architectural interventions, so called „triggers“, in these three prospective subcenters. The triggers are hybrids of an infrastructural programme, ensuring the connection to the city, and a socio-cultural programme deriving from the aforementioned character analysis of the zones. Hence they link both strategic measures - the extension of the public transport system and the stimulation of the socio cultural exchange, resulting in an enriched public life and activation of the urban fabric.

Gruz Old Town

localising potential subcenters outside of the Old Town

trigger

subcenters placing architectural interventions that trigger the urban development

SOCIO CULTURAL PROGRAMM MOBILITY PROGRAMM triggers: architectural hybrids of two programmes to activate the subcenters

beaches & parks restaurants & bars cultural institutions hotels

INHABITANTS

sights

TOURISTS

subcenter analysis 1: zones of interaction among the inhabitants

subcenter analysis 2: zones of interaction among the tourists

subcenter analysis 3: overlay of zones to identify the parts of the city where tourists and inhabitants interact

subcenter analysis result: 3 subcenters are defined, where interaction among inhabitants and tourists take place, as well as a “grey area”, the zones of retreat which are untouched residential areas for the inhabitants.

zones of retreat INHABITANTS & Tourists

subcenters

INTENSIFIED CITY

urban strategy 11


Urban STRATEGY

The intensified City

1 Gruz Terminal, Gruz

2 Libertas Museum, Mount Srdj

5LAPAD

3 MoMa Artist-in-Residence, Ploce

4 Pile Station, Pile

5 Lapad Bay Sauna, Lapad

zones of interaction / envisioned subcenters

12 urban strategy

unplanned area / functioning city

unplanned area / zones of retreat


1 GRUZ

2 SRDJ

4PILE

3 MoMA

urban strategy 13


ARCHITECTURAL INTERVENTIONS 1 GRUZ

Cable Car Connection

Character Analysis

The harbour in Gruz is a segregated area, inaccessible for the inhabitants and Dubrovnik‘s biggest area without inclination. In the summer time the harbour is used to its full capacity handling up to eight cruise ships at a time. Despite the high number of cruise ship tourists that arrive here day by day hardly anyone spends time in this part of the town. Most of them immediately continue their journey to the famous Old Town at the other end of the city. During the winter season the activity decreases and the vast, cut-off harbour area is abandoned. A striking theme of Gruz is the difference in the buildings scale: from big scale cruise ships over medium size storage halls, administrative buildings and hotels to small scale housing. With its markets, cafes and restaurants Gruz is a lively area for the inhabitants.

large scale structures

segregated area

Gruz Dwellings

Access Gate (10m)

(6-20m)

Ticket Shop (17m) Kiosk (3m) Tent (4m)

Souvenirs (3m)

Halls

(58m)

Souvenirs (3m)

Halls

(58m)

Konzum Supermarket

(90m)

Konzum Supermarket

(90m)

Gruz harbour: arrival point for most cruise ship tourists Gruz Dwellings

Access Gate (10m)

(6-20m)

Ticket Shop (17m) Kiosk (3m) Tent (4m) GRUZ SHOPPING

AUTOBUSN KOLODVOR

Gruz Dwellings (6-20m) Cruise Ship Terminal

Access Gate (10m) (117m)

Ticket Shop (17m) Kiosk (3m) Tent (4m) Souvenirs (3m) Shopping Center (66m)

Halls Gruz Port Authority

Konzum Supermarket Bus Terminal

(58m)

(45m)

(90m) (86m)

GRUZ SHOPPING

AUTOBUSN KOLODVOR

Cruise Ship Terminal

(117m)

Shopping Center

GRUZ SHOPPING

(66m)

Gruz Port Authority

(45m)

Bus Terminal

(86m)

Bus Terminal

(86m)

Queen Mary 2

(341m)

Queen Mary 2

(341m)

Queen Mary 2

(341m)

AUTOBUSN KOLODVOR

Cruise Ship Terminal

(117m)

Shopping Center

(66m)

Gruz Port Authority

(45m)

Queen Mary 2

HOTEL PETKA

Queen Mary 2

HOTEL PETKA

Hotel Petka

(53m)

a playful handling of different scales

Queen Mary 2

HOTEL PETKA

100m 1:500

100m 1:500

Hotel Petka

(53m)

Hotel Petka

(53m)

100m 1:500

analytic map - main influences and characteristics on site

14 architectural interventions


ARCHITECTURAL INTERVENTIONS 1 GRUZ

Cable Car Connection

Gruz Terminal mobility programm

The new terminal building in Gruz is located next to the segregated area of the harbour. It plays with the varying scales of the site, ranging between small scale housing and large scale warehouses of the harbour. It combines a necessary mobility hub with leisure orientated programme to equalise its transient character. The building reacts to the seasonal changes of the district. It expands in the winter season and integrates the unused harbour areal, adding it to its programmatic variety. Thus the vast open area turns into an accessible park landscape and invites the citizens to reconquer this mostly unaccessible land. The building complex houses the cable car station, the international bus station, a roof top park and a flexible event space. This big open space is able to host various big events. Secondly it serves as parking spaces in the inbetween times, where no event takes place and the need for parking spots demands it.

PARK LANDSCAPE for recreation

SHOPS & CAFES for waiting & watching

EVENT SPACE for flexible uses

OUTLOOK for watching ships

main building materials

project: gruz terminal location: gruz harbour programm: cable car station, water taxi station, flexible indoor space, roof park and car park plot area: 14.312 m2 gross floor area: 11.451 m2 floor area ratio: 0,8 outdoor floor area: 16.885 m2 building height: 11 m above ground

2:00 pm / 28. October: kite festival

architectural interventions 15


ARCHITECTURAL INTERVENTIONS 2 SRDJ

Cable Car Connection

Character Analysis

The view from Mount Srdj over Dubrovnik, the Adriatic sea and the mountains is majestic. From up there the city can be perceived as a whole and the visitor can observe the urban life with distance. The existing cable car station houses a cafe, souvenir shop and an outside amphitheatre. Right beside the station is the imperial fortress build by Napoleon which hosts a war museum today to commemorate the defence of Dubrovnik during the war in the 1990’s.

Dubrovnik and Mount Srdj

view from cable car station

analytic map - main influences and characteristics on site

16 architectural interventions


ARCHITECTURAL INTERVENTIONS 2 SRDJ

Cable Car Connection

Libertas Museum mobility programm

The cable car station connects Gruz with the high plateau of the local mountain Srdj. Architecturally the station is carved into the mountain with a 360° roof terrace, overlooking Dubrovnik‘s stunning landscape. The building houses the “Libertas Museum” which broaches the issue of Dubrovnik‘s independence in the course of history. Thereby the new Libertas Museum creates a counterpart to the already existing war museum located at the other cable car station towards the Old town. Thus the panoramic view can be perceived with two very different connotations; one of war and destruction and one of freedom and peace. From the entrance the visitor is lead through the museum along a ramp, passing an exhibition about the city’s historic development. The waiting hall provides enough space for small events, like lectures or temporary exhibitions. INTERACTIVE EXHIBITION for educating & discussing

PANORMA TERRACE for overviewing the city

LIBERTAS MUSEUM for educating

project: libertas station location: mount srdj programm: cable car station and city museum plot area: 1.400 m2 gross floor area: 1.785 m2 floor area ratio: 0,78 outdoor floor area: 2.700 m2 building height: 6.454 m above ground

main building materials

12:01 am /1. January: new years celebration

architectural interventions 17


ARCHITECTURAL INTERVENTIONS 3 MoMa

Water Taxi Connection

Character Analysis

The district of Ploce consists of residential housing, cultural institutions like the Museum of Modern Art and hotels alined at the shore. The hotels are mostly four or five star accommodations with a great and unique view on the Old Town of Dubrovnik. The Lazareti and the Revelin, which are found on the way to the Ploce Gate, house cultural events like parties, concerts and exhibitions. The popular Banje beach is situated between the Old Town and Excelsior hotel. This is a thriving and lively public space in the summer time .

Banje Beach

MoMA

Hotel Excelsior

Ploce

Banje beach

Lazareti with the Revelin in the background

view from Hotel Excelsior to the Old Town

hotels beaches cultural insitutions

analytic map - main influences and characteristics on site

18 architectural interventions


ARCHITECTURAL INTERVENTIONS Water Taxi Connection 3 MoMa

Artist-in-residence mobility programm

This hybrid of an artist residence and a water taxi station is located directly in front of Dubrovnik‘s Museum of Modern Art. It connects the Museum to the coastline and accentuates the slightly hidden institution with a public space arranged in front of it. The building cascades down alongside the cliffs, thereby connecting the water taxi pier with the street level. Nestling to the coastline it keeps the panoramic view on the Old Town for the expensive hotels intact. The artist studio spaces for the artists are connected via an publicly accessible path system, allowing the visitors to have an insight into the artists work. This provokes interaction among the different users. The artists private and collective rooms are located more remotely underneath the studios, allowing privacy and contemplation. PUBLIC SQUARE for seeing & being seen

OPEN STUDIO for teaching & exhibiting

Beach deck ARTIST STUDIOS for sunbathing & swimming for creating & studying

project: MoMA residence location: ploce programm: water taxi pier and artist-in-residence plot area: 1086 m2 gross floor area: 516 m2 floor area ratio: 0,4 outdoor floor area: 873 m2 building height: 22,9 m above ground

main building materials

4:00 pm / 2. June: artist in residence open studio exhibition

architectural interventions 19


ARCHITECTURAL INTERVENTIONS 4 Pile

Water Taxi Connection

Character Analysis

The drop-off area for the public busses, taxis and private cruise coaches is located in front of the Pile Gate, hence this gate is the main entrance to the Old Town. During the summer season it is congested and overcrowded. Meanwhile the two other gates to the Old Town, Buza and Ploce Gate, are hardly used. The sidewalks along the moat are very narrow and close to the busy streets, making it difficult for tourist groups to use them. Potential areas that are currently used as car parks and taxi hubs have the potential to be converted into a pedestrian park connecting the gates and profiting from the impressive views on the city walls.

BUZA GATE

PILE GATE

PLOCE GATE

current traffic situation in Pile

Potential !

exisiting park on sea level

congested Pile Gate

parking in the moat

cabel car station

W

NE

Bus station & parking

PILE GATE

BUZA GATE

PLOCE GATE

New Bus station & Car park access to Old Town bus traffic analytic map - main influences and characteristics on site

20 architectural interventions


ARCHITECTURAL INTERVENTIONS Water Taxi Connection 4 Pile

Old Town Pier mobility programm

Next to the architectural intervention a redesign on urban level is planned. In order to deconcentrate the pile drop-off area the private cruise ship shuttle coaches and the taxi drop-off are relocated to a new spot at Buza Gate. There the construction of multi-use car park and infrastructural hub should be considered. The parking facilities for cars should be gathered in this new building as well, clearing the potential areas in the moat for a pedestrian connection. Predominantly the urban and architectural interventions are meant to orchestrate the masses that want to get in and out of the Old Town. The water taxi station relieves the public transport on street level and creates an inviting public space on water level. The architectural interventions are minimal: two roofs offer shelter from the weather and create space to improvise a public use, e.g. a market. The pier prominently reaches out to the open sea between the rocks. Its roof creates a waiting area for the water taxi passengers. At the other end big stairs connect the park with the street level.

ROOF for waiting & resting

ROOF for playing & interaction

13

GARDEN for relaxing & gathering

main building materials

GARDEN for playing & interaction

project: pile pier location: pile programm: water taxi pier and flexible sheltered space for improvised programm plot area: 4.884 gross floor area: 345 m2 floor area ratio: 0,07 outdoor floor area: 1.460 m2 building height: 5 m above ground

1:00 pm / 28. August: market and lido performance

architectural interventions 21


ARCHITECTURAL INTERVENTIONS 5 LAPAD

Water Taxi Connection

Character Analysis

The bay’s shore is alternating between rocky cliffs, pebble beaches and man-made shapes and stairs taming the rough nature. Lapad bay is a popular beach in Dubrovnik and used by locals and tourists likewise. The coastline is lined with hotels promising great views and access to the sea. In the summer time the area is very vivid and the area celebrates body culture and the experience of the senses: swimming, sun bathing, sailing, playing, relaxing. The lack of a proper winter programme leaves the bay abandoned during the off season.

shore variation: man made vs. natural rocky coastline

enjoying the warm water

lively summer season

abandoned winter season

hotels beaches bathing areas 100m 1:2000

analytic map - main influences and characteristics on site

22 architectural interventions


ARCHITECTURAL INTERVENTIONS Water Taxi Connection 5 LAPAD

Beach Terrace mobility programm

The seasonal differences can be clearly experienced in the Lapad Bay. As soon as the temperatures drop in wintertime and the sea turns cold the bay is abandoned and empty. The architectural intervention responds to this phenomena by offering different uses for the two seasons, introducing a winter programme for the bay. During winter a sauna landscape takes advantage of the cold water temperatures. In summer the terrace serves as a beach deck for sunbathing and sporty activities. In both seasons the intervention stays authentic to the bays characteristic theme “body culture�. The building nestles against the rocky coast line, hiding the sauna and change rooms inside the cliffs. The sun deck mimics the manmade shapes that are already present in the design of the bay. The water taxi connection makes the area easily accessible by sea. The Lungomare, which encloses the bay, guarantees access by foot.

13

WATER TAXI PIER for arriving & departing

SAUNA Beach deck for sunbathing & swimming for relaxation

project: beach terrace location: lapad bay programm: water taxi station, sun deck & sauna plot area: 1.226 m2 gross floor area: 233m2 floor area ratio: 0,19 outdoor floor area: 993 m2 building height: 4 m above ground

main building materials

8:00 am / 11. November: cooling off after the sauna

architectural interventions 23


EVALUATION

Intensification and diversification

The project intents to transform Dubrovnik into a versatile and balanced city; we call it the intensified Dubrovnik. By this means the city becomes resilient and adaptable. Due to that progression the city is capable to absorb the seasonal fluctuations on every level and thus minimises its subsequent effects. The project explaines how targeted interventions can function as a catalyst for fundamental urban transformations. The punctual intensification and diversification of small defined „micro-hubs“ in the different neighbourhoods are minimal operations, which achieve maximal results. Urban processes are provoked and ideally implemented with the participation of the citizens. Furthermore the project strives to initiate a sustainable development for the city on different levels. Firstly the new mobility system reduces the road users and introduces ecofriendlier means of transportation, emitting less C02. Secondly a social sustainability is envisioned by supporting sociodiversity and interaction. Thus the local communities are strengthened, leading to vivid neighbourhoods and enhancing the quality of life for the citizens. For the implementation and the final definition of the trigger-projects a democratic process is favoured, which should ideally be based on the participation of the citizens together with the local authorities. In that way the development will be authentic and fruitful. This strategy has the major advantage that it can be implemented in phases and to a flexible extent, concerning available budgets and resources as a point of origin. Therefore the developed approach is equally applicable during times of the global economic crisis.

For the interpretation of our research we would like to place the project in the context of the „urban acupuncture“ methodology. In the current urban and architectural discourse this approach is intensely discussed and seen as an innovative alternative to large-scale master planning. The method got already applied in cities like Curitiba in Brazil. Jamie Lerner, architect and the city‘s mayor, succeeded to revitalise the entire city system by stimulating problematic neighbourhoods punctually.

“Strategic punctual interventions can create a new energy and help the desired scenario to be consolidated. This is “Urban Acupuncture”: it revitalises an ... area and its surroundings through a simple touch of a key point. Just as in the medical approach, this intervention will trigger positive chainreactions, helping to ... enhance the whole system. There are three fundamental issues that are key to the good quality of urban life: sustainability, mobility and sociodiversity.“ Jamie Lerner, Harvard Business Review, 2011 newly activated buildings

24 evaluation

buildings within subcenters

buildings inbetween

buildings in zones of retreat


a balanced city: offering a gradient of interaction ranging between intense subcentres and zones of retreat

evaluation 25


EVALUATION

The intensified Gruz

Gruz terminal serves as a landmark and combines the functions of a mobility hub with a flexible event space and a public park. It introduces leisure activities in an area dominated by its roughness and transitory character. The intensification of the zone begins with the enrichment of the core programme with more diverse uses. Improvised activities take place like skating or movie screenings. This adoption of the place by the citizens triggers the settlement of new active programme along the harbour road.

Bars

Roller Disco

Clubs

Restaurants

Shops

Concerts

Cinema

Skating

Flexible Space

Park

Shops & CafĂŠs

Bus Station *

Ferry Terminal *

Cable Car Station

* inoperable due to stormy weather

summer

winter

summer

winter

summer

winter

INTENSIFICATION within the ZONE ENRICHMENT of CORE PROGRAMME IMPLEMENTATION of CORE PROGRAMME

diversification over time - rhythms and life cycles of the urban space

the gradual settlement of new public programmes

26 evaluation

already activated buildings

phase 01

phase 02


EVALUATION

The intensified Srdj

Srdj station connects Gruz and the Old Town. At the same time the Libertas Museum gives an input to the visitors, influencing his perception on the city panorama. The core programme will be diversified with events like lectures and public celebrations. It is not intended to intensify this area with new buildings, it will have its effect on the valley stations

Planting The Park Lectures

Independence Day Party

New Years Celebration

Park

Panoramic Photo Point

Libertas Museum

*

Cable Car Station

* inoperable due to stormy weather

summer

winter

summer

winter

summer

winter

INTENSIFICATION within the ZONE ENRICHMENT of CORE PROGRAMME IMPLEMENTATION of CORE PROGRAMME

diversification over time - rhythms and life cycles of the urban space

the gradual settlement of new public program

already activated buildings

phase 01

phase 02

evaluation 27


EVALUATION

The intensified MoMA

The MoMA artist-in-residence programme reemphasises the city‘s edge behind the Old Town, focussing on artistic culture. In the process of adoption to the new activation the core programme of artist studios and exhibition spaces will be enriched by art classes, art fairs and performances for the Summer Festival. These additional activities trigger the intensification of the zone with new settlement of for example galleries, studios, shops for art supplies and bars.

Galeries Artist Studios Art Supplies Bars

Fishing Supplies

Dubrovnik Art Fair

Beach Party

Performing Summer Festival

Art Classes

Fishing Competion

Fishing

Diving Contest Beach Deck

Exhibition Space

New Artists Moving In

Artist Studios *

Water Taxi Pier

* inoperable due to stormy weather

summer

winter

summer

winter

summer

winter

INTENSIFICATION within the ZONE ENRICHMENT of CORE PROGRAMME IMPLEMENTATION of CORE PROGRAMME

diversification over time - rhythms and life cycles of the urban space

the gradual settlement of new public program

28 evaluation

already activated buildings

phase 01

phase 02


EVALUATION

The intensified Pile

Pile Old Town pier establishes a new access to the Old Town by the waterfront. Its main task is to organise and distribute the flow of people. Additionally the flexible space at the square can shelter spontaneous public activities, like performances and sports. The triggered intensification of the surrounding mainly influences the Old Town Moat, which has the potential to become a lush green connecting park with locations for urban farming.

Gardening in the Moat

Kayak Rental

local boat repair

Location for the Dubrovnik Sweets Festival

Summer Festival Performance

Indoor Sports (eg. Ping Pong)

Ping Pong Tournament

Ice Cream Parlour

Flexible Space

Garden

Playground *

Water Taxi Pier

* inoperable due to stormy weather

summer

winter

summer

winter

summer

winter

INTENSIFICATION within the ZONE ENRICHMENT of CORE PROGRAMME IMPLEMENTATION of CORE PROGRAMME

diversification over time - rhythms and life cycles of the urban space

the gradual settlement of new public program

already activated buildings

phase 01

phase 02

evaluation 29


EVALUATION

The intensified Lapad

Lapad beach terrace introduces new uses during the winter season in Lapad Bay, keeping the zone vivid almost all year long. The enrichment of the core programme foresees events like new year bathing, beach parties or using the Lapad terrace as a stage for Summer Festival performances. The developments in that area will trigger similar new venues to settle around the bay, like whirlpools, saunas and sport facilities.

(converted) Saunas

Whirlpools

Massages

Sport Facilities

Beach Party

Summer Festival Performance

New Year Bathing

Cool Off

Sauna

Sundeck *

Water Taxi Pier

* inoperable due to stormy weather

summer

winter

summer

winter

summer

winter

INTENSIFICATION within the ZONE ENRICHMENT of CORE PROGRAMME IMPLEMENTATION of CORE PROGRAMME

diversification over time - rhythms and life cycles of the urban space

the gradual settlement of new public program

30 evaluation

already activated buildings

phase 01

phase 02


EVALUATION

The extended mobility system handles the cruise ship shuttle traffic

GRUZ

8.

1. 2.

OLD TOWN 9.

current shore excursion itineraries - the few connecting streets between Gruz and the Old Town are easily congested - poorer experience for the cruise ship tourists

GRUZ

8.

1. 2.

OLD TOWN 9.

possible future shore excursion itineraries - using the new mobility system relieves the city traffic - manifold first impressions for the tourists

evaluation 31


ABOUT

The authors Sybille Paulsen and Katharina Riedel, both young architects based in Berlin, graduated from the University of Technology Berlin in 2012 with the diploma thesis „Dubrovnik Cruiseship Tourism- a blessing in disguise“ at the chair of Prof. Bostjan Vuga. Their fields of research are urban processes and the composition of public space.

Sybille Paulsen Sybille undertook further education at the Royal Danish Academy of Fine Arts, School of Architecture, Copenhagen. During her studies she assisted Prof. Susanne Hoffmann, founder of the office Baupiloten, in developing and leading several participation based workshops. She has worked for Graft Architects, Berlin and is currrently practising as an artist and designer.

Katharina Riedel Katharina undertook further education at the Delft University of Technology. During her studies she participated in multiple international workshops e.g. at Tsinghua University in Bejing and with die Angewandte, Vienna. She has worked several years as a student tutor at the University of Technology Berlin and in various offices amongst others NL architects, Amsterdam. Currently she is working as an architect in Berlin, establishing her own architecture and urbanism practice.


imprint

The Authors Sybille Paulsen (Dipl.-Ing. of Architectural Studies) Katharina Riedel (Dipl.-Ing. of Architectural Studies)

Project phase December 2011 - June 2012 within the framework of the University of Technology Berlin Guest Professor Boštjan Vuga Straße des 17. Juni 152 10623 Berlin

Concept, design, composition Sybille Paulsen, Katharina Riedel All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording otherwise, without the prior written permission from the authors.

Sources If not mentioned otherwise, for sketches, models, photography, plans, and computer-generated pictures: Sybille Paulsen, Katharina Riedel

Disclaimer The authors have taken every effort to trace the copyright holders of photographs and plans reproduced in this edition. Should any copyright holders be missed, we ask those affected to contact the authors.

Contact Sybille Paulsen

I email: sybillepaulsen@aol.com

I phone: +49 (0) 176 60 96 75 71

Katharina Riedel

I email: katharina.riedel@gmail.com

I phone: +49 (0) 171 15 51 70 6 33


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